Flame Of The Forest Quotes

But the worst enemy you can meet will always be yourself; you lie in wait for yourself in caverns and forests. Lonely one, you are going the way to yourself! And your way goes past yourself, and past your seven devils! You will be a heretic to yourself and witch and soothsayer and fool and doubter and unholy one and villain. You must be ready to burn yourself in your own flame: how could you become new, if you had not first become ashes?

Sometimes a flame must level a forest to ash before new growth can begin. I believe Wonderland needed a scouring.

Be as swift as the wind. As silent as the forest. As fierce as the fire. As unshakable as the mountain. And you can do anything...

I am not a Sunday morning inside four walls with clean blood and organized drawers. I am the hurricane setting fire to the forests at night when no one else is alive or awake however you choose to see it and I live in my own flames sometimes burning too bright and too wild to make things last or handle myself or anyone else and so I run. run run run far and wide until my bones ache and lungs split and it feels good. Hear that people? It feels good because I am the slave and ruler of my own body and I wish to do with it exactly as I please

Sometimes a flame must level a forest to ash before new growth can begin.

Fire can destroy, fire can kill, but it can also create. Forest burned in the summer will be green by spring, better and stronger than before. Cal’s flame will build and bring roots from the ashes of war.

Variation on the Word Sleep I would like to watch you sleeping, which may not happen. I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head. and walk with you through that lucent wavering forest of bluegreen leaves with its watery sun & three moons towards the cave where you must descend, towards your worst fear I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief at the center of your dream, from the grief at the center. I would like to follow you up the long stairway again & become the boat that would row you back carefully, a flame in two cupped hands to where your body lies beside me, and you enter it as easily as breathing in I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed & that necessary.

Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.

To Ben, love was the flame in which he wanted to be reborn. He wanted to be remade by it.

Your reason and your passion are the rudder and the sails of your seafaring soul. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may livethrough its own daily resurrection, and like the phoenix rise above its own ashes. And since you are a breath in God’s sphere, and a leaf in God’s forest, you too should rest in reason and move in passion.

A woodland in full color is awesome as a forest fire, in magnitude at least, but a single tree is like a dancing tongue of flame to warm the heart.

Like fore, you will blaze through the forest... but beware - even the most powerful flames can be defeated by water.

She fell asleep like a flame being extinguished.

Softly the breezes from the forest came, Softly they blew aside the taper's flame; Clear was the song from Philomel's far bower; Grateful the incense from the lime-tree flower; Mysterious, wild, the far-heard trumpet's tone; Lovely the moon in ether, all alone: Sweet too, the converse of these happy mortals, As that of busy spirits when the portals Are closing in the west; or that soft humming We hear around when Hesperus is coming. Sweet be their sleep.

When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.

Through the forest he pursued the she-monster whose tail coiled over the dead leaves like a silver stream; and he came to a meadow where women, with the hindquarters of dragons, stood around a great fire, raised on the tips of their tails. The moon shone red as blood in a pale circle and their scarlet tongues, formed like fishing harpoons, stretched out, curling to the edge of the flame.

Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite. Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody. But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements? Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas. For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction. Therefore let your soul exalt your reason to the height of passion, that it may sing; And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes. I would have you consider your judgment and your appetite even as you would two loved guests in your house. Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both. Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows -- then let your heart say in silence, "God rests in reason." And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky -- then let your heart say in awe, "God moves in passion." And since you are a breath in God's sphere, and a leaf in God's forest, you too should rest in reason and move in passion.

There was no more need to cling to her last life. Firestar would kindle a new flame and blaze through the forest in her place. ThunderClan was safe. She closed her eyes and gave way to dizzying blackness.

Promises are meant to be broken, that’s what people always say, but what if I want to keep mine? To this day, I’d sooner break my bones than go back on any of the words I said so dearly to you. We’re so young, God, we’re so young. Only sixteen with a pocketful of big dreams. The world is in our hands, that’s what people always say, but what if I’m afraid to carry it? What if I don’t want to be Atlas? You, my dear, are unshakeable. You hold your cards close to your chest. Courage finds a home in the space between your ribs. I’m too young to understand, that’s what people always say, but I am old enough to see. There’s a forest fire in your eyes that sets me alight. A bravery in your heart that beats in tune to mine. My darling, you’re something out of a story. Poetry doesn’t begin to do your soul justice. Change is inevitable, that’s what people always say, but what if that change is good? There’s a lightness to my steps there wasn’t before. There’s a brightness in my heart there wasn’t before. If you held me up to a candle, my silhouette would be covered in your name. Before you, I used to care what people always say your lovely heart led me astray in unexpected ways. Sometimes I think I’m going to burst into flames. From the spark you struck inside my chest. I wonder, how do you keep from setting yourself afire? But then comes the startling yet undeniable understanding. You are fireproof, lionheart and now I am, too.

If you whisper a secret to a candle flame, then all fire everywhere will know that secret. The words will crackle in every campfire and churn like an ocean deep in the bell of the Earth. Fire will translate your words to smoke and ash, telling no one but the sky.

Nesta whirled to the next opponent, but her friends had halted. The males around them were down. Utter silence filled the snowy forest. Even the birds in the pines had stopped chirping. "Valkyries," Emerie said, eyes blazing bright. Nesta grinned through the blood she knew was splattered on her face. "Hell yes.

the forest remembers that the last word can only be the flaming cry of the bird of ruins in the bowl of the storm

Give me a hot coal glowing bright red, Give me an ember sizzling with heat, These are the jewels made from my beak. We fly between the flames and never get singed We plunge through the smoke and never cringe. The secrets of fire, its strange winds, its rages, We know it all as it rampages Through forests, through canyons, Up hillsides and down. We track it. We'll find it. Take coals by the pound. We'll yarp in the heart of the hottest flame Then bring back its coals an make them tame. For we are the colliers brave and beyond all We are the owls of the colliering chaw!

