Flat Cap Quotes

We've searched our database for all the quotes and captions related to Flat Cap. Here they are! All 52 of them:

History pays no heed to the unspectacular citizen who worked hard all day and walked at night to a humble home with dust on his tunic and his flat cap. But in the end the builders have had the better of it. The miracles they accomplished in stone are still standing and still beautiful, even with the disintegration of so many centuries on them, but the battlefields where great warriors died are so encroached upon by modern villas and so befouled by the rotting remains of motorcars and the staves of oil barrels that they do not always repay a visit.
Thomas B. Costain
It’s like watching a James Bond movie. Morpheus—in a black trench-coat-style blazer that hangs to his thighs, gray tweed pants, a dark gray vest, skinny red tie, and black pin-striped dress shirt—could pass for a punk-fae secret agent who’s captured his villain. His thick blue waves touch his shoulders from under a gray tweed flat cap, and his wings drape down his back and across the floor, fluttering sporadically as he keeps his balance against Jeb’s resistance.
A.G. Howard (Unhinged (Splintered, #2))
What was I thinking?" Chiron cried. " I can't let you get away without this." He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents. Gee," I said. "Thanks." Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one. I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...? I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands. The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos." Riptide," I translated, surprised the Ancient Greek came so easily. Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case.
Rick Riordan
Then the mob parted and there was the boy, with his arms twisted behind his back and the foot of a man, a petrol attendant in Cohydro cap and uniform, stamped firmly on his neck. The boy’s mouth was bleeding and the side of his face was squashed flat on the uneven concrete of the forecourt. It was a scene I had witnessed numerous times during my stint covering Africa. Quick and brutal, African mob justice is a terrifying thing.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
We should be rethinking the image we conjure up when we think of a working-class person. Instead of a white man in a flat cap, it’s a black woman pushing a pram.
Reni Eddo-Lodge (Why I’m No Longer Talking to White People About Race)
Perhaps dragons were a Northern thing, like flat caps and an ingrained sense of grievance.
Ben Aaronovitch (Amongst Our Weapons (Rivers of London, #9))
Lots of old guys wore beige trench coats and those flat caps that made them look like boys who sold newspapers a hundred years ago.
A.J. Cattapan (Seven Riddles to Nowhere)
Aramis, in a black gown, his head enveloped in a sort of round flat cap, not much unlike a CALOTTE, was seated before an oblong table, covered with rolls of paper and enormous
Alexandre Dumas (The Three Musketeers(Annotated Edition))
When Rochambeau put to death 500 at Le Cap and buried them in a large hole dug while they waited for execution, Dessalines raised gibbets of branches and hanged 500 for Rochambeau and the whites in Le Cap to see. But neither Dessalines' army nor his ferocity won the victory. It was the people. They burned San Domingo flat so that at the end of the war it was a charred desert. Why do you burn everything? asked a French officer of a prisoner. We have a right to burn what we cultivate because a man has a right to dispose of his own labour, was the reply of this unknown anarchist.
C.L.R. James
They all looked as Da came in from the street, wearing his meeting suit and a flat miner’s cap, perspiring from the walk up the hill. He took a step into the room, then stopped, staring. “Look who’s here,” Mam said
Ken Follett (Fall of Giants (The Century Trilogy #1))
When he got to the tank’s flat, circular cap, it seemed that he must be standing directly under the roof of the world, and if he reached up he could scratch blue chalk from the bottom of the sky with his fingernails
Stephen King (The Stand)
Olmsted’s greatest concern, however, was that the main, Jackson Park portion of the exposition simply was not fun. “There is too much appearance of an impatient and tired doing of sight-seeing duty. A stint to be got through before it is time to go home. The crowd has a melancholy air in this respect, and strenuous measures should be taken to overcome it.” Just as Olmsted sought to conjure an aura of mystery in his landscape, so here he urged the engineering of seemingly accidental moments of charm. The concerts and parades were helpful but were of too “stated or programmed” a nature. What Olmsted wanted were “minor incidents … of a less evidently prepared character; less formal, more apparently spontaneous and incidental.” He envisioned French horn players on the Wooded Island, their music drifting across the waters. He wanted Chinese lanterns strung from boats and bridges alike. “Why not skipping and dancing masqueraders with tambourines, such as one sees in Italy? Even lemonade peddlers would help if moving about in picturesque dresses; or cake-sellers, appearing as cooks, with flat cap, and in spotless white from top to toe?” On nights when big events in Jackson Park drew visitors away from the Midway, “could not several of the many varieties of ‘heathen,’ black, white and yellow, be cheaply hired to mingle, unobtrusively, but in full native costume, with the crowd on the Main Court?
Erik Larson (The Devil in the White City)
In this case, building housing out of reach for working-class people meant that it was out of reach for black people. We should be rethinking the image we conjure up when we think of a working-class person. Instead of a white man in a flat cap, it’s a black woman pushing a pram.
Reni Eddo-Lodge (Why I’m No Longer Talking to White People About Race)
Research by psychologist Steven Sloman and marketing expert Phil Fernbach shows that people who claim to understand complicated political topics such as cap and trade and flat taxes tend to reveal their ignorance when asked to provide a detailed explanation without the aid of Google. Though people on either side of an issue may believe they know their opponents’ positions, when put to the task of breaking it down they soon learn that they have only a basic understanding of the topic being argued. Stranger still, once subjects in such studies recognize this, they reliably become more moderate in their beliefs.
