Flower Garland Quotes

It is the image in the mind that links us to our lost treasures; but it is the loss that shapes the image, gathers the flowers, weaves the garland.

A child her wayward pencil drew On margins of her book; Garlands of flower, dancing elves, Bud, butterfly, and brook, Lessons undone, and plum forgot, Seeking with hand and heart The teacher whom she learned to love Before she knew t'was Art.

Honestly, I wish I were dead. Weeping many tears, she left me and said, “Alas, how terribly we suffer, Sappho. I really leave you against my will.” And I answered: “Farewell, go and remember me. You know how we cared for you. If not, I would remind you ... of our wonderful times. For by my side you put on many wreaths of roses and garlands of flowers around your soft neck. And with precious and royal perfume you anointed yourself. On soft beds you satisfied your passion. And there was no dance, no holy place from which we were absent.

There is a willow grows aslant the brook that shows his hoar leaves in the glassy stream; therewith fantastic garlands did she make of crow-flowers, nettles, daisies, and long purples that the liberal shepherds give a grosser name, but our cold maids do dead men's fingers call them. There, on the pendent boughs her coronet weeds clamb'ring to hang, an envious sliver broke; when down her weedy trophies and herself fell in the weeping brook. Her clothes spread wide and, mermaid-like, awhile they bore her up; which time she chanted snatches of old lauds, as one incapable of her own distress, or like a creature native and indued unto that element; but long it could not be till that her garments, heavy with their drink, pull'd the poor wretch from her melodious lay to muddy death.

A snake must be treated as a snake, forgiving it every time it showed you its fangs, will not transform into a garland of flowers.

Street children are lovely blossoms just dropped from the tree after a heavy storm. Now they need to be put together with a needle and threads of security and shelter to live into a beautiful circle of life’s garland

He dreams he is happy; that his corporeal nature has changed; or at least that he has flown off upon a purple cloud of another sphere peopled by beings of the same kind as himself. Alas! May his illusion last till dawn’s awakening! He dreams the flowers dance round him in a ring like immense demented garlands, and impregnate him with their balmy perfumes while he sings a hymn of love, locked in the arms of a magically beautiful human being. But it is merely twilight mist he embraces, and when he wakes their arms will no longer be entwined. Awaken not, hermaphrodite. Do not wake yet, I beg you. Why will you not believe me? Sleep … sleep forever. May your breast heave while pursuing the chimerical hope of happiness — that I allow you; but do not open your eyes. Ah! do not open your eyes.

Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray.

She was small-boned and exquisite, and naked like the rest of them, with nothing on her but a garland of flowers and a pink hair ribbon, frequent props on the sex-kiddie sites.

Where confidence is wanting, the most beautiful flower in the garland of love is missing.

The mind has its needs, just as the body does. The latter are the foundations of society; from the former emerge the pleasures of society. While government and laws take care of the security and the well being of men in groups, the sciences, letters, and the arts, less despotic and perhaps more powerful, spread garlands of flowers over the iron chains which weigh men down, snuffing out in them the feeling of that original liberty for which they appear to have been born, and make them love their slavery by turning them into what are called civilized people.

I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the whine of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith.

I can reveal to you that I wished to die - For with much weeping she left me Saying: "Sappho - what suffering is ours! For it is against my will that I leave you." In answer, I said: "Go, happily remembering me For you know what we shared and pursued - If not, I wish you to see again our [ former joys ] ..... The many braids of rose and violet you [ wreathed ] Around yourself at my side And the many garlands of flowers With which you adorned your soft neck: With royal oils from [ fresh flowers ] You anointed [ yourself ] And on soft beds fulfilled your longing [ For me ] ....

Every Day You Play.... Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water, You are more than this white head that I hold tightly as a bunch of flowers, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind.  The wind. I alone can contend against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here.  Oh, you do not run away. You will answer me to the last cry. Curl round me as though you were frightened. Even so, a strange shadow once ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the grey light unwinds in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. Until I even believe that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees.

Pluck this little flower and take it, delay not! I fear lest it droop and drop into the dust. I may not find a place in thy garland, but honour it with a touch of pain from thy hand and pluck it. I fear lest the day end before I am aware, and the time of offering go by. Though its colour be not deep and its smell be faint, use this flower in thy service and pluck it while there is time.

WE ARE TO PLAY THE GAME OF DEATH E are to play the game of death to-night, my bride and I. The night is black, the clouds in the sky are capricious, and the waves are raving at sea. We have left our bed of dreams, flung open the door and come out, my bride and I. We sit upon a swing, and the storm winds give us a wild push from behind. My bride starts up with fear and delight, she trembles and clings to my breast. Long have I served her tenderly. I made for her a bed of flowers and I closed the doors to shut out the rude light from her eyes. I kissed her gently on her lips and whispered softly in her ears till she half swooned in languor. She was lost in the endless mist of vague sweetness. She answered not to my touch, my songs failed to arouse her. To-night has come to us the call of the storm from the wild. My bride has shivered and stood up, she has clasped my hand and come out. Her hair is flying in the wind, her veil is fluttering, her garland rustles over her breast. The push of death has swung her into life. We are face to face and heart to heart, my bride and I.

Below the bows of the Arrawa a child’s coffin moved onto the night stream. Its paper flowers were shaken loose by the wash of a landing craft carrying sailors from the American cruiser. The flowers formed a wavering garland around the coffin as it began its long journey to the estuary of the Yangtze, only to be swept back by the incoming tide among the quays and mud flats, driven once again to the shores of this terrible city (279).

Adam the while Waiting desirous her return, had wove Of choicest flowers a garland, to adorn Her tresses, and her rural labours crown As reapers oft are wont their harvest queen

Jody had watched other classmates, including many in college prep, enter such a life with an impatient fatalism. They got pregnant or arrested or simply dropped out. Some boys, more defiant, filled the junkyards with crushed metal. Crosses garlanded with flowers and keepsakes marked roadsides where they'd died. You could see it coming in the smirking yearbook photos they'd left behind.

The thick baffling blades of false world customs rip off my views and ideas,like breaking every string of my aesthetic thoughts in disdain and jealousy;pain pain enough your tigrine roars before I die.

Once, I discovered it propped up on my sister's pillow, its neck wrapped in one of our mother's best linen dishtowels. Cookie fragments on dolls' plates were laid out around it, mixed with berries from the prickly-berry hedge, like offerings made to appease an idol. It was wearing a chaplet woven of carrot fronds and marigolds that my sister and Leonie had picked in the garden. The flowers were wilted, the garland was lopsided; the effect was astonishingly depraved, as if a debauched Roman emperor had arrived on the scene and had hacked off his own body in a maiden's chamber as the ultimate sexual thrill.

Ah! listen the song of storm from my disturbed soul;and it scatters flower buds into its lonely halls;like every pain needs a dirge,with wreaths that awful the world framed one for me,and gives the time it calls.

She woke from dreamless rest to find her lap filled with wildflowers-blue and gold violets, white starworts with bright yellow centers, wild geraniums, purple heather, pale lavender bellflowers, creamy butterworts...a treasure trove of nature's jewels. "Where did these come from?" she asked her warrior husband. He leaned back on his elbows and studied the sea. "Some trolls came by and left them." "Trolls picking flowers?" "More believable, surely, than me doing it?" She laughed and surprised him by competently weaving the summer's late blossoms into a garland for her hair. "How is it you know how to do that," he asked, "when you are so thoroughly undomestic?" She threw a purple aster at him and laughed again. "I thought I was managing to conceal that." "Oh,certainly.

