Flickr Quotes

You're under no obligation to be the same person you were 5 minutes ago.

It's interesting to note that the most kind and courageous souls you meet in life tend to be those who've faced the most cruelty and conflict. This vicious world might sharpen us like a blade, but whether we use that power to protect people or cause them pain is always our choice.

There is nothing more beautiful than nature early in the morning.

The nice thing about twitter is the architecture of visibility. Email is invisible unless you reach out to someone directly. With Twitter, anyone can follow you and this is one of the big changes that was really introduced by Flickr, was this wonderful idea that you can follow somebody without their permission. Recognizing that relationships are asymmetrical, unlike facebook where we have to acknowledge each other otherwise we can’t see each other.

Do not think like a human. You have the ability within you to create anything you wish. Truth is, you are all highly powerful entities walking this planet, disguised as simple biological beings & the disguise fools everyone -- even yourself.

I pushed myself forward and rose cautiously to my feet. A draft from the aft signaled that my dressing gown was open, but I didn't care. The nurses could take shots with their camera phones and upload them to their Flickr stream for all I cared, just so long as my face wasn't in it. A wave of dizziness rolled over me when I took a step, but it was one of those gentle rocking swells and not a thirty-foot-tall fist of Poseidon. I could do this. I shuffled over carefully and leaned against the nightstand for support as I opened the drawer. Then I nearly fell over when Granuaile spoke from behind me. "Nom nom nom!" she said. I looked around for the cookies she must be referring to and then realized, belatedly, that the room was bereft of delicious baked goods. The only thing on display was my backside, and apparently she thought it looked tasty.

I like misty autumn mornings, and cold snowy winter nights. Rainstorms bring me innerpeace, thunder sets my soul alight. I care not for summer, days too long, the heavy heat. Give me candlelight evenings, early darkness, a silent street.

Millennials (aka Generation Y) are great at social media (Facebook, Google+, LinkedIn, Twitter,Tumblr, Instagram, Flickr, Snapchat, Pinterest, YouTube, Vimeo, and Periscope) but lack time tested social skills ( patience, humility, active listening, respect for parents, teachers, elderly)

The difference between an ordinary life and an extraordinary life is only a matter of perspective. Pull the blinds. Look around you. It is a mad, mad world and you do not require ten digit bank accounts to immerse yourself in it. Travel down dusty roads without a destination in mind. Climb a mountain and scream out into the void. Kiss the hell out of a stranger. Skinny dip in a lake. Get lost and lose yourself (they are two separate things). Explore the wilderness (especially the one within). Think less of destiny and more of the moment right here. Because when you are old and ill with your loved ones around you, fame won't matter, nor will the extent of your wealth. You are the sum of the stories you can tell.

The best colleges admit only successful students, offering no evidence the college itself forged the students' late success.

The one you are looking for is you.

I have noticed that, if you look carefully at people's eyes, the first five seconds they look at you, the truth of their feelings will shine through, for just an instant before it flickers away.

I'd say go to hell, but I never want to see you again.

If all you can do it crawl, start crawling.

Speak your heart. If they don't understand, the message was never meant for them anyway.

Why should I fear death If I am, Death is not If death is, I am not Why should I fear that which could not exist when I do?

So often people are working hard at the wrong thing. Working on the right thing is probably more important than working hard. —CATERINA FAKE, COFOUNDER OF FLICKR AND HUNCH

The basic capabilities of tools like Flickr reverse the old order of group activity, transforming 'gather, then share' into 'share, then gather'.

Most of the successful innovators and entrepreneurs in this book had one thing in common: they were product people. They cared about, and deeply understood, the engineering and design. They were not primarily marketers or salesmen or financial types; when such folks took over companies, it was often to the detriment of sustained innovation. “When the sales guys run the company, the product guys don’t matter so much, and a lot of them just turn off,” Jobs said. Larry Page felt the same: “The best leaders are those with the deepest understanding of the engineering and product design.”34 Another lesson of the digital age is as old as Aristotle: “Man is a social animal.” What else could explain CB and ham radios or their successors, such as WhatsApp and Twitter? Almost every digital tool, whether designed for it or not, was commandeered by humans for a social purpose: to create communities, facilitate communication, collaborate on projects, and enable social networking. Even the personal computer, which was originally embraced as a tool for individual creativity, inevitably led to the rise of modems, online services, and eventually Facebook, Flickr, and Foursquare. Machines, by contrast, are not social animals. They don’t join Facebook of their own volition nor seek companionship for its own sake. When Alan Turing asserted that machines would someday behave like humans, his critics countered that they would never be able to show affection or crave intimacy. To indulge Turing, perhaps we could program a machine to feign affection and pretend to seek intimacy, just as humans sometimes do. But Turing, more than almost anyone, would probably know the difference. According to the second part of Aristotle’s quote, the nonsocial nature of computers suggests that they are “either a beast or a god.” Actually, they are neither. Despite all of the proclamations of artificial intelligence engineers and Internet sociologists, digital tools have no personalities, intentions, or desires. They are what we make of them.