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
I didn’t know what he was yelling about, but he said he would handle it, and I was to have you report IMMEDIATELY. He also said I could smell when you were coming because you would be like a bourbon factory. He said you were a bull-necked, flat-nosed son of a bitch who would have no cap or raincoat because you didn’t have brains enough to wear them.
Gregory Boyington (Baa Baa Black Sheep: The True Story of the "Bad Boy" Hero of the Pacific Theatre and His Famous Black Sheep Squadron)
He tells me how the Great Lakes came to be. All where Lake Huron is now, he says, used to be flat land, a wide flat plain. Then came the ice, creeping down from the north, pushing deep into the low places. Like that—and he shows me his hand with his spread fingers pressing the rock-hard ground where we are sitting. His fingers make hardly any impression at all and he says, “Well, the old ice cap had a lot more power behind it than this hand has.” And then the ice went back, shrank back towards the North Pole where it came from, and left its fingers of ice in the deep places it had gouged, and ice turned to lakes and there they were today. They were new, as time went. I try to see that plain before me, dinosaurs walking on it, but I am not able even to imagine the shore of the Lake when the Indians were there, before Tuppertown. The tiny share we have of time appalls me, though my father seems to regard it with tranquillity. Even my father, who sometimes seems to me to have been at home in the world as long as it has lasted, has really lived on this earth only a little longer than I have, in terms of all the time there has been to live in. He has not known a time, any more than I, when automobiles and electric lights did not at least exist. He was not alive when this century started. I will be barely alive—old, old—when it ends. I do not like to think of it. I wish the Lake to be always just a lake, with the safe-swimming floats marking it, and the breakwater and the lights of Tuppertown.
Alice Munro (Dance of the Happy Shades)
Merritt stared in bemusement at the big, wrathful Scotsman. He was an extraordinary sight, more than six feet of muscle and brawn dressed in a thin wet shirt and trousers that clung as if they'd been glued to his skin. An irritable shiver, almost certainly from the chill of evaporating alcohol, ran over him. Scowling, he reached up to remove his flat cap, revealing a shaggy mop of hair, several months past a good cut. The thick locks were a beautiful cool shade of amber shot with streaks of light gold. He was handsome despite his unkempt state. Very handsome. His blue eyes were alert with the devil's own intelligence, the cheekbones high, the nose straight and strong. A tawny beard obscured the line of his jaw- perhaps concealing a weak chin?- she couldn't tell. Regardless, he was a stunner.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I will here give a brief sketch of the progress of opinion on the Origin of Species. Until recently the great majority of naturalists believed that species were immutable productions, and had been separately created. This view has been ably maintained by many authors. Some few naturalists, on the other hand, have believed that species undergo modification, and that the existing forms of life are the descendants by true generation of pre existing forms. Passing over allusions to the subject in the classical writers (Aristotle, in his "Physicae Auscultationes" (lib.2, cap.8, s.2), after remarking that rain does not fall in order to make the corn grow, any more than it falls to spoil the farmer's corn when threshed out of doors, applies the same argument to organisation; and adds (as translated by Mr. Clair Grece, who first pointed out the passage to me), "So what hinders the different parts (of the body) from having this merely accidental relation in nature? as the teeth, for example, grow by necessity, the front ones sharp, adapted for dividing, and the grinders flat, and serviceable for masticating the food; since they were not made for the sake of this, but it was the result of accident. And in like manner as to other parts in which there appears to exist an adaptation to an end. Wheresoever, therefore, all things together (that is all the parts of one whole) happened like as if they were made for the sake of something, these were preserved, having been appropriately constituted by an internal spontaneity; and whatsoever things were not thus constituted, perished and still perish." We here see the principle of natural selection shadowed forth, but how little Aristotle fully comprehended the principle, is shown by his remarks on the formation of the teeth.), the first author who in modern times has treated it in a scientific spirit was Buffon. But as his opinions fluctuated greatly at different periods, and as he does not enter on the causes or means of the transformation of species, I need not here enter on details.
Charles Darwin (The Origin of Species)
Something was in her mouth. Sami's tongue slid along the edges of something plastic. Flat, low ridges, holes-an adjustable strap. A baseball cap? Another taste. Hair spray. Gross. Someone had stuffed her baseball cap in her mouth, and from the feel of it they had taped it in place. Her arms were tied behind her and she lay face down on the floor-of what? Her car. The carpeting scraped her cheek every time they hit a bump. Panic flooded Sami's senses. She came instantly awake. Inhaling deeply through her nose, she willed herself to calm down. Her working motto flashed through her brain, panic never accomplished anything. Of course she had never been kidnapped and tied up before. In the dim light of passing cars, she glimpsed things-paper gum wrappers, an old straw, one whopper wrapper, a CD cover. That's where Sting went. Been looking for that for days. Man did she need to vacuum this car out. A metallic scent hit her nose. She'd recognize that smell until the day she died. Blood. And by the odor, someone had lost a great deal of it.
Suzanne Ferrell (Kidnapped (Edgers Family, #1))
Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.
