Fluid Like Water Quotes

I hated labels anyway. People didn't fit in slots--prostitute, housewife, saint--like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.

I had forgotten that time wasn't fixed like concrete but in fact was fluid as sand, or water. I had forgotten that even misery can end.

We are like water, aren’t we? We can be fluid, flexible when we have to be. But strong and destructive, too.” And something else, I think to myself. Like water, we mostly follow the path of least resistance.

We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit.

I hated labels anyway. People didn’t fit in slots—prostitute, housewife, saint—like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.

Every ending is arbitrary, because the end is where you write The end. A period, a dot of punctuation, a point of stasis. A pinprick in the paper: you could put your eye to it and see through, to the other side, to the beginning of something else. Or, as Tony says to her students, Time is not a solid, like wood, but a fluid, like water or the wind. It doesn't come neatly cut into even-sized length, into decades and centuries. Nevertheless, for our purposes we have to pretend it does. The end of any history is a lie in which we all agree to conspire.

There is an internal landscape, a geography of the soul; we search for its outlines all our lives. Those who are lucky enough to find it ease like water over a stone, onto its fluid contours, and are home. Some find it in the place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. There are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved or unloved, without ever standing cold with the shock of recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.

Prostitute. Whore. What did they really mean anyway? Only words. Words trailing their streamers of judgment. I hated labels anyway. People didn't fit in slots-- prostitute, housewife, saint-- like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.

Her voice, high and clear, moved through the leaves, through the sunlight. It splashed onto the gravel, the grass. He imagined the notes falling into the air like stones into water, rippling the invisible surface of the world. Waves of sound, waves of light: his father had tried to pin everything down, but the world was fluid and could not be contained.

Be like water making its way through cracks. Do not be assertive, but adjust to the object, and you shall find a way round or through it. If nothing within you stays rigid, outward things will disclose themselves. Empty your mind, be formless. Shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot it becomes the teapot. Now, water can flow or it can crash. Be water my friend.

But my attention’s elsewhere, drawn to that warm wonderful pull, the familiar loving essence that only belongs to one person—only belongs to him— Watching as Damen cuts through the water, board tucked under his arm, body so sculpted, so bronzed, Rembrandt would weep. Water sluicing behind him like a hot knife through butter, cleanly, fluidly, as though parting the sea. My lips part, desperate to speak, to call out his name and bring him back to me. But just as I’m about to, my eyes meet his and I see what he sees: me—hair tangled and wet—clothes twisted and clinging—frolicking in the ocean on a hot sunny day with Jude’s tanned strong arms still wrapped around me. I release myself from Jude’s grip, but it’s too late. Damen’s already seen me. Already moved on. Leaving me hollow, breathless, as I watch him retreat. No tulips, no telepathic message, just a sad, empty void left behind in his place.

To me, tea taste like dried lawn-clippings, diluted leaf mould, watered-down compost mixed with a dash of bovine bodily fluid.

Be like water, which is fluid & soft & yielding, as in time, water will overcome rock which is rigid & hard. Therefor, what is soft is strong.

There's your problem," Leo announced. Jason scratched his head. "Uh.... what are we looking at?" Leo thought it was pretty obvious, but Piper looked confused too. "Okay," Leo sighed, " you want the full explanation or the short explanation?" "Short," Piper and Jason said in unison. Leo gestured to the empty core. "The syncopator goes here. It's a multi-access gyro-valve to regulate flow. The doxen glass tubes on the outside? Those are filled with powerful,dangerous stuff. That glowing red one is Lemnos fire from my dad's forges. This murky stuff here? That's water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.... That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we'll get a very nasty reaction." Jason and Piper stared at him. Leo wondered if he'd been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he'd used English. "Um..." Piper cleared her throat." Could you make the short explanation shorter?" Leo palm-smacked his forehead. "Fine. One hour. Fluids mix. Bunker goes ka-boom. One square mile of forest tuns into a smoking crater." "Oh," Piper said in a small voice. "Can't you just..... turn it off?" "Gee, I didn't think of that!" Leo said. "Let me just hit this switch and - No, Piper. I can't turn it off.

Like the water, the earth, the universe, a story is forever unfolding. It floods and erupts. It births new worlds. It is circular as our planet and fluid as the words of the first people who came out from the ocean or out of the cave or down from the sky. Or those who came from a garden where rivers meet and whose god was a tempter to their fall, planning it into their creation along with all the rest.

Leaders who leadershift must be like water. They have to be fluid. Water finds a way, then makes a way.

Design is fluid. It's liquid. It moves like water and fills every space...

Time can be as fluid as water, and never in the way you'd like; it slows down to a standstill when you wish you could get things over with, and rushes by in a blur when you wish things would last.

Love Letter" Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, no- Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter- Like my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift.

An indisputable law of physics, water always finds the lowest level in an incredibly efficient manner. It penetrates any crevice or path that will facilitate its downward flow, steadily meandering and descending in search of lower planes. In our physical world, water is as efficient as gravity is unforgiving. Human beings are mostly water. The body is comprised of more than 70% water and it is always tragic when human beings, true to their chemical composition, emulate the efficiency of water during dark, difficult periods in their lives, allowing one misstep or transgression to lead to lower and lower descent. Water can be beautiful to watch as it cascades downward in its transparent and fluid simplicity, but some human beings also have a tendency to fall and sink, like water without the beauty.

We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural.

History resists an ending as surely as nature abhors a vacuum; the narrative of our days is a run-on sentence, every full stop a comma in embryo. But more: like thought, like water, history is fluid, unpredictable, dangerous. It leaps and surges and doubles back, cuts unpredictable channels, surfaces suddenly in places no one would expect.

There is an internal landscape, a geography of the soul: we search for its outlines all over our lives. Those who are lucky enough to find it ease like water over stone, onto its fluid contours, and are home. Some find it in a place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. there are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved, or unloved, without ever standing cold with the shock or recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.

Nightmares are a fluid terror. Once you get the briefest handle on one, it will change. Filling nooks in the soul like spilled water filling cracks in the floor. Nightmares are a seeping chill, created by the mind to punish itself. In this, a nightmare is the very definition of masochism. Most of us are modest enough to keep that sort of thing tucked away, hidden.

When fishing for birds, remember: The sky is a floating body of water. Use the proper bait, like Victorian poetry. Some ducks fly like they swim, and they love Browning everything behind them.

I play mini-golf like I shoot pool like I swim in it. That's also how I play the trombone, which is why it makes trumpet noises. For a saxophone-free duck quacking experience, try adding more water.

Freedom is not a couch. It’s not a television, or a car, or a house. It’s not an item you can possess. You cannot put freedom on layaway; you cannot refinance freedom. Freedom is something you need to fight for, not once, but every single day. The nature of freedom is that it is fluid; like water in a leaking bucket, the tendency is for it to drain away. Left untended, the holes through which freedom escapes widen. When politicians restrict our rights in order to “protect us,” freedom is lost. When the military refuses to disclose basic facts, freedom is lost. Worst of all, when fear becomes a part of our lives, we willingly surrender freedom for a promise of safety, as if freedom weren’t the very basis of safety.

Right now I am like the unborn baby in the womb, knowing nothing except the comforting warmth of the amniotic fluid in which I swim, the comforting nourishment entering my body from a source I cannot see or understand. My whole being comes from an unseen, unknown nurturer. By that nurturer I am totally loved and protected, and that love is forever. It does not end when I am precipitated out of the safe waters of the womb into the unsafe world. It will. It end when I breathe my last, mortal breath. That love manifested itself joyously in the creation of the universe, became particular for us in Jesus, and will show itself most gloriously in the Second Coming. We need not fear.

