Float Plan Quotes

We've searched our database for all the quotes and captions related to Float Plan. Here they are! All 100 of them:

In San Francisco - life goes on. Hope rises and dreams flicker and die. Love plans for tomorrow and loneliness thinks of yesterday. Life is beautiful and living is pain. The sound of music floats down a dark street. A young girl looks out a window and wishes she were married. A drunk sleeps under a bridge. It is tomorrow.
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967)
Eventually - and I say this from experience - you'll start building a new house beside the ruins of the old. When you're ready, you'll know.
Trish Doller (Float Plan (Beck Sisters, #1))
I'm starting to understand that some people come into your life when you need them, and go when it's time.
Trish Doller (Float Plan (Beck Sisters, #1))
What were you thinking when we were holding hands diagonally?" I ask. Jeff says, "I was thinking, 'It's going to be so hard for her when she chooses not to get on that lifeboat and stay with me.'" I decide I can't start this marriage with a lie. "Really?" I say. "'Cause I was thinking that it was going to be so hard for you when I got on the lifeboat and you had to stay behind." He is appalled. I plead my case. "Remember when we saw Titanic how mad I was at Kate Winslet when she climbed out of the lifeboat and back into the ship? I think she encumbered Leonardo DiCaprio. If she had gone on the lifeboat, then he could have had that piece of wood she was floating on and they both would have survived. I would never do that to you." I wait for his response, hoping that in the twenty-first century romantic love can be defined as not lying about your plans to get on the lifeboat and remembering to get your partner some pills. He just laughs. With that settled, we begin our married life.
Tina Fey (Bossypants)
Julia, hanging back, says, ‘How have you been, Stephen?’ I want to tell her everything. I want to find out what she’s been doing, what she plans to do but, at this fated moment, a vision of my stomach floats before me. It is a soggy marsh, green rushes growing round the edges, gas bubbles surfacing all over and bursting. The bubbling of the marsh is set to the music of creation, the percussive glottal stops of the Big Bang. I realize I have, at best, one complete sentence left in me. ‘Julia,’ I begin, composing in my head a deranged paean of love that I can never utter. ‘I regret that I am not myself today. Terry has poisoned me.’ ‘You should go home,’ she says.
Michael Tobert (Karna's Wheel)
What do you plan to do in the land of the sleepers? You have been floating in a sea of solitude, and the sea has borne you up. At long last, are you ready for dry land? Are you ready to drag yourself ashore?
Friedrich Nietzsche (Thus Spoke Zarathustra)
But I’m starting to understand how sadness and happiness can live side by side within a heart. And how that heart can keep on beating.
Trish Doller (Float Plan (Beck Sisters, #1))
Her purse was a weight, ballast; it tethered her to the earth as her mind floated away.
Anne Lamott (Plan B: Further Thoughts on Faith)
The cure for anything is salt water—sweat, tears, or the sea. —ISAK DINESEN
Trish Doller (Float Plan (Beck Sisters, #1))
He lived within himself, nourished by his own substance, like some torpid creature which hibernates in caves. Solitude had reacted upon his brain like a narcotic. After having strained and enervated it, his mind had fallen victim to a sluggishness which annihilated his plans, broke his will power and invoked a cortège of vague reveries to which he passively submitted. The confused medley of meditations on art and literature in which he had indulged since his isolation, as a dam to bar the current of old memories, had been rudely swept away, and the onrushing, irresistible wave crashed into the present and future, submerging everything beneath the blanket of the past, filling his mind with an immensity of sorrow, on whose surface floated, like futile wreckage, absurd trifles and dull episodes of his life.
Joris-Karl Huysmans (Against Nature)
Carla once told me the best way to make a decision is to flip a coin. She said that when the coin is in the air, you'll usually figure our what you truly want.
Trish Doller (Float Plan (Beck Sisters, #1))
How changed Zarathustra is! Zarathustra has become a child, an awakened one. What do you plan to do in the land of the sleepers? You have been floating in a sea of solitude, and the sea has borne you up. At long last, are you ready for dry land? Are you ready to drag yourself ashore?
Friedrich Nietzsche (Thus Spoke Zarathustra)
I was breaking. If only I’d talked to you sooner. We could have been … we could’ve … I don’t know. But things had gone too far by then. My mind was set. Not on ending my life. Not yet. It was set on floating through school. On never being close to anyone. That was my plan. I’d graduate, then I’d leave. But then, I went to a party. I went to a party to meet you. Why did I do that? To make myself suffer? Because that’s what I was doing – hating myself for waiting so long. Hating myself because it wasn’t fair to you.
Jay Asher (Thirteen Reasons Why)
There is no moment that exceeds in beauty that moment when one looks at a woman and finds that she is looking at you in the same way that you are looking at her. The moment in which she bestows that look that says, "Proceed with your evil plan, sumbitch." The initial smash on glance. The, the drawing near. This takes a long time, it seems like months, although only minutes pass, in fact. Languor is the word that describes this part of the process. Your persona floats toward her persona, over the Sea of Hesitation. Many weeks pass before they meet, but the weeks are days, or seconds. Still, everything is decided. You have slept together in the glance.
Donald Barthelme (Flying to America: 45 More Stories)
The Summer Day Who made the world? Who made the swan, and the black bear? Who made the grasshopper? This grasshopper, I mean— the one who has flung herself out of the grass, the one who is eating sugar out of my hand, who is moving her jaws back and forth instead of up and down— who is gazing around with her enormous and complicated eyes. Now she lifts her pale forearms and thoroughly washes her face. Now she snaps her wings open, and floats away. I don't know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn't everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?
Mary Oliver (House of Light)
It is a beautiful and scary thing to sit open-handed and let all your plans float away like dust.
Ännä White (Mended: Thoughts on Life, Love, and Leaps of Faith)
The journey of the mind always has longer to travel than the heart because dreams carry weight, while love makes you float.
Shannon L. Alder
but kind is one of the easiest things to be.
Trish Doller (Float Plan (Beck Sisters, #1))
Sam was alternately distant and clingy and mean, because I am the primary person he banks on and bangs on. I stayed close enough so he could push me away. Sadie slowly floated off.
Anne Lamott (Plan B: Further Thoughts on Faith)
I'm disabled, not incapable.
Trish Doller (Float Plan (Beck Sisters, #1))
The glue has only just dried on my broken heart and I’m offering him a hammer. But when he kisses my skin, just there, above my heart, I feel safe.
