“
Yeah, she shows signs of life if you do this," said Ron, and with his tongue he made soft clip-flopping noises. Umbridge sat bolt upright, looking wildly around.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Philippine culture was clearly different. It wasn't the fan's duty to remain aloof in the presence of stars; it was the player's responsibility to show gratitude to the average Filipino.
”
”
Rafe Bartholomew (Pacific Rims: Beermen Ballin' in Flip-Flops and the Philippines' Unlikely Love Affair with Basketball)
“
For Love, to which we may now return, has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two tails, two, indeed, of every member and each one is the exact opposite of the other. Yet, so strictly are they joined together that you cannot separate them. In this case, Orlando’s love began her flight towards him with her white face turned, and her smooth and lovely body outwards. Nearer and nearer she came wafting before her airs of pure delight. All of a sudden (at the sight of the Archduchess presumably) she wheeled about, turned the other way round; showed herself black, hairy, brutish; and it was Lust the vulture, not Love, the Bird of Paradise that flopped, foully and disgustingly, upon his shoulders. Hence he ran; hence he fetched the footman.
”
”
Virginia Woolf (Orlando)
“
Blond trollops who don go-go boots flop pompoms nonstop to do promos for floorshows. Wow! Hot blonds who doff cotton frocks show off soft bosoms. Hot to trot, two blonds who smooch now romp on cold wood floors for crowds of morons, most of whom hoot or howl: whoop, whoop
”
”
Christian Bök (Eunoia)
“
Then in a great crash they threw themselves to the floor, ears flopped down, the whites of their eyes showing, looking the way only a dog can look who is totally disappointed. Indeed, they were the very pictures of disappointment.
”
”
Jeffrey Moussaieff Masson
“
HIDEOUS! Sorry, Mom, but vomit green is NOT my colour. And that dress is impossible to walk in! It’s so tight around my legs that it looks like a giant fish tail. While the other bridesmaids walked gracefully to the “Wedding March” song, I flopped my way down the aisle like a human-sized catfish or something! Those rug burns were pure agony! It was getting late and I was running out of time! The last thing I wanted to do was to traumatise Brandon by showing up at the dance looking like a MUTANT FISH GIRL or something. Right now I’m SO frustrated that I’m seriously considering just NOT going to the dance. Why is my life so hopelessly CRUDDY?!
”
”
Rachel Renée Russell (Dork Diaries: Holiday Heartbreak)
“
Nicole had no right to be jealous.Hell,she didn´t even have a reason.They might have some sort of physical chemistry thing going on,but there wasn´t anything emotional.Nothing.She didn´t even like Riker.Liar."There´s nothing to finish,"she said.
"Nothing to finish?You wondered why sex with a vampire was such a big deal.I´m going to show you."Riker moved toward her,slowly,like a cat sneaking up on a bird."Stamina."He stepped closer."Multiple orgasms."Closer,and her mouth went dry."Flexibility."Closer.Her skin flushed hot."Strenght."Closer.Her stomach did a flip-flop."The ability to sense heat so we know what parts of the body are the most sensitive at the right time."Closer.A throbbing ache started low in her pelvis."The ability to hear the slightest change in the tempo of your pulse so we know exactly how every stroke,kiss,and lick effects you."
Oh.Dear.lord.
”
”
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
“
The Trump campaign had, perhaps less than inadvertently, replicated the scheme from Mel Brooks’s The Producers. In that classic, Brooks’s larcenous and dopey heroes, Max Bialystock and Leo Bloom, set out to sell more than 100 percent of the ownership stakes in the Broadway show they are producing. Since they will be found out only if the show is a hit, everything about the show is premised on its being a flop. Accordingly, they create a show so outlandish that it actually succeeds, thus dooming our heroes.
”
”
Michael Wolff (Fire and Fury: Inside the Trump White House)
“
His huge shoulders lift in a shrug. “It’s true. How many of your favorite shows got canceled? How many of the best albums barely sold when they came out? I mean, It’s a Wonderful Life was a box office flop in its time. If everyone who worked on that movie had known, could see how things were going to pan out in the short term, would they have even bothered to make it? And then the world would’ve lost out on something beautiful. Just because something doesn’t make money or win awards doesn’t mean it doesn’t have value. Or doesn’t deserve to exist. The job is alchemy. You take a hunk of rock and you try to turn it into gold, and the gold isn’t even really the point.
”
”
Emily Henry (Great Big Beautiful Life)
“
When I received the Culver Creek Handbook over the summer and noticed happily that the “Dress
Code” section contained only two words, casual modesty, it never occurred to me that girls would
show up for class half asleep in cotton pajama shorts, T-shirts, and flip-flops. Modest, I guess, and
casual.
”
”
John Green
“
Nothing to finish? You wondered why sex with a vampire was such a big deal. I’m going to show you.” He moved toward her, slowly, like a cat sneaking up on a bird. “Stamina.” He stepped closer. “Multiple orgasms.” Closer, and her mouth went dry. “Flexibility.” Closer. Her skin flushed hot. “Strength.” Closer. Her stomach did a flip-flop. “The ability to sense heat so we know what parts of the body are the most sensitive at the right time.” Closer. A throbbing ache started low in her pelvis. “The ability to hear the slightest change in the tempo of your pulse so we know exactly how every stroke, kiss, and lick affects you.” Oh. Dear. Lord.
”
”
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
“
En Montford Falls, el primer lugar al que me mude cuando me fui, me llame Eliza. El vecindario donde vivíamos era donde vivían todas estas familias felices, como algo de un viejo show de televisión.
En el siguiente lugar, Petree, todos eran ricos. Era Lizbet, y vivíamos en este elevado complejo de apartamentos, todo en oscura madera y aplicaciones de metal. Era como algo sacado de una revista: incluso el ascensor era silencioso.
Cuando nos mudamos a Westcott, teníamos una casa en la playa, tan soleada y cálida, y podía llevar flip-flops todo el año si quería. El primer día me presente como Beth.
En Lakeview, la casa tenía un aro de baloncesto. Yo iba a ser Liz Sweet.
”
”
Sarah Dessen (What Happened to Goodbye)
“
If flip flops were oppressive, I wouldn't wear any. I'd go around showing of my bare feet of freedom. And I'd tell everyone that freedom causes blisters.
”
”
Jarod Kintz (This Book is Not for Sale)
“
He smiled, really smiled, and I hated how my heart tried to flop about in my chest like a fucking Labrador retriever whose best friend just showed up.
”
”
Shannon Mayer (Priceless (Rylee Adamson, #1))
“
Zane looks pensive, and then his lips twitch. “They say most girls end up marrying a guy just like their dad.”
“Oh God … That’s so lame,” I say, spluttering as coffee dribbles down my chin.
“I believe it’s a tried and tested theory,” he says, standing up and wiping my chin with the back of his hand. I jolt at his touch.
“Now it’s a theory? I thought it was a saying? Next you’ll be telling me it’s a fact.” I flop back down on the couch.
“Empirical evidence shows that sixty-eight percent of girls marry a guy who displays similar personality traits to her father ...” His voice trails off as I shake my head. “What?” he asks, his palms open and raised.
“You really need to get out more. Where’d you glean that interesting nugget? The desperate men’s journal perhaps?
”
”
Siobhan Davis (Beyond Reach (True Calling #2))
“
When I received the Culver Creek Handbook over the summer and noticed happily that the “Dress Code” section contained only two words, casual modesty, it never occurred to me that girls would show up for class half asleep in cotton pajama shorts, T-shirts, and flip-flops.
”
”
John Green (Looking for Alaska)
“
You mind if I change out of this uniform?” I ask awkwardly. “I’ve got my street clothes in my bag.”
He flops on the edge of the monstrous bed and leans back on his elbows. “Go right ahead. I’ll sit here and enjoy the show.”
