Flume Quotes

We've searched our database for all the quotes and captions related to Flume. Here they are! All 26 of them:

First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
It sure is a pleasure not having Flume around in the mess hall any more. No more of that 'Pass the salt, Walt.'" "Or 'Pass the bread, Fred.'" "Or 'Shoot me a beet, Pete.
Joseph Heller (Catch-22)
Impressionable men in the squadron like Dobbs and Captain Flume were so deeply disturbed by Hungry Joe's shrieking nightmares that they woudl begin to have shrieking nightmares of their own, and the piercing obscenities they flung into the air every night from their separate places in the squadron rang against each other in the darkness romantically like the mating calls of songbirds with filthy minds.
Joseph Heller (Catch-22)
Captain Flume was obsessed with the idea that Chief White Halfoat would tiptoe up to his cot one night when he was sound asleep and slit his throat open for him from ear to ear. Captain Flume had obtained this idea from Chief White Halfoat himself, who did tiptoe up to his cot one night as he was dozing off, to hiss portentously that one night when he, Captain Flume, was sound asleep he, Chief White Halfoat, was going to slit his throat open for him from ear to ear. Captain Flume turned to ice, his eyes, flung open wide, staring directly up into Chief White Halfoat's, glinting drunkenly only inches away. 'Why?' Captain Flume managed to croak finally. 'Why not?' was Chief White Halfoat's answer.
Joseph Heller (Catch-22)
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question. "How many territories are there?" she asked. "Ten in all," I said. "At least that's what I've been told. They're all part of Halla." "Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk. "The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists." "And you understand that?" she asked. "Well, not entirely," I answered honestly. "But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?" Good question. I'd asked myself the same question more than once. "I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of." Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?" "I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them." "It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care." That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!" "It's all right, Pendragon," Yorn said calmly. "Relax." "Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
D.J. MacHale (Black Water (Pendragon, #5))
I fancy myself a writer. And writing, in its most eloquent manner, since time became a concept indoctrinated by true troglodytes, tickles my dong; it throttles my flume; it punts my epididymus to horizons fantastical. And not just writing bullshit; a few seemingly overused words to describe the belched bark of a goddamn sequoia, but actually writing. Writing to me is not about thinking, it's not about personality traits or hell, even the conveyance of feelings. Writing is like breathing to me. I have to do it. I have to inhale it and exhale it, no matter what comes in and likewise what comes out. Traversing the slopes of the soul, scratching that all but intangible itch, I find solace in the abyss of my complacency. It‟s not for recognition, not for income or monetary satisfaction. None of that really matters to me. The only thing that matters to me is finding the way to transfer a thought to paper; a heartbeat to the surface; a blink and a gasp to submissively correspond with the outcry of tangible suspense.
Dave Matthes
Evie had seen dinosaurs; she had looked down upon the great forests of America from the eyes of a passenger pigeon. She had surfed into Cleopatra’s sarcophagus atop a flume of desert sand and caressed the glorious queen’s dead face with beetle legs. A playwright, a clever Englishman, had written an amusing, if not entirely accurate, speech about Eve once.
Stephen King (Sleeping Beauties)
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
We had little money but didn’t think of ourselves as poor. Our vision, if I can call it that, was not materialistic. If we had a concept about ourselves, it was egalitarian, although we would not have known what that word meant. We spoke French entirely. There was a bond between Cajuns and people of color. Cajuns didn’t travel, because they believed they lived in the best place on earth. But somehow the worst in us, or outside of us, asserted itself and prevailed and replaced everything that was good in our lives. We traded away our language, our customs, our stands of cypress, our sugarcane acreage, our identity, and our pride. Outsiders ridiculed us and thought us stupid; teachers forbade our children to speak French on the school grounds. Our barrier islands were dredged to extinction. Our coastline was cut with eight thousand miles of industrial channels, destroying the root systems of the sawgrass and the swamps. The bottom of the state continues to wash away in the flume of the Mississippi at a rate of sixteen square miles a year. Much of this we did to ourselves in the same way that a drunk like me will destroy a gift, one that is irreplaceable and extended by a divine hand. Our roadsides are littered with trash, our rain ditches layered with it, our waterways dumping grounds for automobile tires and couches and building material. While we trivialize the implications of our drive-through daiquiri windows and the seediness of our politicians and recite our self-congratulatory mantra, laissez les bons temps rouler, the southern rim of the state hovers on the edge of oblivion, a diminishing, heartbreaking strip of green lace that eventually will be available only in photographs.
