Flooring Timber Quotes

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John Davis smells like Play-Doh. When we were in elementary school, it wasn’t a big deal. I mean, we were kids. Play-Doh was pretty high on the awesome scale. But there comes a time when a guy should stop smelling like crafting supplies and develop a more manly scent, like campfire or gym floor.
Tammy Blackwell (Destiny Binds (Timber Wolves Trilogy, #1))
Demigods had completely taken over the top floors. Campers and Hunters were crashed out on sofas, washing up in the bathrooms, ripping silk draperies to bandage their wounds, and helping themselves to snacks and sodas from the minibars. A couple of timber wolves were drinking out of the toilets.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
In the relative cool of the timber stands, possum grapes and muscadine flourish with a cynical fecundity, and the floor of the forest — littered with old mossbacked logs, peopled with toadstools strange and solemn among the ferns and creepers and leaning to show their delicate livercolored gills — has about it a primordial quality, some steamy carboniferous swamp where ancient saurians lurk in feigned sleep.
Cormac McCarthy (The Orchard Keeper)
A kenning is a metaphorical circumlocution consisting of paired nouns or a noun phrase. For example, in ancient Icelandic verse, a sword is not a sword but an "icicle of blood"; a ship is not a ship but the "horse of the sea"; and eyes are not eyes but the "moons of the forehead." Similarly, the earth is "the floor of the hall of the winds" or "the sea trodden on by animals," while fire is "destroyer of timber" or "the sun of houses.
James Geary (I is an Other: The Secret Life of Metaphor and How it Shapes the Way We See the World)
Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.
Deeanne Gist (A Bride in the Bargain)
To be a mother I must leave the telephone unanswered, work undone, arrangements unmet. To be myself I must let the baby cry, must forestall her hunger or leave her for evenings out, must forget her in order to think about other things. To succeed in being one means to fail at being the other. The break between mother and self was less clean than I had imagined it in the taxi: and yet it was a premonition, too; for later, even in my best moments, I never feel myself to have progressed beyond this division. I merely learn to legislate for two states, and to secure the border between them. At first, though, I am driven to work at the newer of the two skills, which is motherhood; and it is with a shock that I see, like a plummeting stock market, the resulting plunge in my own significance. Consequently I bury myself further in the small successes of nurture. After three or four weeks I reach a distant point, a remote outpost at which my grasp of the baby’s calorific intake, hours of sleep, motor development and patterns of crying is professorial, while the rest of my life resembles a deserted settlement, an abandoned building in which a rotten timber occasionally breaks and comes crashing to the floor, scattering mice. I am invited to a party, and though I decide to go, and bathe and dress at the appointed hour, I end up sitting in the kitchen and crying while elsewhere its frivolous minutes tick by and then elapse. The baby develops colic, and the bauble of motherhood is once more crushed as easily as eggshell. The question of what a woman is if she is not a mother has been superceded for me by that of what a woman is if she is a mother; and of what a mother, in fact, is.
Rachel Cusk (A Life's Work: On Becoming a Mother)
We ran back, he first and I following him, between the beds and downstairs, and we picked up an armful of wood from the pile by the wall and the knife for whittling and ran up again, we couldn’t be quick enough. He knelt down in front of the stove, and it wasn’t long before he had done the trick again. Outside the window it was night now, and the wind blew vaporous white milk against the panes, milk over the forest and the fjord, but in here there were just the two of us and the stoves and the sound of wood burning behind the black iron and sending waves of heat out into the rooms and into the walls and timbers that sucked it in. I smelt the scent of wood growing warm, and it made me as white in my head as the whirling night outside, and hungry. We stood in the kitchen with our coats on eating the contents of two tins with one spoon we took it in turns to use, and we laughed, I didn’t even notice what I was eating. Soon it was warm enough for us to take off some clothes, his overcoat and my coat, and while he hung his on a hook, I let mine fall to the floor. I took off the sweater I wore underneath and dropped that on the floor too, I unbuttoned my blouse and still felt the cold against my neck. But the heat rose to the ceiling and up to the first floor and there was another stove there. Then I calmly walked across the room and upstairs with his eyes on my back, and at first he stood still, and then he followed, and when he got to the top my blouse was off and my stockings on the floor. I slowly turned round and stood there, me inside my skin, while he was fully clothed, and I cleared my head of every thought I had ever had and let them sink out into my skin till it was painfully taut and shinning all over my body, and he saw it and did not know what it was he saw. I put my arms round my back and unfastened my bra and slid the straps over my shoulders, and I thought he might be going to weep, but his voice sounded hoarse as he whispered: “You’re lovely,” and I answered “Yes”, and didn’t know if that was true. But it did not matter, for I knew what I wanted and what to say, and his hands were as I’d thought they would be, his skins as soft and his body as hard, and it was so warm around us, and the whole time I smelt the dampness of the bedclothes like the ones at Vrangbæk, and then I just shut my eyes and floated away.
