Flying Colours Quotes

Evolution could so easily be disproved if just a single fossil turned up in the wrong date order. Evolution has passed this test with flying colours.

In the village, a sage should go about Like a bee, which, not harming Flower, colour or scent, Flies off with the nectar.

And it seemed to me that there were fires Flying till dawn without number And I never found out things-those Strange eyes of his-what colour? Everything trembling and singing and Were you my enemy or my friend, Winter was it or summer?

What an unreliable thing is time--when I want it to fly, the hours stick to me like glue. And what a changeable thing, too. Time is the twine to tie our lives into parcels of years and months. Or a rubber band stretched to suit our fancy. Time can be the pretty ribbon in a little girl's hair. Or the lines in your face, stealing your youthful colour and your hair. .... But in the end, time is a noose around the neck, strangling slowly.

Tell your heart to keep beating and stand strong, and eventually you will bounce back to see colour in the world.

Butterflies, butterflies They were meant to fly You and i, you and i We were colours in the sky

Percival was mouse-coloured and had not been very attractive even to his mother.

Was this the face that launch'd a thousand ships, And burnt the topless towers of Ilium-- Sweet Helen, make me immortal with a kiss.-- ''[kisses her]'' Her lips suck forth my soul: see, where it flies!-- Come, Helen, come, give me my soul again. Here will I dwell, for heaven is in these lips, And all is dross that is not Helena. I will be Paris, and for love of thee, Instead of Troy, shall Wertenberg be sack'd; And I will combat with weak Menelaus, And wear thy colours on my plumed crest; Yea, I will wound Achilles in the heel, And then return to Helen for a kiss. O, thou art fairer than the evening air Clad in the beauty of a thousand stars; Brighter art thou than flaming Jupiter When he appear'd to hapless Semele; More lovely than the monarch of the sky In wanton Arethusa's azur'd arms; And none but thou shalt be my paramour!

The One remains, the many change and pass; Heaven’s light forever shines, Earth’s shadows fly; Life, like a dome of many-coloured glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.—Die, If thou wouldst be with that which thou dost seek! Follow where all is fled!—Rome’s azure sky, Flowers, ruins, statues, music, words are weak The glory they transfuse with fitting truth to speak.

Afterwards, in bed with a book, the spell of television feels remote compared to the journey into the page. To be in a book. To slip into the crease where two pages meet, to live in the place where your eyes alight upon the words to ignite a world of smoke and peril, colour and serene delight. That is a journey no one can end with the change of a channel. Enduring magic.

What you knew in your childhood is true; the Otherworld of magic and enchantment is real, sometimes terribly real - and certainly more real than the factual reality which our culture has built up, brick by brick, to shut out colour and light and prevent us from flying.

BELOVED, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with merry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee. There the Loves a circle go, The flaming circle of our days, Gyring, spiring to and fro In those great ignorant leafy ways; Remembering all that shaken hair And how the wingèd sandals dart, Thine eyes grow full of tender care: Beloved, gaze in thine own heart. Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while; For there a fatal image grows That the stormy night receives, Roots half hidden under snows, Broken boughs and blackened leaves. For all things turn to barrenness In the dim glass the demons hold, The glass of outer weariness, Made when God slept in times of old. There, through the broken branches, go The ravens of unresting thought; Flying, crying, to and fro, Cruel claw and hungry throat, Or else they stand and sniff the wind, And shake their ragged wings; alas! Thy tender eyes grow all unkind: Gaze no more in the bitter glass. - The Two Trees

Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces. Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web. It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept... ..I have danced with the spider. I have cut a caper with the dancing mad god.

And maybe I will live a happier, wilder, more colourful and unpredictable life if I can finally abandon the debilitating and brutal pursuit of perfection. If I can learn to love butterflies from afar, and watch them fly away.

I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...

Hornblower bowed to Lady This and Lady That, to Lord Somebody and to Sir John Somebody-else. Bold eyes and bare arms, exquisite clothes and blue Garter-ribbons, were all the impressions Hornblower received.

Happiness, do not leave me. I know you, a capricious monarch perching on the fortunate flowers you see. Hear me: I am too attached to this royalty now. Can I make you rest here somehow? I will offer you the nectar of every flower in blossom, the honey of every fruit in harvest. I will make the Earth a garden, the entire universe a forest. I beg of you not to flutter by. I beg of you not to leave me, butter-coloured fly. Nest here and for you, I will create a home.

He turned a half pace on the sand. A semicircle of little boys, their bodies streaked with coloured clay, sharp sticks in their hands, were standing on the beach, making no noise at all. "Fun and games," said the officer.

So you have put yourself through all of this just so that you can cheat in an exam,’ Wing said with a slight smile. ‘An exam, I might add, that you would almost certainly have passed with flying colours anyway.’ ‘Well, it’s the principle of the thing,’ Otto replied with a grin. ‘I am not sure that I approve,’ Wing said, raising an eyebrow. ‘Cheats never prosper.’ ‘You know, sometimes I really think that you might not be cut out for this place,’ Otto said. ‘I take it then that you won’t be needing a copy?’ ‘Well,’ Wing replied, ‘I perhaps wouldn’t go so far as to say that –

She rejoins the crowd and watches with her friends, but she feels like an emptied glass - that crestfallen feeling of walking out from a movie theatre in the middle of the day, out from the intimate matinée darkness and the smell of popcorn, which is the smell of heightened colour and sound and story, into the borderless bright of day. Bereft.

The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light.

Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us. They are hybrid creatures, neither gay like butterflies nor sombre like their own species. Nevertheless the present specimen, with his narrow hay-coloured wings, fringed with a tassel of the same colour, seemed to be content with life.

I am not an angel, Do not worship me, And filch my tiny little wings, I want to fly, up high, To clutch the colourful sky, My life has mission, To triumph over the world with my passion...

The One remains, the many change and pass; Heaven's light forever shines, Earth's shadows fly; Life, like a dome of many-coloured glass, Stains the white radiance of Eternity, Until Death tramples it to fragments---Die, If thou wouldst be with that which thou dost seek!

And a ton came down on a coloured road, And a ton came down on a gaol, And a ton came down on a freckled girl, And a ton on the black canal, And a ton came down on a hospital, And a ton on a manuscript, And a ton shot up through the dome of a church, And a ton roared down to the crypt. And a ton danced over the Thames and filled A thousand panes with stars, And the splinters leapt on the Surrey shore To the tune of a thousand scars.

