“
You and I have been through too much together. We're too close, too connected. I wasn't that crazy on spirit when I said you're my flame in the dark. We chase away the shadows around each other. Our backgrounds don't matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
And you rage and scream and reach through the Force to crush the shadow who has destroyed you, but you are so far less now than what you were, you are more than half machine, you are like a painter gone blind, a composer gone deaf, you can remember where the power was but the power you can touch is only a memory, and so with all your world-destroying fury it is only droids around you that implode, and equipment, and the table on which you were strapped shatters, and in the end, you cannot touch the shadow. In the end you don't even want to. In the end, you do not even want to. In the end, the shadow is all you have left. Because the shadow understands you, the shadow forgives you, the shadow gathers you unto itself—And within your furnace heart, you burn in your own flame.
”
”
Matthew Woodring Stover (Star Wars: Revenge of the Sith (Star Wars Novelizations, #3))
“
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.”
Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?”
“Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.”
“Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?”
“One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.”
He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.”
“I already feel that way,” I said quietly.
Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.”
I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
IN THE LIGHT OF eternity, time casts no shadow. Your old men shall dream dreams, your young men shall see visions. But what is it that the old women see? We see necessity, and we do the things that must be done. Young women don’t see—they are, and the spring of life runs through them. Ours is the guarding of the spring, ours the shielding of the light we have lit, the flame that we are. What have I seen? You are the vision of my youth, the constant dream of all my ages.
”
”
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
“
And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away to Mexico and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
IN THE LIGHT OF eternity, time casts no shadow. Your old men shall dream dreams, your young men shall see visions. But what is it that the old women see? We see necessity, and we do the things that must be done. Young women don’t see—they are, and the spring of life runs through them. Ours is the guarding of the spring, ours the shielding of the light we have lit, the flame that we are. What have I seen? You are the vision of my youth, the constant dream of all my ages. Here I stand on the brink of war again, a citizen of no place, no time, no country but my own … and that a land lapped by no sea but blood, bordered only by the outlines of a face long-loved.
”
”
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
“
There is a place called reality. It is a place where people use doors instead of windows. Where, when you click a sound is made not a flame. Where, a shadow is a thing created by the sun, not a weapon. Where, your reflection stays in the mirror. And where skeletons don’t walk and talk. But you can escape this place. You just have to have one thing. Imagination.
”
”
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
“
O VENENO ARDENTE DO DESGOSTO. THE WHITE HOT POISON OF ANGER.
When others make us angry at them- at their shamelessness, injustice, inconsideration- then they exercise power over us, they proliferate and gnaw at our soul, then anger is like a white-hot poison that corrods all mild, noble and balanced feelings and robs us of sleep. Sleepless, we turn on the light and are angry at the anger that has lodged like a succubus who sucks us dry and debilitates us. We are not only furious at the damage, but also that it develops in us all by itself, for while we sit on the edge of the bed with aching temples, the distant catalyst remains untouched by the corrosive force of the anger that eats at us. On the empty internal stage bathed in the harsh light of mute rage, we perform all by ourselves a drama with shadow figures and shadow words we hurl against enemies in helpless rage we feel as icy blazing fire in our bowels. And the greater our despair that is only a shadow play and not a real discussion with the possibility of hurting the other and producing a balance of suffering, the wilder the poisonous shadows dance and haunt us even in the darkest catacombs of our dreams. (We will turn the tables, we think grimly, and all night long forge words that will produce in the other the effect of a fire bomb so that now he will be the one with the flames of indignation raging inside while we, soothed by schadenfreude, will drink our coffee in cheerful calm.)
What could it mean to deal appropriately with anger? We really don't want to be soulless creatures who remain thoroughly indifferent to what they come across, creatures whose appraisals consist only of cool, anemic judgments and nothing can shake them up because nothing really bothers them. Therefore, we can't seriously wish not to know the experience of anger and instead persist in an equanimity that wouldn't be distinguished from tedious insensibility. Anger also teaches us something about who we are. Therefore this is what I'd like to know: What can it mean to train ourselves in anger and imagine that we take advantage of its knowledge without being addicted to its poison?
We can be sure that we will hold on to the deathbed as part of the last balance sheet- and this part will taste bitter as cyanide- that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who suffered impotently, knew anything about. What can we do to improve this balance sheet? Why did our parents, teachers and other instructors never talk to us about it? Why didn't they tell something of this enormous significance? Not give us in this case any compass that could have helped us avoid wasting our soul on useless, self-destructive anger?
”
”
Pascal Mercier (Night Train to Lisbon)
“
i am dead but i know the dead are not like this."
the dead can sleep
they don’t get up and rage
they don’t have a wife.
her white face
like a flower in a closed window lifts up and
looks at me.
the curtain smokes a cigarette
and a moth dies in a
freeway cash
as I examine the shadows of my
hands.
an owl, the size of a baby clock
rings for me, come on come on
it says as Jerusalem is hustled
down crotch-stained halls.
the 5 a.m. grass is nasal now
in hums of battleships and valleys
in the raped light that brings on
the fascist birds.
I put out the lamp and get in bed
beside her, she thinks I’m there
mumbles a rosy gratitude
as I stretch my legs
to coffin length
get in and swim away
from frogs and fortunes.
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
[John] watched the flames for a while. "I would have to say that I find God in serving His children. 'When I was hungry and you fed me, I was thirsty and you gave me to drink, I was a stanger and you welcomed me, naked and you clothed me, sick and you cared for me, imprisoned and you came to me.'"