Per Petterson (To Siberia)
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John Stuart
Something else too. Private Gallagher sees it first, points–slowly, but emphatically. On the other side of the green is exactly what the sergeant told them to look for: a big detached house, two storeys, standing in its own grounds. It’s a mini-mansion of modern design, masquerading as a country house of an earlier age–but given away by its anachronistic excess. It’s a Frankenstein’s monster of a house, with a half-timbered front, Gothic arches on the ground-floor windows, pilasters framing the front door, gables adhering like barnacles to the roof ridge. The sign on the gate says WAINWRIGHT HOUSE. “Good
M.R. Carey (The Girl With All the Gifts)
Puncheon floor—a floor made of smoothed timbers
James J. Griffin (The Cowboy Way)
Aubry Park was a glorious Elizabethan manor, lovingly restored in the last century and equipped with numerous gothic undertones- enough to send Charlotte's mother into a ghost-seeking frenzy. The massive, cream-colored stone house sat hidden in a forest like some romantic woodland folly. Upon first approach, it seemed rather modest, enclosed in a small courtyard, the upper floors timbered and gabled, but after one ventured a look past the facade, the manor sprawled onward, connecting to a myriad of wings, towers hidden by tall trees and climbing vines and private walled gardens. "Enchanting," Charlotte murmured, running her fingertips along the soft bristles of an ivory-handled brush.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
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Roof Trusses ETS
Those impenetrable walls of iron and ice, those unyielding pillars of resilence and strength, those unbending shoulders of steel that held up the world. Crumbling, tumbling, tearing down. With every drop that fell like shards of glass and ice, unto the timber floor
Daryl Kho (Mist Bound: How to Glue Back Grandpa)
Sometimes the elite green gospel has proved catastrophic—especially for the middle classes. In August and September 2020, high winds, lightning strikes, and scorching temperatures caused hundreds of forest fires throughout California. Past “more natural” policies had discouraged controlled burning, removal of brush from forest floors, cattle grazing on hillsides of dead undergrowth, and the logging of tens of millions of dead trees lost during recent droughts. Even the emasculated timber industry might have managed if it had been permitted to hire thousands to harvest the dead trees of the last six years, thus providing jobs, timber, and forest safety. Instead, the summer perfect storm created a sort of green napalm—a combustible fuel of unharvested timber that would turn a traditional wildfire into an uncontrollable inferno, burn over four million acres, and send one hundred million metric tons of carbon emissions into the air. Due to the tremendous temperatures created by the infernos, eerie pyrocumulus clouds for weeks dotted the Sierra Nevada skyline, in apocalyptical fashion emulating the mushroom clouds that billow up after nuclear blasts. The ensuing smoke clouds soon covered much of the state and overwhelmed the efficacy of public and private solar farms, which in turn led to rolling scheduled power outages. And the power crisis had been made worse by the voluntary state shutdown of clean-burning natural gas and nuclear power plants—all exacerbated by near-record temperatures in some areas of the state reaching 110 degrees.
Victor Davis Hanson (The Dying Citizen: How Progressive Elites, Tribalism, and Globalization Are Destroying the Idea of America)
toenails skittering across the hardwood floor.
Margaret Mizushima (Tracking Game (Timber Creek K-9 Mystery, #5))
Now, old and gray-bearded, I still admire the Romans. How could I not? We could not build an arena, nor make ramparts like those that surrounded Ceaster. Our roads were muddy tracks, theirs were stone-edged and spear-straight. They built temples of marble, we made churches of timber. Our floors were beaten earth and rushes, theirs were marvels of intricate tilework. They had laced the land with wonders, and we, who had taken the land, could only watch the wonders decay, or patch them with wattle and thatch. True, they were a cruel people, but so are we. Life is cruel.
