Fly High Angel Quotes

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Sensitive people are the most genuine and honest people you will ever meet. There is nothing they won’t tell you about themselves if they trust your kindness. However, the moment you betray them, reject them or devalue them, they become the worse type of person. Unfortunately, they end up hurting themselves in the long run. They don’t want to hurt other people. It is against their very nature. They want to make amends and undo the wrong they did. Their life is a wave of highs and lows. They live with guilt and constant pain over unresolved situations and misunderstandings. They are tortured souls that are not able to live with hatred or being hated. This type of person needs the most love anyone can give them because their soul has been constantly bruised by others. However, despite the tragedy of what they have to go through in life, they remain the most compassionate people worth knowing, and the ones that often become activists for the broken hearted, forgotten and the misunderstood. They are angels with broken wings that only fly when loved.
Shannon L. Alder
If only, if only, the moon speaks no reply; Reflecting the sun and all that's gone by. Be strong my weary wolf, turn around boldly. Fly high, my baby bird, My angel, my only
Louis Sachar (Holes (Holes, #1))
I kick him in the face point blank with my high heel. He wasn't expecting that. The Angel flies back off the stage. "It really is you,"says Raffe.
Susan Ee (World After (Penryn & the End of Days, #2))
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-" -"What little bird?" said Aziraphale suspiciously. -"This little bird I'm talking about. And every thousand years-" -"The same bird every thousand years?" -Crowley hesitated. "Yeah," he said. -"Bloody ancient bird, then." -"Okay. And every thousand years this bird flies-" -"-limps-" -"-flies all the way to this mountain and sharpens its beak-" -"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy." -"But it gets there anyway," Crowley persevered. -"How?" -"It doesn't matter!" -"It could use a space ship," said the angel. Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-" -"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have they got to do?" -"Sharpen its beak on the mountain," said Crowley. "And then it flies back-" -"-in the space ship-" -"And after a thousand years it goes and does it all again," said Crowley quickly. There was a moment of drunken silence. -"Seems a lot of effort just to sharpen a beak," mused Aziraphale. -"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-" Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly. -"-then you still won't have finished watching The Sound of Music." Aziraphale froze. -"And you'll enjoy it," Crowley said relentlessly. "You really will." -"My dear boy-" -"You won't have a choice." -"Listen-" -"Heaven has no taste." -"Now-" -"And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
If only, if only, the moon speaks no reply; Reflecting the sun and all that’s gone by. Be strong my weary wolf, turn around boldly. Fly high my baby bird, My angel, my only.
Louis Sachar (Holes (Holes, #1))
Franny has the measles, for one thing. Incidentally, did you hear her last week? She went on at beautiful length about how she used to fly all around the apartment when she was four and no one was home. The new announcer is worse than Grant - if possible, even worse than Sullivan in the old days. He said she surely dreamt that she was able to fly. The baby stood her ground like an angel. She said she knew she was able to fly because when she came down she always had dust on her fingers from touching the light bulbs.
J.D. Salinger (Raise High the Roof Beam, Carpenters and Seymour: An Introduction)
Angela says that angel-bloods are supposed to be immune to cold. It helps with the flying at high altitudes, I guess." I shiver again. "I must not have gotten the memo." He smiles. "Maybe that power only applies to mature angel-bloods." "Hey, are you calling me immature?" "Oh no," he says, his smile blossoming into a full-blown grin. "I wouldn't dare." "Good. Because I'm not the one peeping into someone else's window.
Cynthia Hand (Hallowed (Unearthly, #2))
I am not an angel, Do not worship me, And filch my tiny little wings, I want to fly, up high, To clutch the colourful sky, My life has mission, To triumph over the world with my passion...
Twinkle (Sugandha) Varshney
I kick him in the face point blank with my high heel. He wasn’t expecting that. The angel flies back off the stage. “It really is you,” says Raffe.