I clench my teeth. “I meant in the washroom.”
“That’s no fun.”
“Nothing about this is fun,” I mutter.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Just inside the doorway he puts down the bags, motions her to stand by them a minute. He saunters out ahead, carefully casual. Peers up one way, down the other. Nothing. The street's dead to the world.
Then suddenly, from nowhere, ping! Something flicks off the wall just behind him, flops at his feet like a dead bug. He doesn't bend down to look closer, he can tell what kind of a bug it is all right. He's seen that kind of bug before, plenty of times. No flash, no report, to show which direction it came from. Silencer, of course.
He hasn't moved. Fsssh! and a bee or wasp in a hurry strokes by his cheek, tingles, draws a drop of slow blood. Another pokk! from the wall, another bug rolling over. The insect-world seems very streamlined, very self-destructive, tonight. ("Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
“
For Love, for which we may now return, has two faces; one white, the other black; two bodies; one smooth, the other hairy. It has two hands, two feet, two nails, two, indeed, of every member and each one is the exact opposite of each other. Yet, so strictly are they joined together that you cannot separate them. In this case, Orlando's love began her flight towards him with her white face turned, and her smooth and lovely body outwards. Nearer and nearer she came wafting before her airs of pure delight. All of a sudden she wheeled about, turned the other way round; showed herself black, hairy, brutish; and it was Lust the vulture, not Love, the Bird of Paradise, that flopped, foully and disgustingly, upon his shoulders. Hence he ran;
”
”
Virginia Woolf (Orlando)
“
It truly is a team sport, and we have the best team in town. But it’s my relationship with Ilana that I cherish most. We have such a strong partnership and have learned how we work most efficiently: I need coffee, she needs tea. When we’re stressed, I pace around and use a weird neck massager I bought online that everyone makes fun of me for, and she knits. When we’re writing together she types, because she’s faster and better at grammar. We actually FaceTime when we’re not in the same city and are constantly texting each other ideas for jokes or observations to potentially use (I recently texted her from Asheville: girl with flip-flops tucked into one strap of tank top). Looking back now at over ten years of doing comedy and running a business with her I can see how our collaboration has expanded and contracted. But it’s the problem-solving aspect of this industry, the producing, the strategy, the realizing that we could put our heads together and figure out the best solution, that has made our relationship and friendship what it is. Because that spills into everything. We both have individual careers now, but those other projects have only been motivating and inspiring to each other and the show. We bring back what we’ve learned on the other sets, in the other negotiations, in the other writers’ rooms or press situations. I’m very lucky to have jumped into this with Ilana Rose Glazer, the ballsy, curly-haired, openhearted, nineteen-year-old girl that cracked me up that night at the corner of the bar at McManus. So many wonderful things have happened since we began working together, but there are a lot of confusing, life-altering things in there too, and it’s such a relief to have someone who completely understands the good and the bad.
”
”
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
“
They ended up in a amusement arcade on Old Compton Street, where Nora insisted Stephen join her on one of those dance-step machines, and as he stood next to her, stomping out a dance routine on the illuminated dance floor, he had a sudden anxiety that Nora might be one of those kooky, free-spirit types, the kind of irreverent life-force who, in the imaginary romantic comedy currently playing in his head, turns the hero’s narrow life upside down, etc., etc. The acid test for free-spirited kookiness is to show the subject a field of fresh snow; if they flop on their backs and make snow-angels, then the test is positive. In the absence of snow, Stephan resolved to keep an eye open for other tell-tale kookiness indicators: a propensity for wacky hats, zany mismatched socks, leaf-kicking, a disproportionate enthusiasm for karaoke, kite - flying and light-hearted shoplifting, the whole Holly Golightly act.
”
”
David Nicholls (The Understudy)
“
I want to proudly acknowledge all the women we love: married mothers, single mothers, new mothers, "act brand new" mothers, patient mothers, "lose it in a hot second" mothers, older mothers, the "Yeahh, I still got it" mothers, working mothers, stay at home mothers, "wish I could stay at home" mothers, afro chic mothers, relaxed hair mothers, "new weave every 3 months" mothers, "make a weave last 6 months" mothers, the "all the neighborhood kids stay at my house" mother, the "go play in your own dam house" mother, cook every night mothers, "you better learn how to cook" mothers, old navy flip flop mothers, stiletto mothers, the "money is tight" mothers, "I'm tight with my money" mothers, throw-back mothers, throwed off mothers, the "Life Is Not Complicated, You Are" and "The Other 99 TYMES" loving mothers, and definitely all the "Girl, we bout to go hard at the next Sol-Caritas" show mothers!! We love you all! Happy Mother’s Day
”
”
Carlos Wallace
“
I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh
Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep)
You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love.
We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-
”
”
Junipurr- Sometimes Trudy
“
Sad understanding is what compassion means - I resign from the attempt to be happy. It’s all discrimination anyway, you value this and devalue that and go up and down but if you were like the void you’d only stare into space and in that space though you’d see stiffnecked people in their favorite various displaytory and armors sniffing and miffed on benches of this one-same-ferry-boat to the other shore you’d still be staring into space for form is emptiness, and emptiness is form - O golden eternity, these simperers in your show of things, take them and slave them to your truth that is forever true forever - forgive me my human floppings - I think therefore I die - I think therefore I am born - Let me be void still - Like a happy child lost in a sudden dream and when his buddy addresses him he doesnt hear, his buddy nudges him he doesnt move; finally seeing the purity and truth of his trance the buddy watches in wonder - you can never be that pure again, and jump out of such trances with a happy gleam of love, being an angel in the dream.
”
”
Jack Kerouac (Desolation Angels)
“
Sad understanding is what compassion means - I resign from the attempt to be happy. It’s all discrimination anyway, you value this and devalue that and go up and down but if you were like the void you’d only stare into space and in that space though you’d see stiffnecked people in their favorite various displaytory furs and armors sniffing and miffed on benches of this one-same-ferry-boat to the other shore you’d still be staring into space for form is emptiness, and emptiness is form - O golden eternity, these simperers in your show of things, take them and slave them to your truth that is forever true forever - forgive me my human floppings - I think therefore I die - I think therefore I am born - Let me be void still - Like a happy child lost in a sudden dream and when his buddy addresses him he doesnt hear, his buddy nudges him he doesnt move; finally seeing the purity and truth of his trance the buddy watches in wonder - you can never be that pure again, and jump out of such trances with a happy gleam of love, being an angel in the dream
”
”
Jack Kerouac
“
Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world?
Like your heart may be broken but your spirit is still rising?
Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now.
Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day?
Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer?
Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two?
Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once?
Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming?
Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?
”
”
Jeanette LeBlanc
“
Maybe that’s his game, though,” I said. “The hunt for one soul, again and again.”
“Then why are you still here?”
“The other women lived with him for a long time too. Maybe he wants to wait until my defenses are down, and then-“
“Wow, Clea, you are so jaded. You found your soulmate. People wait their whole lives for this. It’s the most amazing thing in the world, and it’s happened to you. Can’t you just accept it and be happy?”
What she said made sense, but…
I flopped back on the bed and stared at the ceiling. Without looking at Rayna, I said, “He doesn’t act like he’s my soulmate. Sometimes I think maybe he liked the other women more. I think maybe he wishes I was one of them.”
Rayna was silent. This was something I’d never heard. “This is seriously, deep,” she finally said. “You’re feeling insecure because you’re jealous…of yourself.”
“I didn’t say I was jealous…”
“You’d rather think he’s a serial killer than risk being with him and finding out he doesn’t like you as much as he liked…you?” She scrunched her brow and thought, then tried again. “Yous? Anyway, you know what I mean-the other yous.”
“Forget the jealousy thing, okay? There are other reasons to doubt him too. Ben doesn’t trust him at all. He thinks Sage is some kind of demon. He said there’s a spirit called an incubus that comes to women in their sleep, and-“
“Of course Ben said that.” Rayna shrugged. “He’s jealous.”
