Flying Kite Quotes

I know you think this world is too dark to even dream in color, but I’ve seen flowers bloom at midnight. I’ve seen kites fly in gray skies and they were real close to looking like the sunrise, and sometime it takes the most wounded wings the most broken things to notice how strong the breeze is, how precious the flight.

Seize the wind," I whispered. "Don't become the kite that never flies.

Imagination is the highest kite that can fly.

Waiting for the fish to bite or waiting for wind to fly a kite. Or waiting around for Friday night or waiting perhaps for their Uncle Jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. Everyone is just waiting.

Did you ever fly a kite in bed? Did you ever walk with ten cats on your head? Did you ever milk this kind of cow? Well, we can do it. We know how. If you never did, you should. These things are fun and fun is good.

I wasn't born to cook or clean, but to read and write, if you don't like me the way I am, then go fly a kite.

A kite flies against the wind, not with it.

What's the worth of sadness in front of happiness? Like a leaf that's blown away by the wind. What's the worth of despair in front of hope? Like a dirty stone that's thrown in a clean pond. What's the worth of chaos in front of peace? Like a flying kite that's string has been cut down. What's the worth of disunion in front of the union? Like a fish that's breathing but not in water.

If I had my child to raise all over again, I'd build self-esteem first, and the house later. I'd finger-paint more, and point the finger less. I would do less correcting and more connecting. I'd take my eyes off my watch, and watch with my eyes. I'd take more hikes and fly more kites. I'd stop playing serious, and seriously play. I would run through more fields and gaze at more stars. I'd do more hugging and less tugging.

I still love you like moons love the planets they circle around, like children love recess bells. I still hear the sound of you and think of playgrounds where outcasts who stutter beneath braces and bruises and acne are finally learning that their rich handsome bullies are never gonna grow up to be happy. I think of happy when I think of you. So wherever you are I hope you’re happy, I really do. I hope the stars are kissing your cheeks tonight I hope you finally found a way to quit smoking I hope your lungs are open and breathing this life I hope there’s a kite in your hand that’s flying all the way up to Orion and you still got a thousand yards of string to let out. I hope you’re smiling like God is pulling at the corners of your mouth, ‘cause I might be naked and lonely shaking branches for bones but I’m still time zones away from who I was the day before we met. You were the first mile where my heart broke a sweat, and I wish you were here; I wish you’d never left; but mostly I wish you well. I wish you my very, very best

If I had my child to raise all over again, I’d finger paint more, and point the finger less. I’d do less correcting, and more connecting. I’d take my eyes off my watch, and watch with my eyes. I would care to know less, and know to care more. I’d take more hikes and fly more kites. I’d stop playing serious, and seriously play. I’d run through more fields, and gaze at more stars. I’d do more hugging, and less tugging. I would be firm less often, and affirm much more. I’d build self esteem first, and the house later. I’d teach less about the love of power, and more about the power of love.

Always remember that love, much like our faith in God, is the kite we must fly, even on a windless day.

Freedom begins when you tell Mrs. Grundy to go fly a kite.

Was it worse to be a kite with no anchor, wandering lost on the wind, or a kite that didn't dare seize the wind and never flew?

You can’t tell how high a kite can fly without being willing to let all the string out.

A kite only flies if it’s tethered.

But unlike Mama, I would not go to heaven. My secrets padlocked the gates. I'd be a torn kite stuck in the dead branches of a tree, unable to fly.

I smile because there are tiny dreams that play hopscotch at the corners of my mouth, and every time I breathe they float and every time I laugh they fly kites.

Mostly, though, I dream of good things...I dream that flowers will bloom in the streets..again and music will play in the...houses and kites will fly in the skies.

Hassan and I looked at each other. Cracked up. The Hindi kid would soon learn what the British learned earlier in the century, and what the Russians would eventually learn by the late 1980's: that Afghans are an independent people. Afghans cherish customs but abhor rules. And so it was with kite fighting. The rules were simple: No rules. Fly your kite. Cut the opponents. Good luck.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

I find it hard to believe that a lady like...’ Pertellis hesitated, and coughed. ‘There is something elevated in the female spirit that will always hold a woman back from the coldest and most vicious forms of villainy.’ ‘No, there isn’t,’ Miss Kitely said kindly but firmly, as she set a dish in his hand. ‘Drink your chocolate, Mr Pertellis.

