Foamy Quotes

We've searched our database for all the quotes and captions related to Foamy. Here they are! All 100 of them:

Take bread away from me, if you wish, take air away, but do not take from me your laughter. Do not take away the rose, the lance flower that you pluck, the water that suddenly bursts forth in joy, the sudden wave of silver born in you. My struggle is harsh and I come back with eyes tired at times from having seen the unchanging earth, but when your laughter enters it rises to the sky seeking me and it opens for me all the doors of life. My love, in the darkest hour your laughter opens, and if suddenly you see my blood staining the stones of the street, laugh, because your laughter will be for my hands like a fresh sword. Next to the sea in the autumn, your laughter must raise its foamy cascade, and in the spring, love, I want your laughter like the flower I was waiting for, the blue flower, the rose of my echoing country. Laugh at the night, at the day, at the moon, laugh at the twisted streets of the island, laugh at this clumsy fool who loves you, but when I open my eyes and close them, when my steps go, when my steps return, deny me bread, air, light, spring, but never your laughter.
Pablo Neruda
Why couldn't the merciful God turn down the sunlight so it wasn't blasting like a red furnace against his aching eyes? Because he'd worshipped the god of beer, thats why. He'd broken a commandment and worshipped the false and foamy god of beer. And now he was being punished.
Nora Roberts (Blue Smoke)
If you've seen a crab's mouth, all foamy and gross with whiskers and snapping bits, you can imagine this one didn't look any better blown up to billboard size.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Mother, monogamy, romance. High spurts the fountain; fierce and foamy the wild jet. The urge has but a single outlet. My love, my baby. No wonder those poor pre-moderns were mad and wicked and miserable. Their world didn’t allow them to take things easily, didn’t allow them to be sane, virtuous, happy. What with mothers and lovers, what with the prohibitions they were not conditioned to obey, what with the temptations and the lonely remorses, what with all the diseases and the endless isolating pain, what with the uncertainties and the poverty—they were forced to feel strongly. And feeling strongly (and strongly, what was more, in solitude, in hopelessly individual isolation), how could they be stable?
Aldous Huxley (Brave New World)
Even if I tried to tell myself that I had given him nothing, that the children were mostly mine, that they had remained within the radius of my body, subject to my care, still I couldn't avoid thinking what aspects of his nature inevitably lay hidden in them. Mario would explode suddenly from inside their bones, now, over the days, over the years, in ways that were more and more visible. How much of him would I be forced to love forever, without even realizing it, simply by virtue of the fact that I loved them? What a complex foamy mixture a couple is. Even if the relationship shatters and ends, it continues to act in secret pathways, it doesn't die, it doesn't want to die.
Elena Ferrante (The Days of Abandonment)
I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end. Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead. The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface. The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat. "No, Katniss! No! You can't go!" But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.
Suzanne Collins
What a complex foamy mixture a couple is. Even if the relationship shatters and ends, it continues to act in secret pathways, it doesn't die, it doesn't want to die.
Elena Ferrante (The Days of Abandonment)
When Pidge wakes up, let me know, okay?” he said in a soft voice. “I got spaghetti, and pancakes, and strawberries, and that oatmeal shit with the chocolate packets, and she likes Fruity Pebbles cereal, right, Mare?” he asked, turning. When he saw me, he froze. After an awkward pause, his expression melted, and his voice was smooth and sweet.“Hey, Pigeon.” I couldn’t have been more confused if I had woken up in a foreign country. Nothing made sense. At first I thought I had been evicted, and then Travis comes home with bags full of my favorite foods. He took a few steps into the living room, nervously shoving his hands in his pockets. “You hungry, Pidge? I’ll make you some pancakes. Or there’s uh…there’s some oatmeal. And I got you some of that pink foamy shit that girl’s shave with, and a hairdryer, and a… a….just a sec, it’s in here,” he said, rushing to the bedroom. The door opened, shut, and then he rounded the corner, the color gone from his face. He took a deep breath and his eyebrows pulled in. “Your stuff’s packed.” “I know,” I said. “You’re leaving,” he said, defeated.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I know now with blind certainty that no matter what, eventually marriage is just two financially interdependent strangers staring across the kitchen table at each other. They have backpacks slung across their bodies, containing their sexual and romantic history and unresolved issues and family memories. And there´s nothing but cold cereal, because the days of flaky croissants and foamy cappuccino are over. Reality reclines on top of the refrigerator, leering down with a wry yet tender expression. And one day it all just collapses and the backpacks are hauled away to another kitchen table.
Suzanne Finnamore (Split: A Memoir of Divorce)
It’s not really wine,” he said. “It’s Diet Coke. And if anyone ever serves you brown wine with a foamy head, send it back.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Foamy and frothy, ribbons white, reflecting soft sunbeams to our delight, foaming in crests, rippling warm sands, tracing their patterns on the dry land. From The poem, " Seashore
Suzy Davies (Celebrate The Seasons)
The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!
Charlotte Brontë (Jane Eyre)
There was sadness in everything—in the room, in the ringing bird-calls from the garden, in the lit, golden lawn beyond the window, with its single miraculous cherry-tree breaking in immaculate blossom and tossing long foamy sprays against the sky. She was sad to the verge of tears, and yet the sorrow was rich—a suffocating joy.
Rosamond Lehmann (Dusty Answer)
That was a cozy night, a happy night; lamps lit, sparkle of glasses, rain falling heavy on the roof. Outside, the treetops tumbled and tossed, with a foamy whoosh like club soda bubbling up in the glass. The windows were open and a damp cool breeze swirled through the curtains, bewitchingly wild and sweet.
Donna Tartt (The Secret History)
Accept as the days and nights go by that you are a walking skeleton, an ambulatory miracle of meat. New thoughts come, but they arrive from beyond the foam, beyond the foam, beyond the foamy sponge of your brain.
Jon Padgett (The Secret of Ventriloquism)
A salaam aleikum.” The elderly Irishwoman has a foamy cloud of white hair and a zigzag cashmere poncho. You wouldn’t cross her.
David Mitchell (The Bone Clocks)
(She) says that she's finding it especially hard to take when these earnest ravaged folks at the lectern say they're `Here But For the Grace of God,' except that's not the strange thing she says, because when Gately nods hard and starts to interject about `It was the same for--' and wants to launch into a fairly standard Boston AA agnostic-soothing riff about the `God' in the slogan being just shorthand for a totally subjective and up-to-you `Higher Power' and AA being merely spiritual instead of dogmatically religious, a sort of benign anarchy of subjective spirit, Joelle cuts off his interjection and says that but that her trouble with it is that `But For the Grace of God' is a subjunctive, a counterfactual, she says, and can make sense only when introducing a conditional clause, like e.g. `But For the Grace of God I would have died on Molly Notkin's bathroom floor,' so that an indicative transposition like `I'm here But For the Grace of God' is, she says, literally senseless, and regardless of whether she hears it or not it's meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in.
