Flow Meter Quotes

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Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going. "As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?" "Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!" "No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival." "You can't be serious!" Colly said. "Do you really-" But he got no further. Halt leaned forward, putting a hand up to stop the outburst. "Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious." His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his. "Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.
John Flanagan (The Kings of Clonmel (Ranger's Apprentice, #8))
Language, the homeland and receptacle of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in terms of external, audible sounds, but in terms of the swiftness and power of its inner flow. Then, like the rolling mass of a river’s current, which by its very movement polishes the stones of the bottom and turns the wheels of mills, flowing speech itself, by the force of its own laws, on its way, in passing, creates meter and rhyme and thousands of other forms and constructions, still more important, but as yet unrecognized, unconsidered, unnamed.
Boris Pasternak (Doctor Zhivago (Vintage International))
The sailed right down a waterfall a hundred meters high then sank a dozen pirate ships ad they were passing by. "It was two! Two! That's all. And the were boats, not ships!" Hal said, shaking his head at the dreaful exaggerations flowing from Stefan's and Jesper's lips. The crowd sang another chorus with them and Erak looked at him in pity. "You probably had to be there to appreciate it," he said knowingly. Hal threw his arms wide in frustration. "I was there!" he protested. "It was nothing like this!
John Flanagan
The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.
Jay-Z (Decoded)
Language, the home and receptacle of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in terms of sonority but in terms of the impetuousness and power of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates, in passing, by virtue of its own laws, meter and rhythm and countless other relationships, which are even more important, but which are as yet unexplored, insufficiently recognized, and unnamed.
Boris Pasternak (Doctor Zhivago)
Captain Vincent had explained patiently to the owners, whoever they were, that several hundred square meters of steel plating and a barrel of rivets would be a better investment, and had been informed that his recommendation did not accord with current cost / benefit flow predictions.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Superb accuracy in water measurement, Jessica thought. And she noted that the walls of the meter trough held no trace of moisture after the water’s passage. The water flowed off those walls without binding tension. She saw a profound clue to Fremen technology in the simple fact: they were perfectionists.
Frank Herbert (Dune (Dune, #1))
Pirate and Osbie Feel are leaning on their roof-ledge, a magnificent sunset across and up the winding river, the imperial serpant, crowds of factories, flats, parks, smoky spires and gables, incandescent sky casting downward across the miles of deep streets and roofs cluttering and sinuous river Thames a drastic strain of burnt orange, to remind a visitor of his mortal transience here, to seal or empty all the doors and windows in sight to his eyes that look only for a bit of company, a word or two in the street before he goes up to the soap-heavy smell of the rented room and the squares of coral sunset on the floor-boards—an antique light, self-absorbed, fuel consumed in the metered winter holocaust, the more distant shapes among the threads or sheets of smoke now perfect ash ruins of themselves, nearer windows, struck a moment by the sun, not reflecting at all but containing the same destroying light, this intense fading in which there is no promise of return, light that rusts the government cars at the curbsides, varnishes the last faces hurrying past the shops in the cold as if a vast siren had finally sounded, light that makes chilled untraveled canals of many streets, and that fills with the starlings of London, converging by millions to hazy stone pedestals, to emptying squares and a great collective sleep. They flow in rings, concentric rings on the radar screens. The operators call them ‘angels.
Thomas Pynchon (Gravity’s Rainbow)
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
Everybody is familiar with the standard names of SI units for length (meter, m), mass (kilogram, kg) and time (second, s) but degrees Kelvin (K) rather than Celsius are used to measure temperature; the ampere (A) is the unit of electric current, the mole (mol) quantifies the amount of substance and the candela (cd) the luminous intensity. More than twenty derived units, including all energy-related variables, have special names and symbols, many given in honor of leading scientists and engineers. The unit of force, kgm/s2 (kilogram-meter per second squared), is the newton (N): the application of 1 N can accelerate a mass of one kilogram by one meter per second each second. The unit of energy, the joule (J), is the force of one newton acting over a distance of one meter (kgm2/s2). Power, simply the energy flow per unit of time (kgm2/s3), is measured in watts (W): one watt equals one J/s and, conversely, energy then equals power 3 times, and hence one J is one watt-second.