In a distant and secondhand set of dimensions, in an astral plane that was never meant to fly, the curling star-mists waver and part… See… Great A’Tuin the turtle comes, swimming slowly through the interstellar gulf, hydrogen frost on his ponderous limbs, his huge and ancient shell pocked with meteor craters.

I had never known this before, but now I do and so do you: Laughter comes in different colours. It is only the distant echo of an explosion inside you. It might come in holiday colours—red, blue, golden rockets. or it might be the bits of a human body flying out...

Eager to see the colours of life The darkness giving away to light I set my soul ablaze By books at candlelight And my heart on fire By decisions under sunlight.

Caged birds grow the most colourful wings.

Colour GLOWS, Mind FLOWS Bird FLY. Love SPREADS, And we Celebrate Joy, Love & Smile. Have a Happy Bright Merry Christmas to Ü & All

Miss Manette!' The young lady, to whom all eyes had been turned before, and were now turned again, stood up where she had sat. Her father rose with her, and kept her hand drawn through his arm. 'Miss Manette, look upon the prisoner.' To be confronted with such pity, and such earnest youth and beauty, was far more trying to the accused than to be confronted with all the crowd. Standing, as it were, apart with her on the edge of his grave, not all the staring curiosity that looked on, could, for the moment, nerve him to remain quite still. His hurried right hand parcelled out the herbs before him into imaginary beds of flowers in a garden; and his efforts to control and steady his breathing shook the lips from which the colour rushed to his heart. The buzz of the great flies was loud again. 'Miss Manette, have you ever seen the prisoner before?' 'Yes, sir.

What an unreliable thing is time—when I want it to fly, the hours stick to me like glue. And what a changeable thing, too. Time is the twine to tie our lives into parcels of years and months. Or a rubber band stretched to suit our fancy. Time can be the pretty ribbon in a little girl’s hair. Or the lines in your face, stealing your youthful colour and your hair.” He sighed and smiled sadly. “But in the end, time is a noose around the neck, strangling slowly.

The sap rises and, itself a mixture of elements, flowers in a mixture of tones; the trees, the rocks, the granites cast their reflections in the mirror of the water; all the transparent objects seize and imprison colour reflections, both close and distant, as the light passes through them. As the star of day moves, the tones change in value, but always they respect their mutual sympathies and natural hatreds, and continue to live in harmony by reciprocal concessions. The shadows move slowly and drive before them or blot out the tones as the light itself, changing position, sets others vibrating. These mingle their reflections, and, modifying their qualities by casting over them transparent and borrowed glazes, multiply to infinity their melodious marriages and make them easier to achieve. When the great ball of fire sinks into the waters, red fanfares fly in all directions, a blood-red harmony spreads over the horizon, green turns to a deep red. But soon vast blue shadows chase rhythmically before them the crowd of orange and soft tones, which are like the distant and muted echoes of the light. This great symphony of today, which is the eternally renewed variation of the symphony of yesterday, this succession of melodies, where the variety comes always from the infinite, this complex hymn is called colour.

She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness.

The heart of the artist is a little bit hollow. The bones of the artist are a little bit hollow. The brain of the artist is a little bit hollow. But this allows them to fly.

I am only one colour, but no’ one size, I am stuck on the ground yet I easily fly. I am present in the sun but no’ in the rain, I dunnae nae harm, and feel nae pain’.

Arma virumque

The kite soars high in the sky. A myriad of colours gliding by … day swept. [Kite Day]

Time has wings it is flying but it has no shape, no colour ,no dimension so it is invisible.

There were rockets like a flock of scintillating birds singing with sweet voices. There were green trees with trunks of dark smoke: their leaves opened like a whole spring unfolding in a moment, and their shining branches dropped glowing flowers down upon the hobbits, disappearing with a sweet scent just before their touched their upturned faces. There were fountains of butterflies that flew glittering into the trees; there were pillars of coloured fires that rose and turned into eagles, or sailing ships, or a phalanx of flying swans; there was a red thunderstorm and a shower of yellow rain; there was a forest of silver spears that sprang suddenly into the air with a yell like an embattled army, and and came down again into the Water with a hiss like a hundred hot snakes.

The boys asked themselves, naturally, if they could kill someone. Geraint had been brought up on tales of knights-at-arms and Icelandic warriors, but he did not imagine blood. Charles had disappointed his father by taking no pleasure in foxhunting or shooting. He rather thought he could not. Philip was not really listening to the conversation. He was looking at the juxtaposition of textures in the grass, the flowers, and the silks, and the very rapid colour changes that were taking place as the sky darkened. Browning and vanishing of red, efflorescence and deepening of blues. Tom imagines the thud and suck of a bomb, the flying stone and mortar, and could not quite imagine the crushing or burning of flesh. He thought of his own skull and his own ribs. Bone under skin and tendons. No one was safe

LONG YEARNING Long yearning, To be in Chang'an. The grasshoppers weave their autumn song by the golden railing of the well; Frost coalesces on my bamboo mat, changing its colour with cold. My lonely lamp is not bright, I’d like to end these thoughts; I roll back the hanging, gaze at the moon, and long sigh in vain. The beautiful person's like a flower beyond the edge of the clouds. Above is the black night of heaven's height; Below is the green water billowing on. The sky is long, the road is far, bitter flies my spirit; The spirit I dream can't get through, the mountain pass is hard. Long yearning, Breaks my heart.

Alas! what are you, after all, my written and painted thoughts! Not long ago you were so variegated, young and malicious, so full of thorns and secret spices, that you made me sneeze and laugh — and now? You have already doffed your novelty, and some of you, I fear, are ready to become truths, so immortal do they look, so pathetically honest, so tedious! And was it ever otherwise? What then do we write and paint, we mandarins with Chinese brush, we immortalizers of things which lend themselves to writing, what are we alone capable of painting? Alas, only that which is just about to fade and begins to lose its odour! Alas, only exhausted and departing storms and belated yellow sentiments! Alas, only birds strayed and fatigued by flight, which now let themselves be captured with the hand — with our hand! We immortalize what cannot live and fly much longer, things only which are exhausted and mellow! And it is only for your afternoon, you, my written and painted thoughts, for which alone I have colours, many colours, perhaps, many variegated softenings, and fifty yellows and browns and greens and reds; — but nobody will divine thereby how ye looked in your morning, you sudden sparks and marvels of my solitude, you, my old, beloved — evil thoughts!

