Fleece Quotes

We've searched our database for all the quotes and captions related to Fleece. Here they are! All 100 of them:

The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Mary had a little lamb Its fleece was white as snow...
Sarah Josepha Hale
Mary had a little lamb, its fleece electrostatic / And everywhere Mary went, the lights became erratic.
David Foster Wallace (Infinite Jest)
I've found my missin' piece So grease my knees and fleece my bees I've found my missin' piece!
Shel Silverstein
To be GOVERNED is to be watched, inspected, spied upon, directed, law-driven, numbered, regulated, enrolled, indoctrinated, preached at, controlled, checked, estimated, valued, censured, commanded, by creatures who have neither the right nor the wisdom nor the virtue to do so. To be GOVERNED is to be at every operation, at every transaction noted, registered, counted, taxed, stamped, measured, numbered, assessed, licensed, authorized, admonished, prevented, forbidden, reformed, corrected, punished. It is, under pretext of public utility, and in the name of the general interest, to be placed under contribution, drilled, fleeced, exploited, monopolized, extorted from, squeezed, hoaxed, robbed; then, at the slightest resistance, the first word of complaint, to be repressed, fined, vilified, harassed, hunted down, abused, clubbed, disarmed, bound, choked, imprisoned, judged, condemned, shot, deported, sacrificed, sold, betrayed; and to crown all, mocked, ridiculed, derided, outraged, dishonored. That is government; that is its justice; that is its morality.
Pierre-Joseph Proudhon (The General Idea of the Revolution in the Nineteenth Century)
Jacob made me feel safe. He was like a living lullaby. A softly spoken word. The smell of coffee and toast in the morning or a cozy fleece blanket. The rain pattering on the roof on a day where you don’t have to go anywhere or do anything.
Abby Jimenez (Yours Truly (Part of Your World, #2))
Theophane gave birth to a magical ram named Krysomallos, who for some reason had wool made of gold. Eventually, Krysomallos would be skinned for his fleece, which became known as the Golden Fleece, which means I am related to a sheepskin rug.
Rick Riordan (Percy Jackson's Greek Gods)
If we can't be cordial to these creatures' fleece, I think that we deserve to freeze.
Marianne Moore (Complete Poems)
A day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
James Joyce (A Portrait of the Artist as a Young Man)
We couldn’t have done it without somebody else! We couldn’t have won this race or got the Fleece or saved Grover or anything! We owe our lives to Tyson, Percy’s…’ ‘Brother!’ I said, loud enough for everybody to hear. ‘Tyson, my baby brother.’ Tyson blushed. The crowd cheered. Annabeth planted a kiss on my cheek.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
There's nothing of any importance in life - except how well you do your work. Nothing. Only that. Whatever else you are, will come from that. It's the only measure of human value. All the codes of ethics they'll try to ram down your throat are just so much paper money put out by swindlers to fleece people of their virtues. The code of competence is the only system of morality that's on a gold standard.
Ayn Rand (Atlas Shrugged)
His big claim to fame was that the Golden Fleece—that magical sheepskin rug I'm related to—ended up in his kingdom, which made the place immune to disease, invasion, stock-market crashes, visits from Justin Bieber and pretty much any other natural disaster.
Rick Riordan (Percy Jackson's Greek Gods)
Poor innocent baby, about to get fleeced. "Tut-tut, gorgeous. You know when you play poker with a man behind closed doors, there is only one acceptable currency.
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
Tyson, the fleece. Can you get it for me?' 'Which one?' Tyson said, looking around at the hundreds of sheep. 'In the tree!' I said. 'The gold one!' 'Oh. Pretty. Yes.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
We have become a Nazi monster in the eyes of the whole world—a nation of bullies and bastards who would rather kill than live peacefully. We are not just Whores for power and oil, but killer whores with hate and fear in our hearts. We are human scum, and that is how history will judge us. . . . No redeeming social value. Just whores. Get out of our way, or we’ll kill you. Well, shit on that dumbness. George W. Bush does not speak for me or my son or my mother or my friends or the people I respect in this world. We didn’t vote for these cheap, greedy little killers who speak for America today—and we will not vote for them again in 2002. Or 2004. Or ever. Who does vote for these dishonest shitheads? Who among us can be happy and proud of having all this innocent blood on our hands? Who are these swine? These flag-sucking half-wits who get fleeced and fooled by stupid little rich kids like George Bush? They are the same ones who wanted to have Muhammad Ali locked up for refusing to kill gooks. They speak for all that is cruel and stupid and vicious in the American character. They are the racists and hate mongers among us—they are the Ku Klux Klan. I piss down the throats of these Nazis. And I am too old to worry about whether they like it or not. Fuck them.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
James Joyce (A Portrait of the Artist as a Young Man)
Childhood is bound like the Gordian knot with my memories of the Black Sea, and I still feel its waters welling up within me today. Sometimes these waters are leaden, as grey as the military ships that sail on their curved expanses, and sometimes they are blue as pigmented cobalt. Then would come dusk, when I would sit and watch the seabirds waver to shore, flitting from open waters to the quiet empty vastlands in darkening spaces behind me, the same birds Ovid once saw during his exile, perhaps; and the same waters the Argonauts crossed searching for the fleece of renewal. And out in the distance, invisible, the towering heights of Caucasus, where once-bright memories of the fire-thief have transmuted into something weird and many-faceted, and beyond these, pitch-black Karabakh in dolorous Armenia.