When I am alive and I am empress. When you have everything I've vowed to you and Ahiranya..." Silence, as Malini cupped Priya's waist with a hand; as she stretched her fingers wide, as if she could encompass it, hold Priya and keep her. "I've dreamt of garlanding you," Malini confessed. A small, secret thing. "Flowers around your throat, and you garlanding me in return. The two of us making our own promises to each other. I've dreamt of naming you my own. My heart. My wife.

I rested my temples on the breast of temptation, and put my neck voluntarily under her yoke of flowers; I tasted her cup. The pillow was burning: there is an asp in the garland: the wine has a bitter taste: her promises are hollow- her offers false. I see and know all this.

So long as government and law provide for the security and well-being of men in their common life, the arts, literature and the sciences, less despotic though perhaps more powerful, fling garlands of flowers over the chains which weight them down. They stifle in men's breasts that sense of original liberty, for which they seem to have been born; cause them to love their own slavery, and so make of them what is called a civilized people.

The next morning, when Thomasin withdrew the curtains of her bedroom window, there stood the Maypole in the middle of the greek, its top cutting into the sky. It had sprung up in the night. or rather early morning, like Jack's bean-stalk. She opened the casement to get a better view of the garlands and posies that adored it. The sweet perfume of the flowers had already spread into the surrounding air, which being free from every taint, conducted to her lips a full measure of the fragrance received from the spire of blossom in its midst. At the top of the pole were crossed hoops decked with small flowers; beneath these came a milk-white zone of Maybloom;then a zone of bluebells, then of cowslips, then of lilacs, then of ragged-rosins, daffodils and so on, till the lowest stage was reached.Thomasin noticed all these, and was delighted that the May revel was to be so near.

The flowers in the bride’s hand are sadly like the garland which decked the heifers of sacrifice in old times!” “Still, Sue, it is no worse for the woman than for the man. That’s what some women fail to see, and instead of protesting against the conditions they protest against the man, the other victim; just as a woman in a crowd will abuse the man who crushes against her, when he is only the helpless transmitter of the pressure put upon him.

To Hope Oh, Hope! thou soother sweet of human woes! How shall I lure thee to my haunts forlorn! For me wilt thou renew the wither’d rose, And clear my painful path of pointed thorn? Ah come, sweet nymph! in smiles and softness drest, Like the young hours that lead the tender year, Enchantress! come, and charm my cares to rest:— Alas! the flatterer flies, and will not hear! A prey to fear, anxiety, and pain, Must I a sad existence still deplore? Lo!—the flowers fade, but all the thorns remain, 'For me the vernal garland blooms no more.' Come then, 'pale Misery’s love!' be thou my cure, And I will bless thee, who, tho’ slow, art sure.

a delicate young girl plucking flowers Just now Dawn in golden sandals But you yourself, Kalliope I myself once wove garlands.

Sonnet of the Garland of Roses" A garland, quick, a wreath: I come and die. Braid flowers as they fade. Sing, cry, and sing! Heart in my throat, a storm swelling a gorge shadowed and silvered by a thousand falls. Between your own desire and my desire the space is starry, each step quakes the ground, and forests of anemones will spring to round the year, making their secret sound. Lovers in my wound's landscape, overjoyed, can watch the reeds bend in the crossing currents, can drink from red pools in the honeyed thigh. But hurry, let's entwine ourselves as one, our mouth broken, our soul bitten by love, so time discovers us safely destroyed.

Have I no harvest but a thorn    To let me bloud, and not restore What I have lost with cordiall fruit? Sure there was wine    Before my sighs did drie it: there was corn    Before my tears did drown it.    Is the yeare onely lost to me?    Have I no bayes to crown it? No flowers, no garlands gay? all blasted? All wasted?    Not so, my heart: but there is fruit, And thou hast hands.    Recover all thy sigh-blown age On double pleasures: leave thy cold dispute Of what is fit, and not. Forsake thy cage, Thy rope of sands, Which pettie thoughts have made, and made to thee    Good cable, to enforce and draw, And be thy law,    While thou didst wink and wouldst not see.

Surely with mankind the appreciation of flowers must have been coeval with the poetry of love. Where better than in a flower, sweet in its unconsciousness, fragrant because of its silence, can we image the unfolding of a virgin soul? The primeval man in offering the first garland to his maiden thereby transcended the brute. He became human in thus rising above the crude necessities of nature. He entered the realm of art when he perceived the subtle use of the useless.

Ode to Love Lin Huiyin I think you are the April of this world, Sure, you are the April of this world. Your laughter has lit up all the wind, So gently mingling with the spring. You are the clouds in early spring, The dusk wind blows up and down. And the stars blink now and then, Fine rain drops down amid the flowers. So gentle and graceful, You are crowned with garlands. So sublime and innocent, You are a full moon over each evening. The snow melts, with that light yellow, You look like the first budding green. You are the soft joy of white lotus Rising up in your fancy dreamland. You’re the blooming flowers over the trees, You’re a swallow twittering between the beams; Full of love, full of warm hope, You are the spring of this world!

O thou the last fulfilment of life, Death, my death, come and whisper to me! Day after day I have kept watch for thee; for thee have I borne the joys and pangs of life. All that I am, that I have, that I hope and all my love have ever flowed towards thee in depth of secrecy. One final glance from thine eyes and my life will be ever thine own. The flowers have been woven and the garland is ready for the bridegroom. After the wedding the bride shall leave her home and meet her lord alone in the solitude of night.

Ages passed slowly, like a load of hay, As the flowers recited their lines And pike stirred at the bottom of the pond. The pen was cool to the touch. The staircase swept upward Through fragmented garlands, keeping the melancholy Already distilled in letters of the alphabet. It would be time for winter now, its spun-sugar Palaces and also lines of care At the mouth, pink smudges on the forehead and cheeks, The color once known as "ashes of roses.-" How many snakes and lizards shed their skins For time to be passing on like this, Sinking deeper in the sand as it wound toward The conclusion. It had all been working so well and now, Well, it just kind of came apart in the hand As a change is voiced, sharp As a fishhook in the throat, and decorative tears flowed Past us into a basin called infinity. There was no charge for anything, the gates Had been left open intentionally. Don't follow, you can have whatever it is. And in some room someone examines his youth, Finds it dry and hollow, porous to the touch... O keep me with you, unless the outdoors Embraces both of us, unites us, unless The birdcatchers put away their twigs, The fishermen haul in their sleek empty nets And others become part of the immense crowd Around this bonfire, a situation That has come to mean us to us, and the crying In the leaves is saved, the last silver drops.

Cicero gave an account of a party attended by a certain Quintus Gallius, a friend of Catilina, which evokes the raffish atmosphere of his circle. There are shouts and screams, screeching females, there is deafening music. I thought I could make out some people entering and others leaving, some of them staggering from the effects of the wine, some of them still yawning from yesterday’s boozing. Among them was Gallius, perfumed and wreathed with flowers; the floor was filthy, soiled with wine and covered with withered garlands and fish bones.