Elizabeth Bishop
There is nothing I can salvage from this accusation, and the eyes pool, as I lose. From left side to right side, Queen’s Square’s bookends are the Bretts and the Blows, two overlarge and knowing Manchester families. Sitting on a thousand secrets, they are central to everything, vitalized and full of life – not rough, but happy – escapist and impossible to match. Both families welcome ours, the Dwyers, with doors always open in a way that modernists assume never actually happened. The Blows live at the end house in the square, rammed up against the high wall of Loreto, their annual November 5th bonfire drawing in all of the Square’s residents, unifying the leathery old with the darting young. Even Mr Tappley, who lives alone under his flat cap, creeps out to watch, determined to be unimpressed. Life
Morrissey (Autobiography)
Temperance Dews stood with quiet confidence, a respectable women who lived in the sewer that was St. Giles. Her eyes had widened at the sight of Lazarus, but she made no move to flee. Indeed, finding a strange man in her pathetic sitting room seemed not to frighten her at all. Interesting. “I am Lazarus Huntington, Lord Caire,” he said. “I know. What are you doing here?” He tilted his head, studying her. She knew him, yet did not recoil in horror? Yes, she’d do quite well. “I’ve come to make a proposition to you, Mrs. Dews.” Still no sign of fear, though she eyed the doorway. “You’ve chosen the wrong woman, my lord. The night is late. Please leave my house.” No fear and no deference to his rank. An interesting woman indeed. “My proposition is not, er, illicit in nature,” he drawled. “In fact, it’s quite respectable. Or nearly so.” She sighed, looked down at her tray, and then back up at him. “Would you like a cup of tea?” He almost smiled. Tea? When had he last been offered something so very prosaic by a woman? He couldn’t remember. But he replied gravely enough. “Thank you, no.” She nodded. “Then if you don’t mind?” He waved a hand to indicate permission. She set the tea tray on the wretched little table and sat on the padded footstool to pour herself a cup. He watched her. She was a monochromatic study. Her dress, bodice, hose, and shoes were all flat black. A fichu tucked in at her severe neckline, an apron, and cap—no lace or ruffles—were all white. No color marred her aspect, making the lush red of her full lips all the more startling. She wore the clothes of a nun, yet had the mouth of a sybarite. The contrast was fascinating—and arousing. “You’re a Puritan?” he asked. Her beautiful mouth compressed. “No.
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
Darren was without his usual baseball cap; his flat, fair hair looked like a circle of lawn that had been trapped and left to die under a kiddie pool. Finally he read a prepared statement: “I’d just like to say that I, Darren Scott Tinzler, class of 2007, a communications major from Kissimmee, Florida, am apparently kind of bad at reading signals from the opposite sex. I’m very ashamed right now, and I apologize for my own repeated misunderstanding of social cues.
Meg Wolitzer (The Female Persuasion)
In 1917 I went to Russia. I was sent to prevent the Bolshevik Revolution and to keep Russia in the war. The reader will know that my efforts did not meet with success. I went to Petrograd from Vladivostok, .One day, on the way through Siberia, the train stopped at some station and the passengers as usual got out, some to fetch water to make tea, some to buy food and others to stretch their legs. A blind soldier was sitting on a bench. Other soldiers sat beside him and more stood behind. There were from twenty to thirty.Their uniforms were torn and stained. The blind soldier, a big vigorous fellow, was quite young. On his cheeks was the soft, pale down of a beard that has never been shaved. I daresay he wasn't eighteen. He had a broad face, with flat, wide features, and on his forehead was a great scar of the wound that had lost him his sight. His closed eyes gave him a strangely vacant look. He began to sing. His voice was strong and sweet. He accompanied himself on an accordion. The train waited and he sang song after song. I could not understand his words, but through his singing, wild and melancholy, I seemed to hear the cry of the oppressed: I felt the lonely steppes and the interminable forests, the flow of the broad Russian rivers and all the toil of the countryside, the ploughing of the land and the reaping of the wild corn, the sighing of the wind in the birch trees, the long months of dark winter; and then the dancing of the women in the villages and the youths bathing in shallow streams on summer evenings; I felt the horror of war, the bitter nights in the trenches, the long marches on muddy roads, the battlefield with its terror and anguish and death. It was horrible and deeply moving. A cap lay at the singer's feet and the passengers filled it full of money; the same emotion had seized them all, of boundless compassion and of vague horror, for there was something in that blind, scarred face that was terrifying; you felt that this was a being apart, sundered from the joy of this enchanting world. He did not seem quite human. The soldiers stood silent and hostile. Their attitude seemed to claim as a right the alms of the travelling herd. There was a disdainful anger on their side and unmeasurable pity on ours; but no glimmering of a sense that there was but one way to compensate that helpless man for all his pain.
W. Somerset Maugham
face lit up with a glow of gratitude that was prayer, though he did not know it. Then furtively the percussion-cap box came out. He released the tick and put him on the long flat desk. The creature probably glowed with a gratitude that amounted to prayer, too, at this moment, but it was premature: for when he started thankfully to travel off, Tom turned him aside with a pin and made him take a new direction. Tom's bosom friend sat next him, suffering just as Tom had been, and now he was deeply and gratefully interested in this entertainment in an instant. This bosom friend was Joe Harper. The two boys were sworn friends all the week, and embattled enemies on Saturdays. Joe took a pin out of his lapel and began to assist in exercising the prisoner. The sport grew in interest momently. Soon Tom said that they were interfering with each other, and neither getting the fullest benefit of the tick. So he put Joe's slate on the desk and drew a line down the middle of it from top to bottom.