The words lingered in the air as the fire popped and hissed softly. Sondoz had stopped pacing and stood motionless in a far corner of the room, his face in shadows, firelight glittering on the metallic exoskeleton of his hands. "Don't hope for more than that, John," he said. "God will break your heart.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
LIFE DOESN'T FRIGHTEN ME
Shadows on the wall
Noises down the hall
Life doesn't frightnes me at all
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all.
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
Life doesn't frighten me at all.
Tough guys in a fight
All alone at night
Life doesn't frighten me at all.
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
That new classrom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
I've got a magic charm
That I keep up my sleeve,
I can walk the ocean floor
And never have to breathe.
Life doesn't frighten me at all
Not at all
Not at all.
Life doesn't frigthen me at all.
”
”
Maya Angelou (And Still I Rise)
“
I come from a long line of powerful stag shifters. We have rituals. Secret ones, old ones. We don’t necessarily worship the same gods that you do. I think our gods predate this world, but I’ve never confirmed it.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
if the cost of uniting the sword and knife is too much, Bryce Quinlan, then don’t do it. Choose life.” He glanced to Hunt. “Choose each other. I have lived with the alternative for millennia—the loss never gets easier to bear.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in its brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness
”
”
Béla Tarr
“
There is a place called reality. It is a place where people use doors instead of windows. Where, when you click a sound is made not a flame. Where, a shadow is a thing created by the sun, not a weapon. Where, your reflection stats in the mirror. And where skeletons don’t walk and talk. But you can escape this place. You just have to have one thing. Imagination.
”
”
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
“
I would never hurt him. Everything I’ve done recently, everything I’m doing now, has been to keep Ruhn alive. Do you know how hard it is to keep Pollux at bay? To convince him to go slow? Do you have any idea what that’s like?” She screamed the last part at Flynn, who backed away a step. The Hind heaved a breath, shaking. “I need to get him out. If you don’t help me, then his death is on you. And I will destroy you, Tristan Flynn.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Bryce declined to answer. Her father smiled slightly. “I can connect the dots. You arrive from off-world, bearing a knife that matches the Starsword. The dagger from the prophecy, no?” His eyes gleamed with greed. “Not seen since the First Wars. If I were to guess, you managed to reach a place I have long desired to go.” He glanced up at the orrery. “You might want to reconsider before packing your bags,” Bryce said. “They don’t take kindly to assholes.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The Autumn King smiled. It was a thing of nightmarish beauty. “You truly are my child. More so than Ruhn ever was.” “That’s not a compliment.” But she went on, content to needle him with her guesses. “You want to know if I can kill them, don’t you? The Asteri. If the Starborn light is different from their light, and how it is different. That’s where the orrery comes in: contemplating where we come from … what sort of light we have, how it can be weaponized.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Only Aidas remained, seeming to cling to the connection as he spoke to Bryce, his blue eyes intense on her face. “If you find that final piece of Theia’s power … if the cost of uniting the sword and knife is too much, Bryce Quinlan, then don’t do it. Choose life.” He glanced to Hunt. “Choose each other. I have lived with the alternative for millennia—the loss never gets easier to bear.” Bryce reached a ghostly hand toward Aidas, but the Prince of the Chasm was gone. And all of Hel with him.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
What was their world like?” “I don’t know—I only saw a holding cell and some tunnels and caverns. But … it seemed free. Of the Asteri, at least.” And then, because she knew it would upset him, she said, “The Fae there are stronger than we are. The Asteri take a chunk of our power through the Drop—it feeds them, sustains them. In that other world, the Fae retain their full, pure power.” She could have sworn his face had paled, even under the flattering golden glow of the twin iron chandeliers dangling above. It made her more smug than she’d expected.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
But then Azriel approached her. Nesta had blinked at the gift the shadowsinger set in her lap. 'I didn't get you anything,' she murmured to Az, her cheeks turning rosy.
'I know,' he said, smiling. 'I don't mind.'
...
...his gaze snagged on Nesta's fingers as she opened the small box. She peered at what was inside, then looked at Azriel in confusion. 'What is it?'
Azriel plucked up the small folded silver wand within and unfurled it. One end held a clip, the other a small glass sphere. 'You can attach this to whatever book you're reading, and the little ball of faelight will shine. So you don't have to squint when you're reading at night.'
Nesta touched the glass ball, no bigger than her thumbnail, and faelight flickered within, casting a bright, easy glow upon her lap. She tapped it again and it turned off. And then she jumped to her feet and flung her arms around Azriel.
The room went silent for a beat.
But Azriel chuckled and squeezed her gently. Cassian smiled to see it- to see them. 'Thank you,' Nesta said, quickly pulling away to marvel at the device. 'It's brilliant.'