David Foster Wallace (Infinite Jest)
Outside, the treetops tumbled and tossed, with a foamy whoosh like club soda bubbling up in the glass. The windows were open and a damp cool breeze swirled through the curtains, bewitchingly wild and sweet.
Donna Tartt (The Secret History)
an indicative transposition like ‘I’m here But For the Grace of God’ is, she says, literally senseless, and regardless of whether she hears it or not it’s meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in.
David Foster Wallace (Infinite Jest)
And suddenly there came a breeze from the east, tossing the top of the wave into foamy shapes and ruffling the smooth water all round them. It lasted only a second or so but what it brought them in that second none of those three children will ever forget. It brought both a smell and a sound, a musical sound. Edmund and Eustace would never talk about it afterwareds. Lucy could only say, "It would break your heart." "Why," said I, "was it so sad?" "Sad!! No," said Lucy.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Then Mr. Daddy Long-legs And Mr. Floppy Fly Rushed downward to the foamy sea With one sponge-taneous cry; And there they found a little boat, Whose sails were pink and gray; And off they sailed among the waves, Far, and far away.
Delia Owens (Where the Crawdads Sing)
He had never seen the ocean before; he knew it only as the featureless blue void between the detailed continents on his father’s old globe. But now he saw that it was anything but featureless; distant blue swells rising and falling, like great lungs tasked to power the surging and receding of the foamy waves washing across the shoreline beyond them.
Jack Croxall
Flotsam said, “He thinks I shouldn’t do surfboard self-defense on four squids that flip us off and stole my juices when I was rippin’. They thought it was cooleo till one of them caught my log upside his head when I snaked him on the next wave.” “What?” Ronnie said. “All I said was,” Jetsam said to Flotsam, “You should cap the little surf Nazi if you wanna turn him into part of the food chain, not torpedo him till he’s almost dead in the foamy.
Joseph Wambaugh (Hollywood Crows (Hollywood Station, #2))
Do you like to watch blood? Do you like to watch your own blood? Do you like to watch any blood spurting, gurgling, gushing, falling into very clear clean glass containers, missing and falling on to the floor sometimes, going all over until everything is that funny foamy red color, with all your towels, rugs, cloths and sponges soaked and the smell . . . ? Do you? Do you like to watch flesh being snipped, sliced, carved, shredded and made over. Do you? Do you like to watch your own flesh . . . . . . . . . ?
David R. Bunch (Moderan)
I step behind her at the sink, reach my arms over hers and pump some foamy soap into my palm before I start scrubbing her hands with mine.
Kate Oliver (Jaxon (Daddies of Pine Hollow Book, #1))
they grew dark and foamy in the cool.
Donna Tartt (The Secret History)
What a complex foamy mixture a couple is. Even if the relationship shatters and ends, it continues to act in secret pathways, it doesn’t die, it doesn’t want to die.
Elena Ferrante (The Days of Abandonment)
foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange
David Foster Wallace (Infinite Jest)
I walked to the lip of the water and let the foamy tongue of the rushing liquid lick my toes. A sand crab burrowed a hole a few inches from my foot and then disappeared into the damp sand.…
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
Of course, the happy shutterbug couldn't have known that his picture of a dildo keel would soon inspire a plot leading to murder and ensnare human beings like dolphins in a gill net. For he was just a San Diego cop who drove a boat, not a true man of the sea. Not one who understands in his soul that the actions of people are like the tides that chase the moon but invariably come crashing back, with all manner of thrashing things roiling in their foamy wake.
Joseph Wambaugh (Floaters: A Novel)
her trouble with it is that ‘But For the Grace of God’ is a subjunctive, a counterfactual, she says, and can make sense only when introducing a conditional clause, like e.g. ‘But For the Grace of God I would have died on Molly Notkin’s bathroom floor,’ so that an indicative transposition like ‘I’m here But For the Grace of God’ is, she says, literally senseless, and regardless of whether she hears it or not it’s meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in.
David Foster Wallace (Infinite Jest)
I am mad with joy.--At least I think it's joy. Strangers have come, and it's a whole new game. I kiss the ice on the frozen creeks, I press my ear to it, honoring the water that rattles below, for by water they came: the icebergs parted as if gently pushed back by enormous hands, and the ship sailed through, sea-eager, foamy-necked, white sails, riding the swan-road, flying like a bird! O happy Grendel! Fifteen glorious heroes, proud in their battle dress, fat as cows!
John Gardner
FROM TIME TO TIME, there was talk among the astronauts that it might be nice to have a drink with dinner. Beer is a no-fly, because without gravity, carbonation bubbles don’t rise to the surface. “You just get a foamy froth,” says Bourland. He says Coke spent $450,000 developing a zero-gravity dispenser, only to be undone by biology. Since bubbles also don’t rise to the top of a stomach, the astronauts had trouble burping. “Often a burp is accompanied by a liquid spray,” Bourland adds.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
As she spoke, her bottom lip looked like it might burst. “Oor Louise has special needs, and her school has donkeys. Does yer school have donkeys?” “No.” “Well, ah think ye should go to her school because it has donkeys.” She took a satisfied tug on the foamy beer.
Douglas Stuart (Shuggie Bain)
poems. (illustration ill.32) On May 12, the whole party came out onto the terrace to watch Shelley’s schooner-rigged ship skim into the bay, heeling sharply and trailed by a dark foamy wake. “She is a most beautiful boat,” Shelley exclaimed with delight. However, Mary
Charlotte Gordon (Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley)
Oh, Haifa. City of glistering grime, smog hovering over foamy sea. Of blocky apartment buildings facing the coast, topped with white water tanks crowded together like flocks of squat storks. Of palm trees and pine trees and electric wires, twisting green and black toward the chalky beachfront and rows of factory smokestacks. The way you put it once, Laith, your voice warped to mimic a radio announcer: 'Welcome to Haifa: you may die an early and also agonizing carcinogenic death, but at least you'll have a killer view from your hospital room.
Moriel Rothman-Zecher (Sadness Is a White Bird)
The rain was still falling, but the darkness had parted in the west, and there was a pink and golden billow of foamy clouds above the sea. “Look at that,” she whispered, and then after a moment: “I’d like to just get one of those pink clouds and put you in it and push you around.
F. Scott Fitzgerald (The Great Gatsby)
How much of him would I be forced to love forever, without even realizing it, simply by virtue of the fact that I loved them? What a complex foamy mixture a couple is. Even if the relationship shatters and ends, it continues to act in secret pathways, it doesn't die, it doesn't want to die.
