Flesh And Fire Quotes

We've searched our database for all the quotes and captions related to Flesh And Fire. Here they are! All 100 of them:

Your heart, Poppy? It is a gift I do not deserve.” He placed his hands on his knees as he lifted his gaze to mine. “But it is one I will protect until my dying breath.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
There was no going back now. Rubber and metal could only take so much. The car could shatter and send its passengers into an elemental distillation of rock, flesh, blood, and ash. Alchemy, thought Mary, grimly. Too much bloody alchemy.
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
I don’t want to pretend,” I whispered. “I’m Poppy and you’re Casteel, and this is real.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
He was the first thing I’d ever truly chosen for myself.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Let’s make a deal that we don’t borrow tomorrow’s problems today.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
You can’t spell dysfunctional without fun, now can you?
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Always,” he whispered in the breath we shared. “Your heart was always safe with me. It always will be. There is nothing I will protect more fiercely or with more devotion, Poppy. Trust in that—in what you feel from me.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Adrian Ivashkov wasn’t easy to surprise, but I surprised him then when I brought his mouth toward mine. I kissed him, and for a moment, he was too stunned to respond. That lasted for, oh, about a second. Then the intensity I’d come to know so well in him returned. He pushed me backward, lifting me so that I sat at the table. The tablecloth bunched up, knocking over some of the glasses. I heard what sounded like a china plate crash against the floor. Whatever logic and reason I normally possessed had melted away. There was nothing but flesh and fire left, and I wasn’t going to lie to myself—at least not tonight.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I fell for you when you were Hawke, and I kept falling for you when you became Casteel.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Make me feel incompetent and kill more than me, Princess.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
But even so, sometimes, the heartbreak that comes with loving someone is worth it, even if loving that person means eventually saying goodbye to them.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
He was both the villain and the hero, the monster and the monster-slayer.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
You’re beautiful when you’re quiet and somber, but when you laugh? You rival the sunrise over the Skotos Mountains.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Just so you know, Penellaphe doesn’t need protection. She is more than capable of handling things herself. But that is my future you are walking away with. Guard her well. Your life depends on it.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
The world, no matter how big, is often smaller than we realize.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
He may hate being called the Dark One, but he has earned that name.” Kieran’s pale eyes met mine as a shiver curled its way down my spine. “But he’s the one thing in all the kingdoms that you, and only you, never have to fear.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
You’re an absolutely stunning, murderous little creature,” he murmured.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Dear gods, you have her on her own horse? Soon, she’ll be running one of us over instead of stabbing us.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
He had my whole heart, and he had from the moment he allowed me to protect myself, from the moment he stood beside me instead of in front of me.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Love taught me to die with dignity that I might come forth anew in splendor. Born once of flesh, then again of fire, I was reborn a third time to the sound of my name humming haikus in heaven’s mouth.
Aberjhani (The River of Winged Dreams)
I need to feel your lips on mine." He planted his hands on the carriage wall, caging me in. "I need to feel your breath in my lungs. I need to feel your life inside me. I just need you. It's an ache. This need. Can I have you? All of you?
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
She was a great girl-shaped forest. She was a thing on fire. Her hand was leaves and smoke and snow and flesh all at once.
Mona Awad (Bunny)
I guess I am the Queen of Flesh and Fire.” Casteel nodded as he stalked toward me, his eyes a heated amber. “I know you’re the Queen of my heart.” Blinking, I lowered my hands as he stopped in front of me. “Did you seriously just say that?” One dimple appeared as he clasped the back of my head and lowered his head to mine. “I sure as fuck did.” “That was so…cheesy,” I said. “I know.” Casteel kissed me.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
But like my brother, I too have a crutch. Mine is not metal. It is flesh and fire and bronze eyes. If only I could cast him away. If only I was strong enough to let the prince go and do what he would with his vengeance. To die or live as he saw fit. But I need him. And I can’t find the strength to let him go.
