Fly Insects Quotes

This man is the bee's knees, Arthur, he is the wasp's nipples. He is, I would go so far as to say, the entire set of erogenous zones of every major flying insect of the Western world.

Whenever you see flies or insects in a still life—a wilted petal, a black spot on the apple—the painter is giving you a secret message. He’s telling you that living things don’t last—it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first with all the beauty and bloom, the little speck of rot. But if you look closer—there it is.

Words Be careful of words, even the miraculous ones. For the miraculous we do our best, sometimes they swarm like insects and leave not a sting but a kiss. They can be as good as fingers. They can be as trusty as the rock you stick your bottom on. But they can be both daisies and bruises. Yet I am in love with words. They are doves falling out of the ceiling. They are six holy oranges sitting in my lap. They are the trees, the legs of summer, and the sun, its passionate face. Yet often they fail me. I have so much I want to say, so many stories, images, proverbs, etc. But the words aren't good enough, the wrong ones kiss me. Sometimes I fly like an eagle but with the wings of a wren. But I try to take care and be gentle to them. Words and eggs must be handled with care. Once broken they are impossible things to repair.

All right.” Lucy shouldered her way to my side and made a waving motion as if they were annoying flies. “Shoo!” She narrowed her eyes. “I said shoo.” They dispersed, mostly startled into moving. Only Logan remained, leaning casually against the wall. “Darling, I’m not some insect to be chased away.” “Darling?” She snorted amiably. “You’re not ninety years old, either.” He straightened. “I’m charming,” he informed her. “And women like endearments.

Things to worry about: Worry about courage Worry about cleanliness Worry about efficiency Worry about horsemanship Things not to worry about: Don’t worry about popular opinion Don’t worry about dolls Don’t worry about the past Don’t worry about the future Don’t worry about growing up Don’t worry about anybody getting ahead of you Don’t worry about triumph Don’t worry about failure unless it comes through your own fault Don’t worry about mosquitoes Don’t worry about flies Don’t worry about insects in general Don’t worry about parents Don’t worry about boys Don’t worry about disappointments Don’t worry about pleasures Don’t worry about satisfactions Things to think about: What am I really aiming at? How good am I really in comparison to my contemporaries in regard to: (a) Scholarship (b) Do I really understand about people and am I able to get along with them? (c) Am I trying to make my body a useful instrument or am I neglecting it? With dearest love, Daddy

She was a fly, but the others were dragonflies, butterflies, beautiful insects, dancing, fluttering, skimming, while she alone dragged herself up out of the saucer.

There is no reason to assume that the universe has the slightest interest in intelligence—or even in life. Both may be random accidental by-products of its operations like the beautiful patterns on a butterfly's wings. The insect would fly just as well without them.

We human beings are only a part of something very much larger. When we walk along, we may crush a beetle or simply cause a change in the air so that a fly ends up where it might never have gone otherwise. And if we think of the same example but with ourselves in the role of the insect, and the larger universe in the role we've just played, it's perfectly clear that we're affected every day by forces over which we have no more control than the poor beetle has over our gigantic foot as it descends upon it. What are we to do? We must use whatever methods we can to understand the movement of the universe around us and time our actions so that we are not fighting the currents, but moving with them.

A brown spotted lady-bug climbed the dizzy height of a grass blade, and Tom bent down close to it and said, "Lady-bug, lady-bug, fly away home, your house is on fire, your children's alone," and she took wing and went off to see about it -- which did not surprise the boy, for he knew of old that this insect was credulous about conflagrations, and he had practised upon its simplicity more than once.

Hana: What on Earth is a 'barbeque'? Hel: A primitive tribal ritual featuring paper plates, elbows, flying insects, encrusted meat, hush puppies, and beer. Hana: I daren't ask what a 'hush puppy' is. Hel: Don't.

Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.

In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them. In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is! In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects. In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.

There were many odd things about human beings. They thought insects were disgusting but felt lucky when a ladybird landed on their fingers. They detested rats but loved squirrels. While they found vultures repulsive, they thought eagles impressive. They despised mosquitoes and flies, but were fond of fire-flies. Even though copper and iron were medicinally important, it was gold that they worshipped instead. They took no notice of the stones under their feet but went mad for polished gems.

Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.

I killed four flies while waiting. Damn, death was everywhere. Man, bird, beast, reptile, rodent, insect, fish didn't have a chance. The fix was in. I didn't know what to do about it. I got depressed. You know, I see a boy at the supermarket, he's packing my groceries, then I see him sticking himself into his own grave along with the toilet paper, the beer and the chicken breasts.

30. Insects The fly should have been included in my list of hateful things; for such an odious creature does not belong with ordinary insects...

A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!

To be fair, English is full of booby traps for the unwary foreigner. Any language where the unassuming word fly signifies an annoying insect, a means of travel, and a critical part of a gentleman’s apparel is clearly asking to be mangled.

The bottom line is...if you were in the civilian population, you'd be a serial killer. Working for the government means you get to wave the American flag around when it suits you, but the truth is, you do what you do because you enjoy picking the wings off of flies. And everybody's an insect in your eyes.

Two chemicals called actin and myosin evolved eons ago to allow the muscles in insect wings to contract and relax. Thus, insects learned to fly. When one of those paired molecules are absent, wings will grow but they cannot flap and are therefore useless. Today, the same two proteins are responsible for the beating of the human heart, and when one is absent, the person’s heartbeat is inefficient and weak, ultimately leading to heart failure. Again, science marvels at the way molecules adapt over millions of years, but isn’t there a deeper intent? In our hearts, we feel the impulse to fly, to break free of boundaries. Isn’t that the same impulse nature expressed when insects began to take flight? The prolactin that generates milk in a mother’s breast is unchanged from the prolactin that sends salmon upstream to breed, enabling them to cross from saltwater to fresh.

The early fly gets the cadaver

The blue distance, the mysterious Heavens, the example of birds and insects flying everywhere —are always beckoning Humanity to rise into the air.

A fly, Sir, may sting a stately horse and make him wince; but one is but an insect, and the other is a horse still.

Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.

Paganism has no fixed creeds or dogmas, no self-proclaimed gurus or prophets, no holy books or saviours. Earth Herself is our teacher. Pagans, like all, natural peoples, desire to live in harmony with Earth and see all Her manifestations, whether animal, plant, insect, rock or mountain, or, as Native Americans say, four-legged, two-legged, crawling and flying, as our relations and as ensouled.

