“
Help" is a prayer that is always answered. It doesn't matter how you pray--with your head bowed in silence, or crying out in grief, or dancing. Churches are good for prayer, but so are garages and cars and mountains and showers and dance floors. Years ago I wrote an essay that began, "Some people think that God is in the details, but I have come to believe that God is in the bathroom.
”
”
Anne Lamott (Plan B: Further Thoughts on Faith)
“
But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest -- the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Rhage nodded. “The place is also big enough. We could all live there without killing each other.”
“That depends more on your mouth than any floor plan,” Phury said with a grin.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
They say faith is taking the first step when you can’t see the whole staircase. Actually, wisdom is seeing the elevator behind it that would have taken you to the top floor.
”
”
Shannon L. Alder
“
He lifted my luggage off the floor. "You're not sleeping on the couch or the recliner. You're sleeping in my bed."
"Which is more unsanitary than the couch, I'm sure."
"There's never been anyone in my bed but me."
I rolled my eyes. "Give me a break!"
"I'm absolutely serious. I bag 'em on the couch. I don't let them in my room."
"Then why am I allowed in your bed?"
One corner of his mouth pulled up into an impish grin. "Are you planning on having sex with me tonight?"
"No!"
"That's why. Now get your cranky ass up, take your hot shower, and then we can study some Bio.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
You must walk to the beat of a different drummer. The same beat that the wealthy hear. If the beat sounds normal, evacuate the dance floor immediately! The goal is to not be normal, because as my radio listeners know, normal is broke.
”
”
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
“
Maybe they're out doing the tango and drinking tequila shots." He sent Eve a grin. "As we will be when we reach their age. After which we'll come home and have mad sex."
"For God's sake. This is on the record."
"Yes, I know." He stepped off with her on Var's floor. "I wanted those future plans to be official as well.
”
”
J.D. Robb (Fantasy in Death (In Death, #30))
“
Let me inform you of something," he says in a low voice. "The moment my lips touch yours, it will be your first kiss. Because if you've never felt anything when someone's kissed you, then no one's ever really kissed you. Not the way I plan on kissing you."
He drops his hands and keeps his eyes locked on mine while he backs up to the stove.
He turns around to tend to the pasta like he didn't just ruin me for any other guy for the rest of my life.
I can't feel my legs, so I do the only thing I can. I slide down the refrigerator until my butt meets the floor and I inhale.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
Jay's not sure he believes in therapy. He definitely doesn't believe in closure. People aren't doors. They're whole floor plans, entire labyrinths, and the harder you try to escape, the more lost inside them you become.
”
”
Daniel Kraus (Whalefall)
“
It didn’t help that, unlike a ferry, there were no floor plans or maps, and minimal signage – supposed to help the impression that this was a private home that you just happened to share with a load of rich people.
”
”
Ruth Ware (The Woman in Cabin 10)
“
So, Byrne, did you and Christabel get lost on the way down? Perhaps we should send you a floor plan for next time. The drawing room is the one that doesn't have a bed.
”
”
Sabrina Jeffries (One Night with a Prince (Royal Brotherhood, #3))
“
One hand planted on the top rail, slick from a recent rain, I swung my legs sideways, up and over. Home free.
Until my bottom foot clipped the post, and I spun as if caught in a crocodile’s death roll.
Good news? The spongy forest floor cushioned my fall.
Bad news? Momentum slammed my torso into a tree trunk. Couldn’t breathe.
But good news again. I’d rolled under a fat, bushy pine, which, along with the fading twilight, concealed my position. I heard the beast fly overhead in pursuit, taking out a few treetops on its way by.
Yeah, that was my plan all along. Man, I’m good. Except my body. It hurt.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
I felt bad for Lulu because I've been Lulu. It's really hard when you realize the guy you've been dating is basically a high schooler at heart. It make you feel like Mary Kay Letourneau. It's the worst.
Until I was thirty, I only dated boys, as far as I can tell. I'll tell you why. Men scared the shit out of me.
Men know what they want. Men make concrete plans. Men own alarm clocks. Men sleep on a mattress that isn't on the floor. Men tip generously. Men buy new shampoo instead of adding water to a nearly empty bottle of shampoo. Men go to the dentist. Men make reservations. Men go in for a kiss without giving you some long preamble about how they're thinking of kissing you.
”
”
Mindy Kaling
“
Men know what they want. Men make concrete plans. Men own alarm clocks. Men sleep on a mattress that isn’t on the floor. Men tip generously. Men buy new shampoo instead of adding water to a nearly empty bottle of shampoo. Men go to the dentist. Men make reservations. Men go in for a kiss without giving you some long preamble about how they’re thinking of kissing you. Men wear clothes that have never been worn by anyone else before. (Okay, maybe men aren’t exactly like this. This is what I’ve cobbled together from the handful of men I know or know of, ranging from Heathcliff Huxtable to Theodore Roosevelt to my dad.) Men know what they want and they don’t let you in on their inner monologue, and that is scary.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Where am I?" Magnus croaked.
"Nazca."
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information," Magnus croaked.
"You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy."
"Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim."
"'Impressed' is not the word to use to describe how I felt last night, Magnus."
"I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - "
"Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua."
"What did I do in Moquegua?"
"You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky."
"We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk."
"I'm sure I must have been sobering up at that point," Magnus argued.
"Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - "
Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
”
”
Cassandra Clare (The Bane Chronicles)
“
So I pulled the sun screen down and squinted and put the throttle to the floor. And kept on moving west. For West is where we all plan to go some day. It is where you go when the land gives out and the oldfield pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. IT is where you go when you look down at the blade in your hand and see the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
”
”
Robert Penn Warren (All the King's Men)
“
I think one of the sweetest lessons taught by the Prophet, and yet one of the saddest, occurred close to the time of his death. He was required to leave his plan and vision of the Rocky Mountains and give himself up to face a court of supposed justice.
These are his words: 'I am going like a lamb to the slaughter; but I am calm as a summer's morning; I have a conscience void of offense towards God, and towards all men' (D&C 135:4). That statement of the Prophet teaches us obedience to law and the importance of having a clear conscience toward God and toward our fellowmen. The Prophet Joseph Smith taught these principles--by example.
There was to be one great final lesson before his mortal life ended. He was incarcerated in Carthage Jail with his brother Hyrum, with John Taylor, and with Willard Richards. The angry mob stormed the jail; they came up the stairway, blasphemous in their cursing, heavily armed, and began to fire at will. Hyrum was hit and died. John Taylor took several balls of fire within his bosom. The Prophet Joseph, with his pistol in hand, was attempting to defend his life and that of his brethren, and yet he could tell from the pounding on the door that this mob would storm that door and would kill John Taylor and Willard Richards in an attempt to kill him.
And so his last great act here upon the earth was to leave the door and lead Willard Richards to safety, throw the gun on the floor, and go to the window, that they might see him, that the attention of this ruthless mob might be focused upon him rather than the others. Joseph Smith gave his life. Willard Richards was spared, and John Taylor recovered from his wounds.
'Greater love hath no man than this, that a man lay down his life for his friends' (John 15:13). The Prophet Joseph Smith taught us love--by example.
”
”
Thomas S. Monson
“
Nothing was left to chance; every smell, every piece of furniture, and certainly the design of the floor plans made these model homes world-class.
”
”
Dave Ramsey (EntreLeadership: 20 Years of Practical Business Wisdom from the Trenches)
“
It had the tangled floor plan common to all hospitals, seemingly designed by someone who believed in the healing power of watching confused visitors aimlessly wander around hallways.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
As I get older, the tyranny that football exerts over my life, and therefore over the lives of people around me, is less reasonable and less attractive. Family and friends know, after long years of wearying experience, that the fixture list always has the last word in any arrangement; they understand, or at least accept, that christenings or weddings or any gatherings, which in other families would take unquestioned precedence, can only be plotted after consultation. So football is regarded as a given disability that has to be worked around. If I were wheelchair-bound, nobody close to me would organise anything in a top-floor flat, so why would they plan anything for a winter Saturday afternoon.
”
”
Nick Hornby (Fever Pitch)
“
You should sit," I tell Cal, finally growing tired of his vengeful intensity. "Unless you plan on wearing your way through the floor?
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
”
”
Shannon L. Alder
“
A slime-mold enthusiast told me about a test he had performed. He frequently got lost in IKEA stores and would spend many minutes trying to find the exit. He decided to challenge his slime molds with the same problem and built a maze based on the floor plan of his local IKEA. Sure enough, without any signs or staff to direct them, the slime molds soon found the shortest path to the exit. “You see,” he said with a laugh, “they’re cleverer than me.
”
”
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
“
The truth is that all this was just part of the suicide process. Because tanning and steroids are only a problem if you plan to live a long time.
Because the only difference between a suicide and a martyrdom really is the amount of press coverage.
If a tress falls in the forest and nobody is there to hear it, doesn’t it just lie there and rot?
And if Christ had died from a barbiturate overdose, alone on the bathroom floor, would He be in Heaven This wasn’t a question of whether I was going to kill myself. This, this effort, this money and time, the writing team, the drugs, the diet, the agent, the flights of stairs going up to nowhere, all this was so I could off myself with everyone’s full attention.
”
”
Chuck Palahniuk (Survivor)
“
Irvine’s motto, goes the joke, is “sixteen zip codes, six floor plans.” Or “Irvine: we have sixty-two words for beige.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
But isn’t this a dance? Isn’t all of this a dance? Isn’t that what we do with words? Isn’t that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it’s choreographed. Some of the steps have been done for ages. And the rest—the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I'm find," her voice squeaked out. Remembering the maggots-and not one hundred percent sure the ghost had taken them with her-Kylie leapt up, yanked the covers off the bed, and tossed them on the floor, she backed away from the pile of bedding.
"Yeah. You look just fine," Della said sarcastically.
Kylie jumped from foot to foot and brushed off imaginary maggots that she felt crawling on her skin.
Della stood there in Mickey Mouse pajamas, staring at her as if she didn't' know whether to laugh or run.
Kylie stopped dancing and tried to breathe normally. "If I die, promise me I'll be cremated."
Della frowned. "Die?"
"Not that I'm planning to die anytime soon." She gave her arm one more swipe. "But still."
Della shook her head. "I don't know why you pretend you're okay.