Paul Christensen (The Heretic Emperor)
Up in the distance the whistle of the wind sang to her from the mountain. From Lucian’s mountain. It beckoned and taunted and she wanted to run towards it. To be enveloped in its coat of fleece and to hear its safe sounds.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
That orbèd maiden, with white fire laden, Whom mortals call the moon, Glides glimmering o’er my fleece-like floor By the midnight breezes strewn.
Percy Bysshe Shelley
Eventually, Krysomallos would be skinned for his fleece, which became known as the Golden Fleece, which means I am related to a sheepskin rug. This is why you don't want to think too hard about who you're related to in the Greek myths. It'll drive you crazy.
Rick Riordan (Percy Jackson's Greek Gods)
You are kept apart that you may be separately fleeced of your earnings. You are made to hate each other because upon that hatred is rested the keystone of the arch of financial despotism which enslaves you both. You are deceived and blinded that you may not see how this race antagonism perpetuates a monetary system which beggars both.
Thomas E. Watson
Wind as old as Rome outside my window, inky fleece clouds against charcoal crushed velvet skies, fall feels soulful, like a LaBelle octave.
Brandi L. Bates (Soledad)
My tongue remembers your wounded flavor. The vein in my neck adores you. A sword stands up between my hips, my hidden fleece sends forth its scent of human oil.
Li-Young Lee (The City in Which I Love You)
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
Imagine, with John Lennon, a world with no religion. Imagine no suicide bombers, no 9/11, no 7/7, no Crusades, no witch-hunts, no Gunpowder Plot, no Indian partition, no Israeli/Palestinian wars, no Serb/Croat/Muslim massacres, no persecution of Jews as ‘Christ-killers’, no Northern Ireland ‘troubles’, no ‘honour killings’, no shiny-suited bouffant-haired televangelists fleecing gullible people of their money (‘God wants you to give till it hurts’). Imagine no Taliban to blow up ancient statues, no public beheadings of blasphemers, no flogging of female skin for the crime of showing an inch of it.
Richard Dawkins (The God Delusion)
The finest line of poetry ever uttered in the history of this whole damn country was said by Canada Bill Jones in 1853, in Baton Rouge, while he was being robbed blind in a crooked game of faro. George Devol, who was, like Canada Bill, not a man who was averse to fleecing the odd sucker, drew Bill aside and asked him if he couldn't see that the game was crooked. And Canada Bill sighed, and shrugged his shoulders, and said, 'I know. But it's the only game in town.' And he went back to the game.
Neil Gaiman (American Gods)
We're not going in through the embassy,' said Kaz. 'Always hit where the mark isn't looking.' 'Who's Mark?' asked Wylan. Jesper burst out laughing. 'Oh, Saints, you are something. The mark, the pigeon, the cosy, the fool you're looking to fleece.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He dropped his voice, and came a couple of inches closer. "I think you're beautiful when you wear oversize hoodies and fleece pyjamas with teddy bears on them. Or when you wear thick socks and use them to slide around on marble floors when you think no one's looking at you." "I - Oh. You know about that." "And I think you are especially beautiful when you are giving out to me." "In that case, you must find me constantly compelling.
Catherine Doyle (Mafiosa (Blood for Blood, #3))
Instead of a thigh-high miniskirt or a leather bustier, I wore my usual ensemble—dark jeans, heavy boots, a long-sleeved T-shirt, and a black fleece jacket. Since it was almost Christmas, I’d donned one of my more festive T-shirts to celebrate—thick crimson cotton with a giant candy cane in the middle of my chest. The fabric was dark enough that Vinnie Volga’s blood wouldn’t stand out on it—much. Happy holidays.
Jennifer Estep (Tangled Threads (Elemental Assassin, #4))
Hell is Whole Foods on a Sunday. It’s hordes of moms in lightweight fleeces pushing one another out of the way to get to bins of dry lentils.
Mindy Kaling (Why Not Me?)
Look around. Walk. Find a cheap bed. Eat what the locals eat. Find a cheap beer. Try not to get fleeced. Talk. Pick up a few words in the local lingo. Just BE there, y'know? Sometimes," Brubeck bites into an apple, "Sometimes I want to be everywhere, all at once, so badly I could just...Do you ever get that feeling?
David Mitchell (The Bone Clocks)
You know, Dag and Claire smile a lot, as do many people I know. But I always wondered if there is something either mechanical or malignant to their smiles, for the way they keep their outer lips propped up seems a bit, not false, but protective. A minor realization hits me as I sit with the two of them. It is the realisation that the smiles that they wear in their daily lives are the same as the smiles worn by people who have been good-naturedly fleeced, but fleeced nonetheless, in public and on a New York sidewalk by card sharks, and who are unable because of social conventions to show their anger, who don't want to look like poor sports.
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
What then may we expect if the new constitution be adopted as it now stands? The great will struggle for power, honor and wealth; the poor become a prey to avarice, insolence and oppression. And while some are studying to supplant their neighbors, and others striving to keep their stations, one villain will wink at the oppression of another, the people be fleeced, and the public business neglected. From despotism and tyranny good Lord deliver us.
George Clinton, Robert Yates, Samuel Bryan (Anti-Federalist Papers (1787-1789))
One fleece down, one to go.
Pattie Mallette (Nowhere But Up: The Story of Justin Bieber's Mom)
It wasn't ass-screaming Beaker, though. It was fourteen girls in matching, form fitting sweats, all of which read RIDGE CHEERLEADING on the butt. (A form of ass-screaming, I suppose.) Each had her name on the back of her sleek warm-up fleece. They clustered around the snack bar, yelling at the top of their lungs. I really hoped and prayed that they wouldn't all say "Oh my God!" at once, but my prayers were not heard, maybe because God was busy listening to all of them.