Vaclav Smil (Energy: A Beginner's Guide (Beginner's Guides))
Wild animals enjoying one another and taking pleasure in their world is so immediate and so real, yet this reality is utterly absent from textbooks and academic papers about animals and ecology. There is a truth revealed here, absurd in its simplicity. This insight is not that science is wrong or bad. On the contrary: science, done well, deepens our intimacy with the world. But there is a danger in an exclusively scientific way of thinking. The forest is turned into a diagram; animals become mere mechanisms; nature's workings become clever graphs. Today's conviviality of squirrels seems a refutation of such narrowness. Nature is not a machine. These animals feel. They are alive; they are our cousins, with the shared experience kinship implies. And they appear to enjoy the sun, a phenomenon that occurs nowhere in the curriculum of modern biology. Sadly, modern science is too often unable or unwilling to visualize or feel what others experience. Certainly science's "objective" gambit can be helpful in understanding parts of nature and in freeing us from some cultural preconceptions. Our modern scientific taste for dispassion when analyzing animal behaviour formed in reaction to the Victorian naturalists and their predecessors who saw all nature as an allegory confirming their cultural values. But a gambit is just an opening move, not a coherent vision of the whole game. Science's objectivity sheds some assumptions but takes on others that, dressed up in academic rigor, can produce hubris and callousness about the world. The danger comes when we confuse the limited scope of our scientific methods with the true scope of the world. It may be useful or expedient to describe nature as a flow diagram or an animal as a machine, but such utility should not be confused with a confirmation that our limited assumptions reflect the shape of the world. Not coincidentally, the hubris of narrowly applied science serves the needs of the industrial economy. Machines are bought, sold, and discarded; joyful cousins are not. Two days ago, on Christmas Eve, the U.S. Forest Service opened to commercial logging three hundred thousand acres of old growth in the Tongass National Forest, more than a billion square-meter mandalas. Arrows moved on a flowchart, graphs of quantified timber shifted. Modern forest science integrated seamlessly with global commodity markets—language and values needed no translation. Scientific models and metaphors of machines are helpful but limited. They cannot tell us all that we need to know. What lies beyond the theories we impose on nature? This year I have tried to put down scientific tools and to listen: to come to nature without a hypothesis, without a scheme for data extraction, without a lesson plan to convey answers to students, without machines or probes. I have glimpsed how rich science is but simultaneously how limited in scope and in spirit. It is unfortunate that the practice of listening generally has no place in the formal training of scientists. In this absence science needlessly fails. We are poorer for this, and possibly more hurtful. What Christmas Eve gifts might a listening culture give its forests? What was the insight that brushed past me as the squirrels basked? It was not to turn away from science. My experience of animals is richer for knowing their stories, and science is a powerful way to deepen this understanding. Rather, I realized that all stories are partly wrapped in fiction—the fiction of simplifying assumptions, of cultural myopia and of storytellers' pride. I learned to revel in the stories but not to mistake them for the bright, ineffable nature of the world.
David George Haskell (The Forest Unseen: A Year’s Watch in Nature)
At the Biesbosch nature center, I met up with a water-ministry official named Eelke Turkstra. Turkstra runs a program called Ruimte voor de Rivier (Room for the River), and these days his job consists not in building dikes, but in dismantling them. He explained to me that the Dutch were already seeing more rainfall than they used to. Where once the water ministry had planned on peak flows in the Rhine of no more than fifteen thousand cubic meters per second, recently it had been forced to raise that to sixteen thousand cubic meters per second and was already anticipating having to deal with eighteen thousand cubic meters per second. Rising sea levels, meanwhile, were likely to further compound the problem by impeding the flow of the river to the ocean.