”
”
C.C. Hunter
“
It's like coming home," said Webster and he wasn't talking to the dog. "It's like you've been away for a long, long time and then you come home again. And it's so long you don't recognize the place. Don't know the furniture, don't recognize the floor plan. But you know by the feel of it that it's an old familiar place and you are glad you came."
"I like it here," said. Ebenezer and he meant Webster's lap, but the man misunderstood.
"Of course, you do," he said. "It's your home as well as mine. More your home, in fact, for you stayed here and took care of it while I forgot about it.
”
”
Clifford D. Simak (City)
“
I cocked an ear, but there was nothing much to hear. A girl was on the phone next door, complaining about some guy to a girlfriend, and someone down a floor was either talking to his cat or having a psychotic episode, but both voices were clearer than the soft noises coming from the living room. The vamps were presumably cleaning the wounds better than I’d been able to do at the bar, and bandaging him up. I knew nobody was planning a snack– it would be like offering people used to Beluga caviar and Dom Perignon a sack of stale Fritos and a flat Coke. Sloppy seconds weren’t likely to appeal.
”
”
Karen Chance (Midnight's Daughter (Dorina Basarab, #1))
“
(On differences between men and boys) Men know what they want. Men make concrete plans. Men own alarm clocks. Men sleep on a mattress that isn't on the floor. Men tip generously. Men buy new shampoo instead of adding water to a nearly empty bottle of shampoo. Men go to the dentist. Men make reservations. Men go in for a kiss without giving you some long preamble about how they're thinking of kissing you. Men wear clothes that have never been worn by anyone else before.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
You know, you spend your childhood watching TV, assuming that at some point in the future everything you see will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined,that the world occupied by your parents, the world of washing dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'.
”
”
Paul Murray (Skippy Dies)
“
The substance of fictional architecture is not bricks and mortar but evanescent consciousness. Sometimes, therefore, a door opens onto a hallway impossibly, and the placement of our heating ducts and storage space borders on the irresponsible. I have great trouble, myself, in imagining the floor plans of split-level homes, though I feel they are important sites of the American condition.
”
”
John Updike (Odd Jobs: Essays and Criticism)
“
She feels like the first drags of fresh cigaretter but last crunches of cherry suckers.
She feels like final coats of nail polish.
She feels like lines of coke.
She feels like knuckles you crack after a long day.
She feels like Miami rain.
She feels like empty football fields.
She feels like full stadiums.
She feels like absinthe.
She feels like dangling from a helicopter.
She feels like classical music.
She feels like standing on a motorcycle.
She feels like train tracks.
She feels like frozen yogurt.
She feels like destroying a piano.
She feels like rooftops.
She feels like fleeing from cops.
She feels like stitches.
She feels like strobe lights.
She feels like blue carnival bears.
She feels like curbs at 2 am.
She feels like Cupid's Chokehold.
She feels like running through Chicago.
She feels like 1.2 million dollars.
She feels like floors.
She feels like everything he's ever wanted in life.
[…] “I love you more than I planned.
”
”
Julez (Duplicity)
“
I was headed out down a long bone-white road, straight as a string and smooth as glass and glittering and wavering in the heat and humming under the tires like a plucked nerve. I was doing seventy-five but I never seemed to catch up with the pool which seemed to be over the road just this side of the horizon. Then, after a while, the sun was in my eyes, for I was driving west. So I pulled the sun screen down and squinted and put the throttle to the floor. And kept on moving west. For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
It was just where I went.
”
”
Robert Penn Warren
“
I thought: But isn’t this a dance? Isn’t all of this a dance? Isn’t that what we do with words? Isn’t that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it’s choreographed. Some of the steps have been done for ages. And the rest—the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.
”
”
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Most of my favorite stories as a reader come in at this length. Short novels are all killer, no filler. They offer the economy of the short story but the depth of characterization we associate with longer works. Little novels aren’t leisurely, meandering journeys. They’re drag races. You put the pedal to the floor and run your narrative right off the edge of the cliff. Live fast and leave a pretty corpse is a shitty objective for a human being but a pretty good plan for a story.
”
”
Joe Hill (Strange Weather)
“
We're plotting to steal time itself from you.... We're going to spike it to the floor as it slips by. And just as you come over to see why it's so still, we'll pull it out from under you--and send you spinning off around the galaxy's edge. We're planning to pluck all the best stars out of the sky and stuff them in our pockets... so that when we meet you once again and thrust our hands deep inside to hide our embarrassment, our fingertips will smart on them, as if they were desert grains, caught down in the seams, and we'll smile at you on your way to a glory that, for all our stellar thefts, we shall never be able to duplicate.
”
”
Samuel R. Delany (Stars in My Pocket Like Grains of Sand)
“
Lonny finishes his drink and stands. “So what’s our plan?”
“You don’t have to go,” I tell him, shrugging out of Carmindor’s jacket. “I’m sort of going AWOL, so it’s not in your contract.”
“Then as far as I’m concerned, I’m off the clock,” he says, straightening his suit. “I can do whatever I want with my time, and I want to help you out. So what’s the plan?”
“First,” I say, “to the vending machines. With all this good luck, they gotta have an Orange Crush.”
And holy gods of soda, Batman, by the glowing light of the great vending machines on the third floor, I spot a beautiful Orange Crush button, and when I push it an orange bottle rolls out. I crack the seal and drink to the sweet, sweet taste of victory.
“That’s your plan?” Lonny says. “To drink a soda?
”
”
Ashley Poston (Geekerella (Once Upon a Con, #1))
“
She rents herself a large, empty apartment on the top floor of a house. She has no long-term plans. At night she listens to the radio and cooks subsistence meals, and cries onto her plate.
”
”
Margaret Atwood (Wilderness Tips)
“
In his 1971 State of the Union address, Nixon considered his plan to “place a floor under the income of every family with children in America” the most important item of legislation on his agenda.
”
”
Rutger Bregman (Utopia for Realists: And How We Can Get There)
“
You know exactly what this house is. What this spot is,” he says, raising his voice. He points behind him. “We spent summer nights under the stars going over your favorite floor plans, what you wanted in a house. Right here. At this spot. You can’t tell me you forgot that.
”
”
Kat Singleton (Rewrite Our Story (Sutten Mountain, #1))
“
You want to know the story? I'd be happy to tell you. I think I have just enough caloric energy stored up to make it through the telling of the tale. It's short. I am monstrously fat. I am a glutton. My wife was disgusted and repulsed. She gave me six months to lose one hundred pounds. I joined Weight Watchers . . . see it there, right across the street, that gaunt storefront? This afternoon was the big six-month weigh-in. So to speak. I had gained almost seventy pounds in the six months. An errant Snickers bar fell out of the cuff of my pants and rolled against my wife's foot as I stepped on the scale. The scale over there across the street is truly an ingenious device. One preprograms the desired new weight into it, and if one has achieved or gone below that new low weight, the scale bursts into recorded whistles and cheers and some lively marching-band tune. Apparently, tiny flags protrude from the top and wave mechanically back and forth. A failure--see for instance mine--results in a flatulent dirge of disappointed and contemptuous tuba. To the strains of the latter my wife left, the establishment, me, on the arm of a svelte yogurt distributor whom I am even now planning to crush, financially speaking, first thing tomorrow morning. Ms. Beadsman, you will find an eclair on the floor to the left of your chair. Could you perhaps manipulate it onto this plate with minimal chocolate loss and pass it to me.
”
”
David Foster Wallace (The Broom of the System)
“
I did love making lists. They calmed me, made me feel like I was in control, on top of things, sticking to a plan. But all over the floor were crumpled and wadded-up lists with titles like Pooping Your Pants in Public and Other Things That Are ALMOST As Humiliating as This But Not Quite and Not 10, Not 50, but 100 Reasons Why Tucker is a Fucker,
”
”
Melanie Harlow (Frenched (Frenched, #1))
“
You told me to get on my knees before you and apologize,” he said. “This is me saying I’m sorry, for all that I have done to you, for all the heartache I have caused, for giving you no choice but to resort to the most wildest of plans to ease the pain I wrought. I don’t deserve your forgiveness, but this one thing I seek, so that I may remain near you.”
I must have stared at him for a long, excruciating moment, because he whispered my name. I shifted across the mattress, sitting on the edge of the bed before him, my feet touching the floor. I was afraid to speak—even his name might break me—and I took his face in my hands.
Phelan’s arms came around me. “Tell me what you want me to do,” he said. “Tell me to leave, and I will.”
My fingers slid into his hair. “Stay,” I whispered.
”
”
Rebecca Ross (Dreams Lie Beneath)
“
Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God.
Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.
The greatest tragedy in life is the prayers that go unanswered because they go unasked.
God does not answer vague prayers. The more specific your prayers are, the more glory God receives.
Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens.
If you don’t take the risk, you forfeit the miracle.
Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means.
We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you.
If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed.
Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems.
Because you know He can, you can pray with holy confidence.
Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered.
Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability.
What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did.
You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other.
Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers.
The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard.
It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer.
The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets.
I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes.
Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.
”
”
Mark Batterson (The Circle Maker: Praying Circles Around Your Biggest Dreams and Greatest Fears)
“
Even floors have a plan.
”
”
Catherine Sasanov
“
He made disgusted noises every time I touched him, so I fell entirely against him. He yelled and I ended up on the floor. It was not my most well-thought-out plan.
”
”
Amy Tintera (Rebel (Reboot, #2))
“
waiting for the other shoe to drop. Did you know it originated in cities like Chicago and New York?” “No. I did not” He tilted his head, his mouth hooking upward to one side as though he were trying not to laugh. “Tell me about it.”He was teasing me again. “Well, it did. So…”He lifted his eyebrows, “That’s all? You’re not going to tell me the specific origin of the idiom waiting for the other shoe to drop’?”I shook my head, “I don’t know it.”He mimicked me and shook his head in response, “You’re lying. You do know.”“Nope. I don’t.”“This is just like the mammals.” He sighed and placed his phone on the table. Before he took a bite from his sandwich he said, “You’re stingy with information.”My frowned deepened, “No, I’m not-”His words were somewhat garbled as he spoke between chewing, “You’re an information tease.”“What?!”“Or maybe you don’t really know the origin and you’re just making things up to impress me-” he took another bite. “I am not! It originates from the late industrial revolution, in the late 19th and early 20th century.Apartments were all built with the same floor plan, in similar design so one tenant’s bedroom was
under another’s. Therefore it was normal to hear an upstairs neighbor removing his or her shoes and hearing one shoe hit the floor, then the other, when they undressed at night.”“I wonder what else they heard.” His gaze held mine, seemed to burn with a new intensity.“I suppose anything that was loud enough.