Susan Ee (World After (Penryn & the End of Days, #2))
If only, if only, the moon speaks no reply; Reflecting the sun and all that’s gone by. Be strong my weary wolf, turn around boldly. Fly high, my baby bird, My angel, my only
Louis Sachar (Holes)
only, if only, the moon speaks no reply; Reflecting the sun and all that’s gone by. Be strong my weary wolf, turn around boldly. Fly high, my baby bird, My angel, my only
Louis Sachar (Holes)
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Flying High with the Angels
Debbie Ann Egdell
The Conqueror Worm Lo! 'tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And the angels sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
Edgar Allan Poe (The Conqueror Worm)
Why may you not kiss me?” she had demanded. “Am I a corpse?” “Of course not.” “Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?” “Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.” “So you’re afraid my kisses will take what little brain you have left?” “I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.” “Did you ever think to ask them the reasons behind their demands?” “When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.” “You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.” Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.” She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.” “I don’t love the angels.” “Clearly you don’t love me either.” They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in. “All is well, Hawk?’ he had asked. Hawk had learned their tongue. “It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.” The chief had thought this over and laughed. "That would bring you great honor." "I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back." The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?" "I couldn't be happier." (from The Name of the Hawk, Book 2)
Murray Pura (Legion (The Name of the Hawk, #1))
born and raised in Honolulu but had spent four years of his childhood flying kites and catching crickets in Indonesia. After high school, he’d passed two relatively laid-back years as a student at Occidental College in Los Angeles before transferring to Columbia, where by his own account he’d behaved nothing like a college boy set loose in 1980s Manhattan and instead lived like a sixteenth-century mountain hermit, reading lofty works of literature and philosophy in a grimy apartment on 109th Street, writing bad poetry, and fasting on Sundays. We laughed about all of it, swapping stories about our backgrounds and what led us to the law. Barack was serious without being self-serious. He was breezy in his manner but powerful in his mind. It was a strange, stirring combination. Surprising to me, too, was how well he knew Chicago. Barack was the first person I’d met at Sidley who had spent time in the barbershops, barbecue joints, and Bible-thumping black parishes of the Far South Side. Before going to law school, he’d worked in Chicago for three years as a community organizer, earning $12,000 a year from a nonprofit that bound together a coalition of churches. His task was to help rebuild neighborhoods and bring back jobs. As he described it, it had been two parts frustration to one part reward: He’d spend weeks planning a community meeting, only to have a dozen people show up. His efforts were scoffed at by union leaders and picked apart by black folks and white folks alike. Yet over time, he’d won a few incremental victories, and this seemed to encourage him. He was in law school, he explained, because grassroots organizing had shown him that meaningful societal change required not just the work of the people on the ground but stronger policies and governmental action as well. Despite my resistance to the hype that had preceded him, I found myself admiring Barack for both his self-assuredness and his earnest demeanor. He was refreshing, unconventional, and weirdly elegant.
Michelle Obama (Becoming)
PSALM 91 He who dwells in  a the shelter of the Most High         will abide in  b the shadow of the Almighty. 2    I will say [1] to the LORD, “My  c refuge and my  d fortress,         my God, in whom I  e trust.”     3 For he will deliver you from  f the snare of the fowler         and from the deadly pestilence. 4    He will  g cover you with his pinions,         and under his  h wings you will  i find refuge;         his  j faithfulness is  k a shield and buckler. 5     l You will not fear  m the terror of the night,         nor the arrow that flies by day, 6    nor the pestilence that stalks in darkness,         nor the destruction that wastes at noonday.     7 A thousand may fall at your side,         ten thousand at your right hand,         but it will not come near you. 8    You will only look with your eyes         and  n see the recompense of the wicked.     9 Because you have made the LORD your  o dwelling place—         the Most High, who is my  c refuge [2]— 10     p no evil shall be allowed to befall you,          q no plague come near your tent.     11  r For he will command his  s angels concerning you         to  t guard you in all your ways. 12    On their hands they will bear you up,         lest you  u strike your foot against a stone. 13    You will tread on  v the lion and the  w adder;         the young lion and  x the serpent you will  y trample underfoot.     14 “Because he  z holds fast to me in love, I will deliver him;         I will protect him, because he  a knows my name. 15    When he  b calls to me, I will answer him;         I will be with him in trouble;         I will rescue him and  c honor him. 16    With  d long life I will satisfy him         and  e show him my salvation.
Anonymous (The Holy Bible: English Standard Version)
Under a Torremolinos Sky (Psalm 116)8 For Jim The first thing I notice is not the bed, oddly angled as all hospital beds are nor the pillowcase, covered in love notes. Not the table filled with pill bottles nor the sterile tools of a dozen indignities. I’ll notice these things later, on my way out perhaps. But first, my wide-angle lens pulls narrow, as eyes meet eyes and I am seen. How is it, before a word is spoken, you make me know I am known and welcome? What can I give back to God for the blessings he’s poured out on me? I’ll lift high the cup of salvation—a toast to God! You smile behind the plastic that keeps you alive, and as I rest my hand on your chest we conspire together to break the rules. The rhythm of your labored breathing will decide our seconds, our minutes, our hours. Tears to laughter and back again always in that order and rightly so. We bask under a Torremolinos sky and hear the tongues of angels sing of sins forgiven long before the world was made. I’ll pray in the name of God; I’ll complete what I promised God I’d do, and I’ll do it together with his people. Talk turns to motorcycles and mortuaries, to scotch and sons who wear their father’s charm like a crown, daughters who quicken the pulse with just a glance. Time flies and neither of us has time to waste. I’ll make a great looking corpse, you say because we of all people must speak of these things, because we of all people refuse to pretend. This doesn’t bring tears—not yet. Instead a giggle, a shared secret that life is and is not in the body. Soul, you’ve been rescued from death; Eye, you’ve been rescued from tears; And you, Foot, were kept from stumbling. Your chest still rises and falls but you grow weary, my hand tells me so. It’s too soon to ever say goodbye. When it’s my turn, brother, I will find you where the streets shimmer and tears herald only joy where we wear our true names and our true faces. Promise me, there, the dance we never had. When they arrive at the gates of death, God welcomes those who love him. Oh, God, here I am, your servant, your faithful servant: set me free for your service! I’m ready to offer the thanksgiving sacrifice and pray in the name of God. I’ll complete what I promised God I’d do, and I’ll do it in company with his people, In the place of worship, in God’s house, in Jerusalem, God’s city.