Mark Twain (Tom Sawyer Collection)
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
What?” “Marry her,” Dev said flatly. “She’s too pretty to be a housekeeper and too well spoken to be a doxy. She won’t be cowed by His Grace, and she’ll keep you in fresh linens and good food all your days.” “Dev?” Westhaven cocked his head. “Are you serious?” “I am. You have to marry, Westhaven. I would spare you that if I could, but there it is. This one will do admirably, and she’s better bred than the average housekeeper, I can tell you that.” “How can you tell me that?” “Her height for one thing,” Dev said as they made for the house. “The peasantry are rarely tall, and they never have such good teeth. Her diction is flawless, not simply adequate. Her skin is that of lady, as are her manners. And look at her hands, man. It remains true you can tell a lady by her hands, and those are the hands of a lady.” Westhaven frowned, saying nothing. Those were the very observations he had made of Anna while they rusticated at Amery’s. She was a lady, for all her wielding of dusters and wearing of caps. “And yet she says her grandfather was in trade,” Westhaven noted when they arrived to the kitchen. “He raised flowers commercially, and she bouquets the house with a vengeance. We’re also boasting a very well-stocked pantry and a supply of marzipan for me. The sweet of your choice will be stocked, as well, as I won’t take kindly to your pinching mine.” “Heaven forefend,” Dev muttered as Westhaven procured a fistful of cookies.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Don't believe that, dear. Don't ever believe that. Nobody's bad just because of the way they look. It's what's inside a person that counts.' 'But, Ma, what's inside a person? When people look different are they different inside, too?' Ma didn't answer, she was looking at her hands now, kneading a ball of dough. Saroj thought she had forgotten her and so she said, 'Ma?' Ma turned her eyes back to Saroj. 'I'll show you in a moment, dear. I'll just finish making these.' Saroj watched the stack of dhal puris grow into a flat round tower and then Ma said she was finished and covered them with a cloth and washed her hands. Then she opened the cupboard where she kept her spare jars and bottles and took out six jars and placed them on the kitchen counter. 'Do you see these jars, Saroj? Are they all the same?' Saroj shook her head. 'No, Ma.' The glasses were all different. There was a short flat one and a tall thin one and a medium-sized one, and other shapes in between. Some were different colours: green or brown or clear. 'All right. Now, just imagine these jars are people. People with different shapes of bodies and colours of skin. Can you do that?' Saroj nodded. 'Right. Well, now the bodies are empty. But look…’ Ma picked up a big glass jug, filled it at the tap and poured water into all the jars. 'See, Saroj? Now all the glasses are filled. All the bodies are alive! They have what we call a spirit. Now, is that spirit the same in all the glasses, or different?' 'It's the same, Ma. So people are —' But Ma broke in. 'Now, can you run into the pantry and get the tin where I keep my dyes? You know it, don't you?' Saroj was back even before Ma had finished speaking. Ma opened the tin and picked up one of the tiny bottles of powdered dye. It was cherry-coloured. Ma held the bottle over one of the jars and tipped a little of the powder into the water. Immediately, the water turned pink-red. Ma returned the cap to the bottle and picked up another one. The water turned lime-green. She did that six times and each time the water turned a different colour so that in the end Ma had six different shaped jars of six different colours. 'So, Saroj, now you answer me. Are these people here all the same inside, or are they all different?' Saroj took her time before answering. She puckered her brow and thought hard. Finally she said, 'Well, Ma, really they're all the same but the colours make them different.' 'Yes, but what is more real, the sameness or the differences?' Saroj thought hard again. Then she said: 'The sameness, Ma. Because the sameness holds up the differences. The differences are only the powders you put in.' 'Exactly. So think of all these people as having a spirit which is the same in each one, and yet each one is also different — that is because each person has a different personality. A personality is made up of thoughts, and everyone has different kinds of thoughts. Some have loving thoughts, some have angry thoughts, some have sad thoughts, some have mean thoughts. Most people have jumbles of thoughts — but everybody's thoughts are different, and so everybody is different. Different outside and different inside. And they see those differences in each other and they squabble and fight, because everyone thinks the way he is, is right. But if they could see through the differences to the oneness beyond, linking them all, then…’ 'Then what, Ma?' 'Then we would all be so wise, Saroj, and so happy!