Trish Doller (Float Plan (Beck Sisters, #1))
But before you go down this road, you need to be certain what you want. If anyone will do, you need to find someone else.
Trish Doller (Float Plan (Beck Sisters, #1))
We are dead on our feet. And the dog hasn’t shit in three days, but we made it.
Trish Doller (Float Plan (Beck Sisters, #1))
Those porch girls had no idea they were going to sprawl on that couch until the weight of their adolescent bodies sank down into the pillows. They have no idea when they will get up off that couch. They have no plans for what will happen next. They only know their bodies touching as they try to keep cool. They only know that the coolest spot they can find is in front of that rotary fan. I want to lay up like that, to float unstructured, without ambition or anxiety. I want to inhibit my life like a porch.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
If Madrina’s basement is where the tamboras, los espíritus, and old ancestral memories live, then the roof is where wind chimes, dreams, and possibilities float with the stars, where Janae and I share our secrets and plan to travel all over the world, Haiti and the Dominican Republic being our first stop.
Ibi Zoboi (Pride)
You can't expect me to play rebound to a ghost. I won't do that.
Trish Doller (Float Plan (Beck Sisters, #1))
Eight beers? Why aren’t you dead?
Trish Doller (Float Plan (Beck Sisters, #1))
The stages of grief are not linear. They are random and unpredictable, folding back on themselves until you begin mourning all over again.
Trish Doller (Float Plan (Beck Sisters, #1))
Thus do we wish as we float down the stream of life, whilst chance does more to gratify our desire for knowledge than our best-laid plans.
Mary Wollstonecraft
I reckon if you stay in one place too long, you might start taking it for granted,” Keane says. “But if you keep moving, everything holds its wonder. At least that’s been my experience.
Trish Doller (Float Plan (Beck Sisters, #1))
I WAS ON A SMALL ISLAND ONCE, IN THE MIDDLE OF a great big lake, mountains all over the place, and as I watched the floating dock the wind kicked up, the waves rose from nowhere, and I imagined myself lying there and the dock suddenly breaking loose, carried away by the storm. I wondered if I could lie still and enjoy the sensation of rocking, after all I wouldn’t be dead yet, I wouldn’t be drowning, just carried off somewhere that wasn’t part of my plan. The very thought of it gave me the shivers. Still, how great to be enjoying the ride, however uncertain the outcome. I’d like that. It’s what we’re all doing anyway, we just don’t know it.
Abigail Thomas (A Three Dog Life)
I told him I was a zero-dimensional, nonexistent point, floating in space, until I met him. Yes, I know. What an embarrassing love letter! Attempting to be poetic about geometry! A modern woman would never write such a thing. You should most definitely exist before you meet a man! You should have your own career, your own hobbies, your own thoughts, and your own financial plan!
Liane Moriarty (Here One Moment)
When the sun grew hot, they returned indoors where they continued to float through their lives like a pair of astronauts, defying gravity, limited only by the outer walls of their fuchsia spaceship with its pale pistachio doors. It isn’t as though they didn’t have plans. Anjum waited to die. Saddam waited to kill.
Arundhati Roy (The Ministry of Utmost Happiness)
She [my sister] loves me well enough, but she’s of the opinion that sailing is not a proper profession and, apparently, there’s a misery-to-fun ratio I’m failing to honor. She views my choices through her lens and has arrived at the conclusion that I’m doing life wrong, rather than considering I have a lens of my own.
Trish Doller (Float Plan (Beck Sisters, #1))
I am at peace. Joshua hurt me horribly when he told me that nobody was looking for me. Now I know the truth. There’s at least one person out there who cares, and that is enough. And that is worth dying for. This nightmare is about to end. I will finally float free away from here, and I will be who I want. Tam with a Plan. Tam who helps other people.
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
...I have no interest in visiting his box in the ground when he will always have a place in my heart.
Trish Doller (Float Plan (Beck Sisters, #1))
I have a gaping hole where my life used to be.
Trish Doller (Float Plan (Beck Sisters, #1))
Common decency should never be considered above and beyond.
Trish Doller (Float Plan (Beck Sisters, #1))
Have a care, Anna. I tend to fall for girls who say complimentary things about my mother.
Trish Doller (Float Plan (Beck Sisters, #1))
One day the stars will align...And you won't be thinking about Ben, and the next man -- whoever he may be -- is going to be one lucky bastard.
Trish Doller (Float Plan (Beck Sisters, #1))
He pulls out a bottle of Irish whiskey and Keane inhales with reverence. "I take back every evil thought I've ever had about you, Eamon. You're the best brother in the world.
Trish Doller (Float Plan (Beck Sisters, #1))
Why did you go somewhere I can't follow?
Trish Doller (Float Plan (Beck Sisters, #1))
But I'm starting to understand how sadness and happiness can live side by side within a heart. And how that heart can keep on beating
Trish Doller (Float Plan (Beck Sisters, #1))
There are good times in everybody’s satchel, nor do we all get a free pass. That would be a split decision, as they call it. How else is the planned brotherhood to float forward?
John Ashbery (Breezeway: New Poems)
Thousands of years from now, a different woman might sail past alone; another people might settle there and make it a home. And, once more, Mother Nature puts my small life into perspective.
Trish Doller (Float Plan (Beck Sisters, #1))
It wouldn’t be so bad if the MAV blew up. I wouldn’t know what hit me, but if I miss the intercept, I’ll just float around in space until I run out of air. I have a contingency plan for that. I’ll drop the oxygen mixture to zero and breathe pure nitrogen until I suffocate. It wouldn’t feel bad. The lungs don’t have the ability to sense lack of oxygen. I’d just get tired, fall asleep, then die.
Andy Weir (The Martian)
But I have seen many men for whom death truly is the end walk towards their demise for reasons no greater than that it was what they were told to do. On the beaches of Normandy, where the bodies floated in the water beside the falling ramps of the landing craft, I saw men run into machine-gun fire who would say, "Hell, I never thought it would come to this, but now I'm here, what's a guy to do?" With no going back, and no going forward, they went to their deaths with no better plan immediately to hand, having gambled that their choices would not narrow so far, and having been found to be wrong.
Claire North (The First Fifteen Lives of Harry August)
His solid flesh had never been away, For each dawn found him in his usual place, But every night his spirit loved to race Through gulfs and worlds remote from common day. He had seen Yaddith, yet retained his mind, And come back safely from the Ghooric zone, When one still night across curved space was thrown That beckoning piping from the voids behind. He waked that morning as an older man, And nothing since has looked the same to him. Objects around float nebulous and dim— False, phantom trifles of some vaster plan. His folk and friends are now an alien throng To which he struggles vainly to belong.
