Flare Dress Quotes

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The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name. I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us. “Asp-aspirant Veturius.” It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes. “What is it?” I ask calmly.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
She was dressed in white, and her tunic had amazing flared sleeves which trailed on the ground behind her as she glided down the stairs. Her hair was a mass of dark curls tumbling around her face, and she had dark, dark eyes. Jack realized that this was what the chansons meant when they referred to a beautiful princess in a castle. No wonder the knights all wept when the princess died.
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
It was her wedding dress and it had a flare-out bottom, and they had laid her head to foot in it so the dress could spread out, and they had made her a veil out of a mosquito bar so the auger holes in her face wouldn’t show.
William Faulkner (As I Lay Dying)
You are born into a family and those are your people, and they know you and they love you, and if you are lucky they even on occasion manage to understand you. And that ought to be enough. But it is never enough. Abe had not been dressing up, styling himself, for all these years because he was trying to prove how different he was from everyone else. He did it in the hope of attracting the attention of somebody else—somewhere, someday—who was the same. He was not flying his freak flag; he was sending up a flare, hoping for rescue, for company in the solitude of his passion. “You were with your people. You found them,” I said. He nodded. “That’s good,” I said. “You’re early.
Michael Chabon (Pops: Fatherhood in Pieces)
Soldiers, all men in fact, are natural hero worshipers. Officers with a flare for command realize this and emphasize in their conduct, dress and deportment the qualities they seek to produce in their men. When I was a second lieutenant I had a captain who was very sloppy and usually late yet he got after the men for just those faults; he was a failure. [the King]
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
It wasn’t that her dress was revealing, not by current standards, but the fitted bodice and flaring skirt played with a man’s imagination in a maddening way. It would be easy access to put her over his knee, flip up the skirt and warm her luscious ass with the palm of his hand.
Sweden Reese (The Southern Gentleman: Protective Instinct (Dominant Heroes Collection #1))
If sex could be painted on a body, that’s what this dress would be. Red satin, hugging her every curve from her shoulders to just below her knees before it flares into a little mermaid-looking thing. I have no earthly idea how the fuck she’s going to walk in it, but I don’t care. I’ll fucking carry her.
Meghan March (Dirty Pleasures (The Dirty Billionaire Trilogy, #2))
On Saturday Ben and I drove to Johns Island to see Skyfall.” “You did?” Hi asked sharply. “Thanks for the invite, jerks.” Shelton raised his palms. “You were at temple. We’re supposed to just wait around? Plus, you’ve seen that move like five times.” “You still could’ve asked,” Hi grumbled. “I don’t—” “Guys!” I clapped my hands once. “The story, please.” “An hour in, I go for a popcorn refill.” Shelton shuddered. “When I get back, Ben’s sitting in the dark, flaring away, and he’s not even wearing his sunglasses! I almost wet myself. He said he wanted to watch the movie in HD. Man, I don’t remember a single minute from the rest of the film.” “In a theater!?” My temper exploded. “That stupid mother—” “Hiram!” Our heads whipped. Ruth Stolowitski was standing on her front stoop. “Get back in here this instant! You’re not dressed.” Ruth wore a fuzzy pink bathrobe, her free hand vising the garment closed. Her eyes darted, as if worried that cagey perverts were surveilling our remote island, waiting for just this opportunity to get an eyeful.
Kathy Reichs (Exposure (Virals, #4))
I decided on a white sweater dress with a built-in slip, long sleeves, and a short, flared skirt.
Penny Reid (Truth or Beard (Winston Brothers, #1))
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
I remember how I felt the first time I walked into a Torrid or the time period where ModCloth finally started carrying sizes above XL. I gave up wearing only some version of dark jeans with blouses that swooshed over me for candy-colored, twee-patterned A-line and fit-and-flare dresses that did absolutely nothing to make me look smaller. I wasn’t small, and no number of drab patterns were going to change that. I might as well dress how I wanted, regardless. And there’s something about looking loud and in charge of your own look that can say a lot to the world, because unfortunately it’s still revolutionary to be fat and not hate yourself in public. When you wear something that won’t “disappear” you into a dark curtain, even if it isn’t covered in glitter or fringe, people get the message, subtle or otherwise, that you think you’re someone worth seeing.
Angie Manfredi (The (Other) F Word: A Celebration of the Fat and Fierce)
The best dresses offer secrets but no surprises,” Aileen said when we were alone. “Little pockets and camouflage for flaws with no hint of what’s hidden beneath the flare of a bell sleeve, the bones of a corset, or the inset of a shorting.
Laurie Lico Albanese (Hester)
...the dress clings to my chest and waist, skirt flaring over my hips. The tattered edges give it a haunting elegance, as though I am wrapped in the shadows of dusk. I look the picture of mysterious courtier, rather than someone who sleeps in dirt.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
...The skirt flared wonderfully, and there was the sweet ribbon bow at the waist. It was a dress to be worn by the sort of girl who'd check that no one was looking, then skip down a quiet street instead of walking, just so the fun of it was hers alone.
Helen Oyeyemi (White Is for Witching)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I tilt my head slightly to one side, taking in her blue sleeveless dress which ends a few inches above her knees. She looks exquisite. Definitely perfect for dessert. “I know what I want to eat and it’s not lemon cake.” I say thickly. Heat flares up in her eyes and I know the cake has been forgotten. She wants to be dessert.