Azriel blushed and stepped back, shadows swirling.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
A large subterranean river, if the sound was this loud even up here. Bits of spray floated from the darkness, the damp air laced with a thick, metallic scent—iron. There must have been deposits of it down here. Nesta said with equal quiet, “That bridge is the perfect place for an ambush.” “From who?” Bryce hissed. “I haven’t lived long enough to know every horror in this world, but I can tell you that dark places tend to breed dark things. Especially ones as old and forgotten as this.” “Great. So how do we get across without attracting said dark things?” “I don’t know—this tunnel is foreign to me.” Bryce turned to her in surprise. “You’ve never been down this way?” Nesta cut her a look. “No. No one has.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The Cauldron,” Nesta said hours later, pointing to yet another carving on the wall. It indeed showed a giant cauldron, perched atop what seemed to be a barren mountain peak with three stars above it. Azriel halted, angling his head. “That’s Ramiel.” At Bryce’s questioning look, he explained, “A mountain sacred to the Illyrians.” Bryce nodded to the carving. “What’s the big deal about a cauldron?” “The Cauldron,” Azriel amended. Bryce shook her head, not understanding. “You don’t have stories of it in your world? The Fae didn’t bring that tradition with them?” Bryce surveyed the giant cauldron. “No. We have five gods, but no cauldron. What does it do?” “All life came and comes from it,” Azriel said with something like reverence. “The Mother poured it into this world, and from it, life blossomed.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
The great minds, which from time to time have existed in this world, were like doors thrown wide to understanding. I don't mean just their brilliance or philosophy or even psychology. I mean that the spoken words that have endured are those uttered by men who understood with their hearts.
No one on earth understands everything; that all-comprehensive function belongs to God alone. But we all try to understand a little. Most of us realize that too late. We look back and think: If only I'd tried to understand. Many failures in human relationships derive from this common failure.
Watching the birds flock to discuss their travels among the brilliant leaves, listening to the slow turning of the earth upon her axis, meditating on Nature herself, never uncertain no matter how uncertain her manifestations may be, I think of the instinct that sends the birds from one locality to another, of the lengthening shadows as we face toward autumn, and of the marvelous system that encourages the leaf to fall and nurture the soil. In the single flame of October it begins the lullaby that will put the roots of grass and flowers to sleep. This system, in the four seasons of my little world, will cover the ground with silent snow, and at a later date will shout that spring is coming and awaken sleepers to new life.
The sun in his glory, the moon in her phases, the stars in their courses, all these are part of the system; and Nature, turning the wheel of the seasons, understands what she must accomplish.
Each in our own way, I suppose, we try to understand what we must accomplish. Perhaps the most important thing of all is the attempt to understand others.
”
”
Faith Baldwin (Evening Star (Thorndike Large Print General Series))
“
Recognizing Muhammad
Before Muhammad appeared in form,
there were scriptural references. People imagined how he would be and called
on his presence in battle and sickness. They had thoughts and language about Muhammad.
What good was that? Not everyone recognizes Muhammad. Many have a conception
of him they can stand to live with. They don't know that if the shadow of
Muhammad's true form falls across a wall, the wall will bleed! And it will
no longer have two sides! What a blessing to be one thing. When others saw Muhammad,
their awe evaporated, as counterfeit coins turn black in the flame. There are false
coins who claim they want to be tested, all bravado. And there are touchstones that
do not reveal impostors. There are mirrors that hide your flaws. Avoid hypocritical
praise, and keep away from flattering mirrors, if you possibly can.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
My light is just that,” Bryce said. “Light. The Asteri claim their powers are from holy stars inside themselves, but they can physically manipulate things with that light. Kill and destroy. Is starlight that can shatter rock actually light? Everything they’ve told us is basically a lie, so it’s possible they don’t have stars inside them at all—that it’s merely bright magic that looks like a star, and they called it a holy star to wow everyone.” Azriel said, wings rustling, “Does it matter what their power is called, then?” “No,” Nesta admitted. “I was only curious.” Bryce chewed on her lip. What was the Asteri’s power? Or hers? Hers was light, but perhaps theirs was actually the brute force of a star—a sun. So hot and strong it could destroy all in its path. It wasn’t a comforting thought, so Bryce asked Nesta, in need of a new subject, “What kind of sword is that, anyway?” Its simple, ordinary hilt jutted above Nesta’s shoulder. “One that can kill the unkillable,” Nesta answered. “So is the Starsword,” Bryce said quietly, then nodded to Azriel’s side. “Can your dagger kill the unkillable, too?” “It’s called Truth-Teller,” he said in that soft voice, like shadows given sound. “And no, it cannot.” Bryce arched a brow. “So does it … tell the truth?” A hint of a smile, more chilling than the frigid air around them. “It gets people to do so.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Ember at last pulled away from Nesta. But she gently put a hand to the female’s cheek and whispered, “You’ll find your way,” before walking to the portal.
Bryce could have sworn there were tears in Nesta’s eyes as her mother stepped back into Midgard.
But those tears were gone when Nesta met Bryce’s stare. And Cassian, like any good mate, sensed when he wasn’t wanted, and walked over to the fireplace to pretend to read some sort of old-looking manuscript. Bryce knew that, also like any good mate, if she made one wrong move, he’d rip her to shreds. Which was precisely why Hunt had come back into the room, and was watching Nesta carefully.
“Alphaholes,” Nesta echoed, eyes gleaming with amusement.
Bryce chuckled and drew the Starsword. Again, Cassian tensed, but Bryce just offered it to Nesta. The female took it, blinking.
“You said you had an eight-pointed star tattooed on you,” Bryce explained. “And you found the chamber with the eight-pointed star in the Prison, too.”
Nesta lifted her head. “So?”
“So I want you to take the Starsword.” Bryce held the blade between them. “Gwydion—whatever you call it here. The age of the Starborn is over on Midgard. It ends with me.”
“I don’t understand.”