He saw a presentation given by John Allspaw and his colleague Paul Hammond that flipped the world on its head. Allspaw and Hammond ran the IT Operations and Engineering groups at Flickr. Instead of fighting like cats and dogs, they talked about how they were working together to routinely do ten deploys a day! This is in a world when most IT organizations

You'll meet her, she's very pretty, even though sometimes she's sad for many days at a time. You'll see, when she smiles, you'll love her.

Every shadow is evidence of sun.

You are twenty. You are not dead, although you were dead. The girl who died. And was resurrected. Children. Witches. Magic. Symbols. Remember the illogic of the fantasy.

If I stop my car so you can walk across the street, I better see some hustle out of you! Knees to chest damnit! KNEES TO CHEST

Come you near or go you far, light from candle or flick'ring star? See what you will, or so you think, but is water sweet before you drink? Who can know of truth and lies? When can a man believe his eyes? Suspect what's known to mortal senses, for our nature vaults all mystic fences, that stand between that which is and seems, and back we are to truth ... or dreams.

True happiness comes not when we get rid of all out problems, but when we change our relationship to them, when we see our problems as a potential source of awakening, opportunities to practice, and to learn.

La cosa più meravigliosa della vita sembra essere che alla fine usiamo solo una parte infinetisimale del nostro potenziale autodistruttivo. Magari lo desideriamo, magari è ciò che sogniamo, ma basta un raggio di luce, un cambio del vento per dissuaderci.

Look at Flickr. It began as a multiplayer online game called The Game Neverending. Its creators soon realized the photo-sharing aspect of the game was a more plausible product than the game itself (which was eventually shelved). Be willing to admit mistakes and change course.

He wanted to say that there wasn’t enough accountability or sense of ownership at Yahoo. He thought it was too hard to figure out who was in charge of big decisions at the company. Most of all, he thought that Yahoo was spreading itself too thin. It had acquired a photo-sharing site called Flickr—and yet it was still investing in a product called Yahoo Photos. Why?

Flickr is no such thing, just as Google is not operating a library. They are commercial enterprises designed to maximize revenue, not defend political expression, preserve our collective heritage, or facilitate creativity, and the people who work there are private employees, not public servants.7

In our initial brainstorming, we formulated our sense of Web 2.0 by example: Web 1.0 Web 2.0 DoubleClick --> Google AdSense Ofoto --> Flickr

Although earlier computers existed in isolation from the world, requiring their visuals and sound to be generated and live only within their memory, the Amiga was of the world, able to interface with it in all its rich analog glory. It was the first PC with a sufficient screen resolution and color palette as well as memory and processing power to practically store and display full-color photographic representations of the real world, whether they be scanned in from photographs, captured from film or video, or snapped live by a digitizer connected to the machine. It could be used to manipulate video, adding titles, special effects, or other postproduction tricks. And it was also among the first to make practical use of recordings of real-world sound. The seeds of the digital-media future, of digital cameras and Photoshop and MP3 players, are here. The Amiga was the first aesthetically satisfying PC. Although the generation of machines that preceded it were made to do many remarkable things, works produced on them always carried an implied asterisk; “Remarkable,” we say, “. . . for existing on such an absurdly limited platform.” Even the Macintosh, a dramatic leap forward in many ways, nevertheless remained sharply limited by its black-and-white display and its lack of fast animation capabilities. Visuals produced on the Amiga, however, were in full color and could often stand on their own terms, not as art produced under huge technological constraints, but simply as art. And in allowing game programmers to move beyond blocky, garish graphics and crude sound, the Amiga redefined the medium of interactive entertainment as being capable of adult sophistication and artistry. The seeds of the aesthetic future, of computers as everyday artistic tools, ever more attractive computer desktops, and audiovisually rich virtual worlds, are here. The Amiga empowered amateur creators by giving them access to tools heretofore available only to the professional. The platform’s most successful and sustained professional niche was as a video-production workstation, where an Amiga, accompanied by some relatively inexpensive software and hardware peripherals, could give the hobbyist amateur or the frugal professional editing and postproduction capabilities equivalent to equipment costing tens or hundreds of thousands. And much of the graphical and musical creation software available for the machine was truly remarkable. The seeds of the participatory-culture future, of YouTube and Flickr and even the blogosphere, are here. The

Your photo of the Eiffel Tower on Flickr is identically redundant to the millions already stored on Flickr, yet you keep on snapping them (just as I keep downloading MP3s).