There is a willow grows askant the brook, That shows his hoar leaves in the glassy stream. Therewith fantastic garlands did she make Of crowflowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do dead-men's-fingers call them. There on the pendant boughs her crownet weeds Clambering to hang, an envious sliver broke, When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And mermaid-like awhile they bore her up; Which time she chanted snatches of old tunes, As one incapable of her own distress, Or like a creature native and indued Unto that element.

This is what’s so terrible about grief: You relive the final moments of your beloved’s life for years and years and years. It’s like flying with one wing. You never become used to it. The shock might wear off, the images grow a little dimmer. But the panic creeps back while you sleep in the brightest part of the day. My dreams are drenched now with the pink foam of the cresting waves, waves pink with the blood of my Lil. The same pink as the ice flowers she had worn on our wingfast night, the pink of the garland she had draped over her head. I have a deep and abiding hatred of morning light now, of high noon, of anything that reminds me of the day my mate died.

I simply want to be dead. Weeping she left me with many tears and said this: Oh how badly things have turned out for us. Sappho, I swear, against my will I leave you. And I answered her: Rejoice, go and remember me. For you know how we cherished you. But if not, I want to remind you. ]and beautiful times we had. For many crowns of violets and roses ]at my side you put on and many woven garlands made of flowers around your soft throat. And with sweet oil costly you anointed yourself and on a soft bed delicate you would let loose your longing and neither any [ ] nor any holy place nor was there from which we were absent no grove [ ] no dance ]no sound [

At Padovani Beach the dance hall is open every day. And in that huge rectangular box with its entire side open to the sea, the poor young people of the neighborhood dance until evening. Often I used to await there a a moment of exceptional beauty. During the day the hall is protected by sloping wooden awnings. When the sun goes down they are raised. Then the hall is filled with an odd green light born of the double shell of the sky and the sea. When one is seated far from the windows, one sees only the sky and, silhouetted against it, the faces of the dancers passing in succession. Sometimes a waltz is being played, and against the green background the black profiles whirl obstinately like those cut-out silhouettes that are attached to a phonograph's turntable. Night comes rapidly after this, and with it the lights. But I am unable to relate the thrill and secrecy that subtle instant holds for me. I recall at least a magnificent tall girl who had danced all afternoon. She was wearing a jasmine garland on her right blue dress, wet with perspiration from the small of her back to her legs. She was laughing as she danced and throwing back her head. As she passed the tables, she left behind her a mingled scent of flowers and flesh. When evening came, I could no longer see her body pressed tight to her partner, but against her body alternating spots of white jasmine and black hair, and when she would throw back her swelling breast I would hear her laugh and see her partner's profile suddenly plunge forward. I owe to such evenings the idea I have of innocence. In any case, I learn not to separate these creatures bursting with violent energy from the sky where their desires whirl.

Hands cling to hands and eyes linger on eyes: thus begins the record of our hearts. It is the moonlit night of March; the sweet smell of henna is in the air; my flute lies on the earth neglected and your garland of flowers in unfinished. This love between you and me is simple as a song. Your veil of the saffron colour makes my eyes drunk. The jasmine wreath that you wove me thrills to my heart like praise. It is a game of giving and withholding, revealing and screening again; some smiles and some little shyness, and some sweet useless struggles. This love between you and me is simple as a song. No mystery beyond the present; no striving for the impossible; no shadow behind the charm; no groping in the depth of the dark. This love between you and me is simple as a song. We do not stray out of all words into the ever silent; we do not raise our hands to the void for things beyond hope. It is enough what we give and we get. We have not crushed the joy to the utmost to wring from it the wine of pain. This love between you and me is simple as a song.

What mattered more was the feeling, a rich sweet undertow so commanding that in class, on the school bus, lying in bed trying to think of something safe or pleasant, some environment or configuration where my chest wasn’t tight with anxiety, all I had to do was sink into the blood-warm current and let myself spin away to the secret place where everything was all right. Cinnamon-colored walls, rain on the windowpanes, vast quiet and a sense of depth and distance, like the varnish over the background of a nineteenth-century painting. Rugs worn to threads, painted Japanese fans and antique valentines flickering in candlelight, Pierrots and doves and flower-garlanded hearts. Pippa’s face pale in the dark.

No alien land in all the world has any deep strong charm for me but one, no other land could so longingly and so beseechingly haunt me, sleeping and waking, through half a lifetime, as that one has done. Other things leave me, but it abides me; other things change, but it remains the same. For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of it surfbeat is in my ear; I can see its garland crags, its leaping cascades, its plumy palms drowsing by the shore, its remote summits floating like islands above the cloud wrack; I can feel the woodland solitudes, I can hear the splash of its brooks; in my nostrils still lives the breath of flowers that perished twenty years ago.

Whenever you touch topaz, it touches you. It awakens a gentle fire, like wine awakens in grapes. Still unborn, clear wine seeks channels amidst stone, demands words, bestows its secret nourishment, shares out the kiss of human skin. The touch of stone and man in serene peace kindles garlands of fleeting flowers, which then return to prime sources: flesh and stone: contrary elements. (Translation, Beatriz von Eidlitz)

I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the while of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith. I became loyal to these sense impressions even before I knew what they meant or what they were for. It is my heart that commands me so. I feel at home in a Hindu temple. I am aware of Presence, not personal the way we usually presence, but something larger. My heart still skips a beat when I catch sight of the murti, of God Residing, in the inner sanctum of the temple. Truly I am in a sacred cosmic womb, a place where everything is born, and it is my sweet luck to behold its living core. My hands naturally come together in reverent worship.

Beyond these the flowers were more frequent, but paler, less glossy, more thickly seeded, more tightly folded, and disposed, by accident, in festoons so graceful that I would fancy I saw floating upon the stream, as though after the dreary stripping of the decorations used in some Watteau festival, moss-roses in loosened garlands. Elsewhere a corner seemed to be reserved for the commoner kinds of lily; of a neat pink or white like rocket-flowers, washed clean like porcelain, with housewifely care; while, a little farther again, were others, pressed close together in a floating garden-bed, as though pansies had flown out of a garden like butterflies and were hovering with blue and burnished wings over the transparent shadowiness of this watery border; this skiey border also, for it set beneath the flowers a soil of a colour more precious, more moving than their own; and both in the afternoon, when it sparkled beneath the lilies in the kaleidoscope of a happiness silent, restless, and alert, and towards evening, when it was filled like a distant heaven with the roseate dreams of the setting sun, incessantly changing and ever remaining in harmony, about the more permanent colour of the flowers themselves, with the utmost profundity, evanescence, and mystery — with a quiet suggestion of infinity; afternoon or evening, it seemed to have set them flowering in the heart of the sky.