Victoria Aveyard (Glass Sword (Red Queen, #2))
I am Hawke,” he said after a moment. “And I am Casteel. I’m not two separate people, no matter how badly you want to believe that.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
A cell is a cell, no matter how comfortable it is.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
You don’t deserve everything that I’ve laid at your feet, and you sure as hell don’t deserve the fact that I’m still trying to hold onto you. That when it comes time for you to leave, I’m still going to want you. Even when you inevitably do leave, I’ll still want you.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I lost myself to the freedom of being able to read any book I wanted.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Feelings were not stagnant. Neither were opinions or beliefs, and if we stopped believing people were capable of change, then the world might as well be left to burn.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
There is no side of you that is not as beautiful as the other half. Not a single inch isn’t stunning.” His lashes lifted, and the intensity in his stare held me captive. “That was true the first time I said it to you, and it is still the truth today and tomorrow.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I know what I am. I’ve always known. I am one of the worse sort. A monster … But don’t you ever tell me how I feel.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Told him that if a woman fights with that kind of passion and makes you work that hard to earn even a smile, then that’s the kind of woman you want by your side in and out of the bedchamber.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I should learn to run, to wrestle, to swim, to ride horses, to row, to drive a car, to fire a rifle. I should fill my soul with flesh. I should fill my flesh with soul. In fact, I should reconcile at last within me the two internal antagonists.
Nikos Kazantzakis (Zorba the Greek)
His fingers slipped under it as his hand curved on my shoulder. "You lie so sweetly". I ignored that. "Casteel---" "But not as sweet as you say my name". I let out a little growl. "You are..." "Marvelous? Charming? Undeniable?" "Increasingly annoying
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I never wanted to love. Not until you, liessa.
Jennifer L. Armentrout (A Light in the Flame (Flesh and Fire, #2))
Besides, if there were no dragons of flesh and blood and fire, whence would come the idea for these stone carvings?
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
It is far easier to be lied to than to acknowledge that you have been lied to.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
His breath caught, harsh enough that she looked over her shoulder. But his eyes weren't on her face. Or the water. They were on her bare back. Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?" It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier." He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage. "A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once. "You were a slave." She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved. He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Oh, man,” Delano murmured under his breath as the rest of the room went dead silent. “Someone is getting stabbed again.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I stared up at him, hands and arms trembling. “I don’t know what you want from me.” “Everything,” he bit out between clenched teeth. “I want everything.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
When it comes to bacon, the answer is always yes.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Make sure she knows that I am the Chosen, the One who is Blessed, and I carry the blood of the King of Gods in me. I am the Liessa to the wolven, the second daughter, the true heir, owed the crowns of Atlantia and Solis. I am the Queen of Flesh and Fire, and the gods’ guards ride with me. Tell the Blood Queen to prepare for war.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
That's ... that's really sad." "Some say all great love stories are.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Tita knew through her own flesh how fire transforms the elements, how a lump of corn flour is changed into a tortilla, how a soul that hasn't been warmed by the fire of love is lifeless, like a useless ball of corn flour.
Laura Esquivel (Like Water for Chocolate)
You are the heir to the lands and seas, skies and realms. A Queen instead of a King. You are the Primal of Life.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
What does…meyaah Liessa mean?” That eyebrow seemed to climb even higher. “It means my Queen.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
I want to kiss you, even though there is no reason for me to other than I want it.” The heated intensity of his stare held mine. “I would even go as far as to say I need to.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience.
Ray Bradbury (Something Wicked This Way Comes)
You seem to know a lot about that book.” “I love that fucking book,” he said, and my jaw ached from how hard I was clenching it.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
The bed shifted as Casteel sat up. Gently, he pried my fingers from the dagger. “I’m just putting this down. It’s still within reach in case you want to stab me.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I wasn’t sure how one could seduce another into falling in love with them after stabbing them in the chest.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
I would have loved you if I could have. There would’ve been no stopping me.
Jennifer L. Armentrout (A Light in the Flame (Flesh and Fire, #2))
He smiled up at me, his eyes twin golden flames. “I do so prefer hand-to-hand combat with you,” he said, catching my other wrist when I swung my fist down. “I like how close it brings us, Princess.” I shrieked my frustration – my irritation – at him. At myself. “There is something so wrong with you!” “Probably, but you know what?” He lifted his head off the ground. “That’s the part you like the most.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I heard one of them talk about how they wanted to make a cloak out of my fur,” Delano said from where he rode to our right. His brows were furrowed. “My fur should be reserved for something far more luxurious than a cloak. I bit him extra hard for that.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
One of the bravest things to do is to accept the aid of others.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
In my biology class, we'd talked about the definition of life: to be classified as a living creature, a thing needs to eat, breathe, reproduce, and grow. Dogs do, rocks don't, trees do, plastic doesn't. Fire, by that definition, is vibrantly alive. It eats everything from wood to flesh, excreting the waste as ash, and it breathes air just like a human, taking in oxygen and emitting carbon. Fire grows, and as it spreads, it creates new fires that spread out and make new fires of their own. Fire drinks gasoline and excretes cinders, it fights for territory, it loves and hates. Sometimes when I watch people trudging through their daily routines, I think that fire is more alive than we are–brighter, hotter, more sure of itself and where it wants to go. Fire doesn't settle; fire doesn't tolerate; fire doesn't 'get by.' Fire does. Fire is.