H.P. Lovecraft (Fungi from Yuggoth and Other Poems)
Ironic, isn't it?" "What?" "Here I am, trying to survive WITH you, when before my whole plan was just trying to SURVIVE YOU." "I'm not sure what that means. And I wish you'd stop talking in puzzles and just say normal things, because I've had a big shock. This morning I was looking at a YouTube video of a hamster eating a tiny burrito and now I'm floating on this stupid raft and my friends are dead so just keep that in mind.
Kathy Hepinstall (The Lifeboat Clique)
The Germans are about to reach Stalingrad, and the gas chambers are heating up, but the Ya-Yas are still in high school, and the life of the porch still surrounds them. They are lazy together. This is comfort. This is joy. Just look at these four. Not one wears a watch. This porch time is not planned. Not penciled into a DayRunner . . .I want to lay up like that, to float unstructured, without ambition or anxiety. I want to inhabit my life like a porch.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
Ben was suffering from something over which he had little control. but I've been to that same dark place and I made a different choice. That doesn't mean I don't have bleak days when I hate myself and everyone else. But if I can promise you nothing else, it's that I intend to leave this world old, stooped. and with white hairs sticking out of my ears. And if having that image pressed into your brain hasn't given you second thoughts, well...I'm yours for as long as you want me.
Trish Doller (Float Plan (Beck Sisters, #1))
as the leaves turn and float down to the ground below we are reminded of the season and the reminisce mother is close bye to prepare the new as she unfolds the plans and as the rains prepare much like the tears that also follows looking ahead in the warmth of what we all share.....lpt
levi paul taylor
And so, at a December 1981 meeting, Contra leaders, whom Reagan referred to as the “moral equivalent of the Founding Fathers,” floated the idea that trafficking cocaine into California would provide enough profits to arm and train the anti-Sandinista guerrillas.108 With most of the network already established, the plan was rather straightforward: There were the Medellín and Cali cartels in Colombia; the airports and money laundering in Panama run by President Manuel Noriega; the well-known lack of radar detection that made landing strips in Costa Rica prime transport depots; and weapons and drug warehouses at Ilopango air base outside San Salvador. The problem had been U.S. law enforcement guarding key entry points into a lucrative market. But with the CIA and the National Security Council now ready to run interference and keep the FBI, the U.S. Customs Service,
Carol Anderson (White Rage: The Unspoken Truth of Our Racial Divide)
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Holy One, there is something I wanted to tell you, but there have been errands to run, bills to pay, arrangements to make, meetings to attend, friends to entertain, washing to do . . . and I forget what it is I wanted to say to you, and mostly I forget what I’m about or why. O God, don’t forget me, please, for the sake of Jesus Christ. Eternal One, there is something I wanted to tell you, but my mind races with worrying and watching, with weighing and planning, with rutted slights and pothole grievances, with leaky dreams and leaky plumbing and leaky relationships I keep trying to plug up; and my attention is preoccupied with loneliness, with doubt, and with things I covet; and I forget what it is I want to say to you, and how to say it honestly or how to do much of anything. O God, don’t forget me, please, for the sake of Jesus Christ. Almighty One, there is something I wanted to ask you, but I stumble along the edge of a nameless rage, haunted by a hundred floating fears of terrorists of all kinds, of losing my job, of failing, of getting sick and old, having loved ones die, of dying . . . I forget what the real question is that I wanted to ask, and I forget to listen anyway because you seem unreal and far away, and I forget what it is I have forgotten. O God, don’t forget me, please, for the sake of Jesus Christ . . . O Father . . . in Heaven, perhaps you’ve already heard what I wanted to tell you. What I wanted to ask is forgive me, heal me, increase my courage, please. Renew in me a little of love and faith, and a sense of confidence, and a vision of what it might mean to live as though you were real, and I mattered, and everyone was sister and brother. What I wanted to ask in my blundering way is don’t give up on me, don’t become too sad about me, but laugh with me, and try again with me, and I will with you, too. What I wanted to ask is for peace enough to want and work for more, for joy enough to share, and for awareness that is keen enough to sense your presence here, now, there, then, always.27
Tyler Staton (Praying Like Monks, Living Like Fools: An Invitation to the Wonder and Mystery of Prayer)
His boast of irreligion stayed on his tongue,for what reasons he couldn't say,any more than he could say why words long unuttered floated unbidden into his mind:La ilaha illa Allah,Muhammad rasulullah.The Kalima,the Word of Purity,the declaration of faith.It almost made him laugh:at the moment he planned to disavow his Muslim identity,his subconscious had unearthed its kernel.
Amy Waldman (The Submission)
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
When my feet touch bottom, Galen releases me. I tiptoe toward shore, jumping with the waves like a toddler. Reaching the beach, I deposit myself in the sand just far enough in for the tide to tickle my feet. "Aren't you coming in?" I call to him. "I need you to throw me my shorts," he says, pointing behind me. "Oh. Oh. You're naked?" I squeak, bordering on dolphin pitch. Of course, I should have realized that fins don't come with a cubby for carry-on luggage, and most Syrena wouldn't have a need to stash something like swimming shorts. It doesn't matter much when he's in fish form, but seeing Galen-no, thinking about Galen-naked in human form would be detrimental to my plan to use him. Could be my undoing. "Guess that means you can't see into the water yet," he says. When I shake my head, he says, "I took them off before you came out this morning. I'd prefer not to ruin them if I don't have to." Clearing my throat, I hoist myself up and trudge through the sand, finding them a few feet away. I toss them to him and take my seat again, in case my vision suddenly gives me an unhealthy view of the briny deep. Thankfully, he keeps everything submerged as he makes his way to the floating trunks and pulls them on. Tying them as he walks ashore, he kicks water on me before sitting beside me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
they went, either. But they’d been doing it every summer, for as long as I’d been alive. “How old was your mom?” Irene asked, toe-nabbing her flip-flops and standing up, stretching her arms far above her so I could just see a thin line of her stomach. That feeling that being with Irene kept giving me when I least expected it again floated up in me like a hot-air balloon and I looked away. “She was twelve,” I said. “Just like us.” Eventually we wandered away from my house, no plan, just the two of us
Emily M. Danforth (The Miseducation of Cameron Post)
Sri Lanka isn't near anywhere else we are visiting, and neither Kyle nor I know anyone here. We don't know that much about it, either, and when we planned our trip months ago, we noticed it was an even stop between the Australian and African continents, and huh - I wonder what it's like? That seemed like a good enough reason to stop, and so, we are here because it's here. It exists. It floats in the Indian Ocean, and teardrop south of India, and there probably won't be another time we'll fly across it.