Sharon Maas (Of Marriageable Age)
Misdemeanor Mushrooms Preheat oven to 325 degrees F., rack in the middle position   This recipe is from Bill Jessup, Charlie Jessup’s cousin and he’s a detective. Charlie says he calls these “Misdemeanor Mushrooms,” because they’re so good they ought to be illegal.   2 pounds pork sausage 3 cloves of finely chopped garlic 2 Tablespoons ground sage 8-ounce package cream cheese 1 Tablespoon parsley 1 ounce Marsala wine (optional) 1 pound medium to large mushrooms Parmesan cheese (to sprinkle)   In a large, non-stick skillet, combine sausage, garlic and sage. Sauté until sausage is browned and garlic is translucent. Drain fat from skillet and add softened, cubed cream cheese and parsley. Simmer for 10 minutes, stir in the wine (if you want to use it,) remove from heat, and cover. Wash mushrooms. Remove stems and set caps aside. Chop the stems very fine and stir into the sausage/ cheese mixture. Brush caps with melted butter and arrange cap-down on a non-stick baking sheet. (Bill says if you shave just a bit from the bottom of the cap to make them flat, they’ll sit on the pan a lot better.) Fill each cap with a heaping mound of warm sausage mixture and sprinkle with Parmesan cheese. Bake in a 325-degree F. oven for 15 minutes. Yield: Serves 15 to 20 people as an appetizer (unless Charlie
Joanne Fluke (Joanne Fluke Christmas Bundle: Sugar Cookie Murder, Candy Cane Murder, Plum Pudding Murder, & Gingerbread Cookie Murder)
McGahern still lives on and works a farm in Leitrim, and friends say that even though he has held high profile academic posts round the world as a visiting professor he remains essentially a countryman. Last term he taught in an upstate New York college, but seeing him in the soulless urban grid of downtown Syracuse wearing an old tweed flat cap and long black overcoat, he could have been in an Irish agricultural town on market day as he casually engaged strangers on the street to ask for advice on finding a decent restaurant. Friends say he has extraordinary confidence in who he is and where he's from - he behaves pretty much the same way wherever is and whoever he is with.
John McGahern
Blockchains allow for cryptographic scarcity (Bitcoin has a fixed supply cap of 21 million), censorship resistance and user sovereignty (no entity other than the user can determine how to use funds), and portability (can send any quantity anywhere for a low flat fee). These features combined in a single technology make cryptocurrency a powerful innovation.
Campbell R. Harvey (DeFi and the Future of Finance)
His shaggy, sun-bleached hair sticks out from the edges of a flat-brimmed Nationals cap with its iridescent sticker still in place.
Sarah Adler (Mrs. Nash's Ashes)
Am I torturing myself? Maybe. But anything worth keeping takes a little bit of hurt and patience. This woman? She's worth every single painful second of this wait.
Andrea Gonzalez (Next time you leave (Flat caps and wheels Book 1))
Are you expecting to meet a dragon?” I asked, and remembered Brook had mentioned them, too. Perhaps dragons were a Northern thing, like flat caps and an ingrained sense of grievance.
Ben Aaronovitch (Amongst Our Weapons (Rivers of London, #9))
2 pairs of comfortable pants 1 pair of shorts 1 top and 1 bottom insulating layer 1 swimsuit 3 t-shirts 3 tank tops 1 long sleeve shirt 1 button up/collared shirt 1 pair of light, flat shoes 4 pairs of underwear 2 pairs of socks 1 belt 1 wool knit cap 1 light, water-resistant windbreaker/jacket 1 fleece shell
Fred Perrotta (Packing Light: The Normal Person's Guide to Carry-On-Only Travel)
the sight of the flat Utah plains giving way to the snow-capped Rocky Mountains was simply breathtaking.
Bradley Convissar (Blood, Smoke and Ashes)
I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edge blade, a leather-wrapped grip, and a flat hilt riveted with gold studs. ......... "Its name is Anaklusmos." "Riptide,'" I translated, surprised the Ancient Greek came so easily.
Rick Riordan
Helena let me borrow a silk scarf to go with the green trench and white gloves. When she secured a navy blue cloche hat over my hair, I almost didn’t recognize myself. I felt very much the part, standing next to Blue in his white collar shirt, green sweater vest and tie, caramel-colored suit, and brown flat cap tilted to the side. Helena whistled and said he was the eel’s hips, whatever that meant. When I told him he looked smokin’ hot, he just shook his head and said, “Nah, I’m not hot at all. This suit breathes really well.” I won’t lie. In that moment, my heart melted a little for Nicholas Piasecki.
M.G. Buehrlen (The 57 Lives of Alex Wayfare (Alex Wayfare, #1))
The Queen’s Highland castle retreat, set in 40,000 acres of heather and grouse moor, is effectively the Windsors’ family seat. Ever since Queen Victoria bought the estate in 1848 it has had a special place in the affections of the royal family. However the very quirks and obscure family traditions which have accrued over the years can intimidate newcomers. “Don’t sit there” they chorus at an unfortunate guest foolish enough to try and sit in a chair in the drawing-room which was last used by Queen Victoria. Those who successfully navigate this social minefield, popularly known as “the Balmoral test,” are accepted by the royal family. The ones who fail vanish from royal favour as quickly as the Highland mists come and go. So the prospect of her stay at Balmoral loomed large in Diana’s mind. She was “terrified” and desperately wanted to behave in the appropriate manner. Fortunately rather than staying in the main house, she was able to stay with her sister Jane and husband Robert who, as he was a member of the royal Household, enjoyed a grace and favour cottage on the estate. Prince Charles rang her every day, suggesting she join him for a walk or a barbecue. It was a “wonderful” few days until the glint of a pair of binoculars across the river Dee spoilt their idyll. They were carried by royal journalist James Whitaker who had spotted Prince Charles fishing by the banks of the river Dee. The hunters had become the hunted. Diana immediately told Charles that she would make herself scarce so while he continued fishing she hid behind a tree for half an hour hoping vainly that the journalists would go away. Cleverly she used the mirror from her powder compact to watch the unholy trinity of James Whitaker and rival photographers Ken Lennox and Arthur Edwards as they tried to capture her on film. She foiled their efforts by calmly walking straight up through the pine trees, her head muffled with a headscarf and flat cap, leaving Fleet Street’s finest clueless as to her identity.