E.R. Wade (Stay With Me (Stay With Me, #1))
The last dress in the wardrobe was loosely wrapped in thin tissue paper that tore away at the slightest touch. Isabel was intrigued by this one, a cocktail dress in peach-colored silk, embellished with a line of crystal bugle beads around the neckline, a fitted bodice and flaring skirt. In the glow of the bedside lamp, the dress was luminous and shimmering with a life of its own.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
Her face appeared to have grown paler, and it seemed as if there were a mocking insanity flaring up almost imperceptibly on her lips and in the azure of her eyes there lurked the insanity of grief. She was silent, and she waited for what her father would say. And he spoke slowly, finding words almost with difficulty, 'Dearest, what did I hear? I did not expect this of you. Why did you do it?' The Beauty bowed her head and said softly and sadly, 'Father, sooner or later all this will come to pass anyway.' 'Sooner or later?' asked the father as if in surprise. And he continued, 'Better late than sooner.' 'I am all aflame,' said the Beauty softly. And the smile on her lips was like the reflection of some searing flame, and in her eyes there gleamed blue lightning, and her naked arms and shoulders were like some delicate vessel of alabaster, filled to the brim with a molten metal. Her firm breasts rose and fell impetuously, and two white waves strained forth from the tight confines of her dress, the delicate color of which was reminiscent of the yellowish rosiness of a peach. From beneath the folds of her short dress were visible against the dark green velvet of the rug and entwined by the pink ribbons of her gilded sandals her white and trembling legs. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
Where is she? Living or dead, where is she? If, as he folds the handkerchief and carefully puts it up, it were able with an enchanted power to bring before him the place where she found it and the night-landscape near the cottage where it covered the little child, would he descry her there? On the waste where the brick-kilns are burning with a pale blue flare, where the straw-roofs of the wretched huts in which the bricks are made are being scattered by the wind, where the clay and water are hard frozen and the mill in which the gaunt blind horse goes round all day looks like an instrument of human torture—traversing this deserted, blighted spot there is a lonely figure with the sad world to itself, pelted by the snow and driven by the wind, and cast out, it would seem, from all companionship. It is the figure of a woman, too; but it is miserably dressed, and no such clothes ever came through the hall and out at the great door of the Dedlock mansion.
Charles Dickens (Bleak House)
The police think maybe it was the gas. Maybe the pilot light on the stove went out or a burner was left on, leaking gas, and the gas rose to the ceiling, and the gas filled the condo from ceiling to floor in every room. The condo was seventeen hundred square feet with high ceilings and for days and days, the gas must’ve leaked until every room was full. When the rooms were filled to the floor, the compressor at the base of the refrigerator clicked on. Detonation. The floor-to-ceiling windows in their aluminum frames went out and the sofas and the lamps and dishes and sheet sets in flames, and the high school annuals and the diplomas and telephone. Everything blasting out from the fifteenth floor in a sort of solar flare. Oh, not my refrigerator. I’d collected shelves full of different mustards, some stone-ground, some English pub style. There were fourteen different flavors of fat-free salad dressing, and seven kinds of capers. I know, I know, a house full of condiments and no real food.
Chuck Palahniuk (Fight Club)
It began as a meal. And became a feast, a festival – they hardly know how. The high flames flare, the voices whirr, wild songs stir from glitter and glance, and at last from the ripened rhythms in the air: arises the dance. And it sweeps them all up. You feel the wavebeats pounding through the room, you touch somebody, breathe-in her perfume, you part from her and find her once again, and then, through all the light-filled melodies, dazzled, you sway upon the summer breeze which fills the dresses that warm women wear.
Rainer Maria Rilke (The Lay of the Love and Death of Cornet Christopher Rilke)
Alton’s cheeks flushed, but he asked in his sweet voice, “You are friends with Rune?” That same ache from a moment ago flared, and I cast a panicked look around our families. Rune’s mamma winced. I didn’t know what to say. Alton pulled on my dress again, waiting for an answer. Sighing, I kneeled down and said sadly, “He was my very best friend in the whole wide world.” I pressed my hand over my chest. “And I loved him with my whole heart, every single inch of it.” Leaning in closer, I whispered through a thick throat, “And I always will.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
But, without preaching, the truth may surely be borne in mind, that the bustle, and triumph, and laughter, and gaiety which Vanity Fair exhibits in public, do not always pursue the performer into private life, and that the most dreary depression of spirits and dismal repentances sometimes overcome him. Recollection of the best ordained banquets will scarcely cheer sick epicures. Reminiscences of the most becoming dresses and brilliant ball triumphs will go very little way to console faded beauties. Perhaps statesmen, at a particular period of existence, are not much gratified at thinking over the most triumphant divisions; and the success or the pleasure of yesterday becomes of very small account when a certain (albeit uncertain) morrow is in view, about which all of us must some day or other be speculating. O brother wearers of motley! Are there not moments when one grows sick of grinning and tumbling, and the jingling of cap and bells? This, dear friends and companions, is my amiable object--to walk with you through the Fair, to examine the shops and the shows there; and that we should all come home after the flare, and the noise, and the gaiety, and be perfectly miserable in private.
William Makepeace Thackeray (Vanity Fair)
Pretty speech,” he said. “It’s the only one I’ve got.” “I know what’s really going on here. You’re scared to step into my world. Afraid you can’t hack it. Much better to hide here and be a big fish in a very small pond.” “If that’s the way you see it, fine.” I raised my chin. “I have nothing to prove to you, Rogan.” “But now I have something to prove to you,” he said. “I promise you, I will win, and by the time I’m done, you won’t walk, you’ll run to jump into my bed.” “Don’t hold your breath,” I told him. All of his civilized veneer was gone now. The dragon faced me, teeth bared, claws out, breathing fire. “You won’t just sleep with me. You’ll be obsessed with me. You’ll beg me to touch you, and when that moment comes, we will revisit what happened here today.” “Never in a million years.” I pointed at the doorway. “Exit is that—” He grabbed me. His mouth closed on mine. His big body caged me in. His chest mashed my breasts. His arms pulled me to him, one across my back, the other cupping my butt. His magic washed over me in an exhilarating rush. My body surrendered. My muscles turned warm and pliant. My nipples tightened, my breasts ready to be squeezed, ready for his fingers and his mouth. An eager ache flared between my legs. My tongue licked his. God, I wanted him. I wanted him so badly. He let me go, turned on his toes, and went out, laughing under his breath. Aaargh! “That’s right! Keep . . . walking!” I threw the wrench down. “Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.” I waved my arms and walked away from her before I said something I would regret.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Miriam gave her hair a preliminary drying, gathered her dressing-gown together and went upstairs. From the schoolroom came unmistakable sounds. They were evidently at dinner. She hurried to her attic. What was she to do with her hair? She rubbed it desperately—fancy being landed with hair like that, in the middle of the day! She could not possibly go down.... She must. Fraulein Pfaff would expect her to—and would be disgusted if she were not quick—she towelled frantically at the short strands round her forehead, despairingly screwed them into Hinde's and towelled at the rest. What had the other girls done? If only she could look into the schoolroom before going down—it was awful—what should she do?... She caught sight of a sodden-looking brush on Mademoiselle's bed. Mademoiselle had put hers up—she had seen her... of course... easy enough for her little fluffy clouds—she could do nothing with her straight, wet lumps—she began to brush it out—it separated into thin tails which flipped tiny drops of moisture against her hands as she brushed. Her arms ached; her face flared with her exertions. She was ravenous—she must manage somehow and go down. She braided the long strands and fastened their cold mass with extra hairpins. Then she unfastened the Hinde's—two tendrils flopped limply against her forehead. She combed them out. They fell in a curtain of streaks to her nose. Feverishly she divided them, draped them somehow back into the rest of her hair and fastened them.
