Foam Wash Quotes

We've searched our database for all the quotes and captions related to Foam Wash. Here they are! All 46 of them:

Time isn't an orderly stream. Time isn't a placid lake recording each of our ripples. Time is viscous. Time is a massive flow. It is a self-healing substance, which is to say, almost everything will be lost. We're too slight, to inconsequntial, despite all of our thrashing and swimming and waving our arms about. Time is an ocean of inertia, drowning out the small vibrations, absorbing the slosh and churn, the foam and wash, and we're up here, flapping and slapping and just generally spazzing out, and sure, there's a little splashing on the surface, but that doesn't even register in the depths, in the powerful undercurrents miles below us, taking us wherever they are taking us.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Queen of my tub, I merrily sing, While the white foam rises high, And sturdily wash, and rinse, and wring, And fasten the clothes to dry; Then out in the free fresh air they swing, Under the sunny sky. I wish we could wash from our hearts and our souls The stains of the week away, And let water and air by their magic make Ourselves as pure as they; Then on the earth there would be indeed A glorious washing-day! Along the path of a useful life Will heart's-ease ever bloom; The busy mind has no time to think Of sorrow, or care, or gloom; And anxious thoughts may be swept away As we busily wield a broom. I am glad a task to me is given To labor at day by day; For it brings me health, and strength, and hope, And I cheerfully learn to say- "Head, you may think; Heart, you may feel; But Hand, you shall work always!
Louisa May Alcott (Little Women (Little Women, #1))
Sea-foam white lace bloomed from the sweeping neckline, washing upon her breast from the powder-green ocean of silk that made up the dress. A red sash covered the waist, forming an inverted peak that separated the bodice from the explosion of skirts beneath. Patterns of clear green beads were embroidered in whorls and vines across the whole of it, and bone-colored stitching stretched along the ribs.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Foaming is a huge reward,” said Sinclair, the brand manager. “Shampoo doesn’t have to foam, but we add foaming chemicals because people expect it each time they wash their hair. Same thing with laundry detergent. And toothpaste—now every company adds sodium laureth sulfate to make toothpaste foam more. There’s no cleaning benefit, but people feel better when there’s a bunch of suds around their mouth. Once the customer starts expecting that foam, the habit starts growing.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
May yours be the sparkle of light on the ocean, The whisper of foam on the sea, The warm sand guiding your feet safely home, A pebble in your pocket from me. Some sea glass, a starfish, some driftwood, a whelk, Treasures washed up on the shore. A flower, a feather, an urchin, a pearl, Keep your eyes open for more. May you know yourself held in the palm of Her hand, Blessed by the waves wild and free, Blown by the wind, anointed with salt, Beloved of She of the Sea.
Lucy H. Pearce (She of the Sea)
Alone, he saw the slanting waves roll in, Each to its impotent annihilation In a long wash of foam, until the sound Become for him a warning and a torture, Like a malign reproof reiterating In vain its cold and only sound of doom.
Edwin Arlington Robinson (Tristram)
Basked in the view of the sun rising and moon setting at the same time by the sea as the tender soft foam from the sea washed his feet.
Bana (Quoz)
Basked in the view of sun rising and moon setting at the same time by the sea as the tender soft foam from the sea washing his feet.
Bana (Quoz)
THE WEEPING WILLOW Flowing was the water showing in its mirror the willow trees. The weeping willows in the water were washing their hair! Striking the willows with their sparkling, bare swords the red horsemen were running to where the sun sets! Suddenly like a bird as if struck in the wing a wounded horseman rolled down from his horse! He didn't shout, he did'nt call back those who go along, he just looked with brimming eyes at the shining horseshoes of departing riders! O what a pity! What a pity for him that no more he shall lie on the foaming necks of galloping horses, no more he shall play his sword behind the white armies! The sounds of the horseshoes fades away slowly, the horsemen vanish at where the sun sets! Horsemen horsemen red horsemen, their horses winged with wind! Their horses winged with... Their horses winged... Their horses... Horse... Life has passed like the wind winged horsemen! The voice of the flowing water ceased. The shadows shadowed the colours wiped off. Black coverings came down over his blue eyes, the weeping willows hung down over his yellow hair! Weep not weeping willow weep not, in the mirror of the black water clasp not your hands! clasp not your hands! weep not!
