“
Do you have any idea how many lives we must have gone through before we even got the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand!
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Richard Bach (Jonathan Livingston Seagull)
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He spoke of very simple things- that it is right for a gull to fly, that freedom is the very nature of his being, that whatever stands against that freedom must be set aside, be it ritual or superstition or limitation in any form.
"Set aside," came a voice from the multitude, "even if it be the Law of the Flock?"
"The only true law is that which leads to freedom," Jonathan said. "There is no other.
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Richard Bach (Jonathan Livingston Seagull)
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Why, Jon, why?" his mother asked. "Why is it so hard to be like the rest of the flock, Jon? Why can't you leave low flying to the pelicans, the alhatross? Why don't you eat? Son, you're bone and feathers!" "I don't mind being bone and feathers mom. I just want to know what I can do in the air and what I can't, that's all. I just want to know.
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Richard Bach (Jonathan Livingston Seagull)
“
Do you have any idea how many lives we must have gone through before we even got the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand!… We choose our next world through what we learn in this one…
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Richard Bach (Jonathan Livingston Seagull)
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Fletcher Lynd Seagull was still quite young, but already he knew that no bird had ever been so harshly treated by any Flock, or with so much injustice.
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Richard Bach (Jonathan Livingston Seagull)
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Good-bye, Jon, my friend.” “Good-bye, Sully. We’ll meet again.” And with that, Jonathan held in thought an image of the great gull-flocks on the shore of another time, and he knew with practiced ease that he was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all.
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Richard Bach (Jonathan Livingston Seagull: The New Complete Edition)
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Or you can turn your figures into, for instance, a flock of seagulls, and the formation they fly in and the way in which the wings of each gull beat will be determined by the performance of each division of your company.
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Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
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I want to go back to the Flock, of course. I’ve barely begun with the new group!
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Richard Bach (Jonathan Livingston Seagull: The New Complete Edition)
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Invading a statist society is like grabbing the cages of a large number of trapped chickens – you get all of the eggs in perpetuity. Invading a stateless society is like taking a sprint at a flock of seagulls – all they do is scatter, and you get nothing, except perhaps some crap on your forehead.
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Stefan Molyneux (Practical Anarchy)
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Alice would only have to be in the hospital for two nights this time, and it was only out of, according to her mother, "an abundance of caution." It reminded her of a murder of crows, a flock of seagulls, a pack of wolves. She imagined that "caution" was a creature of some kind -- maybe, a cross between a Saint Bernard and an elephant. A large, intelligent, friendly animal that could be counted on to defend the Green sisters from threats, existential and otherwise.
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Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
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Do you have any idea how many lives we must have gone through before we even got the first idea that there is more to life than eating, or fighting, or power in the Flock?
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Richard Bach (Jonathan Livingston Seagull)
“
Why, Jon, why?” his mother asked. “Why is it so hard to be like the rest of the flock, Jon? Why can’t you leave low flying to the pelicans, the albatross? Why don’t you eat? Son, you’re bone and feathers!” “I don’t mind being bone and feathers, mom. I just want to know what I can do in the air and what I can’t, that’s all. I just want to know.
”
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Richard Bach (Jonathan Livingston Seagull)
“
I got up. I went to work in the morning. The first thing I did at my desk was surf the news. A flock of dead seagulls was found washed up on Brighton Beach, dredged up with seaweed.
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Ling Ma (Severance)
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Sadie liked the phrase “an abundance of caution.” It reminded her of a murder of crows, a flock of seagulls, a pack of wolves. She imagined that “caution” was a creature of some kind—maybe, a cross between a Saint Bernard and an elephant. A large, intelligent, friendly animal that could be counted on to defend the Green sisters from threats, existential and otherwise.
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Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
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Have you ever been to the beach and wanted to feed the seagulls? The problem is you tear off a little crust from your sandwich and toss it to one, and ten more show up. Toss a little more and a flock descends. You start to wonder: if I run out of bread, will I become the meal?
Turkeys are different. They startle easily and run for the barn. In the wild, they run for the hills. Of course, they’re very tasty. Benjamin Franklin thought them majestic enough to be an emblem for our country. I’m sorry, but Thanksgiving would be downright depressing. There’s our national symbol lying stuffed and roasted and ready to carve up for hungry guests.
And then we have the eagles. Our forefathers were trained in the Bible. […]They would have known Isaiah 40:31. “Those who wait upon the Lord will gain new strength; they will mount up with wings like eagles, they will run and not get tired, they will walk and not become weary.” They were making war on the greatest power in the world of the time; the world was watching them. What could this band of commoners do?
What troubles me about our country today is how many seagulls there are, scrambling for more. Remember the movie “Finding Nemo”? “Mine, mine, mine!” And we sure have a lot of gutless turkeys running for the barn whenever hard decisions have to be made; like how to keep our country solvent so our children won’t be in soup lines…
Where are the eagles? That’s what I want to know. Please, God, we need us some eagles!