Tsh Oxenreider (At Home in the World: Reflections on Belonging While Wandering the Globe)
You were born with your head in the clouds, your future wide open, feeling almost weightless. Almost. Kudoclasm. You had dreams even before you had memories: a cloud of fantasies and ambitions of secret plans and hidden potential, visions of who you are, and what your life will be. They keep your spirits high, floating somewhere above your life, where the world looks faintly hypothetical, almost translucent. But every time you reach for the sky and come away with nothing, you start to wonder what’s holding them up. “Surely it would have happened by now?!” You feel time starting to slip, pulling you back down to earth. even as you tell yourself, don’t look down. You don’t have the luxury of floating through life, because you may not have the time. The future is already rushing toward you, and it’s not as far away as you think. It feels like your life is flashing before your eyes, but it’s actually just the opposite: you’re thinking forward, to everything you still haven’t done, the places you had intended to visit, the life goals you’d eventually get around to, some day in the future. You start dropping your delusions one by one, like tossing ballast overboard. And soon the fog lifts, and everything becomes clear— right until the moment your feet touch the ground. And there it is, “the real world.” As if you’ve finally grown up, steeped in reality, your eyes adjusting to the darkness, seeing the world for what it is. But in truth, you don’t belong there. We dream to survive— no more optional than breathing. Maybe “the real world” is just another fantasy, something heavy to push back against, and launch ourselves still higher. We’re all afraid to let go, of falling into a bottomless future. But maybe we belong in the air, tumbling in the wind. Maybe it’s only when you dive in that you pick up enough speed to shape the flow of reality, and choose your own course, flying not too high, and not too low, but gliding from one to the other in long playful loops. To dream big, and bounce ideas against the world and rise again. Moving so fast, you can’t tell where the dream ends and where the world begins.
Sébastien Japrisot
What if even then, God had plans for a second garden? Another tree, and another chance to reach out and accept the abundance of life? What if in Eden, God was planning Gethsemane?" The question echoed through Lucy, growing in power with each reverberation within her soul. She held a flower in her hands. The sweet, exotic perfume floated deep into Lucy's heart---carrying Ms. Beth's words right along beside it. Lucy hesitated, allowing the words to take effect. "Are you circling a closed Eden, or have you chosen to step into Gethsemane, through the open gate?" Lucy blinked. She had never thought of it like that. "Maybe what you thought was a closed gate meant to punish you is actually God's way of protecting you from remaining in a place where you won't and can't receive His life." The truth washed Lucy's heart with color. As it brushed over the harsh edges with water, watercolor blooms began to blend one into the other, filling her with understanding. Lucy's heart swelled as the long-dry soil soaked up this water. "Where you're preoccupied with your failures and your fears and the desire to preserve all you might lose, God has a plan to preserve something else. To root you in a place where life can grow within you once more, freely and abundantly. A garden of death for a garden of life, where through His own resurrection Jesus returns all that was stolen.
Ashley Clark (Paint and Nectar (Heirloom Secrets, #2))
Memories had come back to Thomas on several occasions. The Changing, the dreams he’d had since, fleeting glimpses here and there, like quick lightning strikes in his mind. And right now, listening to the white-suited man talk, it felt as if he were standing on a cliff and all the answers were just about to float up from the depths for him to see in their entirety. The urge to grasp those answers was almost too strong to keep at bay. But he was still wary. He knew he’d been a part of it all, had helped design the Maze, had taken over after the original Creators died and kept the program going with new recruits. “I remember enough to be ashamed of myself,” he admitted. “But living through this kind of abuse is a lot different than planning it. It’s just not right.
James Dashner (The Death Cure (The Maze Runner, #3))
Corvallis sometimes thought back on the day, three decades ago, when Richard Forthrast had reached down and plucked him out of his programming job at Corporation 9592 and given him a new position, reporting directly to Richard. Corvallis had asked the usual questions about job title and job description. Richard had answered, simply, “Weird stuff.” When this proved unsatisfactory to the company’s ISO-compliant HR department, Richard had been forced to go downstairs and expand upon it. In a memorable, extemporaneous work of performance art in the middle of the HR department’s open-plan workspace, he had explained that work of a routine, predictable nature could and should be embodied in computer programs. If that proved too difficult, it should be outsourced to humans far away. If it was somehow too sensitive or complicated for outsourcing, then “you people” (meaning the employees of the HR department) needed to slice it and dice it into tasks that could be summed up in job descriptions and advertised on the open employment market. Floating above all of that, however, in a realm that was out of the scope of “you people,” was “weird stuff.” It was important that the company have people to work on “weird stuff.” As a matter of fact it was more important than anything else. But trying to explain “weird stuff” to “you people” was like explaining blue to someone who had been blind since birth, and so there was no point in even trying. About then, he’d been interrupted by a spate of urgent text messages from one of the company’s novelists, who had run aground on some desolate narrative shore and needed moral support, and so the discussion had gone no further. Someone had intervened and written a sufficiently vague job description for Corvallis and made up a job title that would make it possible for him to get the level of compensation he was expecting. So it had all worked out fine. And it made for a fun story to tell on the increasingly rare occasions when people were reminiscing about Dodge back in the old days. But the story was inconclusive in the sense that Dodge had been interrupted before he could really get to the essence of what “weird stuff” actually was and why it was so important. As time went on, however, Corvallis understood that this very inconclusiveness was really a fitting and proper part of the story.