Maureen Johnson (Let It Snow: Three Holiday Romances)
It’s a good excuse, though, orphanhood. It explains everything—every mistake and wrong turn. As Sherlock Holmes declared. She had no mother to advise her. How we long for it, that lack of advice! Imprudence could have been ours. Passionate affairs. Reckless adventures. Of course we’re grateful for our stable upbringings, our hordes of informative relatives, our fleece-lined advantages, our lack of dramatic plots. But there’s a corner of envy in us all the same. Why doesn’t anything of interest happen to us, coddled as we are? Why do the orphans get all the good lines?
Margaret Atwood (The Tent)
The Utopians wonder how any man should be so much taken with the glaring doubtful lustre of a jewel or a stone, that can look up to a star or to the sun himself; or how any should value himself because his cloth is made of a finer thread: for how fine soever that thread may be, it was once no better than the fleece of a sheep, and that sheep was a sheep still for all its wearing it.
Thomas More (Utopia)
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore. And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
Robert Penn Warren (All the King's Men)
Always hit where the mark isn't looking." "Who's Mark?" asked Wylan Jesper burst out laughing. "Oh, Saints,you are something. The mark, the pigeon,the cosy, the fool you're looking to fleece." Wylan drew himself up. "I may have not had your... education, but I'm sure I know plenty of words you don't." "Also the proper way to fold a napkin and dance a minuet. Oh, and you can play the flute. Mareketable skills, merchling. Marketable skills. "No one dances the minuet anymore." Grumbled Wylan,
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Copyright: a system of monopoly privilege over the expression of ideas that enables government to stop consumer-friendly economic development and reward uncompetitive and legally privileged elites to fleece the public through surreptitious use of coercion.
Jeffrey Tucker
Autumn is always a time of Fear and Greed and Hoarding for the winter coming on. Debt collectors are active on old people and fleece the weak and helpless. They want to lay in enough cash to weather the known horrors of January and February. There is always a rash of kidnapping and abductions of schoolchildren in the football months. Preteens of both sexes are traditionally seized and grabbed off the streets by gangs of organized perverts who traditionally give them as Christmas gifts to each other to be personal sex slaves and playthings. Most of these things are obviously Wrong and Evil and Ugly — but at least they are Traditional. They will happen. Your driveway will ice over, your furnace will blow up, and you will be rammed in traffic by an uninsured driver in a stolen car. But what the hell? That's why we have Insurance, eh? And the Inevitability of these nightmares is what makes them so reassuring. Life will go on, for good or ill. But some things are forever, right? The structure may be a little Crooked, but the foundations are still strong and unshakable.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
To be GOVERNED is to be watched, inspected, spied upon, directed, law-driven, numbered, regulated, enrolled, indoctrinated, preached at, controlled, checked, estimated, censured, commanded… noted, registered, counted, taxed, stamped, measured, numbered, assessed, licensed, authorized, admonished, prevented, forbidden, reformed, corrected, punished… drilled, fleeced, exploited, monopolized, extorted from, squeezed, hoaxed, robbed… repressed, fined, vilified, harassed, hunted down, abused, clubbed, disarmed, bound, choked, imprisoned, judged, condemned, shot, deported, sacrificed, sold, betrayed… mocked, ridiculed, derided, outraged, dishonoured. That is government; that is its justice; that is its morality.
Pierre-Joseph Proudhon
As for Ares's other sacred grove, the one in Colchis, things were run a little differently over there. The king was a guy named Aeetes. (As far as I can figure, that's pronounced "I Eat Tees.") His big claim to fame was that the Golden Fleece - that magical sheepskin rug I'm related to - ended up in his kingdom, which made the place immune to disease, invasion, stock market crashes, visits from Justin Bieber, and pretty much any other natural disaster.
Rick Riordan (Percy Jackson's Greek Gods)
Mary had a little lamb, its fleece electrostatic / And everywhere that Mary went, the lights became erratic.
David Foster Wallace (Infinite Jest)
At 30-below, mushers will begin to put fleece jackets on their more sensitive dogs. Males are affixed with pile jockstraps, "peter heaters," to guard against frostbite.
John Balzar (Yukon Alone: The World's Toughest Adventure Race)
I’m thinking of starting my own Fat Club. Talking to Sue it sounds like money for old rope. £15 membership and fleece them for another fiver every time they come along to get weighed
Karl Wiggins (Dogshit Saved My Life)
We are all clothed with fleece of sheep I keep saying as if I were singing as these words do. Throw a shawl over me so you won't be afraid to sleep. I have already shown that space is God.
Susan Howe (Souls of the Labadie Tract)
Fleecing the Third World has been a reality for decades if not centuries. Mineral-abundant Third World nations, which should be some of the richest on Earth, are all too often among the poorest. Many argue that the poverty of these nations can usually be blamed on wars strategically engineered by developed nations and Superpowers – wars that are also armed and funded by the developed world.