“Of what?”
“Ben’s crazy in love with you, Clea. I’ve been saying that forever!”
“And I’ve been ignoring you forever, because it’s not true. You just want it to be true because it’s romantic.”
“Did you not see the pictures of you from Rio?”
I narrowed my eyes. “What are you talking about?”
Rayna pulled out her phone. “Honestly, I don’t know how you survive without Google Alerts on yourself. The paparazzi were out in full force for Carnival.”
She played with the phone for a minute, then handed it to me. It showed a close-up of Ben and me at the Sambadrome that could only have been taken with a serious zoom. I felt violated.
“I hate this,” I muttered.
“Why? You look cute!”
“I hate that people are sneaking around taking pictures of me!”
“I know you do. Ignore that for the moment. Just scroll through.”
There were five pictures of Ben and me. Four of them were moments I vividly remembered, pictures of the two of us facing each other, laughing as we did our best to imitate the dancers shimmying and strutting down the parade route.
The fifth one I didn’t remember. I wouldn’t have; in it I had my camera up to my face and was concentrating on lining up the perfect shot. Ben stood behind me, but he wasn’t wearing the goofy smile he’d had in the other pictures. He was staring right at me with those big puppydog eyes, and his smile wasn’t goofy at all, but…
“Uh-huh,” Rayna said triumphantly. She had climbed into my bed was looking at the picture over my shoulder. “Knew that one would stop you. There is only one word for the look on that boy’s face, Clea: love-struck. Which is probably why a bunch of websites are reporting he’s about to propose.”
“What?”
“Messenger. Don’t kill the messenger.”
I looked back at the picture. Ben did look love-struck. Very love-struck.
“It could just be the picture,” I said. “They caught him at a weird moment.”
“Yeah, a weird moment when he thought no one was looking so he showed how he really felt.”
I gave Rayna back the phone and shook my head. “Ben and I are like brother and sister. That’s gross.”
“Hey, I read Flowers in the Attic. It was kind of hot.”
“Shut up!” I laughed.
“I’m just saying, think about it. Really think about it. Is it that hard to believe that Ben’s in love with you?
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Allison got to the lobby first, dressed in jeans, a red sweater, and a cropped black jacket. Her feet had ordered her directly into flats the moment she’d gotten into her room, so she’d put on a pair of short black boots. She didn’t see Rick or Kim and flopped down on an overstuffed, garishly-clad club chair to wait. Despite the time of night, the place was packed, and she amused herself by watching people and guessing their stories. Caught up in trying to determine if a woman near the door dressed in a skin-tight black dress and bright red, four-inch, platform shoes was a high-class call girl, or a model, she almost vaulted out of her seat when a voice said, “Anyone sitting here?” She looked up at a man of about forty, dressed in olive green silk pants and a cream colored sweater. He was so attractive Allison couldn’t answer with anything other than a shake of her head. The fact that his eyes were the same color as hers only added to her disquiet. “Great.” He flashed a set of perfect teeth at her briefly, and dropped into the matching chair across from her. “I know you,” he added, “saw you on the ATCE show floor today. You work for Hoyt right? In marketing?” Allison nodded. The man put out his hand, “Craig Simmons.
”
”
J.P. Peranteau (Black Hole)
“
It’s almost time for us to swim,” Turtle said cheerfully. “You can worry about that instead.” He canted his wings and swooped down toward the river. Uneasily, Peril followed him. Don’t think about it. There’s nothing I can do about this NightWing right now anyway. I have to wait until he shows his face a bit closer to me, and then I can burn it off, and then everything will be fine. She flexed her talons, feeling the warm shift of her firescales, and then splashed down right behind Turtle. The river was cold and extremely wet and full of flappy slippery things. Peril did not like it ONE BIT. The flappy slippery things (she assumed most of them were fish) kept touching her and then not bursting into flames and that was so weird. Even the feeling of water all around her scales, pressing in on her, was extremely unsettling. She was also not particularly fond of how much faster than her Turtle could suddenly go. He powered forward in huge wingbeats, steering gracefully with the current, while she flopped around snorting water up her snout and generally feeling like a hippo. A hippo floated past, eyeing her with serene scorn. Fine. Not like a hippo. Like an ostrich suddenly plunked in the middle of an ocean, how about that.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
Kristen- Matt kidnapped me! He was planning to kill me! He said that he was going to put my dead body in the woods, that he had the perfect spot. That he could cover me over with the brush, that was there… out in the middle of nowhere. So, no one would find me until my body would rot and smell to the high heavens. Will I live or will I die? He said that he wanted to do it slowly and diligently over some time to make sure I would feel as much pain that could be felt. In the car, his first stop along this journey through hell was a small one-room cabin out in the woods, with no power, no main roads, nothing, nothing for me to think about other than death. That is where we went first, and he tied me down in that shack, to the one old lone bed, as well as flopped on top nonstop on me for many days.
Of course, for many days I laid on top of that bed so vulnerable, for him at any time to do as he wanted. Never able to move, as he had that zeal glimmer in his eyes, all I could do is shake and squirm slightly in my pee and other substances like that. Yes, he loved to shine the light off of that large shiny knife blade in my face, to show me what he was capable of doing also if I did not give it all up to him when he wanted it. Oh, how he would, inject sedation drugs into me every chance he got, I could not fight him off, I could not beat him off enough, so he would put me to sleep, so he could be as rough as he wanted to be. He had me worn out!
”
”
Marcel Ray Duriez
“
At the sight of Zee, Cyrus’s heart caught in his chest, with—he realized almost all at once—what must have been clarity. Clarity like he’d never known: sweet and unequivocal. The smell of walnut and woodsmoke on the wind. The air felt thick. Somewhere in the distance, someone was singing. “Zee!” Cyrus shouted, waving him over. Zee smiled and made a show of jogging over to Cyrus, though he moved slowly to not slip on the ice in his ridiculous Crocs. Cyrus gleamed, Zee’s woven backpack flopping up and down on his back in time with the bouncing of his curls. Cyrus loved him so much. “I love you so much,” Cyrus said, immediately falling into a deep embrace as Zee got to him. He used his thumbs to part the curls crossing over Zee’s forehead and kissed him there. “I’m so, so sorry.” He meant it. Zee’s goodness filled him like a drug. “Hey!” Zee said, smiling, pulling his head back from Cyrus’s. “I love you too, you idiot.” They kissed on the lips, a quick and firm kiss that seemed at once tiny and unbreakable, like a pebble. It wasn’t right, how Cyrus had treated Zee. His barb the night before, yes, but also their entire relationship. Like he was entitled to his friend’s adoration. How had he been so oblivious? Love was a room that appeared when you stepped into it. Cyrus understood that now, and stepped. Around them, something like seafoam blew across the park. The tree branches had lowered themselves down to meet the new grass rising through the snow.
”
”
Kaveh Akbar (Martyr!)
“
Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.
”
”
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
“
Then she bent her head over at the waist and tossed her head around to separate the curls.
The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell.
She looked at them, her mouth watering. Yep. Enrique’s. The best in town.
He whirled around to punch the door-close button.
“Hey,” she said. “I’m getting off here.”
Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.”
Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops.
He grabbed her up off her feet and bent his head. Found her mouth with his.
“Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!”
Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides.
And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before.
The door slid closed. The girls began banging on it.
“We know your room number, Chase, honey,” they yelled. “See you there.”
Loud giggles.
“We’ll show you a real good time.”
The elevator moved up, the voices faded away. But Chase kept on kissing her.
She had to make him stop it. Right now. Who did he think he was, anyway?
Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes.
He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . .
When he finally let her go she pulled back and away, fighting to get a handle on her breathing.