It is easy to compress the passions by violence. Philosophy suppresses them with a stroke of the pen. Locks and the sword come to the aid of sweet morality, but nature appeals these judgments; she regains her rights in secret. Passion stifled at one point reappears at another like water held back by a dike; it is driven inward like the fluid of an ulcer closed to soon.

The first time I saw her — my God — it was like I’d never seen another woman in all my life. It was the way she walked that caught my eye. She moved like water: fluid, determined. Everything else blended together in a blur and all I saw was her. The only solid in all that color.

A stream cut across the grass, and tree branches flowed low to the ground, like a curtain of green fluid. The sound of the water stressed the silence. The distant cut of open sky made the place seem more hidden. Far above, on the crest of a hill, one tree caught the first rays of sunlight.

When I dive in water, my body is streamlined like the fuselage of a jet, and then I glide effortlessly like a dolphin swims. In that moment, I am a featherless duck.

How liberating it is to be water, fluid and pervious, to flow like love itself—to accept and allow the things we cannot change while moving forward, with love, in the ways we can.

Ducks can both swim and fly, and that made me realize that the ocean and the sky are one continuous body of water. That is one body I’d like to see in a bikini.

anyway. People didn’t fit in slots—prostitute, housewife, saint—like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.

Mama takes Vera in her arms, holding her so hard that neither can breathe. There is only silence between them; in that silence, memories pass back and forth like dye in water, moving and fluid, and when they pull back and look at each other, Vera understands. They will not speak of Olga again, not for a long time, not until the sharp pain rounds into something that can be handled.

The highest goodness is like water. Water is beneficial to all things but not contend. It stays in places which others despise. Therefore it is near Tao. The weakest things in the world can overmatch the strongest things in the world. Nothing in the world can be compared to water for its weak and yielding nature; yet in attacking the hard and strong nothing proves better than water. For there is no alternative to it. The weak can overcome and the yielding can overcame the hard. This all the world knows but does not practice. This again is the practice of ‘wu-wel’ and nonviolence. Water may be weak, pliable, fluid, but its action is not one of running away from an obstacle. On the contrary, it gives at the point of resistance, envelopes the object and passes beyond it. Ultimately it will wear down the hardest rock. Water is a more telling symbol than land… crossing the river to get to the other side is, again, attaining the state of enlightenment.

Everyone in yuppie-land — airports, for example — looks like a nursing baby these days, inseparable from their plastic bottles of water. Here, however, I sweat without replacement or pause, not in individual drops but in continuous sheets of fluid soaking through my polo shirt, pouring down the backs of my legs ... Working my way through the living room(s), I wonder if Mrs. W. will ever have occasion to realize that every single doodad and objet through which she expresses her unique, individual self is, from another vantage point, only an obstacle between some thirsty person and a glass of water.

Jump. “Not yet.” A few more seconds of anticipation, of knowing most of his bones would shatter on contact. He grinned at the thought. The razor-sharp bone shards would cut his injured, swollen organs and those organs would burst like water balloons; his skin would rip from the excess fluid and this time the lifeblood that drained would be his own. Agony, such blissful agony, would consume him. For a little while, anyway.

Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural.

I can see why people drink booze, because boos are a little too dry to satisfy thirst. It would be like chugging a cactus, and while that has enough water for a duck to swim in, it's the kind of thing that's best served to politicians.

We have trauma, and we have grief. People die, and we find it baffling. Painful. Inexplicable. Grief is baffling. There are theories on how we react to loss and death, how we cope, how we handle loss. Some believe the range of emotions mourners experience is predictable, that grief can be monitored, as if mourners are following a checklist. But sorrow is less of a checklist, more like water. It's fluid, it has no set shape, never disappears, never ends. It doesn't go away. It just changes. It changes us.

I am the only tea abstainer in my family. I think they regard this as a baffling perversion. To me, tea tastes like dried lawn clippings, diluted leaf mold, watered down compost mixed with a dash of bovine bodily fluid. I have never been able to stomach it.

Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.

If we could shrink the Earth’s 5.7 billion population to a village of one hundred people, the resulting profile would look like this:        Sixty Asians, fourteen Africans, twelve Europeans, eight Latin Americans, five from the United States and Canada, and one from New Zealand or Australia.        Eighty-two would be nonwhite.        Sixty-seven would be non-Christian.        Thirty-two percent of the entire world’s wealth would be in the hands of five people.        All five people would be citizens of the United States.        Sixty-seven would be unable to read.        Fifty would suffer from malnutrition. Thirty-three would be without access to a safe water supply.        Eighty would live in substandard housing. Thirty-nine would lack access to improved sanitation. Twenty-four would not have electricity.        Only one would have a college education.30

There is no greater wonder than to range The starry heights, to leave the earth’s dull regions, To ride the clouds, to stand on Atlas’ shoulders, And see, far off, far down, the little figures Wandering here and there, devoid of reason, Anxious, in fear of death, and so advise them, And so make fate an open book… …Full sail, I voyage Over the boundless ocean, and I tell you Nothing is permanent in all the world. All things are fluid; every image forms, Wandering through change. Time is itself a river In constant movement, and the hours flow by Like water, wave on wave, pursued, pursuing, Forever fugitive, forever new. That which has been, is not; that which was not, Begins to be; motion and moment always In process of renewal… Not even the so-called elements are constant… Nothing remains the same: the great renewer, Nature, makes form from form, and, oh, believe me That nothing ever dies….

I was backed against the sink; Emile was close, warm, his eyes glittering, his mouth sensuous and lovely. "You," I said deliberately, "don't give a damn about me except physically." Any boy would deny that; any gallant boy; any gallant lier. But Emile shook me, his voice was urgent, "You know, you shouldn't have said that. You know? You know? The truth always hurts." (Even clichés can come in handy.) He grinned, "Don't be bitter; I'm not. Come away from the sink, and watch." He stepped back, drawing me toward him, slapping my stomach away, he kissed me long and sweetly. At last he let go. "There," he said with a quiet smile. "The truth doesn't always hurt, does it?" And so we left. It was pouring rain. In the car he put his arm around me, his head against mine, and we watched the streetlights coming at us, blurred and fluid in the watery dark. As we ran up the walk in the rain, as he came in and had a drink of water, as he kissed me goodnight, I knew that something in me wanted him, for what I'm not sure: He drinks, he smokes, he's Catholic, he runs around with one girl after another, and yet... I wanted him. "I don't have to tell you it's been nice," I said at the door. "It's been marvelous," he smiled. "I'll call you. Take care." And he was gone. So the rain comes down hard outside my room, and like Eddie Cohen," I say, "... fifteen thousand years - - - of what? We're still nothing but animals." Somewhere, in his room, Emile lies, about to sleep, listening to the rain. God only knows what he's thinking.

It spawned a people—Malayalis—as mobile as the liquid medium around them, their gestures fluid, their hair flowing, ready to pour out laughter as they float from this relative’s house to that one’s, pulsing and roaming like blood corpuscles in a vasculature, propelled by the great beating heart of the monsoon.