Hope has no feathers Hope takes flight tethered with twine like a tattered kite, slave to the wind's capricious drift eager to soar but needing lift Hope waits stubbornly watching the sky for turmoil, feeding on things that fly: crows, ashes, newspapers, dry leaves in flight all suggest wind that could lift a kite Hope sails and plunges firmly caught at the end of her string - fallen slack, pulling taught, ragged and featherless. Hope never flies but doggedly watches for windy skies.

She murmured, We could always blame the stars. I beg your pardon, Doctor? That's what influenza means, she said. Influenza delle stelle—the influence of the stars. Medieval Italians thought the illness proved that the heavens were governing their fates, that people were quite literally star-crossed. I pictured that, the celestial bodies trying to fly us like upsidedown kites. Or perhaps just yanking on us for their obscure amusement.

I figured it out eventually," she says. She's sitting on the edge of the gurney again; her features slowly materialize as my vision clears. "It's momentum." "What?" I whisper. The feeling returning to my lips, spreading out to my fingertips and toes. "Momentum," she repeats. "You can't just stand there if you want something to fly. You have to run.

I want to climb on top and lace my fingers right down into the marrow of your bones and cast off and fly. I want to sail you like a kite in the sky. I want you holding on to me for dear life.

​Nila had fixed me. She’d helped me escape my purgatory. She’d been the nebula of perfection. The freedom of flying with no wings. Granting wind to a kite with untethered strings.

Wishes left on your lips The mark of their wings. Regrets fly kites in your eyes.

The Kite Charm For A Life Filled with High-Flying Fun, Play with the Wonder of A Child

Children Are Like Kites You spend years trying to get them off the ground. You run with them until you are both breathless. They crash ... they hit the roof ... you patch, comfort and assure them that someday they will fly. Finally, they are airborne. They need more string, and you keep letting it out. They tug, and with each twist of the twine, there is sadness that goes with joy. The kite becomes more distant, and you know it won't be long before that beautiful creature will snap the lifeline that binds you together and will soar as meant to soar ... free and alone. Only then do you know that you have done your job.

When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.

Someone once told me that children are like kites. You struggle just to get them in the air; they crash; you add a longer tail. Then they get caught in a tree; you climb up and bring them down, and untangle the string; you run to get them aloft again. Finally, the kite is airborne, and it flies higher and higher, as you let out more string, until it's so high in the sky, it looks like a bird. And if the string snaps, and you've done your job right, the kite will continue to soar in the wind, all by itself.

No one can tell me, Nobody knows, Where the wind comes from, Where the wind goes. It's flying from somewhere As fast as it can, I couldn't keep up with it, Not if I ran. But if I stopped holding The string of my kite, It would blow with the wind For a day and a night. And then when I found it, Wherever it blew, I should know that the wind Had been going there too. So then I could tell them Where the wind goes... But where the wind comes from Nobody knows.

It's dreadful, isn't it?" "What? Death?" "Yes. It makes everything else seem so horribly trivial. He doesn't look human. When you look at him you can hardly persuade yourself that he's ever been alive. It's hard to think that not so very many years ago he was just a little boy tearing down the hill and flying a kite.

When the wind stops, kite falls but bird flies; because bird did not borrow the wind when rising!

If I must die, you must live to tell my story to sell my things to buy a piece of cloth and some strings, (make it white with a long tail) so that a child, somewhere in Gaza while looking heaven in the eye awaiting his dad who left in a blaze— and bid no one farewell not even to his flesh not even to himself— sees the kite, my kite you made, flying up above and thinks for a moment an angel is there bringing back love If I must die let it bring hope let it be a tale

When an early autumn walks the land and chills the breeze and touches with her hand the summer trees….’ That’s poetry. And ‘Like painted kites the days and nights went flying by. The world was new beneath a blue umbrella sky.

Recalling his childhood in later life, Adams wrote of the unparalleled bliss of roaming in the open fields and woodlands of the town, of exploring the creeks, hiking the beaches, "of making and sailing boats...swimming, skating, flying kites and shooting marbles, bat and ball, football...wrestling and sometimes boxing," shooting at crows and ducks, and "running about to quiltings and frolics and sances among the boys and girls." The first fifteen years o fhis life, he said, :went off like a fairytale".

When people tell me to go fly a kite I tell them to go dig a ditch. They say "why dig a ditch"? I say because I want to be closer to Heaven than you.

Fly the kites of your soul, let your spirit soar.