Bernard Cornwell (War of the Wolf (The Saxon Stories, #11))
She reeled back, not only because she’d smacked into Leo’s chest. She mentally reeled. He came back. That more than anything shook her off balance, and she went over— someone yell timber. She didn’t fall alone. Her flailing hand caught Leo’s shirt, her foot somehow tangled around his ankle— totally accidental, really— and together they hit the floor. Although, somehow, she ended on top of him. The man had rolled his body at the last moment so he took the brunt of the fall. What have I done? How badly had she squashed him? Please don’t let him cry. She hated it when they cried. “You okay, Vex?” He lived! She raised her head and beamed his way. “You’re not screaming.” He arched a brow. “Why would I be?” “We hit the floor kind of hard.” “Hard is right,” he grumbled. “But not in the way you think.” Surely he didn’t imply… She squirmed into a better position to check— we have confirmation of an impressive erection. He sucked in a breath. Dammit, had he lied about her injuring him? “Are you hurt, Pookie?” “I am hurting bad, Vex. Want to kiss it better?” His wink had her lips twitching. “I am beginning to think I misjudged you.” “Misjudged me how?” Rolling her to the side, Leo got to his feet and then hauled her up. “You are much more wicked than I gave you credit for.” She grinned. “That is so freaking awesome.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Celeste Blackmoore’s white tennis shoes kicked up decades of dust from the dried timbers of the old saloon floor. The desert air felt suffocating, like being wrapped in a wool blanket on a hot summer day. The smell of dry wood filled her nostrils and scratched at her throat. Dust motes hung in the slats of light that shone through the gaps in the barn board siding and around the boarded up windows.
Leighann Dobbs (Buried Secrets (Blackmoore Sisters Mystery, #4))
When everyone had claimed a bed and started to unpack, within minutes, the entire floor of our room was covered mainly in Becky’s belongings. She had brought so many clothes, there was an almost endless supply. What caught my attention, was not so much the amount of clothing but the contents of a large plastic bag which had spilled out onto the timber flooring. Numerous packets of crisps, sweets, popcorn and gum lay in full view.
Katrina Kahler (Julia Jones: The Teenage Years, Boxed Set #1-3)
It's done, isn't it?"   I nodded.  I gave him his letter.  He didn't seem interested in opening it.  He tossed it on the side table without a second look.” “the furniture began.  Cut timber sat in a bin next to the hearth.  I couldn't see much of the walls, but they smelled musty, like they hadn't been cleaned in a long while.  Mr. Black Day lit a lamp; I saw the dust sitting on the walls like carpets.   "It's done, isn't it?"   I nodded.  I gave him his letter.  He didn't seem interested in opening it.  He tossed it on the side table without a second look.   Should I leave?  I gestured over my shoulder to the door.   "What's wrong with you?  Say something."   Apologetic, I pointed at my throat.   "Oh.  Sorry.” “He had nothing to be sorry about.  I wanted to let him know that.  But before I could so much as a smile, he slumped over at the table and started crying.   Alarmed, I did the only thing I could think of doing:  I set my basket on the floor and squeezed Mr. Black Day's shoulders.   "My wife," he said.  His voice was so quiet, I could barely hear him; I had to hold my breath and strain my ears.  "My wife...
Rose Christo (Gives Light (Gives Light, #1))
Riding, balancing, and walking on a seesaw. Balancing on a Teeter-Totter—Center a board over a railroad timber. (See The Out-of-Sync Child Has Fun for ideas.) Sitting on a T-stool—A T-stool helps improve balance, posture, and attention. (See The Out-of-Sync Child Has Fun for ideas.) Balancing on a Large Therapy Ball—Your child can lie on her stomach, on her back, or sit and bounce. Some balls have handles for bouncing up and lower (hippity-hopping). Tummy Down, Head Up—Have the child lie on her stomach. On the floor, she can rock to and fro to “Row, Row, Row Your Boat”; draw on paper while listening to music, using crayons, which require her to bear down to make a mark; and play with small toys. On a swing or therapy ball, she can “draw” on the ground or carpet with a stick; throw sponges into a basket; and bat a suspended ball with a cardboard tube. Jogging—Run around the block together!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)