But Bryce began backing toward the portal, taking Hunt’s hand, and smiled again at the female, at her mate, at their world, as the Northern Rift began to close. “I think that the eight-pointed star was tattooed on you for a reason. Take that sword and go figure out why.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I was turned High Fae when an enemy shoved me into it. It’s raw power, but also … sentient.” “Like that mask you put on earlier.” Azriel folded his wings tightly, clearly wary of discussing such a powerful instrument with a potential enemy. But Nesta asked, “You detected a sentience in the Mask?” Bryce nodded. “It didn’t, like, talk to me or anything. I could just … sense it.” “What did it feel like?” Nesta asked quietly. “Like death,” Bryce breathed. “Like death incarnate.” Nesta’s eyes grew distant, grave. “That’s what the Mask can do. Give its wearer power over Death itself.” Bryce’s blood chilled. “And this is a … normal type of weapon here?” “No,” Azriel said from ahead, shoulders tense. “It is not.” Nesta explained, “The Mask is one of three objects of catastrophic power, Made by the Cauldron itself. The Dread Trove, we call it.” “And the Mask is … yours?” “I was also Made by the Cauldron,” Nesta said, “which allows me to wield it.” She spoke with no pride or boasting. Merely cold resignation and responsibility. “Made,” Bryce mused. “You said that my tattoo was Made.” “It is a mystery to us,” Nesta said. “You’d need to have had the ink Made by the Cauldron, in this world, for it to be so.” The Horn had come from here. Had been brought by Theia and Pelias into Midgard. Perhaps it, too, had been forged by the Cauldron. Bryce tucked away the knowledge, the questions it raised. “We don’t have anything like the Cauldron on Midgard. Solas is our sun god, Cthona his mate and the earth goddess. Luna is his sister, the moon; Ogenas, Cthona’s jealous sister in the seas. And Urd guides all—she’s the weaver of fate, of destiny.” Bryce added after a moment, “I think she’s the reason I’m here.” “Urd,” Nesta murmured. “The Fae say the Cauldron holds our fates. Maybe it became this Urd.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Where is Bryce?” hissed the Prince of the Chasm. “She went to find you.” Hunt’s voice broke. Beside him, Ruhn groaned, stirring. “She went to fucking find you, Aidas.” The Princes of Hel looked at each other, some wordless conversation passing between them. Hunt pushed, “You two told her to find you. Fed us all that bullshit about armies and wanting to help and getting her ready—” “Is it possible,” Aidas said to his brother, ignoring Hunt entirely, “after everything …?” “Don’t fall into romanticism,” Apollion cautioned. “The star might have guided her,” Aidas countered. “Please,” Hunt cut in, not caring if he was begging. “Tell me where she is.” Baxian grunted, rising to consciousness. Aidas said quietly, “I have a suspicion, but I can’t tell you, Athalar, lest Rigelus wring it from you. Though he has likely already arrived at the same conclusion.” “Fuck you,” Hunt spat. But Apollion said to his brother, “We must leave.” “Then what was the point of all this watching me from the shadows?” Hunt demanded. “To ensure that we can continue to rely on you when the time comes.” “To do what?” Hunt ground out. “What you were born to do—to accomplish the task for which your father brought you into existence,” Apollion said before fading into nothing, leaving Aidas standing alone before the prisoners. Shock reared up in Hunt, dampened by the weight of an old, unbidden hurt. “I have no father.” Aidas’s expression was sad as he stepped out of the shadows. “You spent too long asking the wrong questions.” “What the fuck does that mean?” Aidas shook his head. “The black crown once again circling your brow is not a new torment from the Asteri. It has existed for millennia.” “Tell me the fucking truth for once—” “Stay alive, Athalar.” The Prince of the Chasm followed his brother, vanishing into darkness and embers.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
When Kestrel opened her eyes, she was lying in her bed. Someone had built a fire, which sent ripples of orange light over the ceiling. An oil lamp burned on the night table, casting her father’s face into extremes of shadow and bone. He had drawn a chair close and perhaps had been sleeping in it, but his eyes were alert.
“Your knee needs to be tapped,” he said.
She looked at it. Someone--her father?--had cut away the right legging at her thigh, and below the sheared black cloth her knee was swollen to twice its normal size. It felt tight and hot.
“I don’t know what that means,” Kestrel said, “but it doesn’t sound very nice.”
“Irex dislocated your kneecap. It slipped back into place, but the blow must have torn your muscle. Your knee’s filling with blood. That’s what’s causing you so much pain: the swelling.” He hesitated. “I have some experience with this kind of wound, on the battlefield. I can drain it. You’ll feel better. But I would have to use a knife.”
Kestrel remembered him cutting her mother’s arm, blood weaving through his fingers as he tried to close the wound. He looked at her now, and she thought that he was seeing the same thing, or seeing Kestrel remember it, and that they were mirroring each other’s nightmare.
His gaze fell to his scarred hands. “I’ve sent for a doctor. You can wait until she comes, if you prefer.” His voice was flat, yet there was a small, sad note that probably only she would have heard. “I wouldn’t suggest this if I didn’t feel myself capable and if I didn’t think it would be better to do it now. But it’s your choice.”
His eyes met hers. Something in them made her think that he would never have let Irex kill her, that he would have pushed into the ring and planted a blade in Irex’s back if he had thought his daughter might die, that he would have thrown away his honor with hers.
Of course, Kestrel couldn’t be sure. Yet she nodded. He sent a slave for clean rags, which he eased under her knee. Then he went to the fire and held a small knife in the flames to sterilize it.
He returned to her side, the blackened knife in his hand. “I promise,” he said, but Kestrel didn’t know whether he meant to say that he promised this would help her, or that he knew what he was doing, or that he would have saved her from Irex if she had needed saving. He slid the knife in, and she fainted again.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Kiril glanced around the darkened room. He walked to a leather chair and sat, stretching his legs out in front of him and crossing his ankles. “Did you know that during the Fae Wars the Dark took two Dragon Kings? At different times, of course.”