James Morcan (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
The hoodlum-occultist is “sociopathic” enough to, see through the conventional charade, the social mythology of his species. “They’re all sheep,” he thinks. “Marks. Suckers. Waiting to be fleeced.” He has enough contact with some more-or-less genuine occult tradition to know a few of the gimmicks by which “social consciousness,” normally conditioned consciousness, can be suspended. He is thus able to utilize mental brutality in place of the simple physical brutality of the ordinary hooligan. He is quite powerless against those who realize that he is actually a stupid liar. He is stupid because spending your life terrorizing and exploiting your inferiors is a dumb and boring existence for anyone with more than five billion brain cells. Can you imagine Beethoven ignoring the heavenly choirs his right lobe could hear just to pound on the wall and annoy the neighbors? Gödel pushing aside his sublime mathematics to go out and cheat at cards? Van Gogh deserting his easel to scrawl nasty caricatures in the men’s toilet? Mental evil is always the stupidest evil because the mind itself is not a weapon but a potential paradise. Every kind of malice is a stupidity, but occult malice is stupidest of all. To the extent that the mindwarper is not 100 percent charlatan through-and-through (and most of them are), to the extent that he has picked up some real occult lore somewhere, his use of it for malicious purposes is like using Shakespeare’s sonnets for toilet tissue or picking up a Picasso miniature to drive nails. Everybody who has advanced beyond the barbarian stage of evolution can see how pre-human such acts are, except the person doing them. Genuine occult initiation confers “the philosopher’s stone,” “the gold of the wise” and “the elixir of life,” all of which are metaphors for the capacity to greet life with the bravery and love and gusto that it deserves. By throwing this away to indulge in spite, malice and the small pleasure of bullying the credulous, the mindwarper proves himself a fool and a dolt. And the psychic terrorist, besides being a jerk, is always a liar and a fraud. Healing is easier (and more fun) than cursing, to begin with, and cursing usually backfires or misfires. The mindwarper doesn’t want you to know that. He wants you to think he’s omnipotent.
Robert Anton Wilson
The more power man acquires, the more vulnerable he becomes. What he must fear most is the moment when, creation entirely fleeced, he will celebrate his triumph, that fatal apotheosis, the victory he will not survive.
Emil M. Cioran (Drawn and Quartered)
I know this looks pathetic, but I’m wearing black elastic-waist pants just like my mother’s, a hot-pink fleece hat, mismatched socks, and no makeup. I think it’s safe to say that vanity is no longer my biggest concern.
Lisa Genova (Left Neglected)
I tell you, little man, life's fall guys, beaten, fleeced to the bone, sweated from time immemorial, I warn you, that when the princes of this world start loving you, it means they're going to grind you up into battle sausage...
Louis-Ferdinand Céline (Journey to the End of the Night)
They slept with each other for the first time while waiting out a storm in an abandoned shepherd hut. The hours the storm granted them, surrounded by raw wool and rusty shears, felt like a month, a year, all the years they’d been waiting for this, full of fear of their kisses, of their too-familiar skins. So far from all their memories, it felt as if they were meeting each other for the first time all over again. The horse scraping around in the discarded fleece, the storm, the sound of rain, Jacob gathered it all, like jewelry he would put around Fox’s neck whenever they would remember this first time.
Cornelia Funke (The Golden Yarn (Reckless #3))
Cherry blossom lipstick applied to full, pouty lips to perfection, check. Smoky eyes, check. The hazel color does throw off the smoke effect, but they still look pretty darn good. Black curls flowing down white fleece in a flirty style, check. Kid with the hole in her head, check. Skinny jeans… hole in her head?!
Apryl Baker (The Ghost Files (The Ghost Files, #1))
A working woman, rising before dawn to spin and needing light in her cottage room, piles brushwood on a smoldering log, and the whole heap kindled by the little brand goes up in a mighty blaze. Such was the fire of Love, stealthy but all-consuming, that swept through Medea's heart. In the turmoil of her soul, her soft cheeks turned from rose to white and white to rose.
Apollonius of Rhodes (Jason and the Golden Fleece (The Argonautica))
Who does vote for these dishonest shitheads? Who among us can be happy and proud of having all this innocent blood on our hands? Who are these swine? These flag-sucking half-wits who get fleeced and fooled by stupid little rich kids like George Bush? They are the same ones who wanted to have Muhammad Ali locked up for refusing to kill gooks. They speak for all that is cruel and stupid and vicious in the American character. They are the racists and hate mongers among us -- they are the Ku Klux Klan. I piss down the throats of these Nazis. And I am too old to worry about whether they like it or not. Fuck them.
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
When we fake fine, we fake our way out of authentic relationship with God, others, and ourselves.
Esther Fleece (No More Faking Fine: Ending the Pretending)
Neither Tiphys nor Argus nor old Nauplius (whose great-grandfather and namesake had been the first Greek ever to steer by the Pole Star) could calculate their position with certainty.
Robert Graves (The Golden Fleece)
To be poor in a rich city brings all kinds of ironies, perhaps none greater than this: The donated clothing is top shelf. Used purple uggs and pantagonia fleeces cover thinning socks and fraying jeans. A Phil & Teds rain shell fished from the garbage protects the babys creaky stroller.
Andrea Elliott (Invisible Child: Poverty, Survival & Hope in an American City)
If we don’t allow painful emotions to surface, then we are setting expectations for ourselves that even God cannot meet. Nobody laments more than God Himself. And we are called to be like Him.
Esther Fleece (No More Faking Fine: Ending the Pretending)
You treat everybody like they are your friend. It ain't that way in the world, Forrest. A lot of people ain't your friend. They are just lookin at you the way a banker looks at somebody comes in for a loan—How I'm gonna fleece this rube? That's the way it is, Forrest. That's the way it is.