This is the effect of panic, a natural effect, you could say that animal nature is like this, plant life would behave in exactly the same way, too, if it did not have all those roots to hold it in the ground, and how nice it would be to see the trees of the forest fleeing the flames.

The Calores are children of fire, as strong and destructive as their flame, but Cal will not be like the others before. Fire can destroy, fire can kill, but it can also create. Forest burned in the summer will be green by spring, better and stronger than before. Cal's flame will build and bring roots from the ashes of war. The guns will quiet, the smoke will clear, and the soldiers, Red and Silver both, will come home. One hundred years of war, and my son will bring peace. He will not die fighting. He will not. HE WILL NOT.

Love is not a forest fire that burns intensely, hotly and out of control for a brief moment until, its expendable fuel spent, it sputters, seeking in vain for something else to consume, to sustain itself before, finally, it dies: cold, black ash the only evidence of its passing. Love is, instead, a campfire: it provides ample heat and comfort to the twosome who sit before it, and although its flames may at times wane, a well-tended campfire’s embers can be nurtured and fanned until the flames once again dance brightly and cheerfully, providing comfort to the couple who cherish the gentle warmth it ministers.

When she came back minutes later with a great, fat, skinned rabbit, Po had built a fire. The flames cast orange light on the horses and on himself. "It was the least I could do," Po said, drily, "and I see you've already skinned the hare. I'm beginning to think I won't have much responsibility as we travel through the forest together." "Does it other you? You're welcome to do the hunting yourself. Perhaps I can stay by the fire and mend your socks, and scream if I hear strange noises.

Perhaps the forest simply knew this was where someone like Mariko - a lost girl in search of a place to call home - could plant roots and flourish.

Never forget, Sanada Takeo: in this forest, there is no place to hide.

She was born with a fire inside her , let's see how quick a single flame can take hold of an entire forest ...

How long he stood he did not know, but there was a foolish and yet delicious sense of knowing himself as an animal come from the forest, drawn by the fire. He was a thing of brush and liquid eye, of fur and muzzle and hoof, he was a thing of horn and blood that would smell like autumn if you bled it out on the ground. He stood a long time, listening to the warm crackle of the flames.

What's this?" Primage Dur squinted at the glow of magic in the forest before them. Twelve shining warriors in red leather stood interspaced between a line of gnarled trees, blocking the advance of the Eld. "Who are they?" "Dalh'reisen," Azurel hissed. "Are they... singing?

Carrying that lumber the forty meters from the forest had left his knuckles blistered, his underarms sopping, but now a few hours of flames had lifted what had taken him months to design, weeks to carry, days to build, all but the nails and rivets, all but the hinges and bolts, all into the sky.

Do you know why the leaves change colour, Makin?" They did look spectacular. The forest had grown around us as we traveled and the canopy burned with colour, from deepest red to flame orange, an autumn fire spreading in defiance of the rain. "I don't know," he said, "Why do they change?" "Before a tree sheds a leaf it pumps it full of all the poison it can't rid itself of otherwise. That red there—that's a man's skin blotching with burst veins after an assassin spikes his last meal with roto-weed. The poison spreading through him before he dies.

They didn't believe in interfering with the child's imagination, and so when the Ada finished one of her many books and decided that she could talk to animals, no one corrected her. 'It did no harm to let her believe that,' Saul said, and the Ada continued to believe wildly, in Yshwa and fairies and pixies living in the flame of the forest blossoms.

I should have known I wasn’t a forest fire, but a small flame that could be snuffed out easily by the first man who turned my way with a heavy breath.

Then—without another sound—the beast glided toward her. Like a ghost. Like a demon of the forest, flying on a whorl of black smoke. Mariko’s

As swift as the wind As silent as the forest As fierce as the fire As unshakable as the mountain

So my sister dances and the dead house burns, and I scrawl these few last words by the light of its burning. I know I should toss this story, too, on those flames. But I am still too much a storyteller -or at least a storykeeper-still too much my father's daughter to burn these pages.

Along the open road on winter nights, homeless, cold, and hungry, one voice gripped my frozen heart: 'Weakness or strength: you exist, that is strength. You don't know where you are going or why you are going, go in everywhere, answer everyone. No one will kill you, any more than if you were a corpse.' In the morning my eyes were so vacant and my face so dead, that the people I met may not even have seen me. In cities, mud went suddenly red and black, like a mirror when a lamp in the next room moves, like treasure in the forest! Good luck, I cried, and I saw a sea of flames and smoke rise to heaven; and left and right, all wealth exploded like a billion thunderbolts.

That’s when he finds them. Birds. Mammals. Reptiles. That one was George—a Cheetah with the most flaming fur. That one was Gogy—a gorilla with the clearest pair of eyes. That one was Ms. Mimbo—a hybrid of Macao and African Grey Parrot. And the one near the stone was … well, the Monk goes through around three dozen names. It took fifty years of careful watch to make sure they don’t go extinct. If you live long enough, you might, as well, end up befriending every life your neighboring forest holds. And if you are a war hero, you might even get professionals from the Wildlife Conservation Board to help you during their crossbreeding process. But they’re all dead.