Elena Ferrante
It seemed like everyone was wrapping themselves in chrysali and having late-in-life emergences as different kinds of creatures, and what this made clear was that we weren't becoming anything. We felt like caterpillars who didn't know that being a caterpillar wasn't the endgame. We felt like foamy pond water.
Sam Cohen (Sarahland)
My sheets were damp with sweat. I got up and stuck my head out the window and took a few breaths. The chill air was so refreshing that I decided to put on some clothes and go for a walk. The moon was full and very bright. Everything was silent except for the chirp of the crickets and the full foamy toss of the wind in the trees.
Donna Tartt (The Secret History)
It was unbelievably wild. Some continued to shout threats in their outrage and frustration, while others, both men and women, filled the air with a strangely brokenhearted and forlorn sound of weeping, and the officers found it difficult to disperse them. In fact, they continued to mill angrily about even as firemen in asbestos suits broke through, dragging hoses from a roaring pumper truck and spraying the flaming car with a foamy chemical, which left it looking like the offspring of some strange animal brought so traumatically and precipitantly to life that it wailed and sputtered in protest, both against the circumstance of its debut into the world and the foaming presence of its still-clinging afterbirth....
Ralph Ellison (Three Days Before the Shooting...)
When I started working in commercials, I quickly learned some rules for hawking products: 1. Audiences like their soda in frosty mugs. It should look straight out of Santa’s Village. 2. People respond to cereal floating in foamy milk. 3. When lapping up soup, viewers like to see kids dressed in cable knit sweaters by a fire. 4. A golden retriever in the background never hurt the sale of anything.
Kirk Cameron (Still Growing: An Autobiography)
They had done the hard, immediate work of shock and grief so deep they drowned and the awful, unfair work of insurance paperwork and canceling mail and credit cards and magazine subscriptions. Then they had done the work of grief as tide, receding until the ground seemed almost dry, then rushing back in, foamy and cold. Now they were in the forever part, the endless low-level blue that had become a presence more than an absence. It was the ocean they swam in or the ocean that sloshed
Ramona Ausubel (The Last Animal)
He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness. Lazily soaping himself, he gave examples. When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of dead-looking snow. It had taken him some time to get back to his usual equanimity. He slid down in the warm, foamy water until just his face and his knobby white knees were exposed. Once he had read Wuthering Heights over a weekend and gone to school susceptible to any heroine, only to have the girl who sat in front of him, whom he had admired for some months, emit a loud fart which had murdered him in a small way and kept him from speaking a word to anyone the whole week following. He had laughed at a very funny joke about a Negro when Irwin told it at a party, and then the following day had seen some white men lightly kicking a Negro man in the pants, and temporarily he had questioned laughter altogether. He had gone to several universities with the vague exaltation of Old Man Axelrod and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness. He had come to take shallower breaths, and the two had become mercifully mixed into melancholy contentment. He wondered how pain would breach that low-level strength. "I'm a small man of definite limitations," he declared to himself, and relaxed in the admission.
Edward Lewis Wallant (The Tenants of Moonbloom)
Maybe he, like Mum, believed God had delivered three extra children, one-two-three, as a sign of His plan for this couple's long, long friendship. But God had also delivered to him the Oxford Paper Company, and the foamy river it sat upon. And the long working hours it required. And the poison it put in the air. Three more girls from God might portend a long married life, but a multi-acre paper mill, with much heat but no heart, could make for still competition if it decided to bestow the opposite. Maybe it was the work.
Monica Wood (When We Were the Kennedys: A Memoir from Mexico, Maine)
Imagine you are about to bite into an apple. Imagine never having bitten into an apple before. The fruit at your lips is an unknown thing. It might burst like a tomato! Yield like a peach! Snap like a carrot! You have no idea about its insides: what colour or texture. You have no reason to suspect it will be cloud-white, bloodless, foamy, crisp. An apple, could be like an orange: segmented, oozy. An apple could be salty and jaw-breaking like a rock. This is what it was like for me, the first time I heard Chopin play the piano.
Nell Stevens (Briefly, A Delicious Life)
Genevieve’s “I Love You” Birthday Cake 2 ¾ cups sifted cake flour (unbleached) 4 tsps. baking powder ¾ tsp. salt 4 egg whites (organic) 1 ½ cups white sugar ¾ cup butter (do NOT substitute) 1 cup milk (organic) 1 tsp. PURE vanilla extract 1 tsp. almond extract Measure sifted cake flour, baking powder, and salt; sift together three times. In a mixing bowl, beat egg whites until foamy. Add ½ cup of sugar gradually, and continue beating only until meringue will hold up in soft peaks. In a separate bowl, beat butter until smooth. Gradually add remaining 1 cup of sugar, and cream together until light and fluffy. Add sifted ingredients alternately with milk a small amount at a time, beating each addition until smooth. Mix in flavorings. Add meringue, and mix thoroughly into batter. Spread batter in a 15x10x1 inch pan which has been lined on the bottom with parchment paper. Bake at 350 degrees F for 30 to 35 minutes. Cool cake in pan 10 minutes, then remove from pan and transfer to a wire rack to finish cooling. You can also bake this cake in two 9 inch round pans for 30 to 35 minutes, or in three 8 inch round pans for 25 to 30 minutes.
Heatherly Bell (The Starlight Hill Series (Starlight Hill #1-3))
You just missed the Fitzphie Ooze Fest,” Keefe informed him. Tiergan stole a glance at the slime-filled basin, and his olive-toned skin took on a greenish tinge. “That explains the smell.” “Yeah, sorry about that,” Elwin told him. “I’ll take care of it as soon as I get this packed up.” Tiergan looked like he wished he’d arrived ten minutes later—or had waited in the hall—as Sophie and Fitz gagged their way through their medicine and Elwin wrapped up all the foamy ooze. “So, what brings you to our smelly little corner of the school?” Sophie asked when she’d finished her last elixir. “That hurts, Foster,” Keefe jumped in.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
Before Will got sick, Tova used to pack a picnic for two: cheese, fruit, sometimes a bottle of red wine with two plastic tumblers. At Hamilton Park, if the tide was low, they’d scramble down and sit on the beach under the seawall. They’d bury their bare feet in the coarse sand and let the cold, foamy sound lick their ankles as it washed ashore. Tova pulls her hatchback into the empty lot. “Park” has always been a generous term for the narrow strip of soggy grass, its two weather-worn picnic tables, and the drinking fountain that never works. Now, Tova comes here to be alone with her thoughts, when she needs a break from being alone in her house.