Igo visit you, too, Papà. I bring you flowers and I hear you ask me, what’s the point of these? Here you are, in the heart of the city, surrounded by the dead: all those souls still wreathed and garlanded, lined up like boxes in the post office. You always occupied your own space. You preferred dwelling in your own realm, closed off. How can I link myself to another person when I’m still struggling, even after your death, to eliminate the distance between you and my mother, the

when i go from this place dress the porch with garlands as you would for a wedding my dear pull the people from their homes and dance in the streets when death arrives like a bride at the aisle send me off in my brightest clothing serve ice cream with rose petals to our guests there’s no reason to cry my dear i have waited my whole life for such a beauty to take my breath away when i go let it be a celebration for i have been here i have lived i have won at this game called life

Well?” pressed Amar. “Are we going or not?” We? I looked him over. The garland of red carnations hung limply around his neck. He held out his hand like a casual invitation, indifferent to the tumult outside the chambers. How could I trust him? What if he sold me to the enemies? He had no reason to protect me…unless I meant something to him. Something else guided my hands. Images flashing sideways--a different hand, a samite curtain. I was convinced that we owned this single moment, this sphere of breath, this heartbeat shared like a secret. I don’t know what possessed me, but I took the white garland and threw it around his neck. I stared at my hands, not quite believing what they’d done: With one throw, I had married him. Amar lifted the garland of white flowers and grinned. “I hoped you’d choose me.” The right corner of his lips curled faster than the left. It was such a small movement, but I couldn’t look away from it. His smile was disjointed, like he was out of practice.

You look beautiful, ma'am," Ernestine said, delighted with the results of her work. She had drawn Phoebe's hair up into a coil of neatly pinned rolls and curls, winding a velvet ribbon around the base. A few loose curls had been allowed to dangle down the back of her head, which felt a bit strange: she wasn't accustomed to leaving any loose pieces in her usual hairstyles. Ernestine had finished the arrangement by pinning a small, fresh pink rose on the right side of the coil. The new coiffure was very flattering, but the formal gown had turned out to be far less inconspicuous than Phoebe had expected. It was the pale beige of unbleached linen or natural wool, but the silk had been infused with exceptionally fine metallic threads of gold and silver, giving the fabric a pearly luster. A garland of peonies, roses, and delicate green silk leaves trimmed the deeply scooped neckline, while another flower garland caught up the gossamer-thin silk and tulle layers of the skirts at one side.

I ate and waited, begging forgiveness. She deserved the most magnificent sepulcher, priceless marble of exquisite harmony. In its place she was to be entombed in my torturer’s workroom, with the floor scrubbed and the devices half disguised under garlands of flowers. The night air was cool, but I was sweating. I waited for her to come, feeling the drops roll down my bare chest and staring at the ground because I was afraid I would see her in the faces of the others before I felt her presence in myself.

Life, said Tarde, is the search for the impossible by way of the useless. Let us always search for the impossible, since that is our destiny, and let us search for it by way of the useless, since no path goes by any other way, but let us rise to the consciousness that nothing we search for can be found, and that nothing along the way deserves a fond kiss or memory. We weary of everything, said the scholiast, except understanding. Let us understand, let us keep understanding, and let us make ghostly flowers out of this understanding, shrewdly entwining them into wreaths and garlands which are also doomed to wilt.

Honestly I wish I were dead. When she left me she wept profusely and told me, 'Oh how we've suffered in all this. Psapfo, I swear I go unwillingly.' And I answered her, 'Be happy, go and remember me, you know how we worshiped you. But if not, I want to remind you of beautiful days we shared, how you took wreaths of violets roses and crocuses, and at my side tied them in garlands made of flowers round your tender throat, and with sweet myrrh oil worthy of a queen you anointed your limbs, and on a soft bed gently you would satisfy your longing and how there was no holy shrine where we were absent, no grove no dance no sound

Lovers were not, Marina, are not permitted to know destruction so deeply. Must be as if they were new. Only their grave is old, only it ponders and darkens under the sobbing tree, remembering all that has been. Only their grave collapses; they are supple as reeds; what bends them too far, rounds them into rich garlands. How they blow about in the May wind! From the midst of the Ever, in which you breathe and surmise, the moment has shut them out. (Oh how I understand you, female flower on the same imperishable stalk. How wildly I scatter myself into the night air that in a moment will touch you.)…” ―from Elegy: to Marina Tsvetayeva-Efron

Amar removed the wedding garland from around his neck. From the sleeves of his jacket, he withdrew a small knife. Before I could react, he swiped the knife across his palm. Small beads of blood welled to the surface. He held his palm out to me like a perverse offering. “I make this bond to you in blood, not flowers,” he said. “Come with me and you shall be an empress with the moon for your throne and constellations to wear in your hair. Come with me and I promise you that we will always be equals.” My mouth went dry. A blood oath was no trifling undertaking. Vassals swore it to lords, priests to the gods. But husbands to wives? Unthinkable.

No alien land in all the world has any deep strong charm for me but that one, no other land could so longingly and so beseechingly haunt me, sleeping and walking, through half a lifetime, as that one has done. Other things leave me, but it abides; other things change, but it remains the same. For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of its surfbeat is in my ear, I can see its garlanded crags, its leaping cascades, its plumy palms drowsing by the shore, its remote summits floating like islands above the cloud wrack; I can fell the spirit of its woodland solitudes, I can hear the splash of its brooks; in my nostrils still lives the breath of flowers that perished twenty years ago.

I loved you, Atthis, years ago, when my youth was still all flowers and sighs, and you -- you seemed to me such a small ungainly girl. Can you forget what happened before? If so, then I'll remind you how, while lying beside me, you wove a garland of crocuses which I then braided into strands of your hair. And once, when you'd plaited a double necklace from a hundred blooms, I tied it around the swanning, sun-licked ring of your neck. And on more than one occasion (there were two of them, to be exact), while I looked on, too silent with adoration to say your name, you glazed your breasts and arms with oil. No holy place existed without us then, no woodland, no dance, no sound. Beyond all hope, I prayed those timeless days we spent might be made twice as long. I prayed one word: I want. Someone, I tell you, will remember us, even in another time.

The large drawing-room was an immense, long room, with a sort of gallery that ran from one pavilion to the other, taking up the whole of the façade on the garden side. A large French window opened on to the steps. This gallery glittered with gold. The ceiling, gently arched, had fanciful scrolls winding round great gilt medallions, that shone like bucklers. Bosses and dazzling garlands encircled the arch; fillets of gold, resembling threads of molten metal, ran round the walls, framing the panels, which were hung with red silk; festoons of roses, topped with tufts of full-blown blossoms, hung down along the sides of the mirrors. An Aubusson carpet spread its purple flowers over the polished flooring. The furniture of red silk damask, the door-hangings and window-curtains of the same material, the huge ormolu clock on the mantel-piece, the porcelain vases standing on the consoles, the legs of the two long tables

You cannot simply take a mala from someone else and start using it. When you buy a mala you have to make sure that it accords with the advice we have just discussed, and then before you use a mala—whether it is old or new—you should bless it. How do we bless the mala? There are different methods for blessing a mala, and some are more elaborate than others.  In Buddhism there are two types of conduct: elaborate and simple. Elaborate conduct, for example, involves having many thangkas, statues, and lots of offerings, such as flowers and so forth. However, Buddhism is also very practical, and so there are more simple forms of practice where you utilize visualization. However, you should not use unelaborated versions of practice simply out of laziness. Making offerings are an important part of practice since these actions accumulate merit, and it is merit that brings about our happiness. People often refer to luck and fortune, but really

As soon as Devon left his room, he was overwhelmed by a surplus of unwanted attention. Not one but two footmen accompanied him down the stairs, eagerly pointing out dangers such as the edge of a particular step that wasn’t quite smooth, or a section of the curved balustrade that might be slippery from a recent polishing. After negotiating the apparent perils of the staircase, Devon continued through the main hall and was obligated to stop along the way as a row of housemaids curtsied and uttered a chorus of “Happy Christmas” and “God bless you, milord,” and offered abundant wishes for his good health. Abashed by the role he seemed to have been cast in, Devon smiled and thanked them. He made his painstaking way to the dining room, which was filled with lavish arrangements of Christmas flowers, and hung with evergreen garlands twined with gold ribbon. Kathleen, West and the twins were all seated, laughing and chatting with relaxed good humor. “We knew you were approaching,” Pandora said to Devon, “from all the happy voices we could hear in the entrance hall.” “He’s not accustomed to people exclaiming happily when he arrives,” West said gravely. “Usually they do it when he leaves.