Weakness or strength: there you are, strength. You do not know where you are going, nor why you are going; enter anywhere, reply to anything. They will no more kill you than if you were a corpse.” In the morning I had a look so lost, a face so dead, that perhaps those whom I met did not see me. In cities, suddenly, the mud seemed red and black like a mirror when the lamp moves about in the adjoining room, like a treasure in the forest! Good luck, I cried, and I saw a sea of flames and smoke in the sky; to the right, to the left all the riches of the world flaming like a billion thunder-bolts.

The Fire Bug flared up at that. “You want to know what bugs me?” it said indignantly. “Nobodaddy’s friendly about fire. Oh, it’s fine in its place, people say, it makes a nice glow in a room, but keep an eye on it in case it gets out of control, and always put it out before you leave. Never mind how much it’s needed; a few forests burned by wildfires, the occasional volcanic eruption, and there goes our reputation. Water, on the other hand!—hah!—there’s no limit to the praise Water gets. Floods, rains, burst pipes, they make no difference. Water is everyone’s favorite. And when they call it the Fountain of Life!—bah!—well, that just bugs me to bits.” The Fire Bug dissolved briefly into a little cloud of angry, buzzing sparks, then came together again. “Fountain of Life, indeed,” it hissed. “What an idea. Life is not a drip. Life is a flame. What do you imagine the sun is made of? Raindrops? I don’t think so. Life is not wet, young man. Life burns.

The ride to Alicante had been like something out of a dream, or a cheesy romance novel. The two of them astride white stallions, galloping across the countryside, charging across emerald meadows and through a forest the color of flames. Isabelle's hair streamed behind her like a river of ink, and Simon had even managed not to fall off his horse--never a foregone conclusion.

You'd think that the forest is at the mercy of the flame, but that's not it. The flame's greatest fear is the forest: being out of control, consumed from the inside out, burning with no end in sight. It is the flame which is at the mercy of the forest; but the forest doesn't care, she promises no end, she never says it stops or that it gets better! Flames never asked to be born as flames: so volatile, so vital, so uncontained. You are a flame, this world is a forest. Do you see it now? It was never the other way around.

It started out a small fire, just some warming flames in a circle of stones. And now it’s a conflagration, burning up forests and countries and planets. There is no end to it. Nor do I ever want there to be. I already know: This will consume me until there’s nothing left.

But clouds bellied out in the sultry heat, the sky cracked open with a crimson gash, spewed flame-and the ancient forest began to smoke. By morning there was a mass of booming, fiery tongues, a hissing, crashing, howling all around, half the sky black with smoke, and the bloodied sun just barely visible. And what can little men do with their spades, ditches, and pails? The forest is no more, it was devoured by fire: stumps and ash. Perhaps illimitable fields will be plowed here one day, perhaps some new, unheard-of wheat will ripen here and men from Arkansas with shaven faces will weigh in their palms the heavy golden grain. Or perhaps a city will grow up-alive with ringing sound and motion, all stone and crystal and iron-and winged men will come here flying over seas and mountains from all ends of the world. But never again the forest, never again the blue winter silence and the golden silence of summer. And only the tellers of tales will speak in many-colored patterned words about what had been, about wolves and bears and stately green-coated century-old grandfathers, about old Russia; they will speak about all this to us who have seen it with our own eyes ten years - a hundred years! - ago, and to those others, the winged ones, who will come in a hundred years to listen and to marvel at it all as at a fairy tale. ("In Old Russia")

The assembly fell into a prolonged silence. Ahead of them stretched the leaden road of time, terminating somewhere in the mists of the future, where all they could see were flickering flames and luster of blood. The brevity of a human lifespan tormented them as never before, and their hearts soared above the vault of time to join with their descendants and plunge into blood and fire in the icy cold of space, the eventual meeting place for the souls of all soldiers.

You must know, my loved one, that there are beings in the elements which almost appear like mortals, and which rarely allow themselves to become visible to your race. Wonderful salamanders glitter and sport in the flames; lean and malicious gnomes dwell deep within the earth; spirits, belonging to the air, wander through the forests; and a vast family of water spirits live in the lakes and streams and brooks. In resounding domes of crystal, through which the sky looks in with its sun and stars, these latter spirits find their beautiful abode; lofty trees of coral with blue and crimson fruits gleam in their gardens; they wander over the pure sand of the sea, and among lovely variegated shells, and amid all exquisite treasures of the old world, which the present is no longer worthy to enjoy; all these the floods have covered with their secret veils of silver, and the noble monuments sparkle below, stately and solemn, and bedewed by the loving waters which allure from them many a beautiful moss-flower and entwining cluster of sea grass. Those, however, who dwell there, are very fair and lovely to behold, and for the most part, are more beautiful than human beings. Many a fisherman has been so fortunate as to surprise some tender mermaid, as she rose above the waters and sang. He would then tell afar of her beauty, and such wonderful beings have been given the name of Undines. You, however, are now actually beholding an Undine.

Let me tell you the plot of every one of his damned stories. Somebody wanted something. That's the story. Mostly they get it, too. Most people want things like a candle flame, flickering, shifting. You, on the other hand, want like a forest fire. I should warn you, getting what you want and being happy are two quite different things.

A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky’s stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I’ll not go northing this year. I’ll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow’s fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow’s seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.

Sometimes a flame must level a forest to ash before new growth can begin

If the forest has a day of fire and the heat of the flames does not consume a special tree, it will still be changed; charred, but still standing.