Andrew Morton (Diana: Her True Story in Her Own Words)
an hour or so, his sore muscles seemed to loosen up a little bit. He grunted as he tried to stick his shovel into the dirt. His cap slipped out from under his fingers, and the shovel fell free. He let it lie there. He took a drink from his canteen. He guessed that the water truck should be coming soon, but he didn’t finish all the water, just in case he was wrong. He’d learned to wait until he saw the truck, before drinking the last drop. The sun wasn’t yet up, but its rays arced over the horizon and brought light to the sky. He reached down to pick up his cap, and there next to it he saw a wide flat rock. As he put his cap on his head, he
Louis Sachar (Holes (Holes Series Book 1))
We were first invited to Tubesteak Connection by Spider, who manned the door. The DJ, Bus Station John, played ecstatic sets of arcane disco, hi-NRG, Italo and boogie. He was in his forties, and wore a thick mustache, muttonchops, flat cap. Bus Station John gave the appearance he might be prickly, but he called us child. He was there to bear witness, to testify, using rare tracks from what he called ‘the golden age of gay,’ the period between Stonewall and AIDS. The music was our time machine. We were conscious the discs he put on the turntable may have come from the collections of deceased gay men.
Jeremy Atherton Lin (Gay Bar: Why We Went Out)
My first encounter with the bittersweet taste of the Moro, a Sicilian blood orange, was sitting outside under a gnarled olive tree, during the height of a June heat wave. Small puffs of cloud the only blemish in the otherwise perfect blue sky, the bloodred flesh yielding a juice so refreshing it felt as close to perfect as I've ever come. The second encounter came at a fish market in Catania, where a group of men in flat caps spooned red-orange mounds of Moro granita into their mouths between games of cards. I was back in my dad's world, and the memories of oranges were everywhere.
Lizzy Dent (Just One Taste)
Professor Ronald Howard, director of the Decisions and Ethics Center at Stanford and the founder of decision analysis, uses countless entertaining variations of how decision bias gets exposed in the common but bothersome flat-tire situation. My favorite is his version where a guy gets a flat tire in front of a mental hospital. A patient from the hospital watches through the fence as the guy, affected by having an audience, steps on the hub cap holding the four nuts from the tire he removed, and they roll down a sewer. The guy feels angry, flustered, helpless. The patient calls through the fence, “Why don’t you remove one nut from each of the other three tires and put those three on the spare?” The guy says, “That’s a brilliant idea. What are you doing in a place like this?” The patient tells him, “I may be crazy, but I’m not stupid.
Annie Duke (Thinking in Bets: Making Smarter Decisions When You Don't Have All the Facts)
Both Francis I and Henry VIII were avid mirror collectors and vain monarchs, and always competitive. During their meeting on the Cloth of Gold in 1521 a parade of wealth was displayed to ensure an alliance between France and England (and England’s safety). A later painting of this majestic occasion shows the two kings holding gloves, wearing flat caps decorated with feathers, badges and buttons, with parures – jewellery that matched their clothing. Henry’s codpiece is outlined by the rings on his index finger pointing towards it.
Carol McGrath (Sex and Sexuality in Tudor England)
The three of us were wearing flat caps, green jackets, plus fours, as if we played for the same sports team. (In a way, I suppose, we did.) Pa, driving us out into the fields, asked about Meg. Not with great interest, just casually. Still, he didn’t always ask, so I was pleased. She’s good, thanks. Does she want to carry on working? Say again? Does she want to keep on acting? Oh. I mean, I don’t know, I wouldn’t think so. I expect she’ll want to be with me, doing the job, you know, which would rule out Suits…since they film in…Toronto. Hmm. I see. Well, darling boy, you know there’s not enough money to go around. I stared. What was he banging on about? He explained. Or tried to. I can’t pay for anyone else. I’m already having to pay for your brother and Catherine. I flinched. Something about his use of the name Catherine. I remembered the time he and Camilla wanted Kate to change the spelling of her name, because there were already two royal cyphers with a C and a crown above: Charles and Camilla. It would be too confusing to have another. Make it Katherine with a K, they suggested. I wondered now what came of that suggestion. I turned to Willy, gave him a look that said: You listening to this? His face was blank. Pa didn’t financially support Willy and me, and our families, out of any largesse. That was his job. That was the whole deal. We agreed to serve the monarch, go wherever we were sent, do whatever we were told, surrender our autonomy, keep our hands and feet inside the gilded cage at all times, and in exchange the keepers of the cage agreed to feed and clothe us. Was Pa, with all his millions from the hugely lucrative Duchy of Cornwall, trying to say that our captivity was starting to cost him a bit too much? Besides which—how much could it possibly cost to house and feed Meg? I wanted to say, She doesn’t eat much, you know! And I’ll ask her to make her own clothes, if you like. It was suddenly clear to me that this wasn’t about money. Pa might have dreaded the rising cost of maintaining us, but what he really couldn’t stomach was someone new dominating the monarchy, grabbing the limelight, someone shiny and new coming in and overshadowing him. And Camilla. He’d lived through that before, and had no interest in living through it again. I couldn’t deal with any of that right now. I had no time for petty jealousies and Palace intrigue. I was still trying to work out exactly what to say to Granny, and the time had come.