”
”
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Summer was nearly over and she couldn’t bring herself to imagine autumn, scrubbing bathroom floors while her friends gossiped in the lunchroom and planned homecoming dances. Would this be the rest of her life? Constricted to a house that swallowed her as soon as she stepped inside?
”
”
Brit Bennett (The Vanishing Half)
“
On the wall next to the door we’d entered through was a huge floor-to-ceiling bulletin/whiteboard combo and hanging from a thumbtack on the bulletin board amongst pictures and other various sorts of memorabilia was my bra. It’d been washed but it still had
a good many blotches of pink on it. If that wasn’t shocking enough, the dialogue written over the last two weeks on the whiteboard pertaining to said bra certainly was. I’ll include the copy just so you can truly appreciate what I’m dealing with here.
Tristan’s Mom: What’s this?
Tristan: A size 34B lace covered slingshot.
Jeff: Nice!
Tristan’s Mom: Do I want to know?
Tristan: I don’t know, do you?
Tristan’s Mom: Not really. Are you planning on returning it or did you win some kind of prize?
Tristan: I plead the fifth.
Tristan’s Dad: Well done son.
Jeff: Ditto!
Tristan’s Mom: Don’t encourage him.
Tristan: Gee, thanks Mom.
Tristan’s Dad: Can’t a father be proud of his only child?
Tristan’s Mom: He doesn’t need your help…obviously.
Tristan’s Dad: That’s because he takes after me.
Tristan: Was there anything else I can do for you two?
Tristan’s Mom: Tell her I tried to get the stains out, but I’m afraid they set in before I got to it.
Tristan: I’m sure she’ll appreciate your effort, but if I’m any judge (and I’d like to think I am) its
size has caused it to become obsolete and she needs to trade up.
Jeff: I’m so proud.
Tristan: Thanks man.
Tristan’s Mom: A name would be nice you know.
Tristan: Camie.
Tristan’s Mom: Do we get to meet her?
Tristan: Sure. I’ll have my people call your people and set it up.
Tristan’s Mom: I don’t know why I bother. Do you want anything from the store?
Tristan: Yeah, Camie’s sleeping over tonight and I promised her bacon and eggs for breakfast.
Jeff’s got the eggs covered but could you pick up some bacon for us and maybe a box of Twinkies
for the bus? Thanks, you’re the best.
Jeff: I have the eggs covered?
Tristan’s Dad: He gets his sense of humor from you.
Tristan’s Mom: Flattery will get you everywhere. How would you like your eggs prepared dear?
”
”
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
“
What dreams have they forced you to defer?
Did you want to be a pilot and fly planes?
Did they say you wouldn't make it in the Ivy League?
Did you want to be a poet and write your poems in the stars like the ones that came before?
Maybe the darkness inside stole your dreams?
Left you broken and buried
In a womb of despair
Did you have the rise up out of the dirt, too,
Learn to cultivate the light again, too?
Did you ever think you would watch your parents crawling around on the floor, chasing the white ghost?
Did you ever think would be next?
What kind of dreams you got festering, burning inside you?
How many nights you had to sit on the ceiling,
Waiting for dem dreams?
Chasing dem dreams
Hoping they wouldn't steal dem dreams?
Tell me 'bout dem dreams
Tell me what dey was
What dreams have they forced you to defer?
And what do you plan to do about it?
”
”
Echo Brown (Black Girl Unlimited)
“
His master plan to get them all out the door early met its first check of the day when he opened his closet door to discover that Zap the Cat, having penetrated the security of Vorkosigan House through Miles's quisling cook, had made a nest on the floor among his boots and fallen clothing to have kittens. Six of them.
Zap ignored his threats about the dire consequences of attacking an Imperial Auditor, and purred and growled from the dimness in her usual schizophrenic fashion. Miles gathered his nerve and rescued his best boots and House uniform, at a cost of some high Vor blood, and sent them downstairs for a hasty cleaning by the overworked Armsman Pym. The Countess, delighted as ever to find her biological empire increasing, came in thoughtfully bearing a cat-gourmet tray prepared by Ma Kosti that Miles would have had no hesitation in eating for his own breakfast. In the general chaos of the morning, however, he had to go down to the kitchen and scrounge his meal. The Countess sat on the floor and cooed into his closet for a good half-hour, and not only escaped laceration, but managed to pick up, sex, and name the whole batch of little squirming furballs before tearing herself away to hurry and dress.
”
”
Lois McMaster Bujold (Memory (Vorkosigan Saga, #10))
“
You're sleeping here?" He'd originally planned to just cuff her to him but now she'd proved the cuffs were useless and she didn't seem to be going anywhere.
"Well, I'm not sleeping on the floor. Unless you're worried about me killing you in your sleep?
”
”
Katie Reus (Shattered Duty (Deadly Ops, #3))
“
We have to be more careful,” she said. “I don’t have the time or energy for a broken heart.” He felt a squeeze in his chest. “I wasn’t planning to break your heart, Kate.” Her eyes fell to the floor before rising back to his. “Nobody ever does.” A fist tightened in his gut as he watched her retreat. He stood there for a long time, her words hitting hard, sinking deep. She’d been let down by a lot of people, and his name wasn’t going to be added to the list.
”
”
Denise Hunter (Falling Like Snowflakes (Summer Harbor, #1))
“
She feels like the first drags of fresh cigarettes but last crunches of cherry suckers.
She feels like final coats of nail polish.
She feels like lines of coke.
She feels like knuckles you crack after a long day.
She feels like Miami rain.
She feels like empty football fields.
She feels like full stadiums.
She feels like absinthe.
She feels like dangling from a helicopter.
She feels like classical music.
She feels like standing on a motorcycle.
She feels like train tracks.
She feels like frozen yogurt.
She feels like destroying a piano.
She feels like rooftops.
She feels like fleeing from cops.
She feels like stitches.
She feels like strobe lights.
She feels like blue carnival bears.
She feels like curbs at 2 am.
She feels like Cupid's Chokehold.
She feels like running through Chicago.
She feels like 1.2 million dollars.
She feels like floors.
She feels like everything he's ever wanted in life.
[…] “I love you more than I planned.
”
”
Julez (Duplicity)
“
I am going to take you every imaginable way,' he promised on a whisper, tugging her bodice lower.
'Excellent,' she murmured. She tugged his shirt from his trousers.
'Right side up, upside down, sideways, sitting, standing. You on top. Then me on top.'
'A brilliant plan.' His shirt fell from his shoulders. Oh, his shoulders. The vast glorious curve of them. She couldn't wait to lick one.
'Backward, forward. On the bed, on the table, on the settee.'
He paused, and lifted her dress off over her head with all the ceremony of an unveiling. It fell to the floor.
'And then?' she whispered.
'And then we'll do it all over again.'
It was the never-ending story!
”
”
Julie Anne Long (It Happened One Midnight (Pennyroyal Green, #8))
“
Tom felt that it was time to wake up; this sort of life might be romantic enough, in his blighted condition, but it was getting to have too little sentiment and too much distracting variety about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it.
One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said:
"Don't ask for it unless you want it, Peter."
But Peter signified that he did want it.
"You better make sure."
Peter was sure.
"Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self."
Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
Brian, maybe you are right after all. It was a plan. It had a beginning, middle and an end. We knew what we wanted to do, what we were going to do, and how to do it. We never meant for it to turn out this way, but you’re right. It was a plan. We got up off the floor and for the first time in two weeks, and we put our school uniforms on.
”
”
Shirley Marr (Fury)
“
I hear the door open again behind me. “Honestly, Eleanor, I will not move in with you. You’re welcome to come to Gallen. I’m certain we could find something for you to study.”
A voice that is not Eleanor’s answers me. “I plan on studying history scholars, actually.”
All the grief I have neatly packed and stored in the shadows of my soul springs up, rising into my throat and choking me. I stand, unable to turn, unable to draw a breath for fear of being mistaken, my eyes glued to the floor. A fine pair of shoes enters the narrow range of my vision.
They cast no shadow.
“You’re dead,” I whisper, still not daring to look up.
“Nearly,” Finn answers, his voice the soft song of my dreams. I look up, barely able to see him through tears. He’s thinner, with the pale and drawn look of someone who has been sick for a long time but is on the mend. “It’s a tricky thing, trying to use a transport spell stored in your body while being pulled down a river bleeding to death. You will have to excuse me for getting lost and taking so long to get back to you.”
“I will excuse no such thing.” I throw my arms around his neck and bury my face in his shoulder. “You are not excused, you will never be excused, and you will spend the rest of your life making it up to me.”
He laughs. “I had planned on nothing less.”
My lips meet his, and I do not resign myself to this fate. I claim it as my own. Forever.
”
”
Kiersten White (Illusions of Fate)
“
When Dad wasn’t telling us about all the amazing things he had already done, he was telling us about the wondrous things he was going to do. Like build the Glass Castle. All of Dad’s engineering skills and mathematical genius were coming together in one special project: a great big house he was going to build for us in the desert. It would have a glass ceiling and thick glass walls and even a glass staircase. The Glass Castle would have solar cells on the top that would catch the sun’s rays and convert them into electricity for heating and cooling and running all the appliances. It would even have its own water-purification system. Dad had worked out the architecture and the floor plans and most of the mathematical calculations. He carried around the blueprints for the Glass Castle wherever we went, and sometimes he’d pull them out and let us work on the design for our rooms. All we had to do was find gold, Dad said, and we were on the verge of that. Once he finished the Prospector and we struck it rich, he’d start work on our Glass Castle.