“What’s the matter?” he demanded.
Her blood rushed through her so fast it made her dizzy.
“You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?”
She touched her lips. They were still on fire.
“You have got a helluva nerve, Chase Lomax.”
He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted.
“I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.”
“I was drying my hair.”
He stared, then burst out laughing. “Oh, well, then.”
His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good.
“Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?”
He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?”
He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat.
“You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.”
Something flashed deep in his brown eyes.
“Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
”
”
Genell Dellin (Montana Gold)
“
You’re covered in blood,” Felix noted.
Jericho snorted. “Yeah, kind of a hazard of the job.”
Felix scoffed. “Yeah, but you’re also wearing that weird smug, smirky look you only get whenever you get laid, and since you were in an abandoned cabin with Trevor the perv, we’re…alarmed.” He flicked his hand dramatically.
“Alarmed,” Jericho echoed.
Arsen leaned in, his tone conspiratorial. “Did you fuck Trevor the perv, Coe?"
Felix pulled a face. “I’m just hoping he fucked him before he killed him, not after. Once you cross that line, you don’t come back.”
Jericho tried to follow their dizzying thought process, but before he could formulate a response, Nico and Levi arrived. Fuck. Levi looked like a wanted poster had fucked a tattoo model. His inky dark hair fell in his face, and he sucked on a Dum-Dum lollipop. Nico’s springy blond curls hung in his face. He looked surprisingly angelic for somebody who was such a little monster.
“What’s up? Why’s everybody looking so constipated?” Levi asked.
“Coe fucked Trevor the perv,” Arsen said, as if this was fact and not their wild speculation.
Levi wrinkled his nose. “That dude was gay? Or was he, like”—he mimed a blowjob—“trying to bribe his way out of it?”
Jericho’s face contorted at the idea of a blowjob from greasy ass Trevor, but they paid him no mind.
Nico also looked disgusted. “What the fuck, man? Like, I get it. Who hasn’t wanted to fuck somebody they killed or kill somebody they fucked? But it’s a slippery slope, man.”
“This is what I told him,” Arsen said, shaking his head. “Once you cross that line…”
“Jesus Christ. I didn’t fuck Trevor the perv. I killed Trevor the perv,” Jericho said, walking around the four of them to head to his office, attempting to close the door behind him. His brother caught it and swung it back open.
“If you didn’t fuck Trevor, then who was it? And don’t lie and say it didn’t happen. Your after orgasm glow never lies,” Arsen said, flopping down into a chair hard enough to rock it back dangerously far before it righted itself.
“I—” Jericho shook his head. “I ran into a guy.”
“With your dick?” Levi asked.
Nico’s brows knitted together. “In the middle of the woods?”
“Like, a homeless man in the woods? A… What’s the word? A hobo?” Arsen asked.
Levi elbowed him. “We don’t call them that anymore. Show some respect.”
Arsen shrugged. “Sorry. What do you call a man roaming the woods looking for sex?”
“A lie,” Felix said, his mouth set in a hard line. “No way my brother banged some hot, sweaty lumberjack in the woods. That’s not his type.” His long, elegant fingers trailed over his collarbones, a slow smile spreading along his face as his brother seemed to get lost in his own lumberjack fantasy.
“I—”
“There’s nothing in the woods but animals and Sasquatch,” Nico said.
“Sasquatch?” Levi parroted.
Nico nodded. “Yeah, you know. Bigfoot.”
“Did you fuck Bigfoot?” Levi asked, pulling the lollipop from his mouth with a pop.
”
”
Onley James (Moonstruck (Necessary Evils, #3))
“
Frank’s notion of success is transformed from creating work of artistic integrity that contains the potential to change the world (act 2, scene 5) to the kind of worldly success that is marked by money, possessions, and status (act 1, scene 1), a transformation that occurs gradually through his relationship with Gussie. Gussie represents the worldly idea of success, and she positions herself with men who she thinks can help her get it. She moves from being Joe’s secretary to being his wife so as to have a producer to cast her in shows. After five flops, she desperately needs a hit that will establish her as a star, and so she initiates her seduction of Frank. This begins a triangular tug-of-war with Frank in the middle: Mary (not the oblivious Beth) trying to pull Frank back from Gussie’s sexual seduction; and Charley trying to pull Frank back from her idea of worldly success. This tug-of-war plays out through many decisions, some big, some small, not all of them Frank’s: Frank and Charley’s decision to do Musical Husbands as a vehicle for Gussie and then to do one more fluff musical, Sweet Sorrow, for Joe; Beth’s decision to leave Frank with Gussie on the opening night of Musical Husbands; Charley and Mary’s miscalculated decision to encourage Frank to go on the cruise; Gussie’s decision to leave Joe; Frank’s decision, seemingly a small one, not to join Charley and Mary at the Downtown Club on the night he returns from the cruise. Where exactly Frank could have or should have said no so as to have changed his life story is not clear. Rather, the cumulative effect of his and others’ decisions is described by the ensemble in the title song: How does it start to go? Does it slip away slow, So you never even notice it’s happening? (F 383)
”
”
Robert L. McLaughlin (Stephen Sondheim and the Reinvention of the American Musical)
“
Mibs says: I wanted to say something while you weren’t around to make me too shy to say it. Mibs says: I love you. I know you know that, but I don’t think you really realize just how much I really do love you. How’s that for a lot of real-ity? Mibs says: So, I want to tell you while I know you can’t get on and make me self-conscious. I love you. I love how you think of my children as yours. I love how you put us before you even when it is uncomfortable for you or a financial blow. Mibs says: Sigh. This is hard. I love how you smile at me. The way those smiles make my stomach flop is the most wonderful feeling. Mibs says: The way you reach for me and then hesitate, making sure you are being honorable in your actions. Mibs says: I love the tone of your voice when you say you love me. Mibs says: I love knowing that you mean it when you say it. Mibs says: And how you protect me, even from my children and from myself. Mibs says: I love your delight in your sisters, your nieces, and your nephews. I love how you cherish your mother and how that spills over into cherishing me. I’ve never doubted how you’d treat me. It shows every day in how you treat them. Mibs says: And I love how you call me “Mibs.” I love the way you say it, the tone of your voice, the little smirk around your lips…. Mibs says: Whew. This is killing me. I love that you find me attractive. You don’t say much, but I see it in how you respond to me. It amazes how much I see that you desire only me. Mibs says: But most of all, I think I love the way you love the Lord even more than you love me. I couldn’t ask for anything more. Mibs says: I love that I get to be the one you call wife. Mibs says: Goodnight.
”
”
Chautona Havig (Here We Come (Aggie's Inheritance, #3))
“
The simple solution was for Manchin to concede. He could just give Sinema her win—and find another way to pay for the bill. But Manchin wasn’t in a yielding mood. “I’m not going to let her define this bill,” he told Steve Ricchetti. To dislodge the pair of obstinate senators, Schumer enlisted Mark Warner, one of their fellow centrists. Warner considered both of them friends and had a history of skillfully steering them in leadership’s favored direction. Warner’s first task was getting Manchin to relent, which meant a late-night visit to his houseboat. A summer storm soaked Warner’s suit, and he lounged around in a borrowed T-shirt and a pair of Manchin’s flip-flops. “Show generosity of spirit,” he urged. He had an ally in Manchin’s wife, Gayle, who had access to emotional weaponry that Warner didn’t. “You can’t be greedy on this,” she told her husband. Having worked through his anger, Manchin could see that he had little choice but to grant Sinema her win.