Dorothy M. Richardson
Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Stop!” Leilani’s worried voice cut through the haze in his mind as he pinned Ruari face down on the stone entryway. He could have let the fight drag on, but the panic in her voice did something strange to him. He wanted to get up and soothe all her fears. But since he didn’t trust the male, or any male, around her, he kept a firm hold on Ruari as he stared at Leilani. And it was impossible not to. Her long, dark hair hung in a single braid draped over one shoulder and breast. The females on the mainland dressed differently than the few females who lived in the mountain clans. Her dress-style was no different than the other Luminet mainlanders he’d seen. The bright red shift dress she had on cinched right under her breasts, the V cut dipping low enough that he could see the soft upper swell of her breasts. Her skin tone was a deep bronze and her shoulders, which he’d never thought of as sexy before, were bare except for straps of gauzy material pinned by jewel-studded dragons. He wondered where she’d gotten the pins, if some male had given them to her. The thought made something dark and possessive flare inside him. The possessiveness took him off guard. That was when he realized Cyn and Brandt were both standing there staring at him, clearly wondering if he was going to let Ruari up. Leilani was watching him as well, but her expression was much harder to read. He thought he might have seen a trace of desire in her gaze yesterday when she looked at him but that was before he’d ordered her to give him her files. “I will let you up, but do not move toward her,” he growled at Ruari. When he stood he immediately moved between Leilani and the other male.
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
CHILDHOOD I That idol, black eyes and yellow mop, without parents or court, nobler than Mexican and Flemish fables; his domain, insolent azure and verdure, runs over beaches called by the shipless waves, names ferociously Greek, Slav, Celt. At the border of the forest—dream flowers tinkle, flash, and flare,—the girl with orange lips, knees crossed in the clear flood that gushes from the fields, nakedness shaded, traversed, dressed by rainbow, flora, sea. Ladies who stroll on terraces adjacent to the sea; baby girls and giantesses, superb blacks in the verdigris moss, jewels upright on the rich ground of groves and little thawed gardens,—young mothers and big sisters with eyes full of pilgrimages, sultanas, princesses tyrannical of costume and carriage, little foreign misses and young ladies gently unhappy. What boredom, the hour of the “dear body” and “dear heart.” II
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
We should check the— What, damn it?” The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I’m faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name. I’ve never seen her before, because if I had, I’d remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff’s drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I’m staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that it is, tugs me forward until there are only inches between us. “Asp-aspirant
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
I rolled my eyes at him and pulled the sweatshirt over my head, adjusting the deep sweetheart neckline of my dress. I'd secretly and specifically purchased the gorgeous cherry-red vintage cocktail dress for this party. I had found a pair of black cat-eye glasses at a retro clothing store near Pike Place Market to go with the dress, and the combination made me feel confident and sophisticated. "Don't look for a minute," I instructed, shimmying out of my jeans and smoothing the hemline down. The dress nipped in at the waist and flared out in a high hemline that showed off my legs. "Okay, I'm good." Rory gave me a sideways glance and did a double take. "Wow." He pulled up to a stop sign and turned, taking me in head to toe. "You look...wow." He shook his head, seemingly at a loss for words. I felt a flush of triumph. I'd never seen him look at me like that, admiration mixed with astonishment. He seemed genuinely stunned. I slicked on some red lipstick and examined my reflection in the tiny square of Rory's passenger mirror, aware of his eyes on me. I looked glamorous, surprisingly sexy. Like a movie starlet from the 1950s, a bombshell ingenue. I sat back, feeling almost giddy with triumph. I'd worn the dress for only one person. And he had finally noticed me.
Rachel Linden (The Magic of Lemon Drop Pie)
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Do you have any idea how much I love you?” he asked softly. Her long lashes fluttered, lifted, so that her violet eyes locked with his. A slow, fascinating smile curved her mouth. “Maybe, just a little.” She smoothed a line from his forehead. “I’ll be fine tonight. Do what you have to do and don’t worry about me.” “I would prefer that you slept for a while.” He shifted, eased his weight off her, surprised to find that he was still partially dressed. “That’s only because you have so much anger toward Romanov you don’t want me to know what you’re doing.” She propped herself up on one elbow so that her thick mane of silky hair spilled across her body, a thin veil over her breasts. His gut clenched hotly at the sight, his dark eyes going black with a sudden flare of desire. She laughed softly, the sound sultry in the night. “I think you could have sex all night and never be sated.” He bent down to taste temptation, his tongue bringing her nipple to a hard peak. “I would very much like to give it a try, sivamet--my love. I could lose myself in your body.” He nuzzled her gently, his hand trailing possessively down the curves of her body. Her fingers stroked through his thick hair. Her eyes held tenderness. “You think to protect Jacques by leaving him here with me as my bodyguard.” “You see too much.” “More than you know.
Christine Feehan (Dark Prince (Dark, #1))
So I was just sitting in the dining room feeling sorry for myself. “What am I going to do?” Almost as soon as I asked that question, the answer came. “End it all.” Oh, I don’t know what possessed me. I really don’t have any idea at all. But I got up and walked over to a window. Well, that window was painted shut, so I went to another window. That one led out to a gangway, a stairwell, where I figured no one would find me until my body started to smell. No, that wouldn’t do. I looked at the front windows. One was a picture window that didn’t open, but then I couldn’t jump from those windows on the sides, either. Children played out front and that would be so traumatic for them. Besides, after I thought about it a little more, I realized something else that was very important: I wasn’t wearing pants. I didn’t wear pants back then. I was wearing a dress that Mama had made for me. Oh, I remember that dress. It was sleeveless, real tight in the waist with a long flared skirt. It was a white dress, white with a floral pattern, some kind of design in it, and that design was pink. That was one of my favorite dresses. I couldn’t stand the thought of jumping in that dress. More important, I couldn’t stand the thought that my skirt might fly up. Just then, as I was thinking about all that, the phone rang. It was a reporter. He was thinking about doing a follow-up story on me and he wanted to know what I was planning to do. Well, I couldn’t tell him I was planning to jump out the window. So I said I wanted to go back to school and become a teacher. I turned around as if to ask, “Who said that?” Now, I don’t know to this day where it came from, but he said he would take me to register for classes. I mean, he was just going to carry me down to the college and walk me through it. That was fine with me, because I didn’t even know where to go. I hadn’t exactly given this a whole lot of thought. As it turns out, the place to go was Chicago Teachers College. He took me there and, unfortunately, we were told that registration for classes had just closed. Before I even got a chance to start thinking about those windows back home again, he somehow convinced them to admit just one more student, and that’s how it all started. That’s how I was able to start over. I was going to go to college. I was going to become a teacher. I would be able to work with children, to teach them, to help shape them, to introduce them to a whole world of possibilities. In the process, a whole world of possibilities was opening up to me. Throughout my life I have heard a great many stories about how people received the call to their life’s mission. I have to smile when I recall how I received mine. For me, the call came by phone, from a reporter.