When you’re flying, the changing balance of lift and weight pulls you up or down. But another pair of forces pulls you forward or backward through the air: thrust and drag. Thrust is the power that pulls the kite forward—you run with it to get it up in the air. You have to have thrust to create lift. Drag is there because your kite’s surfaces push against the air and slow the kite down. Drag doesn’t pull you out of the sky; it makes you fly more slowly.

Her lips remind me of kite strings and I find myself thinking about panda bears. Panda bears do not fly kites, I tell myself. 'I thought you were dead,' she says. Maybe if you taped a kite to a panda paw and scared the panda so that it started running, the kite might start to lift off.

Lucy looked along the beam and presently saw something in it. At first it looked like a cross, then it looked like an aeroplane, then it looked like a kite, and at last with a whirring of wings it was right overhead and was an albatross. It circled three times round the mast and then perched for an instant on the crest of the gilded dragon at the prow. It called out in a strong sweet voice what seemed to be words though no one understood them. After that it spread its wings, rose, and began to fly slowly ahead, bearing a little to starboard. Drinian steered after it not doubting that it offered good guidance. But no one but Lucy knew that as it circled the mast it had whispered to her, “Courage, dear heart,” and the voice, she felt sure, was Aslan’s, and with the voice a delicious smell breathed in her face.

Kites fly highest into the wind. Keep going regardless of the seeming resistance.

but the nice thing about kite-flying is nothing gets killed.

Happiness was a little like flying a kite, she thought, like being a kite. It depended on how much one let the string out-

Trouble was, the string tethering it to the ground was what kept the kite flying. Without its connection it would never stay aloft.

Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more. As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth. "We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it." She did not understand even now. "We must go," she said, almost brightly. "Yes," he answered faintly. "Shall we swim or fly, Peter?" He had to tell her. "Do you think you could swim or fly as far as the island, Wendy, without my help?" She had to admit she was too tired. He moaned. "What is it?" she asked, anxious about him at once. "I can't help you, Wendy. Hook wounded me. I can neither fly nor swim." "Do you mean we shall both be downed?" "Look how the water is raising." They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away. "Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him. "It lifted Michael off the ground," he cried; "why should it not carry you?" "Both of us!" "It can't left two; Michael and Curly tried." "Let us draw lots," Wendy said bravely. "And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon. The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.

(Potatoes were, for some reason, more prone to fits of random magic than most vegetables. It would take a remarkable magic to affect turnips or kale. No one bothered planting eggplants—they would run into the woods or fly away on leafy kites the instant your back was turned.)

If I must die, you must live to tell my story to sell my things to buy a piece of cloth and some strings, (make it white with a long tail) so that a child, somewhere in Gaza while looking heaven in the eye awaiting his dad who left in a blaze– and bid no one farewell not even to his flesh not even to himself– sees the kite, my kite you made, flying up above and thinks for a moment an angel is there bringing back love If I must die let it bring hope let it be a tale

So at 12:31pm, when he decided not to- when he came down, when the road opened- I did, too, my whole world, my whole mind went home with living proof of what I'd only before known in theory: that we are truly not alone in this, that our veins are absolutely strings tied to other people's kites, that our lives are connected. That my butterflies are never gone, they're just flying around in someone else's belly sometimes'.

We teach our children to study hard, to strive to succeed but do we teach them that it's okay to fail? That life is about accepting yourself? That there is no stigma in seeking help? Our Indian culture is based on worshipping our parents. We grow up listening to words like respect, obedience and tradition. Can we not add the words communication, unconditional love and support to this list? I look at the WHO research. The highest rate of suicide in India is among the age group of 15 to 29. Do we even talk to our teens about this? That evening, I am standing in the balcony, sipping some coffee and looking at the sunset. The children have taken the dogs and gone down to play on the beach. I spot my son. He is standing on the sand, right at the edge of the ocean and is flying a blue kite. The kite goes high and then swings low till it almost seems to fall into the water and all I want to say to him is that soon he will see that life is just like flying a kite. Sometimes you have to leave it loose, sometimes you have to hold on tight, sometimes your kite will fly effortlessly, sometimes you will not be able to control it and even when you are struggling to keep it afloat and the string is cutting into your hand, don't let go. The wind will change in your favour once again, my son. Just don't let go..

I dreamed of going to the top of Mount Elum like Alexander the Great to touch Jupiter and even beyond the valley. But, as I watched my brother running across the roof, flying their kites and skillfully flicking the strings back and forth to cut each other's down, I wondered hoe free a daughter could ever be.