Nâzım Hikmet
And in the temporary foster center, when they were washing and disinfecting me…I was sitting on a high bench…all covered in foam. I could have slipped and broken my bones on the cement floor. I started slipping…sliding down…and a woman I didn’t know…a nanny…caught me in her arms and embraced me: “My little chickadee.” I saw God.
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
Take any two-year-old through a car wash and their skulls are blown. FLAPS! FOAM! ROLLING THINGS! It's the closest they'll ever get to being inside a working spaceship.
Drew Magary (Someone Could Get Hurt: A Memoir of Twenty-First-Century Parenthood)
Today there is a pleasant very light haze over the whole sky, and the sea has a misleadingly docile silvered look, as if the substantial wavelets were determined to stroke the rocks as hard as they could without showing any trace of foam. It is a compact radiant complacent sort of sea, very beautiful. There ought to be seals, the waves themselves are almost seals today, but still I scan the water in vain with my long-distance glasses. Enormous yellow-beaked gulls perch on the rocks and stare at me with brilliant glass eyes. A shadow-cormorant skims the glycerine sea. The rocks are thronged with butterflies. The temperature remains high. I wash my clothes and dry them on the lawn. I have been swimming every day and feel very fit and salty. Still no move from Lizzie, but I am not worried. I feel happy in my silence. If the gods have some treat in store for Lizzie and me, good. If not, also good. I feel innocent and free. Perhaps it is all that swimming.
Iris Murdoch (The Sea, the Sea)
For why deal simply with divining-od, Scrape where we fancy secret sources flow, And ignore law, the recognized machine, Elaborate display of pipe and wheel Framed to unchoke, pump up and pour apace Truth till a flowery foam shall wash the world?
Robert Browning (The Ring and the Book)
it bore no scent, but was an air wholly fresh and clean and young, as if it had not before been breathed by any living thing and came new-made from snowy mountains high beneath a dome of stars, or from shores of silver far away washed by seas of foam.
J.R.R. Tolkien (The Lord of the Rings)
I greet you jar of jam. You glass who once was sand upon the beach, Washed back and forth and bathed in foam and seagull cries, but who are formed into a glass until you once again return to the sea... I hardly give the computer a second glance. I can muster no reflective moment for plastic. It is so far removed from the natural world. I wonder if that's a place where the disconnection began, the loss of respect, when we could no longer easily see the life within the object. And yet I mean no disrespect for the diatoms and the marine invertebrates who two hundred million years ago lived well and fell to the bottom of an ancient sea, where under great pressure of a shifting earth they became oil that was pumped from the ground to a refinery where it was broken down and then polymerized to make the case of my laptop or the cap of the aspirin bottle- but being mindful in the vast network of hyperindustrialized goods really gives me a headache. We weren't made for that sort of constant awareness. We've got work to do.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
Climb Is all we know When thaw Is not below us No, can't grow up In that iron ground Claire, all too sore for sound Bet Is hardly shown Scraped Across the foam Like they stole it And oh, how they hold it Claire, we nearly forfeit I, I'm growing like the quickening hues I, I'm telling darkness from lines on you Over havens fora full and swollen morass, young habitat All been living alone, where the ice snap and the hold clast are known Home We're savage high Come We finally cry Oh and we don it Because it's right Claire, I was too sore for sight I, we're sewing up through the latchet greens I, un-peel keenness, honey, bean for bean Same white pillar tone as with the bone street sand is thrown where she stashed us at All been living alone, where the cracks at in the low part of the stoning
Bon Iver
I open the cupboard, a likely place for gifts. I think, “I greet you, jar of jam. You glass who once was sand upon the beach, washed back and forth and bathed in foam and seagull cries, but who are formed into a glass until you once again return to the sea. And you, berries, plump in your June-ness, now in my February pantry. And you, sugar, so far from your Caribbean home—thanks for making the trip.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
She buys "mixed salad greens" for seven dollars a bag, triple-washed with who knows what. And to get this stuff home, which is only two blocks away from the grocery store, Jennica throws all of it into plastic bags. There is a husk on her corn, corn that Jennica's store sells in April.. there is a rind on her grapefruit, grapefruit that gets flown in from Florida... but still, Jennica puts the corn and the citrus into plastic bags. Her supposedly organic red peppers, which cost six dollars a pound, come in a foam tray under shrink-wrap, but she puts them in a plastic bag. And then the checkout girl puts all of Jennica's little plastic parcels into two or three more big white plastic bags, and then Jennica walks the two blocks home, where she unpacks all the bags and then trows them in the same trash bin where her corn husks and citrus rinds go.