Karen Dabaghian (A Travelogue of the Interior: Finding Your Voice and God's Heart in the Psalms)
I'll always remember a certain radio exchange that occurred one day as Walt and I were screaming across southern California 13 miles high. We were monitoring various radio transmissions from other aircraft as we entered Los Angeles Center's airspace. Though they didn't really control us, they did monitor our movement across their scope. I heard a Cessna ask for a readout of its groundspeed. "90 knots," Center replied. Moments later a Twin Beech required the same. "120 knots," Center answered. We weren't the only one proud of our speed that day as almost instantly an F-18 smugly transmitted, "Ah, Center, Dusty 52 requests groundspeed readout." There was a slight pause. "525 knots on the ground, Dusty." Another silent pause. As I was thinking to myself how ripe a situation this was, I heard the familiar click of a radio transmission coming from my back-seater. It was at that precise moment I realized Walt and I had become a real crew, for we were both thinking in unison. "Center, Aspen 20, you got a ground speed readout for us?" There was a longer than normal pause. "Aspen, I show one thousand seven hundred and forty-two knots." No further inquiries were heard on that frequency.
Brian Shul (Sled Driver: Flying the World's Fastest Jet)
Lo! ’tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly — Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama! — oh, be sure It shall not be forgot! With its Phantom chased forever more, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness and more of Sin And Horror the soul of the plot. But see, amid the mimic rout, A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes! — it writhes! — with mortal pangs The mimes become its food, And the seraphs sob at vermin fangs In human gore imbued. Out — out are the lights — out all! And over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, “Man,” And its hero the Conqueror Worm.
Edgar Allan Poe (Tales Of The Grotesque and Arabesque)
Summer spirit, now she closes book’s end, Days of youth spent, carefree with friends. Kari plays now to that what she does not wish, Lost summers days and angelic youth a’ missed. Seasons do change and children grow up, Passing through lives, life never stops. Endless years, bleak they the mind, Adventures of youth, throttle in time. Desires entwine, one grows old, Love loses her grasp, love slips from her hold. Bygone dreams, sleep they soundly by, Hopes for another child, not her soul-self I. Grasped for never, dreams never learn to fly (Within one’s dungeon, the darkest place to die). And Winter’s chill, lays she to rest, Dreams unobtained, fallen in the quest. Kari knew she was but a dream, solo in its flight, Ne’er taking wing again to caress innocence’s light. And to live and live as she once is and now, Stands she forever, stranded on time’s fallowed ground. The love she lost she can never now have, Graspless eternity plucked burning from her hands. Love forsaken, the summer, silent and high, Tears shed for what was once and not now, I. Dreamless hopes far long spent, Lie shallow within, deep strength relents. A hollow traverse of endless life, Lives she the knowing of eternalness light. Aye, silent dreams slip they the day’s long night, To tell of loves once beholden now lost in her sight. In love’s abandonment, Kari, spills she away, To dream upon those clouds again on some somber, summer day. Thus, before evening rusts corrode the golden days, Before innocence is raped and youth spirited away, Before night blossoms forth, and day forgets day, Summer’s love requests of us that we all do stay– To hear a tale one has long since heard before, To tell our souls twice over now and forevermore– Graves are full of those who never lived but could, Heaven and Hell are packed with those who knew they should, And eternity, relentless eternity, brims with those that would. --Garden of the Dragons c h. 23
Douglas M. Laurent
Would that the structure brave, the manifold music I build, Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon willed Armies of angels that soar, legions of demons that lurk, Man, brute, reptile, fly,—alien of end and of aim, Adverse, each from the other heaven-high, hell-deep removed,— Should rush into sight at once as he named the ineffable Name, And pile him a palace straight, to pleasure the princess he loved! Would it might tarry like his, the beautiful building of mine, This which my keys in a crowd pressed and importuned to raise! Ah, one and all, how they helped, would dispart now and now combine, Zealous to hasten the work, heighten their master his praise! And one would bury his brow with a blind plunge down to hell, Burrow awhile and build, broad on the roots of things, Then up again swim into sight, having based me my palace well, Founded it, fearless of flame, flat on the nether springs. And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night— Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight. In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far. Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon;
Robert Browning