A kite can't really fly free,that's just an expression. In order to soar high in the sky the string of a kite needs to be anchored. If the string breaks the kite drops back to the ground. The kite's freedom depends on it not being as free as he thinks it is.

Happiness was a little like flying, she thought, like being a kite. It depended on how much one let the string out.

Imagination is the highest kite you can fly." — Lauren Bacall

Falling in love in high school is like thinking you can fly a 747 because you know how to fly a kite.

That was the thing about kite flying : your mind drifted with the kite

The rules were simple: No rules. Fly your kite. Cut the opponent's. Good luck.

It tugged the way a fishing-line does when a fair-sized trout has taken the hook, but the nice thing about kite-flying is nothing gets killed.

Oh my God. You think you're my babysister, don't you?" He grinned and patted me on the shoulder in the most patronising way possible. "Go fly a kite," I growled, turning away. A couple of seconds later, he caught up. "I could do that," he said, like I'd made a serious suggestion.

Each force in flight is balanced by an opposing force. The opposite of lift is weight. Weight is always trying to pull an object back to earth, so to get something to stay up, lift has to be greater than weight. You’d think your weight would always be the same, but it isn’t. When you do aerobatics or go into a dive—like a kite that’s plunging into the sand at the beach—there’s an increase in gravity, and that makes you weigh more. If you want your heavy kite to stay in the air, you have to increase the lift, as well. Maybe by waiting for a stronger wind. Maybe by finding a windier place to fly your kite. Maddie brought lift back into my life by forcing me outside. So did Bob, who introduced me to the editors of this magazine. So did Fernande, the chambermaid at the Paris Ritz, who gave me her daughter’s clothes and made me get dressed and brought me coffee every morning for three weeks.

I would run to rejoin the children. Especially when it was time for the kite-flying contests- where the boys would skilfully try to cut down their competitors' kite strings. It plunges. It was beautiful, and also a bit melancholy for me to see the pretty kites sputter to the ground. Maybe it was because I could see a future that would be cut down just like those kites- simply because I was a girl.

I have seen a puppet, dancing to the tunes. I have seen a kite flying with a string. I have seen people working for someone else without knowing this reality. I have seen prisoners who think they are free.

When the kite was finished, it refused to fly and kept slamming into the ground as if it wanted to destroy itself, and finally it threw itself in the march. Sophia put it outside Grandmother's door and went away.

she sees them, again and again, all lighting at once, filling up the winter-naked trees, shockwave riders on the moving edge of nature’s most violent season, she sees them take wing again and again, the flutter of their wings like the snap of many sheets on the line, and she thinks: A month from now every kid in Derry Park will have a kite, they’ll run to keep the strings from getting tangled with each other. She thinks again: This is what flying is like.

It is impossible for a Westerner to imagine the deadening torpor of a protected life under house arrest. Eventually, one is grateful for the smallest outing outdoors -- a lovely picnic in a burqa, being allowed to watch the men and boys fly kites or swim.

One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.

Feathers glittering the color of amethyst against the dying light of the day, long tails trailing in the breeze like kites, wings shimmering with every beat. They looked so oblivious to their majesty, like flying and painting the sky with purple was just something they did, rather than something that made my knees shake.

In Rome on the Campo dei Fiori Baskets of olives and lemons, Cobbles spattered with wine And the wreckage of flowers. Vendors cover the trestles With rose-pink fish; Armfuls of dark grapes Heaped on peach-down. On this same square They burned Giordano Bruno. Henchmen kindled the pyre Close-pressed by the mob. Before the flames had died The taverns were full again, Baskets of olives and lemons Again on the vendors' shoulders. I thought of the Campo dei Fiori In Warsaw by the sky-carousel One clear spring evening To the strains of a carnival tune. The bright melody drowned The salvos from the ghetto wall, And couples were flying High in the cloudless sky. At times wind from the burning Would drift dark kites along And riders on the carousel Caught petals in midair. That same hot wind Blew open the skirts of the girls And the crowds were laughing On that beautiful Warsaw Sunday. Someone will read as moral That the people of Rome or Warsaw Haggle, laugh, make love As they pass by martyrs' pyres. Someone else will read Of the passing of things human, Of the oblivion Born before the flames have died. But that day I thought only Of the loneliness of the dying, Of how, when Giordano Climbed to his burning There were no words In any human tongue To be left for mankind, Mankind who live on. Already they were back at their wine Or peddled their white starfish, Baskets of olives and lemons They had shouldered to the fair, And he already distanced As if centuries had passed While they paused just a moment For his flying in the fire. Those dying here, the lonely Forgotten by the world, Our tongue becomes for them The language of an ancient planet. Until, when all is legend And many years have passed, On a great Campo dei Fiori Rage will kindle at a poet's word.