Neal Stephenson (Fall; or, Dodge in Hell)
Life on a floating city must have been really dull if the idea of war sounded intriguing. Trollbella squinted and crossed her arms as she thought about it. “But still, an army in exchange for a broken heart seems like a pretty steep deal,” she said. Without missing a beat, Conner clutched his chest and fell to the deck in pain. “Oh my broken heart! It hurts so much! Oh the pain, the miserable pain!” he screamed. “Your heart is on the other side of your chest, Conner,” Alex whispered down at him and he quickly made the correction. Tears formed in Trollbella’s eyes at the sight of her Butterboy in pain she had caused him. “Oh no, Butterboy!” she said, and rushed to his side. “If my army will help ease your pain, then my army you shall have!” Conner quickly sat up, completely fine. “Thank goodness,” he said. “I really appreciate it! Now we need to gather up your army and fill them in on our plan as soon as possible.” Queen Trollbella got to her feet to address the rowers aboard her boat. “Take us to the army fort at once, troblins!” she ordered. “My Butterboy needs to speak with our army and start his healing process.” The troll and goblin rowers turned the boat completely around and headed in the direction of the army float. Alex gestured for Lester to follow the boat, and helped Conner to his feet. “Nice going,” she whispered in his ear. “Thanks,” Conner said, but his face fell into a pout. “What’s wrong?” she said. “We recruited the troblin army and it was easier than either of us expected!” “I know,” Conner said sadly. “I just can’t believe Trollbella picked that troll over me.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
The World At Large Ice-age heat wave, can't complain. If the world's at large, why should I remain? Walked away to another plan. Gonna find another place, maybe one I can stand. I move on to another day, to a whole new town with a whole new way. Went to the porch to have a thought. Got to the door and again, I couldn't stop. You don't know where and you don't know when. But you still got your words and you got your friends. Walk along to another day. Work a little harder, work another way. Well uh-uh baby I ain't got no plan. We'll float on maybe would you understand? Gonna float on maybe would you understand? Well float on maybe would you understand? The days get shorter and the nights get cold. I like the autumn but this place is getting old. I pack up my belongings and I head for the coast. It might not be a lot but I feel like I'm making the most. The days get longer and the nights smell green. I guess it's not surprising but it's spring and I should leave. I like songs about drifters - books about the same. They both seem to make me feel a little less insane. Walked on off to another spot. I still haven't gotten anywhere that I want. Did I want love? Did I need to know? Why does it always feel like I'm caught in an undertow? The moths beat themselves to death against the lights. Adding their breeze to the summer nights. Outside, water like air was great. I didn't know what I had that day. Walk a little farther to another plan. You said that you did, but you didn't understand. I know that starting over is not what life's about. But my thoughts were so loud I couldn't hear my mouth. My thoughts were so loud I couldn't hear my mouth. My thoughts were so loud.
Modest Mouse
Containing Communism was a priority, but the United States government had its own plans. Since 1951 or 1952, the idea had been floating around the CIA that they should promote what agent Miles Copeland described as a “Moslem Billy Graham” to spread Islamic fervor. Islamism—the political application of Islamic thought—was considered a possible cure for atheistic Communism. According to Copeland, the CIA “actually got as far as selecting a wild-eyed Iraqi holy man to send on a tour of Arab countries.” He insisted that the project “did no harm.” By the time of Eisenhower’s first administration, though, some in the State Department considered that the House of Saud might fill this religious, anti-Communist role.23 However flamboyantly the Saudi princes might carry on in private, they were publicly devout and served as the guardians of Islam’s holiest sites in Mecca and Medina.
Alex von Tunzelmann (Blood and Sand: Suez, Hungary, and Eisenhower's Campaign for Peace)
We should proceed with caution,” whispered Wyrden. Angela made a faint noise in her throat. “How else were you planning to proceed? With blaring trumpets and shouting heralds? Really.” The elf refrained from answering, but he appeared distinctly uncomfortable. Arya and Wyrden pulled off the grating and cautiously moved into the tunnel. Both conjured werelights of their own. The flameless orbs floated over their heads like small red suns, though they emitted no more light than a handful of coals. Eragon hung back and said to Angela, “Why do the elves treat you so respectfully? They seem almost afraid of you.” “Am I not deserving of respect?” He hesitated. “One of these days, you’re going to have to tell me about yourself.” “What makes you think that?” And she pushed past him to enter the tunnel, her cloak flapping like the wings of a Lethrblaka. Shaking his head, Eragon followed.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
...you made art because it was the only thing you’d ever been good at, the only thing, really, you thought about between shorter bursts of thinking about the things everyone thought about: sex and food and sleep and friends and money and fame. But somewhere inside you, whether you were making out with someone in a bar or having dinner with your friends, was always your canvas, its shapes and possibilities floating embryonically behind your pupils. There was a period—or at least you hoped there was—with every painting or project when the life of that painting became more real to you than your everyday life, when you sat wherever you were and thought only of returning to the studio, when you were barely conscious that you had tapped out a hill of salt onto the dinner table and in it were drawing your plots and patterns and plans, the white grains moving under your fingertip like silt.
Hanya Yanagihara (A Little Life)
In the weeks ahead, Oppenheimer, Acheson and Lilienthal did their best to keep the Acheson-Lilienthal plan alive, lobbying the bureaucracy and the media. In response, Baruch complained to Acheson that he was “embarrassed” that he was being undercut. Hoping that he could still influence Baruch, Acheson agreed to bring everyone together at Blair House on Pennsylvania Avenue on Friday afternoon, May 17, 1946. But as Acheson worked to contain the atomic genie, others were working to contain, if not destroy, Oppenheimer. That same week, J. Edgar Hoover was urging his agents to step up their surveillance of Oppenheimer. Though he hadn’t a shred of evidence, Hoover now floated the possibility that Oppenheimer intended to defect to the Soviet Union. Having decided that Oppenheimer was a Soviet sympathizer, the FBI director reasoned that “he would be far more valuable there as an advisor in the construction of atomic plants than he would be as a casual informant in the United States.” He instructed his agents to “follow Oppenheimer’s activities and contacts closely. . . .
Kai Bird (American Prometheus)
I backed my car into a cop car the other day Well he just drove off sometimes life's OK I ran my mouth off a bit too much oh what did I say Well you just laughed it off it was all OK And we'll all float on OK And we'll all float on OK And we'll all float on OK And we'll all float on any way Well, a fake Jamaican took every last dime with that scam It was worth it just to learn from sleight of hand Bad news comes don't you worry even when it lands Good news will work its way to all them plans We both got fired on exactly the same day Well we'll float on good news is on the way And we'll all float on OK And we'll all float on OK And we'll all float on OK And we'll all float on alright Already we'll all float on Now don't you worry we'll all float on alright Already we'll all float on alright Don't worry we'll all float on (alright already) And we'll all float on alright Already we'll all float on alright Don't worry even if things end up a bit too heavy We'll all float on alright Already we'll all float on alright Already we'll all float on OK Don't worry we'll all float on Even if things get heavy we'll all float on alright Already we'll all float on alright Don't you worry we'll all float on alright All float on
Modest Mouse
but because to work in Ezra’s was to be constantly surrounded and interrupted by dilettantes. There, art was something that was just an accessory to a lifestyle. You painted or sculpted or made crappy installation pieces because it justified a wardrobe of washed-soft T-shirts and dirty jeans and a diet of ironic cheap American beers and ironic expensive hand-rolled American cigarettes. Here, however, you made art because it was the only thing you’d ever been good at, the only thing, really, you thought about between shorter bursts of thinking about the things everyone thought about: sex and food and sleep and friends and money and fame. But somewhere inside you, whether you were making out with someone in a bar or having dinner with your friends, was always your canvas, its shapes and possibilities floating embryonically behind your pupils. There was a period—or at least you hoped there was—with every painting or project when the life of that painting became more real to you than your everyday life, when you sat wherever you were and thought only of returning to the studio, when you were barely conscious that you had tapped out a hill of salt onto the dinner table and in it were drawing your plots and patterns and plans, the white grains moving under your fingertip like silt.