“I suppose they escaped as well? Are you telling me we don’t know how to hold a Dragon King?”
“The Dark did . . . things to my brethren. One completely lost his mind and attacked us, which is what the Dark wanted. He had to be killed. The other King knew what was happening to him, but he couldna stop it. He came to us and begged to be killed before he could harm one of us.”
Shara sipped her whisky before she said, “You lost two Kings and I lost seven siblings.”
“And the Light the Dark took?”
“The Dark take the Light and the Light take the Dark.”
Kiril let his gaze drift down her body. How he itched to have her long legs wrapped around him. Things would be so much easier if he didn’t desire her as he did, but there wasn’t a switch he could flip and turn off his body’s reaction. The more he tried to ignore the growing desire, the more it raged uncontrollably within him.
He gave himself a mental shake and returned to their conversation. “What’s the plan, then? Will the Dark storm in here and try to capture me?”
Shara walked around the room, her hand skimming along the backs of the chairs. “No.”
“No?” Kiril set aside his glass on the table next to him and silently rose to his feet. He followed her as if a string tied them together. “What then?”
“You don’t really want to know.”
Kiril spun her around so hard that her glass flew from her hand and landed upon a rug, spilling the whisky but not breaking the crystal. “Tell me,” he demanded in a soft, deadly voice.
“My job is to seduce you.” She held her stance for a heartbeat before she retreated, taking two steps back.
He tracked her until she was once more in the entryway. The shadows darkened everything, and yet the smallest sliver of moonlight found her, illuminating her in a pale blue glow.
No longer could he deny what he wanted. Perhaps it was her confession. Maybe it was because he hadn’t taken to the skies in weeks. Whatever it was, all he knew was that he had to have her or go up in flames.
“Then seduce me.
”
”
Donna Grant (Burning Desire (Dark Kings, #3))
“
We need to talk."
"Good talk or bad talk?"
"The kind that will make me glad you don't have access to your power so you don't spew flames everywhere.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
If I don’t take her back to her wooden walls, she will die.” Hunter met his father’s steady gaze across the leaping flames. “Then what will become of the prophecy? She emptied her belly of the meat broth and precious water as well. She will sure enough die if this continues.”
Soat Tuh-huh-yet, Many Horses, drew on his pipe and blew smoke toward the peak of the lodge, then toward the ground. After taking another drag, he exhaled east, west, north, and south. The pipe then passed from his right hand to Hunter, who inhaled slowly and returned the pipe to his father with his right hand to make a full circle, never to be broken.
“My tua, you have only just arrived. Give her some time.”
“She’ll be dead in a day or two.” Hunter spat a fleck of tobacco. Though he would never admit it, he detested the taste of his father’s pipe. “I have tried everything, Father. I’ve been kind to her. I’ve promised my strong arm will be hers forever into the horizon, until I am dust in the wind. And I’ve tried bargaining with her.”
“What bargains?”
Hunter shot a wary glance toward the shadows, where his mother sat listening. “After my mother left the lodge, I said that perhaps I would be a tired Comanche when the moon rose if she were to eat and drink.”
“And if she didn’t, and you were not tired?” Many Horses’ dark eyes filled with laughter. He too shot a glance into the shadows. “The bargain did not please her?”
Hunter shook his head.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter.
“One wife and only one wife, forever with no horizon?”
Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.”
He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?”
“I--” Loretta’s mouth went as dry as dust as she tripped along beside him, her arm vised in his grip. “Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--”
He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.”
Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.”
He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question.
“Do you hunger for food?” he asked her softly.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Most of the Times, Life shows us how difficult this journey is, only at Times when the sun clears we see the Sunshine, but the rain often washes away the clouds and both the clouds and the rain dampen our weary hearts, only to let us see a glimpse of a distant rainbow, once in a while. I guess it's always about the Time, the guardian of this Journey that we have to wait and persevere, that we have to remain resilient in the resolve to walk ahead, to find some way to hold on to the voyage, to not let the ship sink in the hollows of a mirage, to just live.
And that is what Life is about, perhaps to know that Gloom and Melancholy is a distinct part of our journey, and actually something that occupies the most part of our journey, and it doesn't have to be a deep Grief it can simply be the mundane sorrow of carrying on this existence knowing that Life is just a short frame holding dark colours as much as the bright ones, sometimes even more of those blackness only to bring out the whites a little bit more.
And while all of this goes on, somewhere our heart would know that there is One who is beyond this frame of Life and the space of Time and Cosmos; who is always holding your hand giving you the breath to walk ahead. May be He doesn't take away the blackness but throughout stays firm in your path, holding your shadow and your soul ever so gently to make you become the Light that you could only possibly be by embracing all of your Soul's journey. He doesn't perhaps change the potholes in your way, but He does ensure that even when you tumble you don't end up falling and if you do fall, He makes sure that you rise all over again from the flames of Life's fire with the fury of a phoenix. He doesn't end your suffering but lets you see that throughout your pain He is partaking in an even greater portion of it, alongside you. Simple, He doesn't let you see that He is God, because He shares your Life as a companion, walking beside you hand in hand, to make you live all that your soul had contracted before this journey began and even when He is beyond Time, He lets Time be your friend in a journey that is bound in human flesh and guarded by the tick-tock of that guardian.