Mamie Till-Mobley (Death of Innocence: The Story of the Hate Crime that Changed America)
When the dress for Irex’s dinner party arrived wrapped in muslin and tied with twine, it was Arin who brought the package to Kestrel. She hadn’t seen him since the first green storm. She didn’t like to think about that day. It was her grief, she decided, that she didn’t want to remember. She was learning to live around it. She had returned to her music, and let that outings and lessons flow around the fact of Enai’s death, smoothing its jagged edges. She spent little time at the villa. She sent no invitations to Arin for Bite and Sting. If she went into society, she chose other escorts. When Arin stepped into her sitting room that was really a writing room, Kestrel set her book next to her on the divan and turned its spine so that he wouldn’t see the title. “Hmm,” Arin said, turning the packaged dress over in his hands. “What could this be?” “I am sure you know.” He pressed it between his fingers. “A very soft kind of weapon, I think.” “Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured. Arin set the package on the divan where she sat. “A new dress means an event on the horizon.” “Yes, a dinner party. Lord Irex is hosting.” He frowned. “And you’re going?” She shrugged. “Do you need an escort?” Kestrel intended to say no, but became distracted by the determined set to Arin’s mouth. He looked almost…protective. She was surprised that he should look that way. She was confused, and perhaps this made her say, “To be honest, I would be glad for your company.” His eyes held hers. Then his gaze fell to the book by Kestrel’s side. Before she could stop him, he took it with a nimble hand and read the title. It was a Valorian history of its empire and wars. Arin’s face changed. He returned the book and left.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Josephson had died just north of Abd al-Kuri Island, an uninhabited, mountainous desert with, on its eastern side, perhaps the world’s wildest and finest beach. To mollify Holworthy, in a moment of weakness not long after they had departed Lemonnier, Rensselaer had considered leaving a few SEALs there on the way south, to observe traffic, as on occasion irregular forces were ordered to do. But he had decided then that rather than mollify Holworthy, he would keep him down. The rendezvous point with the Puller wasn’t far, and, arriving first, Athena waited. The Puller was out of sight but in radio contact. Eventually they saw her to the west, and she came even with Athena at dusk, although in that latitude, as Josephson had learned, dusk is so short it hardly exists. With the lights of the Puller blazing despite wartime conditions, her vast superstructure, hollow and beamed like a box-girder bridge, was cast in flares and shadows. A brow was extended from a door in the side and fixed to Athena’s main deck. As a gentle swell moved the two ships up and down at different rates, the hinged brow tilted slightly one way and then another. The Iranian prisoners were escorted over the brow and to the brig in the Puller, which would take them very close to their own country, but then to the United States. They were bitter and depressed. The huge ship into the darkness of which they were swallowed seemed like an alien craft from another civilization, which, for them, it was. A gray metal coffin was carried to Athena by a detail from the Puller. This was a sad thing to see, sadder than struggle, sadder than blood. It disappeared below. Josephson’s body was placed inside it and the flag draped over it. Six of Athena’s crew in dress uniform carried it slowly to the brow and set it on deck. After a long silence, Rensselaer spoke a few words. “Our shipmates Speight and Josephson are no longer with us—Speight committed to the deep, lost except to God. And Josephson, who will go home. Neither of these men is unique in death. They are still very much like us, and we are like them: it’s only a matter of time—however long, however short. If upon gazing at this coffin you feel a gulf between you, the living, and him, one of the dead, remember that our fates are the same, and he isn’t as far from us as we may imagine. “At times like this I question our profession. I question the enterprise of war. And then I go on, as we shall, and as we must. In this spirit we bid goodbye to Ensign Josephson, to whom you might have been brothers, and I and the chiefs, perhaps, fathers. May God bless and keep him.” Then the captain read the 23rd Psalm, a salute was fired, and Josephson’s coffin was lifted to the shoulders of its bearers and slowly carried into the depths of the Puller. When he died, he was very young.
Mark Helprin (The Oceans and the Stars: A Sea Story, A War Story, A Love Story (A Novel))
So, the image to start. The perception of the world as it is, the phantasm, the flare of the visionary idea is flattened to a page by the male intellect. Controlled, categorized, c-a-t-a-l-o-g-u-e-d. The ethereal is quashed. Address, that beautiful oration announcing itself, becomes a dress feebly worn, becomes a picture of a dress in a catalogue.
Norah Vincent (Adeline: A Novel of Virginia Woolf)
Soon we were alone in the pitch dark except for the despatcher and the parachutes, four of them for us, the others for huge cylindrical containers. In these, and about our persons, were the gear for our operation: maps, pistols, bombs, commando daggers, coshes, knuckledusters, telescopic sights, silencers, a sheaf of Marlin sub-machine guns, ammunition, wire-cutters, sewn-in files for prison bars, magnetic escape devices, signal flares, disguises, gags, chloroform, rope-ladders, gold sovereigns, stealthy footwear, Bangalore torpedoes, every type of explosive from gelignite and gun-cotton to deceptive mule droppings which, they said, could blow a tank to smithereens; all the things indeed on which espionage writers dwell at such fond length; also Benzedrine, field dressings, morphine, knockout drops and suicide pills to bite under duress, if captured in the wrong clothes. I hoped we would use none of them, especially the last.