Prince Harry (Spare)
My mind suddenly flooded with memories of our relationship. But one in particular was crystalline. Willy and I, years before in Spain. A beautiful valley, the air glittery with that uncommonly clear Mediterranean light, the two of us kneeling behind a green canvas wall as the first hunting horns sounded. Lowering our flat caps as the first partridges burst towards us, bang bang, a few falling, handing our guns to the loaders, who handed us new ones, bang bang, more falling, passing our guns back, our shirts darkening with sweat, the ground filling with birds that would feed nearby villages for weeks, bang, one last shot, neither of us able to miss, then standing at last, drenched, starved, happy, because we were young and together and this was our place, our one true space, away from Them and close to Nature. It was such a transcendent moment that we turned and did that rarest of things—we hugged. Really hugged.
Prince Harry (Spare)
Drew winced. “My back hurts. What did you do to me in your front yard? One minute I was standing, then I was flat on my back in the grass.” “I swept the leg,” she said matter-of-factly. “But why?” “Why not? It’s the fastest way to get someone to the ground.” “But we were standing on your lawn.” “Exactly. We were on nice, soft grass. I would have wrestled you sooner, but it’s not safe on the pavement.” “Do you always wrestle with guys?” “Just the ones I like.” She tapped him on the nose. “Boop.” He tapped her right back. “Boop.” She asked, “Now that I’ve taught you to watch out for the leg sweep, what else can I do for you? Breakfast in bed? Pack you a bagged lunch for work today?” He checked the time on her alarm clock. “It’s Saturday, which is a light day, but I do have a few patients after lunch.” “What do you mean it’s a light day? You’re not fully booked? You must not be a very good dentist. Maybe I should get a second opinion on that cap you glued into my mouth all willy-nilly.” He dropped his jaw in mock outrage. “Not a very good dentist? Those are fighting words, you bad girl.” She raised her eyebrows. “Want to take this back out to the front lawn?” “I think we gave your neighbors enough of a show last night.” “True,” she said. “Plus, we already got grass stains all over one change of clothes.” He wrinkled his nose. “Grass stains.” He groaned. He leaned back, resting his head on Megan’s second pillow, where Muffins normally slept. The sea-foam-green linens were a perfect complement to his skin tone. His brown eyes were a rich chocolate with bright flecks and an inner ring that was nearly green. The sheets had been purchased to complement Muffins, with his orange fur and entirely green eyes, but they looked even better around Dr. Drew Morgan. Drew asked, “What are you thinking about?” He reached up to run his fingers through her tangled morning hair. She normally hated that, but it felt good when Drew did it. “I’m thinking that you look really good in my sheets. You look good in sea-foam green.” “Thanks.” He grinned. “I can’t wait to see how you look in my bed.” “You think you’re going to get me into your bed?” “Sure. I know how it’s done. You just sweep the leg.” “I shouldn’t have told you all my secrets.” Muffins returned and situated himself between them for a bath. Drew propped himself up on one elbow and petted the cat. “So what do I have to do to get you to my place in the first place?” “Reverse psychology works well on me. You could tell me to never come over. You could ban me from your house.” He chuckled. “Whatever you do, don’t show up naked under a trench coat.” “What makes you think I’d show up naked in a trench coat?” “You’re a wild girl. Exactly what I need right now.” “You need me? Are we talking about, like, a medical type of emergency?” “You tell me.” He scooped up Muffins, placed him on the chair next to the bed, and pulled Megan close to him.