You are fire, and you will blaze through the forest. But beware: Even the most powerful flames can be destroyed by water.

Where perfumed rivers flow, Is the home of my beloved. Where passing breezes halt, Is the home of my beloved. Where dawn arrives on bare toes, Where night paints henna-beams on feet, Where fragrance bathes in moonlight, Is the home of my beloved. Where rays of light roam nakedly, In green forests of sandalwood. Where the flame seeks the lamp, Is the home of my beloved. Where sunsets sleep on wide waters, And the deer leap. Where tears fall for no reason, Is the home of my beloved. Where the farmer sleeps hungry, Even though the wheat is the color of my beloved, Where the wealthy ones lie in hiding, Is the home of my beloved. Where perfumed rivers flow, Is the home of my beloved. Where passing breezes halt, Is the home of my beloved.

Now she knew, and spoke it, answering him in kind with cool self-possession, fully cognizant of what the admission could mean. “The fleshly sword, yes. But he also taught me what you cannot: what it is to love a man.” Dull color stained his face. Her thrust had gone home cleanly, and more deeply than she had hoped. Her matter-of-fact confirmation of his crude insinuation turned the blade back on him. His eyes glittered in flame. “Do you know what I see?” She knew very well what he saw. She named it before he could. “Robin Hood’s whore,” she answered. “And grateful for the honor.

The first arrow struck Semian in the leg, just above the knee. Semian howled, staggered and fell back into the water. The second arrow struck one of the other riders in the back. The third arrow hit the wounded dragon in the neck, which only made it hiss and snap. Kemir didn't stop to fire a fourth; instead he jogged a little deeper into the forest and then turned and followed the path of the river. The knights wouldn't follow him into the trees, he was quite sure of that, and the dragons would never find him in the dark. Not killing Rider Semian, he discovered, was immensely satisfying. Killing him was something he could do only once. He smiled to himself.

The Fire When a human is asked about a particular fire, she comes close: then it is too hot, so she turns her face— and that’s when the forest of her bearable life appears, always on the other side of the fire. The fire she’s been asked to tell the story of, she has to turn from it, so the story you hear is that of pines and twitching leaves and how her body is like neither— all the while there is a fire at her back which she feels in fine detail, as if the flame were a dremel and her back its etching glass. You will not know all about the fire simply because you asked. When she speaks of the forest this is what she is teaching you, you who thought you were her master.

You cannot look at me like that, piccola, or I am sure to go up in flames." Desari allowed her fingers to tangle in his golden mane. "Thank you for thinking of my family when I could not." Her voice was a whisper of seduction, sliding over his hot skin. Just the sound of it made every muscle in his body clench. Julian made another effort to breathe. Air.It was all around him, yet he couldn't seem to drag enough into his lungs. He took her hand in his and carried it to the warmth of his mouth. "We need to find a safe subject, cara mia, or I will not make it through these next few minutes." Desaris soft laughter was like music in the wind. She perched on a large tree trunk that lay across the forest floor. The breeze tugged at her long hair so that it shifted around her like a veil, one moment hiding the temptation of bare, gleaming skin, the next revealing it. "A safe subject," she mused aloud. "What would that be?" The air slammed out of his lungs once again at the sight of her. She looked so much a part of her surroundings. Wild. Sexy. Provocative. "You might try closing your shirt." His voice sounded hoarse and desperate even to his own ears.

When humans domesticated fire, they gained control of an obedient and potentially limitless force. Unlike eagles, humans could choose when and where to ignite a flame, and they were able to exploit fire for any number of tasks. Most importantly, the power of fire was not limited by the form, structure or strength of the human body. A single woman with a flint or fire stick could burn down an entire forest in a matter of hours. The domestication of fire was a sign of things to come.

Blind righteousness is like a fortress of paper, likely to burn in the flame and collapse. Doubt is the path to wisdom. The winding, uncertain path through a dark forest leads to victory, not the brash warrior cutting down every tree along the way.

Mother Earth, she weeps in shadows, Her heart is drenched in rue, Her forests burn in crimson flames, Her skies no longer blue. She bears the scars of time and greed, Her oceans filled with tears, Her silent scream echoes, Throughout her dying years.

And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did. Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide. The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught. 'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees. And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts... It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think... The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast. ("The Wendigo")

Each of us hides our own private Delaware lost in the gray jungle-tangle of our brains. No one else can know its depths and byways. No one else can know the height of its towers, the secrets of its tides and pools. There will always be lost lagoons to find there, and ruins almost hidden by the sand. There will always be monsters of great beauty and good men with ugly frowns. The forests are dark but lights bob among the branches. You are at home there, more at home than anyplace else, and yet you will never go there in your life. Their legends are yours. The pirates sale around the cape, a crew of skeletons in the rigging. Milkmaids run down mountain passes, dragging kites behind them. Wizards crack their backs after long days of chalk and incantation while above the crowded bazaars, over the golden temples, against the setting sun, around the ruddy minarets, the pterodactyls call out a long farewell.

You step one foot out of line, and I’ll finish what we started that day in the forest, life debt or no. This time I don’t need steel to do it.” As she spoke, gold flames seemed to flicker in her eyes. And Manon realized with no small thrill, even with her pain, that the queen could indeed end her before she’d get close enough to kill.