The advantages of a hereditary Monarchy are self-evident. Without some such method of prescriptive, immediate and automatic succession, an interregnum intervenes, rival claimants arise, continuity is interrupted and the magic lost. Even when Parliament had secured control of taxation and therefore of government; even when the menace of dynastic conflicts had receded in to the coloured past; even when kingship had ceased to be transcendental and had become one of many alternative institutional forms; the principle of hereditary Monarchy continued to furnish the State with certain specific and inimitable advantages. Apart from the imponderable, but deeply important, sentiments and affections which congregate around an ancient and legitimate Royal Family, a hereditary Monarch acquires sovereignty by processes which are wholly different from those by which a dictator seizes, or a President is granted, the headship of the State. The King personifies both the past history and the present identity of the Nation as a whole. Consecrated as he is to the service of his peoples, he possesses a religious sanction and is regarded as someone set apart from ordinary mortals. In an epoch of change, he remains the symbol of continuity; in a phase of disintegration, the element of cohesion; in times of mutability, the emblem of permanence. Governments come and go, politicians rise and fall: the Crown is always there. A legitimate Monarch moreover has no need to justify his existence, since he is there by natural right. He is not impelled as usurpers and dictators are impelled, either to mesmerise his people by a succession of dramatic triumphs, or to secure their acquiescence by internal terrorism or by the invention of external dangers. The appeal of hereditary Monarchy is to stability rather than to change, to continuity rather than to experiment, to custom rather than to novelty, to safety rather than to adventure. The Monarch, above all, is neutral. Whatever may be his personal prejudices or affections, he is bound to remain detached from all political parties and to preserve in his own person the equilibrium of the realm. An elected President – whether, as under some constitutions, he be no more than a representative functionary, or whether, as under other constitutions, he be the chief executive – can never inspire the same sense of absolute neutrality. However impartial he may strive to become, he must always remain the prisoner of his own partisan past; he is accompanied by friends and supporters whom he may seek to reward, or faced by former antagonists who will regard him with distrust. He cannot, to an equal extent, serve as the fly-wheel of the State.

Many Fujiyamas lie in a row along our coast to the south. As the distance increases, their sombre blackness seems to be lit up by a deep red light. They take on every shade from red to lilac, and all the colours have a glowing depth that is neved found in the landscape at home, or at most only in some exquisite flowers. In the holy stillness, everything is lit by a supernatural brightness. Two gulls fly low and silent close by the hut toward the fiord. They are lit up by the red rays of the bright sun. Their magnificent broad wings are a deep pink in the turquoise sky.

Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB

To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.

gleaming like some fairy princess with sparkling jewels and gay embroideries. Her chignon was enclosed in a circlet of gold filigree and clustered pearls. It was fastened with a pin embellished with flying phoenixes, from whose beaks pearls were suspended on tiny chains. Her necklet was of red gold in the form of a coiling dragon. Her dress had a fitted bodice and was made of dark red silk damask with a pattern of flowers and butterflies in raised gold thread. Her jacket was lined with ermine. It was of a slate-blue stuff with woven insets in coloured silks. Her under-skirt was of a turquoise-coloured imported silk crêpe embroidered with flowers.

Shrill flaring gas-jets, dulled and distorted in the fly-blown mirrors that faced them, were ranged round the walls. Greasy reflectors of ribbed tin backed them, making quivering disks of light. The floor was covered with ochre-coloured sawdust, trampled here and there into mud, and stained with dark rings of spilled liquor. Some

They stripped you off your colours; those that you spent your childhood mixing them to draw birds and butterflies. They dipped your wings/dreams in mud. Then they piled them on your shoulders until you metamorphosed into a terrible octopus. Whenever you got rid of one arm, another one smothered you. Now, you no longer dream of flying.

From birth to death and further on As we were born and introduced into this world, We had a gift hard to express by word And somewhere in our continuous road, It kind of lost it sense and turned. There was that time we sure remember, When everything was now and 'till forever Children with no worries and no regrets, The only goal was making a few friends. But later on everything has changed, By minds that had it all arranged To bring the people into stress, Into creating their own mess. We have been slaved by our own mind, Turned into something out of our kind Slowly faded away from the present time, Forced to believe in lies, in fights and crime. They made it clearly a fight of the ego, A never ending war that won't just go They made it a competitive game, To seek selfish materialistic fame. They turned us one against eachother, Man against man, brother against brother Dividing us by religion and skin color, Making us fight to death over a dollar. Making us lose ourselves in sadly thoughts, Wasting our days by living in the past Depressed and haunted by the memories, And yet still hoping to fly in our dreams. Some of us tried learning how to dance, Step after step, giving our soul a new chance Some of us left our ego vanish into sounds, Thus being aware of our natural bounce. Some tried expressing in their rhymes, The voice of a generation which never dies They reached eternity through poetry Leaving the teachings that shall fulfill the prophecy Others have found their way through spirituality, Becoming conscious of the human duality Seeking the spiritual enlightenment, Of escaping an ego-oriented fighting Science, philosophy, religion, Try to explain the human origin. Maybe changes are yet to come, And it shall be better for some Death's for the spirit not an end, But a relieving of the embodiment So I believe that furthermore, We'll understand the power of our soul But leaving behind all we know, And all that we might not yet know It all resumes to that certain truth, That we all seek to once conclude.

Bats live in a world of echoes. Just as in the human world every object has a characteristic shape and colour, so in the bat world every object has its echo-pattern. A bat can distinguish between a tasty moth species and a poisonous moth species by the different echoes bouncing back from their delicate wings. Some edible moth species try to protect themselves by evolving an echo-pattern similar to that of a poisonous species. Others have evolved an even more remarkable ability to deflect the waves of the bat radar, so like stealth bombers they can fly around without the bat knowing they are there. The world of echolocation is as complex and stormy as our familiar world of sound and sight, but we are completely oblivious to it.