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
But I was once told that the best relationships are the ones where passions run high.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
After an awkward pause, Bast extended his hand. Chronicler hesitated for a bare moment before reaching out quickly, as if he were sticking his hand into a fire. Nothing happened, both of them seemed moderately surprised. "Amazing, isn't it?" Kvothe addressed them bitingly. "Five fingers and flesh with blood beneath. One could almost believe that on the other end of that hand lay a person of some sort.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Let’s make a deal that we don’t borrow tomorrow’s problems today.” Tomorrow always came soon enough, but I nodded. Because in the same breath, tomorrow wasn’t today’s problem.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
All true friendliness begins with fire and food and drink and the recognition of rain or frost. ...Each human soul has in a sense to enact for itself the gigantic humility of the Incarnation. Every man must descend into the flesh to meet mankind.
G.K. Chesterton (What's Wrong with the World)
[B]ut it is only what happens, when they die, to all mortals. The sinews no longer hold the flesh and the bones together, and once the spirit has let the white bones, all the rest of the body is made subject to the fire's strong fury, but the soul flitters out like a dream and flies away.
Homer (The Odyssey)
Beauty, my sweet child, is often broken and barbed, and always unexpected.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
he was like the brightest star and the deepest night sky given mortal form. And he was utterly beautiful in this form, wholly terrifying.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
Why did you have to tell me that Hawke was your middle name?” The fire crackled, spitting sparks, and I closed my eyes. Seconds, maybe minutes later, Casteel said, “Because you needed to know that not everything was a lie.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I would say I’m sorry, but you wouldn’t believe me. I don’t blame you for that, but don’t you dare insinuate that what I’ve done with you was purely an act or that what I’m feeling is fake when I’ve spent my entire godsdam life not being allowed to want or even feel anything for myself! Not when I spent the last three years hating myself for the relief I felt when you didn’t take me because it meant I didn’t have to do what was expected of me.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
I can sense your need. Feel it. Taste it. You’re drowning in it.” His eyes slammed shut. “I’m fucking drowning in it.” A sharp dart of desire sliced through me. “Then drown with me.
Jennifer L. Armentrout (A Light in the Flame (Flesh and Fire, #2))
A monster wouldn’t care if they were one.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
I reacted without thought, slamming my elbow into his stomach. Casteel grunted out a curse. “Please don’t fight atop the horse,” Delano called out from somewhere behind us. “None of us wish to watch Setti trample either of you.” “Speak for yourself,” came Kieran’s droll voice. Casteel straightened behind me. “Don’t worry. Neither of us will fall. It was just a love tap.” “That did not look like a love tap,” Naill commented. “That’s because it was a very passionate one,” Casteel replied. “You’re about to get a love tap to your face,” I muttered under my breath. Casteel curled his arm more firmly around my waist as he laughed.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Why did you visit my lake if you had this?” Nyktos was quiet for so long that I looked at him. He was still staring at the pool. “Because it was your lake.