Think, my love. Visualize what I put in your head. Trust me as you have never trusted me before. Allow me to give you this gift. There was no hesitation on her part. With complete faith in him, Raven gave herself into his keeping, reaching eagerly for the vision. The slight discomfort, the strange disorientation as her physical body dissolved, did not faze her. Feathers shimmered, sprouted. Beside her, Jacques stepped back, allowing the smaller female owl to hop onto a tall stone angel before his own large frame compressed, reshaped. Together they launched themselves into the night and soared high to join the other four powerful birds circling above them. One of the males broke formation, circled the female, and dipped close to cover her body with one wide wingspan. Playfully she dropped low to slide away. The other males walled her in, curbing her antics as she learned the joys of free flying. The male owls stayed in close formation, the female in the center, circling above the forest, climbing high into the mist. For a space of time they dipped and swirled, clearly playing, soaring high, plunging toward earth, pulling up to fly through trees and over the heavy blanket of fog. After some time they settled into a leisurely flight, once more with the males protectively surrounding the female. Mikhail felt the night remove every vestige of tension and dissipate it to the four corners of the earth. He would take Raven far away from the village, give her plenty of time to learn Carpathian ways. She represented the future of their race, his future. She was his life, his joy, his reason for existing. She was his hold on all that was good in the world. He intended to see that her life was filled with nothing but happiness. Mikhail dropped lower to cover her feathered body with his, touching her mind, feeling her joy. Raven responded by filling his mind with love and warmth and a child’s wondrous laughter at the new sights and sounds and smells she was experiencing. She raced him across the sky, her laughter echoing in all their minds. She was their hope for the future.
Christine Feehan (Dark Prince (Carpathians, #1))
Can I have your sperm?” “Umm, no,” says my very handsome friend. He’s standing in the doorway of his stunning Upper East Side townhouse, wearing a completely bewildered expression. Who can blame him? It’s 10 p.m. and I’m in my pajamas, my bunned-up hair hanging askew off my head. “Before you say no, hear me out––” “No,” he repeats as if I haven’t just given him instructions. He eyeballs my pjs with the pigs with wings pattern on them. A joke gift Delia bought me when she told me she sleeps naked and I said I would do that when pigs fly. They’re very comfy. “Are you in your pajamas?” “Yes.” I push past him to get inside. “I’m prepared to assume all cost,” I rush to say, my voice high and marked with desperation. “You know my financial situation. You know I don’t need help in that regard. And you can participate as little or as much as you want in raising our child––” “Slow down, Stella––” “Jeff said no...” I walk directly into his living room and come to an abrupt stop. Stacks of cardboard boxes are everywhere. “Are you moving?” “Yes.” Ethan brushes a hand over his gorgeous face. “Where’s this coming from?” “I want a baby and the gays said I was too structured. And we’re friends, right? We respect each other, right?” “Wait? What gays?” “The architect, and the professor of economics at Columbia. Keep up, will you.” Ethan chuckles and I glare back. This wasn’t supposed to be this hard. And it’s poking at all my sore spots. “I really liked the professor. He’s the one that said I was too structured. The architect said he found a more geographically suitable candidate, but I’m pretty sure he was lying because I would’ve moved uptown if that was the only issue.” “Okay––” he says, taking a deep breath, his hands on his hips. “You want a baby.” “Yes.” “So go to a sperm bank.” “Too anonymous.” “I’m not giving you my sperm, Stella. I’m moving to Los Angeles in less than two weeks and I’m getting married. I don’t think she’d be too keen on me handing over my sperm.” Stunned, I rock back on my heels. “What?! To who?” “To a woman I’m in love with.” He smiles then, the sweetest of smiles, and I know he’s serious. “Camilla’s friend.” At my blank response he continues, “The actress––we haven’t talked in months.” “I called.” “To tell me my investments are up thirteen percent.” “You’re up fourteen for the year now. And you said you were too busy for a drink.” “You canceled the last time.” Totally dejected, I slump down on the armrest of his couch. “You were the last name on my list.” I can’t keep the disappointment out of my voice. I’m so bummed I may start to cry and I am not a crier. Ethan chuckles softly. “Wow, thanks.” “You know what I mean.” “Why not a sperm bank?” “I want my kid to know his or her father. I don’t want to tell them I bought their father.
P. Dangelico (Baby Maker (It Takes Two, #1))
The guardian angels of life fly so high as to be beyond our sight, but they are always looking down upon us. -Jean Paul Richter
Jack Canfield (Chicken Soup for the Soul: Angels Among Us: 101 Inspirational Stories of Miracles, Faith, and Answered Prayers)
The colt had become a stallion, and at sixteen-three hands high he was even taller than his sire, the great grey stallion Marius, who was
Stacy Gregg (Angel and the Flying Stallions (Pony Club Secrets, #10))
The stallion was almost as tall as Storm, sixteen-two hands high. His face had the noble bearing of a classical Andalusian with wide-set, soulful eyes and a dark, sooty muzzle. He was a grey, but his dapples had long ago faded so he was as creamy white as parchment. His long mane was like gossamer silk and it tumbled and cascaded over his broad neck and down his powerful shoulders
Stacy Gregg (Angel and the Flying Stallions (Pony Club Secrets, #10))
Fly high, my baby bird, My angel, my only.