”
”
Franklin Foer (The Last Politician: Inside Joe Biden's White House and the Struggle for America's Future)
“
to turn to dust the instant I called them up. The only sensation I could recall was that of moving very fast. Perhaps it had been too fast for my brain to process? I wasn’t sure, but in the end, all I could remember was that during those brief seconds, I had taken out all of our enemies. Somehow. It irritated me that my brain was striving to block that knowledge, actions that I had taken, evading me. The scrape of a boot on rock announced the presence of someone joining me on my high hideaway. “Not now, Vir,” I said without looking, unsure if I could handle his constant positivity at a time like this. He just believed so much that I was the one who could do this that at times it became grating having to live up to such lofty standards. “If he shows up, I’ll be sure to tell him to scram,” Aaron chuckled as he joined me. “Oh, sorry,” I said, still not looking back. “This is my favorite spot, too,” he said. I looked down at where my feet dangled into nothingness. The path to get up here hadn’t been easy to find, but it wasn’t impossible either. And the vista was spectacular. “Listen, Aaron,” I said. “I don’t know if I want to talk about this.” “No?” I snorted a single burst of laughter. “No. Definitely not with a vampire,” I teased. Aaron flopped down on the ledge next to me and looked over, his bright blue eyes looking silver-white in the sunlight. “How about with a friend?” “That was lame,” I pointed out. “You looking nothing like Legolas.” The vampire chortled with laughter. “It’s so much,” I said as he calmed. “I’m not the hero he thinks I am.” There was no need to specify which “he” I was talking about.
”
”
Riley Storm (Fate Unbound (Soulbound Shifters, #3))
“
One thing I don’t see here today is customers. Luxury-car sales are “more lifestyle than automotive,” Christiansen explains. The vehicles follow the money. His team will cosponsor events with private jet manufacturers and fractional ownership services such as NetJets and XOJET, or with San Francisco’s St. Francis Yacht Club, to expose affluent people to vehicles “they don’t even know they want yet.” Customers wander in from time to time, of course. Rocker Sammy Hagar, a Ferrari collector who sold his Cabo Wabo tequila brand to Campari for $91 million, has been known to stop by the sister dealership in San Francisco “in flip-flops, torn shorts, ratted hair, and a T-shirt. You wouldn’t think the guy has two dimes to rub together if you didn’t know who he was,” Christiansen says. Another guy showed up at the Walnut Creek lot dressed like a plumber and configured a $260,000 Bentley. He was, in fact, a plumber—one who owned a thriving plumbing business. He’d arrived in another Bentley, now on consignment.
”
”
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
“
There were many echoes of Johnson in Lewis. Both were formidable in their learning and in the range of their conversation, both had the same delight in argument, and in spite of their regard for truth, would argue for victory. Lewis had Johnson's handiness with the butt end of a pistol if an argument misfired. Like Johnson, he was a largish, unathletic-looking man, heavy but not tall, with a roundish, florid face that perspired easily and showed networks of tiny blood-vessels on close inspection; he had a dark flop of hair and rather heavily pouched eyes; these eyes gave life to the face, they were large and brown and unusually expressive. The main effects were of a mild, plain powerfulness, and over all there was a sense of simple masculinity, of a virility absorbed into intellectual life. He differed in his youth from most others of his age by seeming to have no sexual problems or preoccupations, or need to talk about them if he had them
”
”
Jocelyn Gibb (Light on C. S. Lewis (Harvest Book; Hb 341))
“
A subject of much greater concern to me, however, was the great french-fry flop. I had explained to Ed MacLuckie with great pride the McDonald’s secret for making french fries. I showed him how to peel the potatoes, leaving just a bit of the skin to add flavor.
”
”
Ray Kroc (Grinding It Out: The Making of McDonald's)
“
Where do you want me to sit?’ he says, eyeballing the couch. It’s a three-seater, so we can share it without me getting weird.
I sit on the left, he flops down on the right, and an immeasurable black hole opens up in the space between us. I’d never really noticed how far away the other side of the sofa was until now. We may need cups and string to communicate.
‘So, what do you wanna watch?’ Luke asks, his voice raised a little because he’s noted the overcautious distance and is having a little fun with it.
‘I don’t want to catch boy cooties,’ I tell him. ‘You could have been anywhere, rolling around in anything, before you showed up here.’
‘This is true. Can I just note, I really admire your level of resistance to my raw animal magnetism,’ he says, all snark.
‘I’m not going to lie.’ I let out an exhausted breath. ‘It’s been tough.
”
”
Louise Gornall (Under Rose-Tainted Skies)
“
Alyssa shrugged. “I think we know the routine.” “You do, but there’s still a…stiffness because y’all aren’t completely comfortable with it, and it shows in your dancing.” Ashton held up a finger. “Everyone close your eyes, relax your shoulders, and just feel the breeze that’s blowing across the field right now.” Ashton closed her eyes and waved her arms around slowly. “You’re a tree, and the gentle wind is swaying your branches. Let it sway you.” What Ashton didn’t know was that no one did as she instructed. The girls and Patty stood there watching Ashton sway her arms. “Coach, you look like the inflatable tube man they have at the new carwash, and you’re scaring me,” Sophie said, looking disturbed. Ashton’s eyes flew open. “I better see some people doing the inflatable tube man pretty darn quick.” The girls all threw up their arms and flopped them around violently, and Ashton said, “Y’all are killing me. Show me how y’all would dance if you were at a party.” She covered her face with both hands when they all started twerking. “Okay, just stop. Gemma, run them through the moves again.” “What were you trying to accomplish with all that?” Patty asked with a grin. “I was trying to get them to loosen up,” Ashton said and glanced at her watch. “This day is creeping by.” “You should’ve dusted off your snake and showed them that. If you can do a smooth snake, you can make any dance move smooth. Check my snake.” Ashton shook her head. “That’s not a full-on snake. You have to roll your body from your head to your hips, use your neck like this.” “You were always better at this one than I was,” Patty said as she mimicked Ashton’s moves. “You couldn’t touch my Cabbage Patch though.” Ashton snorted. “That sounded so dirty. Come on, Patty, neck and shoulders, work them.” Ashton turned when the music stopped and realized the girls had stopped practicing to watch her and Patty. “What’re y’all doing?” Gemma asked with a laugh. “This is dancing,” Patty retorted. “Back in the day, we moved our entire bodies instead of rhythmically humping the air like y’all do. Tell you what, if y’all can learn to do the snake, I’ll buy y’all shakes at Molly’s.” Every girl on the team executed the dance move perfectly, and Gemma grinned. “Momma, we know old school moves.” Melody nodded. “Yeah, we know all those old-timey dances. Can we go to Molly’s now?” “What were you trying to accomplish with this plan?” Ashton asked Patty with a grin. “Apparently, bankruptcy.” ******* “How many times are you gonna change your clothes?” Jet asked that evening as she watched Shawna go back into her closet. Shawna groaned. “Everything I put on is pissing me off.” “Wear jeans and your light blue V-neck T-shirt. You’re just going to her house, you don’t have to dress up.” Jet sprawled out on Shawna’s bed and toyed with the TV remote.
”
”
Robin Alexander (Patty's Potent Potion)
“
You know these girls wearing leggings that show off their legs and ass perfectly through their pants? I think the next step is for us guys to wear leggings too, with a part sticking out in the shape of a dick. Our dicks would fit into it and guys would be walking with perfect silhouettes of our dicks flopping around... Or we could be fully erect. Lots of options there! Because the next step after that is for girls to have a part of their leggings that go up into their vaginas! So we can walk up to them and literally fuck without taking off any clothing. By the way, the leggings will act as a condom too. But I doubt that idea will take off. We aren't actually a sex crazed country. Seriously, look at the stores around the average city. We have shops for nick-knacks like postcards, snow globes, lawn gnomes, and all around stupid shit. Then, when I walk past a girls clothing store and I see mannequin bodies of hot ass girls that show off some sexy clothing...
”
”
Mike Sov (I Like Poop)
“
If any can show just cause why this couple may not be lawfully joined in matrimony, speak now or --- "Reverend Norton halted, looking behind them with raised eyebrows.