Shelby Van Pelt (Remarkably Bright Creatures)
To the Dead My concerns belong to the living. I see hear touch weigh myself on a street scale I dodge a blue tram In July I wipe the sweat off a shiny forehead I drink raspberry soda I am tired I am bored I write poems I think about death I buy pretzels and fuzzy peaches that look like baby mice I read Marx I don’t understand Bergson I go out dancing with a redhead and we laugh about the A-bomb the red circle of lips a long golden straw my girl in a green blouse drinks the moon from the sky a waiter carries foamy beer around lights glisten on the eyelashes of evening the memory of you covered my anxiety with a hand. These are my concerns. I live and nothing is as alien to me as you my dead Friend.
Tadeusz Różewicz (Sobbing Superpower: Selected Poems)
Above all, however, resist the temptation to cover the entire room in foam--I can't tell you how often college studios in particular succumb to this seductive error. It is quite simply a recipe for disaster, because it hoovers up the top half of the room's reverberation, making for an extremely unnatural working environment. Although it makes good sense to damp down strong early reflections that can potentially comb filter your frequency response, you also want your monitoring environment to bear at least a passing resemblance to real-world living rooms and offices. If you plaster your whole studio in foam, you'll basically be mixing for people in padded cells--perhaps not the most lucrative demographic to set your sights on!
Mike Senior (Mixing Secrets (Sound On Sound Presents...))
Monday ushers in a particularly impressive clientele of red-eyed people properly pressed into dry-cleaned suits in neutral tones. They leave their equally well-buttoned children idling in SUVs while dashing to grab double-Americanos and foamy sweet lattes, before click-clacking hasty escapes in ass-sculpting heels and polished loafers with bowl-shaped haircuts that age every face to 40. My imagination speed evolves their unfortunate offspring from car seat-strapped oxygen-starved fast-blooming locusts, to the knuckle-drag harried downtown troglodytes they’ll inevitably become. One by one I capture their flat-formed heads between index finger and thumb for a little crush-crush-crushing, ever aware that if I’m lucky one day their charitable contributions will fund my frown-faced found art project to baffle someone’s hallway.
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
It was a sledge, and it was reindeer with bells on their harness. But they were far bigger than the Witch’s reindeer, and they were not white but brown. And on the sledge sat a person whom everyone knew the moment they set eyes on him. He was a huge man in a bright red robe (bright as hollyberries) with a hood that had fur inside it and a great white beard that fell like a foamy waterfall over his chest. Everyone knew him because, though you see people of his sort only in Narnia, you see pictures of them and hear them talked about even in our world – the world on this side of the wardrobe door. But when you really see them in Narnia it is rather different. Some of the pictures of Father Christmas in our world make him look only funny and jolly. But now that the children actually stood looking at him they didn’t find it quite like that. He was so big, and so glad, and so real, that they all became quite still. They felt very glad, but also solemn.
C.S. Lewis (The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #2))
Down at the foamy shoreline, where small tight waves explode against black rocks, a lifeguard with feet wedged in the wet and vaguely tangerine sand stands shirtless like a magnificent sea-Jesus. An ill-timed journey into a breaker knocks a boy on his little back. A bald man throws a tennis ball for his Labrador and a second, unrelated dog bounds in after it. Through a gauze of mist a brunette—tall, and from where we’re sitting seemingly riddled with breasts—kicks water on the sunlit torso of her blond companion. There are three other drinkers in the place, already tethered to the sunbleached bar. It is eleven a.m. Slumped in his cumbersome mechanised wheelchair that squeaks somewhere down by the left back wheel when he’s doing pressure lifts, Aldo squints out from sand-whipped windows into the tumour of searing light. He turns to me and says, ‘I’m nobody’s muse.’ I think: That’s a great line right there. I take out my notebook and when he shoots me an outraged look I say, ‘That’s right, motherfucker. I’m writing it down.
Steve Toltz (Quicksand)
SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.
Amy Leach (Things That Are)
The Brook Alfred Tennyson By Alfred Tennyson more Alfred Tennyson I come from haunts of coot and hern, I make a sudden sally And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorpes, a little town, And half a hundred bridges. Till last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on for ever. I chatter over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever. I wind about, and in and out, With here a blossom sailing, And here and there a lusty trout, And here and there a grayling, And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To join the brimming river For men may come and men may go, But I go on for ever. I steal by lawns and grassy plots, I slide by hazel covers; I move the sweet forget-me-nots That grow for happy lovers. I slip, I slide, I gloom, I glance, Among my skimming swallows; I make the netted sunbeam dance Against my sandy shallows. I murmur under moon and stars In brambly wildernesses; I linger by my shingly bars; I loiter round my cresses; And out again I curve and flow To join the brimming river, For men may come and men may go, But I go on for ever.
Alfred Tennyson
LATE ONE AFTERNOON, after watching for Chase Andrews, Kya walks from her shack and lies back on a sliver of beach, slick from the last wave. She stretches her arms over her head, brushing them against the wet sand, and extends her legs, toes pointed. Eyes closed, she rolls slowly toward the sea. Her hips and arms leave slight indentions in the glistening sand, brightening and then dimming as she moves. Rolling nearer the waves, she senses the ocean’s roar through the length of her body and feels the question: When will the sea touch me? Where will it touch me first? The foamy surge rushes the shore, reaching toward her. Tingling with expectancy, she breathes deep. Turns more and more slowly. With each revolution, just before her face sweeps the sand, she lifts her head gently and takes in the sun-salt smell. I am close, very close. It is coming. When will I feel it? A fever builds. The sand wetter beneath her, the rumble of surf louder. Even slower, by inches she moves, waiting for the touch. Soon, soon. Almost feeling it before it comes. She wants to open her eyes to peek, to see how much longer. But she resists, squinting her lids even tighter, the sky bright behind them, giving no hints. Suddenly she shrieks as the power rushes beneath her, fondles her thighs, between her legs, flows along her back, swirling under her head, pulling her hair in inky strands. She rolls faster into the deepening wave, against streaming shells and ocean bits, the water embracing her. Pushing against the sea’s strong body, she is grasped, held. Not alone. Kya sits up and opens her eyes to the ocean foaming around her in soft white patterns, always changing.