Whenever you see flies or insects in a still life—a wilted petal, a black spot on the apple—the painter is giving you a secret message. He’s telling you that living things don’t last—it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first, with all the beauty and bloom, the little speck of rot. But if you look closer—there it is.

Fall has arrived and has already begun to put everything into a deep sleep; flies and other insects have suffered their first setback, and up in the trees and down on the ground you can hear the sounds of struggling life, puttering , ceaselessly rustling, laboring not to perish.

I have my doubts about all this real value in mountaineering, in getting to the top of everything and overlooking everything. Satan was the most celebrated of Alpine guides, when he took Jesus to the top of an exceeding high mountain and showed him all the kingdoms of the earth. But the joy of Satan in standing on a peak is not a joy in largeness, but a joy in beholding smallness, in the fact that all men look like insects at his feet. It is from the valley that things look large; it is from the level that things look high; I am a child of the level and have no need of that celebrated Alpine guide. I will lift up my eyes to the hills, from whence cometh my help; but I will not lift up my carcass to the hills, unless it is absolutely necessary. Everything is in an attitude of mind; and at this moment I am in a comfortable attitude. I will sit still and let the marvels and the adventures settle on me like flies. There are plenty of them, I assure you. The world will never starve for want of wonders; but only for want of wonder.

Run.” Raven took off, Apple on her heels, screaming as a swarm of flying, crawling, leaping insects chased them. “Aah!” Apple screamed. “Aah! I mean, La la la!” Apple sang desperately. “LA LA LA LA!

I AM ROWING (a hex poem) i have cursed your forehead, your belly, your life i have cursed the streets your steps plod through the things your hands touch i have cursed the inside of your dreams i have placed a puddle in your eye so that you cant see anymore an insect in your ear so that you cant hear anymore a sponge in your brain so that you cant understand anymore i have frozen you in the soul of your body iced you in the depths of your life the air you breathe suffocates you the air you breathe has the air of a cellar is an air that has already been exhaled been puffed out by hyenas the dung of this air is something no one can breathe your skin is damp all over your skin sweats out waters of great fear your armpits reak far and wide of the crypt animals drop dead as you pass dogs howl at night their heads raised toward your house you cant run away you cant muster the strength of an ant to the tip of your feet your fatigue makes a lead stump in your body your fatigue is a long caravan your fatigue stretches out to the country of nan your fatigue is inexpressible your mouth bites you your nails scratch you no longer yours, your wife no longer yours, your brother the sole of his foot bitten by an angry snake someone has slobbered on your descendents someone has drooled in the mouth of your laughing little girl someone has walked by slobbering all over the face of your domain the world moves away from you i am rowing i am rowing i am rowing against your life i am rowing i split into countless rowers to row more strongly against you you fall into blurriness you are out of breath you get tired before the slightest effort i row i row i row you go off drunk tied to the tail of a mule drunkenness like a huge umbrella that darkens the sky and assembles the flies dizzy drunkenness of the semicircular canals unnoticed beginnings of hemiplegia drunkeness no longer leaves you lays you out to the left lays you out to the right lays you out on the stony ground of the path i row i row i am rowing against your days you enter the house of suffering i row i row on a black blinfold your life is unfolding on the great white eye of a one eyed horse your future is unrolling I AM ROWING

Some flies and gnats were sitting on my paper and this disturbed me; I breathed on them to make them go, then blew harder and harder, but it did no good. The tiny beasts lowered their behinds, made themselves heavy, and struggled against the wind until their thin legs were bent. They were absolutely not going to leave the place. They would always find something to get hold of, bracing their heels against a comma or an unevenness in the paper, and they intended to stay exactly where they were until they themselves decided it was the right time to go.

As a child, he'd found a butterfly emerging from a cocoon. He'd tried to help it by prying open the husk to set the insect free. It had lain in the sun, beating its wings as they dried, but had never flown and soon died. His grandmother explained the butterfly needed to go through the difficulty of freeing itself in order to have the strength to fly.

Well the Dutch invented the microscope," she said. "They were jewellers, grinders of lenses. The want it all as detailed as possible because even the tiniest things mean something. Whenever you see flies or insects in a still life- a wilted petal, a black spot on the apple- the painter is giving you a secret message. He's telling you that living things don't last- it's all temporary. Death in life. That's why they're called natures mortes. Maybe you don't see it at first with all the beauty and bloom, the little speck of rot. But if you look closer- there it is.

I go to the window, I spot a fly under the curtain, I corner it in a muslin trap and move a murderous forefinger toward it. This moment is not in the program, it's something apart, timeless, incomparable, motionless, nothing will come of it this evening or later . . . Mankind is asleep. . . . Alone and without a future in a stagnant moment, a child is asking murder for strong sensations. Since I'm refused a man's destiny, I'll be the destiny of a fly. I don't rush matters, I'm letting it have time enough to become aware of the giant bending over it. I move my finger forward, the fly bursts, I'm foiled! Good God, I shouldn't have killed it! It was the only being in all creation that feared me; I no longer mean anything to anyone. I, the insecticide, take the victim's place and become an insect myself. I'm a fly, I've always been one. This time I've touched bottom.

Why were the flowers born so beautiful and yet so hapless? Insects can sting, and even the meekest of beasts will fight when brought to bay. The birds whose plumage is sought to deck some bonnet can fly from its pursuer, the furred animal whose coat you covet for your own may hide at your approach. Alas! The only flower known to have wings is the butterfly; all others stand helpless before the destroyer. If they shriek in their death agony their cry never reaches our hardened ears. We are ever brutal to those who love and serve us in silence, but the time may come when, for our cruelty, we shall be deserted by these best friends of ours. Have you not noticed that the wild flowers are becoming scarcer every year? It may be that their wise men have told them to depart till man becomes more human. Perhaps they have migrated to heaven. Much may be said in favor of him who

the great all-embracing sound that rose from the dazzling earth, a layered music, dense but deeply flowing, that was clippered insects rubbing their legs together, bird-notes, grass-stems chaffing and fretting in the breeze.

The wide-ranging birds that visit islands of the ocean in migration may also have a good deal to do with the distribution of plants, and perhaps even of some insects and minute land shells. From a ball of mud taken from a bird's plumage, Charles Darwin raised 82 separate plants, belonging to 5 distinct species! Many plant seeds have hooks or prickles, ideal for attachment to feathers. Such birds as the Pacific golden plover, which annually flies from the mainland of Alaska to the Hawaiian Islands and even beyond, probably figure in many riddles of plant distribution.