James Lee Burke (The New Iberia Blues (Dave Robicheaux #22))
Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
The waves kept throwing themselves further and further up the shoreline. All that energy, all that power, crossing oceans, carrying ships and liners, and ending just a short distance from her feet, in a last flume of spray.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
All that energy, all that power, crossing oceans, carrying ships and liners, and ending just a short distance from her feet, in a last flume of spray.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
What mattered was that loggers once stopped and carefully gauged and evaluated the character of individual trees to be cut. Transportation by flumes and rivers kept cuttings small and slow, whereas trucks and roads exploded the scale of operations.
Suzanne Simard (Finding the Mother Tree: Discovering the Wisdom of the Forest)
I choose me bristles with pride Yes, I do A broom for the shaft And a broom for the flume Though I'm covered with soot From me 'ead to me toes A sweep knows 'e's welcome Wherever 'e goes
Richard M. Sherman (Chim Chim Cher-Ee)
flumes
Charlene Whitman (Colorado Promise (The Front Range Series Book 2))
Left Alone" (feat. Chet Faker) This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves This is the sound beating of my loves Good down, I’m for long Got my word to be someone Good down, that’s alright All I want is to be left alone Left alone, left alone, left alone Left alone, left alone, left alone Left alone, left alone, left alone Left alone, Cannot swallow blue found vow More than that my sleep is wild All I need is suffering bones Breathe in sorrow Gonna watch you fake it now Will I freak can I calm down And I take it all at a loss Breathe in sorrow Gonna watch you fake it now Will I freak can I calm down And I take it all at a loss Breathe out sorrow Gonna find them peace in loss Holding by the knees and vow I can always feel this proud Breathe out sorrow Oh I tell you something more What my brain is bleeding for And it hurts my darling, but breathe out sorrow Gonna find them peace in loss Holding by the knees and vow I can't always feel this proud Breathe out sorrow Oh, I tell you something more What my brain is bleeding for And it hurts my darling, but breathe out sorrow
Eugene L. Fiume
[We] are, in fact, so close to the amusement park that [our] toilet is referred to as "the log flume.
Dan Adams (FIVEHEAD: A First Collection)
Pools, MapHead knew, were generally green and rock-strewn. He must have heard it wrong. This must be a swimming flume.
Lesley Howarth (MapHead 2)
Drop The Game (with Chet Faker) I've been seeing all, I've been seeing your soul Give me things that I've wanted to know Tell me things that you've done I've been feeling old, I've been feeling cold You're the heat that I know Listen, you are my sun Oh oh oh oh oh Hush, I said there's more to life than rush Not gonna leave this place with us Drop the game, it's not enough Hush, I said there's more to life than rush Not gonna leave this place with us Drop the game, it's not enough I've been seeing all, I've been seeing your soul Give me things that I've wanted to know Tell me things that you've done I've been feeling old, I've been feeling cold You're the heat that I know Listen, you are my sun Oh oh oh oh oh I've been seeing all, I've been seeing your soul Give me things that I've wanted to know Tell me things that you've done I've been feeling old, I've been feeling cold You're the heat that I know Listen, you are my sun Oh oh oh oh oh I've been seeing all, I've been seeing your soul Give me things that I've wanted to know Tell me things that you've done I've been feeling old, I've been feeling cold You're the heat that I know Listen, you are my sun Oh oh oh oh oh
Eugene L. Fiume
When you live in Jersey a beach isn’t enough. People have energy in Jersey. They need things to do. They need a beach with a boardwalk. And the boardwalk has to be filled with rides and games and crappy food. Add some miniature golf. Throw in a bunch of stores selling T-shirts with offensive pictures. Life doesn’t get much better than this. And the best part is the smell. I’ve been told there are places where the ocean smells wild and briny. In Jersey the ocean smells of coconut-scented suntan lotion and Italian sausage smothered in fried onions and peppers. It smells like deep-fried zeppoles and chili hot dogs. The scent is intoxicating and exotic as it expands in the heat rising from crowds of sun-baked bodies strolling the boardwalk. Surf surges onto the beach and the sound is mingled with the rhythmic tick, tick, tick of the spinning game wheels and the highpitched Eeeeeeee of thrill seekers being hurtled down the log flume. Rock stars, pickpockets, homies, pimps, pushers, pregnant women in bikinis, future astronauts, politicians, geeks, ghouls, and droves of families who buy American and eat Italian all come to the Jersey shore.