Delia Owens (Where the Crawdads Sing)
Vegan Chocolate Cupcake A chocolate cupcake with a soy milk base and organic chocolate frosting. 1 cup soy milk 1 teaspoon apple cider vinegar ⅔ cup agave nectar ⅓ cup canola oil 1 teaspoon vanilla extract ½ teaspoon almond extract 1 cup all-purpose organic flour ⅓ cup cocoa powder, unsweetened ¾ teaspoon baking soda ½ teaspoon baking powder ¼ teaspoon salt Preheat oven to 350. Whisk together soy milk and vinegar in a large bowl and set aside until it curdles. Add the agave nectar, oil, vanilla extract, and almond extract to the soy milk mixture and beat until foamy. In another bowl, sift together the flour, cocoa powder, baking soda, baking powder, and salt. Add to the wet ingredients and beat until no lumps remain. Pour into cupcake liners until they are ¾ of the way full. Bake 18–20 minutes until a knife inserted comes out clean. Cool on wire racks. Vegan Chocolate Frosting 1 cup cocoa powder, unsweetened ¾ cup organic margarine, softened 1 teaspoon vanilla 1 cup agave nectar In a small bowl, mix together the cocoa powder, margarine, vanilla, and agave nectar. Beat until it is smooth. Spread on top of cupcake with a rubber spatula. Vegan Vanilla Cupcake A vanilla cupcake with a soy milk base and an organic vanilla frosting. 1 cup vanilla soy milk 1 teaspoon apple cider vinegar ⅔ cup agave nectar ⅓ cup canola oil 2 teaspoons vanilla extract 1 cup all-purpose organic flour ¾ teaspoon baking soda ½ teaspoon baking powder ¼ teaspoon salt Preheat oven to 350. Whisk together soy milk and vinegar in a large bowl and set aside until it curdles. Add the agave nectar, oil, and vanilla extract to the soy milk mixture and beat with an electric mixer until foamy. In another bowl, sift together the flour, baking soda, baking powder, and salt. Add to the wet ingredients and beat until no lumps remain. Pour into cupcake liners until they are ⅔ of the way full. Bake 18–20 minutes until a knife inserted comes out clean. Cool on wire racks. Vegan Vanilla Frosting 6 tablespoons vanilla soy milk 2 tablespoons Trader Joe’s Vanilla Bean Paste ¼ cup organic margarine 1 16-ounce package organic powdered sugar, sifted In a small bowl, mix together soy milk, vanilla bean paste, and margarine. Slowly beat in the sugar until frosting is smooth. Spread on top of cupcake with a rubber spatula.
Jenn McKinlay (Red Velvet Revenge (Cupcake Bakery Mystery, #4))
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Joe switched off. Was apocalyptic the most overused word of the new century? Every fucking chunk of ice that broke off and fell into the fucking foamy deep was a fucking apocalypse.
Gerard Stembridge (Counting Down)
the case of arteries, oxidization of LDLs causes an inflammation in the cells that make up the arterial wall, which then triggers white blood cells to come and clean up the mess. Unfortunately, the white blood cells trigger a positive feedback loop because part of their response is to create a foam that traps more small LDLs, which then also get oxidized. Eventually, this foamy mixture coagulates into a stiffened accumulation of crud on the artery wall, known as a plaque. Your body fights plaques primarily with HDLs, which scavenge cholesterol from the plaque and return it to the liver. Plaques thus develop not just when LDL levels (again, mostly the small ones) are high but also when HDL levels are low. If
Daniel E. Lieberman (The Story of the Human Body: Evolution, Health and Disease)
French Fried Green Beans Finger food to go with a steak or burger, or just by themselves for the fun of it! Ingredients: 1 pound of fresh green beans 1 teaspoon coarse sea salt ½ teaspoon black peppercorns or rose peppercorns ¼ teaspoon garlic powder ½ teaspoon dried Italian seasoning mix 1 egg white Pre-heat a deep fat fryer to 240oF (hot) –preferably filled with high oleic safflower oil Rinse green beans, trim, and pat dry on a towel Grind spices together in a mortar and pestle Whip egg white until foamy, then coat the green beans in egg, Put egg-coated beans in a 1-qt plastic bag and dust with ground spices, shake vigorously, and drop into hot oil. Fry for 2-3 minutes. Remove when the egg coating just starts to brown.
Jeff S. Volek (The Art and Science of Low Carbohydrate Living: An Expert Guide to Making the Life-Saving Benefits of Carbohydrate Restriction Sustainable and Enjoyable)
There sat a massive oval vessel, over three feet long and two feet wide, as big as the copper basin his mother had used for boiling her washing. Only this was not a washing copper. It was made of silver, adorned with mermaids, dolphins, tritons, and a pair of stampeding horses dragging a naked Neptune from the foamy waves. It was Sir Bartholomew's wine cooler- the most valuable item ever made in the Blanchard workshop; the largest piece of silver seen in the city of London for many a month; the prize that Harry Drake had come to steal.
Janet Gleeson (The Thief Taker)
Aunt Liddy’s Lemon Meringue Pie 1 pie crust, baked (Aunt Liddy buys hers already made, but shhh . . . don’t tell anyone) 1 cup granulated sugar 2 tablespoons all-purpose flour 3 tablespoons cornstarch ¼ teaspoon salt 1 cup water 2 lemons, zested and juiced ½ cup limoncello 2 tablespoons salted butter 5 egg yolks, beaten 5 egg whites 6 tablespoons sugar Preheat oven to 350°F. To make lemon filling: In a medium saucepan, whisk together sugar, flour, cornstarch, and salt. Stir in water, zest and juice from the lemons, and limoncello. Cook over medium heat, stirring frequently, until the mixture comes to a boil. Stir in butter. Place egg yolks in a small bowl and gradually whisk in ½ cup of the hot mixture, then whisk the egg yolks back into the remaining filling mixture. Bring to a boil and continue to cook while stirring constantly until it thickens. Remove from heat and pour into baked pie crust. To make meringue: In a large glass or metal bowl, whip room-temperature egg whites until foamy. Add 1 tablespoon of sugar at a time and continue to whip until stiff peaks form. Spread meringue over the pie, sealing edges. Bake for 10 minutes or until the meringue is golden brown.
Carolyn Brown (The Bluebonnet Battle)
Human beings, hooked by the mystery of the Kefahuchi Tract, arrived on its doorstep two hundred years after they got into space. They were arrant newcomers, driven by the nouveau enthusiasms of a cowboy economy. They had no idea what they had come for, or how to get it: they only knew they would. They had no idea how to comport themselves. They sensed there was money to be made. They dived right in. They started wars. They stunned into passivity five of the alien races they found in possession of the galaxy and fought the sixth — which they called 'the Nastic' out of a mistranslation of the Nastic's word for 'space' — to a wary truce. After that they fought one another. Behind all this bad behavior was an insecurity magnificent in scope, metaphysical in nature. Space was big, and the boys from Earth were awed despite themselves by the things they found there: but worse, their science was in a mess. Every race they met on their way through the Core had a star drive based on a different theory. All those theories worked, even when they ruled out one another's basic assumptions. You could travel between the stars, it began to seem, by assuming anything. If your theory gave you a foamy space to work with — if you had to catch a wave — that didn't preclude some other engine, running on perfectly smooth Einsteinian surface, from surfing the same tranche of empty space. It was even possible to build drives on the basis of superstring-style theories, which, despite their promise four hundred years ago had never really worked at all.