Winston Groom (Gump and Co. (Forrest Gump, #2))
You’re growing up. All you need to remember is that nothing changes. New technology, new markets, global interconnectivity, doesn’t matter. It’s still the rulers and the ruled. The fleecers and the fleeced.” “Which are you?” “I’m a piece of expensive equipment. You, too. Maybe not so expensive. [...]
Sam Lipsyte (The Ask)
True adventurers have never been plentiful. They who are set down in print as such have been mostly business men with newly invented methods. They have been out after the things they wanted - golden fleeces, holy grails, lady loves, treasures, crowns, and fame. The true adventurer goes forth aimless and uncalculating to meet and greet unknown fate. A fine example was the Prodigal Sob - when he started back home.
O. Henry (The Four Million)
Tom Watson, a prominent Populist leader, in a speech advocating a union between black and white farmers: “You are kept apart that you may be separately fleeced of your earnings. You are made to hate each other because upon that hatred is rested the keystone of the arch of financial despotism that enslaves you both. You are deceived and blinded that you may not see how this race antagonism perpetuates a monetary system which beggars both.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.
John Keats
He wasn’t walking because there were things to see or because he had places to go. It was far simpler than that. He was walking because it was better than staying still, and because it seemed the best possible way to escape his thoughts, which crowded his head like the fog over the bay, thick as fleece and impossible to see around.
Jennifer E. Smith (The Geography of You and Me)
This is closest we'll ever be. This is our escape. Our secret closet, our letter of invitation to Hogwarts, our death-star run. After this we're back to the real world, and from there the hill slopes down and only stops at six feet under.
Emil Ostrovski (The Paradox of Vertical Flight)
Velvet Shoes Let us walk in the white snow In a soundless space; With footsteps quiet and slow, At a tranquil pace, Under veils of white lace. I shall go shod in silk, And you in wool, White as a white cow's milk, More beautiful Than the breast of a gull. We shall walk through the still town In a windless peace; We shall step upon white down, Upon silver fleece, Upon softer than these. We shall walk in velvet shoes: Wherever we go Silence will fall like dews On white silence below. We shall walk in the snow.
Elinor Wylie
Inversnaid This darksome burn, horseback brown, His rollrock highroad roaring down, In coop and in comb the fleece of his foam Flutes and low to the lake falls home. A windpuff-bonnet of fáwn-fróth Turns and twindles over the broth Of a pool so pitchblack, féll-frówning, It rounds and rounds Despair to drowning. Degged with dew, dappled with dew Are the groins of the braes that the brook treads through, Wiry heathpacks, flitches of fern, And the beadbonny ash that sits over the burn. What would the world be, once bereft Of wet and of wildness? Let them be left, O let them be left, wildness and wet; Long live the weeds and the wilderness yet.
Gerard Manley Hopkins
A sea-green sky: lamps blossoming white. This is marginal land: fields of strung wire, of treadless tyres in ditches, fridges dead on their backs, and starving ponies cropping the mud. It is a landscape running with outcasts and escapees, with Afghans, Turks and Kurds: with scapegoats, scarred with bottle and burn marks, limping from the cities with broken ribs. The life forms here are rejects, or anomalies: the cats tipped from speeding cars, and the Heathrow sheep, their fleece clotted with the stench of aviation fuel.
Hilary Mantel (Beyond Black)
Pretending we are strong or being strong out of woundedness actually accomplishes very little for us in the end—and very little for God. It prevents us from being known, fears and all, and being radically accepted. There is no “fake it till you make it” in Scripture.
Esther Fleece (No More Faking Fine: Ending the Pretending)
Objects, too, have trickled through the doors between worlds, blown by strange winds, drifting on white-frosted waves, carried and discarded by careless travelers- even stolen, sometimes. Some of them have been lost or ignored or forgotten- books written in foreign tongues, clothes in strange fashions, devices with no use beyond their home worlds- but some of them have left stories in their wakes. Stories of magic lamps and enchanted mirrors, golden fleeces and fountains of youth, dragon-scale armor and moon-streaked broomsticks.
Alix E. Harrow (The Ten Thousand Doors of January)
To assure someone that if enough nuns sing enough Masses then her dead child will go to heaven is trickery as low as passing a false coin as good. To buy a pardon from the pope, to force the pope to annul a marriage, to make him set aside kinship laws, to watch as he fleeces his cardinals, who charge the bishops, who rent to the priests, who seek their tithes from the poor – all these abuses would have to fall away if we agreed that a soul can come to God without any intervention. The crucifixion is the work of God. The church is the work of man.
Philippa Gregory (The Taming of the Queen (The Plantagenet and Tudor Novels, #11))
The Fish She stands over a fish, thinking about certain irrevocable mistakes she has made today. Now the fish has been cooked, and she is alone with it. The fish is for her—there is no one else in the house. But she has had a troubling day. How can she eat this fish, cooling on a slab of marble? And yet the fish, too, motionless as it is, and dismantled from its bones, and fleeced of its silver skin, has never been so completely alone as it is now: violated in a final manner and regarded with a weary eye by this woman who has made the latest mistake of her day and done this to it.
Lydia Davis (The Collected Stories of Lydia Davis)
so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.