Rudolph Delson (Maynard and Jennica)
A year after that, the great red star, its waist now nearly to Jupiter, all at once collapsed in on itself and exploded into a supernova that vaporized every remaining planet, asteroid, and comet of the eighteenth planetary system of the third spiral arm of the Milky Way galaxy. A beautiful magenta-and-yellow wash spread through space, like spilled watercolors. Sensors aboard the hundreds of starliners recorded the event, but even just a short time later, when the Second Fleet would awaken near Delphi, those brilliant clouds would already be gone, and only a small, cold neutron star would remain, a celestial gravestone to humanity’s birthplace. But here, in this final moment . . . As arcs of plasma glowed . . . As stardust glittered . . . As rare elements formed in the atomic foam . . . A fleet of silent black ships, flickering like droplets, moved swiftly into the storm they had secretly created, and got to work.
Kevin Emerson (Last Day on Mars (Chronicle of the Dark Star, #1))
Then, whether Aragorn had indeed some forgotten power of Westernesse, or whether it was but his words of the Lady Éowyn that wrought on them, as the sweet influence of the herb stole about the chamber it seemed to those who stood by that a keen wind blew through the window, and it bore no scent, but was an air wholly fresh and clean and young, as if it had not before been breathed by any living thing and came new-made from snowy mountains high beneath a dome of stars, or from shores of silver far away washed by seas of foam. 'Awake, Éowyn, Lady of Rohan!' said Aragorn again, and he took her right hand in his and felt it warm with life returning.
J.R.R. Tolkien
For it was not only dislike of one’s fellow-citizens that was intensified into a strong sense of community; even mistrust of oneself and of one’s own destiny here assumed the character of profound self-certainty. In this country one acted—sometimes indeed to the extreme limits of passion and its consequences—differently from the way one thought, or one thought differently from the way one acted. Uninformed observers have mistaken this for charm, or even for a weakness in what they thought was the Austrian character. But that was wrong. It is always wrong to explain the phenomena of a country simply by the character of its inhabitants. For the inhabitant of a country has at least nine characters: a professional one, a national one, a civic one, a class one, a geographical one, a sex one, a conscious, an unconscious and perhaps even too a private one; he combines them all in himself, but they dissolve him, and he is really nothing but a little channel washed out by all these trickling streams, which flow into it and drain out of it again in order to join other little streams filling another channel. Hence every dweller on earth also has a tenth character, which is nothing more or less than the passive illusion of spaces unfilled; it permits a man everything, with one exception: he may not take seriously what his at least nine other characters do and what happens to them, in other words, the very thing that ought to be the filling of him. This interior space—which is, it must be admitted, difficult to describe—is of a different shade and shape in Italy from what it is in England, because everything that stands out in relief against it is of a different shade and shape; and yet both here and there it is the same, merely an empty, invisible space with reality standing in the middle of it like a little toy brick town, abandoned by the imagination. In so far as this can at all become apparent to every eye, it had done so in Kakania, and in this Kakania was, without the world’s knowing it, the most progressive State of all; it was the State that was by now only just, as it were, acquiescing in its own existence. In it one was negatively free, constantly aware of the inadequate grounds for one’s own existence and lapped by the great fantasy of all that had not happened, or at least had not yet irrevocably happened, as by the foam of the oceans from which mankind arose. Es ist passiert, ‘it just sort of happened’, people said there when other people in other places thought heaven knows what had occurred. It was a peculiar phrase, not known in this sense to the Germans and with no equivalent in other languages, the very breath of it transforming facts and the bludgeonings of fate into something light as eiderdown, as thought itself. Yes, in spite of much that seems to point the other way, Kakania was perhaps a home for genius after all; and that, probably, was the ruin of it.