M. John Harrison (Light (Kefahuchi Tract, #1))
Another day and another passed of rough seas and lowering skies; of rolling and pitching, cold winds, and cold damp eating into bones softened by tropic warmth; of a treadmill of watches in a wheelhouse dank and gloomy by day and danker and gloomier by night; of sullen silent sailors and pale dog-tired officers, of meals in the wardroom eaten in silence, with the captain at the head of the table ceaselessly rolling the balls in his fingers and saying nothing except an infrequent grumpy sentence about the progress of the work requests. Willie lost track of time. He stumbled from the bridge to his coding, from coding to correcting publications, from corrections back up to the bridge, from the bridge to the table for an unappetizing bolted meal, from the table to the clipping shack for sleep which never went uninterrupted for more than a couple of hours. The world became narrowed to a wobbling iron shell on a waste of foamy gray, and the business of the world was staring out at empty water or making red-ink insertions in the devil’s own endless library of mildewed unintelligible volumes.
Herman Wouk (The Caine Mutiny)
I want the most absolutely fucking disgusting beer in town. I want foamy, sour, piss beer. And the place to get it is less than a block away. Ah ha!
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
Long Island is a great idea. The first night I’m there I eat popcorn for dinner and sit on the deck watching the waves reach their foamy hands out to me and invite me in. It’s still summer-warm but hazy, and the moonlight is diffused over the water. The limitlessness of the ocean beyond the horizon exhilarates me. I can’t see what’s just past that line, and if I swam out to it, there would be another line I wouldn’t be able to see past. I just know that what’s ahead of me is the rest of my life, starting with tonight. And then tomorrow.
Annabel Monaghan (Same Time Next Summer)
Listen to this; it’s by Edward Lear.” He took out a folded envelope and read, “Then Mr. Daddy Long-legs And Mr. Floppy Fly Rushed downward to the foamy sea With one sponge-taneous cry; And there they found a little boat, Whose sails were pink and gray; And off they sailed among the waves, Far, and far away.
Delia Owens (Where the Crawdads Sing)
The heart is essentially a muscular pump connected to an elaborate network of branching tubes. Although there are several kinds of cardiovascular disease, almost all arise from something going wrong in either the tubes or the pump. Most problems start with the tubes, primarily the arteries that carry blood from the heart to every nook and cranny of the body. Like the pipes in a building, arteries are vulnerable to getting clogged with unwanted deposits. This hardening of the arteries, termed atherosclerosis, starts with the buildup of plaque—a gloppy mixture of fat, cholesterol, and calcium—within the walls of arteries. Plaques, however, don’t simply accumulate in arteries like crud settling in a pipe. Instead, they are dynamic, changing, growing, shifting, and sometimes breaking. They develop when white blood cells in arteries trigger inflammation by reacting to damage usually caused by a combination of high blood pressure and so-called bad cholesterol that irritates the walls of the artery. In an effort to repair the damage, white blood cells produce a foamy mixture that incorporates cholesterol and other stuff and then hardens. As plaque accumulates, arteries stiffen and narrow, sometimes preventing enough blood from flowing to the tissues and organs that need it and further driving up blood pressure. One potentially lethal scenario is when plaques block an artery completely or detach and obstruct a smaller artery elsewhere. When this happens, tissues are starved of blood (also called ischemia) and die. Plaques can also cause the artery wall to dilate, weaken, and bulge (an aneurysm) or to tear apart (a rupture), which can lead to massive bleeding (a hemorrhage). Blocked and ruptured arteries create trouble anywhere in the body, but the most vulnerable locations are the narrow coronary arteries that supply the heart muscle itself. Heart attacks, caused by blocked coronary arteries, may damage the heart’s muscle, leading to less effective pumping of blood or triggering an electrical disturbance that can stop the heart altogether. Other highly vulnerable arteries are in the brain, which cause strokes when blocked by blood clots or when they rupture and bleed. To this list of more susceptible locations we should also add the retinas, kidneys, stomach, and intestines. The most extreme consequence of coronary artery disease is a heart attack, which, if one survives, leaves behind a weakened heart unable to pump blood as effectively as before, leading to heart failure.
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
He hummed Under the Boardwalk and watched a log twisting in the foamy surf, unable to make up its mind whether to head out to sea. No one intentionally ends up in New Jersey, Mike thought. We all somehow just wash up on the shore.
Marc Arginteanu (of Paint and Pancakes)
I don't want to go back to the Moon Palace. I want the most absolutely fucking disgusting beer in town. I want foamy, sour, piss beer. And the place to get it is less than a block away. Ah ha!" His face lit up, and he jabbed his finger across the street as we rounded a corner, pointing to a rickety, half-rotted wooden sign that seemed to have once read "Sandra's", but now looked more like "Sa dr 's".
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
There's a self-portrait, her sister's face rendered in aqueous greens and blues. The shimmering surface of a pool, bright turrets of coral visible beneath. So she's familiar with the lush application of paint, the galaxies of color. But this? This is different. The painting is enormous, almost as big as the wall behind it. Her sister has painted two female figures, their backs turned on the viewer as they wade into a raging sea. The brushstrokes are frenzied, lavish, and Jess has done something to make their skin gleam, as if it's lifting from the canvas. Lucy feels sure that if she were to reach out and touch the girls' hair--- pale, like her own--- she would feel each whorl, each strand under her fingertips. Both girls are nude, their legs swallowed by furious splatters of paint. Blue green, purple, black, foamy white.
Emilia Hart (The Sirens)
The lead singer of The Styrofoam Burritos is Foamy Fresh
Gavin Z
Just as the foamy white edge leads an ocean wave toward the sands of the beach, fear and doubt lead the pounding of pain upon our sandy souls.
Stefan Bourque (My Name is Joe)
In the years that I could not see him, I came to know my father through the medium of photography. My perceptions of him were forged on black-and-white squares that stole an instant out of history and immortalized it between the pages of a family album. When I summoned up the image of the man, it came to me frozen, black-bordered, flat. He stood pale above the creases of his uniform, framed in the foamy wake of some ship, drops of sunlight caught in the buttons on his jacket. He winked at me from the liberty ports of countless exotic places. In an atrocious hand he scrawled stilted, affectionate words to the stranger that bore his name and his features, telling of adventures far away, misbehavings under suns hotter than that which shone over the Greater German Reich.