...and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles

Iris had all the markings of a princess, after all. The sleek, golden hair with bright amber eyes and cheekbones so high they made her already angular face look almost otherworldly. Her graceful form was lean and long, trim and agile. When she moved, it was almost like watching water traveling downstream—effortless and fluid. In

My lady and I were out getting hammered at the local watering hole on a weeknight and feeling like cool olds, when the waiter asked if it was “moms’ night out,” while offering to explain to us what whiskey is. And now I’m a corpse—please bury me in my L.L.Bean comfort fleece. ME: “Excuse me, I have tattoos, Jeff.” “Oh my goodness, ma’am, I’m so sorry, I just saw the fluid collecting at your ankles and assumed—” HIM: What the fuck is happening to my life? What vibe am I giving off ? Yes, I am wearing soft, pull-on, straight-leg Gloria Vanderbilts, but I also have cool glasses and a motherfucking hand tattoo. Couldn’t it just be middle school art teachers’ happy hour, Jeff ?!

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Another, more fluid metaphor for the world of thought gradually suggested itself to him, derived from his former voyages at sea. A philosopher who was trying to consider human understanding in all its aspects would behold beneath him a mass molded in calculable curves, streaked by currents which could be charted, and deeply furrowed by the pressure of winds and the heavy, inert weight of water. It seemed to him that the shapes which the mind assumes are like those great forms, born of undifferentiated water, which assail or replace each other on the surface of the deep; each concept collapses, eventually, to merge with its very opposite, like two waves breaking against each other only to subside into the same single line of white foam.

Here’s the thing about freedom: Freedom is not a couch. It’s not a television, or a car, or a house. It’s not an item you can possess. You cannot put freedom on layaway; you cannot refinance freedom. Freedom is something you need to fight for, not once, but every single day. The nature of freedom is that it is fluid; like water in a leaking bucket, the tendency is for it to drain away. Left untended, the holes through which freedom escapes widen. When politicians restrict our rights in order to “protect us,” freedom is lost. When the military refuses to disclose basic facts, freedom is lost. Worst of all, when fear becomes a part of our lives, we willingly surrender freedom for a promise of safety, as if freedom weren’t the very basis of safety.

The image that emerges from quantum physics is similar in some ways to the way that the illusion that air, or water is a continuous fluid emerges. Myriad tiny particles separated by tiny gaps feels to you like a smooth fluid. Myriad quantum states separated by tiny gaps feels to you like a smooth flow of time. Zeno was right. The arrow of time points, but it does not move. THE

What was wrong with her? Nothing. Nothing was wrong with Tress. Her mind was functioning properly. She hadn’t lost her creativity. She hadn’t run out of ideas. She was simply tired. We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural.

It’s a privilege to watch them, and it takes my breath away—but none of them ride like Chase. It’s all I can do not to keep the footage tight on him. They’re all gifted boarders, but Chase is something else. His body moves graceful as water from grinds to jumps, fluid force in each expert twist. He gets air with more force than the rest of them put together, launching like a bullet, all that destructive potential becoming like music in the air. Weightless.

The light catches his wild, wild hair and holds it. And wham! Suddenly. Just like that. I'm completely conscious of his guyness next to me. His long legs. The way he walks, fluid, easy, like he's made to walk through water But at the same time with purpose, which makes him seem taller than he is. There aren't a lot of guys my age who walk like this. With swagger. It's as if I've suddenly discovered he's male. My face is hot and my back is damp and I'm thinking about Pauline Potter, sexing off all that weight, and I'm staring at his hands...

Many of the fluids we drink actually force us to be more dehydrated, even though they are mostly made up of water. Beverages like coffee, tea, beer, wine, sodas, and energy drinks send us to the bathroom to urinate more often. More water is technically coming into the system when we drink these, sure, but the problem is that they may also require much more of our water stores to remove them from the body properly. We lose water and electrolytes when drinking some beverages. That pint of craft IPA may require an additional twenty ounces of pure water to eliminate the alcohol and hops from your system.

The Black-Eye-of-the-Month Club I was born with water on the brain. Okay, so that’s not exactly true. I was actually born with too much cerebral spinal fluid inside my skull. But cerebral spinal fluid is just the doctors’ fancy way of saying brain grease. And brain grease works inside the lobes like car grease works inside an engine. It keeps things running smooth and fast. But weirdo me, I was born with too much grease inside my skull, and it got all thick and muddy and disgusting, and it only mucked up the works. My thinking and breathing and living engine slowed down and flooded. My brain was drowning in grease. But

We are taught to believe that we do, or rather we should, come from one place. We are raised to be proud of the land we call home, to be happy to spill our blood – or the blood of our children – to protect it. But what about those of us that don’t come from just one place, just one land? Who find our souls stretched and bisected by bodies of water? Those of us whose identities are more fluid than small tick-boxes on forms allow for. This is the reality of so many of us, whose nationalities, genders or neurology are neither one thing or another, but inherently fluid, both/and. How do we honour this fluidity? We, I think, are perhaps more likely to honour the sea in ourselves, in our identities. We are we of the sea.

But what a thirty-four it was. Don Hume on the port side and Joe Rantz on the starboard were setting the pace with long, slow, sweet, fluid strokes, and the boys on each side were falling in behind them flawlessly. From the banks of Lake Carnegie, the boys, their oars, and the Husky Clipper looked like a single thing, gracefully and powerfully coiling and uncoiling itself, propelling itself forward over the surface of the water. Eight bare backs swung forward and backward in perfect unison. Eight white blades dipped in and out of the mirrorlike water at precisely the same instant. Each time the blades entered the lake, they disappeared almost without a splash or ripple. Each time the blades rose from it, the boat ghosted forward without check or hesitation.

NAMING THE EARTH (a poem of light for national poetry day) And the world will be born again in circles of steaming breath and beams of light as each one of us directs our inner eye upon its name. Hear the cry of wings, the sigh of leaves and grass, smell the new sweet mist rising as the pathway is cleared at last. Stones stand ready - they have known since ages and ages ago that they were not alone. Water carries the planet's energy into skies and down to earth and bones. The cold parts steadily as we come together, bodies and hearts warm, hands tingling. We are silent but our eyes are singing. We look, we feel, we know, we trust each other's souls, we have no need to speak. Not now, but later, when the time is right, the name will ring within the iron core of each other's listening - and the very earth's being. Every creature, every plant, will hear it calling, tolling like a bell - a sound we've always felt but never dared to hope to hear reverberating - true at last, at every level of existence. The poets come together to open the intimate centre. Believe in life and air - breathe the light itself, for these are the energies and rhythms that we need to see, to touch, to reach, to identify, to say, the NAME. Colours on your skin fuse and dissolve - leave the river clean for pure space and time to enter and flow in. We all become one fluid stream of stillness and motion, of flaring thought pulses discovering weird pools and twists within where darkness hides from the flames in our eyes but will not snare us. We probe deeper still, journeying towards a unity which will be more raw and yet also more formed than anything written or spoken before. Our fragile bodies fall away - and the trees, and the roots of trees, guide us - lead us away from the faces we remember seeing each day in the mirror - into an ocean of dreams seething with warmth, love, where the beginning is real, ripe, evolving. And the world is born again in circles of steaming breath and beams of light. An ache - a signal - a trembling moment - and the time is right to say the name. We sing as one whole voice of the universal - all the words, the names of every tiny thirsting thing, and they ring out together as one sound, one energy, one sense, one vibration, one breath. And the world listens, beats, shines, glows - IS - Exists!