Elizabeth Kolbert (Field Notes from a Catastrophe)
Enormous hydrangeas with vibrant pink sponge-like blooms, rhododendrons and impatiens, tall spears of flowering oyster plants jostled together with Jurassic-looking philodendron leaves and tree ferns, a mixed bag all tied by a wild creeper with bell-shaped blue flowers. The damp smell of the garden reminded Jess of places she'd visited in Cornwall, like St. Just in Roseland, where fertile ground spoke of layers of different generations, civilizations past. At last, beyond the tangled greenery, Jess glimpsed the jutting white chimneys of a large roof. She realized she was holding her breath. She turned a final corner, just like Daniel Miller had done on his way to meet Nora, and there it was. Grand and magnificent, yet even from a distance she could see that the house was in a state of disrepair. It was perched upon a stone plinth that rose about a meter off the ground. A clinging ficus with tiny leaves had grown to cover most of the stones and moss stained the rest, so that the house appeared to sit upon an ocean of greenery. Jess was reminded of the houses in fairy tales, hidden and then forgotten, ignored by the human world only to be reclaimed by nature. Protruding from one corner of the plinth was a lion's head, its mouth open to reveal a void from which a stream of spring water must once have flowed. On the ground beneath sat a stone bowl, half-filled with stale rainwater. As Jess watched, a blue-breasted fairy wren flew down to perch upon the edge of the bowl; after observing Jess for a moment, the little bird made a graceful dive across the surface of the water, skimming himself clean before disappearing once more into the folds of the garden.
Kate Morton (Homecoming)
The main circulating pumps began to cavitate and fill with steam, reducing the flow of valuable cooling water and allowing steam voids (pockets of steam where there should be water) to form in the core. A positive void coefficient was occurring: the absence of cooling water causing an exponential power increase. In simple terms, more steam = less water = more power = more heat = more steam. Because 4 of the 8 water pumps were running off the decelerating turbine, less and less water was supplied to the reactor as power increased. Throughout the building, ‘knocks’ were heard from the direction of the main reactor hall. Akimov’s control board indicated that the rods hadn’t moved far before freezing, only 2.5 meters from their raised position. Thinking quickly, he released the clutch on their servomotors to allow the heavy rods to fall into the core under their own weight, but they didn’t move: jammed. “I thought my eyes were coming out of my sockets. There was no way to explain it,” recalled Dyatlov, six years later. “It was clear that this was not a normal accident, but something much more terrible. It was a catastrophe.”118
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
During the Second World War Kiev, now a big city of 2.8 million inhabitants, was so badly destroyed that much of it is Soviet, and now increasingly post-Soviet. But churches destroyed under communism have been rebuilt or restored, including the Pecherska Lavra monastery complex, founded in 1051. From its walls you can look down on the mighty Dnieper River below that flows through the city. You can also see the 102-meter-high Soviet Motherland memorial of a woman, sword drawn. Nearby is a memorial complex with walls of giant bronze soldiers and workers on which children climb and play.
Tim Judah (In Wartime: Stories from Ukraine)
Joy Controls supplies commercial and industrial boilers to hospitals, universities, food processing companies. We supply boilers, combustions controls, economizers and deaerators.
Joy Controls
Though energy fields are invisible, they shape matter. Albert Einstein said that, “The field is the sole governing agency of the particle.” Many studies show that human beings are influenced by the energy fields of others. In a series of 148 1-minute trials involving 25 people, trained volunteers going into heart coherence were able to induce coherence in test subjects at a distance. They didn’t have to touch their targets to produce the effect. Their energy fields were sufficient. When you are in a heart coherent state, your heart radiates a coherent electromagnetic signal into the environment around you. This field is detectable by a magnetometer several meters away. When other people enter that coherent energy field, their heart coherence increases too, producing a group field effect. Not only are we affected by the fields of other people; we’re affected by the energies of the planet and solar system. A remarkable series of experiments, conducted by a research team led by Rollin McCraty, director of research at the HeartMath Institute, has linked individual human energy to solar cycles. McCraty and his colleagues track solar activity using large magnetometers placed at strategic locations on the earth’s surface. Solar flares affect the electromagnetic fields of the planet. The researchers compare the ebbs and flows of solar energy with the heart coherence readings of trained volunteers. They have found that when people are in heart coherence, their electromagnetic patterns track those of the solar system. 8.15. The heart coherence rhythms of a volunteer compared to solar activity over the course of a month. A later study of 16 participants over 5 months found a similar effect. McCraty writes: “A growing body of evidence suggests that an energetic field is formed among individuals in groups through which communication among all the group members occurs simultaneously. In other words, there is an actual ‘group field’ that connects all the members” together. The results of this research confirm a hypothesis McCraty and I discussed at a conference when I was writing Mind to Matter: Not only are these heart-coherent people in sync with large-scale global cycles, they’re also in sync with each other. McCraty continues, “We’re all like little cells in the bigger Earth brain—sharing information at a subtle, unseen level that exists between all living systems, not just humans, but animals, trees, and so on.” When we use selective attention to tune ourselves to positive coherent energy, we participate in the group energy field of other human beings doing the same. We may also resonate in phase with coherent planetary and universal fields. 8.16. The brain functions as receiver of information from the field. The Brain’s Ability to Detect Fields The idea of invisible energy fields has always been difficult for many scientists to swallow. Around 1900, when Dutch physician Willem Einthoven proposed that the human heart had an energy field, he was ridiculed. He built progressively more sensitive galvanometers to detect it, and he was eventually successful.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