Louis Sachar (Holes)
also watched the advanced tape. But Squeaky had gone grad school on me. He’s throwing reach casts, curve casts, roll casts, steeple casts, and casts he calls squiggles and stutters. He’s writing his name with the line in the air. He’s making his dry fly look like the Blue Angels. He’s pitching things forehand, backhand, and between his wader legs. And, through the magic of video editing, every time his hook-tipped dust kitty hits the water he lands a trout the size of a canoe. The videotape about trout themselves wasn’t much use either. It’s hard to get excited about where trout feed when you know that the only way you’re going to be able to get a fly to that place is by throwing your fly box at it. I must say, however, all the tapes were informative. “Nymphs and streamers” are not, as it turns out, naked mythological girls decorating the high school gym with crepe paper. And I learned that the part of fly-fishing I’m going to be best at is naming the flies: Woolly Hatcatcher Blue-Wing Earsnag Overhanging Brush Muddler Royal Toyota Hatchback O’Rourke’s Ouchtail P.J.’s Live Worm-’n-Bobber By now I’d reached what I think they call a “learning plateau.” That is, if I was going to catch a fish with a fly rod, I had to either go get in the water or open the fridge and toss hooks at Mrs. Paul’s frozen
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
I think the general public has never understood the “special” kind of life that civil rights advocates had to lead in those years. Racists showed high ingenuity in developing schemes to destroy a man’s reputation as a means of nullifying his work. For example, many civil rights advocates, white and black, traveled and lectured extensively. In the early days, a number of effective men were entrapped in situations that either damaged them personally or ruined their reputations. Those who were with lecture bureaus were particularly vulnerable. Anyone could write the lecture bureau for the travel schedule of its speakers. If a man made a long flight to fulfill a speaking engagement, the chances were at least fair that when he landed at the distant airport he might make use of the rest room. It would be enough to plant one or two men in the rest room and accuse him of some indecency. This happened to a Mississippi white attorney in a case that was given maximum publicity in white newspapers. He had to fly to Los Angeles for an appearance. His travel schedule was known. At the end of this flight he went to the men’s rest room, and when he emerged, he was arrested because two men claimed he had indecently exposed himself. He was tried in absentia and found guilty in Mississippi. He was publicly labeled a pervert and his career in civil rights was effectively quashed.
John Howard Griffin (Black Like Me)
If only, if only, the moon speaks no reply; Reflecting the sun and all that’s gone by. Be strong my weary wolf, turn around boldly. Fly high, my baby bird, My angel, my only.
Louis Sachar (Holes)
What if, one would fall into an empty abyss? Nothing truly outrageous would happen - or could it finally happen? Dare to soar Fly angel fly - free for here, we are to love and be.
Ulonda Faye (Sutras of the Heart: Spiritual Poetry to Nourish the Soul)
Revelation 8:13 (HCSB): I looked again and heard an eagle flying high overhead, crying out in a loud voice, “Woe! Woe! Woe to those who live on the earth, because of the remaining trumpet blasts that the three angels are about to sound!
Mark E. Fisher (Days of Death and Darkness (Days Of The Apocalpyse #4))
In The Archangel Raphael Leaving Tobias' Family, Rembrandt leaves dirt on the shadowed soles of Raphael's feet as he flies off, illuminated in glory. Passing by the painting, one sees the dramatic action, the melodramatic emotions, and the re-created narrative events of the Bible. Slowed down a bit, the viewer sees light across a large muscular calf, a strong and sharply shaped ankle, and then dirty feet. The angel who tells us he only pretended to eat - this to explain away all traces of his apparent earthliness as a fallen creaturely being - is here on the canvas with dirty feet, carrying soil, the created, to the creator. Van Gogh had rightly said there are mysteries in these paintings. They are mysteries of device and design, not of messianic significance. They require a docent and not a priest, a creative critic to guide the view of specific images, not a guardian of mysteries and master of their enigmatic authority. Dirty feet on the soles of an archangel famous for his annunciations give the viewer a point of view on the inescapably human nature of the narrated God. Raphael may no eat. He may believe he creates an illusion to satisfy the religious desire for mythological consistency, but even archangels deceive themselves as well as others. Humans sometimes do the same in inventing the transcendence they need or think they want - creating a regime from which the priestly classes rule, even theorizing the alienation of the divine. Deceit is an essential device of cultural adaptation. It constructs needed beliefs that at high and low levels of thought or action complement their existence with modes of self-defense, which protect them from not only needed analysis but also the importance of failure.