At evening the autumnal forests resound With deadly weapons, the golden plains And blue lakes, above them the sun Rolls more darkly by; night enfolds The dying warriors, the wild lament Of their broken mouths. But in the grassy vale the spilled blood, Red clouds in which an angry god lives, Gathers softly, lunar coldness; All roads lead to black decay. Beneath the golden boughs of night and stars The sister’s shadow reels through the silent grove To greet the ghosts of heroes, their bleeding heads; And the dark flutes of autumn sound softly in the reeds. O prouder sorrow! you brazen altars Today an immense anguish feeds the mind’s hot flame, The unborn descendants.

One bee does not make a swarm. One wasp does not make a nest. One wolf does not make a pack. One bull does not make a herd. One dog does not make a litter. One sheep does not make a flock. One lion does not make a pride. One branch does not make a tree. One pebble does not make a hill. One rock does not make a mountain. One dune does not make a desert. One spark does not make a flame. One finger does not make a hand. One color does not make a rainbow. One leaf does not make a plant. One flower does not make a garden. One seed does not make a forest. One drop does not make an ocean. One cloud does not make a sky. One star does not make a galaxy. One world does not make a universe.

A gentle warmth spread through my body and I felt a strange tingling in my veins. Feeling turned to thought, but my character seemed split into a thousand parts; each part was independent and had its own consciousness, and in vain did the head command e limbs, which, like faithless vassals, would not obey its author The thoughts in these separate parts now started to revolve like points of light, faster and faster, forming a fiery circle which became smaller as the speed increased, until it finally appeared like a stationary ball of fire, its burning rays shining from the flickering flames. “Those are my limbs dancing; I am waking up.” Such was my first clear thought, but a sudden pain shot through me at that moment and the chiming of bells sounded in my ears. “Flee! Flee!” I cried aloud. I could now open my eyes. The bells continued to ring. At first I thought I was still in the forest, and was amazed when I looked at myself and the objects around me. Dressed in the habit of a Capuchin, I was lying stretched out on comfortable mattress in a lofty room; the only other items of furniture were a few cane-chairs, a small table and a simple bed. I realized that my unconsciousness must have lasted some time and that in some way or other I had been brought to a monastery which offered hospitality to the sick; perhaps my clothes were torn and I had been given this habit for the time being.

Obviously, many of these blind inmates are being trampled under foot, pushed, jostled, this is the effect of panic, a natural effect, you could say that animal nature is like this, plant life would behave in exactly the same way, too, if it did not have all those roots to hold it in the ground, and how nice it would be to see the trees of the forest fleeing the flames.

The leaf does not grow before the plant. The garden does not grow before the flowers. The forest does not grow before the tree. The harvest does not grow before the seeds. The flame does not grow before the spark. The ocean does not grow before the river. The finger does not grow before the hand. The toe does not grow before the foot. The soul does not grow before the mind. The heart does not grow before the body. The world does not grow before the sky. The heavens do not grow before the universe. The child does not grow before the family. The teacher does not grow before the student. The music does not grow before the artist. The team does not grow before the coach. The flock does not grow before the shepherd. The army does not grow before the warrior.

Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom- apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the 'Mittel Land' ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillside like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadors would not repair them, lest the Turks should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point. Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colors of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water.

once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love

Lily knew what he meant. She loved places that people had forgotten, like the old gas station rotting on the edge of the forest in Pelt, all gray wood and brown metal. She liked to walk there sometimes and imagine that during tempests the king of the forest, dry leaves swirling around his motorcycle, would skid to a halt and demand unleaded gas from shadowy attendants while a mossy-faced knight sat in his sidecar.

There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?

But I choose to be optimistic. Yes, the current president will do significant damage in the short term. Important norms and traditions will be damaged by the flames. But forest fires, as painful as they can be, bring growth. They spur growth that was impossible before the fire, when old trees crowded out new plants on the forest floor. In the midst of this fire, I already see new life—young people engaged as never before, and the media, the courts, academics, nonprofits, and all other parts of civil society finding reason to bloom.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

In front of her was a large…animal. She supposed it resembled something equine, but its mane and tail were made of black and blue flames, and its body was black like night and spotted with starlight. Perched on its back was a woman she thought beautiful and exquisite. She looked just a few years older than Dylan’s almost eighteen years, but every inch of her was gorgeous enough to banish the darkness laying claim to Dylan’s soul. The beautiful woman wore a dress, ocean blue and glittering in the dim light of the forest. As Dylan watched, it changed into a blue-green color.

The innumerable trees she's seen over the course of all her life, the undulating forests that blanket the continents like a heartless sea, envelop her exhausted body and lift her up. Only fragments of cities, small towns and roads are visible, floating on the roof of the forest like islands or bridges, slowly being swept away somewhere, borne on those warm waves. There's no way for In-hye to know what on earth those waves are saying. Or what those trees she'd seen at the end of the narrow mountain path, clustered together like green flames in the early-morning half-light, had been saying. Whatever it was, there had been no warmth in it. Whatever the words were, they hadn't been words of comfort, words that would help her pick herself up. Instead they were merciless, and the trees that had spoken them were a frighteningly chill form of life. Even when she turned about on the spot and searched in all directions, In-hye hadn't been able to find a tree that would take her life from her. Some of the trees had refused to accept her. They'd just stood there, stubborn and solemn yet alive as animals, bearing up the weight of their own massive bodies.

The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.