Before Grace had time to wonder why the minister paused - if someone was, indeed, objecting to their union - the rapid click of toenails on the wooden floor made both of them look back over their shoulders.
Frey groaned and made a face. "Gertie!" He released Grace's hand.
Who?
A brown and black dog trotted up the aisle to them, tail held high. She had soft brown eyes and a thin, dark line down the middle of her forehead that gave her a worried look. She stopped in front of Frey and looked at him, her head cocked as if in expectation. The tips of her ears flopped forward.
Seth burst into laughter. "Do you think Gertie's objecting to your marriage?"
Obviously aghast at his breach of decorum, Trudy gave Seth an owlish glare.
Frey shrugged in apparent chagrin. "I'm sorry. I left her tied up on my porch."
She looked from the man to his dog...
The dog sniffed her fingers. Seeming to approve, she edged closer.
Grace rubbed Gertie's head. "If Reverend Norton doesn't mind," she said to the dog, "I'm fine with you remaining for the rest of the ceremony.
”
”
Debra Holland (Grace: Bride of Montana (American Mail-Order Bride, #41))
“
The Razorbacks would play Duke, the NCAA champs in 1991 and 1992. Duke had a host of great players, but their star was Grant Hill, a consensus pick for national Player of the Year honors. The day before the championship, Richardson grew pensive. He was reasonably proud of his accomplishments, but something was nagging him. Richardson had been the underdog so long that despite his team’s yearlong national ranking, he still felt dispossessed. He found himself pondering one of Arkansas’s little-used substitutes, a senior named Ken Biley. Biley was an undersized post player who was raised in Pine Bluff. Neither of his parents had the opportunity to go to college, but every one of his fifteen siblings did, and nearly all graduated. “I had already learned that everybody has to play his role,” Biley says of his upbringing. As a freshman and sophomore, Biley saw some court time and even started a couple of games, but his playing time later evaporated and he lost faith. “Everyone wants to play, and when you don’t you get discouraged,” he says. On two occasions, he sat down with his coach and asked what he could do to earn a more important role. “I never demanded anything,” Biley says, “and he told me exactly what I needed to do, but we had so many good players ahead of me. Corliss Williamson, for one.” Nearly every coach, under the pressure of a championship showdown, reverts to the basic strategies that got the team into the finals. But Richardson couldn’t stop thinking about Biley, and what a selfless worker he had been for four years. The day before the championship game against Duke, at the conclusion of practice, Richardson pulled Biley aside. Biley had hardly played in the first five playoff games leading up to the NCAA title match—a total of four minutes. “I’ve watched how your career has progressed, and how you’ve handled not getting to play,” Richardson began. “I appreciate the leadership you’ve been showing and I want to reward you, as a senior.” “Thanks coach,” Biley said. He was unprepared for what came next. “You’re starting tomorrow against Duke,” Richardson said. “And you’re guarding Grant Hill.” Biley was speechless. Then overcome with emotion. “I was shocked, freaked out!” Biley says. “I hadn’t played much for two years. I just could not believe it.” Biley had plenty of time to think about Grant Hill. “I was a nervous wreck, like you’d expect,” he says. He had a restless night—he stared at the ceiling, sat on the edge of his bed, then flopped around trying to sleep. Richardson had disdained book coaches for years. Now he was throwing the book in the trash by starting a benchwarmer in the NCAA championship game.
”
”
Rus Bradburd (Forty Minutes of Hell: The Extraordinary Life of Nolan Richardson)
“
My First Kill
‘Twas Burton showed me where it was and told me not to wait,
Whilst Walter moved the dust bin out and shut the garden gate;
Then master said, “Now, here’s your chance; come on, my flop-eared son”
(I must admit, until he spoke, I felt inclined to run);
Maria whacked it with her broom, and then sat down and cried,
And Cookie screamed and frightened it before she ran inside;
The cat said, “After you, old chap; he’s rather big for me,
So I shan’t interfere at all,” and scrambled up a tree;
Next someone threw a lump of coal and made the beast turn round;
Then—I went in and finished it and flung it on the ground.
So that is how I caught the rate entirely on my own,
And Master’s pleased as pleased can be; he’s gone to fetch a bone.
”
”
Joe Walker (My Dog and Yours)
“
took the opportunity to bound three steps ahead and turn into the next aisle. My gun was up and on target, and I could see Diego on the ground. But he had anticipated what I was going to do and had his pistol up. He fired one round, which went slightly to the left and struck the shelf right next to my head. Instinctively I squeezed the trigger twice at the target directly in front of me. It was a simple double tap. Bang, bang. For an instant, I could see the look in Diego’s eyes. Then he fell back and dropped the gun onto the floor. I immediately holstered my pistol and dropped to my knee. I reached down and pulled his thick T-shirt up over his stomach and chest to see two wounds just above his sternum. Blood was already starting to pump out. I placed my palms over each hole, hoping to stem the blood flow. The young man made a gurgling sound and tried to lift his head off the floor. I yelled out, “I need some help here.” A few seconds later, Todd appeared at my side. He said, “Fire and rescue is on the way. What do you need me to do?” “Help me stop the bleeding on one of these wounds.” Todd didn’t move. He put his hand on my shoulder instead. “Mike, it’s over. You did what you had to do.” I looked down and saw that Diego was perfectly still. I felt for a pulse at his chest and then at his neck. No more blood was pumping out of the wounds. He was dead. I flopped back, and my shoulders hit the bookshelf. I sat there staring down at the teenager I had just shot dead. From the end of the aisle a woman’s voice said, “You murdered him.” My head snapped in that direction. It was a young woman, and she was staring at me. A young man joined her and said, “You shot him for no reason?” Before fire and rescue and more cops could show up, a small crowd gathered, and they all picked up a similar theme. They thought I had acted rashly and fired my weapon without provocation. They thought I was some kind of monster. Once someone was there to secure the scene and Todd was leading me toward an office where I could gather my thoughts, I kept hearing people say, “Murderer.” “Killer.” Todd kept his arm on my shoulder and said, “Don’t worry about these ignorant morons. One thing I’ve learned working here is that I’m never surprised to see smart people acting like idiots. They have no idea you just saved their asses.
”
”
James Patterson (Haunted (Michael Bennett #10))
“
Hey. Look at me.” When he finally does, my heart lurches in my chest. He looks tortured. Broken. So lost. His eyes are glassy, his longer hair on top disheveled and flopped over his forehead. His face looks more lined than usual, showing our difference in age.
”
”
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
“
The big man’s head bounced off the hard surface and he stumbled forward; the blurred arc of Jean’s right fist met his jaw with a crack, abruptly canceling his forward momentum. He flopped to the ground, boneless as a sack of dough.
“Yes!” cried the woman. “Now through him out the window!”
“For the love of the gods, madam,” snapped Locke. “Can you please pick one man in your bedroom to cheer for and stick with him?”
“If he’s found dead in the alley beneath your window,” said Jean. “I’ll come back and give you the same.”
“And if you tell anyone that we came through here,” added Locke, “you’ll only wish he’d come back and given you the same.”
“Gathis will remember,” she screeched. “He’ll certainly remember!”
“A big man like him? Please.” Jean made a show of arranging his cloak and redonning his hat. “He’ll say it was eight men and they all had clubs.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
The big man’s head bounced off the hard surface and he stumbled forward; the blurred arc of Jean’s right fist met his jaw with a crack, abruptly canceling his forward momentum. He flopped to the ground, boneless as a sack of dough.
“Yes!” cried the woman. “Now throw him out the window!”
“For the love of the gods, madam,” snapped Locke. “Can you please pick one man in your bedroom to cheer for and stick with him?”
“If he’s found dead in the alley beneath your window,” said Jean. “I’ll come back and give you the same.”