Jennifer L. Armentrout (A Light in the Flame (Flesh and Fire, #2))
Apparently, she already stabbed him once,” Jasper informed the Guardian. “In the heart.” Nova looked at me. “And she cut me earlier tonight. Threw a knife right at my face another time,” Casteel ticked off his fingers. “Then this one time, in the woods, she—” “No one wants to hear about how many times I’ve made you bleed,” I snapped. “I do,” Jasper remarked. Emil raised his hand. “So do I.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
This isn’t appropriate. I’m the Maiden. Or was. Whatever. I’m the definition of appropriate.” He stared at me. “Besides the fact that you are not the definition of appropriate, everyone in this keep knows that we’ve already shared a bed, Poppy.” “Well, that’s just…” My face burned. “That’s just great.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Will you stop eating it,” I growled. “No,” Andrea said. She was sitting on the ground and chewing on some unidentifiable chunk of bull flesh. “It’s a piece of meat from something a djinn summoned.” “You don’t know that.” “Who else would send a bull made of fire to my house after I helped kill a djinn-possessed giant? Stop eating. It might have been a person,” I told her. “I don’t care.” “Andrea! You don’t know what this will do to the baby!” “It will make it nice and strong.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
...but people who are in love enough to marry - the ones that people know are together before they even realize it - never consist of just one person, one personality, or one will. They fight. They argue. They disagree. They make up. They talk. They agree. The one thing they never are is perfect.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Choose a future, Balekin had commanded him when he’d first brought Cardan to Hollow Hall. But no one chooses a future. You choose a path without being certain where it leads. Choose one way and a monster rends your flesh. Choose another and your heart turns to stone, or fire, or glass.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
I assure you, I do not give the first fuck what is normal when it comes to you. If you want to watch the world burn, I’ll set it on fire for you. If you want to slaughter every woman who has ever taken what is yours, then I will gladly sit back and watch you play,
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
This is how it feels to be Anakin Skywalker, forever: The first dawn of light in your universe brings pain. The light burns you. It will always burn you. Part of you will always lie upon black glass sand beside a lake of fire while flames chew upon your flesh. You can hear yourself breathing. It comes hard, and harsh, and it scrapes nerves already raw, but you cannot stop it. You can never stop it. You cannot even slow it down. You don’t even have lungs anymore. Mechanisms hardwired into your chest breathe for you. They will pump oxygen into your bloodstream forever. Lord Vader? Lord Vader, can you hear me?
Matthew Woodring Stover (Star Wars, Episode III - Revenge of the Sith)
The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
I want a ring,” I announced. “I want an obscenely big one like I’ve seen some of the wives of wealthy merchants have. Their diamonds are so large they look like they should weigh down their hands.” He angled his body toward me. “I will find you a diamond so big it will enter the room before you do.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
She touches me The jungle lights up with incinerating fire Looks like a flaming serpent I look into her eyes I see a movie flickering Car crashes People kicking corpses Men ripping their tracheas out and shaking them at the sky I think to myself: I don’t want to survive this one I want to burn up in the wreckage Cooking flesh in the jungle
Henry Rollins (The Portable Henry Rollins)
I believe he slipped and fell upon my blade.” “Was it his throat that fell upon your blade?” “Odd, right?” “Odd, indeed.” Ezra tilted her head to the side as she stared blankly at me. “That happens quite often around you.” “Unfortunately.” I arched a brow at my stepsister. “Men with careless fists should be more mindful of where they step.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!
Pablo Neruda
You, yesterday’s boy, to whom confusion came: Listen, lest you forget who you are. It was not pleasure you fell into. It was joy. You were called to be bridegroom, though the bride coming toward you is your shame. What chose you is the great desire. Now all flesh bares itself to you. On pious images pale cheeks blush with a strange fire. Your senses uncoil like snakes awakened by the beat of the tambourine. Then suddenly you’re left all alone with your body that can’t love you and your will that can’t save you. But now, like a whispering in dark streets, rumors of God run through your dark blood.
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
It was not death, for I stood up, And all the dead lie down; It was not night, for all the bells Put out their tongues, for noon. It was not frost, for on my flesh I felt siroccos crawl, Nor fire, for just my marble feet Could keep a chancel cool. And yet it tasted like them all; The figures I have seen Set orderly, for burial, Reminded me of mine, As if my life were shaven And fitted to a frame, And could not breathe without a key; And I was like midnight, some, When everything that ticked has stopped, And space stares, all around, Or grisly frosts, first autumn morns, Repeal the beating ground. But most like chaos,--stopless, cool, Without a chance or spar,-- Or even a report of land To justify despair.
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
After all, the three of us were young. It wasn’t just about the pleasure of the flesh. No, it wasn’t that simple. The flesh is easy to satisfy. It’s the heart that is insatiable, the heart that needs to love, to despair, to burn with any kind of fire…That was what we wanted. To burn, to be consumed, to devour our days just as fire devours the forest.
Irène Némirovsky (Fire in the Blood)
Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury (Something Wicked This Way Comes)
In confession occurs the breakthrough of the Cross. The root of all sin is pride, superbia. I want to be my own law, I have a right to my self, my hatred and my desires, my life and my death. The mind and flesh of man are set on fire by pride; for it is precisely in his wickedness that man wants to be as God. Confession in the presence of a brother is the profoundest kind of humiliation. It hurts, it cuts a man down, it is a dreadful blow to pride...In the deep mental and physical pain of humiliation before a brother - which means, before God - we experience the Cross of Jesus as our rescue and salvation. The old man dies, but it is God who has conquered him. Now we share in the resurrection of Christ and eternal life.