”
”
Jeannette Walls (The Glass Castle)
“
As my wife saw it—as most people would see it, I imagine—an unwritten book was hardly a financial plan. “In other words,” she said, “you’ve got some magic beans in your pocket. That’s what you’re telling me. You have some magic beans, and you’re going to plant them, and overnight a huge beanstalk is going to grow high into the sky, and you’ll climb up the beanstalk, kill the giant who lives in the clouds, and then bring home a goose that lays golden eggs. Is that it?” “Something like that,” I said. Michelle shook her head and looked out the window. We both knew what I was asking for. Another disruption. Another gamble. Another step in the direction of something I wanted and she truly didn’t. “This is it, Barack,” Michelle said. “One last time. But don’t expect me to do any campaigning. In fact, you shouldn’t even count on my vote.” — AS A KID, I had sometimes watched as my salesman grandfather tried to sell life insurance policies over the phone, his face registering misery as he made cold calls in the evening from our tenth-floor apartment in a Honolulu high-rise. During the early months of 2003, I found myself thinking of him often as I sat at my desk in the sparsely furnished headquarters of my newly launched Senate campaign
”
”
Barack Obama (A Promised Land)
“
I still remember the look on your face
Lit through the darkness at 1:58
The words that you whispered for just us to know
You told me you loved me
So why did you go away?
So I'll watch your life in pictures like I used to watch you sleep
And I feel you forget me like I used to feel you breathe
And I'll keep up with our old friends just to ask them how you are
Hope it's nice where you are
And I hope the sun shines and it's a beautiful day
And something reminds you you wish you had stayed
You can plan for a change in the weather and time
But I never planned on you changing your mind
So I'll go
Sit on the floor wearing your clothes
All that I know is I don't know
How to be something you miss
Never thought we'd have a last kiss
Never imagined we'd end like this
Your name, forever the name on my lips
Just like our last kiss
”
”
EJR
“
If you just stop doing, you’ll start knowing. This seemed like magical nonsense, but desperate women take desperate measures. I decided to experiment. After the kids left for school, I shut myself in my closet, sat down on a towel, closed my eyes, and did nothing but breathe. At first, each ten-minute session felt ten hours long. I checked my phone every few moments, planned my grocery lists, and mentally redecorated my living room. The only things I seemed to “know” on that floor were that I was hungry and itchy and suddenly desperate to fold laundry and reorganize my pantry. I was an input junkie thrown into detox.
”
”
Glennon Doyle (Untamed)
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
What never fails to astonish at Skara Brae is the sophistication. These were the dwellings of Neolithic people, but the houses had locking doors, a system of drainage and even, it seems, elemental plumbing with slots in the walls to sluice away wastes. The interiors were capacious. The walls, still standing, were up to ten feet high, so they afforded plenty of headroom, and the floors were paved. Each house has built-in stone dressers, storage alcoves, boxed enclosures presumed to be beds, water tanks, and damp courses that would have kept the interiors snug and dry. The houses are all of one size and built to the same plan, suggesting a kind of genial commune rather than a conventional tribal hierarchy. Covered passageways ran between the houses and led to a paved open area—dubbed “the marketplace” by early archaeologists—where tasks could be done in a social setting.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
I might have liked to share a dance with you. If I may be so bold to say. I thought: But isn’t this a dance? Isn’t all of this a dance? Isn’t that what we do with words? Isn’t that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it’s choreographed. Some of the steps have been done for ages. And the rest—the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends. I
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Hello?”
“Hey.” She sounded pissed. “What the hell happened to you tonight? Jess said the three of us were meeting for Valentine’s Day, but you never showed.”
“Sorry,” I said. “Something came up.”
“Bianca, you’ve been saying that a lot lately. Something is always coming up or you have plans or…”
Suddenly, I felt Wesley’s breath hit the back of my neck. He’d gotten up from the floor and slid up behind me without me realizing it. His arms slid around my waist from behind, his fingers undoing the button of my jeans before I could stop him.
“… and Jess had her hopes up that we’d do something fun…”
I couldn’t focus on a word Casey was saying as Wesley’s hand slid beneath the waistband of my pants, his fingers moving lower and lower.
I couldn’t say a word. I couldn’t tell him to stop or show any reaction at all. If I did, Casey would know I wasn’t alone. But, God, I could feel my whole body turning into a ball of fire. Wesley was laughing against my neck, knowing he was driving me crazy.
“… I just don’t understand what’s up with you.”
I bit my lip to keep from gasping as Wesley’s fingers slipped to places that made my knees shake. I could feel the smirk on his lips as they moved to my ear. Asshole. He was trying to torture me. I couldn’t handle it much longer.
“Bianca, are you there?”
Wesley bit my earlobe and pushed my jeans even lower with his free hand as the other continued to make me shiver.
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
And now Snape stood again in the headmaster’s study as Phineas Nigellus came hurrying into his portrait.
“Headmaster! They are camping in the Forest of Dean! The Mudblood--”
“Do not use that word!”
“--the Granger girl, then, mentioned the place as she opened her bag and I heard her!”
“Good. Very good!” cried the portrait of Dumbledore behind the headmaster’s chair. “Now, Severus, the sword! Do not forget that it must be taken under conditions of need and valor--and he must not know that you give it! If Voldemort should read Harry’s mind and see you acting for him--”
“I know,” said Snape curtly. He approached the portrait of Dumbledore and pulled at its side. It swung forward, revealing a hidden cavity behind it from which he took the sword of Gryffindor.
“And you still aren’t going to tell me why it’s so important to give Potter the sword?” said Snape as he swung a traveling cloak over his robes.
“No, I don’t think so,” said Dumbledore’s portrait. “He will know what to do with it. And Severus, be very careful, they may not take kindly to your appearance after George Weasley’s mishap--”
Snape turned at the door.
“Don’t worry, Dumbledore,” he said coolly. “I have a plan…”
And Snape left the room. Harry rose up out of the Pensieve, and moments later he lay on the carpeted floor in exactly the same room: Snape might just have closed the door.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
There.You're officially Canadian. Try not to abuse your new power."
"Whatever.I'm totally going out tonight."
"Good." He slows down. "You should."
We're both standing still. He's so close to me.His gaze is locked on mine, and my heart pounds painfully in my chest. I step back and look away. Toph. I like Toph,not St. Clair. Why do I have to keep reminding myself of this? St. Clair is taken.
"Did you paint these?" I'm desperate to change the mood. "These above your bed?" I glance back,and he's still staring at me.
He bites his thumbnail before replying. His voice is odd. "No.My mum did."
"Really? Wow,they're good. Really, really...good."
"Anna..."
"Is this here in Paris?"
"No,it's the street I grew up on. In London."
"Oh."
"Anna..."
"Hmm?" I stand with my back to him, trying to examine the paintings. They really are great. I just can't seem to focus. Of course it's not Paris. I should've known-
"That guy.Sideburns.You like him?"
My back squirms. "You've asked me that before."
"What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?"
It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested,but...I don't know if he's still interested in me."
St. Clair edges closer. "Does he still call?"
"Yeah.I mean,not often. But yes."
"Right.Right,well," he says, blinking. "There's your answer."
I look away. "I should go.I'm sure you have plans with Ellie."
"Yes.I mean,no. I mean, I don't know. If you aren't doing any-"
I open his door. "So I'll see you later. Thank you for the Canadian citizenship." I tap the patch on my bag.
St. Clair looks strangely hurt. "No problem. Happy to be of service."
I take the stairs two at a time to my floor. What just happened? One minute we were fine,and the next it was like I couldn't leave fast enough. I need to get out of here.I need to leave the dorm. Maybe I'm not a brave American,but I think I can be a brave Canadian.I grab the Pariscope from inside my room and jog downstairs.
I'm going to see Paris.Alone.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Curran rested the back of his head on the edge of the hot tub and closed his eyes. I stared at the way his face looked, etched against the darkness of the wall. He really was a handsome bastard. Poised like this, he seemed very human. Nobody to impress. Nobody to command. Just him, in the hot water, tired, hurting, stealing a few precious moments of rest, and so irresistibly erotic. Well, that last one came out of nowhere. It was the beer. Had to be.
Despite all his growling and threats, his arrogance, I liked being next to him. He made me feel safe. It was a bizarre emotion. I was never safe.
I closed my eyes. That seemed like the only reasonable way out of the situation. If I couldn’t see him, I couldn’t drool over him.
“So you didn’t want to see me hurt?” he said. His voice was deceptively smooth and soft, the deep, throaty, sly purr of a giant cat who wanted something. Admitting that I took his well-being into consideration might have been a fatal mistake.
“I didn’t want you to have to kill Derek.”
“And if he had gone loup?”
“I would have taken care of it.”
“How exactly were you planning on pushing Jim aside? He was the highest alpha. The duty was his.”
“I pulled rank,” I told him. “I declared that since you had accepted the Order’s assistance, I outranked everybody.”
He laughed. “And they believed you?”
“Yep. I also glared menacingly for added effect. Unfortunately, I can’t make my eyes glow the way yours do.”
“Like this?” he breathed in my ear.
My eyes snapped open. He stood inches away, anchored on the tub floor, his arms leaning on the tub wall on each side of me. His eyes were molten gold, but it wasn’t the hard, lethal glow of an alpha stare. This gold was warm and enticing, touched with a hint of longing.
“Don’t make me break this bottle over your head,” I whispered.
“You won’t.” He grinned. “You don’t want to see me hurt.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Where did Grizel go?” Sandor asked as they turned to leave. “She’s supposed to stay by your side.” “I’m right here,” a husky female voice said as a lithe gray goblin in a fitted black jumpsuit seemed to melt out of the shadows. Fitz’s bodyguard was just as tall as Sandor, but far leaner—and what she lacked in bulk she made up for in stealth and grace. “I swear,” she said, tapping Sandor on the nose. “It’s almost too easy to evade you.” “Anyone can hide in this chaos,” Sandor huffed. “And now is not the time for games!” “There’s always time for games.” Grizel tossed her long ponytail in a way that almost seemed . . . Was it flirty? Sandor must’ve noticed too, because his gray skin tinted pink. He cleared his throat and turned to Sophie. “Weren’t we heading to the cafeteria?” She nodded and followed Fitz into the mazelike halls, where the colorful crystal walls shimmered in the afternoon sunlight. The cafeteria was on the second floor of the campus’s five-story glass pyramid, which sat in the center of the courtyard framed by the U-shaped main building. Sophie spent most of the walk wondering how long it would take Dex to notice her new accessories. The answer was three seconds—and another after that to notice the matching rings on Fitz’s thumbs. His periwinkle eyes narrowed, but he kept his voice cheerful as he said, “I guess we’re all giving rings this year.” Biana held out her hand to show Sophie a ring that looked familiar—probably because Sophie had a less sparkly, slightly more crooked, definitely less pink version on her own finger. “I also made one for you,” Dex told Fitz. “It’s in your thinking cap. And I have some for Tam and Linh, whenever we see them again. That way we’ll all have panic switches—and I added stronger trackers, so I can home in on the signal even if you don’t press your stone. Just in case anything weird happens.” “Your Technopath tricks aren’t necessary,” Sandor told him, pointing to their group of bodyguards—four goblins in all. “But it’s still good to have a backup plan, right?” Biana asked, admiring her ring from another angle. The pink stone matched the glittery shadow she’d brushed around her teal eyes, as well as the gloss on her
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
We all die young. He was around your age then. I had just turned 18 and met Evelyn. We fell hard for each other. Any moment I could find, I was with her, which in turn led to her getting pregnant with Neal. My plan was for us to take my inheritance and live on some remote island somewhere. But, when my brother died, I had to step forward. I hated the life with a passion."