Homer (The Iliad)
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face which does not exist anymore, speaks a name—Spike, Bud, Snip, Red, Rusty, Jack, Dave—which belongs to that now nonexistent face but which by some inane and doddering confusion of the universe is for the moment attached to a not too happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this—‘On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves—’” The Friend of Your Youth is your friend because he does not
Robert Penn Warren (All The King's Men)
They were galloping...Bare level plain had taken the place of the scrub and they'd been cantering briskly, the foals prancing delightedly ahead, when suddenly the dog was a shoulder-shrugging streaking fleece, and as their mares almost imperceptibly fell into the long untrammelled undulating strides, Hugh felt the sense of change, the keen elemental pleasure one experienced too on board a ship which, leaving the choppy waters of the estuary, gives way to the pitch and swing of the open sea. A faint carillon of bells sounded in the distance, rising and falling, sinking back as if into the very substance of the day. Judas had forgotten; nay, Judas had been, somehow, redeemed.
Malcolm Lowry (Under the Volcano)
That was a cold, late spring. The dawns were chilly, and at noon the sunlight was cool. The trees unfolded their leaves slowly; the peas and beans, the carrots and corn, stood waiting for warmth and did not grow. When the rush of spring’s work was over, Almanzo had to go to school again. Only small children went to the spring term of school, and he wished he were old enough to stay home. He didn’t like to sit and study a book when there were so many interesting things to do. Father hauled the fleeces to the carding-machine in Malone, and brought home the soft, long rolls of wool, combed out straight and fine. Mother didn’t card her own wool any more, since there was a machine that did it on shares. But she dyed it. Alice and Eliza Jane were gathering roots and barks in the woods, and Royal was building huge bonfires in the yard. They boiled the roots and the bark in big caldrons over the fires, and they dipped the long skeins of wool thread that Mother had spun, and lifted them
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
What’s more, lament is a pathway. Honest expression to God makes way for God to come and work His real healing. Lament is a channel for powerful transformation. It is exactly the kind of song we need for hope and healing. For so much of my life, I thought sucking it up and faking away the pain showed true strength. But real strength is identifying a wound and asking God to enter it.
Esther Fleece (No More Faking Fine: Ending the Pretending)
Jason neither agreed nor disagreed, but took refuge in gloomy silence, while Orpheus, who of all the Argonauts was least likely to blunder in the Samothracian ritual, invoked the Triple Goddess in her name of Amphitrite. He poured a jar of olive oil upon the waves, and in her name respectfully called upon the North Wind to cease. For a while the North Wind, whom his sons Calaïs and Zetes also respectfully invoked, made no response, except for a single furious blast that nearly tore the mast out of the ship, but then gradually ceased.
Robert Graves (The Golden Fleece)
An eagle, flying down from his perch on a lofty rock, seized upon a lamb and carried him aloft in his talons. A Jackdaw, who witnessed the capture of the lamb, was stirred with envy and determined to emulate the strength and flight of the Eagle. He flew around with a great whir of his wings and settled upon a large ram, with the intention of carrying him off, but his claws became entangled in the ram’s fleece and he was not able to release himself, although he fluttered with his feathers as much as he could. The shepherd, seeing what had happened, ran up and caught him. He at once clipped the Jackdaw’s wings, and taking him home at night, gave him to his children. On their saying, “Father, what kind of bird is it?’ he replied, “To my certain knowledge he is a Daw; but he would like you to think an Eagle.
Aesop
What the hell are you proud of? Proud to live in the country with the most intrusive, obnoxious, abusive tax collectors in the world? Proud to live in a country that has a higher percentage of people in prison than any other country in the world? Proud to be ruled by a government that has started and perpetuated more military conflicts in more areas of the world than any other in history? Proud to live in a country where the politicians and bankers have seen to it that you, your children, and your children’s children will forever be their indentured servants, to be forever herded and fleeced like sheep? Proud to live in a country where the biggest slimeballs on the planet tell you what you can eat, what you can drink, what you can drive, what you can build, where you can work, what you can produce, and what you can think?
Larken Rose (The Iron Web)
He drew forth a phrase from his treasure and spoke it softly to himself: —A day of dappled seaborne clouds. The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the grey-fringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language many-coloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
James Joyce (A Portrait of the Artist as a Young Man)
He drew forth a phrase from his treasure and spoke it softly to himself: --a day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose? He passed from the trembling bridge on to firm land again.
James Joyce
We find our strength in the Lord. God has chosen you for a purpose. He declares who and what you are to be on earth. Those who choose to walk his path are enabled by his power. He sees beyond our faults, failures and limits. We do not walk in fear and disobedience, because He loves us so much and we want to please Him.
Summer Lee (The Fleece of Gideon (A Biblical Adventure #3))
Surely it is an excellent plan, when you are seated before delicacies and choice foods, to impress upon your imagination that this is the dead body of a fish, that the dead body of a bird or a pig; and again, that the Falernian wine is grape juice and that robe of purple a lamb's fleece dipped in a shellfish's blood; and in matters of sex intercourse, that it is the attrition of an entrail and a convulsive expulsion of a mere mucus. Surely these are excellent imaginations, going to the heart of actual facts and penetrating them so as to see the kind of things they really are. You should adopt this practice all through your life, and where things make an impression which is very plausible, uncover their nakedness, see into their cheapness, strip off the profession on which they vaunt themselves. For pride is an arch-seducer of reason, and just when you fancy you are most certainly busy in good works, then you are mostly certainly guilty of imposture.