FIELD EFFECTS Emotional contagion is just one explanation for the growth of meditation. Another is field effects. Everything begins as energy, then works its way into matter. Though energy fields are invisible, they shape matter. Albert Einstein said that, “The field is the sole governing agency of the particle.” Many studies show that human beings are influenced by the energy fields of others. In a series of 148 1-minute trials involving 25 people, trained volunteers going into heart coherence were able to induce coherence in test subjects at a distance. They didn’t have to touch their targets to produce the effect. Their energy fields were sufficient. When you are in a heart coherent state, your heart radiates a coherent electromagnetic signal into the environment around you. This field is detectable by a magnetometer several meters away. When other people enter that coherent energy field, their heart coherence increases too, producing a group field effect. Not only are we affected by the fields of other people; we’re affected by the energies of the planet and solar system. A remarkable series of experiments, conducted by a research team led by Rollin McCraty, director of research at the HeartMath Institute, has linked individual human energy to solar cycles. McCraty and his colleagues track solar activity using large magnetometers placed at strategic locations on the earth’s surface. Solar flares affect the electromagnetic fields of the planet. The researchers compare the ebbs and flows of solar energy with the heart coherence readings of trained volunteers. They have found that when people are in heart coherence, their electromagnetic patterns track those of the solar system. 8.15. The heart coherence rhythms of a volunteer compared to solar activity over the course of a month. A later study of 16 participants over 5 months found a similar effect. McCraty writes: “A growing body of evidence suggests that an energetic field is formed among individuals in groups through which communication among all the group members occurs simultaneously. In other words, there is an actual ‘group field’ that connects all the members” together. The results of this research confirm a hypothesis McCraty and I discussed at a conference when I was writing Mind to Matter: Not only are these heart-coherent people in sync with large-scale global cycles, they’re also in sync with each other. McCraty continues, “We’re all like little cells in the bigger Earth brain—sharing information at a subtle, unseen level that exists between all living systems, not just humans, but animals, trees, and so on.” When we use selective attention to tune ourselves to positive coherent energy, we participate in the group energy field of other human beings doing the same. We may also resonate in phase with coherent planetary and universal fields. 8.16. The brain functions as receiver of information from the field. The Brain’s Ability to Detect Fields The idea of invisible energy fields has always been difficult for many scientists to swallow. Around 1900, when Dutch physician Willem Einthoven proposed that the human heart had an energy field, he was ridiculed. He built progressively more sensitive galvanometers to detect it, and he was eventually successful.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
How in the direction of nearby services with plumber The disease or damaged sewer somewhere to eat on the needs of the environment of the property or in the office is not immediate. Drinking water supply as a result of the expiry of promoting damage, as a significant drop due to the free flow of H2O or ruin your furniture imported and domestic wood. Therefore, the same under the sink, although the cover or part of the house damaged, is smart, a plumber can choose the rescue and hardened pipes quickly. Even before he published a plumber in the house, the important point is high absolutely certain that the supply mechanically interlocked with H2O is on drunk driving to create, so it does not come through other more harm in the sense of your own home , Or, if this type of pipes has a main valve arranged directly detected water meter. Some require keys, and some just came clockwise at the end of lead in drinking water purchased at home alternative pipeline valves. Today, every time you select a plumber, it is less complicated to the user to check the direction of friends and spouse and children advice. Family and friends are to be generally easier to purchase self-guided tour, and will be used by similar problems, are able to keep track direction when they can to implement fantastic plumber composed. Examine the site and installers who can access services, many alternatives are completely abandoned. Plumbers usually contain effective advantage proposals with their name and ask their previous customers to ensure that their correct answers about the plumber. The first person with specialized potentially provide unique designs, what and who himself is a must. At the time, in fact, to relax tight, you can ask to self has types and issues, as they were only in the organization. Added opinion does not necessarily mean a lot more experience, no matter when. In addition, plumbers constructive part’s sure you as needed to be able to manage the project management. Plumber’s consultant can make sure their professionalism. If your own way, one after another, before the service, appearance and adequate compensation and professional identity can be reproduced in the way see that they treat their business. And most important ideals, what little. At any time to explore alternative wages to leave the direction of the conversation, such as supply and property prices have some people will be surprised to see how you will use the monthly bill too important to save for economic time. That's because each of us the importance of creating knew, of course, considering all costs move towards Bill damage to your account, after the tube to take healed.