Patrick Leigh Fermor (Abducting a General: The Kreipe Operation in Crete)
Each of us has a beast roaming beneath our skin, roaring to get out. While your Tamlin prefers fur, I find wings and talons to be more entertaining.' A lick of cold kissed down my spine. 'Can you shift now, or did she take that, too?' 'So many questions from a little human.' But the darkness that hovered around him began to writhe and twist and flare as he rose to his feet. I blinked, and it was done. I lifted the iron poker, just a little bit. 'Not a full shift, you see,' Rhysand said, clicking the black razor-sharp talons that had replaced his fingers. Below the knee, darkness stained his skin- but talons also gleamed in lieu of toes. 'I don't particularly like yielding wholly to my baser side.' Indeed, it was still Rhysand's face, his powerful male body, but flaring out behind him were massive black membranous wings- like a bat's, like the Attor's. He tucked them in neatly behind him, but the single claw at the apex of each peeked over his broad shoulders. Horrific, stunning- the face of a thousand nightmares and dreams. That again-useless part of me stirred at the sight, the way the candlelight shone through the wings, illuminating the veins, the way it bounced off his talons. Rhysand rolled his neck, and it all vanished in a flash- the wings, the talons, the feet, leaving only the male behind, well-dressed and unruffled. 'No attempts at flattery?' I had made a very, very big mistake in offering my life to him. But I said. 'You have a high-enough opinion of yourself already. I doubt the flattery of a little human matters much to you.' He let out a low laugh that slid along my bones, warming my blood. 'I can't decide whether I should consider you admirable or very stupid for being so bold with a High Lord.' Only around him did I have trouble keeping my mouth shut, it seemed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I walked to the painting on the easel. It was an impression, not a lifelike rendering. 'I wanted you to see this one,' I said, pointing to the smear of green and gold and silver and blue. 'It's for you. A gift. For everything you've done.' Heat flared in my cheeks, my neck, my ears, as he silently approached the painting. 'It's the glen- with the pool of starlight,' I said quickly. 'I know what it is,' he murmured, studying the painting. I backed away a step, unable to bear watching him look at it, wishing I hadn't brought him in here, blaming it on the wine I'd had at dinner, on the stupid dress. He examined the painting for a miserable eternity, then looked away- to the nearest painting leaning against the wall. My gut tightened. A hazy landscape of snow and skeletal trees and nothing else. It looked like.... like nothing, I supposed, to anyone but me. I opened my mouth to explain, wishing I'd turned the others away from view, but he spoke. 'That was your forest. Where you hunted.' He came close to the painting, gazing at the bleak, empty cold, the white and grey and brown and black. 'This was your life,' he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I'd left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing between them. 'Your cottage at night.' I tried to move, to tell him to stop looking at those ones and look at the others I'd laid out, but I couldn't- couldn't even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold- my hair. My gut twisted. 'The man you used to see- in your village.' He cocked his head again as he studied the picture, and a low growl slipped out. 'While you made love.' He stepped back, looking at the row of pictures. 'This is the only one with brightness.' Was that... jealousy? 'It was the only escape I had.' Truth. I wouldn't apologise for Issac. Not when Tamlin had just been in the Great Rite. I didn't hold that against him- but if he was going to be jealous of Issac- Tamlin must have realised it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. 'You were there when they wrecked your father's leg.' 'Someone had to beg them to stop.' Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I'd slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. 'That one. I want that one.' 'It's cold and melancholy,' I said, hiding my wince. 'It doesn't suit this place at all.' He went up to it, and the smile he gave me was more beautiful than any enchanted meadow or pool of stars. 'I want it nonetheless,' he said softly.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
As if I would ever discuss that with anyone, least of all you!” As she writhed and began to crawl from his lap, he held her in place easily. “Before you charge away in righteous indignation,” he said, “you might want to refasten your bodice.” “My—” Glancing down at her front, Kathleen saw to her horror that the first few buttons of her dress and the top two hooks of her corset had been undone. She went scarlet. “Oh, how could you?” A flare of amusement lit his eyes. “You weren’t breathing well. I thought you needed oxygen more than modesty.” After watching her frantic efforts to rehook the corset, he asked politely, “May I help?” “No. Although I’m certain you’re quite accomplished at ‘helping’ ladies with their undergarments.” “They’re hardly ever ladies.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
...grand oaks, maples, and chestnuts muscle in on one another, flared in their autumn robes; a motley conflagration under the dazzling mid-October sun. We are in the middle of a beautiful nowhere, digging into sprawling hinterlands, into territories of wild earth. The rolling, winding roads away from Bangor took us through towns with names like Charleston, Dover-Foxcroft, Monson, and Shirley, all with their own quaint, beautifully cinematic set dressing. It was like each was curated from grange hall flea markets and movie sets rife with small-town Americana. Stoic stone war memorials. American flags. Whitewashed, chipping town hall buildings from other centuries. Church bell towers in the actual process of tolling, gonging, calling. To me, the sound was ominous in a remote sort of way, unnamable.
Katie Lattari (Dark Things I Adore)
This dress was a tube of finely pleated silk, each pleat as fine as a harp string... driven by an urge she didnt question, she quickly shed her clothes and slipped the dress over her head. Knotting the belt around her waist, she went to the mirror. Her reflection stunned her. The natural elasticity of the pleats defined her curves molding like rows of vines to the contours of the land... Shauna stared at her face before her, growing leaner and far more beautiful. Unable to blink or move, she felt an unbearable sadness swinging through her. Tears began to course down her cheeks. Where did this grief come from? ... It came from a cause more terrible and one without remedy. The woman in the mirror flared her airs back at her in desperate appeal.
Natalie Meg Evans (A Gown of Thorns)
she saw the store through new eyes: a place where you could find cocktail dresses from the sixties for Homecoming, surgical scrubs for lounging on sleepy days, a wide assortment of old concert tees, and, if you were lucky, bells, real bell-bottoms, not the back-again retro ones from the Delia’s catalog but the actual thing, with wide flares, the denim tissue-thin at the knees from decades of wear.
Celeste Ng (Little Fires Everywhere)
I stood up and... there he was. My new roommate, standing right in front of me. He looked like he'd just stepped out from a magazine photo shoot, his hair artfully tousled and falling perfectly over his forehead. He was standing much closer to me than he had when I'd toured his apartment, and he seemed to notice that, too, his eyes widening and nostrils flaring a little as though he was breathing me in. He was dressed even more formally than he'd been the night I'd met him, adding a red silk ascot and black top hat to the charcoal-gray three-piece suit that fit like the gods had made it specifically for him. It was an odd look, to be sure. But--- god help me--- it worked. My mouth watered for reasons having nothing to do with hunger. If he noticed how overwhelmed I was by his appearance, he showed no sign of it. He simply frowned, brow furrowed in concern. He stepped a little closer. He smelled like fabric softener, the citrus fruit he'd put in my bedroom, and something deep and mysterious I had no name for.