Hanya Yanagihara (A Little Life)
Figure out the secret yet?” he asked, leaning on the nearest cot like he’d made himself dizzy. “Um. Not really,” Sophie admitted. Ro snorted. “Wow. You’re a horrible teacher.” “Psh, I’m the best,” Keefe insisted. “No boring lectures. And Foster’ll get it this time—you’ll see.” He floated the scrap of bandage back toward himself, then set it back down. “You know what? It’ll be easier to notice with something bigger. Hmmmmmm . . . Oh! I know!” He lunged and thrust his arms toward Ro—who yelped as she launched toward the ceiling. “Put. Me. Down!” “Aw, is the big, tough ogre princess scared of a little elf-y mind trick?” Keefe asked. “You realize I can end you with one dagger, right?” Ro asked, drawing one from the sheath around her thigh. “And there’s no way you’d be fast enough to stop it.” “Probably not,” Keefe agreed. “But I could do this.” He let her plummet, then blasted her back up with a big enough jolt to knock her weapon from her grasp. “Uh, I’m pretty sure she’s going to murder you in your sleep tonight,” Sophie warned. “Oh, I’m planning something much more painful than that,” Ro snarled. “See, and I thought you’d be honored to be part of this important moment, when Foster shows us how much she’s learned from my brilliant demonstration. Go ahead,” he told Sophie. “Tell Ro the secret.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
LEADING LESSONS Excuses hold you back. Excuses they keep you from doing what needs to be done and from living your truth. When I was making all those lame excuses for why my performance was going to suck, I was refusing to own it. And when you don’t commit wholeheartedly to a situation, you’re always somewhere floating in the middle, never really operating at your full potential. We tend to make excuses when things don’t go according to our original plans. Or we blame something or someone else for our mistakes. You can also make excuses for the things you don’t do--why you haven’t left a job you hate, followed your dream, or taken a risk. In the end, all those excuses add up to the same thing: a smoke screen. When you make an excuse, you’re rejecting the truth and trying to buffer yourself from the consequences of your actions. Leaders own what they do. This was something I had to learn through experience. I saw how pawning off responsibility (like blaming a bad back for a bad performance) was not helping me improve or grow. People who constantly make excuses are often afraid they’re not good enough or can’t live up to others’ expectations. Maybe in the beginning it makes you feel better: “If I just explain it this way, I won’t look so bad.” But the end result is always self-defeating. Excuses will always get in the way of a responsible life.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
You aren’t worried about tomorrow, are you?” “What do you think?” He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.” “I must have been a raving lunatic,” I muttered. Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house. “It’s John again,” Theo said. “Papa will start charging him room and board soon.” Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife. “Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?” I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.” “What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him. As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John. “They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.” Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough. We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
Kim Addonizio (Tell Me)
What does he have planned?” “He said it was a surprise, but apparently it includes all my favorites things about the city.” “That’s cute. Maybe it’ll be the refresher you guys need. It’s hard being apart for so long, especially when there is a super-hot ex-boyfriend living next to you.” I give her a pointed look. “And speak of the devil. Look whose truck just pulled into the driveway.” Amanda puts her drink on the coffee table and crawls on top of me, her knees digging into my stomach as she tries to catch a view of Aaron. “Will you please get off me?” “I want to see what he looks like. I want to see these muscles you speak of.” Amanda reaches the window, but I yank on her body so she can’t sneak a peek. “Hey, stop that, I can’t see.” “Exactly. He’ll catch you looking, and I don’t want him thinking it’s me.” “Don’t be paranoid. He won’t think that. Now let me catch a glimpse.” Pushing down on my head, trying to climb over me, she reaches for the blinds, but I hold strong and grip her around the waist, using my legs to hold her down as well. “Stop it.” She swats at my head. “Just a little looksy.” “No, he’ll see you.” “He won’t.” “He will.” “He—” Knock, knock. We still, our heads snapping to the front door. “Is someone at the door?” Amanda whispers, one of her hands holding on to my ponytail. “That’s what a knock usually means,” I whisper back. “Is it him?” Oh hell. “I have no idea.” I hold still, trying not to move in case the person on the other side of the door can hear us. “Answer it,” Amanda scolds. “No.” “Why not?” “Because if it’s Aaron, I don’t want you anywhere near him. You’ll embarrass me, I know it.” Amanda scoffs. “Don’t be ridiculous.” She pushes off me, her hand palming my face for a brief second. “I’ll answer the door.” When she places one of her feet on the floor, I hold her in place. “Oh no, you don’t. You’re not answering that door. Just be still, the person will go away.” Knock, knock. “You’re being rude,” Amanda says as she plows her elbow into my thigh, causing me to buckle over in pain. She frees herself from my grip and rushes to the door. Right before she opens it, she fluffs her hair. You’ve got to be kidding me. I don’t even have to ask if it’s Aaron because that’s just my luck. Also, Amanda makes a low whistle sound when she opens the door. “Amanda?” Aaron’s voice floats into my house. “Aaron Walters, look . . . at . . . you.” I sit up just in time to see Amanda give him a very slow once-over. “You were right, Amelia, he has gotten sexier.” What? Jesus! I hop off the couch, limping ever so slightly from the dead leg Amanda gave me. “I didn’t say that.” Amanda waves her hand. “It was in the realm of that. Come in, come in. We need to catch up.” Amanda wraps her hand around Aaron’s arm and pulls him into the house. When she passes me, she winks and squeezes his arm while mouthing, “He’s huge.” I shut the door behind them and bang my head on it a few times before joining them in the living room. I knew Amanda’s visit was going to be interesting
Meghan Quinn (The Other Brother (Binghamton, #4))
being killed. I’m sorry to say that but I’m a realist and the track record proves that if you cross the Illuminati and upend the Great Plan you won’t last long no matter who you are. Speaking of crossing the Illuminati and their Great Plan for global domination, since the last update report a little incident called the ‘Hunter Biden Laptop’ happened right before Election Day. A coincidence? Surely not on the timing aspect. This laptop has been floating around dark circles for months, even the head of the FBI has been factually sitting on it for months…all the way through the Trump impeachment proceedings!