Once inside the confectioners, she was spellbound by sugared fruits hung in garlands and glass bottles sparkling with morsels of sugar. While Loveday spoke to the shop girl, Biddy trailed the shelves slowly, looking inside the glass jars, mouthing the words on the Bill of Fare. 'Look Mr Loveday, "Macaroons- As Made In Paris"', she sighed, staring at a heap of biscuits made in every color from blue to shiny gold. Carefully he ordered his goods from the jars of herbs behind the counter. First, there was Mr Pars' packet of coltsfoot that he smoked to ease his chest. Then a bag of comfrey tea for his mistress's stomach. Finally, boxes of the usual violet pastilles. Biddy came up behind him while the girl tied the parcel with ribbon. 'Begging your pardon, miss. Is it right you're selling that Royal Ice Cream?' The girl shrugged. 'That's what it says on the board if you can read it.' 'Aye, I've been studying it all right. I've only ever read of ices before. So I'll have a try of it.' When the girl reappeared Biddy sniffed at the glass bowl, and then cautiously licked the ice cream from the tiny spoon. 'Why, it is orange flowers.' She looked happy enough to burst. 'And something else, some fragrant nut- do you put pistachio in it too?

In a crystalline corner of your heart, keep a Smile for the days gone by. To every soul, who is wondering how is Life passing by, and somehow feel suffocated in a long lost world of words and thoughts, Remember every flower blooms at its own time. Whatever it is that you wish to accomplish, remember that it takes Time and an immense amount of energy and will power to make that happen. Most people don't even find it conducive to dream, let alone following it. Some settle down with what Life throws at them, while some opt for the lesser options that suit their needs. But the ones, who burn with their dreams, who hold on to that invisible yet palpable string of Faith, eventually always finds what they seek, because the truth is what you're seeking is already yours. Until then, don't mind about the Time, because Time has a way of Smiling back in a garland of moments and memories. And if you're ever faced with a question on losing Time and not settling down (in love or career or anything of Life) like the majority of folk around, remind yourself what you seek, embrace your Soul and walk on to rise in your chosen path. You haven't lost Time, you have just not found your Season yet. Until then, water the root of your Soul with the Sunshine of Kindness & Grace. Love & Light, always - Debatrayee

That baking day was the third day Mrs G had shut herself away in the stillroom, dosing herself with medicinal waters. As I rolled the pastry I lived out a fancy I had nourished, since the first apple blossom pinked in May- the making of the perfect dish. Next day was All Hallows Eve, or Souling Night as we called it, and all our neighbors would gather for Old Ned's cider and Mrs Garland's Soul Cakes. After the stablemen acted out the Souling play, the unmarried maids would have a lark, guessing their husband's name from apple pairings thrown over their shoulders. So what better night, I thought, for Jem to announce our wedding? At the ripe age of twenty-two years, the uncertainties of maidenhood were soon to pass me by. Crimping my tarts, I passed into that forgetfulness that is a most delightful way of being. My fingers scattered flour and my elbows spun the rolling pin along the slab. Unrolling before my eyes were scenes of triumph: of me and Jem leading a cheery procession to the chapel, posies of flowers in my hand and pinned to Jem's blue jacket. In my head I turned over the makings of my Bride Cake that sat in secret in the larder- ah, wouldn't that be the richest, most hotly spiced delight? And all the bitter maidens who put it underneath their pillows would be sorrowing to think that Jem was finally taken, bound and married off to me.

Even with his eyes concealed, I sensed Amar’s gaze. “What world do you belong to? Theirs?” I pointed at an Otherworldly being sharpening his horns. “No. My kingdom is neither among humans nor Otherworldly beings. It is between.” “Why did you come to Bharata?” I asked. “The invitation to my swayamvara was issued only to the nations we’re at war with.” “Everyone is at war with my nation,” he said with a smile. “How did you even know about me?” “Akaran has its eyes and ears.” He could have been lying. Nothing escaped me from the rafters where I had spied for years. But my father had other meetings…and he was not always in Bharata. I hesitated. “How can I trust someone who won’t even reveal their face?” “It’s far too easy to be recognized here.” He drew the cloak closer and the gesture was so final, so closed off and unwelcoming, that I stepped back, chastened. Amar removed the wedding garland from around his neck. From the sleeves of his jacket, he withdrew a small knife. Before I could react, he swiped the knife across his palm. Small beads of blood welled to the surface. He held his palm out to me like a perverse offering. “I make this bond to you in blood, not flowers,” he said. “Come with me and you shall be an empress with the moon for your throne and constellations to wear in your hair. Come with me and I promise you that we will always be equals.” My mouth went dry. A blood oath was no trifling undertaking. Vassals swore it to lords, priests to the gods. But husbands to wives? Unthinkable.

May 1 MORNING “His cheeks are as a bed of spices, as sweet flowers.” — Song of Solomon 5:13 LO, the flowery month is come! March winds and April showers have done their work, and the earth is all bedecked with beauty. Come my soul, put on thine holiday attire and go forth to gather garlands of heavenly thoughts. Thou knowest whither to betake thyself, for to thee “the beds of spices” are well known, and thou hast so often smelt the perfume of “the sweet flowers,” that thou wilt go at once to thy well-beloved and find all loveliness, all joy in Him. That cheek once so rudely smitten with a rod, oft bedewed with tears of sympathy and then defiled with spittle — that cheek as it smiles with mercy is as fragrant aromatic to my heart. Thou didst not hide Thy face from shame and spitting, O Lord Jesus, and therefore I will find my dearest delight in praising Thee. Those cheeks were furrowed by the plough of grief, and crimsoned with red lines of blood from Thy thorn-crowned temples; such marks of love unbounded cannot but charm my soul far more than “pillars of perfume.” If I may not see the whole of His face I would behold His cheeks, for the least glimpse of Him is exceedingly refreshing to my spiritual sense and yields a variety of delights. In Jesus I find not only fragrance, but a bed of spices; not one flower, but all manner of sweet flowers. He is to me my rose and my lily, my heartsease and my cluster of camphire. When He is with me it is May all the year round, and my soul goes forth to wash her happy face in the morning-dew of His grace, and to solace herself with the singing of the birds of His promises. Precious Lord Jesus, let me in very deed know the blessedness which dwells in abiding, unbroken fellowship with Thee. I am a poor worthless one, whose cheek Thou hast deigned to kiss! O let me kiss Thee in return with the kisses of my lips.