Robert Musil (Man Without Qualities)
Big elbows of Rock rising everywhere, sea caves within them, seas plollocking all around inside them crashing out foams, the boom and pound on the sand, the sand dipping quick (no Malibu Beach here) -- Yet you turn and see the pleasant woods winding upcreek like a picture in Vermont -- But you look up into the sky, bend way back, my God you're standing directly under the aerial bridge with its thin white line running from rock to rock and witless cars racing across it like dreams! From rock to rock! All the way down the raging coast! So that when later I heard people say "Oh Big Sur must be beautiful! " I gulp to wonder why it has the reputation of being beautiful above and beyond its fearfulness, its Blakean groaning roughrock Creation throes, those vistas when you drive the coast highway on a sunny day opening up the eye for miles of horrible washing sawing.
Jack Kerouac
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
C.G. Jung (The Red Book: Liber Novus)
There is a scene I love where a brother and sister meet after many years and little communication. They meet in an arranged café in mid-afternoon. The light is dying and the city outside rumbles softly in the complacent time before rush hour. The café is unexceptional and quiet. She comes first, sits at the far end, a table facing the door, nervous in her buttoned raincoat. The waiter is an older man. He leaves her be. The brother enters late with the look but not the words of apology. He kisses her cheek. They sit and the old man brings them teas they do not want, two pots, strong for him weak for her. It is long ago since they said each other’s names aloud, and saying them now has the extraordinary shyness of encounter I imagine on the Last Day. At first there is the full array of human awkwardness. But here is the thing: almost in an instant their old selves are immediately present. The years and the changes are nothing. They need few words. They recognise each other in each other, and even in silence the familiarity is powerfully consoling, because despite time and difference there remains that deep-river current, that kind of maybe communion that only exists within people joined in the word family. So now what washes up between them, foam-white and fortifying and quite unexpectedly, is love. I cannot remember what book it is in. But it’s in this one now.
Anonymous
In the pass the muttering sickness leaped into our throats, coughing and spitting in the silver morning, frost on our bones. Most of the ape forms died there on the treeless slopes, dumb animal eyes on "me" brought the sickness from white time caves frozen in my throat to hatch in the warm steamlands spitting song of scarlet bursts in egg flesh, beyond the pass, limestone slopes down into a high green savanna and the grass-wind on our genitals, came to a swamp fed by hot springs and mountain ice. and fell in flesh heaps, sick apes spitting blood laugh, sound bubbling in throats torn with the talk sickness, faces and bodies covered with pus foam, animal hair thru the purple sex- flesh, sick sound twisted thru body, underwater music bubbling in blood beds, human faces tentative flicker in and out of focus. We waded into the warm mud-water, hair and ape flesh off in screaming strips, stood naked human bodies covered with phosphorescent green jelly, soft tentative flesh cut with ape wounds, peeling other genitals, fingers and tongues rubbing off the jelly-cover, body melting pleasure-sounds in the warm mud. till the sun went and a blue wind of silence touched human faces and hair. When we came out of the mud we had names. In the pass muttering arctic flowers, gusts of frost wind, bones and most of the ape still felt, invisible slopes, spitting the bloodbends human bones out of focus, and ape-flesh naked human body. Caves frozen in my throat, green jelly genitals. Limestone slopes cover our bodies melting in savanna and grass mud. shit and sperm fed hot till the sun went. The mountain touched human bubbling throats. Torn we crawled out of the mud. faces and bodies covered the purple sex-flesh, and the sickness leaped into our body underwater music bubble in the silver morning frost, faces tentative flicker in ape forms, into the warm mud and water slopes, cold screaming sickness from white time, covered with phosphorescent shed in the warm lands, spitting ape wounds, feeling egg flesh, green pleasure-sounds warm our genitals, blue wind of silence. Apes spitting sound faces thru pus foam, the talking sickness had names. The sound stood naked in the grass, music bubbling in the blood, quivering frog eggs and sound thru our throats and swap we had names for each other, tentative flicker-laugh and laughing washed the hairs off. down to his genitals. Human our bodies melted into when we crawled out. And the other did not want to touch me because of the white worm-thing inside but no one could refuse if I wanted and ate the fear-softness in other men. The cold was around us in our bones. And I could see the time before the thing when there was green around and the green taste in my mouth and the green plant-shit on my legs, before the cold. . . And some did not eat flesh and died because they could not live with the thing inside. . . Once we caught one of the hairy men with our vine nets and tied him over a slow fire and left him there until he died and the thing sucked his screams moving in my face like smoke and no one could eat the flesh-fear of the hairy man and there was a smell in the cave bent us over
William S. Burroughs (The Soft Machine (The Nova Trilogy #1))
Foaming is a huge reward,” said Sinclair, the brand manager. “Shampoo doesn’t have to foam, but we add foaming chemicals because people expect it each time they wash their hair.