So when I asked my Soul, what is that troubles me the most, I heard my Soul, Smile in a safe knowledge, when I have Him, need I let my troubles concern me?
My heart knew, He has already tucked my mind in the tranquil world of Life's paint-brush and a rainbow is just around the corner. A distant yet distinct rainbow.
A rainbow that is churned in Love, the love that only He can provide, the Love that is always lurking on the edges of those clouds and rain, in the silhouette of a rainbow forever promised on the other side of a thunderstorm.
Love & Light, always
- Debatrayee
”
”
Debatrayee Banerjee
“
What court did your ancestors hail from?” “I don’t know. The Fae ancestor whose powers I bear, Theia—she was Starborn. Like me.” “That term means nothing here.” Nesta pulled Bryce to her feet with ease. “But Amren told me what you said of Theia, the queen who went to your world from ours.” Bryce brushed the dust and rock off her back, her ass. Her ego. “My ancestor, yes.” “Theia was High Queen of these lands. Before she left,” Nesta said. “She was?” A powerful ruler here as well as in Midgard. Her ancestor had been High Queen. Bryce carried not only Theia’s starlight—she carried her royal ties to this world. Which could land her in some major hot water with these people, if they felt threatened by Bryce’s lineage—if they believed she might have some sort of claim to their throne.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
So your daughter has light powers, you’re interested in patterns in light … you want the information hidden from the Asteri …” She chuckled, lowering her hand at last. “Oh, don’t even try to deny it,” she said when he opened his mouth. “If you wanted to help them, you’d have turned me over to them already.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
I want to tell you that you look beautiful,” he said, his voice as soft as the shadows moving around us, warm against my cheek. “But beautiful doesn’t adequately capture what I see. I don’t know if there is a word that does. You have taken my breath with yours.
”
”
Jennifer L. Armentrout (A Light in the Flame (Flesh and Fire, #2))
“
Teachers don’t always know when they’ve lit the torch paper. But MacGhiolla knew. He knew he’d entered Virgil Swain’s imagination and held up a flame when he told him of a boy who fell in love with a girl called Emer who said he could not have her unless he completed Impossible Tasks. The boy was sent to study warcraft in Scotland under the tutelage of the female warrior Scathach-the-Shadow. Scathach-the-Shadow was about twenty centuries ahead of Marvel Comics. Gaming was in the early development stages back then. One in every two gamers died. Being Scottish and a warrior meant that Scathach was ferociousness itself. She didn’t have a Console, she had a hawk with talons. The boy was sent to her to learn how to achieve the impossible, and when he did, when Scathach had brought him up through all the Levels, showed him all the Cheats, and listed him on the Roll of Honour as All-Time Number-One Player, he came back and entered the fortress where Emer was guarded. He entered it by going upriver against the current. The method he used was salmon-leaps. Not kidding.
”
”
Niall Williams (History of the Rain)
“
The fire covered the field, the flames worked fast. I glanced over at Preston who was watching the destruction with a dark grin. The fire reflected in his eyes; shadows moved across his face illuminating the deep creases as he gazed ahead with great conviction. He looked evil. Was he evil? Lord knows he’s done evil. Or was he a man who thought he was doing the right thing, just reacting to situations and conditions that were thrust upon him? Each man is the protagonist of his own life. Always right in their own mind, altruistic and correct no matter what society deems acceptable. Nobody thinks they're evil. Nobody thinks they’re a bad person. All deeds, no matter how harmful or offensive to others can be rationalized in the perpetrators mind; perhaps that is the definition of evil? I looked away, who am I to judge? I thought. I don’t have the theological qualifications or the clean track record to deem anyone evil, he’s just a man. I focused back on the inferno.
Watching the fire spark and dance forming grinning malevolent shapes, I thought of the ancient Celtics when they’d set their world on fire with their Samhain bonfires; their unholy pagan ritual for summer’s end. That sacred night when the veil between the living and the dead was at its thinnest. The night of the great sacrifice. Blue-red flames licked the sky crackling and hissing their macabre cleansing cacophony that drew our unblinking stares and didn’t let go, it had us, it made us watch. Corynne clutched me close, her breathing was soft and warm; the air was beginning to cool. October was coming.
”
”
Chris Fraser (The Bookmaker)
“
Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--”
He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.”
Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.”
He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question.
“Do you hunger for food?” he asked her softly.
Loretta clamped a hand to her waist. “You know, actually I am hungry. Famished! Aren’t you? What sounds good?” She threw a frantic look at the cooking pots behind him. “I’ll bet stew would strike your fancy, wouldn’t it? After traveling so far and eating nothing but jerked meat. Yes, stew would be just the thing.”
Hunter’s mouth quirked. “Blue Eyes, a stew will take a very long time.”
All night, if she was lucky. “Oh, not that long. It’s no trouble, really!” She made a wide circle around him toward the pots. “I make a wonderful stew, really I do. I’m sure Maiden has some roots and onions I can borrow. Just you--”
Loretta leaped at the touch of his hand on her shoulder. She turned to face him, a large pot wedged between them, her hand white-knuckled on the handle.
“Blue Eyes, I do not want stew,” Hunter whispered, his voice laced with tenderness. “If you hunger, we will have nuts and fruit, eh?”
Loretta swallowed a lump of air. Fruit and nuts were better than the alternative. Maybe, if she ate one nut at a time…“All right, fruit and nuts.”