Jenna Levine (My Roommate Is a Vampire)
But Mor replied smoothly, “You still certainly like to hear yourself talk, Eris. Good to know some things don’t change over the centuries.” Eris’s mouth curled into a smile at the words, the careful game of pretending that they had not seen each other in years. “Good to know that after five hundred years, you still dress like a slut.” One moment, Azriel was seated. The next, he’d blasted through Eris’s shield with a flare of blue light and tackled him backward, wood shattering beneath them. “Shit,” Cassian spat, and was instantly there— And met a wall of blue. Azriel had sealed them in, and as his scarred hands wrapped around Eris’s throat, Rhys said, “Enough.” Azriel squeezed, Eris thrashing beneath him. No physical brawling—there had been a rule against that, but Azriel, with whatever power those shadows gave him … “Enough, Azriel,” Rhys ordered. Perhaps those shadows that now slid and eddied around the shadowsinger hid him from the wrath of the binding magic. The others made no move to interfere, as if wondering the same. Azriel dug his knee—and all his weight—into Eris’s gut. He was silent, utterly silent as he ripped the air from Eris’s body.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Turning, I opened my mouth to respond, but the words died on my tongue. Dressed in a navy dress that was fitted at the bust and flared out around her lush hips where a floral design reached up from the hem, Liv was stunning. Blonde hair curled around her face, and the tiniest hint of makeup had been applied to her eyes. She was a vision, and she was going out with another man.
Siena Trap (Surprise for the Sniper (Connecticut Comets Hockey, #2))
As it flares and spins, it’s more visible, more present, thus more euphoric. Neo is doing a “dress go spinny” and it’s giving him gender euphoria.
Tilly Bridges (Begin Transmission: The trans allegories of The Matrix)
It's just a trickle at first, dark hallways, empty rooms, but then Angela sees a face. Eyes wide, nostrils flaring, a little girl's mouth covered with taut rope. The room is damp and cold and simple, a chair in the middle of it all. That's where the girl sits in a yellow dress, hands bound, hair wet with sweat and feet dangling off the floor. The chair's much too big for her, and something's coming. Something bad.
E.M. Blomqvist
Aunt Lucy, sitting beside her on the settee, glanced at Amelia. “Is something wrong, my dear? You just heaved a very mournful sigh and you’re looking quite flushed and bothered.” Amelia flashed her godmother an apologetic smile. “No, Aunt Lucy, I’m fine. Just a trifle, um, hot.” Her gaze drifted back to Nigel. He was crouched down, his green robe flared out in a dramatic sweep, as he spoke with little Ned Haythrop. Ned’s ancient spaniel had died only last week and, according to his grandmother, Lady Peterson, he’d been inconsolable. But Nigel got him smiling and soon drew a giggle from the boy with a joke about swallowing the bean in the Twelfth Night cake. Even Amelia’s sister, Penelope, who at fourteen considered herself too old for such things as holiday pantomimes, had clearly fallen victim to Nigel’s quiet charm. As had Amelia. She’d only been too stupid to realize it until it bashed her over the head. Aunt Lucy looked at her skeptically but didn’t probe. Like Amelia, she turned to watch Nigel laughing with Ned and Lady Peterson. “He does make a splendid Father Christmas, doesn’t he?” her godmother said with approval. “Much better than Philbert. That man carried on as if he were about to submersed in a vat of flaming wassail. Just between us, I suspect his twisted ankle might be more imaginary than real. Philbert can be so dramatic.” Amelia blinked. One could characterize Philbert as rather mysterious, but dramatic? “Er, I’m sure you’re right, Aunt Lucy, and I agree about Mr. Dash. He’s a perfectly splendid, considerate man. He didn’t blink an eyelash when Lord Broadmore so rudely made fun of his costume.” She scowled at the memory of his lordship’s jeers when Nigel came into the drawing room dressed as Father Christmas, leading Thomas the footman who carried the large tray of treats. Amelia thought Nigel looked wonderful in the dark velvet robe. The ermine trim brought out the cobalt depths in his eyes and the mistletoe wreath looked positively kingly atop his thick brown hair. Amelia had helped him with the wreath, and when he’d bent down a bit so she could adjust the fit, she’d been tempted to stroke her fingers through his silky locks. She’d blushed madly when he straightened up and thanked her with a teasing smile. Aunt
Anna Campbell (A Grosvenor Square Christmas)
You look beautiful, Alex. All grown up.” Blackmoor’s grey eyes darkened, narrowing on the garment in question, then rising to meet her gaze. The look in his eyes was one she’d never seen before, and it sent a tremor of excitement through her as she felt heat rising in her cheeks again. He looked away, then back again, and the emotion she had seen there was gone, so quickly that she couldn’t be certain it was ever there to begin with. She forced a smile, attempting to bring the conversation back to the realm of the comfortable. “Thank you, my lord.” “If I may speak frankly?” “Certainly.” “I know you want to try out all your lessons, but take care with whom you test your skills. I noticed how Stanhope was looking at you earlier.” “Lord Stanhope was a charming partner.” Alex met Blackmoor’s eyes, daring him to disagree. “I’m certain I don’t know to what you are referring.” “I think you know all too well to what I’m referring. Any man would have to be blind not to notice you. This dress is designed to lure a lion. I assure you that particular lion will bite.” “What are you saying?” “Simply that I would prefer not to have to play protector tonight. I merely caution you to think twice before getting wrapped up with Stanhope, or any like him.” Alex’s spine stiffened in response. Her tone turned frosty. “As usual, my lord, your caution—or shall I say interference?—is unnecessary. Need I remind you that I’ve been managing Freddie Stanhope since he was in short pants?” His chuckle held no humor. “Take my advice, Alex. Your ‘Freddie’ is no longer in the schoolroom. And you’re out of your league if you think you can, as you say, ‘manage’ him. Just because you wear a gown that marks you as all grown up doesn’t mean you are prepared to take him on.” Alex’s temper flared. “I require neither your advice, nor your opinion, my lord. I would thank you to remember that, besides the fact that you’re not that much older than I am, I already have a father—and three brothers. I hardly need another overbearing male telling me what to do and with whom to do it.” “More like what not to do. And with whom not to do it.” She inhaled in a sharp intake of air, eyes narrowing, and made a move to leave him mid-waltz. To an outside observer, nothing changed about their movements—but Alex felt Blackmoor’s arms turn to stone around her. He held her fast, and tight, and his voice lowered. “You will finish this waltz with me, Alexandra. I will not allow you the pleasure of giving me a set-down at your first ball.” Recognizing
Sarah MacLean (The Season)
Instead, he stared at every woman he saw in hijab, his anger flaring when he saw a fundamentalist, dressed in black from head to toe, as if she were already dead. It was one thing to be humble and modest, but it seemed to Sinan that the abaya revealed men’s disgust with women, as though men thought God had made a mistake and they needed to hide it. Sinan would never make his wife and daughter wear such a thing; he would never allow them to be so blotted out of existence.