Try to remember that the 'bottomless sea' can't hurt us as long as we keep on swimming.

For what it's worth: it's never too late or, in my case, too early to be whoever you want to be. There's no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you're proud of. If you find that you're not, I hope you have the strength to start all over again.

I live in a world of fantasy So keep your reality away from me. I see what I want and I want what I see And that is all okay by me.

Your life is like a play. Your eyelids are the curtains. Sleep is intermission. And you are the audience.

You have more freedom than you're using.

You know that feeling deep in your tummy where you just don't feel comfy and you feel sad and sort of want to cry but not about anything specific. It's like your entire body is just upset and unnerved all the way to the core almost like your just longing for something but don't know what.

Don't let excitement make you announce things prematurely. Be silent until you're sure; & even when you're sure, don't give too much away.

Find the right distance between people. Too close, and they overwhelm you, too far and they abandon you.

Look for magic in the daily routine.

Photography has never been more popular. Today, seventy billion photos are uploaded to Facebook each year, and many times more are shared via other digital services like Flickr at nearly zero cost. These photos are all digital, so hundreds of thousands of people who used to work making photography chemicals and paper are no longer needed. In a digital age, they need to find some other way to support themselves.

Online community, between people who have usually never met and share only select aspects of their lives, presumes inclusion and belonging through communicational modes that borrow from successful real-life intimacy. It prioritizes openness and transparency, encourages emotional response (albeit in a limited way through, for example, Facebook’s ever-powerful ‘like’ button), and claims to promote consensus. This rhetoric of openness and sharing—a presumption of egalitarian transparency—is inherent in the corporate mantra of Google (‘Do no evil’), Facebook (‘making the Web more social’), and Flickr-Yahoo (‘Share your pictures, watch the world’). Yet just as inner-city windows might present an illusion of togetherness in which isolation is actually the norm, this presumed openness of virtual communities hides the fact that inclusion in social media can be fickle and conditional; digital citizenship hides multiple power dynamics and relations,not all of which are explicitly stated. Whereas there has been some discussion of the meanings of digital citizenship (to mean the accepted norms of appropriate, responsible technology use), online ‘community’ is invoked as a given. The Professor of Media Studies at Utrecht University, José van Dijck, refers in her discussion of social media’s history to ‘community function’ and ‘community character’; ‘community collectivism’ and ‘community utilization’; and to ‘community’ itself as being innovative, organizational, self-selecting, and open. But community, like citizenship, carries an enormous functional, symbolic, and practical weight. What kinds of ‘community’ are being forged online, and how do they impact on self-esteem, a sense of belonging, and self-identity? How does online community differ from offline community, and how and why does loneliness result?

He water ploughs, and soweth in the sand, And hopes the flick'ring wind with net to hold, Who hath his hopes laid up in woman's hand.

Photo-sharing websites: www.flickr.com www.photobucket.com www.facebook.com www.twitpic.com

If you wish to see firsthand the unpredictable power of an emergent platform, you need only look at what has happened to GPS over the past five years. The engineers that built the system—starting with Guier and Weiffenbach—created an entire ecosystem of unexpected utility. Frank McClure recognized that you could harness Guier and Weiffenbach’s original insight to track nuclear submarines, but he had no inkling that fifty years later the same system would help teenagers to play elaborate games in urban centers, or climbers to explore treacherous mountain ranges, or photographers to upload their photos to Flickr maps.

Google was in the water when the waves of Internet traffic came because it was tinkering with new ideas under the umbrella of Google’s famous “20% Time.” “20% Time” is not Google indigenous. It was borrowed from a company formerly known as Minnesota Mining and Manufacturing, aka 3M, which allowed its employees to spend 15 percent of their work hours experimenting with new ideas, no questions asked. 3M’s “15% Time” brought us, among other things, Post-it Notes. Behind this concept (which is meticulously outlined in an excellent book by Ryan Tate called The 20% Doctrine) is the idea of constantly tinkering with potential trends—having a toe in interesting waters in case waves form. This kind of budgeted experimentation helps businesses avoid being disrupted, by helping them harness waves on which younger competitors might otherwise use to ride past them. It’s helped companies like Google, 3M, Flickr, Condé Nast, and NPR remain innovative even as peer companies plateaued. In contrast, companies that are too focused on defending their current business practice and too fearful to experiment often get overtaken. For example, lack of experimentation in digital media has cost photo brand Kodak nearly $ 30 billion in market capitalization since the digital photography wave overwhelmed it in the late ’90s. The best way to be in the water when the wave comes is to budget time for swimming.