Boiler Repair
Water flows through the path of least resistance.Obeying the will of a master and learning to adapt along the way
Kaleb Kilton
The E-Meter, short for “electropsychometer,” is an “electronic instrument that measures mental state and change of state in individuals,” according to the church. During the process, the preclear, or PC (person getting the auditing), is asked a set of questions or given directions as he holds on to two empty “cans” hooked up to the meter. It is believed that the thoughts in a person’s mind affect the flow of energy between the cans and cause the needle on the dial to move.
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
When He Needs Direction A man’s heart plans his way, but the Lord directs his steps. PROVERBS 16:9 WE ALL NEED DIRECTION from the Lord. In our culture today we encounter so much deception, and without the Holy Spirit leading us we will have a hard time distinguishing the truth from a lie. And how can we make sound decisions without His wisdom? The Holy Spirit is our guide in all things, and it is He who gives wisdom, knowledge, and revelation. “When He, the Spirit of truth, has come, He will guide you into all truth; for He will not speak on His own authority, but whatever He hears He will speak; and He will tell you things to come” (John 16:13). We can make all the plans we want, and we do need to do that, but ultimately it will still be the direction of the Holy Spirit that will direct us on the right path. He will usher us into all that is right and true for our lives. Your husband needs knowledge and guidance from the Lord every day, and you can pray that he will have it. Pray he will clearly hear the voice of God speaking to him above all voices—even those of well-meaning people, or those who want to influence him for their own gain, or the voice of the enemy trying to take him off the path God has for him. Pray the same for yourself every time you ask God for direction on behalf of your husband. The Holy Spirit is the only true guide into all that is right for his life, your life, and your lives together. My Prayer to God LORD, I pray You would guide my husband through this day and in every decision he must make. Enable him to always discern the truth from a lie. Keep him from becoming blinded by deception and led down the wrong path. Teach him to search Your Word so that the truth is in his heart. Give him a fresh flow of Your wisdom. Put in him a holy barometer that has a deception meter ringing loudly in his mind and heart whenever he is about to be swayed away from Your best for his life. Lead him far from all that is not Your will. Enable him to hear Your voice instructing him in the way he should go. Keep him from being influenced by wrong voices who don’t have his best interests at heart. Enable him to hear Your voice above all, telling him the right thing to do. I pray You would guide me as well. Help me to hear Your voice in every decision either of us must make so that I can be a help and support to him. Give him the desire to pray with me about decisions that must be made. Only You, Lord, know what is best for him, and for me, and for us together. And only Your Holy Spirit can guide us in all truth. Enable both of us to know Your truth in our hearts at all times. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
The gravitational pull of the moon affects the flow of water all over the planet with the tidal force. The tides are the rise and fall of water levels caused by the combined effects of the gravitational force of the moon and the rotation of the earth. The highest tides in the world travel through the Bay of Fundy, between New Brunswick and Nova Scotia on Canada’s east coast. Every day, more than two billion tons of water flow in and out of the bay, creating a difference of 16 meters, or more than 50 feet.