Crossover' is a word scientists use to describe dolphins' soaring over seas, their traveling so free and fast, so high-spirited and almost effervescent that their sleek bodies barely skim the waves. The suggestion of splashes from tail and pectoral leaves a luminous wake across the water. For these crossover miles, the dolphins, like their human terrestrial mammal kin, belong more to the element of air than the sea.... Held in [the dolphins'] fluid embrace, I pulled my arms close against my sides and our communal speed increased... Racing around the lagoon, I opened my eyes again to see nothing but an emerald underwater blur. And then I remembered what I had either forgotten long ago or never quite fully realized. This feeling of being carried along by other animals was familiar. Animals had carried me all my life. I was a crossover--carried along in the generous and instructive slipstream of other species. And I had always navigated my life with them in mind, going between the human and animal worlds--a crossover myself. By including animals in my life I was always engaging with the Other, imagining the animal mind and life. For almost half a century, my bond with animals had shaped my character and revealed the world to me. At every turning point in my life an animal had mirrored or influenced my fate. Mine was not simply a life with other animals, but a life because of animals. It had been this way since my beginning, born on a forest lookout station in the High Sierras, surrounded by millions of acres of wilderness and many more animals than humans. Since infancy, the first faces I imprinted, the first faces I ever really loved, were animal.

And so is another question that Sanderson’s experience leads him to discuss: whether the mind is identical with the brain. He mentions a case of a man who died in a New York hospital, and who an autopsy revealed to have no brain, only “half a cupful of dirty water”. This sounds, admittedly, like another of those absurd stories that are not worth discussing. But in the early 1980s Professor John Lourber of Sheffield University discovered a student with an IQ of 126 whose head was entirely filled with “water”. A brain scan showed that the student’s brain was merely an outer layer, only one millimetre thick. How can a person function with virtually no brain? Lourber, who specializes in hydrocephalis (“water on the brain”) replies that he has come across many cases of perfectly normal people whose heads are filled with 95 per cent of fluid, and that 70 to 90 per cent is actually quite common.

The home of the young bride and her widower groom lies in Travancore, at the southern tip of India, sandwiched between the Arabian Sea and the Western Ghats—that long mountain range that runs parallel to the western coast. The land is shaped by water and its people united by a common language: Malayalam. Where the sea meets white beach, it thrusts fingers inland to intertwine with the rivers snaking down the green canopied slopes of the Ghats. It is a child’s fantasy world of rivulets and canals, a latticework of lakes and lagoons, a maze of backwaters and bottle-green lotus ponds; a vast circulatory system because, as her father used to say, all water is connected. It spawned a people—Malayalis—as mobile as the liquid medium around them, their gestures fluid, their hair flowing, ready to pour out laughter as they float from this relative’s house to that one’s, pulsing and roaming like blood corpuscles in a vasculature, propelled by the great beating heart of the monsoon.

They’re all okay, then?” I grin like an idiot. What is wrong with me? She rises from her chair, fluid and vaguely shimmering. Her grace is legendary. I’m agile and strong, but I’d rather move like sunbeams on water, like Selena. “In good health and arguing incessantly with Desma and Aetos. Those two are under the impression the Sintans abducted you.” She’s asking a question. I owe her an answer. “They did. Sort of.” Her sculpted lips purse. “Help me understand a ‘sort of’ abduction,” Selena says, pouring me a cup of water. Well, it sounds stupid when you say it like that. My throat is parched, so I drink before answering. “He’s Beta Sinta. He said he’d have you all arrested if I didn’t come.” “And you believed him?” It’s a loaded question coming from Selena. I nod. After nearly a month with him, I also know he would have done it because he felt he had to, not because he wanted to. “He needs a powerful Magoi to help him and his precious Alpha sister, Egeria.” Egeria is no Alpha. She sounds more like a buttercup. Beta Sinta on the other hand, he’s Alpha material. Fierce on the battlefield, bloody, focused, ruthless…fair? “Plus, he had a magic rope.” Selena laughs, and the sound is like wind chimes on a spring breeze. “You? Caught by a magic rope?” I flush. “Don’t remind me.” She clears her throat, taming more laughter, and asks, “Will you help him?” Selena may not know who I am, but I’m certain she knows what I am—the Kingmaker—even if we’ve never discussed it. “My abilities can be valuable in diplomatic situations,” I say carefully. “He came here to save you. He looked like he cared.” I shrug, glancing down. “I’m a weapon he doesn’t want to lose.” “I think there’s more.” My eyes snap back up. “Don’t infer something that isn’t there. We’re both monsters.” Her dark-blue gaze flicks over me, unnerving. “Monsters still mate.” I choke on my own spit and then cough. A faint smile curves her lips. “Why didn’t you just escape?” “The rope.” That stupid, infuriating enchanted rope that led me to make a binding vow to stay with Beta Sinta until his—or my, if it comes first—dying day. She looks incredulous. “You couldn’t find a way out?” “It was a bloody good rope!

A soldier’s hand grasped for me, but Amar pulled me away. Arrows zoomed past, but each time one came near, he would whirl me out of the way. Amar never shouted. He didn’t even speak. He moved fluidly, dodging javelins, always a few steps behind me, a living shield. His hood never budged and revealed nothing more than the bottom half of his face. The doors began to open, creaking like broken bones. Blinding light spilled into the room. I squinted against the brightness, but my feet never stopped. Hot, dry air filled my lungs and left them aching. The second I slowed, I felt a cool hand on my wrist-- “My mount is this way,” said Amar, pulling me away from the road. I was too out of breath to protest as his hands circled my waist and lifted me onto the richly outfitted saddle of a water buffalo. The moment I found my grip, Amar leapt onto the animal’s back and, with a sharp whistle, sent dust flying around us. The water buffalo charged through the jungle. Sounds bled one into the other--crashing iron to thundering hooves, gurgling fountains to colliding branches. At first, I sat still, not wanting to disturb a thing in case this was a death-dream, some final taunt of escape. But then I saw the jungle arcing above me. My nose filled with the musk of damp, alive things. The numb evanesced. I was free.

My father peed like a horse. His urine lowed in one great sweeping dream that started suddenly and stopped just as suddenly, a single, winking arc of shimmering clarity that endured for a prodigious interval and then disappeared in an instant, as though the outflow were a solid object—and arch of glittering ice or a thick band of silver—and not (as it actually approximated) a parabolic, dynamically averaged graph of the interesting functions of gravity, air resistance, and initial velocity on a non-viscous fluid, produced and exhibited by a man who’d just consumed more than a gallon of midwestern beer. The flow was as clear as water. When it struck the edge of the gravel shoulder, the sound was like a bed-sheet being ripped. Beneath this high reverberation, he let out a protracted appreciative whistle that culminated in a tunneled gasp, his lips flapping at the close like a trumpeters. In the tiny topsoil, a gap appeared, a wisp entirely unashamed. Bernie bumped about in the cargo bay. My father moved up close to peer through the windshield, zipping his trousers and smiling through the glass at my mother. I realized that the yellow that should have been in his urine was unmistakable now in his eyes. ‘’Thank goodness,’’ my mother said when the car door closed again. ‘’I was getting a little bored in here.