Fireflies were like fairy tales. They appealed to the young, the old, and the imaginative. In a world of detestable insects, these bugs were the exception. They had an adorable way of flying so whimsically despite their butts being on fire.

It doesn’t eat only birds—it mostly eats rats and insects—but they still call it the “Bird-Eating Spider” because the fact that it can eat a bird is the most important thing you need to know about it. If you run across one of these things, like in your closet or crawling out of your bowl of soup, the first thing somebody will say is, “Watch it, man, that thing can eat a goddamned bird.” I don’t know how they catch the birds. I know the Goliath Fucking Bird-Eating Spider can’t fly because if it could, it would have a different name entirely. We would call it “sir” because it would be the dominant species on the planet. None of us would leave the house unless a Goliath Fucking Flying Bird-Eating Spider said it was okay.

dear samantha i’m sorry we have to get a divorce i know that seems like an odd way to start a love letter but let me explain: it’s not you it sure as hell isn’t me it’s just human beings don’t love as well as insects do i love you.. far too much to let what we have be ruined by the failings of our species i saw the way you looked at the waiter last night i know you would never DO anything, you never do but.. i saw the way you looked at the waiter last night did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication. after Elizabeth and i broke up we spent three days dividing everything we had bought together like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away this is not true after two praying mantises mate, the nervous system of the male begins to shut down while he still has control over his motor functions he flops onto his back, exposing his soft underbelly up to his lover like a gift she then proceeds to lovingly dice him into tiny cubes spooning every morsel into her mouth she wastes nothing even the exoskeleton goes she does this so that once their children are born she has something to regurgitate to feed them now that.. is selflessness i could never do that for you so i have a new plan i’m gonna leave you now i’m gonna spend the rest of my life committing petty injustices i hope you do the same i will jay walk at every opportunity i will steal things i could easily afford i will be rude to strangers i hope you do the same i hope reincarnation is real i hope our petty crimes are enough to cause us to be reborn as lesser creatures i hope we are reborn as flies so that we can love each other as hard as we were meant to.

Speaking of scents, we’ve been discussing insects this week and I learned a certain type of orb-weaver spider puts out a scent that smells just like a female moth in heat in order to attract and trap male moths. It made me wonder what my lure scent would be. You know, the thing that would make me fly blindly to my death. I think it would probably be warm apple cider and cinnamon sugar doughnuts.

The wood lay still. The air throbbed with insects, and flies hovered and disappeared and hovered. Meadowsweet grew in a mist of flowers, and the sun glinted on the threads of caterpillars which hung from the trees as thick as rain. “By,” said Gwyn, “there’s axiomatic.

The greatest gift that humans have is the ability to think. Of all the creatures in the world, humans are physically the most ill-equipped. A human cannot fly like a bird, outrun a leopard, swim like an alligator, nor climb trees like a monkey. A human doesn’t have the eyes of an eagle, nor the claws and teeth of a wild cat. Physically, humans are helpless and defenseless; a tiny insect can kill them. But nature is reasonable and kind. Nature’s greatest gift to humankind is the ability to think. Humans can create their own environment, whereas animals have to adapt to their environment.

The poem you brought yesterday,’ said Balbulus in a bored voice as he bent over his work again, ‘it was good. You ought to write such things more often, but I know you prefer writing stories for children or songs for the Motley Folk. And why? Just for the wind to sing your words? The spoken word is nothing, it hardly lives longer than an insect! Only the written word is eternal!’ ‘Eternal?’ Fenoglio made the word sound as if there could be nothing more ridiculous in the world. ‘Nothing is eternal- and what happier fate could words have than to be sung by minstrels? Yes, of course they change the words, they sing them slightly differently every time, but isn’t that in itself wonderful? A story wearing another dress every time you hear it- what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you’re right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We’re none of us immortal; even the finest words don’t change that, do they?

Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.

Nothing in the community lives in isolation from the rest, not even the queens of the social insects. Nothing lives only in itself, needing nothing from the community. Nothing lives only for itself, owing nothing to the community. Nothing is untouchable or untouched. Every life is on loan from the community from birth and without fail is paid back to the community in death. The community is a web of life, and every strand of the web is a path to all the other strands. Nothing is exempt or excused. Nothing is special. Nothing lives on a strand by itself, unconnected to the rest. As you saw yesterday, nothing is wasted, not a drop of water or a molecule of protein—or the egg of a fly. This is the sweetness and the miracle of it all, Jared. Everything that lives is food for another. Everything that feeds is ultimately itself fed upon or in death returns its substance to the community.

Moths and other nocturnal insects navigate by the moon and stars. Those heavenly bodies are useful for them to find their way, even though they never get far from the surface of the earth. But lightbulbs and candles send them astray; they fly into the heat or the flame and die. For these creatures, to arrive is a calamity. When activists mistake heaven for some goal at which they must arrive, rather than an idea to navigate Earth by, they burn themselves out, or they set up a totalitarian utopia in which others are burned in the flames. Don’t mistake a lightbulb for the moon, and don’t believe that the moon is useless unless we land on it. After all those millennia of poetry about the moon, nothing was more prosaic than the guys in space suits stomping around on the moon with their flags and golf clubs thirty-something years ago. The moon is profound except when we land on it. Paradise

fly signifies an annoying insect, a means of travel, and a critical part of a gentleman’s apparel is clearly asking to be mangled.

Birds cough out their lungs, fly with regret to places where their feet no longer freeze in ice. Birds start falling. Bees lie dying.

Mosquitoes took over Florida after hurricane Ian.

And the sun on the wall of her room, the block of sun with all the tiny flying things in it. When she was little she thought they were the souls of dead insects, still buzzing in the light.

dear samantha i’m sorry we have to get a divorce i know that seems like an odd way to start a love letter but let me explain: it’s not you it sure as hell isn’t me it’s just human beings don’t love as well as insects do i love you.. far too much to let what we have be ruined by the failings of our species i saw the way you looked at the waiter last night i know you would never DO anything, you never do but.. i saw the way you looked at the waiter last night did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication. after Elizabeth and i broke up we spent three days dividing everything we had bought together like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away this is not true after two praying mantises mate, the nervous system of the male begins to shut down while he still has control over his motor functions he flops onto his back, exposing his soft underbelly up to his lover like a gift she then proceeds to lovingly dice him into tiny cubes spooning every morsel into her mouth she wastes nothing even the exoskeleton goes she does this so that once their children are born she has something to regurgitate to feed them now that.. is selflessness i could never do that for you so i have a new plan i’m gonna leave you now i’m gonna spend the rest of my life committing petty injustices i hope you do the same i will jay walk at every opportunity i will steal things i could easily afford i will be rude to strangers i hope you do the same i hope reincarnation is real i hope our petty crimes are enough to cause us to be reborn as lesser creatures i hope we are reborn as flies so that we can love each other as hard as we were meant to

Whenever you see flies or insects in a still life―a wilted petal, a black spot on the apple―the painter is giving you a secret message. He’s telling you that living things don’t last―it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first with all the beauty and bloom, the little speck of rot. But if you look closer―there it is.