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Francine Rivers
“
Why, Jon, why?” his mother asked. “Why is it so hard to be like the rest of the flock, Jon? Why can’t you leave low flying to the pelicans, the albatross? Why don’t you eat? Son, you’re bone and feathers!” “I don’t mind being bone and feathers, mom. I just want to know what I can do in the air and what I can’t, that’s all. I just want to know.” “See here, Jonathan,” said his father, not unkindly. “Winter isn’t far away. Boats will be few, and the surface fish will be swimming deep. If you must study, then study food, and how to get it. This flying business is all very well, but you can’t eat a glide, you know. Don’t you forget that the reason you fly is to eat.” Jonathan
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Richard Bach (Jonathan Livingston Seagull)
“
Well, Gordon assigned me to write a major piece of software for the Apple Macintosh. Financial spreadsheet, accounting, that sort of thing, powerful, easy to use, lots of graphics. I asked him exactly what he wanted in it, and he just said, ‘Everything. I want the top piece of all-singing, all-dancing business software for that machine.’ And being of a slightly whimsical turn of mind I took him literally. “You see, a pattern of numbers can represent anything you like, can be used to map any surface, or modulate any dynamic process—and so on. And any set of company accounts are, in the end, just a pattern of numbers. So I sat down and wrote a program that’ll take those numbers and do what you like with them. If you just want a bar graph it’ll do them as a bar graph, if you want them as a pie chart or scatter graph it’ll do them as a pie chart or scatter graph. If you want dancing girls jumping out of the pie chart in order to distract attention from the figures the pie chart actually represents, then the program will do that as well. Or you can turn your figures into, for instance, a flock of seagulls, and the formation they fly in and the way in which the wings of each gull beat will be determined by the performance of each division of your company. Great for producing animated corporate logos that actually mean something. “But the silliest feature of all was that if you wanted your company accounts represented as a piece of music, it could do that as well. Well, I thought it was silly. The corporate world went bananas over it.
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Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently #1))
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The only answer I can see, Jonathan, is that you are pretty well a one-in-a-million bird. Most of us came along ever so slowly. We went from one world into another that was almost exactly like it, forgetting right away where we had come from, not caring where we were headed, living for the moment. Do you have any idea how many lives we must have gone through before we even got the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand! And then another hundred lives until we began to learn that there is such a thing as perfection, and another hundred again to get the idea that our purpose for living is to find that perfection and show it forth. The same rule holds for us now, of course: we choose our next world through what we learn in this one. Learn nothing, and the next world is the same as this one, all the same limitations and lead weights to overcome.
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Richard Bach (Jonathan Livingston Seagull)
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Sully had a thing about birds - she wasn't particularly fond of them, but they seemed to be fond of her, showing up in flocks whenever she was upset. Marie was able to judge her mood by the number of seagulls outside the apartment at any given moment.
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G.D. Penman (The Year of the Knife)
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Liam and I shared a friendly competition, and it gave me a certain, blissful satisfaction to catch the same wave and to get to shore first. “Oh yeah!” I shouted over the noise of the crashing surf. Seagulls flocked and circled over us, squawking loudly, adding to the cacophony. The sun glistened off
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Lee Strauss (Perception (The Perception Trilogy #1))
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And with that, Jonathan held in thought an image of the great gull-flocks on the shore of another time, and he knew with practiced ease that he was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all.
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Richard Bach (Jonathan Livingston Seagull)
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I'm all too familiar with the embarrassment of being a seagull in a flock of swans.
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K.M. Simpson (sheer)
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Flock, but it was Jonathan’s voice raised. “Irresponsibility? My brothers!” he cried. “Who is more responsible than a gull who finds and follows a meaning, a higher purpose for life? For a thousand years we have scrabbled after fish heads, but now we have a reason to live—to learn, to discover, to be free! Give me one chance, let me show you what I’ve found . . .
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Richard Bach (Jonathan Livingston Seagull: The Complete Edition)
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I feel like a carefree, beautiful butterfly!” Gushes George.
Albert rolls his eyes. “There ain’t many butterflies in Blackpool, George. You might have to settle for a seagull.”
“Alright,” says George, “I feel like a seagull. A big handsome seagull, flapping its wings and sailing off into the air!”
As if on cue, a flock of seagulls hovering overhead barks loudly.
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Matt Cain (The Secret Life of Albert Entwistle)
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Reluctantly the four people backed away from the fence, the young man shouting to the young woman and cupping his hand to his ear as if holding a phone. The young woman shook her head yes, then turned to walk back up the coast, holding the small girl’s hand, the uniformed man close behind.
When the young woman looked back over her shoulder one last time, the small girl broke away, sprinting out onto the beach. The young woman raced out and caught the small girl, but not before she had scattered a flock of seagulls into the sky.
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Scott Bischke (Bat Cave: A Fable of Epidemic Proportions (Critter Chronicles, #2))
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Unusually independent women. Dangerous obsessions. A flock of seagulls. Sexual intimacy with a male robot. Many women named Rebecca. Welcome to the mind of Daphne du Maurier.
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Lisa Kröger (Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction)
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There were about thirty-five of them, clustered on the beach like a flock of seagulls, only about eight hundred yards away. I thought the best thing to do was open fire on them.
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Hiroo Onoda (No Surrender: My Thirty-Year War (Bluejacket Books))
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A flock of seagulls rise and swoop above the black profile of the moor, and they are so luminous, so fragile, it would be easy to mistake them for shreds of paper.
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Rachel Joyce (Perfect)
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Cotter stood on the lake shore, surveying an immense sheet of water. Its surface, ruffled to an ocean by a stiff westerly, teemed with birdlife – native ducks, great black swans, and seagulls in flocks of hundreds. A small group of emus grazed at a discreet distance. From the far shore rose an abrupt, dark-clad escarpment. This was a place to stir a man’s soul." (page 104)
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Richard Begbie (Cotter)
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Arthur was six years old when I left the family. Due to my infrequent stays at home, we did not form a strong bond. Occasionally, I longed for the lost fatherhood. Did he long for his lost childhood?
I did not have a chance to tell him about the sea in which the stars float, about the red, fiery sunrises and sunsets, about the storm that tosses a ship like a nutshell, about flocks of screeching seagulls, schools of fish, and picturesque islets. I wanted to spin a tale about life in the desert, about the scorching sand burning the feet and the hot air shimmering with strange mirages. About wild, freedom-loving people, bizarre customs, and exotic beasts.
I remember him squatting over a puddle at dusk.
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Dariusz Radziejewski (Adieu, Rimbaud!)