Life is like a cloud. It comes in a million shapes and sizes and it offers no guarantees, no sympathies for the man who told his kid he'd fly a kite today, no consideration for the girl who was sure she'd see the sun today, no promises for the weary world and the wants wants wants of which it has too many today. Life is like that.

I have discovered something amazing: some people aren't just people, but a place - a whole world. Sometimes you find someone you could live in for the rest of your life. John Kite is like Narnia to me - I've pushed through his fur coat and into a land where I am Princess Duchess, High Chatter of Cair Paravel. In John Kite, people walk down the street holding pigs, and we walk onstage holding hands into the bright light, and I fly over tiny maps to great theories, and I sleep in the bathtub, still talking. I wish to be a citizen of John Kite forever - I want to move there immediately. I know he is the most amazing person in the world. Things happen with John Kite.

To fly high, stay connected to the roots, like a kite.

You can’t tell how high a kite can fly without being willing to let all the string out. Trust is often better than jealousy as a path to loyalty.

Always remember that love, much like our faith in God, is the kite we must fly even on a windless day.

The kite soars high in the sky. A myriad of colours gliding by … day swept. [Kite Day]

It's a sad day for American Capitalism when a man can't fly a midget on a kite over central park.

You're not flying the sanity kite very high either..so lets be crazy together

Life is much like flying a Kite, you never know what direction the wind is going to blow and how many twists and turns there will be before the flight is over! © Copyright 2017

Rarely do you turn on the TV without seeing an ad for some prescription drug. There’s usually some good looking middle-aged couple, flying a kite on the beach with their dog.

Afghans cherish custom but abhor rules. And so it was with kite fighting. The rules were simple: No rules. Fly your kite. Cut the opponents. Good luck.

We could always blame the stars. I beg your pardon, Doctor? That’s what influenza means, she said. Influenza delle stelle—the influence of the stars. Medieval Italians thought the illness proved that the heavens were governing their fates, that people were quite literally star-crossed. I pictured that, the celestial bodies trying to fly us like upside-down kites. Or perhaps just yanking on us for their obscure amusement

If I must die, you must live to tell my story to sell my things to buy a piece of cloth and some strings, (make it white with a long tail) so that a child, somewhere in Gaza while looking heaven in the eye awaiting his dad who left in a blaze— and bid no one farewell not even to his flesh not even to himself— sees the kite, my kite you made, flying up above and thinks for a moment an angel is there bringing back love If I must die let it bring hope let it be a tale

The first thing I ever said to her was to recite a poem, so after a moment I finished this one for her, softly. "Hope sails and plunges firmly caught at the end of her string - fallen slack, pulling taught ragged and featherless. Hope never flies but doggedly watches for windy skies." She was quiet then. The last verse isn't really very hopeful. Poor ragged kite, always waiting for a wind that never comes. Finally, Róza took a deep breath. "It's windy now," she said.

There are four forces which work together if you want to put something into the sky and have it stay there. One of these is lift. Lift is made when the air pressure under a wing is greater than the air pressure over the wing. Then the wing gets pushed upwards. That’s how birds fly. That’s how kites fly – a kite is basically just a solitary wing. That’s how airplanes fly. But people need lift too. People don’t get moving, they don’t soar, they don’t achieve great heights, without something buoying them up.

I see children as kites. You spend a lifetime trying to get them off the ground. You run with them until you're both breathless. They crash . . . you add a longer tail . . . you patch and comfort, adjust and teach. You watch them lifted by the wind and assure them that someday they'll fly.

It was almost painful to watch,that kite of mine. Tethered to the string in my hand. Dancing in the sky all alone. My breath caught in my throat, my pulse beating wild and crazy on my chest. My heart soaring with every dip and turn of the kite,as if I were flying along,instead of standing with my two feet on the ground, squinting against the sun to see the dance. What if it fell? What if the breeze took it away? I counted the seconds until I could reel it back in. I was that kite. Fragile against the wind. Soaring one minute. Spiraling straight down next. Just looking for something to hold me up. Before I spun out of control and flew away. Dissappearing fron sight.