Composers do not remember this lost fatherland, but each of them remains all his life unconsciously attuned to it; he is delirious with joy when he sings in harmony with his native land, betrays it at times with his thirst for fame, but then, in seeking fame, turns his back on it, and it is only by scorning fame that he finds it when he breaks out into that distinctive strain the sameness of which—for whatever its subject it remains identical with itself—proves the permanence of the elements that compose his soul. But in that case is it not true that those elements—all the residuum of reality which we are obliged to keep to ourselves, which cannot be transmitted in talk, even from friend to friend, from master to disciple, from lover to mistress, that ineffable something which differentiates qualitatively what each of us has felt and what he is obliged to leave behind at the threshold of the phrases in which he can communicate with others only by limiting himself to externals, common to all and of no interest—are brought out by art, the art of a Vinteuil like that of an Elstir, which exteriorises in the colours of the spectrum the intimate composition of those worlds which we call individuals and which, but for art, we should never know? A pair of wings, a different respiratory system, which enabled us to travel through space, would in no way help us, for if we visited Mars or Venus while keeping the same senses, they would clothe everything we could see in the same aspect as the things of Earth. The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we can do with an Elstir, with a Vinteuil; with men like these we do really fly from star to star.

There’s language to the woods and it’s speaking to those capable of listening, to ears taught to decode meanings mild or malignant. Geese flying, bees buzzing. Howl of a wolf, height of the clouds, face of the moon, colour of the night and the morning sky, movement of game, snowfall heavy or light — things mostly lost on most people. Where others heard the winds in the maples, the trapper smelled the sap on the breeze. A wind veered northerly and where another might think the evening cold, he knew frost was coming early and the temperatures would stay cold for a week and the bears would feed heavily before the berry bushes died and the deer would be more active at dusk, at dawn. Inflections of the forest, cadence of the wilderness, language of the North.

I do know that the gardens of the first lands are still lying there, right under the skin of the world- pulsing the way our heartbeat drums under our own skin. And I believe that there's a connectedness between everything that gives some people a deep and abiding affinity to a certain kind of place or creature." "Like totems?" "Maybe. Or maybe something even more personal- something that's impossible to articulate with the vocabulary we have at the moment." "This is too weird." Annie shrugged. "What can I say? It's getting late, the stars are out. Once the sun sets, I tend to embrace whatever wild spirits are running around in the darkness, talking away to each other. I leave the logic of streets and pavement and cars and tall buildings behind and buy into the old magics that they're whispering about. Sometimes those little mysteries and bits of wisdom stick to the bones of my head and I carry them right out into the sunlight again. They're like Jack's stories, true and not true, all at the same time. They don't exactly shape my life, but they certainly colour it." She glanced at him, "I wouldn't like to live in a world where everything's as cut-and-dried as most people think it is

Fly agaric mushrooms are the pretty, red-capped, candy-like toadstools that innocently illustrate many children’s books. Despite their alarming don’t-eat-me colours, reindeer do eat them and get as high as kites. Since most of the toxins are filtered by the animals’ kidneys, drinking their urine is apparently safer than eating the mushrooms. And that is what high-seeking herders in Northern Europe and Asia do.

dark, wiry soldier at the first bed was cleaning his rifle, hauling the pull-through along the barrel. ‘Not like that,’ said Bennet-Bruce. ‘Pull it straight out, not at an angle, or you’ll wear away the muzzle and your bullets will fly off squint, missing the enemy, who will seize the opportunity to unseam you, from nave to chaps.’ He tugged at the pull-through. ‘What the hell have you got on the end of this, the battalion colours?

Well, all of a sudden, a coble with a brown sail and a pair of fishers aboard of it, came flying round that corner of the isle, bound for Iona. I shouted out, and then fell on my knees on the rock and reached up my hands and prayed to them. They were near enough to hear — I could even see the colour of their hair; and there was no doubt but they observed me, for they cried out in the Gaelic tongue, and laughed. But the boat never turned aside, and flew on, right before my eyes, for Iona.

I love music. It sets everything in me alive. Every hair stands out on end. I feel like there's a box in my heart, a secret, hidden part of myself. I keep so many things locked inside that box so that no one else will ever see. And when I listen to music, alone in my room with my giant headphones on, the box flies open and all of the colours spill out and somehow merge with the music. I love the feeling. All of my masking and my reservations leave and the hidden parts of my soul come out.

It was good to emerge from this silent semi-darkness into a bright glade. Suddenly everything was different: the earth was warm; the air was in movement; you could smell the junipers in the sun; there were large, wilting bluebells which looked as though they had been cast from mauve-coloured metal, and wild carnations on sticky, resinous stems. You felt suddenly carefree; the glade was like one happy day in a life of poverty. The lemon-coloured butterflies, the polished, blue-black beetles, the ants, the grass-snake rustling through the grass, seemed to be joining together in a common task. Birch-twigs, sprinkled with fine leaves, brushed against his face; a grasshopper jumped up and landed on him as though he were a tree-trunk; it clung to his belt, calmly tensing its green haunches as it sat there with its round, leathery eyes and sheep-like face. The last flowers of the wild strawberries. The heat of the sun on his metal buttons and belt-clasp . . . No U-88 or night-flying Heinkel could ever have flown over this glade.

Think of the future, she whispers. Jumbled images in primary colours. White and red swastika flags waving in the wind; gleaming rockets flying into the air; skyscrapers rise above the Danube, the Thames, the Volga and the Rhine, blond children play under a bright African sun, their uniforms ironed to perfection by their servant-slaves nearby, modern women work at factories assembling Volkswagens, in the mountains in a wood cabin Maria and Erich and their three children go on a skiing holiday, laughing, holding hands…

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

The fisherman-painter has the best of the bargain as far as the weather goes, for the weather that is too bright for the trout deluges his hills and his sea with floods of radiant colour; the rain that interrupts picture-making puts water into the rivers and the lochs and sends him hopefully forth with rod and creel; while on cold dull days, when there is neither purple on the hills nor fly on the river, he can join a friendly party in a cosy bar and exchange information about Cardinals and March Browns, and practise making intricate knots in gut.

Humans interpret. Like fish swim and birds fly, we interpret. We have always done so. We were created as interpreters. We interpret God, gardens, snakes, light, darkness, Mom’s voice, Dad’s voice, colours, babysitters, nurseries, spinach, commandments, events, sacrifices, poems, songs, books, newspapers, the sports newscaster, soccer games, speeches, scenery, sunrises, sunsets, food, sermons, allegories, street lights, people, cursing, a kiss, the wink of an eye, cancer, and death (to name just a few). We are homo interpretum as much as we are homo sapiens.