"And now you can't let go."
He was good at what he did. The stories of young Sedric were the things that nightmares were made of.
"It's like a possession," he whispered. "It crawls into your soul and takes root. You have no control over it. You allow it to grow, because it helps. It's the reason you can let blood flow across the floor like fine wine and not flinch. It helps you become the monster you need to be. The only side effect is that it's always there. No amount of holy water can wash it off. So there's no letting go. I will forever be who I allowed myself to be, and the person I allowed myself to be enjoys the chaos."
Truer words were never spoken.
”
”
J.J. McAvoy (The Untouchables (Ruthless People, #2))
“
He waved cheerfully, then opened the door, tripped over the threshold, and as his balance was already impaired, nearly went face down on the floor for the second time that day. He caught himself, hung on to the side of the counter, and waited for the pub kitchen to stop revolving.
With the careful steps of the drunk, he walked over to the cupboard to get out a pan for frying, a pot for boiling.
Shawn was singing in his break-your-heart voice, about the cold nature of Peggy Gordon. And with one eye closed, his body swaying gently, he dripped lemon juice into a bowl.
“Oh, fuck me, Shawn. You are half pissed.”
“More than three-quarters if the truth be known.” He lost track of the juice and added a bit more to be safe. “And how are you, Aidan, darling?”
“Get way from there before you poison someone.”
Insulted, Shawn swiveled around and had to brace a hand on the counter to stay upright. “I’m drunk, not a murderer. I can make a g.d. fish cake in me sleep. This is my kitchen, I’ll thank you to remember, and I give the orders here.”
He poked himself in the chest with his thumb on the claim and nearly knocked himself on his ass.
Gathering dignity, he lifted his chin. “So go on with you while I go about my work.” “
What have you done to yourself?”
“The devil cat caught me hand. Forgetting his work, Shawn lifted a hand to scowl at the red gashes. Oh, but I’ve got plans for him, you can be sure of that.”
“At the moment, I’d lay odds on the cat. Do you know anything about putting fish cakes together?” Aidan asked Darcy.
“Not a bloody thing,” she said cheerfully.
“Then go and call Kathy Duffy, would you, and ask if she can spare us an hour or so, as we have an emergency?”
“An emergency?” Shawn looked glassily around. “Where?
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
Someone stepped through the garage doorway. I squinted against the light. Mad Rogan.
He wore a dark suit. It fit him like a glove, from the broad shoulders and powerful chest to the flat stomach and long legs. Well. A visit from the dragon. Never good.
He started toward me. The track vehicle on his left slid out of his way, as if pushed aside by an invisible hand. The Humvee on his right slid across the floor. I raised my eyebrows.
He kept coming, his blue eyes clear and fixed on me. I stepped back on pure instinct. My back bumped into the wall.
The multiton hover tank hovered off to the wall. So that was the secret to making it work. You just needed Mad Rogan to move it around.
Rogan closed in and stopped barely two inches from me. Anticipation squirmed through me, turning into a giddy excitement spiced with alarm.
“Hi,” I said. “Are you planning on putting all of this back together the way you found it?”
His eyes were so blue. I could look into them forever. He offered me his hand. “Time to go.”
“To go where?”
“Wherever you want. Pick a spot on the planet.”
Wow. “No.”
He leaned forward slightly. We were almost touching. “I gave you a week with your family. Now it’s time to go with me. Don’t be stubborn, Nevada. That kiss told me everything I needed to know. You and I both understand how this ends.”
I shook my head. “How did this encounter go in your head? Did you plan on walking in here, picking me up, and carrying me away like you’re an officer and I’m a factory worker in an old movie?”
He grinned. He was almost unbearably handsome now. “Would you like to be carried away?
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
You know, you spend your childhood watching TV, assuming that at some point in the future everything you see there will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg — that your future will not be the rollercoaster ride you'd imagined, that the world occupied by your parents, the world of washing the dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'. Now, with every day that passes, another door seems to close, the one marked PROFESSIONAL STUNTMAN, or FIGHT EVIL ROBOT, until as the weeks go by and the doors — GET BITTEN BY SNAKE, SAVE WORLD FROM ASTEROID, DISMANTLE BOMB WITH SECONDS TO SPARE — keep closing, you begin to hear the sound as a good thing, and start closing some yourself, even ones that didn't necessarily need to be closed.
”
”
Paul Murray (Skippy Dies)
“
Depression goes through stages, but if left unchecked and not treated, this elevator ride will eventually go all the way to the bottom floor. And finally you find yourself bereft of choices, unable to figure out a way up or out, and pretty soon one overarching impulse begins winning the battle for your mind: “Kill yourself.” And once you get over the shock of those words in your head, the horror of it, it begins to start sounding appealing, even possessing a strange resolve, logic. In fact, it’s the only thing you have left that is logical. It becomes the only road to relief. As if just the planning of it provides the first solace you’ve felt that you can remember. And you become comfortable with it. You begin to plan it and contemplate the details of how best to do it, as if you were planning travel arrangements for a vacation. You just have to get out. O-U-T. You see the white space behind the letter O? You just want to crawl through that O and be out of this inescapable hurt that is this thing they call clinical depression. “How am I going to do this?” becomes the only tape playing. And if you are really, really, really depressed and you’re really there, you’re gonna find a way. I found a way. I had a way. And I did it. I made sure Opal was out of the house and on a business trip. My planning took a few weeks. I knew exactly how I was going to do it: I didn’t want to make too much of a mess. There was gonna be no blood, no drama. There was just going to be, “Now you see me, now you don’t.” That’s what it was going to be. So I did it. And it was over. Or so I thought. About twenty-four hours later I woke up. I was groggy; zoned out to the point at which I couldn’t put a sentence together for the next couple of days. But I was semifunctional, and as these drugs and shit that I took began to wear off slowly but surely, I realized, “Okay, I fucked up. I didn’t make it.” I thought I did all the right stuff, left no room for error, but something happened. And this perfect, flawless plan was thwarted. As if some force rebuked me and said, “Not yet. You’re not going anywhere.” The only reason I could have made it, after the amount of pills and alcohol and shit I took, was that somebody or something decided it wasn’t my time. It certainly wasn’t me making that call. It was something external. And when you’re infused with the presence of this positive external force, which is so much greater than all of your efforts to the contrary, that’s about as empowering a moment as you can have in your life. These days we have a plethora of drugs one can take to ameliorate the intensity of this lack of hope, lack of direction, lack of choice. So fuck it and don’t be embarrassed or feel like you can handle it yourself, because lemme tell ya something: you can’t. Get fuckin’ help. The negative demon is strong, and you may not be as fortunate as I was. My brother wasn’t. For me, despair eventually gave way to resolve, and resolve gave way to hope, and hope gave way to “Holy shit. I feel better than I’ve ever felt right now.” Having actually gone right up to the white light, looked right at it, and some force in the universe turned me around, I found, with apologies to Mr. Dylan, my direction home. I felt more alive than I’ve ever felt. I’m not exaggerating when I say for the next six months I felt like Superman. Like I’m gonna fucking go through walls. That’s how strong I felt. I had this positive force in me. I was saved. I was protected. I was like the only guy who survived and walked away from a major plane crash. I was here to do something big. What started as the darkest moment in my life became this surge of focus, direction, energy, and empowerment.
”
”
Ron Perlman (Easy Street: The Hard Way)
“
I hurried to the end of the Iron Wing and opened the door.
Where I found myself face-to-face with Anne-Whatever-Whatever herself.
I pulled my hand back to punch her. “What are you—” she started, when her eyes went wide and she collapsed on the ground, revealing Tasey in the hands of a teen boy with blond curls, blue eyes, dimples, and the most impish smile I’d ever seen.
“Hey-oh, did you miss me?” Jack asked.
Since my hand was already pulled back, I went ahead and punched Jack.
“Bloody—What was that for?” he asked, hand over his nose.
I stepped past the unconscious body of Anne-Whatever-Whatever lying on the white tile floor and snatched Tasey from the blond nightmare. “Are you kidding me? The last time I saw you, you left me for read.”
“Well, yeah, there was that. But I thought rescuing you from IPCA might make up for it a bit.”
“I’m in the middle of rescuing myself,” I snapped.
“And how were you planning on getting past her?” He nudged the prone body with a none-too-gentle foot.
“Improvising.”
“And once you were past her, you were going to get out of here . . . how?”
“Shut up!” I turned and tried to stomp down the hall, then cringed in pain from my ankle. Okay, no dramatic stomping. I opted for emphatic limping instead, which unfortunately allowed Jack to catch up quite quickly.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident.
I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?”
He shook his head. “That’s true, but that’s not the reason we do it.”
But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.”
Mr. B. shook his head and scratched the stubble on his neck.
I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?”
Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.”
Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?”
“Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people.
“Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?”
No one answered.
But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.”
Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left.
After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?”
There was a vacant silence.
“Think, people! There must be a reason. Why the brain? What were they trying to preserve?”
When no one answered, he answered his own question.
“The mind!” he said, exasperated. “The soul!”
As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me.
Who is cuter?
A. Professor Bliss
B. Brett Steyers
C. Dante Berlin
D. The mummy
I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall.
After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.
”
”
Neal Stephenson (Seveneves)
“
In the silence, Kestrel heard a falling leaf scratch the glass of the window, opened out toward the dimming sky. It was warm, but summer was almost over.
“Play your tiles,” Arin said roughly.
Kestrel turned them over, taking no joy in the fact that she had surely won. She had four scorpions.