J. Micha-el Thomas Hays (Rise of the New World Order: Book Series Update and Urgent Status Report: Vol. 4 (Rise of the New World Order Status Report))
Elias’s expression is twisted into a scowl, and for a moment my heart stops, unsure what he's got planned. But then he drags me into a forceful kiss, his mouth crashing onto mine. Butterflies burst in my stomach, batting their wings wildly. I can't breathe. I'm letting a demon kiss me. But my body seems to respond on its own, and I grasp his shirt and haul him closer, kissing him back. He claims my tongue into his mouth as my knees wobble beneath me. He is huge, towering over me while I push myself onto tippy toes to reach him easier.  I close my eyes and let myself float on the promise he makes in his kiss. Strong hands dig into my back as his hold tightens. Our tongues tangle, and this wicked, taboo kiss is wrong, but I can’t stop myself. "You smell and taste so good," he murmurs against my mouth when he finally pulls away. I breathe out slowly, lowering myself back onto my heels. As I come back into my senses, a thread of embarrassment crawls over my cheeks that I let myself fall so easily for his charm. “We need to go.” Suddenly, he seizes my hand and storms back through the myriad of corridors with me by his side. It’s like the reality of our kiss has hit him as well. I have no doubt he's dragging me back to my room, intent on locking me away. The truth of what just happened sinks through me too. We are different, and I'm not here to find a boyfriend. He’s my captor. Still… when he kissed me, it was like he was someone starved, and I was everything he needed. There’s something extremely attractive to having a man want me in that way, especially one that looks as rugged and handsome as Elias. I’m lucky if guys look at me in the first place; I’ve never snagged the attention of an Adonis-looking one. And now my lips are swollen and bruised, my underwear drenched.
Harper A. Brooks (Playing with Hellfire (Sin Demons #1))
I don’t know,” Triple J says with a sigh from a few rows up. “If I got married, I’d want to help plan the whole thing. Little pigs in blankets, an arch made of white roses, and those centerpieces on the tables with floating candles…” He trails off as the entire bus breaks into peals of howling laughter. Up at the front, in the bus’s rearview mirror, I see that even Coach Torres’ mouth is twitching.
Katie Bailey (Season's Schemings (Cyclones Christmas, #1))
Raskob decided to enter the world of New York real estate and give his pal a job as the head of the undertaking. Raskob convinced some of his wealthy friends, including Pierre S. du Pont, to join him in a syndicate, and they negotiated with Chatham Phenix for the Waldorf-Astoria site. They were the mysterious prospective buyers whose interest in the site had been floated. By all accounts, they got the property for a song—$16 or $17 million. On August 29, 1929, the same day the city announced that Second Avenue would be the site for the next subway line, former governor Al Smith lived up to a promise made months before to newspaper reporters to announce his business plans. From his suite in the Hotel Biltmore, surrounded by trappings of his former office, Smith announced the creation of a company that would build a thousand-foot-high eighty-
John Tauranac (The Empire State Building: The Making of a Landmark)
Observe your wandering mind It is likely, sooner or later, that we learn that the mind has a life of its own. A very active, energetic, inquisitive, and sometimes obsessed life. And so even with the best intentions to hold our focus on the breath and keep it breath by breath, after a while it's hard not to notice the purpose may get sidetracked, stolen, distracted, and we get involved in some other mind operation. The many infinite scenarios and storylines played out in the mind: perhaps it's dreaming and thinking about future events, or planning or fantasizing about some possibility. Or perhaps it's about recollecting past events and getting carried away by past memories and emotions. Or perhaps it's talking about this or that with ourselves, or with someone else for that matter, and objecting to this or that. It could be practically anything, and this very air will quickly disappear from our consciousness in the process of the breath that we were paying attention to, even though it is always flowing in and out of the body, of course. Note when your mind has wandered And although we made the commitment to just be with a healthy sense. But in any moment you realize the focus is no longer with the air, or on the breath, not making that into a question, or blaming yourself for this lack in concentration in any way. Clearly, and freely and affectionately remember what is in your mind at this moment. If the breath in the field of consciousness is no longer center stage, what is it? In the note, see, hear, smell what's in your head. Clearly, and freely and affectionately mention what is in your mind at this moment. If the breath in the field of consciousness is no longer center stage, what is it? Allow yourself to be aware of the breath again And then encouraging the air to be part of it right now, because it's here right now and just allowing wherever the consciousness is pushed to be, however it is, and returning the primacy of concentration once more to the heart, to the nostrils, to the flood of breath stimuli in the body, right now. So when you realize that the mind has slipped or diverted, it is already back to understanding purpose. That is consciousness, which is life itself. They just pick up on what the wind is like at this moment. Ride the waves of the breath So focusing, if you will, the concentration on the body, and then as well you can maintain the focus on the breath by floating on the waves of the air sensations, and when you know that the mind has wandered and is no longer breathing again and again, softly, compassionately only realizing what the mind is up to now. Allowing it to be just as it is, and just in reconnecting with the spirit that is also already here, once again presenting it as the center stage in the area of consciousness and thus exercising with the consistency of open and affectionate devotion to the unfolding of your life as it unfolds right here, breath by breath and moment by moment.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
High up on the hill there is construction noise, down in the village, people go about their business. Dogs chase dogs, delivery vans unload. Letters are posted. The cold sun simply can't compete though. Coopers Chase is wearing death like chain mail. It is Thursday at eleven a.m., but nobody is in the Jigsaw Room. The Art History class have stacked their chairs away, as always, and that is where the chairs will remain until Conversational French comes in at noon. Motes of dust float in the air and settle. The Thursday Murder Club is nowhere to be seen today. Their absence echoes. Ron is texting Pauline, hoping beyond hope that she finally replies. Joyce has done some shopping for Elizabeth and dropped it outside her door. She rang, but no reply. Ibrahim sits in his flat, staring at a picture of a boat on his wall. Elizabeth? Well, she is no longer present in a time and a space for now. She isn't anywhere or anything. Bogdan has his eye on her. Joyce switches off the television - it has nothing for her. Alan lies at her feet and watches her cry. Ibrahim thinks that perhaps he should take a walk, but, instead, he keeps looking at the picture on the wall. Ron receives a text, but it is from his electricity provider. There is a murder still to be solved, but it won't be solved today. The timelines and the photographs and the theories and the plans will have to wait. Perhaps it will never be solved? Perhaps death has defeated them all with this latest trick? Who now has the heart for the battle? They still have each other, but not today. There will be laughing and teasing and arguing and loving again, but not today. Not this Thursday. As the waves of the world crash around them, this Thursday is for Stephen.