Charles Duhigg (The Power of Habit: Why We Do What We Do in Life and Business)
Sorting Laundry" Folding clothes, I think of folding you into my life. Our king-sized sheets like tablecloths for the banquets of giants, pillowcases, despite so many washings, seems still holding our dreams. Towels patterned orange and green, flowered pink and lavender, gaudy, bought on sale, reserved, we said, for the beach, refusing, even after years, to bleach into respectability. So many shirts and skirts and pants recycling week after week, head over heels recapitulating themselves. All those wrinkles To be smoothed, or else ignored; they're in style. Myriad uncoupled socks which went paired into the foam like those creatures in the ark. And what's shrunk is tough to discard even for Goodwill. In pockets, surprises: forgotten matches, lost screws clinking the drain; well-washed dollars, legal tender for all debts public and private, intact despite agitation; and, gleaming in the maelstrom, one bright dime, broken necklace of good gold you brought from Kuwait, the strangely tailored shirt left by a former lover… If you were to leave me, if I were to fold only my own clothes, the convexes and concaves of my blouses, panties, stockings, bras turned upon themselves, a mountain of unsorted wash could not fill the empty side of the bed.
Elisavietta Ritchie
The universe just doesn’t put up with that. We aren’t important enough. No one is. Even in our own lives. We’re not strong enough, willful enough, skilled enough in chronodiegetic manipulation to be able to just accidentally change the entire course of anything, even ourselves. Navigating possibility space is tricky. Like any skill, practice helps, but only to a point. Moving a vehicle through this medium is, when you get down to it, something that none of us is ever going to master. There are too many factors, too many variables. Time isn’t an orderly stream. Time isn’t a placid lake recording each of our ripples. Time is viscous. Time is a massive flow. It is a self-healing substance, which is to say, almost everything will be lost. We’re too slight, too inconsequential, despite all of our thrashing and swimming and waving our arms about. Time is an ocean of inertia, drowning out the small vibrations, absorbing the slosh and churn, the foam and wash, and we’re up here, flapping and slapping and just generally spazzing out, and sure, there’s a little bit of splashing on the surface, but that doesn’t even register in the depths, in the powerful undercurrents miles below us, taking us wherever they are taking us.
Charles Yu (How to Live Safely in a Science Fictional Universe)
There did she stay her feet and standing spake as to herself: “O waters of the forest whither do ye go? Wilt thou take Nienóri, Nienóri daughter of Úrin, child of woe? O ye white foams, would that ye might lave me clean — but deep, deep must be the waters that would wash my memory of this nameless curse. O bear me hence, far far away, where are the waters of the unremembering sea. O waters of the forest whither do ye go?
J.R.R. Tolkien (The Book of Lost Tales 2 (The History of Middle-Earth, #2))
Foaming is a huge reward,” said Sinclair, the brand manager. “Shampoo doesn’t have to foam, but we add foaming chemicals because people expect it each time they wash their hair. Same thing with laundry detergent. And toothpaste—now every company adds sodium laureth sulfate to make toothpaste foam more. There’s no cleaning benefit, but people feel better when there’s a bunch of suds around their mouth. Once the customer starts expecting that foam, the habit starts growing.” Cravings are what drive habits. And figuring out how to spark a craving makes creating a new habit easier. It’s as true now as it was almost a century ago. Every night, millions of people scrub their teeth in order to get a tingling feeling; every morning, millions put on their jogging shoes to capture an endorphin rush they’ve learned to crave.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
There was only Lora and the ocean’s song. She closed her eyes, moving forward to bathe her feet in the colorful sea foam, which washed over the sand as it drifted ashore. Cool, soothing water splashed her, soaking the ankles of her jeans. The hypnotic music completely consumed Lora, dominating her mind, until it could focus on nothing else. The chill of the wind against her pale skin felt so freeing. Why couldn’t every day be like this? Music dwelled within her nature, as a part of her soul. She wasn’t meant to spend her days in a small classroom filled with students. Each day should be filled with singing and music. Her clan had no appreciation of their roots, however. They didn’t embrace who they really were. If they discovered she sang with the ocean this morning, they would punish her. But one day, she promised herself, she would be free of their restraints. Ignoring the nagging part of her mind which feared discovery, Lora finally joined the ocean’s song. A hum escaped her, then another, until her throat reverberated with the low melody of the ocean. Lora couldn’t help herself. She felt compelled to sing along.