Whenever you see flies or insects in a still life - a wilted petal, a black spot on the apple - the painter is giving you a secret message. He's telling you that living things don't last - it's all temporary. Death in life. That's why they're called natures mortes. Maybe you don't see it at first with all the beauty and bloom, the little speck of rot. But if you look closer - there it is.

The Blue Fly" Five summer days, five summer nights, The ignorant, loutish, giddy blue-fly Hung without motion on the cling peach Humming occasionally ‘O my love, my fair one!’ As in the canticles. Magnified one thousand times, the insect Looks farcically human; laugh if you will! Bald head, stage fairy wings, blear eyes, A caved-in chest, hairy black mandibles, Long spindly thighs. The crime was detected on the sixth day. What then could be said or done? By anyone? It would have been vindictive, mean, and what-not, To swat that fly for being a blue-fly, For debauch of a peach. Is it fair either, to bring a microscope To bear on the case, even in search of truth? Nature, doubtless, has some compelling cause To glut the carriers of her epidemics - Nor did the peach complain.

In a rush, the world opened its mouth to her—and it was screaming. Everywhere—the air around her, the ground beneath her, the stars above—rippled with the soul-wrenching cries of hunger: the trees and bushes and plants all twisted and bent, their branches and stems clawing the sky in skeletal panic; the animals and insects, flying and crawling and burrowing, each frantic in its own way, searching incessantly to end the gnawing demand in its belly; the swarms of people, clotting the world, stuffing themselves only to beg for more, be it food or wealth or attention—all of them, desperate, insatiable. So very hungry. All of them, leeching on to her. Sucking her dry.

Under the microscope you clearly perceive that these insects have organs, orifices, excrement; they do, most emphatically, copulate. Escorted on the one side by the Bot or Warble, on the other by the Hessian Fly, Miss Ormond advanced statelily, if slowly, into the open. Never did her features show more sublime than when lit up by the candour of her avowal. "This is excrement; these, though Ritzema Bos is positive to the contrary, are the generative organs of the male. I've proved it.

In earlier times, decades, centuries, even when we drove ourselves mad, even when we lost days or years to drinking, drugging, pain, grief-- the years have always maintained their seasons: trees shedding their leaves for new buds; birds and insects flying away in formation and then returning; the luminous moon waxing and waning; the ocean tides flowing and ebbing; new growth, babies aborning, as certain as trauma, as certain as death. All things went on no matter the chaos inside us. There was a childish anger that everything just carried on, ignored our turmoil-- our grief-- but there was also a deep and profound comfort. We ourselves may be lost but the road continued ever winding... Have we disrupted that continuum? Can we no longer count on that continuity? Is that why our children are so afraid but also so unwilling to swallow systemic lies and deeply imbedded fallacies we allowed ourselves to live by? Because the future-- a future-- any future-- is no longer sure?

We human beings are only part of something much larger. When we walk along we may crush a battle or simply cause a change in the air so that a fly ends up where it might not have gone otherwise. And if we think of the same example but with ourselves in the role of the insect, and the larger universe in the role we’ve just played, it’s perfectly clear that we’re affected every day by races over which we have no control than the poor beetle has over our gigantic foot as it descends upon it.

No, you don't understand, naturally' said the second swallow. 'First, we feel it stirring within us, a sweet unrest; then back come the recollections one by one, like homing pigeons. They flutter through our dreams at night, they fly with us in our wheelings and circlings by day. We hunger to inquire of each other, to compare notes and assure ourselves that it was all really true, as one by one the scents and sounds and names of long-forgotten places come gradually back and beckon to us...'I tried stopping on one year,' said the third swallow. 'I had grown so fond of the place that when the time came I hung back and let the others go on without me. For a few weeks it was all well enough, but afterwards, O the weary length of the nights! The shivering, sunless days! The air so clammy and chill, and not an insect in an acre of it! No, it was no good; my courage broke down, and one cold, stormy night I took wing, flying well inland on account of the strong easterly gales. It was snowing hard as I beat through the passes of the great mountains, and I had a stiff fight to win through; but never shall I forget the blissful feeling of the hot sun again on my back as I sped down to the lakes that lay so blue and placid below me, and the taste of my first fat insect. The past was like a bad dream; the future was all happy holiday

A man found an eagle’s egg and put it in a nest of a barnyard hen. The eaglet hatched with the brood of chicks and grew up with them. All his life the eagle did what the barnyard chicks did, thinking he was a barnyard chicken. He scratched the earth for worms and insects. He clucked and cackled. And he would thrash his wings and fly a few feet into the air. Years passed and the eagle grew very old. One day he saw a magnificent bird above him in the cloudless sky. It glided in graceful majesty among the powerful wind currents, with scarcely a beat of its strong golden wings. The old eagle looked up in awe. “Who’s that?” he asked. “That’s the eagle, the king of the birds,” said his neighbor. “He belongs to the sky. We belong to the earth—we’re chickens.” So the eagle lived and died a chicken, for that’s what he thought he was.

The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.

There exists in this world a spider the size of a dinner plate, a foot wide if you include the legs. It's called the Goliath Bird-Eating spider, or the "Goliath Fucking Bird-Eating Spider" by those who have actually seen one. It dosen't eat only birds--it mostly eats rats and insects--but they still call it the "Bird-Eating Spider" because the fact that it can eat a bird is probably the most important thing to know about it. If you run across one of these things, like in your closet or crawling out of your bowl of soup, the first thing somebody will say is, "Watch it, man, that thing can eat a fucking bird." I don't know how they catch the birds. I know the Goliath Fucking Bird-Eating Spider can't fly because if it could, it would have a different name entirely. We would call it "Sir" because it would be the dominant species on the planet.