Paul A. Bové (Love's Shadow)
Once upon a time there was a mountain cave. And inside the cave was a treasure." There is a glint in Froelich's eye. Jack waits. Is it possible his neighbour is a little drunk? "You see Jack, it is a fact that only the bowels of the earth can provide us with the means to propel ourselves toward the sun. Someone has to forge the arrows of Apollo. Even as someone had to build the pyramids. Slaves, yes? Which one of God's angels is rich enough, do you think, to pay for our dream to fly so high we may glimpse perhaps the face of God?
Ann-Marie MacDonald (The Way the Crow Flies)
I will say to the Lord, “My refuge and my fortress, my God, in whom I trust.” For he will deliver you from the snare of the fowler and from the deadly pestilence. You will not fear the terror of the night, nor the arrow that flies by day, nor Resheph that stalks in darkness, nor Qeteb that wastes at noonday. It was a song of deliverance from demons. The “terror by night” was a Mesopotamian title for Zaqar, a dream demon. Resheph was the god of plague and pestilence whose arrows were his curses. Qeteb was Resheph’s companion deity of destruction. Saul was closing the distance between them as David sang. His murderous eyes began to weaken. His jerking spasms lessened. He slowed down until he was but a few feet away from David. He stopped when another voice joined David’s. It was Michal. She had hidden in the servants’ hallway and made her way back to the room. Her voice flowed through the air with angelic sweetness and blended with David’s in harmony. Because you have made the Lord your dwelling place the Most High, who is my refuge no evil shall be allowed to befall you, no plague come near your tent. For he will command his angels concerning you to guard you in all your ways. On their hands they will bear you up, lest you strike your foot against a stone. You will tread on the lion and the adder; the young lion and the serpent you will trample underfoot. Saul had collapsed at David’s feet. David looked up at Michal. They needed no words. They had worshipped Yahweh together and they had fought the evil spirit together. Their souls were one. She was the only woman in the whole world. He was the only man. Their lips were inexorably drawn toward each other.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
He guarded him . . . like an eagle that stirs up its nest and hovers over its young, that spreads its wings to catch them and carries them on its pinions. The Lord alone led him; no foreign god was with him. (Deuteronomy 32:10–12) Our almighty God is like a parent who delights in leading the tender children in His care to the very edge of a precipice and then shoving them off the cliff into nothing but air. He does this so they may learn that they already possess an as-yet-unrealized power of flight that can forever add to the pleasure and comfort of their lives. Yet if, in their attempt to fly, they are exposed to some extraordinary peril, He is prepared to swoop beneath them and carry them skyward on His mighty wings. When God brings any of His children into a position of unparalleled difficulty, they may always count on Him to deliver them. from The Song of Victory When God places a burden upon you, He places His arms underneath you. There once was a little plant that was small and whose growth was stunted, for it lived under the shade of a giant oak tree. The little plant valued the shade that covered it and highly regarded the quiet rest that its noble friend provided. Yet there was a greater blessing prepared for this little plant. One day a woodsman entered the forest with a sharp ax and felled the giant oak. The little plant began to weep, crying out, “My shelter has been taken away. Now every fierce wind will blow on me, and every storm will seek to uproot me!” The guardian angel of the little plant responded, “No! Now the sun will shine and showers will fall on you more abundantly than ever before. Now your stunted form will spring up into loveliness, and your flowers, which could never have grown to full perfection in the shade, will laugh in the sunshine. And people in amazement will say, ‘Look how that plant has grown! How gloriously beautiful it has become by removing that which was its shade and its delight!’ ” Dear believer, do you understand that God may take away your comforts and privileges in order to make you a stronger Christian? Do you see why the Lord always trains His soldiers not by allowing them to lie on beds of ease but by calling them to difficult marches and service? He makes them wade through streams, swim across rivers, climb steep mountains, and walk many long marches carrying heavy backpacks of sorrow. This is how He develops soldiers—not by dressing them up in fine uniforms to strut at the gates of the barracks or to appear as handsome gentlemen to those who are strolling through the park. No, God knows that soldiers can only be made in battle and are not developed in times of peace. We may be able to grow the raw materials of which soldiers are made, but turning them into true warriors requires the education brought about by the smell of gunpowder and by fighting in the midst of flying bullets and exploding bombs, not by living through pleasant and peaceful times. So, dear Christian, could this account for your situation? Is the Lord uncovering your gifts and causing them to grow? Is He developing in you the qualities of a soldier by shoving you into the heat of the battle? Should you not then use every gift and weapon He has given you to become a conqueror? Charles H. Spurgeon
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
I have been so lucky to lead amazing teams to incredible places: the remote Venezuelan jungles of the “Lost World” in search of Jimmy Angel’s lost gold; or the remote white desert that is Antarctica to climb unclimbed peaks. (I managed to break my shoulder in a fall on that trip, but you can’t win them all!) Then we returned to the Himalayas, where my buddy Gilo and I flew powered paragliders to above the height of Everest. Once again, we were raising funds for the charity Global Angels, an extraordinary charity that champions the most needy kids around the world. But the flight itself was a mission that so nearly had fatal consequences. All the aviation and cold-weather experts predicted almost certain disaster; from frozen parachutes to uncontrollable hurricane-force winds, from impossible takeoffs to bone-breaking landings--and that was before they even contemplated whether a small one-man machine could even be designed to be powerful enough to fly that high. And if we could, it certainly then would not be possible to lift it on to our backs. But we pulled it off: Gilo designed and built the most powerful, supercharged, fuel-injected, one-man powered paraglider engine in history, and by the grace of God we somehow got airborne with these monsters on our backs. Some blessed weather and some ball-twitching flying, and we proved the skeptics wrong--even, at the end, landing effortlessly at the foot of the Everest range, nimbly on two feet, like twinkle-toes. Mission complete.