Bethany Masone Harar (Voices of the Sea)
Something grey surged out of the ship’s wake, and Mouana reached for her pistol, then swore softly as she saw it was only a porpoise. The animals were playing in the engine wash, spinning in the air as they arced through the crashing foam. They were not albino, nor rotten, nor tentacled—just porpoises. The sight of the things brought hope back again; whatever mess they were in, at least they weren’t in Ocean.
Nate Crowley (Grand Amazon (Tomes of the Dead #16))
She made it in that pocket of time before dawn, when the aging night gathered it's dark shirts and paused in the stillness. She made it with twelve eggs, still warm and flecked with feathers. She washed them and cracked them, one at a time, holding each golden yolk in her palm as the whites slid and dropped through her open fingers. She set them aside in her flowered China bowl. In the year 1974, Celia Jennings still cooked in a wood burning stove, she still used a whisk and muscle and patience to beat her egg whites into foaming peaks. She used pure vanilla, the same sweet liquid she had poured into Saturday night baths before their father, the Reverend Jennings, arrived back in town. The butter was from her churn, the confectioners sugar from P & K. And as she stirred the dawn into being, a few drop of sweat salted to batter. The cake baked and rode with the sun.
Cynthia Bond (Ruby)
Time isn't an orderly stream. Time isn't a placid lake recording each of our ripples. Time is viscous. Time is a massive flow. It is a self-healing substance, which is to say, almost everything will be lost. We're too slight, to inconsequential, despite all of our thrashing and swimming and waving our arms about. Time is an ocean of inertia, drowning out the small vibrations, absorbing the slosh and churn, the foam and wash, and we're up here, flapping and slapping and just generally spazzing out, and sure, there's a little splashing on the surface, but that doesn't even register in the depths, in the powerful undercurrents miles below us, taking us wherever they are taking us.
Charles Yu (How to Live Safely in a Science Fictional Universe)
There is a scene I love where a brother and sister meet after many years and little communication. They meet in an arranged café in mid-afternoon. The light is dying and the city outside rumbles softly in the complacent time before rush hour. The café is unexceptional and quiet. She comes first, sits at the far end, a table facing the door, nervous in her buttoned raincoat. The waiter is an older man. He leaves her be. The brother enters late with the look but not the words of apology. He kisses her cheek. They sit and the old man brings them teas they do not want, two pots, strong for him weak for her. It is long ago since they said each other’s names aloud, and saying them now has the extraordinary shyness of encounter I imagine on the Last Day. At first there is the full array of human awkwardness. But here is the thing: almost in an instant their old selves are immediately present. The years and the changes are nothing. They need few words. They recognise each other in each other, and even in silence the familiarity is powerfully consoling, because despite time and difference there remains that deep-river current, that kind of maybe communion that only exists within people joined in the word family. So now what washes up between them, foam-white and fortifying and quite unexpectedly, is love. I cannot remember what book it is in. But it’s in this one now.