Marcus Aurelius
Having seen several hundred lease agreements entered into by people I have counseled, my financial calculator confirms that the average interest rate is 14 percent. Shouldn’t you lease or rent things that go down in value? Not necessarily, and the math doesn’t work on a car, for sure. Follow me through this example: If you rent (lease) a car with a value of $22,000 for three years, and when you turn it in at the end of that three-year lease the car is worth $10,000, someone has to cover the $12,000 loss. You’re not stupid, so you know that General Motors, Ford, or any of the other auto giants aren’t going to put together a plan to lose money. Your fleece/lease payment is designed to cover the loss in value ($12,000 spread over 36 months is equal to $333 per month), plus provide profit (the interest you pay). Where did you get a deal in that? You didn’t! On top of that, there is the charge of 10 to 17 cents per mile for going over the allotted miles and the penalties everyone turning in a lease has experienced for “excessive wear and tear,” which takes into account every little nick, dent, carpet tear, smudge, or smell. You end up writing a large check just to walk away after renting your car. The whole idea of the back-end penalties is twofold: to get you to fleece/lease another one so you can painlessly roll the gotchas into the new lease, and to make sure the car company makes money.
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
What? Am I to be a listener only all my days? Am I never to get my word in—I that have been so often bored by the Theseid of the ranting Cordus? Shall this one have spouted to me his comedies, and that one his love ditties, and I be unavenged? Shall I have no revenge on one who has taken up the whole day with an interminable Telephus or with an Orestes which, after filling the margin at the top of the roll and the back as well, hasn't even yet come to an end? No one knows his own house so well as I know the groves of Mars, and the cave of Vulcan near the cliffs of Aeolus. What the winds are brewing; whose souls Aeacus has on the rack; from what country another worthy is carrying off that stolen golden fleece; how big are the ash trees which Monychus hurls as missiles: these are the themes with which Fronto's plane trees and marble halls are for ever ringing until the pillars quiver and quake under the continual recitations; such is the kind of stuff you may look for from every poet, greatest or least. Well, I too have slipped my hand from under the cane; I too have counselled Sulla to retire from public life and take a deep sleep; it is a foolish clemency when you jostle against poets at every corner, to spare paper that will be wasted anyhow. But if you can give me time, and will listen quietly to reason, I will tell you why I prefer to run in the same course over which Lucilius, the great nursling of Aurunca drove his horses.
Juvenal
Of course no one will consider,” said Anisim, and he heaved a sigh. “There is no God, anyway, you know, mamma, so what considering can there be?” Varvara looked at him with surprise, burst out laughing, and clasped her hands. Perhaps because she was so genuinely surprised at his words and looked at him as though he were a queer person, he was confused. “Perhaps there is a God, only there is no faith. When I was being married I was not myself. Just as you may take an egg from under a hen and there is a chicken chirping in it, so my conscience was beginning to chirp in me, and while I was being married I thought all the time there was a God! But when I left the church it was nothing. And indeed, how can I tell whether there is a God or not? We are not taught right from childhood, and while the babe is still at his mother’s breast he is only taught ‘every man to his own job.’ Father does not believe in God, either. You were saying that Guntorev had some sheep stolen.... I have found them; it was a peasant at Shikalovo stole them; he stole them, but father’s got the fleeces ... so that’s all his faith amounts to.
Anton Chekhov (In the Ravine & Other Short Stories)
The first warp-spasm seized Cúchulainn, and made him into a monstrous thing, hideous and shapeless, unheard of. His shanks and his joints, every knuckle and angle and organ from head to foot, shook like a tree in the flood or a reed in the stream. His body made a furious twist inside his skin, so that his feet and shins and knees switched to the rear and his heels and calves switched to the front. The balled sinews of his calves switched to the front of his shins, each big knot the size of a warrior’s bunched fist. On his head the temple-sinews stretched to the nape of his neck, each mighty, immense, measureless knob as big as the head of a month-old child. His face and features became a red bowl: he sucked one eye so deep into his head that a wild crane couldn’t probe it onto his cheek out of the depths of his skull; the other eye fell out along his cheek. His mouth weirdly distorted: his cheek peeled back from his jaws until the gullet appeared, his lungs and liver flapped in his mouth and throat, his lower jaw struck the upper a lion-killing blow, and fiery flakes large as a ram’s fleece reached his mouth from his throat.
Thomas Kinsella (The Táin: From the Irish epic Táin Bó Cuailnge)
Introductory paragraph incorporating the thesis: After a challenging childhood marked by adversity, Adam Parrish has become a successful freshman at Harvard University. In the past, he had spent his time doubting himself, fearing he would become like his father, obsessing that others could see his trailer-park roots, and idealizing wealth, but now he has built a new future where no one has to know where he's come from. Before becoming a self-actualized young man at Harvard, Adam had been deeply fascinated by the concept of the ley lines and also supernaturally entangled with one of the uncanny forests located along one, but he has now focused on the real world, using only the ghost of magic to fleece other students with parlor trick tarot card readings. He hasn't felt like himself for months, but he is going to be just fine. Followed by three paragraphs with information that supports the thesis. First: Adam understands that suffering is often transient, even when it feels permanent. This too shall pass, etc. Although college seems like a lifetime, it is only four years. Four years is only a lifetime if one is a guinea pig. Second paragraph, building on the first point: Magic has not always been good for Adam. During high school, he frequently immersed himself in it as a form of avoidance. Deep down, he fears that he is prone to it as his father is prone to abuse, and that it will eventually make him unsuitable for society. By depriving himself of magic, he forces himself to become someone valuable to the unmagic world, i.e. the Crying Club. Third paragraph, with the most persuasive point: Harvard is a place Ronan Lynch cannot be, because he cannot survive there, either physically or socially. Without such hard barriers, Adam will surely continue to return to Ronan Lynch again and again, and thus fall back in with bad habits. He will never achieve the life of financial security and recognition he planned. Thesis restated, bringing together all the information to prove it: Although life is unbearable now, and Adam Parrish seems to have lost everything important to him in the present by pursuing the things important to him in the past, he will be fine. Concluding paragraph describing what the reader just learned and why it is important for them to have learned it: He will be fine. He will be fine. He will be fine. He will be fine.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
Let me first establish—on your behalf—feelings of animosity and disgust at the mendacity inherent in this concept of "cartoon." Whenever someone hits you with a conversational shot that is crude or is intended to hurt, and you bristle, the shooter quickly throws up his/her hands and tries to get you to believe, "I was only kidding. It was all in fun. Boy, are you overreacting. You musn't take it seriously, it was just a joke." Well, we know it wasn't any such thing. It was a snippet of truth slipping past the cultural safeguards that keep us dealing with one another with civility. It was for real. Similarly, when such films as Streets of Fire and Gremlins and Temple of Doom are made, we are expected to take them seriously enough to plonk down five bucks for a ticket. When they fail to deliver what they've promised in all those tv clips, and we express our anger at having been fleeced, the shooters tell us we're overreacting and we should feel a lot better about losing our five or ten or whatever amount they got out of us, because it was all a gag. I wonder how well they'd take the gag if we paid for the tickets with counterfeit bills. Or pried open the firedoor at the theater and sneaked in with the entire Duke University Marching Band. "It was all a joke, fellahs; don't take it so seriously; gawd, are you overreacting!" No, they cannot have that cake and eat it, too.