Alan Drew (Gardens of Water: A Novel)
She spun and faced me, one hand on her wounded posterior. Her eyes were wide, her nostrils flared with shock and anger. In my peripheral vision, I saw her weight shift to her back leg, and thought she was going to try for a ball shot with her forward foot. Instead, she stepped back. Her arms slipped to her sides and she drew up her shoulders and chin, the picture of suppressed regal rage. She looked at me. “Mo owari, okyakusama?” she asked, as contemptuously as she could. Are we finished, honorable customer? “Was that against the rules?” I asked, smiling into her eyes. She pulled up the dress and slipped her arms through the straps. Her face was still red with anger, and I couldn’t help admiring her composure in controlling it. She managed the zipper without assistance, then said, “That was three songs, so thirty thousand yen. And you should tip the doorman ten percent. Ken?” Ken must have been the Nigerian, because a second later the semicircular sofa was pulled aside and there he was. I took out my billfold and paid each of them. “Thank you,” I said to Naomi. I beamed like a well-satisfied customer. “That was… special.” She smiled back in a way that made me glad she didn’t have a weapon. “Kochira koso,” she replied. The pleasure was mine. She escorted me back to my seat.
Barry Eisler (A Lonely Resurrection (John Rain #2))
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
Philippa Gregory (Wideacre)
People have often asked me how we girls managed any privacy in a house with so many boys and no private rooms. It was difficult. We used to bathe with a washcloth from a pan of water. We would first start with our necks and faces and wash down as far as possible. Then we would wash the road dust from our feet and wash up as far as possible. Later, when the boys were out of the room, we would wash “possible.” It was these circumstances that led to a very embarrassing mishap that I have told very few people and would not relate here if it were not so funny. We had an outdoor bathroom, and there were times in the middle of the night when it was very inconvenient to dress and go out into the cold just to take a leak. For these times there was a little room, actually a closet, that had in it what was called a “slop jar” or “slop bucket.” It was actually an enameled pot with flared sides that was made to accommodate a woman squatting over it to do her business. The closet had no door as such, just a sort of curtain hung on a tight piece of wire. After dark when the fire had died down, it could afford some kind of privacy at least. One night when I was about sixteen or seventeen, I had been out on a date and got home fairly late. Everybody was already in bed, and I didn’t want to wake them and alert Mama and Daddy to the hour of my homecoming. I was absolutely bustin’ to pee, so I fumbled my way through the dark until I found the curtain to the closet and stepped inside. I dropped my panties and hiked up my skirt and assumed the position over the slop jar. I was feeling relieved in a physical sense and quite grown-up and somewhat smug that I “pulled it off,” so to speak. But suddenly, here in the middle of my little triumph, or more accurately here in the middle of my rump, came the cold nose of an unexpected intruder. A raccoon had gotten into the house, and unbeknownst to me, we were sharing the closet as well as a very intimate moment. When I felt that cold nose on my butt, I screamed bloody murder and literally peed all over myself. Of course I woke the whole house with my unscheduled concert. Daddy grabbed the poker to fend off an intruder. Mama started praying. The little kids cried, and the big kids just ran around confused. When everybody found out what had happened, they all had a good laugh at my expense. Except, of course, the raccoon. Once the lights were turned on, he acted like any man caught in a compromising position with a lady and bolted for the door. I often think of that moment at times when I’m feeling “too big for my britches,” and it tends to have a humbling effect.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
His head jerked up. For another moment he was motionless. Her lips were parted slightly, trembling. Her eyes looked heavy. Her nipples were hard little circles plainly visible though the wet dress, her arms limp at her sides as she let him look. He shuddered, and his control snapped. She couldn't move. He walked toward her without taking his gaze from her, without seeing or hearing anything else, a primal male animal intent on mating. He was breathing hard and deep, his nostrils flaring. Water dripped off him as he moved. She waited, shaking with need and fear, because he was out of control and she knew it. It was an exhilarating terror, freezing her but at the same filling her with an anticipation so acute she was almost in pain. Then his hands were on her, and she moaned aloud from the sudden release of tension. She didn't have time to respond. She had expected to be swept up in his arms and carried to bed, but he had gone far beyond paying attention to niceties. Nothing mattered to him but to have her, right then.
Linda Howard (White Lies (Rescues, #4))
Drop the attitude, Sour Patch, and talk to me.” “I don’t want to talk to you. I want a couple hours to myself, we can talk after.” “Too bad. You have me with you right now, and I’m not going anywhere. Why do you suddenly not want to have kids? I understand wanting to wait until after we are married, but you kept making it longer and longer until you tell me you don’t know if you want kids. When did this change?” “I don’t know, okay? I. Don’t. Know. You see me with little kids and your mind instantly goes to us having kids. You know where mine went? Exactly where it’s been going the last couple months. The fact that I won’t have my mom there with me when I go through pregnancies, and having babies, and taking care of toddlers, and dealing with teenagers with bad attitudes! I don’t have her here to plan our wedding, she wasn’t there when I bought my dress, she won’t be there for anything, Kash, do you understand that?” Her temper flared out quickly and tears filled her eyes. “I’ve already been having a hard time with that, but today as I sat there and listened to Ava ask your aunts and mom dozens of questions, I realized I’m terrified of not having my mom there to call and ask questions when we have kids. What if I do it all wrong?” “Babe,” I crooned and moved my hands to brush my thumbs across her cheeks. “You’re going to be a great mom whenever we have kids, you won’t do it wrong, and you’ll have my mom there if you have questions.” “I know, and I’ll have Janet. But it won’t be the same.” Her eyes fluttered shut when a few tears dropped down her face and into her hair. “They were supposed to be here for everything.” “I’m so sorry, Rachel.” Squeezing myself between her and the back of the couch, I turned her and pulled her against my chest. I hadn’t known what to expect just then, but I had no idea she’d been struggling with not having her parents here for all of this, and felt like a jackass for not knowing. I should have known. “I’m sorry they aren’t here, but you have a lot of people who love you and are here for you. They won’t make up for your parents, I know that, and so do they. But they’re here for you, and I’m always here for you.” She nodded against my chest and took a shuddering breath in. “And you never leave when you’re upset. Okay? We always talk things out.” “ ’Kay.” Kissing
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
But perhaps, tonight, Eleanor should do as Madeline would do- and live for the moment. Tonight, she would abandon her fears and behave as any young lady would who danced her first dance at her first ball with the most handsome man in the room. Catching a glimpse of the dancers in one of the mirrors, she admired one young lady who moved with grace, who dressed with flare and whose hair looked dashing and sophisticated. As Eleanor watched, the lady imitated Eleanor's movements. She wore Eleanor's clothing. And Eleanor realized... the dashing female was herself. She was the one who danced like a dream. Her haircut had transformed her face. She appeared younger, joyful, strikingly modish. She looked less like Madeline and more like... like Eleanor might have looked if her stepmother had never made her appearance in Eleanor's life. Eleanor laughed at herself. Foolish to think a simple cut could change her, but spying herself unaware made her realize that looks were deceiving. No matter how frightened she felt inside, no one could see past the fashionable facade. No one except Mr. Knight. He took her hand for the promenade and looked into her eyes. He had a way of dancing that was almost like... making love. With him, she felt like the finest dancer in the world. They moved together, and when the music ended, she couldn't restrain her smile. She was happy. Tonight, for this moment, she was happy.