Dietrich Bonhoeffer (Life Together: The Classic Exploration of Christian Community)
Squatting on old bones and excrement and rusty iron, in a white blaze of heat, a panorama of naked idiots stretches to the horizon. Complete silence - their speech centres are destroyed - except for the crackle of sparks and the popping of singed flesh as they apply electrodes up and down the spine. White smoke of burning flesh hangs in the motionless air. A group of children have tied an idiot to a post with barbed wire and built a fire between his legs and stand watching with bestial curiosity as the flames lick his thighs. His flesh jerks in the fire with insect agony.
William S. Burroughs (Naked Lunch)
Nonetheless, after we've dropped off the birds and volunteered to go back to the woods to gather kindling for the evening fire, I find myself wrapped in his arms. His lips brushing the faded bruises on my neck, working their way to my mouth. Despite what I feel for Peeta, this is when I accept deep down that he'll never come back to me. Or I'll never go back to him. I'll stay in 2 until it falls, go to the Capitol and kill Snow, and then die for my trouble. And he'll die insane and hating me. So in the fading light I shut my eyes and kiss Gale to make up for all the kisses I've withheld, and because it doesn't matter any more, and because I'm so desperately lonely I can't stand it. Gale's touch and taste and heat remind me that at least my body's still alive, and for the moment it's a welcome feeling. I empty my mind and let the sensations run through my flesh, happy to lose myself.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Even in a book of lies sometimes you find truth. There is indeed a season for all things and now that I see you flesh-to-flesh and blood-to-blood I know I cannot raise my hand against you. But know this, you are my greatest disappointment. Does your master hear me? Atlas! You can kill me, but you will never have my city. My strength is not in steel and fire, that is what the parasites will never understand. A season for all things! A time to live and a time to die, a time to build... and a time to destroy!
Andrew Ryan
I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end. Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead. The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface. The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat. "No, Katniss! No! You can't go!" But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.
Suzanne Collins
Old Nan nodded. ‘In that darkness, the Others came for the first time,’ she said as her needles went click, click, click. ‘They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins. They swept over holdfasts and cities and kingdoms, felled heroes and armies by the score, riding their pale dead horses and leading hosts of the slain. All the swords of men could not stay their advance, and even maidens and suckling babes found no pity in them. They hunted the maids through frozen forests, and fed their dead servants on the flesh of human children.’ (p240)
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Ask and it shall be given you,'" I began. "'Seek and ye shall find; knock, and it shall be opened unto you; For every one that asketh receiveth; and he that seeketh findeth; and to him that knocketh it shall be opened.' We have the same message in the Book of Saint John," I said, sounding for all the world like a preacher...." Well, but how could I just stop there? Those words were worse than nothing if I didn't tell what they meant to Grandpa. Looking at the long rough box, I spoke timid, in a mumbled voice. Not preachified at all. "Grandpa didn't think Jesus meant, by that, that we should ast God for things, or for special favors. He said we could trust that in the nature of things, without astin', we'll get lots of blessin's and happy surprises and maybe a miracle or two. When Jesus said ast and you'll get it, He meant things of the spirit, not the flesh. Right now for instance, I could ast, 'Lord please raise Grandpa from the dead,' but it wouldn't happen. But I can say, 'Please, God, comfort me,' and I'll get heart's ease. Grandpa said Jesus meant us to ast for hope, forgiveness, and all that. Ast, 'Hep us not be scared, hep us not be greedy, give us courage to try." I was really carried away. "Ast any such and God will give it to you. But don't ast Him not to let fire burn, or say spare me from death. At least, uh, that's what Grandpa said.