Harlan Ellison (Harlan Ellison's Watching)
Hercules expressed no wonder at any point of the recital, but when he heard of Medea’s infatuation for Jason he sighed and remarked with unusual mildness, ”The poor girl, I pity her! Echion, my friend, I have a message for you to deliver, and here is my silver cup in payment. Tell the Princess I condole with her, no less heartily than I condoled with Queen Hypsipyle of Lemnos. Tell her that Jason will treat her no less faithlessly than he treated Hypsipyle, though for his sake she has cut herself off from her own house and people and become an accessory to parricide and fratricide. Assure her that when he deserts her, whether it be this year or next year or in twelve years’ time, she can steadfastly count upon Hercules of Tiryns to avenge her or comfort her.
Robert Graves (The Golden Fleece)
Here,” said Autolycus, “is a settlement of curly-bearded, long-robed Assyrians, exiles from their country; and beyond stretches the land of the Chalybeans, a savage tribe famous as iron-workers, with whom I have lately traded. Soon we shall sight an islet, called the Isle of Barter, close to the Chalybean shore, where we of Sinope come in our dug-out canoes, and lay out on the rocks painted Minyan pottery and linen cloth from Colchis and sheepskin coats dyed red with madder or yellow with heather, such as the Chalybeans prize, and spear-shafts painted with vermilion. Then we row away out of sight behind rocks. As soon as we are gone, the Chalybeans venture across to the islet on rafts; they lay down beside our goods broad-bladed, well-tempered spear-heads and axe-heads, also awls and knives and sail-needles, and go away again. If on our return we are satisfied with their goods, we take them up and make for home; but if we are not satisfied, we remove apart from the rest of our merchandise whatever we think is not covered by their payment. The Chalybeans then return again and pay for this extra heap with a few more iron implements. In the end the barter is complete, unless the Chalybeans in a huff take away all their iron goods and let us sail off empty-handed; for they are a capricious race.
Robert Graves (The Golden Fleece)
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
Marissa,” he mumbled, taking her hand. “Don’t want to see you drink so much.” Wait, not really what he’d been going for. “Ah . . . don’t want you to see me drink so much . . . want.” Whatever. God . . . he was so confused. V smiled a little, but it was the kind of falsey number doctors gave to patients who were about to throw up. “He’s going to need something with sugar in it. Rhage, you got a lollipop on you?” Butch looked over as a wicked handsome blond guy knelt down. “I know you,” Butch said. “Hey . . . buddy.” “Hey, my man.” Rhage reached into the pocket of his fleece and pulled out a Tootsie Pop. After ripping the wrapper off, he put the thing into Butch’s mouth. Butch groaned. Goddamn, that was the best thing he’d ever tasted in his whole life. Grape. Sweet. Ahhhh . . . “Is he seizing again?” Marissa asked. “I think he likes it,” Rhage murmured. “That right, cop?” Butch nodded and nearly lost the lollipop, so Rhage took control of the stick, holding it in place. Man, they were so good to him. Marissa stroking his hair and holding his hand. V’s palm a warm weight on his leg. Rhage making sure the Toosie Pop stayed where it needed to be—
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Though we may make the points of our weapons as sharp as needles and edges as sharp as razors, there is only one man who can haul us out of this mire, the very man who, lanterned like the Marsh Spite, has led us into it – Jason, son of Aeson. Hercules himself chose him as our captain, and obeyed him faithfully as long as he was with us. Now why was this? Jason is a skilled archer, but not the equal of Phalerus or Atalanta; he throws the javelin well, but not so well as Atalanta or Meleager or even myself; he can use a spear, but not with the art or courage of Idas; he is ignorant of music, except that of drum and pipe; he cannot swim; he cannot box; he has learned to pull well at the oar but he is no seaman; he is no painter; he is no wizard; his sight is not keen above the ordinary; in eloquence he is below anyone else here, except Idas, and perhaps myself; he is hasty-tempered, faithless, sulky and young. Yet Hercules chose him as our captain and obeyed him. I ask again: why was this?
Robert Graves (The Golden Fleece)
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Delmore Schwartz