Even at rest we sweat steadily, if inconspicuously, but if you add in vigorous activity and challenging conditions, we drain off our water supplies very quickly. According to Peter Stark in Last Breath: Cautionary Tales from the Limits of Human Endurance, a man who weighs 155 pounds will contain a little over forty-two quarts of water. If he does nothing at all but sit and breathe, he will lose about one and a half quarts of water per day through a combination of sweat, respiration, and urination. But if he exerts himself, that rate of loss can shoot up to one and a half quarts per hour. That can quickly become dangerous. In grueling conditions—walking under a hot sun, say—you can easily sweat away ten and a half to twelve and a half quarts of water in a day. No wonder we need to keep hydrated when the weather is hot. Unless the loss is halted or replenished, the victim will begin to suffer headaches and lethargy after losing just three to five quarts of fluid. After six or seven quarts of unrestored loss, mental impairment starts to become likely. (That is when dehydrated hikers leave a trail and wander into the wilderness.) If the loss gets much above ten and a half quarts for a 155-pound man, the victim will go into shock and die. During World War II, scientists studied how long soldiers could walk in a desert without water (assuming they were adequately hydrated at the outset) and concluded that they could go forty-five miles in 80-degree heat, fifteen miles in 100-degree heat, and just seven miles in 120-degree heat.

Lifting his head, Quincel de Morhban looked at me with something like awe. “It’s true,” he whispered. “What they say … Kushiel’s Dart. It’s all true.” “Yes, my lord,” I murmured; if he’d told me the moon was locked in his stables, I’d have said the same, at that moment. De Morhban released me, turning away to pluck a great silvery rose, mindful of its thorns. “You see this?” he asked, placing it in my hand and folding my fingers about the stem. “It exists nowhere else. My Namarrese-gardener bred it. Naamah’s Star, he calls it.” His hand was still around mine; he closed it, tightening my clutch on the stem. Thorns pierced my skin and I gasped, my bones turning to water. The silvery rose blossomed between us, fragrant in the torchlit night air, while blood ran, drop by slow drop, from my fist. De Morhban’s gaze held me pinioned, his body close, rigid phallus pressed against my belly. He released my hand and I sank to my knees, divining his desire, unfastening his breeches, the rose falling forgotten as I took him in my hand, his hard-veined and throbbing phallus, slick with my own warm blood, and then into my mouth. All around us his unlikely garden opened onto the night as I performed the languisement until he drew away at the end, spending himself on me, in the garden, drops of milky fluid lying on my skin, on the dark leaves and silken petals, pearlescent and salty. He groaned with pleasure, then gazed down at me, freeing my hair from the caul with a harsh twist, so that it cascaded about my shoulders and down my back. “Dinner,” he said, catching his breath. “And then I will show you my pleasure-chamber, little anguissette.

Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man's beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.

Every Day Take Your Daily Doses Black Cumin (Nigella sativa) (¼ tsp) As noted in the Appetite Suppression section, a systematic review and meta-analysis of randomized, controlled weight-loss trials found that about a quarter teaspoon of black cumin powder every day appears to reduce body mass index within a span of a couple of months. Note that black cumin is different from regular cumin, for which the dosing is different. (See below.) Garlic Powder (¼ tsp) Randomized, double-blind, placebo-controlled studies have found that as little as a daily quarter teaspoon of garlic powder can reduce body fat at a cost of perhaps two cents a day. Ground Ginger (1 tsp) or Cayenne Pepper (½ tsp) Randomized controlled trials have found that ¼ teaspoon to 1½ teaspoons a day of ground ginger significantly decreased body weight for just pennies a day. It can be as easy as stirring the ground spice into a cup of hot water. Note: Ginger may work better in the morning than evening. Chai tea is a tasty way to combine the green tea and ginger tweaks into a single beverage. Alternately, for BAT activation, you can add one raw jalapeño pepper or a half teaspoon of red pepper powder (or, presumably, crushed red pepper flakes) into your daily diet. To help beat the heat, you can very thinly slice or finely chop the jalapeño to reduce its bite to little prickles, or mix the red pepper into soup or the whole-food vegetable smoothie I featured in one of my cooking videos on NutritionFacts.org.4985 Nutritional Yeast (2 tsp) Two teaspoons of baker’s, brewer’s, or nutritional yeast contains roughly the amount of beta 1,3/1,6 glucans found in randomized, double-blind, placebo-controlled clinical trials to facilitate weight loss. Cumin (Cuminum cyminum) (½ tsp with lunch and dinner) Overweight women randomized to add a half teaspoon of cumin to their lunches and dinners beat out the control group by four more pounds and an extra inch off their waists. There is also evidence to support the use of the spice saffron, but a pinch a day would cost a dollar, whereas a teaspoon of cumin costs less than ten cents. Green Tea (3 cups) Drink three cups a day between meals (waiting at least an hour after a meal so as to not interfere with iron absorption). During meals, drink water, black coffee, or hibiscus tea mixed 6:1 with lemon verbena, but never exceed three cups of fluid an hour (important given my water preloading advice). Take advantage of the reinforcing effect of caffeine by drinking your green tea along with something healthy you wish you liked more, but don’t consume large amounts of caffeine within six hours of bedtime. Taking your tea without sweetener is best, but if you typically sweeten your tea with honey or sugar, try yacon syrup instead. Stay

Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.

For unknown ages after the explosive outpouring of matter and energy of the Big Bang, the Cosmos was without form. There were no galaxies, no planets, no life. Deep, impenetrable darkness was everywhere, hydrogen atoms in the void. Here and there, denser accumulations of gas were imperceptibly growing, globes of matter were condensing-hydrogen raindrops more massive than suns. Within these globes of gas was kindled the nuclear fire latent in matter. A first generation of stars was born, flooding the Cosmos with light. There were in those times, not yet any planets to receive the light, no living creatures to admire the radiance of the heavens. Deep in the stellar furnaces, the alchemy of nuclear fusion created heavy elements from the ashes of hydrogen burning, the atomic building blocks of future planets and lifeforms. Massive stars soon exhausted their stores of nuclear fuel. Rocked by colossal explosions, they returned most of their substance back into the thin gas from which they had once condensed. Here in the dark lush clouds between the stars, new raindrops made of many elements were forming, later generation of stars being born. Nearby, smaller raindrops grew, bodies far too little to ignite the nuclear fire, droplets in the interstellar mist on their way to form planets. Among them was a small world of stone and iron, the early Earth. Congealing and warming, the Earth released methane, ammonia, water and hydrogen gases that had been trapped within, forming the primitive atmosphere and the first oceans. Starlight from the Sun bathed and warmed the primeval Earth, drove storms, generated lightning and thunder. Volcanoes overflowed with lava. These processes disrupted molecules of the primitive atmosphere; the fragments fell back together into more and more complex forms, which dissolved into the early oceans. After a while the seas achieved the consistency of a warm, dilute soup. Molecules were organized, and complex chemical reactions driven, on the surface of clay. And one day a molecule arose that quite by accident was able to make crude copies of itself out of the other molecules in the broth. As time passed, more elaborate and more accurate self replicating molecules arose. Those combinations best suited to further replication were favored by the sieve of natural selection. Those that copied better produced more copies. And the primitive oceanic broth gradually grew thin as it was consumed by and transformed into complex condensations of self replicating organic molecules. Gradually, imperceptibly, life had begun. Single-celled plants evolved, and life began generating its own food. Photosynthesis transformed the atmosphere. Sex was invented. Once free living forms bonded together to make a complex cell with specialized functions. Chemical receptors evolved, and the Cosmos could taste and smell. One celled organisms evolved into multicellular colonies, elaborating their various parts into specialized organ systems. Eyes and ears evolved, and now the Cosmos could see and hear. Plants and animals discovered that land could support life. Organisms buzzed, crawled, scuttled, lumbered, glided, flapped, shimmied, climbed and soared. Colossal beasts thundered through steaming jungles. Small creatures emerged, born live instead of in hard-shelled containers, with a fluid like the early ocean coursing through their veins. They survived by swiftness and cunning. And then, only a moment ago, some small arboreal animals scampered down from the trees. They became upright and taught themselves the use of tools, domesticated other animals, plants and fire, and devised language. The ash of stellar alchemy was now emerging into consciousness. At an ever-accelerating pace, it invented writing, cities, art and science, and sent spaceships to the planets and the stars. These are some of the things that hydrogen atoms do, given fifteen billion years of cosmic evolution.