Olive Ann Burns (Cold Sassy Tree)
Honestly, I'm not sure how much longer I can keep doing this. It's like there are seven candles lit in my stomach. One, two, three, four, five, six, seven. Seven candles burning and smoking - lit - seven flames of doubt, fear, sorrow, pain, waste, hopelessness, despair. They turn my insides black with soot and ash. There is something at the back of my eyes- a pressure building, building, building - hot like the flames of seven candles, which no amount of breath can extinguish. I imagine drinking glasses of water. One, two, three four, five, six, seven. I dive into the clearest pool. I drown myself in the coarse, dry sand. I swallow handfuls of crushed white salt, but the flames burn still - brighter, hotter, deeper. Sweat runs in delicate patterns down my back, over my crooked spine and jutting hips. I scratch at the wounds these last weeks have left, but I can't break free of them. The flies gather and vultures circle overhead. The fire eats away my flesh. The fire spreads. The fire runs through my veins. The fire courses beneath my muscles - my tendons - the marrow of my bones. I sit rocking on the street corner. No, I can't keep doing this. I just can't.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
To man has been given the grief, often, of seeing his gods overthrown and his altars crumbling; but to the wolf and the wild dog that have come in to crouch at man's feet, this grief has never come. Unlike man, whose gods are of the unseen and overguessed, vapors and mists of fancy eluding the garmenture of reality, wandering wraiths of desired goodness and power, intangible outcroppings of self into the realm of spirit - unlike man, the wolf and the wild dog that have come into their fire find the gods in the living flesh, solid to the touch, occupying earth-space and requiring time for the accomplishment of their ends and their existence. No effort of faith is necessary to believe in such a god; no effort of will can possibly induce disbelief in such a god. There is no getting away from it. There it stands, on its two hindlegs, club in hand, immensely potential, passionate and wrathful and loving, god and mystery and power all wrapped up and around by flesh that bleeds when it is torn and that is good to eat like any flesh.
Jack London (White Fang)
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
To tell the truth, sir, I believe I had rather sit in the shelter for a while. The cabbage seems to have turned my inward parts to water.’ Nonsense,’ said Stephen, ‘it is the most wholesome cabbage I have ever come across in the whole of my career. I hope, Mr. Herapath, that you are not going to join in the silly weak womanish unphilosophical mewling and puling about the cabbage. So it is a little yellow in certain lights, so it is a little sharp, so it smells a little strange: so much the better, say I. At least that will stop the insensate Phaeacian hogs from abusing it, as they abuse the brute creation, stuffing themselves with flesh until what little brain they have is drowned in fat. A virtuous esculent! Even its boldest detractors, ready to make the most hellish declarations and to swear through a nine-inch plank that the cabbage makes them fart and rumble, cannot deny that it cured their purpurae. Let them rumble till the heavens shake and resound again; let them fart fire and brimstone, the Gomorrhans, I will not have a single case of scurvy on my hands, the sea-surgeon’s shame, while there is a cabbage to be culled.
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY
Paul Éluard
Justify my soul, O God, but also from Your fountains fill my will with fire. Shine in my mind, although perhaps this means “be darkness to my experience,” but occupy my heart with Your tremendous Life. Let my eyes see nothing in the world but Your glory, and let my hands touch nothing that is not for Your service. Let my tongue taste no bread that does not strengthen me to praise Your great mercy. I will hear Your voice and I will hear all harmonies You have created, singing Your hymns. Sheep’s wool and cotton from the field shall warm me enough that I may live in Your service; I will give the rest to Your poor. Let me use all things for one sole reason: to find my joy in giving You glory. Therefore keep me, above all things, from sin. Keep me from the death of deadly sin which puts hell in my soul. Keep me from the murder of lust that blinds and poisons my heart. Keep me from the sins that eat a man’s flesh with irresistible fire until he is devoured. Keep me from loving money in which is hatred, from avarice and ambition that suffocate my life. Keep me from the dead works of vanity and the thankless labor in which artists destroy themselves for pride and money and reputation, and saints are smothered under the avalanche of their own importunate zeal. Stanch in me the rank wound of covetousness and the hungers that exhaust my nature with their bleeding. Stamp out the serpent envy that stings love with poison and kills all joy. Untie my hands and deliver my heart from sloth. Set me free from the laziness that goes about disguised as activity when activity is not required of me, and from the cowardice that does what is not demanded, in order to escape sacrifice. But give me the strength that waits upon You in silence and peace. Give me humility in which alone is rest, and deliver me from pride which is the heaviest of burdens. And possess my whole heart and soul with the simplicity of love. Occupy my whole life with the one thought and the one desire of love, that I may love not for the sake of merit, not for the sake of perfection, not for the sake of virtue, not for the sake of sanctity, but for You alone. For there is only one thing that can satisfy love and reward it, and that is You alone.
Thomas Merton (New Seeds of Contemplation)