Christina Dodd (One Kiss From You (Switching Places, #2))
If that was a real question, there wasn’t time for me to answer because a very smartly dressed woman flared over and began talking to him, standing close with her fists on the hips of her slim-cut skirt, blocking him from view. This was Lillian Hellman, I would soon learn. She and Ernest and the others in the room made up the newly formed Contemporary Historians, a corporation bent on funding a documentary film that would help Spain acquire ambulances and other kinds of support. The filmmaker was Dutch, apparently, and already over in Spain with his Norwegian cameraman. Other members of the Historians were John Dos Passos, Archie MacLeish, and Evan Shipman, all writers big enough to cast shadows. The room seemed full of them as I sat in my blue chair, wondering how I might break in.
Paula McLain (Love and Ruin)
These are the 57 PIECES FOR THE INITIAL BASIC WARDROBE IN TRANS-SEASONAL FABRIC (best if KNITTED with stretch) See the List below in linear order with Cycles. The 27 for Cycle 2 are starred [*] with details listed for each. Later you can add 2 more seasons to this INITIAL WARDROBE FOR YOUR WORK & FULL LIFESTYLE. 6 - (3 SETS) UNDER SHAPERS of stretch to hold the body tight. (Cycle 1) *2 - JACKET LONG AND LEAN, 2 for each season, plus Holiday and Resort. (Cycle 1 & 2) *2 - TROUSERS (easy fit) flattering on your shape either:fitted, flared or straight. 2 for each season plus Holiday and Resort (Cycles 1 & 2) *1 - PENCIL SKIRT or a fitted, flared, or stitched-down-pleats, flattering Silhouette. (Cycle 1 & 2) *1 - JEAN, dark navy denim or black knit, both with stretch. (Cycle 1 & 2) 7 - TANKS, for the bottom necessary layer (Cycle 1) *3 - TOPS/BLOUSES/SHIRTS (Cycle 1 & 2) *1 - DAY-DRESS (Cycle 1 & 2) 1 – L.B.D. (Cycle 1, then as needed) 1 - EVENING BLACK JERSEY GOWN (Cycle 1, then as needed) 2 - RAINCOAT WITH ZIP OUT LINING AND AN UMBRELLA THAT IS FOLDABLE (Cycle 1 = 2) then, a WINTER COAT (Cycle 2 = 1, other Cycles select a jacket/sweater coat/art piece coat)
Melody Edmondson (Book 15 - Inverted Triangle Body Shape with a Short-Waistplacement (Your Body Shape by Waistplacement))
After showering and picking out the perfect outfit—a magenta colored dress that had a fitted top and a flared skirt attached—I styled my hair, clasping it at the sides with two white ribbons. When I stared at my reflection in the bathroom mirror, I hoped that the Jackson family would approve.
Katrina Kahler (The Lost Girl - Part One: Books 1, 2 and 3: Books for Girls Aged 9-12)
This crisp September morning, Georgina was looking equally crisp: she had an apple-green scarf knotted at her white swan throat and a short swingy patterned dress that served to highlight her long long legs that didn’t appear to get any wider as they went up. Over the top she was wearing a navy frock coat that clung to her waist and flared out in folds around her violin-shaped hips. All in all, she looked like she should be striding down Carnaby Street a few decades ago with men who looked like a young Michael Caine lowering their spectacles and wolf-whistling. She was clearly a bitch. I just had to find hard evidence.
Mhairi McFarlane (You Had Me At Hello (You Had Me At Hello, #1))
I would think that even a proper lady might find some pleasure in the conjugal embrace.” She gasped in befuddled outrage. “I--you--that you would dare bring up such a subject--” He had been so gentle and comforting, and now he had changed back into the insufferable cad of before. “As if I would ever discuss that with anyone, least of all you!” As she writhed and began to crawl from his lap, he held her in place easily. “Before you charge away in righteous indignation,” he said, “you might want to refasten your bodice.” “My--” Glancing down at her front, Kathleen saw to her horror that the first few buttons of her dress and the top two hooks of her corset had been undone. She went scarlet. “Oh, how could you?” A flare of amusement lit his eyes. “You weren’t breathing well. I thought you needed oxygen more than modesty.” After watching her frantic efforts to rehook the corset, he asked politely, “May I help?” “No. Although I’m certain you’re quite accomplished at ‘helping’ ladies with their undergarments.” “They’re hardly ever ladies.” He laughed quietly as she worked at the placket of the corset with increasing panic. The strain of the afternoon had left her so enervated that even the simplest task was difficult. She huffed and wriggled to pull the edges of the corset together. After watching her for a moment, Devon said brusquely, “Allow me.” He brushed her hands away and began to hook the corset efficiently. She gasped as she felt the backs of his knuckles brush the skin of her upper chest. Finishing the hooks, he started on the row of buttons at her bodice. “Relax. I’m not going to ravish you; I’m not quite as depraved as my reputation might indicate. Besides, a bosom of such modest proportions--albeit charming--isn’t enough to send me into a frenzy of lust.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))