“And if you tell anyone that we came through here,” added Locke, “you’ll only wish he’d come back and given you the same.”
“Gathis will remember,” she screeched. “He’ll certainly remember!”
“A big man like him? Please.” Jean made a show of arranging his cloak and redonning his hat. “He’ll say it was eight men and they all had clubs.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
The wood floor is- so splintery on my flip-flops like nails are sticking up, poking me and crap, the boards are all cracked and you can see down one story, or more at times. Besides, some floorboards are missing altogether; I feel like I could go through the floor at any time.
(Room 202)
There is no light coming anywhere but her light she is giving off, looking over everything in its interiority, I see that there are boards over the old glass smashed glass window panes; not even the smallest glimmer or flicker of a star or moonlight at this point to guide me, nothing to show the way other than spun web cover over everything, even the hole that should not be cover seemed roached out, look at all the spiders crawling all down me, I don’t go in there I was thinking. I went at night so no one would find me. Look even going down the hall the lockers start to bang themselves like humpers of the past. I could see kissing here doing that too. Like I could see it all in my mind too, like they all did when the kids slammed their looker in these unhallowed halls, look now there are papers everywhere, just left behind like love notes of the past, I want to read yet it has nothing there to be said, I could get some of it, yet not all… I don’t have anything wrong with me, I can’t see, should I take it with me?
I do-
(It was tucked in her underwire right strap, her outfit when cut off to be laid out for viewing.)
-It was Nevaeh and Chiaz’s first love note.
(Now)
You can foresee what's going to happen… can’t you- I sure did not in the past nor do I know, yet I do at times. It’s a new day, she sat back- crap let's do it a new way today- damn (‘Like- I want to choke down my rabbit,’) it works for me it's well to get that right, or so Jenny said. Yet I was feeling more than that below, and so was she, in my mouth. ‘If you are going through hell keep on going don’t slow down, if you are scared don’t show it…!’ My love was singing to be willing to do this, yet you can’t hear that and if you do, you’ll hear Maggie coming out.
(Back at the old school)
The hollowing sound of her voices in my face, its blows’ a-crossed me and spooks me out, it is so haunted within these falling walls, yet see is not scaring me at this point, I feel somewhat safe. As well as the wind howling as my thought makes, makes me think of who she maybe thinks I am. I see the hand-covered handrails going up past the old Gym and girl’s locker room, looking into the showers it’s like- I could see bare-ass naked girls and the steam in the air. With the sounds of: ‘O-op-e-s-y- don’t drop the soap!’ All along with the sounds of girls giggling, hell- I don’t want to know what’s going on. Water running, just guessing like them… I had the bad thoughts and photos running in my little-wicked mind.
Like the sands of time… not fading all away or turning all too black and write. Up till now the water and sound or the girls are from the past, or so I think and have been long gone, for them to be real girls, it was abandoned for years, like what is this crap…?
Like the snapping of a towel, my head spun around, as the little girl pulled me to the next room by her resenting glow, In the locker part of the room- I see all the old desked linked together, she's sitting there proverb her story to me, her hair braids are freaking cute to me; like no girl does that anymore. Yet who are these girls, I think- I know, yet they don’t, see me. They don’t even think I see them all up in it. I heard these stories and believe it yet; I don’t believe it seeing it now unfolding in front of me. There is some random b*tch putting the redhead face in the capper, with the sound of the flush! I am good, she said.
”
”
Marcel Ray Duriez (Nevaeh They Call Out)
“
Stars of Fire by Stewart Stafford
At the Gate of Pleiades,
Lies the playground of the Deities,
At The Golden Gate of the Ecliptic,
The Gods' plot and remain cryptic.
Between the claws of Scorpio and Cancer,
At the mercy of the great Zodiacal dancer.
The dilemma on the horns of Aries,
Brushes asides all adversaries.
Venus trails stardust from her hair,
As a supernova across the galaxy flares,
A shooting star is the spear of Orion,
More is the mane of Leo the lion.
Man's Gemini may someday show before us,
As chaste Virgo or the mighty Taurus,
Or be inanimate as the scales of Libra,
Or spread as Cancer or an unchecked fever.
Perhaps these pilgrims have visited us before,
When Sagittarius took the form of the wise Centaur,
Or when Pisces flopped in an Aquarian boat,
Or on a lazy hill to the Capricorn goat.
© Stewart Stafford, 2021. All rights reserved.
”
”
Stewart Stafford
“
When do you think you stop?” I ask. “When you’re forty? When they die?” I shoot him a teasing look. “When you win a Pulitzer?” He scoffs quietly. “No, not then. Because then, suddenly, they’re incredibly proud, but they’re proud of the accomplishment, not of the work. So you feel like you have to keep accomplishing instead of just creating. It affirms the idea that the value in what you do is how people react to it, and not just in the making of it. I’ve written stuff I’m really proud of that hardly anyone read. I’ve written stuff I’m proud of that no one liked. That doesn’t mean it didn’t deserve to be written.” Now I’m genuinely smiling, my mood lifting almost instantly. “That’s a nice thought.” His huge shoulders lift in a shrug. “It’s true. How many of your favorite shows got canceled? How many of the best albums barely sold when they came out? I mean, It’s a Wonderful Life was a box office flop in its time. If everyone who worked on that movie had known, could see how things were going to pan out in the short term, would they have even bothered to make it? And then the world would’ve lost out on something beautiful. Just because something doesn’t make money or win awards doesn’t mean it doesn’t have value. Or doesn’t deserve to exist. The job is alchemy. You take a hunk of rock and you try to turn it into gold, and the gold isn’t even really the point.” “Right, because the goal is immortality,” I joke. “It’s permanence,” he says. “Not, like, having your name on the side of a fucking airplane or skyscraper, or some shit like that. But bringing something intangible into the world that can live on without you. Something bigger than the person who made it. And even then, the goal is secondary to the process. The process is for us. It changes us in ways that can’t be measured. At least, that’s what I’ve always thought.” My grin is getting bigger by the second.
”
”
Emily Henry (Great Big Beautiful Life)
“
Life teaches me a thing...sometimes men with sense & conscience have given flop shows and then those who did nonsense were adopted as heros...sometimes nonsense was more charming and was more understood...
”
”
Phantom
“
Her heart thundered away against the inside of her ribs, the sound loud in the relative silence of the room and the flutter pulsing against his skin between their clothes. Her breathing pushed her breasts against her shirt. Against him.
Despite the fear pumping adrenaline through her system, she gazed at him with wide eyes that showed an inexplicable trust that grated against him like a sandpaper sponge bath.
“What are you going to do to me?” she whispered.
Almost like she was daring him.
“You’re a mate,” he said.
“So?”
“Mates are like catnip to my kind—an obsession, a driving urge to find our own. What if I took you now, claimed you, pushed my fire into you?”
Her lips fell open on a silent gasp, but fear didn’t reflect back at him even still. “You’d kill me if you aren’t my destined mate.”
So, someone had at least warned her of the deadly consequences should the wrong man try to turn her. Had she listened? He squeezed her wrists a little harder, pressing into her so she couldn’t mistake the heavy cock pressing into her belly. “Yes.”
“You’d lose a part of your soul as well,” she pointed out.
He allowed his lips to tip up in what he fully intended to be a menacing smile. “Perhaps it’s worth it.”
She stared back at him for a long minute. Then, suddenly, her heart quieted, her breathing slowed, her body relaxing under his. “Go ahead.”
She was fucking daring him. Inside his head, his dragon growled, but not a warning, more like approval. The animal side of him liked this woman.
That scared the hell out of him enough to have him fighting the foreign urge to scramble off her.
When he said nothing, she tipped her head. “Just like I thought. All bark.”
Bulls facing off against a matador in a ring dealt with less provocation than this woman was daring to throw at him.
“You talk a good game,” she continued. “But you won’t hurt me.”