Do not fear the ghosts in this house; they are the least of your worries. Personally I find the noises they make reassuring. The creaks and footsteps in the night, their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place feel so much more like a home. Inhabited. Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me. There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self, feeling her wings kiss my palms so gentle, and put her out, and watched her fly away. I've little patience with the seasons here, but your arrival eased this winter's chill. Please, wander round. Explore it all you wish. I've broken with tradition on some points. If there is one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood. Regard: just tools, a washing-machine, a drier, a water-heater, and a chain of keys. Nothing that can alarm you. Nothing dark. I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune, carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream of making me forget what came before you walked into the hallway of this house. Bringing a little summer in your glance, and with your smile. While you are here, of course, you will hear the ghosts, always a room away, and you may wake beside me in the night, knowing that there's a space without a door, knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound. If you are wise you'll run into the night, fluttering away into the cold, wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run, so, if I wished, I could just follow you, tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home. The world flutters like insects. I think this is how I shall remember you, my head between the white swell of your breasts, listening to the chambers of your heart.

When a mosquito sees a light in the darkness, it is drawn to it by an urge too powerful to resist. Even if the light is a bug zapper, caked with the carcasses of all the mosquito's electrocuted relatives, the poor insect will still use the last flap of its wings to fly to its death. It simply can't help it.

Darwin, landing in Brazil in 1832, had a similar reaction, colored by his reading of his predecessor." Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.

Many caterpillars defend themselves not by striking fear in the hearts of their predators, but rather indifference. The large maple spanworm looks like a twig; the viceroy caterpillar looks like a bird dropping. This is not as exciting as looking like an anaconda, but when you are very small, and wingless, one of your main goals in life is to not be exciting. And speaking of unexciting—I think it is safe to say that woolly bears have one of the least advanced defense mechanisms among insects, although theirs is the reaction with which I most strongly identify: when distressed, the woolly bear rolls up into a ball.

That was in June, fish-fly season, when each year our town is covered bythe flotsam of those ephemeral insects. Rising in clouds from the algae in the polluted lake, they blacken windows, coat cars and street amps,plaster the municipal docks and festoon the rigging of sailboats, always in the same brown ubiquity of flying scum.

Wait—no, not drifting. Following us. “We have an audience,” I said to Reth, nodding at the clusters of flying insects. “I suppose we can’t make the Dark Queen any angrier with us than she already is,” he said, then his perfect mouth moved, silently forming words, and he gracefully waved his hands through the air in a semicircle. The warm breeze suddenly froze, and I saw frost eat across the nearest butterflies’ wings. They stopped midair, then dropped to the ground with tiny clinking noises, frozen solid. A serene smile spread across Reth’s face. “I’ve always disliked insects.” “If the whole being-a-faerie thing doesn’t work out for you, you definitely have a future in pest control.

We human beings are only a part of something very much larger. When we walk along, we may crush a beetle or simply cause a change in the air so that a fly ends up where it might never have gone otherwise. And if we think of the same example but with ourselves in the role of the insect, and the larger universe in the role we’ve just played, it’s perfectly clear that we’re affected every day by forces over which we have no more control than the poor beetle has over our gigantic foot as it descends upon it. What are we to do? We must use whatever methods we can to understand the movement of the universe around us and time our actions so that we are not fighting the currents, but moving

Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.

Trees, little animals, a multitude of insects were sharing their dreams with me. There we all were, dreaming in chorus, like a crowd, in a tiny room, exchanging ideas and smells and caresses. I remember I was a spider advancing toward its prey and the fly caught in the web of that spider. I felt flowers blossoming in the sun, breezes carrying pollen. I awoke and was alone.

Whenever you see flies or insects in a still life—a wilted petal, a black spot on the apple—the painter is giving you a secret message. He’s telling you that living things don’t last—it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first with all the beauty and bloom, the little speck of rot. But if you look closer—there it is

if animals can get more than they actually require to subsist, they take it, don’t they? If there’s been a battle or a plague, the hyenas and vultures take advantage of the abundance to overeat. Isn’t it the same with us? Forests died in great quantities some millions of years ago. Man has unearthed their corpses, finds he can use them and is giving himself the luxury of a real good guzzle while the carrion lasts. When the supplies are exhausted, he’ll go back to short rations, as the hyenas do in the intervals between wars and epidemics.’ Illidge spoke with gusto. Talking about human beings as though they were indistinguishable from maggots filled him with a peculiar satisfaction. ‘A coal field’s discovered; oil’s struck. Towns spring up, railways are built, ships come and go. To a long-lived observer on the moon, the swarming and crawling must look like the pullulation of ants and flies round a dead dog. Chilean nitre, Mexican oil, Tunisian phosphates—at every discovery another scurrying of insects. One can imagine the comments of the lunar astronomers. “These creatures have a remarkable and perhaps unique tropism towards fossilized carrion.”’ ‘Like

Paganism has no fixed creeds or dogmas, no self-proclaimed gurus or prophets, no holy books or saviours. Earth Herself is our teacher. Pagans, like all, natural peoples, desire to live in harmony with Earth and see all Her manifestations, whether animal, plant, insect, rock or mountain, or, as Native Americans say, four-legged, two-legged, crawling and flying, as our relations and as ensouled.

Even the tiniest things mean something. Whenever you see flies or insects in a still life—a wilted petal, a black spot on the apple—the painter is giving you a secret message. He’s telling you that living things don’t last—it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first with all the beauty and bloom, the little speck of rot. But if you look closer—there it is.

I dream of a woman with a great craven face walking along the surface of a massive world. She is a titan. She snatches flying vehicles from the air and crunches them in her diamond teeth. Green lubricant and yellow puffs of exhaust escape her gaping mouth. Little blue insects flitter through the ether, and when they encounter the yellow mist, they fall down dead, like leaves. The surface of the world is covered in wavering tentacles, and the titan grabs on to them for purchase as she strides across the world, snarling and spitting out the corpses of her enemies and poisoning everything she breathes on. She snatches at one of the flying vehicles and stabs herself in the stomach with it. She cuts long and low, and though I expect her to cry out in pain, she only roars and shows her teeth as gouts of blood pour from her body and float lazily to the surface of the world, sluggish and distorted by the low gravity.

They want it all as detailed as possible because even the tiniest things mean something. Whenever you see flies or insects in a still life—a wilted petal, a black spot on the apple—the painter is giving you a secret message. He’s telling you that living things don’t last—it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first with all the beauty and bloom, the little speck of rot. But if you look closer—there it is.