The horoscope loomed in my thoughts. Perhaps it had been right all this time. A marriage that partnered me with death. My wedding, sham though it was, would bring more than just my end. I breathed deeply and a calm spiraled through me. This was my final taste: a helix of air, smacking of burnt things and bright leaves. I pulled the vial from my bangles, fingers shaking. This was my last sight: purling fire and windows that soared out of reach. I raised the vial to my lips. My chest was tight, silk clinging damply to my back, my legs. This was my last sound: the cadence of a heart still beating. “May Gauri live a long life,” I mouthed. The poison trickled thickly from the rim and I tilted my head back, eyes on the verge of shutting-- And then: a shatter. My eyes opened to empty hands clutching nothing. Spilled poison seeped into the rug and shards of glass glinted on the floor, but all of that was obscured by the shadow of a stranger. “There’s no need for that,” said the stranger. He wiped his hands on the front of his charcoal kurta, his face partially obscured by a sable hood studded with small diamonds. All I could see was his tapered jaw, the serpentine curve of his smile and the straight bridge of his nose. Like the suitors, he wore a garland of red flowers. And yet, all of that I could have forgotten. Except his voice… It drilled through the gloaming of my thoughts, pulled at me in the same way the mysterious intruder’s voice had tugged. But where the woman’s voice brought fury, this was different. The hollow inside me shifted, humming a reply in melted song. I could have been verse made flesh or compressed moonlight. Anything other than who I was now. A second passed before I spoke. By then, the stranger’s lips had bent into a grin. “Who are you?” “One of your suitors,” he said, not missing a beat. He adjusted his garland. I backed away, body tensing. I had never seen him before. I knew that with utmost certainty. Did he mean to harm me? “That’s not an answer.” “And that wasn’t a thank you,” he said.

She was distracted from her thoughts as he pulled something from one of his coat pockets, a flat rectangular leather case. "A present," Harry said, giving it to her. Her eyes rounded with surprise. "You didn't need to give me anything. Thank you. I didn't expect.. oh." This last as she opened the case and beheld a diamond necklace arranged on the velvet lining like a pool of glittering fire. It was a heavy garland of sparkling flowers and quatrefoil links. "Do you like it?" Harry asked casually. "Yes, of course, it's... breathtaking." Poppy had never imagined owning such jewelry. The only necklace she possessed was a single pearl on a chain. "Shall I... shall I wear it tonight?" "I think it would be appropriate with that gown." Harry took the necklace from the case, stood behind Poppy, and fastened it gently around her neck. The cold weight of the diamonds and the warm brush of his fingers at her nape elicited a shiver. He remained behind her, his hands settling lightly on the curves of her neck, moving in a warm stroke to the tops of her shoulders. "Lovely," he murmured. "Although nothing is as beautiful as your bare skin.

Pure love’ means that it never increases or decreases. If it does not decrease when you curse him and it does not increase when you give him garlands of flowers; it is ‘Pure Love’. ‘Pure love’ is considered Paramatma prem (Love of God). That is indeed true religion.

I don’t intend to fight with anyone; I have only one weapon of love. I want to win the world with love. What the world calls love, is really worldly love. [True] Love is when even if you curse me, I would not get ‘depressed’ and when you garland me with flowers, I would not become ‘elevated’. In true love, there would not be any changes. Changes can occur in the intent and feelings (bhaav) of the body, but not in ‘pure love’.

People marching on streets, or standing in squares, or camping out in the public eye. People standing in front of tanks, people laying garlands of flowers around the muzzles of automatic weapons, people linking arms. People who sat down when told to stand up. People who stood up when told to kneel. People who sang songs, people who asked questions, people who wrote, people who created art. People who played cello in a city under siege. People who had done brave things before the time I was in, and people who had done brave things after I was there, and all of the people yet to come. Injustices are countered by acts of courage. We create Brave wherever we are brave.

Her gown was cream chiffon draped over icy-blue satin. Garlands of real flowers decked her bodice, twined her sleeves, and hung down her skirt. It was the most impractical dress I'd ever seen.

In a crystalline corner of your heart, keep a Smile for the days gone by. To every soul, who is wondering how is Life passing by, and somehow feel suffocated in a long lost world of words and thoughts, Remember every flower blooms at its own time. Whatever it is that you wish to accomplish, remember that it takes Time and an immense amount of energy and will power to make that happen. Most people don't even find it conducive to dream, let alone following it. Some settle down with what Life throws at them, while some opt for the lesser options that suit their needs. But the ones, who burn with their dreams, who hold on to that invisible yet palpable string of Faith, eventually always find what they seek, because the truth is what you're seeking is already yours. Until then, don't mind about the Time, because Time has a way of Smiling back in a garland of moments and memories. And if you're ever faced with a question on losing Time and not settling down (in love or career or anything of Life) like the majority of folk around, remind yourself what you seek, embrace your Soul and walk on to rise in your chosen path. You haven't lost Time, you have just not found your Season yet. Until then, water the root of your Soul with the Sunshine of Kindness & Grace. Love & Light, always - Debatrayee

The swags and garlands of dead, cut flowers were another alien grace note, a funeral touch.

In the trembling grey of a spring dawn, when the birds were whispering in mysterious cadence among the trees, have you not felt that they were talking to their mates about the flowers? Surely with mankind the appreciation of flowers must have been coeval with the poetry of love. Where better than in a flower, sweet in its unconsciousness, fragrant because of its silence, can we image the unfolding of a virgin soul? The primeval man in offering the first garland to his maiden thereby transcended the brute. He became human in thus rising above the crude necessities of nature. He entered the realm of art when he perceived the subtle use of the useless. In joy or sadness, flowers are our constant friends. We eat, drink, sing, dance, and flirt with them. We wed and christen with flowers. We dare not die without them. We have worshipped with the lily, we have meditated with the lotus, we have charged in battle array with the rose and the chrysanthemum. We have even attempted to speak in the language of flowers. How could we live without them? It frightens one to conceive of a world bereft of their presence. What solace do they not bring to the bedside of the sick, what a light of bliss to the darkness of weary spirits? Their serene tenderness restores to us our waning confidence in the universe even as the intent gaze of a beautiful child recalls our lost hopes. When we are laid low in the dust it is they who linger in sorrow over our graves. Sad as it is, we cannot conceal the fact that in spite of our companionship with flowers we have not risen very far above the brute. Scratch the sheepskin and the wolf within us will soon show his teeth.

I confess that as I saw the tender plants and shining flowers bow before the remorseless beam, civilisation seemed a sad business, and yet there was something epic, something large-gestured and splendid in the "breaking" season. Smooth, glossy and unwrinkled the thick ribbon of jet-black sod rose upon the share and rolled away from the mold-board's glistening curve to tuck itself upside down into the furrow beneath the horse's heels, and the picture which my uncle made, gave me pleasure in spite of the sad changes he was making.

Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kitten were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.

Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kittens were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.