Irritation spiked and swirled with a rushing need that had gripped him since the second she’d stepped in front of him in the hangar and he’d recognized her.
Drake slammed his mouth over hers, his kiss both full of frustration, but also determined to frighten her into some semblance of self-preservation. He kissed her harshly, wildly, even as he continued to pin her to the bed.
Except she didn’t whimper or turn away or struggle. Instead, Cami opened her mouth and licked the full seam of his lips, demanding entrance.
Fuck.
Gods help him, he opened, tangling his tongue with hers, reveling in the give and take. Her flavor melted across his tongue, sweet and tart at the same time, imprinting on his mind.
A glow vaguely penetrated his senses behind his closed eyes, followed by a burst of heat that seemed to be originating from her.
Almost as fast as it happened, Drake jerked back with a hiss, staring at a glowing spot under her white tank top. The source of the heat.
Definitely a dragon mate. Which meant off-limits. Another shifter’s mate.
With a groan he rolled away from her, flopping to his back, and flung an arm over his eyes, doing his damnedest to convince his dick to get its head out of the game. “You need to get out of here.
”
”
Abigail Owen (The Enforcer (Fire’s Edge, #3))
“
In one test, subjects were presented with contradictory statements made by George Bush and John Kerry. Republicans judged Kerry’s flip-flop harshly, while letting Bush off the hook for his. Democrats did the reverse. Interestingly, the brain scans showed that the parts of the brain governing emotion were far more active during the experiment than the reasoning parts.
”
”
Stephen Hawley Martin (A Witch in the Family: The Salem Witch Trials Re-examined in Light of New Evidence)
“
Not for Fun, Why so Hilarious? [Part 1]
If someone wants to shut your mouth, you have every right to show him your middle finger;
If someone wants to rag you, you have every right to show him your rage;
If someone wants to spy you, you have every right to hack him;
If someone wants to fake you, you have every right to flirt with him;
If someone wants to rank you, you have every right to prank him;
If someone wants to question you, you have every right to irritate him with your answers;
If someone wants to know your value, you have every right to reveal his worth;
If someone wants to call you a psycho, you have every right to shock him with your treatment;
If someone wants to test you, you have every right to prepare him for your exam;
If someone wants to spoil you, you have every right to damage him;
If someone wants to stop you, you have every right to hit him;
If someone wants to flop you, you have every right to spoof him;
If someone wants to touch you, you have every right to hunt him;
If someone wants to bar you, you have every right to crush him;
If someone wants you to beg, you have every right to toss him;
If someone wants you to wait, you have every right to waste his time;
If someone wants you to be silent, you have every right to test his patience;
‘Indian Shakespeare
”
”
P.S. Jagadeesh Kumar
“
Not for Fun, Why so Hilarious? [Part 2]
If someone wants to shut your mouth, you have every right to show him your middle finger;
If someone wants to rag you, you have every right to show him your rage;
If someone wants to spy you, you have every right to hack him;
If someone wants to fake you, you have every right to flirt with him;
If someone wants to rank you, you have every right to prank him;
If someone wants to question you, you have every right to irritate him with your answers;
If someone wants to know your value, you have every right to reveal his worth;
If someone wants to call you a psycho, you have every right to shock him with your treatment;
If someone wants to test you, you have every right to prepare him for your exam;
If someone wants to spoil you, you have every right to damage him;
If someone wants to stop you, you have every right to hit him;
If someone wants to flop you, you have every right to spoof him;
If someone wants to touch you, you have every right to hunt him;
If someone wants to bar you, you have every right to crush him;
If someone wants you to beg, you have every right to toss him;
If someone wants you to wait, you have every right to waste his time;
If someone wants you to be silent, you have every right to test his patience;
‘Indian Shakespeare
”
”
P.S. Jagadeesh Kumar
“
She swat his hand away as he touched her breast again. "Stop that. I just want to-" Undeterred, he had gone for the button placket of her shirt. She scowled in exasperation. "All right, then," she snapped, "do as you please! Perhaps afterward we could manage a coherent discussion." Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far normal voice, "What are you doing?"
"I'm making it easier for you," came her defiant reply. "Go on, start ravishing."
Another silence. Then, "Why are you facing downward?"
"Because that's how it's done." Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, "Isn't it?"
His face was blank. "Has no one ever told you?"
"No, but I've read about it."
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, "From what books?"
"Veterinary manuals. And of course, I've observed the squirrels in springtime, and farm animals and-"
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
"Look here," she said in a businesslike manner, "I've read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all-" She broke off and frowned. "Why are you laughing at me?"
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. "Beatrix. I'm... I'm not laughing at you."
"You are!"
"No, I'm not. It's just..." He swiped a tear from the corner of his eye, and a few more chuckles escaped. "Squirrels..."
"Well, it may be humorous to you, but it's a very serious matter to the squirrels."
That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking.
"What is so amusing about fornicating squirrels?" Beatrix asked irritably.
By this time he had gone into near apoplexy. "No more," he gasped. "Please."
"I gather it's not the same for people," Beatrix said with great dignity, inwardly mortified. "They don't go about it the same way that animals do?"
Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. "Yes. No. That is, they do, but..."
"But you don't prefer it that way?"
Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. "I do. I'm quite enthusiastic about it, actually. But it's not right for your first time."
"Why not?"
Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, "Shall I show you?"
Beatrix was transfixed.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
What if nobody comes?” Ashley wrung her hands.
“They’ll show up,” Roo assured her.
“If nobody shows up, it’ll be my absolute worst nightmare.”
Blowing his nose into a tissue, Parker looked up with bleary eyes. “And if you don’t stop talking about it, it’ll be my absolute worst nightmare.”
“Parker Wilmington, how can you say that? For the millionth time, this counts for half our grade. And we can’t very well have a Walk of the Spirits if there’s nobody to walk with.”
Miranda opted for practicality. “Well, we know Miss Dupree and our class will be here. And I know my mom and Aunt Teeta are coming.”
“My folks, too,” Gage added. “And some of the other kids at school--they said they were interested.”
“Yeah. In laughing at us.” Flopping into a chair, Parker slid low on his spine. His voice was even hoarser than yesterday, and he winced each time he tried to talk. “Shit, I’ll be glad when this is over.”
Etienne struggled to keep a straight face. “How come? You scared you might see a real ghost?
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
Anyone Can Whistle, subtitled 'A Wild New Musical,' opened in New York on April 4, 1964, at the Majestic Theater. The reviews were generally negative, and Laurents defended himself with the rationalization that Walter Kerr of the Herald Tribune 'didn't like the show because he was a Catholic. The idea that there's no miracles drove him up the wall.' Such a self-protective imagination made Laurents more resilient than Sondheim, who was so discouraged that he talked about quitting the theater entirely. The show closed after nine performances, ultimately becoming a cult musical--meaning that if everyone who says they saw it, actually saw it, it would have run for years.
”
”
Martin Gottfried (Balancing Act: The Authorized Biography of Angela Lansbury)
“
A young guy walked up to him with an exaggerated swagger, his jeans riding low, his CK underwear showing - or fake ones, an a replacing the e in Klein.
"You really the Baptist's cousin?" the guy said, squinting at him, giving Joshua a onceover like Malik had. If anything, he resembled both guards, just with a neck. He was also younger and skinnier, with a nose ring and a nest of short dreads flopping over his eyes, the back and sides closely cropped.
"Yes," Joshua replied, glancing at the bullseye tattoo circling what looked like a tracheotomy scar.
The guy touched the base of his throat, noticing the attention. "You're tall like him, got that crazy look too, like you've smoked too many Bible blunts."
"Izzy!" Nico yelled, looking horrified.
Izzy sniggered. "I mean no harm," he said, his smile saying otherwise.
”
”
M. A. Plume (Joshua’s Cross)
“
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