He spread a buffalo robe beside the fire while she put the pot away and dug up a parfleche of fruit and nuts from his store of preserved edibles. Kneeling beside him, Loretta munched industriously, staring into the leaping flames, aware with every bite she took that Hunter watched her. When she reached for her fourth handful, he clamped his long fingers around her wrist.
“Enough,” he said evenly. “You will sicken your gut if you eat more.”
Loretta’s gut was already in sorry shape. She swallowed, trying to avoid his gaze and failing miserably. When their eyes met, she felt as if the ground fell away. There was no mistaking that look in his eye. The moment of reckoning had come.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
She pressed even closer, arm wrapping around his waist. “I love you, too,” she whispered back. “Team Caves, all the way.” He huffed a laugh. “Let’s get T-shirts.” “Don’t tempt me. If Avallen wasn’t a backwater island with no interweb, I would have already ordered them to arrive at Morven’s castle.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
We need to talk.”
“Good talk or bad talk?”
“The kind that will make me glad you don’t have access to your power so you don’t spew flames everywhere.”
“That was one incident, and if you ask me, your absolutely wonderful former lover deserved it.”
Aelin’s new favorite nickname—fire-breathing bitch-queen—had been fairly accurate during that dinner.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
There is a place called reality. It is a place where people use doors instead of windows. Where, when you click, a sound is made, not a flame. Where a shadow is a think created by the sun, not a weapon. Where your reflection stays in the mirror, and where skeletons don't walk and talk. But you can escape this place. You just have to have one thing:
Imagination
”
”
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
“
First, I don’t have a list.” Another finger. “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away to Mexico and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Cocking a brow, she rose. “What’s all this about?” she asked the House, following the trail it had left. Down the hall, along the stairs, all the way down to the library itself. “Where are we going?” Nesta asked the warm air. Mercifully, even the night owls amongst the priestesses had gone to sleep, leaving no one to see her hurrying after the trail of branches. Around the levels of the library they twined, deeper and deeper, until they reached the seventh level. Nesta drew up short as the trail stopped at the edge of the wall of darkness. A light flickered beyond it. Several lights. As if to say, Come. Don’t be afraid. So Nesta sucked in a breath as she stepped into the gloom. Little tea lights wended into a familiar darkness. She and Feyre had once ventured down here—had faced horrors here. No evidence remained of that day. Only the firelit dimness, the candles leading her to the lowest levels of the library. To the pit itself. Nesta followed them, spiraling to the bottom of the pit, where one small lantern glowed, faintly illuminating the rows of books veiled in permanent shadow around it. Heart racing, Nesta lifted the lantern in one hand and gazed at the darkness, untouched by the light from the library high, high above. The heart of the world, of existence. Of self. The heart of the House. “This …” Her fingers tightened on the lantern. “This darkness is your heart.” As if in answer, the House laid a little evergreen sprig at her feet. “A Winter Solstice present. For me.” She could have sworn a warm hand brushed her neck in answer. “But your darkness …” Wonder softened her voice. “You were trying to show me. Show others. Who you are, down deep. What haunts you. You were trying to show them all those dark, broken pieces because the priestesses, and Emerie, and I … We’re the same as you.” Her throat constricted at what the House had gifted her. This knowledge. She lifted the lantern higher and blew out its flame. Let the darkness sweep in. Embraced it. “I’m not afraid,” she whispered into it. “You are my friend, and my home. Thank you for sharing this with me.” Again, Nesta could have sworn that phantom touch caressed her neck, her cheek, her brow. “Happy Solstice,” she said into the beautiful, fractured darkness.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Do you ever wonder?” she blurted. “What might have happened if you hadn’t sent your goons to hunt us down, or hadn’t tossed me to the curb when I was thirteen?” His eyes flickered. “Every single day.” “Then why?” Her voice cracked a bit. “You hit her, and then felt bad about it—you still feel bad about it. Yet you hunted us down, nearly killed her in the process. And when I showed up years later, you were nice to me for, like, two days before you kicked me out.” “I don’t answer to you.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
So…new mission: find the power Helena hid. Aidas claimed Helena used Midgard’s ley lines to hide it in these caves after Pelias died.” She sighed, scanning all their faces. “Any thoughts on where it might be?”
Ruhn blinked at her. “Yeah,” he said hoarsely. “I do have a thought.”
“Really?” Athalar said, frowning.
“Don’t look so shocked,” Ruhn grumbled.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
What happened?”
“What difference does it make?” she asked, wary and sharp. “I thought you didn’t wish to hear my sob story, as you put it.”
Well, he’d earned that. “Look, he said tightly, “you can’t expect me to learn who you are, what you are, and be immediately cool with it, okay? I’m still processing all this shit.”
“What is there to process? I am who I am, and I’ve done what I’ve done. The fact that I have children doesn’t erase that.”
All right. She was pissed off. “It’s almost like you want me to resent you.”
“I wanted you to listen,” she snapped, “but you wouldn’t. Yet now that I fit some sort of acceptably sad female backstory, you’re willing to hear me out.”
“That’s bullshit.” Fuck, she and Bryce would get along well. The fact that both of them were on this ship…Part of him wanted to run and hide.
Lidia went on, “Would you have listened if I had no backstory other than realizing what was right and wanting to fight for it? Of doing whatever it took to make sure that good prevailed against tyranny? Or does my being a mother somehow make my choices more palatable to you?”
“Most dudes run when they find out the female they’re into has kids.”
Her eyes flickered with cold fire. “That’s male strength for you.”
“You seemed to like my strength plenty, sweetheart.”
She snorted, turning back toward her door. Dismissing him.