Arin flipped his. The sound of ivory clacking against the wooden table was unnaturally loud.
Four vipers.
“I win,” he said, and swept the matches into his hand.
Kestrel stared at the tiles, feeling a numbness creep along her limbs. “Well,” she said. She cleared her throat. “Well played.”
He gave her a humorless smile. “I did warn you.”
“Yes. You did.”
He stood. “I think I’ll take my leave while I have the advantage.”
“Until next time.” Kestrel realized she had offered him her hand. He looked at it, then took it in his own. She felt the numbness ebb, only to be replaced by a different kind of surprise.
He dropped her hand. “I have things to do.”
“Like what?” She tried for a lighthearted tone.
He answered in kind. “Like contemplate what I am going to do with my sudden windfall of matches.” He widened his eyes in pretend glee, and Kestrel smiled.
“I’ll walk you out,” she said.
“Do you think I will lose my way? Or steal something as I go?”
She felt her expression turn haughty. “I am leaving the villa anyway,” she said, though she had had no such plans until the words left her mouth.
They walked in silence through the house until they had reached the ground floor. Kestrel saw his stride pause, almost imperceptibly, as they passed the closed doors that hid her piano.
She stopped. “What is your interest in that room?”
The look he gave her was cutting. “I have no interest in the music room.”
Her eyes narrowed as she watched him walk away.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Mama,” the child exclaimed, breathless and agitated.
Phoebe looked down at him in concern. “Justin, what is it?”
“Galoshes brought me a dead mouse. She dropped it on the floor right in front of me!”
“Oh, dear.” Tenderly Phoebe smoothed his dark, ruffled hair. “I’m afraid that’s what cats do. She thought it was a fine gift.”
“Nanny won’t touch it, and the housemaid screamed, and I had a fight with Ivo.”
Although Phoebe’s younger brother Ivo was technically Justin’s uncle, the boys were close enough in age to play together and quarrel.
“About the mouse?” Phoebe asked sympathetically.
“No, before the mouse. Ivo said there’s going to be a honeymoon and I can’t go because it’s for grownups.” The boy tilted his head back to look up at her, his lower lip quivering. “You wouldn’t go to the honeymoon without me, would you, Mama?”
“Darling, we’ve made no plans to travel yet. There’s too much to be done here, and we all need time to settle in. Perhaps in the spring—”
“Dad wouldn’t want to leave me behind. I know he wouldn’t!”
In the electrified silence that followed, Tom shot a glance at West, who looked blank and startled.
Slowly Phoebe lowered to the ground until her face was level with her son’s. “Do you mean Uncle West?” she asked gently. “Is that what you’re calling him now?”
Justin nodded. “I don’t want him to be my uncle—I already have too many of those. And if I don’t have a dad, I’ll never learn how to tie my shoes.”
Phoebe began to smile. “Why not call him Papa?” she suggested.
“If I did, you’d never know which one I was talking about,” Justin said reasonably, “the one in heaven or the one down here.”
Phoebe let out a breath of amusement. “You’re right, my clever boy.”
Justin looked up at the tall man beside him with a flicker of uncertainty. “I can call you Dad … can’t I? Do you like that name?”
A change came over West’s face, his color deepening, small muscles contorting with some powerful emotion. He snatched Justin up, one of his large hands clasping the small head as he kissed his cheek. “I love that name,” West said unsteadily. “I love it.” The boy’s arms went around his neck.
“Can we go to Africa for our honeymoon, Dad?” he heard Justin ask.
“Yes,” came West’s muffled voice.
“Can I have a pet crocodile, Dad?”
“Yes.”
Phoebe produced a handkerchief from seemingly out of nowhere and tucked it discreetly into one of West’s hands.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
She exhaled, and then looked back to Nigel, who was still lying on the floor, moaning incoherently.
Simon looked down, too, and for several seconds they just stood there, staring at the unconscious man, until the girl said, “I really didn’t hit him very hard.”
“Maybe he’s drunk.”
She looked dubious. “Do you think? I smelled spirits on his breath, but I’ve never seen him drunk before.”
Simon had nothing to add to that line of thought, so he just asked, “Well, what do you want to do?”
“I suppose we could just leave him here,” she said, the expression in her dark eyes hesitant.
Simon thought that was an excellent idea, but it was obvious she wanted the idiot cared for in a more tender manner. And heaven help him, but he felt the strangest compulsion to make her happy.
“Here is what we’re going to do,” he said crisply, glad that his tone belied any of the odd tenderness he was feeling. “I am going to summon my carriage—”
“Oh, good,” she interrupted. “I really didn’t want to leave him here. It seemed rather cruel.”
Simon thought it seemed rather generous considering the big oaf had nearly attacked her, but he kept that opinion to himself and instead continued on with his plan. “You will wait in the library while I’m gone.”
“In the library? But—”
“In the library,” he repeated firmly. “With the door shut. Do you really want to be discovered with Nigel’s body should anyone happen to wander down this hallway?”
“His body? Good gracious, sir, you needn’t make it sound as if he were dead.”
“As I was saying,” he continued, ignoring her comment completely, “you will remain in the library. When I return, we will relocate Nigel here to my carriage.”
“And how will we do that?”
He gave her a disarmingly lopsided grin. “I haven’t the faintest idea.”
-Daphne & Simon
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
I had the most ridiculous dream.” I point at my brother. “You were there.” I point at Simon beside him. “And you.” Then Franny, all of them huddled on the floor around me. “And you too. You . . . abdicated the throne, Nicholas. And they all wanted to make me king.” A maniacal laugh passes my lips . . . until I turn to the right and see dark blue eyes, sweet lips. and black, swirling hair.
Then I scream like a girl. “Ahhhh!”
It’s Olivia. My brother’s wife. His very American wife.
I turn back to Nicholas. “It wasn’t a dream, was it?”
“No, Henry.”
I lie back down on the floor. “Fuuuuuck.”
Then I feel sort of bad.
“Sorry, Olive. You know I think you’re top-notch.”
She smiles kindly. “It’s okay, Henry. I’m sorry you’re having a hard time.”
I scrub my hand over my face, trying to think clearly.
“It’s all right. This is a better, new plan—I won’t have to live under the stage now.”
“You were going to live under the stage?” Nicholas asks.
I wave my hand. “Forget it. It was Potter’s stupid idea. Boy Wonder Wizard, my arse.”
And now my brother looks really worried.
I gesture to him. “But you’re here now. You can take me with you back to the States.”
“Henry . . .”
“Give me your tired, poor, huddled masses yearning to be free—that describes me perfectly! I’m a huddled mass, Nicholas!”
He squeezes my arms, shaking just a bit. “Henry. You can’t move to America.”
I grasp his shirt. And my voice morphs into an eight-year-old boy’s, confessing he sees dead people. “But she’s so mean, Nicholas. She’s. So. Mean.”
He taps my back. “I know.”
Nicholas and Simon drag me up, holding on so that I stay on my feet. “But we’ll figure it out,” Nicholas says. “It’s going to be all right.”
I shake my head. “You keep saying that. I’m starting to think you don’t know what the hell you’re talking about.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work.
As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.”
After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.
”
”
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
“
Only a fool says in his heart
There is no Creator, no King of kings,
Only mules would dare to bray
These lethal mutterings.
Over darkened minds as these
The Darkness bears full sway,
Fruitless, yet, bearing fruit,
In their fell, destructive way.
Sterile, though proliferate,
A filthy progeny sees the day,
When Evil, Thought and Action mate:
Breeding sin, rebels and decay.
The blackest deeds and foul ideals,
Multiply throughout the earth,
Through deadened, lifeless, braying souls,
The Darkness labours and gives birth.
Taking the Lord’s abundant gifts
And rotting them to the core,
They dress their dish and serve it out
Foul seeds to infect thousands more.
‘The Tree of Life is dead!’ they cry,
‘And that of Knowledge not enough,
Let us glut on the ashen apples
Of Sodom and Gomorrah.’
Have pity on Thy children, Lord,
Left sorrowing on this earth,
While fools and all their kindred
Cast shadows with their murk,
And to the dwindling wise,
They toss their heads and wryly smirk.
The world daily grinds to dust
Virtue’s fair unicorns,
Rather, it would now beget
Vice’s mutant manticores.
Wisdom crushed, our joy is gone,
Buried under anxious fears
For lost rights and freedoms,
We shed many bitter tears.
Death is life, Life is no more,
Humanity buried in a tomb,
In a fatal prenatal world
Where tiny flowers
Are ripped from the womb,
Discarded, thrown away,
Inconvenient lives
That barely bloomed.
Our elders fare no better,
Their wisdom unwanted by and by,
Boarded out to end their days,
And forsaken are left to die.
Only the youthful and the useful,
In this capital age prosper and fly.
Yet, they too are quickly strangled,
Before their future plans are met,
Professions legally pre-enslaved
Held bound by mounting student debt.
Our leaders all harangue for peace
Yet perpetrate the horror,
Of economic greed shored up
Through manufactured war.
Our armies now welter
In foreign civilian gore.
How many of our kin are slain
For hollow martial honour?
As if we could forget, ignore,
The scourge of nuclear power,
Alas, victors are rarely tried
For their woeful crimes of war.
Hope and pray we never see
A repeat of Hiroshima.
No more!
Crimes are legion,
The deeds of devil-spawn!
What has happened to the souls
Your Divine Image was minted on?
They are now recast:
Crooked coins of Caesar and
The Whore of Babylon.
How often mankind shuts its ears
To Your music celestial,
Mankind would rather march
To the anthems of Hell.
If humanity cannot be reclaimed
By Your Mercy and great Love
Deservedly we should be struck
By Vengeance from above.
Many dread the Final Day,
And the Crack of Doom
For others the Apocalypse
Will never come too soon.
‘Lift up your heads, be glad’,
Fools shall bray no more
For at last the Master comes
To thresh His threshing floor.
”
”
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
“
I got up to get another glass of water when Zac asked from his spot still at the stove, breaking up the two pounds of ground beef he’d added to the vegetables. “Vanny, were you gonna want me to help you with your draft list again this year?”
I groaned. “I forgot. My brother just messaged me about it. I can’t let him win again this year, Zac. I can’t put up with his crap.”
He raised his hand in a dismissive gesture. “I got you. Don’t worry about it.”
“Thank—what?”