Then there is the machine that belonged to Louis Blériot himself. I found an old newspaper article by the Dutch correspondent Alexander Cohen, dealing with a series of aviation experiments at the parade grounds in Issy-les-Moulineaux late on a dusky Friday afternoon, 22 November, 1907. Cohen watched M. Farman leave the ground in a ‘giant insect’ of canvas, bamboo and aluminium, and fly for several hundred metres. Which was more than could be said of Blériot’s ‘flying beast’.

They want it all as detailed as possible because even the tiniest things mean something. Whenever you see flies or insects in a still life -- a wilted petal, a black spot on the apple -- the painter is giving you a secret message. He's telling you that living things don't last -- it's all temporary. Death in life. That's why they're called natures mortes. Maybe you don't see it at first with all the beauty and bloom, the little speck of rot. But if you look closer -- there it is.

Nijinsky in 'Le Spectre de la rose' was like nothing I'd seen before. He danced a fifteen-minute solo and it passed like a dream. He was wearing a silk tricot, palest nude, onto which were pinned dozens of silk Bakst petals, pink and red and purple. The most exotic creature, so beautiful, like a shiny, graceful insect on the verge of flight. He leapt as if it cost him no effort, lingering in the air far longer than was possible, and seemed not to touch the stage between times. I believed that night that a man might fly, that anything was possible.

Rotstein was particularly affected. He stretched himself out across his mattress, just where he had fallen. Morel longed to bend over him and turn him over on his legs again, like a fallen and abandoned insect. To help him to fly away. But there was no need to help him. He flew by himself every evening. 'Hey, Rotstein, Rotstein.' 'Yes.' 'Are you still alive?' 'Yes. Don’t interrupt. I’m giving a concert.' 'What are you playing?' 'Johann Sebastian Bach.' 'Are you mad? A German?' 'Precisely. That’s just the point. To restore the balance. You can’t leave Germany on its back forever. You’ve got to help it to its feet again.

A man found an eagle’s egg and put it in a nest of a barnyard hen. The eaglet hatched with the brood of chicks and grew up with them. All his life the eagle did what the barnyard chicks did, thinking he was a barnyard chicken. He scratched the earth for worms and insects. He clucked and cackled. And he would thrash his wings and fly a few feet into the air. Years passed and the eagle grew very old. One day he saw a magnificent bird above him in the cloudless sky. It glided in graceful majesty among the powerful wind currents, with scarcely a beat of its strong golden wings. The old eagle looked up in awe. “Who’s that?” he asked.

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

I thought that good was to be found neither in man, nor in the predatory world of animals and insects, but in the silent kingdom of the trees. Far from it! I saw the forest’s slow movements, the treacherous way it battled against grass and bushes for each inch of soil. First, billions of seeds fly through the air and begin to sprout, destroying grass and bushes. Then millions of victorious shoots wage war against one another. And it is only the survivors who enter into an alliance of equals to form the seamless canopy of the young deciduous forest. Beneath this canopy the spruces and beeches freeze to death in the twilight of penal servitude.

The instincts and attributes of animals are so much better than those of a human being in so many ways, and we sometimes forget that fact. We certainly don’t have the strength of many animals; we cannot fly like birds and insects; we cannot survive in harsh climates like many animals; we cannot navigate like most animals; we cannot swim like fish and whales and dolphins; we cannot get along with one another like most animals. In fact, all in all, human beings are kinda wimpy. It is only our brainpower and our invention of tools and weapons that have allowed us to survive. Some then say that our brainpower is why the human is superior, but given a level playing field and only our physical attributes, human beings are not superior to many animals. Our brains may appear to be superior and may very well be, although we still cannot navigate like a whale or dolphin or bat with sonar, and we certainly don’t have the highly tuned instincts or the heightened senses of many animals. The point is that we are different creations, and each creation has different attributes for its survival—and we as human beings should respect that fact. Animals aren’t necessarily better or worse than we are, they are just different, and we should acknowledge that they have just as much right to survive as we do.

(William) Hamilton recast the central ideas (of the evolutionary theory of aging) in mathematical form. Though this work tells us a good deal about why human lives take the course they do, Hamilton was a biologist whose great love was insects and their relatives, especially insects which make both our lives and an octopus’s life seem rather humdrum. Hamilton found mites in which the females hang suspended in the air with their swollen bodies packed with newly hatched young, and the males in the brood search out and copulate with their sisters there inside the mother. He found tiny beetles in which the males produce “and manhandle sperm cells longer than their whole bodies. Hamilton died in 2000, after catching malaria on a trip to Africa to investigate the origins of HIV. About a decade before his death, he wrote about how he would like his own burial to go. He wanted his body carried to the forests of Brazil and laid out to be eaten from the inside by an enormous winged Coprophanaeus beetle using his body to nurture its young, who would emerge from him and fly off. 'No worm for me nor sordid fly, I will buzz in the dusk like a huge bumble bee. I will be many, buzz even as a swarm of motorbikes, be borne, body by flying body out into the Brazilian wilderness beneath the stars, lofted under those beautiful and un-fused elytra [wing covers] which we will all hold over our “backs. So finally I too will shine like a violet ground beetle under a stone.

By the time she had picked every visible corpse off her property, the heap included ants, beetles and cockroaches, different kinds of spiders, some bees, flies, a wasp, two fetid lizard skins and the brittle remains of their skeletons, six butterflies, a stick insect the length of her forearm, two dragonflies, a handful of crickets and other creatures that in the world of naming remained untitled. The collection measured a full hand deep. She paid no attention to the odour rising out of the bucket. The scent of decay was not offensive to her. It was the aroma of life refusing to end. It was the aroma of transformation. Such odour was proof that nothing truly ended, and she revelled in it as much as she did the cereus blossoms along the back wall of the house.

It seems to me just as imbecile, just as infernal, to have to go to the office on Monday,' said Jonathan, 'as it always has done and always will do. To spend all the best years of one's life sitting on a stool from nine to five, scratching in somebody's ledger! It's a queer use to make of one's...one and only life, isn't it? Or do I fondly dream?' He rolled over on the grass and looked up at Linda. 'Tell me, what is the difference between my life and that of an ordinary prisoner? The only difference I can see is that I put myself in jail and nobody's ever going to let me out. That's a more intolerable situation than the other. For if I'd been--pushed in, against my will--kicking, even--once the door was locked, or at any rate in five years or so, I might have accepted the fact and begun to take an interest in the flight of flies or counting the warder's steps along the passage with particular attention to variations of tread and so on. But as it is, I'm like an insect that's flown into a room of its own accord. I dash against the walls, dash against the windows, flop against the ceiling, do everything on God's earth, in fact, except fly out again. And all the while I'm thinking, like that moth, or that butterfly, or whatever it is, "The shortness of life! The shortness of life!" I've only one night or one day, and there's this vast dangerous garden, waiting out there, undiscovered, unexplored. [...] I'm exactly like that insect again. For some reason, it's not allowed, it's forbidden, it's against the insect law, to stop banging and flopping and crawling up the pane even for an instant.