Richard Osman (Collins Quiz Night, Collins Quiz Master, Collins Pub Quiz, Ultimate PopMaster, Richard Osman's House of Games 5 Books Collection Set)
She shakes her head, but she does want one. His pleasantness irritates her. The ease of his days irritates her too. She would feel better, she thinks, if he worked harder for them. If he worked as hard as she works in her role, the thinking, the accommodating, the planning, the doing, the thinking again. She wants his head to spin at night with the things he must do the next day so that their lives are smooth, so that they float.
Ashley Audrain (The Whispers)
Raman langa foc - la intersectia celei care-am fost cu cea care sunt - pana cand trecutu devine scrum.
Trish Doller (Float Plan (Beck Sisters, #1))
Insa incep sa inteleg cum tristetea si fericirea pot coabita inauntrul unei inimi. Si cum totusi inima aceea continua sa bata.
Trish Doller (Float Plan (Beck Sisters, #1))
Spre deosebire de noaptea trecuta, ziua de azi e o usa deschisa. Trebuie doar sa-i pasim pragul.
Trish Doller (Float Plan (Beck Sisters, #1))
Dar mi-e mai putin frica de ce s-ar putea intampla cu mine navigand de una singura in Marea Caraibilor decat de ce s-ar putea intampla cu mine daca as ramane acasa.
Trish Doller (Float Plan (Beck Sisters, #1))
Nu am decat momentul prezent.
Trish Doller (Float Plan (Beck Sisters, #1))
Plamanii ma ard de cat mi-am tinut respiratia. Nu mai rezist, dar stiu ca nu vreau sa mor ca sa fiu cu el. Mai degraba as trai fara.
Trish Doller (Float Plan (Beck Sisters, #1))
Inima imi zvacneste in piept ca o pasare salbatica ce se izbeste de colivia coastelor mele.
Trish Doller (Float Plan (Beck Sisters, #1))
- Aproape toate descoperirile mele cele mai bune au fost accidentale, spune Keane. Uneori trebuie sa arunci harta cat colo si sa te lasi purtat de instinct.
Trish Doller (Float Plan (Beck Sisters, #1))
Apa sarata este leacul bun la toate - sub forma de sudoare, lacrimi sau mare.
Trish Doller (Float Plan (Beck Sisters, #1))
In biletul de adio, scrisese ca eu fusesem motivul pentru care traise. Atunci de ce nu am fost suficienta?
Trish Doller (Float Plan (Beck Sisters, #1))
I'm not thrilled with being objectified, but I've made a lot of money letting t happen, so many feelings are complicated. Mine too. I'm not certain I'd feel entirely comfortable eating in a place where it feels like the staff is part of the menu, but sexy pirates?...I wouldn't hate it either.
Trish Doller (Float Plan (Beck Sisters, #1))
Our mother expected us to be good and our father put the fear of the Lord in us if we failed to meet her expectations. That doesn't mean we don't act the maggot sometimes, but kind is one of the easiest things to be.
Trish Doller (Float Plan (Beck Sisters, #1))
Eventually—and I say this from experience—you’ll start building a new house beside the ruins of the old. When you’re ready, you’ll know.
Trish Doller (Float Plan (Beck Sisters, #1))
There were now three options open to the navy. The first was to sever the forward section of the ship using dynamite. This would take months to accomplish, but would allow the after section of the ship to be floated and probably salvaged. The second was to flatten the ship with dynamite and drive her deeper into the mud. This would clear the quay, allowing other ships to use it. This second option was never seriously considered because the graves of the crew would be desecrated. The third option was chosen. The plan was to cut off the superstructure above water and construct a memorial in tribute to those who lost their lives on 7 December. When the decision was finalized, diving work was suspended on the Arizona. The two barges were moved, and we soon began work on the USS California.
Edward C. Raymer (Descent into Darkness: Pearl Harbor, 1941—A Navy Diver's Memoir)
So . . . what’s the plan, then?” Driggs asked, the opaqueness of his body coming and going in waves now, possibly in time with his heartbeat. “Um—” Uncle Mort winced. “Hide.” Lex’s jaw dropped as Uncle Mort ducked behind a tree. “Hide?” she sputtered in disbelief, falling over her own feet as she tried to conceal herself. “That’s the best you can come up with?” He gave her a look. “You got a rocket launcher in that bag of yours? No? Then hide it is. Grotton, get down!” he shouted at the ghost, who was now floating higher and seemed to be glowing more brightly. Grotton lowered himself to the ground. “I was merely trying to provide a bit of light for your attempts at”—he let out a quiet snicker—“concealment.” Uncle Mort, suppressing the urge to reach up and smack the everdeathing snot out of their new companion, gritted his teeth. “Next time set off some fireworks, it’ll be more subtle.
Gina Damico (Rogue (Croak, #3))
hipster fashion of the moment. And he wore an earring, as if to say, “I have a position, but I’m not a conformist.” The men in the audience were slumped in their seats, legs crossed, arms condescendingly folded over their chests. Laura was taking notes, accompanying every word by nodding her head of thick, curly hair. What was his trick? His face revealed few expressions; from time to time he smiled briefly, the only movement on his tanned face. Still, those smiles lit it up, and this was probably not planned. Or maybe it was, because at regular intervals he would imperceptibly lean toward the audience, and the middle-aged women with Botoxed lips clung to their seats. He talked about a recent trip in a Ford Fiesta. “We’d meet at the bar in the piazza, Giovanni and Gabriele and I, and hold impromptu discussions inspired by Malvasia.” He gave us time to marvel over the fact that he did not have an Audi. “Giovanni Ascolti and Gabriele Galli, the founders of the publishing house Marea,” Laura whispered in my ear. “Oh.” Silence floated through the room when he closed his mouth. The seconds hung suspended between us and him, in midair, as if surprised to be there. But then Vittorio took off his glasses, smiled, said, “Thank you,” and time obeyed that smile and began to flow again. The audience applauded, and the seconds too returned to their place, in the ticking of the clocks. Well
Claudia Serrano (Never Again So Close)