The Book Lover:- See how I have come up in the World, because of my books. I pull the covers agape, pages release their cargo and words fly like birds each with its own song. Listen, and vowels will breathe like flutes in your head, Consonants tick-tack like woodpeckers, and sibilants, sly as asps, bite the plosives that pop from our pressed lips. A picture worth a thousand words? You paint a score of trees, dark needled, stippled and stroked across your canvas: My book say ‘’forrest’’ (Feel that Pine green touch) You wash your paper with azures and turquoise, set ship after ship, sails wind-pregnant, As far as the daubed horizon: my books say ‘’armada’’. (Smell that sea-green scent) Art’s shape is their noun, its colour their objective, Its tone their adverb; my books match the grammar of landscapes. This book may say ‘Socrates’ secrets, Freud’s autopsy of actions or Heaney’s verses; Every idea dreamed by man caught, black stamped for all time, within its cardboard confines. Here the past speaks to us, as the future will, in the language of our senses. Step up book by book- In time, you will reach the stars.

He was close enough so that I could see his face clearly, even with his helmet's cheek flaps tied tightly under his bearded chin. I looked into the eyes of Hector, prince of Troy. Brown eyes they were, the colour of rich farm soil, calm and deep. No anger, no battle lust. He was a cool and calculating warrior, a thinker among these hordes of wild, screaming brutes. He wore a small round shield buckled to his left arm instead of the massive body-length type most of the other nobles carried. In it was painted a flying heron, a strangely peaceful emblem in the midst of all this mayhem and gore.

you're the fly on the wall hearing all, seeing all ears of a wall hearing all the secrets perhaps you're the vines creeping over the old abandoned mansion walls dusty, soulless and dead bringing a certain curious life to rubble and I think you're the jewel-eyed gecko sneaking around the warm summer walls between jasmine and olive branches sticky pad toes, clinging to the walls peeking in at lonely summer spicy love-making through silk curtains from the bright orient breathing in incense and tasting decadence climbing the sharply barbed walls the smooth cemented white-washed walls because walls breathe too

gleaming like some fairy princess with sparkling jewels and gay embroideries. Her chignon was enclosed in a circlet of gold filigree and clustered pearls. It was fastened with a pin embellished with flying phoenixes, from whose beaks pearls were suspended on tiny chains. Her necklet was of red gold in the form of a coiling dragon. Her dress had a fitted bodice and was made of dark red silk damask with a pattern of flowers and butterflies in raised gold thread. Her jacket was lined with ermine. It was of a slate-blue stuff with woven insets in coloured silks. Her under-skirt was of a turquoise-coloured imported silk crêpe embroidered with flowers. She

So are you, sunshine,” Paige replied. “Bad night?” Even though he didn’t take off his sunglasses, I knew he was staring straight at me. “I’ve had better,” he said with an entirely straight face, while I coloured up from head to toe. “I’ve had worse.” … “Now, now children,” Paige intervened, entirely oblivious to the extreme level of bitchy subtext flying across the table. “Let’s not have fisticuffs … Can we kiss and make up?” Nick turned up one corner of his mouth and nodded. “I’m game if you are, Vanessa.” “I think she means figuratively,” I said, adding cream to my coffee. “I’m a professional.” “Really?” He rested his elbows on the table and pushed his glasses up over his eyebrows. “I probably owe you some money then.

There were rockets like a flight of scintillating birds singing with sweet voices. There were green trees with trunks of dark smoke: their leaves opened like a whole spring unfolding in a moment, and their shining branches dropped glowing flowers down upon the astonished hobbits, disappearing with a sweet scent just before they touched their upturned faces. There were fountains of butterflies that flew glittering into the trees; there were pillars of coloured fires that rose and turned into eagles, or sailing ships, or a phalanx of flying swans; there was a red thunderstorm and a shower of yellow rain; there was a forest of silver spears that sprang suddenly into the air with a yell like an embattled army, and came down again into the Water with a hiss like a hundred hot snakes.

Are you going to fly home?' I said. A soft laugh. 'Unfortunately, it would take longer than I can afford. Another day, I'll taste the skies again.' I glanced at the wings tucked into his powerful body, and my voice was hoarse as I spoke. 'You never told me you loved the wings- or the flying.' No, he'd made shape-shifting seem... base, useless, boring. He shrugged. 'Everything I love has always had a tendency to be taken from me. I tell very few about the wings. Or the flying.' Some colour had already come into that moon-white face- and I wondered whether he might once have been tan before Amarantha had kept him belowground for so long. A High Lord who loved to fly- trapped under a mountain. Shadows not of his own making still haunted those violet eyes. I wondered if they would ever fade.

~We were here~ We were here years ago Dusk swept away the white day departing monotonous sun to sleep “You came out of abyss or on High?” The scent of her willingness breasts I breathe ! Eyes closed ! Naked bodies sailed in colour, sound and smell her swan-like arms coiled The shadowy light of lamp the flamboyant bits of dying coal sighed in air Blood depurated the tawny flesh of bodies Beside on a table words scattered like flock of birds grief, dejection and melancholy b r o k e n bones of free verse In contrivance of our sweetest submission words rupture; secret message deciphered unrhymed metamorphosed to rhymes they read our skins like first love poem besotted in warm delighted air flying high as kite You were coaxed to sing in flow; I danced wobbly Wary sky above the roof ceased in our devout brittle embrace.

He had grown up among people to whom such emotions were unknown. The old Marquess's passion for his fields and woods was the love of the agriculturist and the hunter, not that of the naturalist or the poet; and the aristocracy of the cities regarded the country merely as so much soil from which to draw their maintenance. The gentlefolk never absented themselves from town but for a few weeks of autumn, when they went to their villas for the vintage, transporting thither all the diversions of city life and venturing no farther afield than the pleasure-grounds that were but so many open-air card-rooms, concert-halls and theatres. Odo's tenderness for every sylvan function of renewal and decay, every shifting of light and colour on the flying surface of the year, would have been met with the same stare with which a certain enchanting Countess

To this day, I can see the bright, raspberry red glow. The reactor seemed lit up from inside. It was an incredible colour. Not an ordinary fire, but a kind of shining. Very pretty. If you forget all the rest, it was very pretty. I’d never seen anything like it in the movies, there was just nothing comparable. In the evening, everyone came out on to their balconies; if they didn’t have one, they went to their friends and neighbours. We were on the eighth floor and had a great view. About three kilometres as the crow flies. People brought out their children and lifted them up. ‘Look! Don’t forget this!’ And these were people who worked at the reactor: engineers, workmen. There were even physics teachers, standing in that black dust, chatting away. Breathing it in. Admiring the sight. Some people drove dozens of kilometres or cycled to see it. We had no idea death could look so pretty.