Suddenly Goosefeather leaned closer. “Like fire, you will blaze through the forest,” he hissed. “What?” Bluepaw flinched away. Had he gone mad? “The burning branch was a sign from StarClan.” His eyes glittered. “You are fire, Bluepaw, and you will blaze through the forest.” Alarmed, Bluepaw backed away. What was he talking about? “But beware!” She stiffened. “Even the most powerful flames can be destroyed by water.” “What do you mean?” “I’m telling you what the burning branch meant,” he growled. Don’t be silly! This was the cat who had told his Clan that a vole’s fur meant they should attack WindClan, and look what had happened! Snowpaw

Now Melkor began the delving and building of a vast fortress, deep under Earth, beneath dark mountains where the beams of Illuin were cold and dim. That stronghold was named Utumno. And though the Valar knew naught of it as yet, nonetheless the evil of Melkor and the blight of his hatred flowed out thence, and the Spring of Arda was marred. Green things fell sick and rotted, and rivers were choked with weeds and slime, and fens were made, rank and poisonous, the breeding place of flies; and forests grew dark and perilous, the haunts of fear; and beasts became monsters of horn and ivory and dyed the earth with blood. Then the Valar knew indeed that Melkor was at work again, and they sought for his hiding place. But Melkor, trusting in the strength of Utumno and the might of his servants, came forth suddenly to war, and struck the first blow, ere the Valar were prepared; and he assailed the lights of Illuin and Ormal, and cast down their pillars and broke their lamps. In the overthrow of the mighty pillars lands were broken and seas arose in tumult; and when the lamps were spilled destroying flame was poured out over the Earth. And the shape of Arda and the symmetry of its waters and its lands was marred in that time, so that the first designs of the Valar were never after restored.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

Imagine walking under a glowing violet sky, where great flashing clouds sweep the earth with shadow and rain strides beneath them. Imagine walking on the slopes of a mountain like polished metal, with a clean red flame exploding above you and thunder laughing in the ground. Imagine a cool wild stream, and low trees with dark coppery flowers, and a waterfall, methane-fall...whatever you like, leaping off a cliff, and the strong live wind shakes its mane full of rainbows! Imagine a whole forest, dark and breathing, and here and there you glimpse a pale-red wavering will-o'-the-wisp, which is the life radiation of some fleet shy animal, and...and-

What rending pains were close at hand! Death! and what a death! worse than any other that is to be named! Water, be it cold or warm, that which buoys up blue icefields, or which bathes tropical coasts with currents of balmy bliss, is yet a gentle conqueror, kisses as it kills, and draws you down gently through darkening fathoms to its heart. Death at the sword is the festival of trumpet and bugle and banner, with glory ringing out around you and distant hearts thrilling through yours. No gnawing disease can bring such hideous end as this; for that is a fiend bred of your own flesh, and this — is it a fiend, this living lump of appetites? What dread comes with the thought of perishing in flames! but fire, let it leap and hiss never so hotly, is something too remote, too alien, to inspire us with such loathly horror as a wild beast; if it have a life, that life is too utterly beyond our comprehension. Fire is not half ourselves; as it devours, arouses neither hatred nor disgust; is not to be known by the strength of our lower natures let loose; does not drip our blood into our faces with foaming chaps, nor mouth nor slaver above us with vitality. Let us be ended by fire, and we are ashes, for the winds to bear, the leaves to cover; let us be ended by wild beasts, and the base, cursed thing howls with us forever through the forest.

There is no error more common than that of thinking that those who are the causes or occasions of great tragedies share in the feelings suitable to the tragic mood: no error more fatal than expecting it of them. The martyr in his 'shirt of flame' may be looking on the face of God, but to him who is piling the faggots or loosening the logs for the blast the whole scene is no more than the slaying of an ox is to the butcher, or the felling of a tree to the charcoal burner in the forest, or the fall of a flower to one who is mowing down the grass with a scythe. Great passions are for the great of soul, and great events can be seen only by those who are on a level with them.

RYLAN!" I feel Ivy's palm on my chest and, with a powerful shove, she pushes me back, away from fire, danger, and death. In that moment after the tree plunges, I see Ivy for a single second as I fall. In those emerald eyes is a look of complete calm, undying gratitude, and powerful, protective love. The tree crashes down, the sound echoing in my head. For an eternal moment, I sit there on my butt, staring at the spot where Ivy was standing. I'm numb, only registering the slightest changes; the wind dying down, the rain lessening. What just happened? Desperately, I look side to side, praying that Ivy jumped to the side and what I saw was just an illusion made up by my panicked mind. But Ivy's nowhere. And there's an arm sticking out from under the trunk. "IVY!" I sprint to the fallen tree. The smoldering wood stings my hand when I grab the trunk, but I grit my teeth and bear it. Pulling with all my might, I throw the remains of the tree aside. Ivy's lying there, her eyes closed and her lower half on fire. "No..." I fall to my knees and yank off my sweatshirt to try and smother the flames, but they burn strong, and soon the fabric's on fire. I toss it away, not knowing where it lands as I'm unable to tear my eyes off the most gut-wrenching sight of my life. My hands go to my head and my shouting grows even louder. "No, no, no!" This can't be happening. She can't be—

When the logs in the fireplace crackle merrily, the corpse of a beech or oak is going up in flames. The paper in the book you are holding in your hands right now is made from the shavings of spruce, and birches were expressly felled (that is to say, killed) for this purpose. Does that sound over the top? I don't think so. For if we keep in mind all we have learned in the previous chapters, parallels can definitely be drawn to pigs and pork. Not to put too fine a point on it, we use living things killed for our purposes. Does that make our behavior reprehensible? Not necessarily. After all, we are also part of Nature, and we are made in such a way that we can survive only with the help of organic substances from other species. We share this necessity with all other animals. The real question is whether we help ourselves only to what we need from the forest ecosystem, and-analogous to our treatment of animals-whether we spare the trees unnecessary suffering when we do this. That means it is okay to use wood as long as trees are allowed to live in a way that is appropriate to their species. And that means that they should be allowed to fulfill their social needs, to grow in a true forest environment on undisturbed ground, and to pass their knowledge on to the next generation. And at least some of them should be allowed to grow old with dignity and finally die a natural death.