Aiden had his glass halfway to his mouth and was frowning. “You play fantasy football?” he asked, referring to the online role-playing game that millions of people participated in. Participants got to build imaginary teams during a mock draft, made up of players throughout the league. I’d been wrangled into playing against my brother and some of our mutual friends about three years ago and had joined in ever since. Back then, I had no idea what the hell a cornerback was, much less a bye week, but I’d learned a lot since then.
I nodded slowly at him, feeling like I’d done something wrong.
The big guy’s brow furrowed. “Who was on your team last year?”
I named the players I could remember, wondering where this was going and not having a good feeling about it.
“What was your defensive team?”
There it went. I slipped my hands under the counter and averted my eyes to the man at the stove, cursing him silently. “So you see…”
The noise Zac tried to muffle was the most obvious snicker in the world. Asshole.
“Was I not on your team?”
I gulped. “So you see—”
“Dallas wasn’t your team?” he accused me, sounding… well, I didn’t know if it was hurt or outraged, but it was definitely something.
“Ahh…” I slid a look at the traitor who was by that point trying to muffle his laugh. “Zac helped me with it.”
It was the thump that said Zac’s knees hit the floor.
“Look, it isn’t that I didn’t choose you specifically. I would choose you if I could, but Zac said Minnesota—”
“Minne-sota.”
Jesus, he’d broken the state in two.
The big guy, honest to God, shook his head. His eyes went from me to Zac in… yep, that was outrage. Aiden held out his hand, wiggling those incredibly long fingers. “Let me see it.”
“See what?”
“Your roster from last year.”
I sighed and pulled my phone out of the fanny pack I still had around my waist, unlocking the screen and opening the app. Handing it over, I watched his face as he looked through my roster and felt guilty as hell. I’d been planning on choosing Dallas just because Aiden was on the team, but I really had let Zac steer me elsewhere. Apparently, just because you had the best defensive end in the country on your team, didn’t mean everyone else held up their end of the bargain. Plus, he’d missed almost the entire season. He didn’t have to take it so personally.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
I want to be married,” I blurted. “I want you to marry me.”
Fuuuuuuuck.
And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated.
In the circle of my arms, Chloe grew very still. “What did you just say?”
I had completely botched the plan, but it was too late to turn back now.
“I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.”
She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth.
“I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.”
Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.”
Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—”
She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face.
I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked.
“You tell me, genius.”
“Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.”
“It’s a ring, dummy. For you.”
My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?”
She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle.
“You were going to propose to me?” I asked, still completely confused. “Do women even do that?”
She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.”
“So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?”
“You tell me!” she yelled, but she was smiling.
“Technically you haven’t asked yet.”
“Goddamnit, Bennett! You haven’t, either!”
“Will you marry me?” I asked, laughing.
“Will you marry me?”
With a growl, I took the box and dropped it on the floor, flipping her onto her back.
”
”
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
“
He moved to the faded red chair she'd indicated. As he lowered himself into it, there was a loud crack. One of the wooden legs snapped and broke, just as Sophia and Angus had planned when they'd sawed it half-through.
A normal man would have been tossed to the floor, but with a little twist, MacLean shifted his weight forward and managed to remain upright, turning to regard the chair as it collapsed.
Sophia swept to her feet. "Goodness! How horrid!" She narrowed her gaze accusingly at the chair. There was nothing like a little humiliation to set a man against a location, and it was a pity MacLean hadn't been thrown to the floor as she'd planned.
MacLean bent and picked up a piece of the broken chair, his expression unfathomable. "Horrid, indead."
Her desire to smile fled. Did he suspect something? Could he see where Angus had cut the chair let partway through?
MacLean hefted the leg in his hand, his mouth thinned.
Sophia cleared her throat. "I'll call the butler to remove that."
His gaze locked with hers.The chair leg still in his hand,he walked toward her.
Sophia licked her suddenly dry lips. She didn't know this man, not really. What was he going to do?
She gripped the arms of her chair. Should she run for help? Surely not. Nothing she'd heard had indicated MacLean was a man of violence. Of course, everything she knew of him was mere heresay-
He stopped before her and stook looking down into her face with the faintest of smiles. He didn't look angry; he looked knowing. As if he understood exactly what she'd done and why.
A fear of another kind gripped her. Surely, he didn't. There was no way he could-
MacLean leaned forward. Sophia's heart jumped, her skin warming oddly when his arm brushed her shoulder as he leaned past her...and tossed the chair leg onto the unlit fireplace.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
I'd carry you," he added, "but I'd have to get you declawed first."
"Don't count on it," I replied.
Sage did an exaggerated stretch. "In the meantime, I think we should all get some sleep." He sprawled out across the dirt floor. "Good night."
He shut his eyes and was perfectly still. There was no chance he was asleep already, but Ben spoke his mind anyway. He pulled me aside just the slightest bit and sneered down at Sage.
"I don't like any of this, Clea."
"Really? Because when he started talking about the Elixir of Life, I thought the two of you were ready to become blood brothers."
"I believe in the Elixir," Ben said. "Enough that I want to believe Sage's story. I just don't now if we can. And we still can't explain the pictures. I don't trust him."
"I don't care, Ben. Dad trusted him. And Sages plan is my best shot at finding him alive."
"I guess. Just..." Ben took a moment to put together his next words. "Be careful around him, okay? I feel like..."
I waited, but he wasn't going to finish. "Feel like what?"
"Nothing. I'm here for you. You know that, right?"
I could see him struggling. It was like he was trying to tell me something monumental, but the words that came out weren't doing it justice.
He sprawled out on the cave floor as far away from Sage as he could, and patted his chest. "Need a pillow? It's not really in my job description, but I'm happy to offer." He pinched a corner of his shirt between two fingers. "Cotton twill. Very soft."
I forced a laugh. "I'm okay. Thanks."
I curled up on the cave floor in between the two guys. Despite everything, I could already feel myself drifting away.
"Clea?" It was Ben's voice, now right next to my ear, but I was to tired to turn and respond. I think I managed a "Hmm?" but that might have been in my head.
"Good night," he said, then I heard him lie back down.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Adira squirmed in Leah’s arms, wanting down.
Leah lowered her until her little sneaker-clad feet touched the floor.
Adira toddled away, patting the garments that brushed her head and shoulders.
Straightening, Leah watched her for a moment, then turned back to Seth. “I guess I’ll get back to work.”
Was that disappointment he felt upon hearing her words? He really was enjoying her company.
Adira turned around and toddled back. Grasping Leah’s fingers, she reached out, took Seth’s hand, and placed Leah’s in it.
Seth instinctively curled his fingers around Leah’s.
Satisfied, Adira turned and toddled off once more.
“Oh,” Leah said with a surprised chuckle. “Well. Maybe not.”
Seth was surprised, too. What was Adira thinking?
He glanced at Leah. Should he apologize? “Sorry about that.”
“No worries,” she said with another charming smile. Raising their clasped hands, she turned them so his was on top and slid her free hand over it. “Oooh. Look how big your hand is.”
How many times had he heard Tracy or one of the other mortal women he frequently encountered think Oooh. Look how big his hands are. You know what they say: big hands, big feet, big package in much the same tone as Leah’s.
Seth couldn’t help it. He barked out a laugh.
Leah’s eyes widened. “Wait. I didn’t mean that the way it sounded.”
“It sounded as if you like that my hands are so big.”
She flushed. “I do, but I didn’t mean it like you think.”
“How do I think you meant it?” he asked with exaggerated innocence.
Face red, she laughed. “Stop making me blush. I just meant I like that you’re so big. Not just your hands. But all over.” Again her eyes widened. “I mean, not all over, but—”
Laughing, he took pity on her. “It’s all right. I understood what you meant the first time.”
Smiling, she squinted up at him. “You like to tease, don’t you?”
“Guilty as charged.” Many immortals did. It helped lighten what could otherwise be a dark existence.
She caressed his hand again, sending little tingles through it. “My hand actually looks small in yours. That’s so cool.”
It did. And the sensations her soft touch inspired unnerved him a bit. His pulse even picked up.
Seth eyed her curiously. “You really dislike your size so much?” He thought it a shame. She was a beautiful woman.
Shrugging, she released his hand and let hers fall to her sides. “When someone gives you a complex in high school, it tends to stick with you.”
Adira reappeared as if by magic. Taking Leah’s hand, she again placed it in Seth’s, then moved away.
The two looked at each other and smiled.
Leah nodded after Adira. “Maybe she’s hoping I’ll distract you so she can take her time looking over the toys she plans to coax you into buying before you leave.”
Seth winked. “Or maybe she just heard you say you like my big hands.
”
”
Dianne Duvall (Death of Darkness (Immortal Guardians, #9))
“
And then, Jane looks August straight on, folds her arms across her chest, and says, “What the fuck, August?”
August mentally flips through the plan for tonight—nope, definitely not part of it.
“What?”
“I can’t do this anymore,” Jane says. She paces toward August, sneakers thumping hard on the floor of the car. She’s pissed off. Brow furrowed, eyes vivid and angry. August scrambles to figure out how she screwed this up so fast.
“You—you can’t do what?”
“August,” she says, and she’s right in front of her. “Is this a date? Am I on a date right now?”
Fuck. August leans against the door, equivocating. “Do you want it to be a date?”
“No,” Jane says, “you tell me, because I have been putting every move I know on you for months and I can’t figure you out, and you kept saying you were only kissing me for research, and then you stopped kissing me, but then you kissed me again, and you’re standing there looking like that in fucking thigh highs and bringing me wine and making me feel things I didn’t even know I could remember how to feel, and I’m going out of my goddamn mind—”
“Wait.” August holds both hands up. Jane’s breaths are coming high and short, and August suddenly feels close to hysterical. “You like me?”
Jane’s hands clench into fists. “Are you kidding me?”
“But I asked you on a date!”
“When?”
“That time I asked you out to drinks!”
“That was a date?”
“I—but—and you—all those other girls you told me about, you were always—you just went for it, I thought if you wanted me like that, you would have gone for it by now—”
“Yeah,” Jane says flatly, “but none of those girls were you.”
August stares.
“What do you mean?”
“Jesus, August, what do you think I mean?” Jane says, voice cracking, arms thrown out at her sides. “None of them were you. Not a single one of them was this girl who dropped out of the fucking future to save me with her ridiculous hair and her pretty hands and her big, sexy brain, okay, is that what you want me to say? Because it’s the truth. Everything else about my life is fucked, so, can you—can you please just tell me, am I on a fucking date right now?”