The Quack Toad 84 The Fox Without a Tail 85 The Mischievous Dog 86 The Rose and the Butterfly 86 The Cat and the Fox 88 The Boy and the Nettles 88 The Old Lion 89 The Fox and the Pheasants 89 Two Travelers and a Bear 90 The Porcupine and the Snakes 91 The Fox and the Monkey 91 The Mother and the Wolf 92 The Flies and the Honey 92 The Eagle and the Kite 93 The Stag, the Sheep, and the Wolf 93 The Animals and the Plague 94 The Shepherd and the Lion 95 The Dog and His Reflection 96 The Hare and the Tortoise 96 The Bees and Wasps, and the Hornet 98 The Lark and Her Young Ones 99 The Cat and the Old Rat 100 The Fox and the Crow 101 The Ass and His Shadow 102 The Miller, His Son, and the Ass 102 The

I sat down and read out loud a statement on the box, a message from the Celestial realm. If I had my child to raise all over again, I'd finger paint more, and point the finger less. I'd do less correcting, and more connecting. I'd take my eyes off my watch, and watch with my eyes. I would care to know less, and know to care more. I'd take more hikes and fly more kites. I'd stop playing serious, and seriously play. I would run through more fields and gaze at more stars. I'd do more hugging, and less tugging. I would be firm less often, and affirm much more. I'd build self-esteem first, and the house later. I'd teach less about the love of power, And more about the power of love. -Diane Loomans, Full Esteem Ahead

[The truth] is what actually happens. Not what you want to happen. Not what you're afraid will happen. We make up stories when we want things to happen or are afraid they may happen. And sometimes we do it for fun-or to scare people or make them do our way or to hurt them. And sometimes we do it because it's a pretty story and we tell it just as we fly a kite or send balloons floating.

Everybody needs somebody. Sorry. If you were thinking you could get through life completely on your own, you're wrong. It's a proven fact that people need people. Sure, there are those who try to stuff their lives full of cats in an effort to fill the void, but, for the most part, people thrive, live, and do better if their existences are full of interaction with other humans. Some people find people to interact with at school. Some people run with people they meet at church. Work is a half-decent place to find acquaintances. Or maybe one day last May you were flying a kite in Central Park and a couple of nice people commented on how high the kite was, and that sparked a conversation that led to the three of you having dinner together at a small restaurant in Times Square and then catching a Broadway show about friendly cats. That could have happened -- which just goes to show you that, either way, you are going to end up surround by cats. Let's hope you're not allergic.

What's taking you so long in the privy, son?" "Nothing, mama." "If you stay in there much longer, a snake will come and bite you" "Yes, mama." I was thinking of you, Susana of the green hills. Of when we used to fly kites in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. "Help me, Susana." And soft hands would tighten on mine. "Let out more string." The wind made us laugh; our eyes followed the string running through our fingers after the wind until with a faint pop! it broke, as if it had been snapped by the wings of a bird. And high over head, the paper bird would tumble and somersault, trailing its rag tail, until it disappeared into the green earth. Your lips were moist, as if kissed by the dew. "I told you, son, come out of the privy now." "Yes, mama. I'm coming." I was thinking of you. Of the times you were there looking at me with your aquamarine eyes. He looked up and saw his mother in the doorway. "What's taking you so long? What are you doing in there?" "I'm thinking." "Can't you do it somewhere else? It's not good for you to stay in the privy so long. Besides, you should be doing something. Why don't you go help your grandmother shell corn?" "I'm going, mama. I'm going.

Baby's World I wish I could take a quiet corner in the heart of my baby's very own world. I know it has stars that talk to him, and a sky that stoops down to his face to amuse him with its silly clouds and rainbows. Those who make believe to be dumb, and look as if they never could move, come creeping to his window with their stories and with trays crowded with bright toys. I wish I could travel by the road that crosses baby's mind, and out beyond all bounds; Where messengers run errands for no cause between the kingdoms of kings of no history; Where Reason makes kites of her laws and flies them, the Truth sets Fact free from its fetters.