Bear Grylls (Mud, Sweat and Tears)
You may have had a thousand bad breaks, but don’t use that as an excuse to be negative. One good break can make up for all the bad breaks. One touch of God’s favor can catapult you further than you ever imagined. You may feel like you’re getting behind. You’re not where you thought you would be in life. Don’t worry; God knows how to make up for lost time. He knows how to accelerate things. Now you’ve got to do your part. Shake off a negative mentality. Shake off pessimism, discouragement, and self-pity. Get your fire back. Life is passing you by. You don’t have time to waste being negative. You have a destiny to fulfill. You have an assignment to accomplish. What’s in your future is greater than anything you’ve seen in your past. We need to get rid of Murphy’s Law and live by just the opposite. Your attitude should be: “If anything can go right today, it will go right and happen to me at the best time. Nothing will be as difficult as it looks. Nothing will take as long as it seems.” Why? You are highly favored. Almighty God is breathing in your direction. You’ve been anointed, equipped, and empowered. Some may claim I’m just getting hopes up, and trying to get people to be more positive. It’s true, and here’s why: God is a positive God. There is nothing negative about Him. If you’re negative, sour, or pessimistic, you’re going against the flow of God. When we fly from Houston to Los Angeles, it always takes thirty minutes longer to get there than it does to come home. It’s because the jet stream flows from west to east. When we’re headed there, there’s a large mass of air always blowing against us, slowing us down. The other day we had a 120-mile-per-hour headwind. The plane has to work harder, use more fuel, and expend more energy. But when we travel back home, it’s just the opposite. The jet stream is working in our favor, pushing us forward and making it easier, saving us time and energy. The same principles apply in life. When you are positive, hopeful, and expecting good things, you are in the jet stream of almighty God. Things will be easier. You will accomplish more, live happier, and see increase and favor. But when you are negative, discouraged, everything’s a struggle; you have to work harder and you can’t enjoy life.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Opal Raines stood on a cliff high above the surf that beat into the rocks on Cape Point at the southmost tip of the African continent. In front of her was the Indian Ocean and the islands of the Far East; to her right the Southern Ocean, Antarctica, and the icy bottom of the earth; at her back the Atlantic and the Americas; and on her left the vast plains of Africa where she had sometimes lived, and where she had been worshiped by wild lions. She read again the notification that had come today from Switzerland: Dear Ms. Raines. This is to notify you that the sum of ten million dollars (US) was transferred today into your account at Credit Suisse by Stella Clair Rose. Opal tore the notice into small pieces, and watched them fly from her hand, blown by the African breeze out across the ocean water. Her laugh followed the pieces as they floated away, drifting out wherever the wind would take them, toward Indonesia, the Banda Sea, Papua New Guinea, the great expanse of the Pacific — all her world, the world of the statistical outlier merging time past, and time not yet come, with this moment. All as unpredictable as shadows, as ghosts. Sometime later, that laugh, floating on an eastbound wind, would reach the California coast and come to rest where it did once before — on Wilshire Boulevard in Los Angeles where Heron White’s body landed after he crashed through a twelfth-floor window at the end of a hallway outside a dentist’s office one rainy day at noon.
Jim Delay (Invasions on Hickory Road: A Comedy of the Hidden Realities)
The hypermature silent son is too serious all the time. He is emotionally on guard at all times. He never lets his defenses down or lets himself go. Maintaining control in his life is an understatement. To him, “Be prepared” is not the Boy Scout motto, it’s a way of life and the only way he knows to live. Author and British philosopher G. K. Chesterton tells us that the reason that angels can fly is because they take themselves lightly. This type of guy will never get off the ground. He fears exposure and loss of control. If you are a hypermature silent son, chances are you are far too self-critical, have difficulty having fun, and live under a high level of stress. Taking risks is not exactly your daily routine. Hypermaturity comes from having too many responsibilities as a child and never having time for normal childhood activities. The hypermature silent son never had time to play. Life was too serious and a sense of humor had no purpose for him. It was a tough way to grow up and now he only knows how to be tough, especially on himself.