I followed him into the trees, through the ever-lightening world. His hand was solid and unmovable around mine as we passed through the low-lying mists, and he helped me up a bare hill slick with dew. We sat atop its crest, and I hid my smile as Tamlin put an arm around my shoulders, tucking me in close. I rested my head against his chest, while he toyed with the flowers in my garland. In silence, we stared out over the rolling green expanse. The sky shifted into periwinkle, and the clouds filled with pink light. Then, like a shimmering disk too rich and clear to be described, the sun slipped over the horizon and lined everything with gold. It was like seeing the world being born, and we were the sole witnesses. Tamlin's arm tightened around me, and he kissed the top of my head. I pulled back, looking up at him. The gold in his eyes, bright with the rising sun, flickered. 'What?' 'My father once told me that I should let my sisters imagine a better life- a better world. And I told him that there was no such thing.' I ran my thumb over his mouth, marvelling, and shook my head. 'I never understood- because I couldn't... couldn't believe that it was even possible.' I swallowed, lowering my hand. 'Until now.' His throat bobbed. His kiss that time was deep and thorough, unhurried and intent. I let the dawn creep inside me, let it grow with each movement of his lips and brush of his tongue against mine. Tears pricked beneath my closed eyes. It was the happiest moment of my life.

In the classic Indian epic, the Mahabharata, there is a ceremony for when a new king is crowned. There is a warning to “Be like the garland-maker, O King, and not like a charcoal burner.” Here, the garland symbolized social harmony, where many flowers of many colors and forms are strung harmoniously, creating a stunning effect. The charcoal-burner represents raw force reduction of diversity into homogeneity, where all life is rendered to a similar ash quality

I followed him into the trees, through the ever-lightening world. His hand was solid and unmovable around mine as we passed through the low-lying mists, and he helped me up a bare hill slick with dew. We sat atop its crest, and I hid my smile as Tamlin put an around my shoulders, tucking me in close. I rested my head against his chest, while he toyed with the flowers in my garland. In silence, we stared out over the rolling green expanse. The sky shifted into periwinkle, and the clouds filled with pink light. Then, like a shimmering disk too rich and clear to be described, the sun slipped over the horizon and lined everything with gold. It was like seeing the world being born, and we were the sole witnesses. Tamlin's arm tightened around me, and he kissed the top of my head. I pulled back, looking up at him. The gold in his eyes, bright with the rising sun, flickered. 'What?' 'My father once told me that I should let my sisters imagine a better life- a better world. And I told him that there was no such thing.' I ran my thumb over his mouth, marvelling, and shook my head. 'I never understood- because I couldn't... couldn't believe that it was even possible.' I swallowed, lowering my hand. 'Until now.' His throat bobbed. His kiss that time was deep and thorough, unhurried and intent. I let the dawn creep inside me, let it grow with each movement of his lips and brush of his tongue against mine. Tears pricked beneath my closed eyes. It was the happiest moment of my life.

What are garlands and crowns to the brow that is wrinkled? ’Tis but as a dead-flower with May-dew besprinkled. Then away with all such from the head that is hoary! What care I for the wreaths that can only give glory?

… it is necessary that she be able to sing, dance and play a musical instrument altogether when requested … she should write and draw well, be adept in the giving of tattoos, and be prepared to receive them in whatsoever place the man should desire. ‘She should know how to speak the language of flowers when decorating beds or couches, or even when decorating the ground. In the arts of staining, dyeing, colouring and painting her teeth, her clothes, her nails and her body, a woman should be beyond compare. ‘A woman should know how to play music on glasses filled to different heights with liquids of various sorts. She should be able to fix stained-glass into a floor. She should know how to make, trim and hang a picture; how to fashion a necklace, a rosary, a garland or a wreath; how to store or gather water in an aqueduct or a tank. ‘She should know about scents; and about ornaments. She should be able to act and to lay on theatrical shows; she should be quick and sure in her hands and be able to cook and make lemonade or sherbet; wear jewels and bind a man’s turban. And she should of course, know magic ….

ROSEMARY Beauty and Beauty’s son and rosemary— Venus and Love, her son, to speak plainly— born of the sea supposedly, at Christmas each, in company, braids a garland of festivity. Not always rosemary— since the flight to Egypt, blooming differently. With lancelike leaf, green but silver underneath, its flowers—white originally— turned blue. The herb of memory, imitating the blue robe of Mary, is not too legendary to flower both as symbol and as pungency. Springing from stones beside the sea, the height of Christ when thirty-three— it feeds on dew and to the bee “hath a dumb language”; is in reality a kind of Christmas-tree.

Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works, that selected the brightest passages but left out deeper contexts—eighteenth-century Reader’s Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for “delicious morsels,” one that spits out “every thing which is plain.” Good books, in contrast, require good readers: “In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them.

Even in their reading, More charged, too many women were prone to superficiality. In search of a passing knowledge of books and authors, many read anthologies of excerpted works that selected the brightest passages but left out deeper contexts—eighteenth-century versions of Reader’s Digest were quite popular. More cautioned against a habit she viewed as cultivating a taste only for “delicious morsels,” one that spits out “every thing which is plain.” Good books, in contrast, require good readers: “In all well-written books, there is much that is good which is not dazzling; and these shallow critics should be taught, that it is for the embellishment of the more tame and uninteresting parts of his work, that the judicious poet commonly reserves those flowers, whose beauty is defaced when they are plucked from the garland into which he had so skillfully woven them.”24

There was a sudden flash of lightning which brightly illuminated our faces. I squinted against the harsh light. It was soon followed by the crack of thunder. The strong wind whipped our hair around our faces, and the younger girls squealed as they quickly ran across the grass to get inside the school. Rose and I sat up, smiles on our faces as we listened to the weather’s dangerous melody. The third flash of lightning finally ripped open the sky’s belly. Freezing rain cascaded out, drenching us in a matter of seconds, the flower garlands drooping and lying limp on our matted hair.

Angels waltz around like in one of my daydreams, glitter-dusted as the faeries I was warned about as a child. They're mystic, with spindly limbs and gossamer hair and skin that glows. Their wings unfurl behind them, some gilded and others adorned with pale pink shimmer. They flutter across the flower-filled glade, twirling like falling feathers. A few of the angels thread starlight into garlands or coax the flowers to bloom. A train of them braid baby's breath into one another's hair. Others lay fruit in front of what looks like shrines--- seashells brimming with water and floating petals that gleam with reflections of the moon. It's like something out of a storybook. Lanterns are strung between the evergreens, casting their light over a long table. On top of a silk tablecloth, candelabras drip with wax and flowers are strewn about--- cerise roses, vibrant marigolds, velvet violets, and pale bluebells. Fresh fruit spills out of a giant shell like a cornucopia--- mangoes, peaches, guavas, champagne grapes and deep red cherries. Dark wine fills crystal cups. Rose-jam tarts with wild raspberries and hibiscus petals pile alongside tea cakes piped with custard and sugared primroses. In the center of the feast is a roasted duck glazed with honey and decorated with slices of pineapple. The smell of buttered potatoes lingers in the air, fragrant with hints of rosemary and garlic.

The mind has its needs, just as the body does. The latter are the foundations of society; from the former emerge the pleasures of society. While government and laws take care of the security and the well being of men in groups, the sciences, letters, and the arts, less despotic and perhaps more powerful, spread garlands of flowers over the iron chains which weigh men down, snuffing out in them the feeling of that original liberty for which they appear to have been born, and make them love their slavery by turning them into what are called civilized people.