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
The name “Bering land bridge” is a misnomer. Never mind Vitus Bering, the jowly Danish cartographer and explorer who led sailing expeditions for the Russian Navy along the upper Pacific Rim in the eighteenth century and after whom the Bering Sea and the Bering Strait were named. When this was land and not water, the land bridge was not a catwalk teetering from one hemisphere to the next, but a flat subcontinent fully exposed when sea levels were at their glacial low, its center five hundred miles from the nearest coast. I would have looked across a steppe grassland and the occasional birch and black spruce grove, summers free of snow, ground grazed and turned to grass by large herbivores, loess blown in from the edges of distant ice caps, allowing the soil to hold and retain organic matter. This would have been an easily habitable landscape. Winters were dark and furiously cold, but summers produced copious wildflowers, their pollen found in cores taken from the bottom of the Bering Sea. The land bridge had experienced a unique regime of global weather patterns, the Pacific curling up warmly against its southern coast, Himalayan ice cap blocking precipitation from a quarter of the world away, and the mass of the land bridge itself holding its own temperature, a terrestrial heat sink. Inland precipitation was sparse, winter snows frigid but light. Land bridge summers were sunnier than those experienced on St. Lawrence Island, temperatures slightly warmer, more muskeg and grass than permafrost, snowpack melting earlier for longer growing seasons. This was the American Atlantis, and it went under wave by wave, storm by storm. Craig Childs, from ."Atlas of a Lost World
Childs, Craig
Look, Dad. I’m okay. I like this girl. Everything’s normal. “Only my father,” I say to Tina, “would imagine that anyone could find paperwork arousing.” “What?” Her smile is a touch too wide, a little too faked. “Don’t tell me your media training didn’t cover this, either.” I set the stack of papers on the flat surface of my desk and gesture Tina to sit in the leather-bound executive chair. “What am I supposed to say, then? Come on, baby. It’s a nondisclosure agreement. You’ll like it. I promise.” She gives me an unimpressed look. “God,” she says. “And I thought you were supposed to be a good liar. That’s not how you do it.” She bites her lip and then she leans toward me. Her eyelashes sweep down, and when she talks, she lowers her voice toward sultry. “I don’t know, Blake.” She bites her lip and reaches gingerly for the papers, stroking her thumb along the edge. “It’s so…big. I’m not sure it will fit.” I almost choke. She looks up with a touch of a smile. Fuck. I started this. “We’ll go nice and slow.” I pull a chair beside her and sit down, and very slowly take a pen from the holder. “Tell me if it hurts and I can stop anytime. I promise.” “Be gentle.” I know we’re just joking. I know this doesn’t mean anything. Still, my body doesn’t know this is a show when I lean toward her. I don’t feel like I’m lying when I inhale the sent of her hair. It goes straight to my groin, a stab of lust. “Trust me,” I murmur. She’s sitting in my chair. She’s smaller than me and all that dark leather surrounds her, blending in with her hair. But when she looks up, tilting her head toward me, she doesn’t seem tiny. She pulls the first paper-clipped section of pages to her, glances at the first paragraph, and wrinkles her nose. “Ouch,” she says in a much less sensual tone of voice. “It hurts already.” “It basically says that if you tell anyone anything about Cyclone business, we get one of your kidneys,” I translate helpfully. “How sweet.” She hasn’t looked up from the document. “Do your lawyers know you summarize their forms like that?” “Disclose two things,” I say, “and we get two kidneys.” “Mmm. Playing rough. What happens if I disclose three? You shut down my dialysis machine?” “You get a commemorative Cyclone pen,” I say mock-seriously. “Come on. We’re not monsters.” She cracks a smile at that. She’s not one of those girls who always smiles, and that means that when she does smile, it means something. Her whole face lights up and my breath catches at the sight. I lean in, as if I could breathe in her amusement. But then she drops her head and goes back to reading. When she finishes, she signs with a flourish. “What’s next?” she says. “Bring it on.” I hand over the next few pages. She holds it up and looks at me. “Don’t lie to me, baby. I bet you make all the girls you bring in here sign this.” You know what? I have never before found SEC regulations this sexy. I lean close to her. “No way,” I murmur. “This is just for you.” “Really?” She manages that look of hurt skepticism so well. I reach out, almost touching her cheek—until I remember that this isn’t real. “No,” I whisper back. “Not really. Everyone does sign it; it’s company policy.” “Oh, too bad.” She’s still reading the page. “I was hoping you had a selective disclosure just for me.” Selective, I realize, is a sexy word when drawn out the way she does it, her tongue touching her lips on the l sound. So is disclosure. “I can disclose,” I hear myself saying. “Selectively.” “Maybe you can give it to me in a material and nonpublic place.” I lean toward her. “You know me. I put the inside in insider trading.” She’s still holding the pen poised above the paper. I touch my finger to the cap and then slowly slide it down the barrel until my hand meets hers. A shock of electricity hits me, followed by a jolt of lust.
Courtney Milan
Woodhouse's father entered the room violently and without its consent. The rats scurried away from his work boots, and his flat cap was imbued with tweedy malevolence. His moustache bristled with ill intent and the only thing great about his coat was the quantity of fear that it inspired.
D.S. McDonough
The four men fidgeted, animated about something or other, eyes constantly searching, seeing and cringing at the spiders on the walls and the mothmen in the corners. All four tweakers were white, thin, and tall. And close to the same age. All wore baggy shirts and baggy pants, and their flat-brimmed ball caps were crooked. When they spoke it was clipped and fast and they used hand gestures that looked like bad karate. Occasionally they’d look my way, make a gesture, laugh, and sneer. One spit at my feet. I smiled, nodded, and held up my whiskey. The three at the table must have been coming down from “a long time on the moon,” as the meth heads called the time they spent tweaked. Their heads were cradled on skinny folded arms and one, the guy, snored. “You
Erik Storey (Nothing Short of Dying (Clyde Barr, #1))
But performing with just a microphone stand instead of a row of cymbals between me and the audience—that’s the thing to overcome. If you’re not predisposed toward bat-wing headgear and flying in the air, what do you do when there’s no singing? There are other practical concerns. I’ve already made it very clear that I’m not going to be able to do what Peter did. I will not be sporting Andy’s camisole or a badger pelt. But what will I wear? The workman’s overalls that did the job when I was just the drummer? Or is that too, well, workmanlike? I can wear a flat cap and Edwardian coat for “Robbery, Assault and Battery,” but that’s as theatrical as I’m prepared to go.
Phil Collins (Not Dead Yet: The Memoir)