The uterus, then, is like a deciduous tree, an oak or a maple, and the endometrium acts like the leaves. When the weather is warm, when sunlight sings, the tree awakes and invests in leaves. The branching pattern of the tree—its trunk, its branches, its twigs—is like the branching of the body’s vascularization, parceling out water rather than blood. The homology of the pattern is no coincidence. Holy water, sacred blood, they are one and the same, and branching is the most hydraulically efficient means of pumping the fluid from a central source—the heart, the trunk—out to all extremities. Thus nourished, the leaves bud, unfurl, thicken, and darken. The leaves are photosynthetic factories, transforming sunlight into usable energy. That energy allows the tree to create seeds and nuts, the acorns that are embryonic trees. The leaves are expensive to maintain—the tree must deliver them water, nitrogen, potassium, the nutrients from the soil—but they repay the tree by spinning sunlight into gold.

The leading hypothesis is that increased pressure in the cerebral fluid surrounding our brains is causing the vision changes. In space, we don’t have gravity to pull blood, cerebral fluid, lymphatic fluid, mucus, water in our cells, and other fluids to the lower half of our bodies like we are used to. So the cerebral fluid does not drain properly and tends to increase the pressure in our heads. We adjust over the first few weeks in space and pee away a lot of the excess, but the full-head sensation never completely goes away. It feels a little like standing on your head twenty-four hours a day—mild pressure in your ears, congestion, round face, flushed skin. As with so many other aspects of human anatomy, the delicate structures of our heads evolved under Earth’s gravity and don’t always respond well to having it taken away.

To understand how revolutionary Pasteur’s contributions were, consider the previously popular ideas that attempted to explain why people got sick. For nearly two thousand years, the medical profession believed that four different bodily fluids—blood, phlegm, yellow bile, and black bile—dominated the health and moods of people. When they were in harmony, all was right with the world. When they were out of sync, people fell ill or into “bad humor.” The theory was known as humorism. Doctors were never quite certain what caused imbalance among these humors—ideas ranged from seasons to diet to evil spirits. So they experimented by trial and error to restore the necessary harmony of fluids—often with now seemingly barbaric methods such as bloodletting, which at the time was said to remedy hundreds of diseases. Sometimes, people got better. But most of the time, they got worse. And doctors were never sure why. By the nineteenth century, people began to blame disease on “miasmas” or “bad airs” that floated around dangerously. As hare-brained as it sounds today, “miasma theory” was actually an improvement over humorism because it spawned sanitary reforms that had the effect of removing real disease agents—bacteria. For example, in 1854, when cholera gripped London, the miasma explanation inspired massive, state-sponsored clearing of the air by draining cesspools. A physician of the time, John Snow, was able to isolate the pattern of new cholera cases and to conclude that new cases correlated to proximity to a specific water pump on Broad Street. Disease, he concluded, correlated with that pump—and therefore cholera was not transmitted through miasma, but likely through contaminated water. Snow’s work saved countless lives—and he has subsequently been recognized as one of the most important physicians in history. But while an improvement, Snow’s analysis still didn’t get to the root cause of what actually made those people sick.

When he got out of the car to do his business, my mother stared straight ahead. But I turned to watch. There was always something wild and charismatically uncaring about my father’s demeanor in these moments, some mysterious abandonment of his frowning and cogitative state that already meant a lot to me, even though at that age I understood almost nothing about him. Paulie had long ago stopped whispering 'perv' to me for observing him as he relieved himself. She of course, kept her head n her novels. I remember that it was cold that day, and windy but that the sky had been cut from the crackling blue gem field of a late midwestern April. Outside the car, as other families sped past my father stepped to the leeward side of the open door then leaning back from the waist and at the same time forward the ankles. His penis poked out from his zipper for this part, Bernie always stood up at the rear window. My father paused fo a moment rocking slightly while a few indistinct words played on his lips. Then just before his stream stared he tiled back his head as if there were a code written in the sky that allowed the event to begin. This was the moment I waited for, the movement seemed to be a marker of his own private devotion as though despite his unshakable atheism and despite his sour, entirely analytic approach to every affair of life, he nonetheless felt the need to acknowledge the heavens in the regard to this particular function of the body. I don't know perhaps I sensed that he simply enjoyed it in a deep way that I did. It was possible I already recognized that the eye narrowing depth of his physical delight in that moment was relative to that paucity of other delights in his life. But in any case the prayerful uplifting of his cranium always seemed to democratize him for me, to make him for a few minutes at least, a regular man. Bernie let out a bark. ‘’Is he done?’’ asked my mother. I opened my window. ‘’Almost.’’ In fact he was still in the midst. My father peed like a horse. His urine lowed in one great sweeping dream that started suddenly and stopped just as suddenly, a single, winking arc of shimmering clarity that endured for a prodigious interval and then disappeared in an instant, as though the outflow were a solid object—and arch of glittering ice or a thick band of silver—and not (as it actually approximated) a parabolic, dynamically averaged graph of the interesting functions of gravity, air resistance, and initial velocity on a non-viscous fluid, produced and exhibited by a man who’d just consumed more than a gallon of midwestern beer. The flow was as clear as water. When it struck the edge of the gravel shoulder, the sound was like a bed-sheet being ripped. Beneath this high reverberation, he let out a protracted appreciative whistle that culminated in a tunneled gasp, his lips flapping at the close like a trumpeters. In the tiny topsoil, a gap appeared, a wisp entirely unashamed. Bernie bumped about in the cargo bay. My father moved up close to peer through the windshield, zipping his trousers and smiling through the glass at my mother. I realized that the yellow that should have been in his urine was unmistakable now in his eyes. ‘’Thank goodness,’’ my mother said when the car door closed again. ‘’I was getting a little bored in here.