Paige Vanderbeck (Green Witchcraft: A Practical Guide to Discovering the Magic of Plants, Herbs, Crystals, and Beyond)
Though many taps are dry in Midtown Detroit, the region does not lack for water. In fact, Nestlé has large water bottling operations in the Great Lakes, drawing on the same natural water systems that feed Detroit. Nestlé paid a $5,000 one-time application fee to begin operations as well as an annual $200 permit fee for the groundwater well it operates in Michigan, but there is no meter running. The company draws water for free now—and sells it to consumers by the bottle. “Why does Nestlé get it for free . . . and make millions while the people in Detroit have been shut off because they can’t afford it?” asked Jim Olson, an environmental lawyer who founded For Love of Water (FLOW), an advocacy group dedicated to protecting the Great Lakes. “Everybody else on the system who is not selling it is subsidizing their profit.
Joanne Samuel Goldblum (Broke in America: Seeing, Understanding, and Ending U.S. Poverty)
Slabber Olli told her about the places he had been. He had been to the bottom of the sea and wandered endless gardens of stars in outer space. He said that human time as we know it was over. That the waters would rise and then fall, and then fiery waters would come. The Earth would be reshaped into something new. Mud would flow. Boiling canyons would open up. "The mountains are already starting to move,” Slabber Olli said. He told her about creatures that used to live in the sea, like reptiles with two mouths, a horizontal one and a vertical one. He told her about creatures at the bottom of the sea shaped like elm leaves, with five eyes and long, bendy elephant trunks and scissors on their heads. About sharks with anvils growing on their backs. Flightless birds three meters tall that ran after deer on graceful, muscular legs that bent and stretched, bent and stretched, their beaks opened wide. He told her about the rockets people would build to shoot themselves off to other planets, and how badly it would turn out. Humans would continue their journey. They would find doors to knock on and portals that wouldn't open when they knocked, and the humans would break them down, and the ones they couldn't break they would build keys for. And all the while, humans would be changing. Humans would be changed not just by time but by humans themselves, and before long you'd have to call them human derivatives, and then something else entirely. In the end, it was just matter rearranging itself over and over. What was the Earth? Nothing more than an entrance hall where humanity had once briefly waited. Slabber Olli talked about a lot of other things, too, and Elina listened and understood that the part of Slabber Olli that was still human wanted to wander and search for knowledge, just like anyone else. The evening advanced, the light softened. At some point, Slabber Olli disappeared. Elina went back to the boat.
Juhani Karila
Biological systems are a chemical inevitability in the right circumstances. There is, of course, something special about life—I won’t take that away from it—but it is a chemical process, a dynamic, kinetic stability that exists, as your scientists have said, “far from thermodynamic equilibrium.” You don’t have to understand this or believe me, but life is fairly common in both time and space. It is not special, nor is it particularly fragile. The best measure I have of the size and complexity of a biosphere is calories of energy captured per square meter per year. Higher is more impressive, and always more beautiful, but this measures nothing of the creation of a system like humanity. For that, my awakened mind categorizes systems by bytes of information transmitted. This will sound to you like it’s a relatively new phenomenon on your planet, but it’s not. Even pelagibacter transmit information, if only to daughter cells. Ants spray pheromones, bees dance, birds sing—all of these are comparatively low-bandwidth systems for communication. But your system caused an inflection point. The graph of data flow switched from linear to exponential growth. Maybe you would call this system “humanity,” but I wouldn’t. It is not just a collection of individuals; it is also a collection of ideas stored inside of individuals and objects and even ideas inside ideas. If that seems like a trivial difference to you, well, I guess I can forgive you since you do not know what the rest of the universe looks like. Collections of individuals are beautiful, but they are as common as pelagibacter. Collections of ideas are veins of gold in our universe.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