To Merveilleuse's surprise she comes across a large ram in a clearing, with gilt horns and a garland of flowers round his neck, reposing on a couch of orange blossom beneath a pavilion of golden cloth. But still, a ram, with his nose like an ink blot, flies on his white lashes, wool the color of curds. Around him a hundred gaily decked sheep graze not on grass but coffee, sherbet, ices, and sweetmeats, whilst partaking in games of basset and lansquenet. Soon he takes her into a cavern, which is a gate to his underworld kingdom. It has meadows of a thousand different flowers; a broad river of orange-flower water; fountains of Spanish wine and liqueurs. There are entire avenues of trees, stuffed with partridges better larded and dressed than you would get them at the finest Paris restaurants; quails, young rabbits, and ortolans. In certain parts, where the atmosphere appears a little hazy, it rains bisque d'écrevisses, foie gras, and ragout of sweetbreads. His palace is formed by tangled orange trees, jasmines, honeysuckle, and little musk-roses, whose interlaced branches form cabinets, halls, and chambers, all hung with golden gauze and furnished with large mirrors and fine paintings.

Walking over the moonlit bridge, Tom found himself drawn deeper and deeper into the world of the market. Here, it was crowded, noisy; buzzing with scents both familiar and strange. The sharp aroma of some herbal stuff seemed to dominate this part of the bridge; the scented smoke was strongest around a little stall named Madcap, from which a pipe-smoking vendor was selling brightly colored pouches, marked at the price of Three days a twist. Next to him, a person of indeterminate gender was folding sheets of colored paper into origami birds, which they released into the air with a papery flutter of wings. In spite of the crow woman's warning, Tom snapped a few more pictures. A dancer on the side of the bridge, her wings spread wide against the night. A diminutive woman with a whole haberdasher's shop balanced on her head: tiny drawers full of bobbins and lace, and packs of slender needles, and pincushions, and safety pins, and multicolored twists of silk. Next to her, cross-legged on the ground, an old woman in a drab overcoat was making garlands and buttonholes from baskets of strange-looking flowers that released an unfamiliar, intoxicating aroma. Her brown face lit up when she caught sight of Tom. 'Collector! What's it to be today? Another adventure? Your heart's desire? I know. True love!' And she picked up a white flower from one of her baskets and held it out to him with a smile. Its scent was complex, dark and sweet; the scent of a summer garden at night.

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XIV [Every day you play with the light of the universe.]” Every day you play with the light of the universe. Subtle visitor, you arrive in the flower and the water. You are more than this white head that I hold tightly as a cluster of fruit, every day, between my hands. You are like nobody since I love you. Let me spread you out among yellow garlands. Who writes your name in letters of smoke among the stars of the south? Oh let me remember you as you were before you existed. Suddenly the wind howls and bangs at my shut window. The sky is a net crammed with shadowy fish. Here all the winds let go sooner or later, all of them. The rain takes off her clothes. The birds go by, fleeing. The wind. The wind. I can contend only against the power of men. The storm whirls dark leaves and turns loose all the boats that were moored last night to the sky. You are here. Oh, you do not run away. You will answer me to the last cry. Cling to me as though you were frightened. Even so, at one time a strange shadow ran through your eyes. Now, now too, little one, you bring me honeysuckle, and even your breasts smell of it. While the sad wind goes slaughtering butterflies I love you, and my happiness bites the plum of your mouth. How you must have suffered getting accustomed to me, my savage, solitary soul, my name that sends them all running. So many times we have seen the morning star burn, kissing our eyes, and over our heads the gray light unwind in turning fans. My words rained over you, stroking you. A long time I have loved the sunned mother-of-pearl of your body. I go so far as to think that you own the universe. I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. I want to do with you what spring does with the cherry trees. Pablo Neruda, Twenty Love Poems and a Song of Despair. Trans. W.S. Merwin (Penguin Classics; Bilingual edition, December 26, 2006)

Desist! I have never been one to delight in religion, but even my ignorance knows that the practice of holiness means to improve human nature. This is not religion, but carnal indulgence. To drink, and to fornicate, mocking the state, as it calls you...when enemies bang on the gates, will you sing, and imbibe, and make love while they slaughter? To love, instead of to fight? For the power of flowers, ridiculous garlands you weave in your hair will not save you. The making of love won't protect you from war, from a bloody and terrible war. To have peace would be wonderful. Peace at all costs is submission, is slavery, shame worse than death.

Lady Beatrice's left eye stares boldly at me through the opening of a mask that she holds up to her face. Her light hair is piled half onto the top of her head, the other half arrayed around her shoulders. An unusual ring adorns her right hand, and I zoom in on the portrait to see it more clearly. The ring is a diamond in the shape of an icicle. I return to the Wikipedia article and click on the next image--a painting of Beatrice on the night of her hanging. She is older in this painting, but her blond hair is styled the same as in the earlier, youthful portrait. The painting depicts screaming townspeople snatching at the skirts of her heavy gown as she attempts to flee. Leaves and flowers are woven through her hair, and a long garland drapes across her dress, giving her the appearance of nature itself. I look closer. There is no doubt that I resemble her; our blue eyes, high cheekbones, and ivory skin are all a match. We could be sisters from different eras.

In fields of flowers gently swaying, Young bees sing their happy songs And pheasants strut a dance of joy. The cuckoo too Rings the bell of melody And the kalapingka bird chirps merrily along. Here the earth maiden is beautiful indeed: Her Virgin streams holding up garlands of bubbles As they laughingly dance over rocks and crags; Her orchards filled with all types of trees Laden with fruit, flowers, and leaves; And, standing behind, rings of snow mountains, Their peaks bloused in white silken clouds, Crystal glaciers their tassels And blue forests their exquisite skirt. Lapis lazuli meadows stretch below Like the wings of a parrot in flight, Nets of Lotus flowers embellishing then And wild animals grazing quietly on their slopes A fence of trees stands again behind To lock out the Thief of every distraction.

Finally, June was a month of great importance to Vesta. From 7 to 15, the secret room of her temple was open to matrons who went there barefoot to pray to the goddess. The Vestalia of 9 June involved millers and bakers who, on that day, gave a holiday to the donkeys that were condemned to keeping the mills turning. They were garlanded with flowers, together with their machines for grinding the grain. The garlands hung round their necks were laden with bread rolls, for Vesta was the goddess of the fire that baked them.

Pluck this little flower and take it. Delay not! I fear lest it droop and drop into the dust. It may not find a place in thy garland, but honour it with a touch of pain from thy hand and pluck it. I fear lest the day end before I am aware, and the time of offering go by. Though its colour be not deep and its smell be faint, use this flower in thy service and pluck it while there is time.

...the sight of his dead body in a coffin. Gathered around the coffin, petrified, and captivated by the lumps on his face, I fixated on it, smelling the flowers from the wreaths and garlands, incense sticks, perfume, and the dead scent. To shut out the cacophonous wailing around me, which alternated between crescendo and diminuendo, I concentrated on the beard hair, where the gray outnumbered the black.

On 8 November 392, a law or 1 heodosius, known as 'the Great', (C. Th., 16, 10, 12) condemned the kind of clandestine sacrilege (secretiore piaculo) which worshipped the god Lar with fire, the Genius with libations of undiluted wine, the Penates with the aroma of roast meat (nidore). It forbade the lighting of torches, the burning of grains of incense and garlanding with flowers. All these precise details corresponded to the rites which were practised at that time and would continue to be practised for a long while to come, despite the bishops and saints and their brutal activism.