Janet Evanovich (Plum Boxed Set 2 (Stephanie Plum, #4-6))
This Song Is Not About A Girl (with Chet Faker) I'll hang partly over a mountain and retire They won't listen to the words i decide on This isn't a point or a rival Reaching from another human, devour I'll hang partly over a mountain and retire I don't know purple, though tropical They won't listen to the words i decide on I'm not gonna stop for everyone This isn't a point or a rival Pardon me for showing over-love Reaching from another human, DEVOUR I don't know purple, though tropical I'm not gonna stop for everyone Pardon me for showing over-love Easy to turn something for everyone I'm not gonna stop for everyone Pardon me for showing over-love Reaching from another human, devour Easy to turn something for everyone I'll hang partly over a mountain and retire I don't know purple, though tropical They won't listen to the words I decide on I'm not gonna stop for everyone This isn't a point or a rival Pardon me for showing over-love Reaching from another human, devour
Eugene L. Fiume
With its ninety-foot granite walls, rushing waterfalls, and boardwalks, the Flume was the ultimate nature walk, and one of my favorite places to visit as a kid. When I saw the sign for it on the side of the highway—dark wood with carved, yellow bubble letters—I let out an audible squeal of glee.
Beth Labonte (Pumpkin Everything (An Autumnboro Sweet Romance, #1))
Imagine yourself as a pool of light and sound altering as all your days run through you, and they pass again and again. From moment to moment, you are every age you have ever been, but in no particular order. Time courses through you, the time you lived, a flume of your days. This was Peter’s dementia.
Alexander Chee (How to Write an Autobiographical Novel)
tunes its harp and the crickets celebrate life, I am like a troubadour in search of friends, loved ones, anyone who will share with me a bit of conversation. My loneliness arrives ghostlike and pretentious, it seeks my soul, it is ravenous and hurting […] I want to find a solution, so I write letters, poems, and sometimes I touch solitude on the shoulder and surrender to a great tranquility. I understand I need courage and sometimes, mysteriously, I feel whole. from “Sometimes Mysteriously,
Luis Omar Salinas (Follower of dusk (Flume chapbook series))
The Hope factory was menacing in the distance, for it was one of the few buildings that somehow managed to present itself through the smog. Its hulking form consumed almost all of the horizon, and its many pistons, pillars, chimneys and flumes ate into the heavens. For the parts of the sky it could not reach, those towers sent up endless streams of smoke, and this smoke devoured the natural clouds and left an unnatural haze in the heavens. The factory was a greedy mass of brick, a ravenous form of iron. As much as it gobbled up all the landscape, it threatened that it might eat the onlookers too.
Dean F. Wilson (Hopebreaker (The Great Iron War, #1))
Her own bedroom, her own bed. Her own yard. Without a restaurant downstairs, or sirens or cops or dead bodies. No fishy garbage fumes, or flumes of mildewing vegetation, no cacophony of five dialects being smashed together, a solid block of sensory overload rising up the dank central corridor of INT. CHINATOWN SRO.
Charles Yu (Interior Chinatown)