Robert J. Ackerman (Silent Sons: A Book for and About Men)
1 Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty.[a] 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.” 3 Surely he will save you from the fowler’s snare and from the deadly pestilence. 4 He will cover you with his feathers, and under his wings you will find refuge; his faithfulness will be your shield and rampart. 5 You will not fear the terror of night, nor the arrow that flies by day, 6 nor the pestilence that stalks in the darkness, nor the plague that destroys at midday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only observe with your eyes and see the punishment of the wicked. 9 If you say, “The Lord is my refuge,” and you make the Most High your dwelling, 10 no harm will overtake you, no disaster will come near your tent. 11 For he will command his angels concerning you to guard you in all your ways; 12 they will lift you up in their hands, so that you will not strike your foot against a stone. 13 You will tread on the lion and the cobra; you will trample the great lion and the serpent.
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Think, my love. Visualize what I put in your head. Trust me as you have never trusted me before. Allow me to give you this gift. There was no hesitation on her part. With complete faith in him, Raven gave herself into his keeping, reaching eagerly for the vision. The slight discomfort, the strange disorientation as her physical body dissolved, did not faze her. Feathers shimmered, sprouted. Beside her, Jacques stepped back, allowing the smaller female owl to hop onto a tall stone angel before his own large frame compressed, reshaped. Together they launched themselves into the night and soared high to join the other four powerful birds circling above them. One of the males broke formation, circled the female, and dipped close to cover her body with one wide wingspan. Playfully she dropped low to slide away. The other males walled her in, curbing her antics as she learned the joys of free flying. The male owls stayed in close formation, the female in the center, circling above the forest, climbing high into the mist. For a space of time they dipped and swirled, clearly playing, soaring high, plunging toward earth, pulling up to fly through trees and over the heavy blanket of fog. After some time they settled into a leisurely flight, once more with the males protectively surrounding the female. Mikhail felt the night remove every vestige of tension and dissipate it to the four corners of the earth. He would take Raven far away from the village, give her plenty of time to learn Carpathian ways. She represented the future of their race, his future. She was his life, his joy, his reason for existing. She was his hold on all that was good in the world. He intended to see that her life was filled with nothing but happiness. Mikhail dropped lower to cover her feathered body with his, touching her mind, feeling her joy. Raven responded by filling his mind with love and warmth and a child’s wondrous laughter at the new sights and sounds and smells she was experiencing. She raced him across the sky, her laughter echoing in all their minds. She was their hope for the future.
Christine Feehan (Dark Prince (Dark, #1))
In the cockpit of one of the most lethal tactical weapons the world had ever seen, McDowell faced the limits of American conventional military power. He framed his squadron’s place in the Afghan war of 2011 in frustrated terms. A mission from ship to shore, he thought, was like flying in airspace around LAX, one of America’s busiest airports, and then trying to find and attack a gang member with high-explosive weaponry and cause no civilian casualties—in greater Los Angeles. This was not how to defeat a gang.
C.J. Chivers (The Fighters)
Be strong my weary wolf, turn around boldly. Fly high, my baby bird, My angel, my only
Louis Sachar (Holes (Holes, #1))
Psalm 90 (91) 1 The praise of an ode by David. He who dwells in the help of the Most High Shall lodge in the shelter of the God of heaven. 2He shall say to the Lord, “You are my protector and my refuge, My God; I will hope in Him; 3For He shall free me from the snare of the hunters, And from every troubling word.” 4He shall overshadow you with His shoulders, And under His wings you shall hope; His truth shall encircle you with a shield. 5You shall not be frightened by fear at night, Nor from an arrow that flies by day, 6Nor by a thing moving in darkness, Nor by mishap and a demon of noonday. 7A thousand shall fall at your side And ten thousand at your right hand, Yet it shall not come near you; 8But you shall observe with your eyes, And you shall see the reward of sinners. 9For You, O Lord, are my hope; You made the Most High your refuge. 10Evils shall not come to you, And a scourge shall not draw near your dwelling; 11For He shall command His angels concerning you, To keep you in all your ways; 12In their hands they shall bear you up, Lest you strike your foot against a stone; 13You shall tread upon the asp and the basilisk, And you shall trample the lion and the dragon. 14“For he hoped in Me, and I will deliver him; I will shelter him, because he knew My name. 15He shall call upon Me, and I will hear him; I am with him in affliction, And I will deliver and glorify him. 16With length of days I will satisfy him, And show him My salvation.
Anonymous (The Orthodox Study Bible: Ancient Christianity Speaks to Today's World)
If only, if only, the moon speaks no reply; Reflecting the sun and all that’s gone by. Be strong my weary wolf, turn around boldly. Fly high, my baby bird, My angel, my only
Louis Sachar (Holes (Holes, #1))