Biological systems are a chemical inevitability in the right circumstances. There is, of course, something special about life—I won’t take that away from it—but it is a chemical process, a dynamic, kinetic stability that exists, as your scientists have said, “far from thermodynamic equilibrium.” You don’t have to understand this or believe me, but life is fairly common in both time and space. It is not special, nor is it particularly fragile. The best measure I have of the size and complexity of a biosphere is calories of energy captured per square meter per year. Higher is more impressive, and always more beautiful, but this measures nothing of the creation of a system like humanity. For that, my awakened mind categorizes systems by bytes of information transmitted. This will sound to you like it’s a relatively new phenomenon on your planet, but it’s not. Even pelagibacter transmit information, if only to daughter cells. Ants spray pheromones, bees dance, birds sing—all of these are comparatively low-bandwidth systems for communication. But your system caused an inflection point. The graph of data flow switched from linear to exponential growth. Maybe you would call this system “humanity,” but I wouldn’t. It is not just a collection of individuals; it is also a collection of ideas stored inside of individuals and objects and even ideas inside ideas. If that seems like a trivial difference to you, well, I guess I can forgive you since you do not know what the rest of the universe looks like. Collections of individuals are beautiful, but they are as common as pelagibacter. Collections of ideas are veins of gold in our universe. They must be cherished and protected. My parents, whoever and whatever they were, gave me knowledge of many systems—it was locked in my code before I was sent here to self-assemble—and the only thing I can tell you about systems like yours is that they are rare because they are unstable. Dynamite flows through their veins. A single solid jolt and they’re gone. If my data sets are accurate, you are rare, fragile, and precious.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
But let’s assume it’s an indestructible hair dryer. And if we have something as cool as an indestructible hair dryer, it seems like a shame to limit it to 1875 watts. With 18,750 watts flowing out of the hair dryer, the surface of the box reaches over 200°C (475°F), as hot as a skillet on low-medium. I wonder how high this dial goes. There’s a distressing amount of space left on the dial. The surface of the box is now 600°C, hot enough to glow a dim red. If it’s made of aluminium, the inside is starting to melt. If it’s made of lead, the outside is starting to melt. If it’s on a wood floor, the house is on fire. But it doesn’t matter what’s happening around it; the hair dryer is indestructible. Two megawatts pumped into a laser is enough to destroy missiles. At 1300°C, the box is now about the temperature of lava. One more notch. This hair dryer is probably not up to code. Now 18 megawatts are flowing into the box. The surface of the box reaches 2400°C. If it were steel, it would have melted by now. If it’s made of something like tungsten, it might conceivably last a little longer. Just one more, then we’ll stop. This much power—187 megawatts—is enough to make the box glow white. Not a lot of materials can survive these conditions, so we’ll have to assume the box is indestructible. The floor is made of lava. Unfortunately, the floor isn’t. Before it can burn its way through the floor, someone throws a water balloon under it. The burst of steam launches the box out the front door and onto the sidewalk.​[​2​]​ We’re at 1.875 gigawatts (I lied about stopping). According to Back to the Future, the hair dryer is now drawing enough power to travel back in time. The box is blindingly bright, and you can’t get closer than a few hundred meters due to the intense heat. It sits in the middle of a growing pool of lava. Anything within 50–100 meters bursts into flame. A column of heat and smoke rise high into the air. Periodic explosions of gas beneath the box launch it into the air, and it starts fires and forms a new lava pool where it lands. We keep turning the dial. At 18.7 gigawatts, the conditions around the box are similar to those on the pad during a space shuttle launch.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
...he will accompany us on a hike in the hills, leaping and whizzing back and forth, and coming when called as well as a dog. It is just that the organism, the whole pattern of nerve and muscle, is more complex and intelligent than logical systems of arithmetic, geometry and grammar - which are in fact nothing but inferior ritual. Life itself dances, for what else are trees, ferns, butterflies, and snakes but elaborate forms of dancing? Even wood and bones show, in their structure, the characteristic patterns of flowing water, which (as Lao-tzu pointed out in 400 B.C.) derives its incredible power by following gravity and seeking that "lowest level which all men abhor." When dance I do not think-count my steps, and some women say I have no sense of rhythm, but I have a daughter who (without ever having taken lessons in dancing) can follow me as if she were my shadow or I were hers. The whole secret of life and of creative energy consists in flowing with gravity. Even when he leaps and bounces our cat is going with it. This is the way the whole earth and everything in the universe beehives.* But man is making a mess of the earth be- *Harrumph! Excuse the pun, but it is important, because bees live in hexagonal as distinct from quadrilateral structures, and this is the natural way in which all things, such as bubbles and pebbles, congregate, nestling into each other by gravity. It will follow, because 2 x 6 is 12, that - as Buckminster Fuller has pointed out - as number-system to the base 12 (duodecimal) is closer to nature than one to the base of 10 (decimal). For 12 is divisible by both 2 and 3, whereas 10 is not. After all, we use the base 12 for measuring circles and spheres and time, and so can "think circles" around people who use only meters. The world is better duodecimal than decimated.