Why is coffee so valuable? isn't there other stuff in the, uh, multiverse, to find?"                 "Like what? Gold? There was enough gold and silver in the asteroid belt of your former solar system to make every house, car, building and road on Earth out of the stuff. Diamonds? shiny pebbles. Fiat currency? don't make me laugh. Utility is what creates value for the meta-traveler. Food, meta-vehicles, water, or at least whatever fluid solvent is necessary for continuing your biochemical reactions. Of these, the scarcest is good coffee. It rarely evolves, and only naturally evolved coffee has the right flavor. Only coffee grown in its native environment will please the palate. Few universes have the right cosmological constants and physical laws to even create good coffee. Good coffee only grows in narrow bands of subtropical climates and only at high elevations that aren't cold. Coffee is portable, dividable, consistent in mass, and quality can be tested with common olfactory senses. Every brew is a little different; the permutations of the coffee experience are endless. For most meta-traveling humanoid species, coffee is consistently satisfying. It is the only true currency."   *

To put it concisely, we suffer when we resist the noble and irrefutable truth of impermanence and death. We suffer, not because we are basically bad or deserve to be punished, but because of three tragic misunderstandings. First, we expect that what is always changing should be graspable and predictable. We are born with a craving for resolution and security that governs our thoughts, words, and actions. We are like people in a boat that is falling apart, trying to hold on to the water. The dynamic, energetic, and natural flow of the universe is not acceptable to conventional mind. Our prejudices and addictions are patterns that arise from the fear of a fluid world. Because we mistakenly take what is always changing to be permanent, we suffer. Second, we proceed as if we were separate from everything else, as if we were a fixed identity, when our true situation is egoless. We insist on being Someone, with a capital S. We get security from defining ourselves as worthless or worthy, superior or inferior. We waste precious time exaggerating or romanticizing or belittling ourselves with a complacent surety that yes, that’s who we are. We mistake the openness of our being—the inherent wonder and surprise of each moment—for a solid, irrefutable self. Because of this misunderstanding, we suffer. Third, we look for happiness in all the wrong places. The Buddha called this habit “mistaking suffering for happiness,” like a moth flying into the flame. As we know, moths are not the only ones who will destroy themselves in order to find temporary relief. In terms of how we seek happiness, we are all like the alcoholic who drinks to stop the depression that escalates with every drink, or the junkie who shoots up in order to get relief from the suffering that increases with every fix.

Here’s a remarkable insight: We can understand a child’s level of sturdiness or vulnerability by tracking what’s called allostasis, the process by which we maintain stability in our bodies. But you don’t have to remember that scientific word! The neuroscientist and researcher Lisa Feldman Barrett has another word for this continuous balancing of energy and resources: body budgeting. Just as a financial budget keeps track of money, she says, bodies track “resources like water, salt, and glucose as you gain and lose them.” Although we are not always aware of our body’s metabolic budget, everything we experience, including our feelings and actions, becomes deposits or withdrawals in our body budget. A hug, a good night’s sleep, playing with friends, and a healthy meal: All of these are deposits. Then there are withdrawals: things like forgetting to eat meals or drink enough fluids, being deprived of deep sleep, or being isolated or ignored.

Mammoth columns were rooted in the flagstones and the sawdust. Arches flew in broad hoops from capital to capital; crossing in diagonals, they groined the barrel-vaults that hung dimly above the smoke. The place should have been lit by pine-torches in stanchions. It was beginning to change, turning now, under my clouding glance, into the scenery for some terrible Germanic saga, where snow vanished under the breath of dragons whose red-hot blood thawed sword-blades like icicles. It was a place for battle-axes and bloodshed and the last pages of the Nibelungenlied when the capital of Hunland is in flames and everybody in the castle hacked to bits. Things grew quickly darker and more fluid; the echo, the splash, the boom and the road of fast currents sunk this beer-hall under the Rhine-bed; it became a cavern full of more dragons, misshapen guardians of gross treasure; or the fearful abode, perhaps, where Beowulf, after tearing the Grendel's arm out of its socket, tracked him over the snow by the bloodstains and, reaching the mere's edge, dived in to swim many fathoms down and slay his loathsome water-hag of a mother in darkening spirals of gore.

The state of mind of the vijnani is what is called bhavamukha. The mind of the ignorant man is circumscribed by his individuality and he sees everything else as discrete objects outside himself, having their fixed contours. But the vijnani is aware of a Cosmic Whole, a Cosmic Mind, from whom the ideation known as the universe radiates and in whom all beings and objects are like bubbles in a layer of water, or waves on the ocean's surface—a part and parcel of the Whole, but with individualities that are of the stuff of ideas or fluid contents of Its own stuff or substance. He is not only aware of It but feels as one with It, either as a part of It or as Itself. So, when it is said that bhavamukha is the state of mind of the vijnani, it means that the vijnani is aware of his identity with the Cosmic Whole. As a consequence, a person in the state of bhavamukha shares the knowledge and outlook of the Cosmic Whole.

Elevated blood sugars populated David’s brain the same way they swamped his blood. His increased blood sugar correlated with increasing glucose within his brain. David’s mind became toxic from that increased amount of sugar sponged with water. Plumped up thinking cells were bogged down with too much glucose and the accompanying fluid. Swollen brain cells clouded David’s thinking, much like a concussion. He couldn’t focus as the electrical messages short-circuited in this swamp of sugar-water. His thoughts drifted away, and sometimes his speech slurred. If David recruited most of his brain cells into this toxicity, he would have slipped into a coma and died. It’s true!

Each sugar molecule attracted dozens of water molecules to stay circulating in his system. In many ways, abundant sugar acted like tiny sponges trapping water inside David’s blood. Glucose absorbed toxic amounts of fluid and kept it from leaving his circulation. This excess fluid, called inflammation, injured the tissues as the fluid stretched each cell to its limits. Failure to reduce David’s sugar not only expanded the volume of liquid pumping through his veins, it inflamed every cell that used sugar.

We are fluid, like water. Nonsolid, like wind. We drip through the form we created for ourselves, find the cracks and leak out of it.

Most of our body is made of water, and we should aspire to be more like waters middle state. Seek not to be rigid, cold, and unchanging like ice, nor like water vapor with no direction or substance. Instead we should seek to be like that of flowing water; fluid, dynamic, able to float heavy burdens with ease, changing course with gentle guidance and adaptable.

Jeannette Mirsky, his biographer, explains: ‘Dandan-uilik was the classroom where Stein learned the grammar of the ancient sand-buried shrines and houses: their typical ground plans, construction, and ornamentation, their art, and something of their cultic practices. He also used it as a laboratory in which to find the techniques best suited to excavating ruins covered by sands as fluid as water, which, like water trickled in almost as fast as the diggers bailed it out. He had no precedents to guide him, no labour force already trained in the cautions, objectives and methods of archaeology.… He felt his way from what was easy to what was difficult, from what he knew he would find to discoveries he had not dared to anticipate. His approach was both cautious and experimental.

Like water our ideals for writing what seems at first to be a calling to pen a masterpiece, it at first can be pure, fluid even (words can come easily) but we also have to learn to work with what our eyes glaze over as weak substitutes, words that we think have no substance to what we are learning towards. What is every poet's intention? Their intention is to forge, nullify, create, defend, fill the reader with the awe and inspiration that every poet themselves craves. They want to carve a name for themselves in the annals of history, leave a not so quiet legacy behind. Poets want immortality or rather they want their words to become immortal. Perhaps even Marlowe and Shakespeare had discussions about this.

Rushing out the door on his way back to the street, he ran into someone with his shoulder. Turning to apologize to them, he stopped, horrified at what he saw. It was the white-eyed man he’d met a week ago. “Watch your back.” He said standing there just long enough for Raven to take in the meat between his teeth, the milky, nearly opaque color of his eyes and the madness within them. Then, after only a few seconds, he was gone, vanished into the crowd as if he had never existed. Certain his mind was playing tricks and tired of being terrified for his sanity, he headed down the street as fast as he could in pursuit. As he rushed through the tightly packed crowd, he saw others like the man he’d just seen, and each of their white eyes gazed blankly into his. A woman here, a hunched drifter there, shapes and faces that shifted and darted all around him. “Watch your back.” They hissed, and he tried to move faster, his heart racing and the nerves of his body jangling painfully with fear as he fought to get beyond them. Hands reached out for his clothes, pulling him in different directions as they tugged and he struggled to be free. Their fingers felt like talons clasped into the folds and gaps of his clothing, ripping and popping stitches in their fervor to gain some small grasp on his flesh beneath his jacket. Along with the horror of their cold, dead eyes, he could smell some strangeness—a sickly sweet smell of rot and decay only barely closeted by preserving fluids. The smell dug into his sinuses as their fingers and hands dug at him. He gagged, his teeth clenched tight as he exerted energy he didn’t really have. He pushed away from them and on through the empty space he saw at the end of this group of pedestrians. Many of whom mingled with what he now felt must be the dead, wholly unaware of why he flailed and pushed against them.