This universal conflict is to be seen most clearly in the animal kingdom. Animals have the vegetable kingdom for their nourishment, and within the animal kingdom again every animal is the prey and food of some other. This means that the matter in which an animal’s Idea manifests itself must stand aside for the manifestation of another Idea, since every animal can maintain its own existence only by the incessant elimination of another’s. Thus the will-to-live generally feasts on itself, and is in different forms its own nourishment, till finally the human race, because it subdues all the others, regards nature as manufactured for its own use. Yet, as will be seen in the fourth book, this same human race reveals in itself with terrible clearness that conflict, that variance of the will with itself, and we get homo homini lupus.71 However, we shall again recognize the same contest, the same subjugation, just as well at the low grades of the will’s objectivity. Many insects (especially the ichneumon flies) lay their eggs on the skin, and even in the body, of the larvae of other insects, whose slow destruction is the first task of the newly hatched brood. The young hydra, growing out of the old one as a branch, and later separating itself therefrom, fights while it is still firmly attached to the old one for the prey that offers itself, so that the one tears it out of the mouth of the other. But the most glaring example of this kind is afforded by the bulldog-ant of Australia, for when it is cut in two, a battle begins between the head and the tail. The head attacks the tail with its teeth, and the tail defends itself bravely by stinging the head. The contest usually lasts for half an hour, until they die or are dragged away by other ants. This takes place every time.

The final misconception is that evolution is “just a theory.” I will boldly assume that readers who have gotten this far believe in evolution. Opponents inevitably bring up that irritating canard that evolution is unproven, because (following an unuseful convention in the field) it is a “theory” (like, say, germ theory). Evidence for the reality of evolution includes: Numerous examples where changing selective pressures have changed gene frequencies in populations within generations (e.g., bacteria evolving antibiotic resistance). Moreover, there are also examples (mostly insects, given their short generation times) of a species in the process of splitting into two. Voluminous fossil evidence of intermediate forms in numerous taxonomic lineages. Molecular evidence. We share ~98 percent of our genes with the other apes, ~96 percent with monkeys, ~75 percent with dogs, ~20 percent with fruit flies. This indicates that our last common ancestor with other apes lived more recently than our last common ancestor with monkeys, and so on. Geographic evidence. To use Richard Dawkins’s suggestion for dealing with a fundamentalist insisting that all species emerged in their current forms from Noah’s ark—how come all thirty-seven species of lemurs that made landfall on Mt. Ararat in the Armenian highlands hiked over to Madagascar, none dying and leaving fossils in transit? Unintelligent design—oddities explained only by evolution. Why do whales and dolphins have vestigial leg bones? Because they descend from a four-legged terrestrial mammal. Why should we have arrector pili muscles in our skin that produce thoroughly useless gooseflesh? Because of our recent speciation from other apes whose arrector pili muscles were attached to hair, and whose hair stands up during emotional arousal.

Look at the thrush.” The young man glanced at the small speckled bird as it cocked its head to the side, observing the two men as they moved up the stairs. “What of the thrush?” “What lessons might be learned from living in such a small, weak body?” The old monk smiled at the bird, which flicked its tail before flying to perch on the branch of a low-hanging conifer. “The thrush has a most beautiful song, Master. One could learn to appreciate that.” “You are correct. And is it a powerful bird?” The young man smiled. “Of course not. It darts along the branches and eats only seeds and insects.” “And yet, it does not worry about its life. It is a humble bird, as many small creatures are humble, but it has a beautiful song.” He paused to catch his breath on the stairs and looked up at the young man beside him. “We gain more enlightenment from weakness and loss than we do from strength and victory.

We have been removed from the environment within which we evolved and with which we are uniquely designed to interact. Now we interact and coevolve with only the grosser, more monolithic, human-made commercial forms which remain available within our new laboratory-space station. Because we live inside the new environment, we are not aware that any tradeoff has been made. We have had to sacrifice the billions of small, detailed, multispectral experiences—emotional, physical, instinctive, sensual, intuitive and mental—that were appropriate and necessary for humans interacting with natural environments. Like the Micronesian islander in Chapter Four trapped between two modes of experience, we have found that functioning on an earlier multidimensional level has become not only useless but counterproductive. If we remained so attuned to the varieties of snowflakes that we could find fifty-six varieties as the Eskimo can; or to dreams so that we could find hundreds of distinct patterns as the Senoi Indians can; or to the minute altitude strata, inch by inch above the ground, occupied by entirely different species of flying insects as the California Indians once could; all this sensitivity would cripple any attempt to get along in the modern world. None of it would get us jobs, which gets us money, which in turn gets us food, housing, transportation, products, or entertainment, which are the fulfillments presently available in our new world. We have had to re-create ourselves to fit. We have had to reshape our very personalities to be competitive, aggressive, mentally fast, charming and manipulative. These qualities succeed in today’s world and offer survival and some measure of satisfaction within the cycle of work-consume, work-consume, work-consume. As for any dormant anxieties or unreconstructed internal wilderness, these may be smoothed over by compulsive working, compulsive eating, compulsive buying, compulsive sex, and then our brands of soma: alcohol, Librium, Valium, Thorazine, marijuana and television.

No one ever comes back. Millions on millions would be born almost identical, with eyes, a nose, a mouth, a skull and a mind within it, without he who lay there on the bed ever reappearing again. For some years he had lived, eaten, laughed, loved, hoped like all the world. And it was all over for him all over for ever. Life; a few days, and then nothing. One is born, one grows up, one is happy, one waits, and then one dies. Farewell, man or woman, you will not return again to earth. Plants, beast, men, stars, worlds, all spring to life, and then die to be transformed anew. But never one of them comes back—insect, man, nor planet. A huge, confused, and crushing sense of terror weighed down the soul of Duroy, the terror of that boundless and inevitable annihilation destroying all existence. He already bowed his head before its menace. He thought of the flies who live a few hours, the beasts who live a few days, the men who live a few years, the worlds which live a few centuries. What was the difference between one and the other? A few more days' dawn that was all.