What made the process still longer was that it was profusely illustrated, not only with pictures, as that of old Queen Elizabeth, laid on her tapestry couch in rose-coloured brocade with an ivory snuff-box in her hand and a gold-hilted sword by her side, but with scents — she was strongly perfumed — and with sounds; the stags were barking in Richmond Park that winter’s day. And so, the thought of love would be all ambered over with snow and winter; with log fires burning; with Russian women, gold swords, and the bark of stags; with old King James’ slobbering and fireworks and sacks of treasure in the holds of Elizabethan sailing ships. Every single thing, once he tried to dislodge it from its place in his mind, he found thus cumbered with other matter like the lump of glass which, after a year at the bottom of the sea, is grown about with bones and dragon-flies, and coins and the tresses of drowned women.

Karl was the last to be with him. He found him calm and almost gay. After he had gone, Ludwig put his few things in order and wrote for some time. Then he drew a chair to the window and set a basin with warm water on the table beside him. He locked the door, sat himself on the settle and with his arm in the water, he cut the artery. The pain was slight. He saw the blood flowing, a scene he had often thought on—to let this hateful, poisoned blood pour out of his body. His room became very clear. He saw every hook, every nail, every glint of the quartzes, the iridescence, the colours; he absorbed it: his room. It gathered about him, it passed in with his breath and was one with his life. Then it receded, uncertain. His youth began, in pictures. Eichendorff, the woods, homesickness. Reconciled, without pain. Beyond the woods rose up barbed-wire entanglements, little white shrapnel clouds, the burst of heavier shells. But they alarmed him no longer. They were muffled, almost like bells. The bells became louder, but the woods were still there. The bells pealed in his head so loudly that he felt it must burst. Then it grew darker. The pealing sounded fainter, and the evening came in at the window, clouds floated up under his feet. He had wished once in his life to see flamingoes; now he knew; these were flamingoes, with broad, pinkish-grey wings, lots of them, a phalanx—Did wild ducks not once fly so toward the very red moon, red as poppies in Flanders? —The landscape receded farther and farther, the woods sank deeper, rivers rose up, gleaming, silver, and islands; the pinkish-grey wings flew ever higher and higher, and the horizon became ever brighter—Now, suddenly, a dark cry swelled in his throat, hot, insistent, a last thought spilled over out of the brain into the failing consciousness: fear, rescue, bind it up! —He tried to rise, staggering, to lift his hand; the body jerked, but already it was too weak. —It spun round and spun round, then it vanished; and the giant bird with dark pinions came very gently with slow sweeps and the wings closed noiselessly over him. A

Cases of typhoid take the following course: When the fever is at its height, life calls out to the patient: calls out to him as he wanders in his distant dream, and summons him in no uncertain voice. The harsh, imperious call reaches the spirit on that remote path that leads into the shadows, the coolness and peace. He hears the call of life, the clear, fresh, mocking summons to return to that distant scene which he had already left so far behind him, and already forgotten. And there may well up in him something like a feeling of same for a neglected duty; a sense of renewed energy, courage, and hope; he may recognize a bond existing still between him and that stirring, colourful, callous existence which he thought he had left so far behind him. Then, how far he may have wandered on his distant path, he will turn back--and live. But if he shudders when he hears life's voice, if the memory of that vanished scene and the sound of that lusty summons make him shake his head, make him put out his hand to ward off as he flies forward in the way of escape that has opened to him--then it is clear that the patient will die. " Buddenbrooks

And then a scholar said, Speak of Talking. And he answered, saying: You talk when you cease to be at peace with your thought: And when you can no longer dwell in the solitude of your heart you live in your lips, and sound is a diversion and a pastime. And in much of your talking, thinking is half murdered. For thought is a bird of space, that in a cage of words may indeed unfold its wings but cannot fly. There are those among you who seek the talkative through fear of being alone. The silence of aloneness reveals to their eyes their naked selves and they would escape. And there are those who talk, and without knowledge or forethought reveal a truth which they themselves do not understand. And there are those who have the truth within them, but they tell it not in words. In the bosom of such as these the spirit dwells in rhythmic silence. When you meet your friend on the roadside or in the market place, let the spirit in you move your lips and direct your tongue. Let the voice within your voice speak to the ear of his ear: For his soul will keep the truth of your heart as the taste of the wine is remembered. When the colour is forgotten and the colour is no more.

The other day I was at Depford, and saw a ship launched—she slipped easily into the water; the people on board shouted; the ship looked clean and gay, she was freshly painted, and her colours flying. But I looked at her with a sort of pity, “Poor ship!” I thought, “you are now in port and in safety; but ere long you must go to sea. Who can tell what storms you may meet with hereafter, and to what hazards you may be exposed; how weather-beaten you may be before you return to port again, or whether you may return at all!” Then my thoughts turned from the ship to my child. It seemed an emblem of your present state; you are now, as it were, in a safe harbour; but by and by you must launch out into the world, which may well be compared to a tempestuous sea. I could even now almost weep at the resemblance. But I take courage; my hopes are greater than my fears. I know there is an infallible Pilot, who has the winds and the waves at his command. There is hardly a day passes, in which I do not entreat him to take charge of you. Under his care I know you will be safe. He can guide you, unhurt, amidst the storms, and rocks, and dangers, by which you might otherwise suffer; and bring you, at last, to the haven of eternal rest!

Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper. Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut.

standstill in one of the stations which came before Balbec-Plage, stations the mere names of which (Incarville, Marcouville, Doville, Pont-a-Couleuvre, Arambouville, Saint-Mars-le-Vieux, Hermonville, Maineville) seemed to me outlandish, whereas if I had come upon them in a book I should at once have been struck by their affinity to the names of certain places in the neighbourhood of Combray. But to the trained ear two musical airs, consisting each of so many notes, several of which are common to them both, will present no similarity whatever if they differ in the colour of their harmony and orchestration. So it was that nothing could have reminded me less than these dreary names, made up of sand, of space too airy and empty and of salt, out of which the termination ‘ville’ always escaped, as the ‘fly’ seems to spring out from the end of the word ‘butterfly’—nothing could have reminded me less of those other names, Roussainville or Martinville, which, because I had heard them pronounced so often by my great-aunt at table, in the dining-room, had acquired a certain sombre charm in which were blended perhaps extracts of the flavour of ‘preserves,’ the smell of the fire of logs and of the pages of one of Bergotte’s books, the colour of the stony front of the house opposite, all of which things still to-day when they rise like a gaseous bubble from the depths of my memory preserve their own specific virtue through all the successive layers of rival interests which must be traversed before they reach the surface

From the height we had now reached, the sea no longer appeared, as it did from Balbec, like an undulating range of hills, but on the contrary like the view, from a mountain-peak or from a road winding round its flank, of a blue-green glacier or a glittering plain situated at a lower level. The ripples of eddies and currents seemed to be fixed upon its surface, and to have traced there for ever their concentric circles; the enamelled face of the sea, imperceptibly changing colour, assumed towards the head of the bay, where an estuary opened, the blue whiteness of milk in which little black boats that did not move seemed entangled like flies. I felt that from nowhere could one discover a vaster prospect. But at each turn in the road a fresh expanse was added to it and when we arrived at the Douville toll-house, the spur of the cliff which until then had concealed from us half the bay receded, and all of a sudden I saw upon my left a gulf as profound as that which I had already had in front of me, but one that changed the proportions of the other and doubled its beauty. The air at this lofty point had a keenness and purity that intoxicated me. I adored the Verdurins; that they should have sent a carriage for us seemed to me a touching act of kindness. I should have liked to kiss the Princess. I told her that I had never seen anything so beautiful. She professed that she too loved this spot more than any other. But I could see that to her as to the Verdurins the thing that really mattered was not to gaze at the view like tourists, but to partake of good meals there, to entertain people whom they liked, to write letters, to read books, in short to live in these surroundings, passively allowing the beauty of the scene to soak into them rather than making it the object of their conscious attention.

He closes his eyes. What does God see? Cromwell in the fifty-fourth year of his age, in all his weight and gravitas, his bulk wrapped in wool and fur? Or a mere flicker, an illusion, a spark beneath a shoe, a spit in the ocean, a feather in a desert, a wisp, a phantom, a needle in a haystack? If Henry is the mirror, he is the pale actor who sheds no lustre of his own, but spins in a reflected light. If the light moves he is gone. When I was in Italy, he thinks, I saw Virgins painted on every wall, I saw in every fresco the sponged blood-colour of Christ's robe. I saw the sinuous tempter that winds from a branch, and Adam's face as he was tempted. I saw that the serpent was a woman, and about her face were curls of silver-gilt; I saw her writhe about the green bough, saw it sway under her coils. I saw the lamentation of Heaven over Christ crucified, angels flying and crying at the same time. I saw torturers nimble as dancers hurling stones at St Stephen, and I saw the martyr's bored face as he waited for death. I saw a dead child cast in bronze, standing over its own corpse: and all these pictures, images, I took into myself, as some kind of prophecy or sign. But I have known men and women, better than me and closer to grace, who have meditated on every splinter of the cross, till they forget who and what they are, and observe the Saviour's blood, running in the soaked fibres of the wood. Till they believe themselves no longer captive to misfortune nor crime, nor in thrall to a useless sacrifice in an alien land. Till they see Christ's cross is the tree of life, and the truth breaks inside them, and they are saved. He sands his paper. Puts down his pen. I believe, but I do not believe enough. I said to Lambert, my prayers are with you, but in the end I only prayed for myself, that I might not suffer the same death.

These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.

These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind, With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur, other gifts Have followed; for such loss, I would believe, Abundant recompence. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man; A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.

For men led by the Colour, and the Shape, Like Zeuxes Birds fly to the painted Grape; Some things do through our Judgment pass As through a Multiplying Glass. And sometimes, if the Object be too far, We take a Falling Meteor for a Star.

The members ate hashish as dawamesk. Green in colour, it was a spread or jam which Moreau obtained from North Africa, made of hashish, almond paste, pistachio nuts, sugar, orange or tamarind peel, cloves and other spices: on occasion, cantharidin (powdered and desiccated blister beetles, Lytta vesicatoria, more commonly known as Spanish fly) was added as a sexual stimulant. It was usually taken with a meal, straight from a spoon or smeared on biscuits or bread. Once consumed and the main courses of the meal over, the members lay back on cushions and waited for the drug to take effect.

They were stars, swimming inside wavy pools of colourful milk. I thought we were flying upwards into the sky, but Arla laughed. She said we had already left the sky and right there, as she looked at me with her starry eyes, she welcomed me to the Universe.

She was, after all, a girl who knew how to fly.

My Order emerged,” he breathed and the terror in his voice told me all I needed to about what had happened. “You’re not a Dragon?” I asked, my own voice cracking with fear for him. Father would have been more than furious to discover that his son was anything other than a full blooded Dragon Shifter. It was a matter of pride and respect; he ridiculed families with mixed blood, he believed wholeheartedly in the superiority of our kind. One of his sons being anything other was totally unthinkable. Xavier shook his head slowly, trying to withdraw his hand from mine as footsteps sounded on the stairs behind me but I refused to release him. “It doesn’t change anything for me,” I growled. “You’re still my brother, I don’t care if you’re a Werewolf or a Vampire or a-” “So he told you, did he?” Father’s cold voice came from the doorway behind me and the hairs along the back of my neck stood to attention in warning. Xavier snatched his hand out of mine, blinking away the evidence of the tears which hadn’t even fallen. I stood before him, placing myself between him and Father. “It doesn’t matter,” I said firmly, though the simmering rage in my father’s eyes told a very different story. “I’m the oldest. I’m the first in line anyway, Xavier never wanted to challenge me for that role so-” “Yes, I still have my Heir but I’ve lost the spare. Did he tell you exactly what Order he is?” Father snarled, his eyes changing to their Dragon form and a trail of smoke leaving his nostrils. He was so angry about this that he was battling against the urge to shift. I didn’t think I’d ever seen him look so close to the edge before. “Not yet. But surely it’s not the end of the world if-” “Shift,” Father commanded, his gaze passing me to land on my brother. Xavier got out of his chair and backed up, shaking his head in panic. His skin looked odd though, like there was light shining from within it, trying to break free. “I told you, I’ll get control of it; I won’t shift ever,” he said anxiously. “No one will ever find out that I’m-” “SHIFT!” Father bellowed, using fear to force the change on him. Xavier cried out in panic as the light beneath his skin grew to a powerful glow and he bucked forward as his Order form took over. I backed up as his form changed, giving him room to become- “Fucking hell,” I breathed, my eyes widening in panic. “My thoughts precisely,” Father hissed venomously. Xavier had transformed into a lilac Pegasus complete with golden horn and rainbow patterned wings. His coat shone with glitter in the light of my magical orbs and his wide, horsey eyes looked back at us fearfully. I stared at him with my mouth hanging open, scrambling for something, anything to say. “I... didn’t know we had any recessive Pegasus genes in the bloodline...maybe he's linked to the constellation,” I muttered, unsure what else I could say. Father hated the weaker, more common Orders. He was a Dragon through and through; he loved power, invoking fear and breathing fire. A Pegasus was about as far as you could get to the opposite end of the Order spectrum. They were flying horses who pooped glitter, granted wishes and were... cute. Xavier hadn’t even been lucky enough to have a dark coloured coat, it was lilac. Lilac! (DARIUS POV)

the Seas are Britannia’s where no Frog-eating Frenchman can show his Face?