Niall Williams (This Is Happiness)
as we could tell by the washing of the water over our heads, and the heavy breaking of the seas against her bows, (with a sound as though she were striking against a rock,) only the thickness of the plank from our heads, as we lay in our berths, which are directly against the bows. At eight bells, the watch was called, and we came on deck, one hand going aft to take the wheel, and another going to the galley to get the grub for dinner. I stood on the forecastle, looking at the seas, which were rolling high, as far as the eye could reach, their tops white with foam, and the body of them of a deep indigo blue, reflecting the bright rays of the sun. Our ship rose slowly over a few of the largest of them, until one immense fellow came rolling on, threatening to cover her, and which I was sailor enough to know, by “the feeling of her” under my feet, she would not rise over. I sprang upon the knight-heads, and seizing hold of the fore-stay with my hands, drew myself upon it. My feet were just off the stanchion, when she struck fairly into the middle of the sea, and it washed her fore and aft, burying her in the water. As soon as she rose out of it, I looked aft, and everything forward of the main-mast, except the long-boat, which was griped and double-lashed down to the ring-bolts, was swept off clear. The
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
as we could tell by the washing of the water over our heads, and the heavy breaking of the seas against her bows, (with a sound as though she were striking against a rock,) only the thickness of the plank from our heads, as we lay in our berths, which are directly against the bows. At eight bells, the watch was called, and we came on deck, one hand going aft to take the wheel, and another going to the galley to get the grub for dinner. I stood on the forecastle, looking at the seas, which were rolling high, as far as the eye could reach, their tops white with foam, and the body of them of a deep indigo blue, reflecting the bright rays of the sun. Our ship rose slowly over a few of the largest of them, until one immense fellow came rolling on, threatening to cover her, and which I was sailor enough to know, by “the feeling of her” under my feet, she would not rise over. I sprang upon the knight-heads, and seizing hold of the fore-stay with my hands, drew myself upon it. My feet were just off the stanchion, when she struck fairly into the middle of the sea, and it washed her fore and aft, burying her in the water. As soon as she rose out of it, I looked aft, and everything forward of the main-mast, except the long-boat, which was griped and double-lashed down to the ring-bolts, was swept off clear. The galley, the pig-sty, the hen-coop, and a large sheep-pen which had been built upon the forehatch, were all gone, in the twinkling of an eye-leaving the deck as clean as a chin new reaped—and not a stick left, to show where they had stood. In the scuppers lay the galley, bottom up, and a few boards floating about, the wreck of the sheep-pen,—and half a dozen miserable sheep floating among them, wet through, and not a little frightened at the sudden change that had come upon them.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Blueberry Jam Makes 4-5 11 oz jars Ingredients: 4 cups granulated sugar 3 cups blueberries (frozen and thawed or fresh) 3/4 cup honey 2 tbsp lemon juice 1 tsp lemon zest Directions: Gently wash and drain the blueberries. Lightly crush them with a potato masher, food mill or a food processor. Add the honey, lemon juice, and lemon zest, then bring to a boil over medium-high heat. Boils for 10-15 minutes, stirring from time to time. Boil until the jam sets. Test by putting a small drop on a cold plate – if the jam is set, it will wrinkle when given a small poke with your finger. Skim off any foam, then ladle the jam into jars. Seal, flip upside down or process for 10 minutes in boiling water.
Vesela Tabakova (One-Pot Cookbook: Family-Friendly Everyday Soup, Casserole, Slow Cooker and Skillet Recipes for Busy People on a Budget: Dump Dinners and One-Pot Meals (Healthy Cooking and Cookbooks Book 1))
three or more Oily Skin Care Ideas For oily skin varieties, the process to keep typically the skin from looking junk and too shiny is fairly a daunting task. When your sebaceous glands are very active, you will find that you have extra oil all over your current face. You face even more problems like acne, whiteheads, and clogged pores. It is also frustrating when you are applying makeup foundation as it just produces even a lot more oil making your encounter look too greasy. With regard to this reason, oily skin types want to have got a perfect solution where they can control the particular oil production in their own skin. Here are three or more effective oily skin care tips. 1. Cleanse your skin twice or thrice a day. Perhaps the most tried and tested techniques to control the essential oil production within your face is usually to keep it clear at all times. In addition to that is by washing it twice or 3 times a day. This way, an individual will be able to be able to remove each of the dirt plus oil build-up all through the day. Use foaming cleansers that are manufactured for oily skin. two. Make sure to clean your skin once or perhaps twice a week. A single important skin care idea you shouldn’t skip is to be sure you scrub your current face once or two times per week. Excess oil manufacturing in the skin results in typically the formation of dead epidermis cells and once this takes place; your pores could possibly get blocked resulting in acne. That is why, make sure you slough off all those dead skin cells from your face. 3. Apply a rigorous face mask weekly. Face masks are quite effective when this comes to controlling the oil production in your current skin. It’s the most effective methods to manage your oily skin. Do this at least once a week and a person will see a big difference in no time. Your current pores could possibly get smaller in addition to your face won’t end up being that greasy.