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  

The Case of the Eyeless Fly The fruit fly has a mutant gene which is recessive, i.e., when paired with a normal gene, has no discernible effect (it will be remembered that genes operate in pairs, each gene in the pair being derived from one parent). But if two of these mutant genes are paired in the fertilised egg, the offspring will be an eyeless fly. If now a pure stock of eyeless flies is made to inbreed, then the whole stock will have only the 'eyeless' mutant gene, because no normal gene can enter the stock to bring light into their darkness. Nevertheless, within a few generations, flies appear in the inbred 'eyeless' stock with eyes that are perfectly normal. The traditional explanation of this remarkable phenomenon is that the other members of the gene-complex have been 'reshuffled and re-combined in such a way that they deputise for the missing normal eye-forming gene.' Now re-shuffling, as every poker player knows, is a randomising process. No biologist would be so perverse as to suggest that the new insect-eye evolved by pure chance, thus repeating within a few generations an evolutionary process which took hundreds of millions of years. Nor does the concept of natural selection provide the slightest help in this case. The re-combination of genes to deputise for the missing gene must have been co-ordinated according to some overall plan which includes the rules of genetic self-repair after certain types of damage by deleterious mutations. But such co-ordinative controls can only operate on levels higher than that of individual genes. Once more we are driven to the conclusion that the genetic code is not an architect's blueprint; that the gene-complex and its internal environment form a remarkably stable, closely knit, self-regulating micro-hierarchy; and that mutated genes in any of its holons are liable to cause corresponding reactions in others, co-ordinated by higher levels. This micro-hierarchy controls the pre-natal skills of the embryo, which enable it to reach its goal, regardless of the hazards it may encounter during development. But phylogeny is a sequence of ontogenies, and thus we are confronted with the profound question: is the mechanism of phylogeny also endowed with some kind of evolutionary instruction booklet? Is there a strategy of the evolutionary process comparable to the 'strategy of the genes'-to the 'directiveness' of ontogeny (as E.S. Russell has called it)?

Psalm How leaky are the borders of man-made states! How many clouds float over them scot-free, how much desert sand sifts from country to country, how many mountain pebbles roll onto foreign turf in provocative leaps! Need I cite each and every bird as it flies, or alights, as now, on the lowered gate? Even if be a sparrow—its tail is abroad, Though its beak is still home. As if that weren’t enough—it keeps fidgeting! Out of countless insects I will single out the ant, who, between the guard’s left and right boots, feels unobliged to answer questions of origin and destination. If only this whole mess could be seen at once in detail on every continent! Isn’t that a privet on the opposite bank smuggling its hundred-thousandth leaf across the river? Who else but the squid, brazenly long-armed, would violate the sacred territorial waters.? How can we speak of any semblance of order when we can’t rearrange the stars to know which one shines for whom? Not to mention the reprehensible spreading of fog! Or the dusting of the steppe over its entire range as though it weren’t split in two! Or voices carried over accommodating air waves: summoning squeals and suggestive gurgles! Only what’s human can be truly alien. The rest is mixed forest, undermining moles, and wind.

Obviously, the first place I go is Sanctuary. The omegas scatter like flies as I stalk through the doors, pausing to inspect the fact one is hanging precariously to the side. Bobo rounds the corner with a toolbox, smiling over at me before, he bows at the waist. “What happened here?” I ask when he straightens from the weird bow. He shrugs, and I remember he’s fucking mute. Right. Guess I’ll get answers elsewhere. Leiza freezes when she rounds the corner and spots me. “What happened to the front door?” I ask her. She turns and darts inside a wall. Bloody hell. I’m not wearing an angry expression, am I? I check the mirror, finding no major scare factor. I’m fucking devilishly good looking and my smile is positively charming. Usually she’s less skittish around me. At least in recent days. Shera is coming down the stairs, but she oddly pales when she sees me. What happened to front door?” I ask her. I’ve never seen my beta run so fast. “I’ll let Violet tell you about it,” she calls over her shoulder. “Gotta run, Boss.” Again, I check the mirror. Good hair. Perfect teeth. Excellent outfit. Not a fucking clue what’s going on. Typically, I enjoy instilling that sort of terror, but I’m still in trouble with Violet, and she doesn’t like her Sanctuary members feeling scared in their own home. I work harder on giving a wider smile and aim for looking like a nice vampire alpha. Literally, everyone scatters and disappears, aside from Bobo, who starts hammering away on the door, trembling just a little after jerking his gaze away from me. My smile falls. “You’re all scared little insects,” I call out very loudly, feeling mildly insulted. I think a cricket chirps, and it’s the only sound I get in response. Rolling my eyes, I head up the stairs to Violet’s room.

-jeez, these guys, with their on-again, off-again rela­tionships, lutgen said; -Yeah, Dave said: now you see them, now you see them once more; -They're virtual insects!, Jurgen said; -Virtually innumerable, said Dave; -I wonder, though, if we haven't got it wrong, Jurgen said: I mean, I wonder if maybe these guys' natural condition isn't to be lit up-if their ground state isn't actually when they're glowing; -Hm, said Dave: so what they're actually doing is turning off their lights­ -Right: momentarily going under; -Flashing darkness­ -Projecting their inner voids­ -Their repeating, periodic depressions ... -So then, I suppose, we should really call them douse bugs---;. -Exactly... -Or nature's faders---;. -Flying extinguishers­ -Buzzing snuffers-! -Or maybe­ -Or maybe, despite what it looks like, maybe they really are glowing constantly, Jurgen said: but, through some malign unknown mechanism, their everlasting light is peri­odically swallowed up by un-understood atmospheric forces; -So then they're being occluded­ -Rudely occluded­ -Denied their God-given right to shine ... -So that, I suppose, would make them-o horror-victims­ -Yeah: victims of predatory darkness­ -Of uncontrollable flares of night; -So it isn't bioluminescence, but eco-eclipsis­ -Exactly: ambient effacement­ -Nature's station-identification­ -Ongoing lessons in humility ... -In fact, that might explain the nits' efficiency factor, Jurgen Said: you know, these guys burn so cleanly that they produce what's known in the trade as cold light they put together this real slow oxidation reaction within these little cell-structures called photocytes, using a really weird enzyme and substrate that're, like, named for the devil; and the result is virtually 100% efficient: almost no heat is lost at all... -So, in fact, these folks should be our heroes­ -Exactly: our role models­ -Our ego ideals---;. -Hosts of syndicated talk shows­ -Spokes-things for massive advertising campaigns---;. -In fact, children should be forced to leave their families and go be raised by them­-MacArthur winners, all...