We talk now of grey Gothic buildings; but they must have been very different when they went up white and gleaming into the northern skies, partly picked out with gold and bright colours; a new flight of architecture, as startling as flying-ships.

She saw colours—the bright reds and ambers of dinosaurs flying at twilight. There were stars behind them, burning hot, swirling in her eyelids. Pain gave way to pleasure. She cried quietly at first and then louder, letting out big wet wails timed to his every movement. He was churning her insides into a soft satisfying butter.

Flower in love The flower to the butterfly, Where do you always come from? Why do you always fly? And where do your wings get these colourful patterns from? She flew away without any reply, For she had a known flower to kiss, And his yesterday’s queries to reply, And then offer him a passionate kiss, There, poised on the flower that she knew, She spread her wings over its petals, It was a feeling that the flower knew, As the butterfly’s colours kissed its petals, Under the cover of her wings, They romanced in the light of love, And what a wonder it became to see a flower kissed by open butterfly wings, The symbol of two conflict free beings in total love, Beauty pressed over beauty, and covered in love, As the sunlight enveloped them in the shimmer of the pure light, The flower fell in love and the butterfly experienced love, And then it flew in the direction of the light, And I watched her flapping her wings hurriedly, As she shed her dust of colourful beauty over the flower in love, She became a part of this pure light almost hurriedly, And now it is the permanent delight for the light kissed flower, who too finally experienced love!

Wings of fire It was a strange sight, That brought feelings of excitement and fright, A butterfly with wings of fire, One representing wishes and the other meant to hoist her every desire, There seemed to be no place where she could not go, I had never seen her before, not even long ago, Wherever she went, she set all flowers on fire, Creating blazing gardens of endless desire, Where wishes like pollen dust scattered everywhere, Lifted by the ever rising flames and then dispersed here and there, And wherever it fell, There was no beauty to be felt and no stories to tell, Because the flames turned the dust into a secret alchemy that resembled the inferno of hell, Gardens burned, lands were parched, it was a diabolic sight that no words can explain well, So, wherever the butterfly with wings of fire went, It left trails of fire and devastation, with nature’s will broken and completely bent, The butterfly used to be beautiful once, It loved to fly and freely dance, Until it was caught in a man made drought, Leaving it exhausted and distraught, As its wings stiffened and fell, And it began collapsing into the hell, There somehow she developed wings of fire, To claim her unfulfilled wishes and her every desire, And since then she has been on a rampage, Nature too does not want to contain her in the cage, Because she is avenging its losses, So, now she recklessly all heights and every length crosses, Wherever she goes the world of blazes and fires blooms, With just one prospect, that of gloom and endless dooms, Her desires are infinite, so her wings will never lose their fire now, There is only one way to stop her, via a kiss of love, But who would dare to kiss the wings of fire, Let alone the act, the very thought does scare and tire, Maybe the world, her world and our world will soon be reduced to cinders, And we can only hope that someday she forgives us all, her offenders, But behold the act of providence, Her only means of guidance, The wet drops of rain are soothing her hot and blazing wings, And as her wings regain their natural and colourful shades, she once again sings, Hopefully this spell of beauty lasts longer, And humans and beautiful butterflies will once again learn to live together!

Head down he ran and collided with Mary who fell to the road, her basket of lace flying in the air to scatter the mud road in a ribbon of colour. I ran over to her just as a horde of men and women came spewing into the street. Mary was in their path and unthinkingly I threw myself down upon her shielding her with my body; which just goes to show you how set I was on having my way with her for I doubt if it had been my mother I'd have moved so much as a step in the way of that pack of animals.

Ah, the young adults with their silk voices and never-ending wit, how they regurgitate and spit out meaningless words how they repeat and echo what they had learned inside the university walls, in their little tribe is to be found the loud ones, the shy ones, and the silent ones, they spend their times at a beer-drenched party for all seasons, while they try and find their way in life to where they are going or where they are supposed to go, they don’t know it but they will soon find out, that their education is just beginning, even though they had passed the university exams in flying colours,

The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?

I dance on galaxies, in the stars, in the creation of planets. I travel down towards my own planet, like a glittery meteor- full of life. I run on the grass and moss covered landscape, my birds flying along side- and of - me. The thick fog caresses the hills and pours itself slowly, sensuously, down the gentle slopes. The twilight stars remind me: "Time to dance.". The drums build, echo, reflect my beating heart. A waterfall appears. I like it... I think I will keep it. Tree's sprout up. They have leaves that don't die when they change colour. The colours reflect my innocence and whimsy. I like them. I think I will keep them. My body moves with the wind, light streams from my fingertips, my breathing stutters in anticipation of more magic- my magic. My long hair billows, whirls, whips in the wind, and then gently lays upon my back again. I like it. I think I will keep me." Excerpt from the upcoming book "The spark (of a muse)". By Cheri Bauer

Aamir, recalling back to the idyllic days of his college youth, pictured himself once again sitting quietly on a familiar neighbourhood rooftop. He often enjoyed relaxing there, alone or with friends, while watching the colourful fluttering prayer flags on rooftop poles, especially in the warmth of an early evening breeze, as wispy clouds drifted against the jagged Himalayan backdrop. He has oft times wondered, ever since his childhood, if the prayers to the spirits of the dead, flying out from those slowly tattering rags, will ever really be answered. Perhaps it will be in another place, in another time, when we’re living another life that we shall finally know. Aamir had calmly thought at the time. He was that sort of philosophical guy.