Miles Watson (Shadows and Glory)
On Being Human" Angelic minds, they say, by simple intelligence Behold the Forms of nature. They discern Unerringly the Archtypes, all the verities Which mortals lack or indirectly learn. Transparent in primordial truth, unvarying, Pure Earthness and right Stonehood from their clear, High eminence are seen; unveiled, the seminal Huge Principles appear. The Tree-ness of the tree they know-the meaning of Arboreal life, how from earth's salty lap The solar beam uplifts it; all the holiness Enacted by leaves' fall and rising sap; But never an angel knows the knife-edged severance Of sun from shadow where the trees begin, The blessed cool at every pore caressing us -An angel has no skin. They see the Form of Air; but mortals breathing it Drink the whole summer down into the breast. The lavish pinks, the field new-mown, the ravishing Sea-smells, the wood-fire smoke that whispers Rest. The tremor on the rippled pool of memory That from each smell in widening circles goes, The pleasure and the pang --can angels measure it? An angel has no nose. The nourishing of life, and how it flourishes On death, and why, they utterly know; but not The hill-born, earthy spring, the dark cold bilberries. The ripe peach from the southern wall still hot Full-bellied tankards foamy-topped, the delicate Half-lyric lamb, a new loaf's billowy curves, Nor porridge, nor the tingling taste of oranges. —An angel has no nerves. Far richer they! I know the senses' witchery Guards us like air, from heavens too big to see; Imminent death to man that barb'd sublimity And dazzling edge of beauty unsheathed would be. Yet here, within this tiny, charmed interior, This parlour of the brain, their Maker shares With living men some secrets in a privacy Forever ours, not theirs.
C.S. Lewis
What’s that you say, girl? A foamy-mouthed kitty bit your ass and now you’ve gone mondo batshit?
Mark McLaughlin (Best Little Witch-House in Arkham)
the invention of beer. Picture a bucket of barley left to soak overnight to soften the tough outer husk. Wild yeast would have found its way into the bucket, and someone would have thought to taste the strange, foamy mixture that resulted from the yeast going to work on all those sugars. There it was: beer! Yeasty, bubbly, mildly intoxicating beer. The priorities of people in the waning years of the Stone Age must have undergone a rapid reshuffling as society organized itself around the need to reproduce this glorious mishap on a larger scale.
Amy Stewart (The Drunken Botanist: The Plants that Create the World's Great Drinks)
This is technical whitewater,” Nate said, looking out at the foamy white rooster-tails that burst angrily on the surface. Downstream was a series of massive rollers.
C.J. Box (In Plain Sight (Joe Pickett, #6))
Preface Never in my wildest dreams did I think I would be writing a cookbook. I never liked helping in the kitchen when I was growing up. We were often assigned chores and I always opted for washing the dishes. I hardly ever cut vegetables, never cooked rice and I detested beating eggs. I remember Tia Bestra, who would patiently show me that the whites should be separated from the yolks. She would first beat the egg whites in a shallow bowl with a fork until it was so foamy. I was always amazed but at the same time I felt it was too much effort wasted, after all we were only making an omelet. Then came the time when I had to learn how to, at least, make the sauteed vegetables Josh and I enjoyed. When I asked mother about this, I remember her saying, "Gisahin mo ang sibuyas at kamatis..." (Saute the onions and tomatoes...) but I quickly stopped her to tell her that I did not know what gisahin meant. Visibly annoyed with me and with a hint of sarcasm in her voice, she very slowly said, "Get the fry pan, put some oil in it, heat it..." and again I quickly glanced up from the notes I was taking to tell her that she was going too fast and what size fry pan was I to use and how much oil do I put in it. Realizing how neglected my education in the kitchen had been, she immediately started my cooking lessons. I carefully wrote things down, but words like sankutcha, ligisin, and my ceaseless interruptions were just too much for both of us. Out of desperation, I sent my maid over to my mother's house to learn how to cook all of the dishes that Josh and I enjoyed. I congratulated myself thinking it was one of my most brilliant decisions, but good things always come to an end. In 1978, Josh, our two sons Alan and Adam, and I left our country. We left our life of Riley. With no more maids or help of any kind, I had to learn how to cook if
N.T. Alcuaz (Banana Leaves: Filipino Cooking and Much More)
Foamy pitchers of beer swirled over the sea of heads like flotsam caught in a current.
Paul Kemprecos (Cool Blue Tomb (Aristotle Socarides #1))
where fiddler crabs raced foamy waves.
Tony Bertauski (The Socket Greeny Saga (Socket Greeny, #1-3))
Every two years on the Eve of Lughnasa—which also happened to be my birthday—the kings of the Four Tribes came together to feast and toast each other with wide smiles and enough thick, foamy beer to strengthen the bonds of friendship forged in the alliances of years past. This would be Aeddan’s first time there as king, newly returned from a long period of exile in Rome after his father was killed, executed for selling vital information to the Romans.
Lesley Livingston (The Valiant (The Valiant, #1))
MAMIE JACQUELINE’S CHOCOLATE CAKE G ÂTEAU AU CHOCOLAT DE MAMIE JACQUELINE One of Joe’s friends, Florian, accompanies us on vacation from time to time and his grandmother often sends along a little treat for us all. This cake was an offering once and we tucked into it the minute we arrived at our destination. It was tender and delicious. When we returned, I asked Mamy Jacqueline for her recipe and she scoffed, “Oh, that simple little cake?” When I pressed she rattled off the ingredients by heart. A surefire success whenever I make it, you need only serve it simply sprinkled with confectioners’ sugar. 3/4 cup/100g cake flour Sea salt 7 ounces/200g bitter chocolate, such as Lindt 70% 8 tablespoons/125g unsalted butter, softened 1 cup/200g sugar 4 large eggs, separated Confectioners’ sugar 1. Butter and flour a 91/2-inch/24-cm round cake pan. Preheat the oven to 375° F/190° C/gas 5. 2. Sift the flour and a generous pinch of salt onto a piece of parchment paper. 3. Melt the chocolate in the top of a double boiler over medium-high heat. Transfer the chocolate to a medium-size bowl and whisk in the butter until the mixture is smooth. Vigorously whisk in all but 1 tablespoon of the sugar, then add the egg yolks and whisk until the mixture is smooth. Using a wooden spoon, stir in the flour mixture 1 tablespoon at a time until combined. 4. In a large bowl whisk the egg whites with a pinch of salt until they are foamy and begin to thicken. Add the remaining tablespoon of sugar and continue whisking until they form soft peaks. Fold the egg whites into the chocolate mixture, then turn it into the prepared baking pan and bake in the center of the oven until the cake springs back, 20 to 25 minutes. 5. Remove the cake from the oven and let it cool to lukewarm in the pan, then turn it out onto a rack to cool thoroughly. To serve, sprinkle it with confectioners’ sugar. 6 TO 8 SERVINGS SIX                 Mornings in Louviers LOUVIERS IS MAGIC in the mornings.