myswisscosmetics.com
it seemed to those who stood by that a keen wind blew through the window, and it bore no scent, but was an air wholly fresh and clean and young, as if it had not before been breathed by any living thing and came new-made from snowy mountains high beneath a dome of stars, or from shores of silver far away washed by seas of foam.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Thoreau left a record of his beachcombing for the “waste and wrecks of human art”. His gleanings and those of my student are protoarcheology, glances at cultural artifacts from two times. Cape Cod, 1849, 1850, 1855 Logs washed from the land (many) Wrecked boat lumber (abundant) Pebbles of brick (a few) Castile soap bars (not counted) Sand filled gloves (one pair) Rags (not counted) Arrowhead (one) Water soaked nutmegs (boatload) Items in fish stomachs (snuff boxes, knives, church membership cards, “jugs, jewels and Jonah” Box or barrel (one) Bottle, half full of ale (one) … St. Catherines Island wrack line, 2013-14, 160 square meters Blocks of buoyant plastic foam (163) Plastic drink bottles (12) Plastic pill bottle (1) Balloons, deflated, happy birthday (2) Just married (1) Air filled latex glove (1) Plastic 2 gallon juice jug with 75 barnacles attached (1) Flip flops, unmatched (2) Jar of may, half full, (1) Fishing buoy (1) Fragments of hard plastic (42) …
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
Then, whether Aragorn had indeed some forgotten power of Westernesse, or whether it was but his words of the Lady Éowyn that wrought on them, as the sweet influence of the herb stole about the chamber it seemed to those who stood by that a keen wind blew through the window, and it bore no scent, but was an air wholly fresh and clean and young, as if it had not before been breathed by any living thing and came new-made from snowy mountains high beneath a dome of stars, or from shores of silver far away washed by seas of foam. 'Awake, Éowyn, Lady of Rohan!' said Aragorn again, and he took her right hand in his and felt it warm with life returning.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings #3))
At sea, I was the captain. I was important, and I had a role. I ran the show. At home, I was the swab. I did the shit work, almost always unappreciated. I loved my family, but man did I hate being on land all the time. I tried my best, I honestly did. I really stepped up my game around the house to be the best dad and partner I could be. It just was never good enough. With no offshore fishing and encouragement at home, part of me was dead inside, the part that made me who I am. I missed my boat daily. Flashbacks were a constant. I daydreamed of foaming schools of tuna while washing bubbly dishes. I saw mahi mahi boldly charging baits as I folded brightly colored laundry. When I went jogging and my heart started pumping, I saw huge marlin going wild on the gaffs. Everything reminded me of the boat. I most likely honestly had post-traumatic stress from the whole ordeal
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
Her frustration frothed like the luxury bubbles still foaming on her loofa, and she turned to wash off, wishing her negative attitude and desperation would go down the drain too.
Elana Johnson (The Billionaire's Enemy (Getaway Bay, #1))
As for the genitals, just as he first cut them off with his instrument of adamant and threw them from the land into the surging sea, even so they were carried on the waves for a long time. About them a white foam grew from the immortal flesh, and in it a girl formed. First she approached holy Cythera;* then from there she came to sea-girt Cyprus. And out stepped a modest and beautiful goddess, and the grass began to grow all round beneath her slender feet. Gods and men call her Aphrodite, because she was formed in foam,* and Cytherea, because she approached Cythera, and Cyprus-born, because she was born in wave-washed Cyprus, and ‘genial’,* because she appeared out of genitals.
Hesiod (Theogony and Works and Days)
As for the genitals, just as he first cut them off with his instrument of adamant and threw them from the land into the surging sea, even so they were carried on the waves for a long time. About them a white foam grew from the immortal flesh, and in it a girl formed. First she approached holy Cythera;* then from there she came to sea-girt Cyprus. And out stepped a modest and beautiful goddess, and the grass began to grow all round beneath her slender feet. Gods and men call her Aphrodite, because she was formed in foam,* and Cytherea, because she approached Cythera, and Cyprus-born, because she was born in wave-washed Cyprus, and ‘genial’,* because she appeared out of genitals. Eros and fair Desire attended her birth and accompanied her as she went to join the family of gods.
Hesiod (Theogony and Works and Days)