His temper coiled. “So what’s the sob story, Lidia?”
Slowly, she looked back, her face a mask of utter contempt, and said before she shut the door in his face, “You don’t deserve to hear it.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Bryce lifted her chin, though she remained sitting on the ground. “Are Ruhn and Hunt still alive?”
Something like distaste flashed in the Autumn King’s eyes. As if such mortal bonds should be the least of her concerns. “You show your hand, Bryce Quinlan.”
“I thought my name was Bryce Danaan now,” she seethed.
“To the detriment of the line, yes,” the Autumn King said, his eyes sparking. “Where have you been?”
“There was a sample sale at the mall,” Bryce said flatly. “Are Ruhn and Hunt still alive?”
The Autumn King’s head angled, gaze sweeping over her filthy T-shirt, her torn leggings. “I was informed that you were no longer on this planet. Where did you go?”
Bryce declined to answer.
Her father smiled slightly. “I can connect the dots. You arrive from off-world, bearing a knife that matches the Starsword. The dagger from the prophecy, no?” His eyes gleamed with greed. “Not seen since the First Wars. If I were to guess, you managed to reach a place I have long desired to go.” He glanced up at the orrery.
“You might want to reconsider before packing your bags,” Bryce said. “They don’t take kindly to assholes.”
“Your journey hasn’t impacted that smart mouth of yours, I see.”
She smiled with saccharine sweetness. “You’re still an absolute bastard, I see.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Are you…What do you plan to do?”
It was a loaded question, but Ruhn answered, “I’ll help her. I’ll head up the Aux with Holstrom, I guess. Since the Fae throne’s gone as of this morning.” It had been a wonder to behold—Bryce standing in front of the crowd of cameras and nobles, ending the monarchies with the stroke of a pen. Their father’s favorite pen, no less.
Ruhn had never been so proud to be Bryce’s brother.
He smiled slightly. “The Oracle was right in a lot of ways, I guess.” Lidia lifted a brow. “It wasn’t just that the crown would go to Bryce, but that’d she’d end it. The Danaan royal line is finished.”
Lidia clicked her tongue. “You’re not dead or childless, after all.”
“Not yet,” Ruhn said, laughing again. All that time spent dreading the prophecy, worrying over his fate…
Lidia looked at him, in the way that no one else on Midgard did—like she saw him. “Are you prepared to not be a prince anymore, though? To be…normal?”
“I think so,” he said, nudging her knee with his own. “Are you?”
“I have no idea. I don’t even know what normal is,” Lidia admitted.
Ruhn took her hand, linking their fingers. “How about we figure it out together, then?”
“How to be normal?”
“How to live a normal life. The normal, adult apartment’s a good start. For both of us.”
But wariness flooded her eyes. “My life is complicated.”
“Whoever said normal isn’t complicated?” he countered. “All I know is that whatever tomorrow or next year or the next millennium has in store for this world, I want to face it at your side.”
They weren’t the Hind and a Crown Prince of the Fae. Weren’t Day and Night. Right then, there, they were simply Lidia and Ruhn. He wouldn’t have it any other way.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Are you prepared to not be a prince anymore, though? To be…normal?”
“I think so,” he said, nudging her knee with his own. “Are you?”
“I have no idea. I don’t even know what normal is,” Lidia admitted.
Ruhn took her hand, linking their fingers. “How about we figure it out together, then?”
“How to be normal?”
“How to live a normal life. The normal, adult apartment’s a good start. For both of us.”
But wariness flooded her eyes. “My life is complicated.”
“Whoever said normal isn’t complicated?” he countered. “All I know is that whatever tomorrow or next year or the next millennium has in store for this world, I want to face it at your side.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
If you find that final piece of Theia’s power … if the cost of uniting the sword and knife is too much, Bryce Quinlan, then don’t do it. Choose life.” He glanced to Hunt. “Choose each other. I have lived with the alternative for millennia—the loss never gets easier to bear.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
Gwyn ignored the look, instead glancing around before lowering her voice. “Have you seen volume seven of Lavinia’s The Great War?” Nesta scanned her memory. “No. I haven’t come across that one.” Gwyn frowned. “It’s not on its shelf.” “So someone else has it.” “That’s what I was afraid of.” She released a dramatic breath. “Why?” Gwyn’s voice quieted into a conspiratorial whisper. “I work for someone who is very … demanding.” Memory tugged at Nesta. Someone named Merrill, Clotho had told her the other day. Her right hand. “I take it you’re not fond of the person?” Gwyn leaned against one of the shelves, crossing her arms with a casualness that belied her priestess’s robes. Again, she wore no hood and no blue stone atop her head. “Honestly, while I consider many of the females here to be my sisters, there are a few who are not what I would consider nice.” Nesta snorted. Gwyn again peered down the row. “You know why we’re all here.” Shadows swarmed her eyes—the first Nesta had seen there. “We all have endured …” She rubbed her temple. “So I hate, I hate to even speak ill of any one of my sisters here. But Merrill is unpleasant. To everyone. Even Clotho.” “Because of her experiences?” “I don’t know,” Gwyn said. “All I know is that I was assigned to work with Merrill and aid in her research, and I might have made a teensy mistake.” She grimaced. “What manner of mistake?” Gwyn blew out a sigh toward the darkened ceiling. “I was supposed to deliver volume seven of The Great War to Merrill yesterday, along with a stack of other books, and I could have sworn I did, but this morning, while I was in her office, I looked at the stack and saw I’d given her volume eight instead.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))