Susan Herrmann Loomis (On Rue Tatin: Living and Cooking in a French Town)
Oh, the inimical echo of this world of men and women alone! Where be the feet of goats? The wings of butterflies? The buzz of bees? The raging fire of bulls? The dolphin’s foamy music and the whale’s divided temperance? The arachnid’s stalking! Nay; they are all but shadows of wisps, but reflections inside the memories of trees!
Ilias I. Sellountos (The Tragedy of Allyra, Princess of Selena)
The place was adorable, a white Tudoresque cottage tucked down a narrow road. It had a shingled roof and warped windows lined with flower boxes and a chimney whose smoke curled romantically through the mist, windows softly aglow as we pulled into the parking lot. For two days, we moved between the beach, the redwoods, the inn’s cozy library, and the dining room with its dark wooden tables and blazing fire. We played UNO and Hearts and something called Quiddler. We drank foamy beers and had big English breakfasts.
Emily Henry (People We Meet on Vacation)
I don't notice I had taken my inner frustrations out on the toothbrush until I peer at the foamy paste covered brush and see the hairs are practically throwing gang signs back at me.
H.L. Munn (Rules of Convenience: A Queen City Romance)
A strange compulsion comes over me. I reach out and touch the prince’s temple. He flinches but doesn’t stop me. An image flashes across my mind, a man in a dank cell, a tower overlooking a foamy, wild sea. He lies on a stone bed in a threadbare shift, unmoving. His skin appears leached of all color and spirit. His cheeks are hollow, his muscles wasted. There is skin, and there are bones, and there’s a breath of life, but it isn’t much. Just enough to keep him a hair’s breadth from losing his soul to the Shadow World. Gods. Losing his soul. Recoiling, I yank my hand away from the prince and press it to my chest, remembering my father’s words. The Prince of the East is a man who somehow steals life and magick from others to grant himself immortality and power his own dark desires. A man made of shadows, souls, and sin. The shadows are indeed here, always, and gods know he’s filled to the brim with sin.
Charissa Weaks (The Witch Collector (Witch Walker #1))
village called Fior di Latte because of a river that ran out of the mountains so steep and so fast that the water was white as milk, a foamy tongue lapping the lake.
Ramona Ausubel (The Last Animal)
The waves tossed Vortigern around like a rag doll. Seaweed entangled his legs and salt water blurred his vision. Weighed down by his sodden clothes, he waded the last few yards to the beach. The waves kept pulling him back but with a huge effort he broke free of their grip and collapsed onto the damp sand. There he lay, fighting for breath as the foamy surf lapped around his legs. The sound of the sea’s constant wash and drag filled his ears.
Steven Smith (The Map of the Known World (The Tree of Life Book 1))
When I was ten, I spent a long night burrowed under my comforter, cuddled up with Funshine Bear, who, filled with a foamy enigmatic sense of language and a Bloomian dogmatism, was the most literary of the Care Bears and my harshest critic.
Paul Beatty (The Sellout)
At very small, subatomic dimensions, the structure of space-time is irregular. It’s not smooth, it’s sort of bubbly and foamy. And because it’s way down at the quantum level, it’s called quantum foam.
Michael Crichton (Timeline)
I stared at my foamy hands and didn’t have words. Laney Morgan had seen something that no one else had, and it felt totally foreign to be understood by her. “No, it’s fine. I didn’t know what you meant.
Lynn Painter (Better Than the Movies (Better than the Movies, #1))
Of course, I have never been oblivious to the Pinks, Blues, Whites, and Oranges of the clouds, nor have I been oblivious to the soft layers of white foam that froth atop the water Yet I can never bring myself to forget the enigmatic secrets that lie within them The enigmatic secrets hidden underneath the iridescent colors and pillowy clouds and foamy froth
Lucy Carter (For the Intellect)
What this woman holds in her hands is the mysterious cup from which we have all drunk unknowingly, thirst that we have slaked with other mouths, that red and foamy wine from which come the stars, the worms, and railroad stations
Julio Cortázar (Cronopios and Famas. Trans. By Paul Blackburn)
Mother, monogamy, romance. High spurts the fountain; fierce and foamy the wild jet. The urge has but a single outlet. My love, my baby. No wonder those poor pre-moderns were mad and wicked and miserable. Their world didn't allow them to take things easily, didn't allow them to be sane, virtuous, happy. What with mothers and lovers, what with the prohibitions they were not conditioned to obey, what with the temptations and the lonely remorses, what with all the diseases and the endless isolating pain, what with the uncertainties and the poverty -- they were forced to feel strongly. And feeling strongly (and strongly, what was more, in solitude, in hopelessly individual isolation), how could they be stable?
Aldous Huxley (Brave New World)
Florida hides its predators well—beneath the still lake water, in tall grass, under the foamy waves. Foliage blossoms, grows fecund and thick.
Lisa Unger (Secluded Cabin Sleeps Six)
The loft floor is made up of really long planks of wood with massive strips of foamy stuff in between them.
Jim Smith (My Dad is a Loser)
Then how did he come to learn that I was back in town?” Buster said. “It’s a small town, Buster,” Mrs. Fang answered. “When you got here, you had a grotesquely swollen face. It attracted attention.” When they first arrived back home, Buster, still adjusting to the high dosage of the medication he had given himself, woke in the van and demanded that they stop for fried chicken. “Buster, I don’t think solid food is a great idea yet,” his mother had told him, but Buster had leaned into the front of the van and reached for the steering wheel, saying, over and over in a strange monotone, “Fer-ide chick-hen.” The Fangs pulled into a Kentucky Fried Chicken ten minutes later and walked inside the restaurant. Buster swayed unsteadily as his parents directed him to a table. “What do you want?” they asked him. “Fer-ide chick-hen,” he said, “all-you-can-eat.” They left the table and returned a few minutes later with a breast, wing, thigh, and leg, a mound of gravy-soaked mashed potatoes, and a biscuit. Everyone in a five-table radius was staring at the Fangs by this point. Buster, oblivious, unpacked some bloodstained gauze from his mouth, picked up the chicken leg, extra crispy, and took a ravenous bite. He felt something come loose inside his mouth, his muscles stretched beyond comfort after so much time in atrophy, and he began to moan, a funeral dirge, dropping the leg back onto the tray. The barely chewed scrap of chicken fell from his mouth, stained a foamy red with Buster’s blood. “Okay,” Mr. Fang said, sweeping the tray off of the table, dumping it into the trash. “This little experiment is over. Let’s go home.” Buster tried to pack the gauze back into his mouth, but his mother and father were already carrying him into the parking lot. “I’m a monster,” Buster bellowed, and his parents did nothing to dissuade him of this belief. “Well, I’m not going to do it,” Buster said. “I think you should,” Annie said. Mr. and Mrs. Fang agreed. Buster did not want to talk about writing. It had been years since his last novel had been published, a spectacular failure at that.
Kevin Wilson (The Family Fang)