The enjoyment of God will be as fresh and glorious after many ages, as it was at first. God is eternal, and eternity knows no change; there will then be the fullest possession without any decay in the object enjoyed. There can be nothing past, nothing future; time neither adds to it, nor detracts from it; that infinite fulness of perfection which flourisheth in him now, will flourish eternally, without any discoloring of it in the least, by those innumerable ages that shall run to eternity, much less any despoiling him of them: “He is the same in his endless duration” (Ps. ch. 27). As God is, so will the eternity of him be, without succession, without division; the fulness of joy will be always present; without past to be thought of with regret for being gone; without future to be expected with tormenting desires. When we enjoy God, we enjoy him in his eternity without any flux; an entire possession of all together, without the passing away of pleasures that may be wished to return, or expectation of future joys which might be desired to hasten. Time is fluid, but eternity is stable; and after many ages, the joys will be as savory and satisfying as if they had been but that moment first tasted by our hungry appetites. When the glory of the Lord shall rise upon you, it shall be so far from ever setting, that after millions of years are expired, as numerous as the sands on the sea-shore, the sun, in the light of whose countenance you shall live, shall be as bright as at the first appearance; he will be so far from ceasing to flow, that he will flow as strong, as full, as at the first communication of himself in glory to the creature. God, therefore, as sitting upon his throne of grace, and acting according to his covenant, is like a jasper-stone, which is of a green color, a color always delightful (Rev. iv. 3); because God is always vigorous and flourishing; a pure act of life, sparkling new and fresh rays of life and light to the creature, flourishing with a perpetual spring, and contenting the most capacious desire; forming your interest, pleasure, and satisfaction; with an infinite variety, without any change or succession; he will have variety to increase delights, and eternity to perpetuate them; this will be the fruit of the enjoyment of an infinite and eternal God: he is not a cistern, but a fountain, wherein water is always living, and never putrefies. 4. If God be eternal, here is a strong ground of

It requires writers to do two things that by their metabolism are impossible. They must relax, and they must have confidence. Telling a writer to relax is like telling a man to relax while being examined for a hernia, and as for confidence, see how stiffly he sits, glaring at the screen that awaits his words. See how often he gets up to look for something to eat or drink. A writer will do anything to avoid the act of writing. I can testify from my newspaper days that the number of trips to the water cooler per reporter-hour far exceeds the body’s need for fluids.

The wise leader is like water. Consider water: water cleanses and refreshes all creatures without distinction and without judgment; water freely and fearlessly goes deep beneath the surface of things; water is fluid and responsive; water follows the law freely. Consider the leader: the leader works in any setting without complaint, with any person or issue that comes on the floor; the leader acts so that all will benefit and serves well regardless of the rate of pay; the leader speaks simply and honestly and intervenes in order to shed light and create harmony. From watching the movements of water, the leader has learned that in action, timing is everything. Like water, the leader is yielding. Because the leader does not push, the group does not resent or resist.

I had forgotten that time wasn’t fixed like concrete but in fact was fluid as sand, or water. I had forgotten that even misery can end.

The leap from maps to fluid flow seemed so great that even those most responsible sometimes felt it was like a dream. How nature could tie such complexity to such simplicity was far from obvious. "You have to regard it as a kind of miracle, not like the usual connection between theory and experiment," Jerry Gollub said. Within a few years, the miracle was being repeated again and again in a vast bestiary of laboratory systems: bigger fluid cells with water and mercury, electronic oscillators, lasers, even chemical reactions. Theorists adapted Feigenbaum's techiniques and found other mathematical routes to chaos, cousins of period-doubling: such patterns as intermittency and quasiperiodicity. These, too, proved universal in theory and experiment.

She’s watching me in the dawn’s first light with an intensity that melts me. Her face a vivid world, I no longer know if I exist inside a photograph or if I once existed in the whiteness of the morning in front of this slow-gesturing woman who, never taking her eyes off me, is lying there in front of me, naked more naked than the night, more physical than a whole life spent caressing the beauty of the world. Sustaining her gaze is painful. I imagine, I breathe and imagine her once more. A few centimetres below the manubrium glints a little diamond that seems to stay on her chest by magic. The diamond, no doubt held there by a little ring inserted into the flesh, sparkles like a provocation, an object of light that lies in wait for desire, engulfs the other. I am that other. I am pure emotion lying in wait for the fate crouched inside this woman. The woman offers her desire, sows sentences in me whose syntax is unfamiliar and which I’m unable to follow and pronounce. Words there I cannot clearly distinguish – breasts, gusts, ships, stext – and, in between them, the woman’s lips move like some life-giving water that cleanses away all clichés, promises that every imprint of the gaze will be sexual, will be repeated and fluid as vivid as the morning light absorbing one’s most intimate thoughts. Her arms are open. She opens herself to the embraces that, in mother tongue, suspend reality. The woman has turned her head slightly and her throat astonishes. Her gaze contains traces of that water which, it is said, gushes when memory becomes verb and rekindles desire at the edge of the labia. The woman’s gaze sweeps into the future. Simone sometimes finds herself comparing herself to the woman of action, of business and of spirit, wise to intrigue, that was Marie de l’Incarnation.

She leaned heavily against the front door, put her hand on the doorknob and although her husband had said nothing of his vision of the black coach wet with rain, she caught a glimpse of it herself in that second between the moment she closed her eyes and the next one when she began a Hail Mary. The amniotic fluid was like something sun-warmed against her leg. It quickly soaked her terry-cloth slipper and then pooled on the linoleum at her feet. Her heel skidded in it a little as she slowly let go of the doorknob and carefully—a reluctant skater on a pond—got herself across the hallway, onto the living-room carpet, and across the living room, a slug’s trail of dark water behind her, and onto the couch. She still held Jacob’s coat in her hand and she threw it over the cushions before she eased herself down, praying all the while the formal prayer that held off both hope and dread, as well as any speculation about what to do next. She must have said a dozen of them—it only occurred to her after about the seventh or eighth that she should have been counting them off on her fingers—when the first cramp seized her and then she threw the prayers aside as if they had been vain attempts to speak in her high-school French. Oh look, she said. Don’t let this happen. Come on. Be reasonable. Long before the fireman pounded at the door (or was it an angel, or a banshee, or the ghost of the other Jacob?), she had listened to the rise and fall of the wind outside. Long

Love is a lot like water: fluid, moving, and always changing form. Love is always present, but we don’t always realize it.

Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit. We can keep going that way for a while. We can pretend we fit that jug, awkward nooks and all. But the longer we do, the worse it gets. The more it wears on us. The more exhausted we become. Even if we’re doing nothing at all, because simply holding the shape can take all the effort in the world. More, if we want to make it look natural