Alan W. Watts (Cloud-Hidden, Whereabouts Unknown)
As I sat through the summer days, listening and watching, I saw what an illusion this security of the dune seemed; even on a windless day at ebb tide, the dune was receding through the accumulation of thousands of tiny losses. The sand on the seaward edge of the dune banked at a sharp angle, running to the beach on one sweep from just below the dune’s peak. Sitting close, I heard this face whisper, a sibilant hesitation, only audible when the seethe of distant wavelets quieted for a few moments. The sound came from liquefied sand, patches of the slope that suddenly lost their grip and turned, in a instant, to fluid from granular solid. The sand hissed as it raced down the slope in narrow chutes. As the flows hit the beach, the sand huffed as it fanned. The slope looked uniform and solid, but gravity spoke otherwise and unlocked one cluster of grains then another. A beetle struggling up the slope unleashed dozens of slippages and a dangling blade of dune grass incised an arc below which the sand was all fallen away. In one afternoon, along a two meter stretch of beach front, the North American continent lost a bucketful of land to the action of beetle feet, grass blades and the fickle grip of sand grains. It took one year for storms and beetle feet to remove the dune. The sabal palm now stood at the top of the beach, still firmly planted among its companions, with just a few of its easternmost roots exposed.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
I sit with the ponderosa pine, next to Big Stump. As the angle and quality of light vary through the day and through the seasons, the hue and luminance of the colors change, animated by the touch of the Sun. Before the volcanic flow, this redwood was seventy meters tall and more than seven hundred years old. Now it is fragmented stone column three meters tall and ten meters around. For such a long dead creature, the stump is an acoustically lively character. In the summer violet-green swallows wheel around the exposed trunk, chattering as they ambush insects. Mountain bluebirds gather on the stump to feed their squalling youngsters, to purr at mates, and to snap their bills at rivals. A hummingbird buzzes face first against the stump, investigating a streak of flower like orange in the rock. Fewer animal sounds enliven winter’s air. The wail of ponderosa needles dominates, interspersed with the kok-kok of passing ravens. Wind bends spent grass stems to the ground, as they move, their sharp tips etch curved lines on the snow’s surface, the scratch of a pen on rough paper. Snows falls in clumps from pine needles, a hiss, then a muffled blow.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
The sunlight energy absorbed by the earth (and hence the heat energy radiated by the earth) amounts to an average of 239 W/m2. Since a 100-watt incandescent light bulb gives off, well, one hundred watts (almost all as heat), this means the planet radiates heat as if there were a bit more than two light bulbs in every square meter (eleven square feet) of its surface. Human influences today amount to just over 2 W/m2, or slightly less than 1 percent of that natural flow (about the same influence as half a cucumber on the daily human diet).
Steven E. Koonin (Unsettled: What Climate Science Tells Us, What It Doesn’t, and Why It Matters)
As the flow continues, the lake fills in, burying Curiosity under hundreds of meters of water:
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
The next morning I awoke and saw the morning sun peeking through my open window. The sound of wind chimes murmured their random melody, and I was glad to be at home resting in my comfortable bed, my wife curled by my side. Life is like poetry. It has a rhythm and a meter, which, when allowed to flow, will sing a song. Sometimes that song is happy, sometimes it is sad, oftentimes it is both. Whatever its nature, we should all enjoy hearing our own melody. Someday, perhaps before we are ready, the song of this life will face into the ethers. All too soon.
Gary D. Conrad (Oklahoma Is Where I Live: and Other Things on My Mind)
Beverley Brook rises in Worcester Park in southeast London and flows through a ridiculous number of other parks, recreation grounds and golf courses before joining her mother at Barn Elms. She says that while she averages half a cubic meter of water per second, she’s had it up to six cubic meters per second a couple of times. And unless she gets some more care, attention and the occasional bottle of Junipero Gin, she’s not going to be responsible for where that surplus water’s going to end up.
Ben Aaronovitch (The Hanging Tree (Rivers of London, #6))