She makes a helpless gesture, and August is breathless at the pure frustration in it, the way it looks so broken in, like Jane’s been living with it for months. And her hands are shaking. She’s nervous. August makes her nervous.
It sinks in and rearranges in August’s brain—the borrowed kisses, the times Jane’s bit her lip or slid her hand across August’s waist or asked her to dance, all the ways she’s tried to say it without saying it. They’re both hopeless at saying it, August realizes.
So August opens her mouth and says, “It was never just research.”
“Of course it fucking wasn’t,” Jane says, and she hauls August in by the sway of her waist and finally, finally kisses her.
”
”
Casey McQuiston (One Last Stop)
“
Half inebriated, he vaulted up the stairs to find them lolling in chairs in the hall outside Maria’s door. Gabe clasped a bunch of violets in his hand while Jarret held a rolled-up piece of parchment in his.
“What are you two louts doing here in the middle of the night?” he growled.
“It’s nearly dawn,” Gabe said coolly. “Hardly the middle of the night. Not that you would have noticed, in your drunken state.”
Scowling, Oliver took a step toward them. “It’s still earlier than you, at least, every rise.”
Gabe glanced at Jarret. “Clearly, the old boy doesn’t remember what today is.”
“I believe you’re right,” Jarret returned, a hint of condemnation in his tone.
Oliver glared at them both as he sifted through his soggy brain for what they menat. When it came to him, he groaned. St. Valentine’s Day. That sobered him right up. “That doesn’t explain why you’re lurking outside Maria’s door.”
Jarret cast him a scathing glance as he got to his feet. “Why do you care? You ran off to town to find your entertainment. Seems to me that you’re relinquishing the field.”
“So you two intend to step in?” he snapped.
“Why not?” Gabe rose to glower at him. “Since your plan to thwart Gran isn’t working, and it’s looking as if we’ll have to marry someone, we might as well have a go at Miss Butterfield. She’s an heiress and a very nice girl, too, in case you hadn’t noticed If you’re stupid enough to throw her over for a bunch of whores and opera dancers, we’re more than happy to take your place. We at least appreciate her finer qualities.”
The very idea of his brothers appreciating anything of Maria’s made his blood boil. “In the first place, I didn’t throw her over for anyone. In the second, I am damned well not relinquishing the field. And I’m certainly not giving it over to a couple of fortune hunters like you.”
The sound of footsteps coming down the hall from the servants’ stairs made them whirl in that direction. Betty walked slowly toward them, one hand shading her eyes.
That’s when it hit him. His brothers were here because of that silly superstition about a maiden’s heart being joined to that of whoever was the first man she spotted on St. Valentine’s Day.
“Good morning, gentlemen,” Betty murmured as she approached, carefully avoiding looking at any of them.
A devilish grin lit Gabe’s face. “Betty, catch!” he cried and tossed a violet at her.
She didn’t even move a finger to stop it from bouncing off her and falling to the floor. “If your lordships will excuse me,” she said in a decidedly snippy tone, “my mistress rang the bell for me.” With a sniff that conveyed her contempt for them, she slipped inside Maria’s rom and shut the door firmly behind her.
“That was shameful,” Jarret told Gabe. “You know bloody well that Betty and John are sweethearts.”
“It’s not my fault that John didn’t show up this morning so she could see him first,” Gabe said with a shrug.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Tris,” he says. “What did they do to you? You’re acting like a lunatic.”
“That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--”
“I’m not going to kiss you. I’m going to figure out what’s going on,” he says.
I pout my lower lip for a second, but then I grin as the pieces come together in my mind.
“That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.”
“Come on,” he says. “We’re going to see Johanna.”
“I like you, too.”
“That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.”
He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face.
“You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.”
Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange.
“What did you do to her?” Tobias says, terse. “What in God’s name did you do?”
“I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.”
“They must have given her too much of what?” he says.
“You have a nice voice,” I say.
“Tris,” he says, “please be quiet.”
“The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.”
Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.”
Johanna does not respond for a few seconds. She folds her hands in front of her.
“Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.”
“Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.”
“Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.”
“Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?”
“What happened to the last one?” she asked.
“Got blown off. Don’t ask where,” he added darkly.
“I know nothing,” she assured him. “Come on in. Leta made sandwiches.”
Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed.
“She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening.
“She thinks I’m sleeping with you,” she said simply.” So does Tate.”
“Why?”
“Because I let him think I was,” she said bluntly.
He gave her a hard look. “Bad move, Cecily.”
“I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.”
“I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?”
She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.”
“Even with Tate?” he probed gently.
She wasn’t touching that line with a pole. “Tate doesn’t want me.”
“You keep saying that, and he keeps making a liar of you.”
“I don’t understand.”
“He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek.
She caught her breath. “I thought you got that overseas!”
“Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.”
“He hit you? Why?” she exclaimed.
“Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.”
“What did he do after he hit you?”
“I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.”
“I’m so sorry!”
“Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.”
“Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.”
“I am,” he said easily.
“I like having you as my friend.”
He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added.
“We all have our little quirks.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Mesmerized by the gilt ghastliness of it all, Elizabeth slowly turned in a full circle. Above the fireplace there was a gilt-framed painting of a lady attired in nothing whatsoever but a scrap of nearly-transparent red silk that had been draped across her hips. Elizabeth jerked her eyes away from that shocking display of nudity and found herself confronted by a veritable army of cavorting cupids. They reposed in chubby, gilt splendor atop the mantel and the bed tables; a cluster of them formed the tall candelabra beside the bed, which held twelve candles-one of which the footman had lit-and more cupids surrounded an enormous mirror.
“It’s…” Berta uttered as she gazed through eyes the size of saucers, “it’s…I can’t find words,” she breathed, but Elizabeth had passed through her own state of shock and was perilously close to hilarity.
“Unspeakable?” Elizabeth suggested helpfully, and a giggle bubbled up from her throat. “U-Unbelievable?” she volunteered, her shoulders beginning to shake with mirth.
Berta made a nervous, strangled sound, and suddenly it was too much for both of them. Days of relentless tension erupted into gales of hilarity, and they gave in to it with shared abandon. Great gusty shouts of laughter erupted from them, sending tears trickling down their cheeks. Berta snatched for her missing apron, then remembered her new, elevated station in life and instead withdrew a handkerchief from her sleeve, dabbing at the corners of her eyes; Elizabeth simply clutched the forgotten bust to her chest, perched her chin upon its smooth head, and laughed until she ached. So complete was their absorption that neither of them realized their host was entering the bedchamber until Sir Francis boomed enthusiastically, “Lady Elizabeth and Lady Berta!”
Berta let out a muffled scream of surprised alarm and quickly shifted her handkerchief from the corners of her eyes to her mouth.
Elizabeth took one look at the satin-clad figure who rather resembled the cupids he obviously admired, and the dire reality of her predicament hit her like a bucket of icy water, banishing all thoughts of laughter. She dropped her gaze to the floor, trying wildly to remember her plan and to believe she could make it work. She had to make it work, for if she failed, this aging roué with the penchant for gilded cupids could very likely become her husband.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We both know Dad was my parental trash can, the fatherly receptacle on whom I dumped my emotions. Does she think because she offered me a blanket and chocolate-covered whatever that I'll just hand over the keys to my inner diary? Uh, no.
"I know you're eighteen now," she huffs. "I get it, okay? But you don't know everything. And you know what? I don't like secrets."
My head spins. The first day of the Rest of My Normal Life is not turning out as planned. I shake my head. "I guess I still don't understand what you're asking me."
She stomps her foot. "How long have you been dating him, Emma? How long have you and Galen been an item?"
Ohmysweetgoodness. "I'm not dating Galen," I whisper. "Why would you even think that?"
"Why would I think that? Maybe you should ask Mrs. Strickland. She's the one who told me how intimate you looked standing there in the hall. And she said Galen was beside himself when you wouldn't wake up. That he kept squeezing your hand."
Intimate? I let my backpack slide off my shoulder and onto the floor before I plot to the table and sit down. The room feels like a giant merry-go-round.
I am...embarrassed? No. Embarrassed is when you spill ketchup on your crotch and it leaves a red stain in a suspicious area.
Mortified? No. Mortified is when you experiment with tanning lotion and forget to put some on your feet, so it looks like you're wearing socks with your flip-flops and sundress.
Bewildered? Yep. That's it. Bewildered that after I screamed at him-oh yes, now I remember I screamed at him-he picked up my limp body, carried me all the way to the office, and stayed with me until help arrived. Oh, and he held my hand and sat beside me, too.
I cradle my face in my hands, imagining how close I came to going to school without knowing this. How close I came to walking up to Galen, telling him to take his tingles and shove them where every girl's thoughts have been since he got there. I groan into my laced fingers. "I can never face him again," I say to no one in particular.
Unfortunately, Mom thinks I'm talking to her. "Why? Did he break up with you?" She sits down next to me and pulls my hands from my face. "Is it because you wouldn't sleep with him?"
"Mom!" I screech. "No!"
She snatches her hand away. "You mean you did sleep with him?" Her lips quiver. This can't be happening.
"Mom, I told you, we're not dating!" Shouting is a dumb idea. My heartbeat ripples through my temples.
"You're not even dating him and you slept with him?" She's wringing her hands. Tears puddle in her eyes.
One Mississippi...two Mississippi...Is she freaking serious?...Three Mississippi...four Mississippi...Because I swear I'm about to move out... Five Mississippi...six Mississippi...I might as well sleep with him if I'm going to be accused of it anyway... Seven Mississippi...eight Mississippi...Ohmysweetgoodness, did I really just think that?...Nine Mississippi...ten Mississippi...Talk to your mother-now.
I keep my voice polite when I say, "Mom, I haven't slept with Galen, unless you count laying on the nurse's bed unconscious beside him. And we are not dating. We have never dated. Which is why he wouldn't need to break up with me. Have I missed anything?"
"What were you arguing about in the hall, then?"
"I actually don't remember. All I remember is being mad at him. Trust me, I'll find out. But right now, I'm late for school." I ease out of the chair and over to my backpack on the floor. Bending over is even stupider than shouting. I wish my head would just go ahead and fall off already.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))