~We were here~ We were here years ago Dusk swept away the white day departing monotonous sun to sleep “You came out of abyss or on High?” The scent of her willingness breasts I breathe ! Eyes closed ! Naked bodies sailed in colour, sound and smell her swan-like arms coiled The shadowy light of lamp the flamboyant bits of dying coal sighed in air Blood depurated the tawny flesh of bodies Beside on a table words scattered like flock of birds grief, dejection and melancholy b r o k e n bones of free verse In contrivance of our sweetest submission words rupture; secret message deciphered unrhymed metamorphosed to rhymes they read our skins like first love poem besotted in warm delighted air flying high as kite You were coaxed to sing in flow; I danced wobbly Wary sky above the roof ceased in our devout brittle embrace.

The Southern Cross gets the award for the greatest hype among all eighty-eight constellations. By listening to Southern Hemisphere people talk about this constellation, and by listening to songs written about it, and by noticing it on the national flags of Australia, New Zealand, Western Samoa, and Papua New Guinea, you would think we in the North were somehow deprived. Nope. Firstly, one needn’t travel to the Southern Hemisphere to see the Southern Cross. It’s plainly visible (although low in the sky) from as far north as Miami, Florida. This diminutive constellation is the smallest in the sky—your fist at arm’s length would eclipse it completely. Its shape isn’t very interesting either. If you were to draw a rectangle using a connect-the-dots method you would use four stars. And if you were to draw a cross you would presumably include a fifth star in the middle to indicate the cross-point of the two beams. But the Southern Cross is composed of only four stars, which more accurately resemble a kite or a crooked box. The constellation lore of Western cultures owes its origin and richness to centuries of Babylonian, Chaldean, Greek, and Roman imaginations. Remember, these are the same imaginations that gave rise to the endless dysfunctional social lives of the gods and goddesses. Of course, these were all Northern Hemisphere civilizations, which means the constellations of the southern sky (many of which were named only within the last 250 years) are mythologically impoverished. In the North we have the Northern Cross, which is composed of all five stars that a cross deserves. It forms a subset of the larger constellation Cygnus the swan, which is flying across the sky along the Milky Way. Cygnus is nearly twelve times larger than the Southern Cross.

One of the first problems to be faced at Niagara was how to get a wire over the gorge and its violent river. Ellet solved that nicely by offering five dollars to the first American boy to fly a kite over to the Canadian side. The prize was won by young Homer Walsh, who would tell the story for the rest of his days. Once the kite string was across, a succession of heavier cords and ropes was pulled over, and in a short time the first length of wire went on its way. After that, when the initial cable had been completed, Ellet decided to demonstrate his faith in it in a fashion people would not forget. He had an iron basket made up big enough to hold him and attached it to the cable with pulleys. Then stepping inside, on a morning in March 1848, he pulled himself over the gorge and back again, all in no more than fifteen minutes’ time, and to the great excitement of crowds gathered along both rims.

They ended up in a amusement arcade on Old Compton Street, where Nora insisted Stephen join her on one of those dance-step machines, and as he stood next to her, stomping out a dance routine on the illuminated dance floor, he had a sudden anxiety that Nora might be one of those kooky, free-spirit types, the kind of irreverent life-force who, in the imaginary romantic comedy currently playing in his head, turns the hero’s narrow life upside down, etc., etc. The acid test for free-spirited kookiness is to show the subject a field of fresh snow; if they flop on their backs and make snow-angels, then the test is positive. In the absence of snow, Stephan resolved to keep an eye open for other tell-tale kookiness indicators: a propensity for wacky hats, zany mismatched socks, leaf-kicking, a disproportionate enthusiasm for karaoke, kite - flying and light-hearted shoplifting, the whole Holly Golightly act.

The following month, before word of the French success reached America, Franklin came up with his own ingenious way to conduct the experiment, according to accounts later written by himself and his friend the scientist Joseph Priestley. He had been waiting for the steeple of Philadelphia’s Christ Church to be finished, so he could use its high vantage point. Impatient, he struck on the idea of using instead a kite, a toy he had enjoyed flying and experimenting with since his boyhood days in Boston. To do the experiment in some secrecy, he enlisted his son, William, to help fly the silk kite. A sharp wire protruded from its top and a key was attached near the base of the wet string, so that a wire could be brought near it in an effort to draw sparks. Clouds passed over to no effect. Franklin began to despair when he suddenly saw some of the strands of the string stiffen. Putting his knuckle to the key, he was able to draw sparks (and, notably, to survive). He proceeded to collect some of the charge in a Leyden jar and found it had the same qualities as electricity produced in a lab. “Thereby the sameness of electrical matter with that of lightning,” he reported in a letter the following October, was “completely demonstrated.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!