A forest fire will rage through deep glens of a mountain, crackling dry from summer heat, and coppices blaze up in every quarter as wind whips the flame: so Akhilleus flashed to right and left like a wild god, trampling the men he killed, and black earth ran with blood. As when a countryman yokes oxen with broad brows to tread out barley on a well-bedded threshing floor. and quickly the grain is husked under the bellowing beasts: the sharp-hooved horses of Akhilleus just so crushed dead men and shields. His axle-tree was splashed with blood, so was his chariot rail, with drops thrown up by wheels and horses' hooves. And Peleus' son kept riding for his glory. staining his powerful arms with mire and blood.

I travel your body, like the world, your belly is a plaza full of sun, your breasts two churches where blood performs its own, parallel rites, my glances cover you like ivy, you are a city the sea assaults, a stretch of ramparts split by the light in two halves the color of peaches, a domain of salt, rocks and birds, under the rule of oblivious noon, dressed in the color of my desires, you go your way naked as my thoughts, I travel your eyes, like the sea, tigers drink their dreams in those eyes, the hummingbird burns in those flames, I travel your forehead, like the moon, like the cloud that passes through your thoughts, I travel your belly, like your dreams, your skirt of corn ripples and sings, your skirt of crystal, your skirt of water, your lips, your hair, your glances rain all through the night, and all day long you open my chest with your fingers of water, you close my eyes with your mouth of water, you rain on my bones, a tree of liquid sending roots of water into my chest, I travel your length, like a river, I travel your body, like a forest, like a mountain path that ends at a cliff I travel along the edge of your thoughts, and my shadow falls from your white forehead, my shadow shatters, and I gather the pieces and go with no body, groping my way, the endless corridors of memory, the doors that open into an empty room where all the summers have come to rot, jewels of thirst burn at its depths, the face that vanishes upon recall, the hand that crumbles at my touch, the hair spun by a mob of spiders over the smiles of years ago,

They met in the library searching for old Sidney Sheldon books. Her silence and calmness drew her to him. His brooding nature drew him to her. Conversations flowed like the waters of a water-fall! And every time they met their conversations sparked flames like the forest caught in a wild fire! There was something in her eyes! Her eyes were expressive and from the first day that they met, they spoke to him a million things! He could know which night she had cried, which night she had slept peacefully and which night of hers had been spent in complete sleeplessness. He began reading her eyes more deeply and passionately than the books in the library... And being an obsessive man, he did things normal men did not! Like he knew the number of strands of hair that her eye-lashes had!

I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.

The relief Kieran felt was staggering. The sick-satisfaction of justice burned through him like an oil spill, waiting for him to drop a match, to let it all go up in flames as he laughed through the rain of hellfire. But he didn’t. He pocketed the metaphysical match. He vacuumed the torrential oil spill. He had just turned his wasteland into a rain forest; he would not let his resentment burn down the trees he had grown out of the garden of his own mind. Kieran himself had come too far to let the angry hand of vengeance burn away his fertile terrains, ruin his harvests of the pure flora kingdom and slaughter his animals to ribbons in sacrifice to greater demons whose jaws never shut. Homeostasis was a hard-earned tendency. Bonfires were clumsy and unwarranted; if he let it consume him and everything he’d built, all he had cultivated would be for nothing. He did not want his flowers to die.

presidency weaker and Congress and the courts stronger, just as the forest fire of Watergate did. There is a lot of good in that. Thoughtful people are staring at the vicious partisanship that has grown all around us. Far from creating a new norm where lying is widely accepted, the Trump presidency has ignited a focus on truth and ethics. Parents are talking to their children about truth-telling, about respect for all people, about rejecting prejudice and hate. Schools and religious institutions are talking about values-driven leadership. The next president, no matter the party, will surely emphasize values—truth, integrity, respect, and tolerance—in ways an American leader hasn’t needed to for more than forty years. The fire will make something good grow. I wrote this book because I hope it will be useful to people living among the flames who are thinking about what comes next. I also hope it will be useful to readers long after the flames are doused, by inspiring them to choose a higher loyalty, to find truth among lies, and to pursue ethical leadership.

He fell to his knees, half-blind, every breath aching, a sound coming out of him like the keen of wood in the flames. Dimly, he heard the witch speak. "I'll take it back, if you don't want it. In return for a small favor, of course.” "No," he whispered, between breaths of fire, "I want it." "Why? Why would anyone want such a terrible thing?" "I don't know, but it is mine and I must take it. He got to his feet somehow; still racked, barely able to walk, he stumbled to the door. He tripped on the bone that was the witch's threshold, and fell headlong back into night. He lay there on the forest floor, dazed and half-dreaming, while his life pieced itself together with a needle as sharp as sorrow drawing threads of every color from gold to blood to bone. He gazed at every memory out of his heart's eye, relearned all the words he had forgotten, including wonder that such enormities could be contained in such small, brief sounds as love, grief, life, death. Such words grew out of the wordless, wild language of the heart. That, he realized finally, was what he had so carelessly given to the witch: without that wordless language, he had left himself mute.

Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.

Lava is best. It’d certainly help in this situation. WAIT, I HAVE SOME IN MY BACKPACK!” “NOOOO!” we all cried out. But of course, it was too late. The Head Admin emptied the bucket as we ran, and although it did a fantastic job in cooking the giant zombie, it also did a fantastic job in setting fire to the forest around us. “YOU DOLT!” I screamed, as we accelerated our speed, “DO YOU REALIZE WHAT YOU’VE DONE!?” “ALL HAIL THE LAVA GODS!” I’m starting to think he may have hit his head on the way down here. To prevent any further incidents, I grabbed a roll of duct tape and buried him in the stuff. “HAVE MERCY!” With the Head Admin unable to inflict any more trouble, I threw him over my shoulder and ran with the others to safety. And whilst I can’t say I enjoy fleeing for my life, being chased by boiling flames, I will say it did look quite pretty. Oh, and as a plus, it took out all the evil creatures following us. I guess that’s a bonus. “The lava gods are pleased,” the Head Admin grinned, before I stuck duct tape over his mouth as well. That would keep him quiet, I hoped to myself. “OVER THERE!” Dinnerbone shouted, pointing forward to what looked like a mountain. “IT’S A MOUNTAIN!” Charles cried. “A BEAUTIFUL MOUNTAIN!” Dr. Boom looked like he was going to cry out of happiness, “WE’RE SAVED!” “MMMMPHPHPHPHPH!” I could only assume the Head Admin was glad as well. I later found out he had a fear of mountains, and was begging to be left to the lava instead. Oh well.

In the night I awoke. Was this my own voice reciting what was written? “ ‘And every secret thing shall be opened, and every dark place illuminated.’ ” Dear God, no, do not let them know this, do not let them know the great accumulation of all of this, this agony and joy, this misery, this solace, this reaching, this gouging pain, this . . . But they will know, each and every one of them will know. They will know because what you are remembering is what has happened to each and every one of them. Did you think this was more or less for you? Did you think—? And when they are called to account, when they stand naked before God and every incident and utterance is laid bare—you, you will know all of it with each and every one of them! I knelt in the sand. Is this possible, Lord, to be with each of them when he or she comes to know? To be there for every single cry of anguish? For the grief-stricken remembrance of every incomplete joy? Oh, Lord, God, what is judgment and how can it be, if I cannot bear to be with all of them for every ugly word, every harsh and desperate cry, for every gesture examined, for every deed explored to its roots? And I saw the deeds, the deeds of my own life, the smallest, most trivial things, I saw them suddenly in their seed and sprout and with their groping branches; I saw them growing, intertwining with other deeds, and those deeds come to form a thicket and a woodland and a great roving wilderness that dwarfed the world as we hold it on a map, the world as we hold it in our minds. Dear God, next to this, this endless spawning of deed from deed and word from word and thought from thought—the world is nothing. Every single soul is a world! I started to cry. But I would not close off this vision—no, let me see, and all those who lifted the stones, and I, I blundering, and James' face when I said it, I am weary of you, my brother, and from that instant outwards a million echoes of those words in all present who heard or thought they heard, who would remember, repeat, confess, defend . . . and so on it goes for the lifting of a finger, the launching of the ship, the fall of an army in a northern forest, the burning of a city as flames rage through house after house! Dear God, I cannot . . . but I will. I will. I sobbed aloud. I will. O Father in Heaven, I am reaching to You with hands of flesh and blood. I am longing for You in Your perfection with this heart that is imperfection! And I reach up for You with what is decaying before my very eyes, and I stare at Your stars from within the prison of this body, but this is not my prison, this is my Will. This is Your Will. I collapsed weeping. And I will go down, down with every single one of them into the depths of Sheol, into the private darkness, into the anguish exposed for all eyes and for Your eyes, into the fear, into the fire which is the heat of every mind. I will be with them, every solitary one of them. I am one of them! And I am Your Son! I am Your only begotten Son! And driven here by Your Spirit, I cry because I cannot do anything but grasp it, grasp it as I cannot contain it in this flesh-and-blood mind, and by Your leave I cry. I cried. I cried and I cried. “Lord, give me this little while that I may cry, for I've heard that tears accomplish much. . . .” Alone? You said you wanted to be alone? You wanted this, to be alone? You wanted the silence? You wanted to be alone and in the silence. Don't you understand the temptation now of being alone? You are alone. Well, you are absolutely alone because you are the only One who can do this! What judgment can there ever be for man, woman, or child—if I am not there for every heartbeat at every depth of their torment?

Eragon! Saphira! Rouse yourselves! Eragon’s eyes snapped open. He sat upright and grabbed Brisingr. All was dark, save for the dull red glow of the bed of coals to his right and a ragged patch of starry sky off to the east. Though the light was faint, Eragon was able to make out the general shape of the forest and the meadow…and the monstrously large snail that was sliding across the grass toward him. Eragon yelped and scrambled backward. The snail--whose shell was over five and a half feet tall--hesitated, then slimed toward him as fast as a man could run. A snakelike hiss came from the black slit of its mouth, and its waving eyeballs were each the size of his fist. Eragon realized that he would not have time to get to his feet, and on his back he did not have the space he needed to draw Brisingr. He prepared to cast a spell, but before he could, Saphira’s head arrowed past him and she caught the snail about the middle with her jaws. The snail’s shell cracked between her fangs with a sound like breaking slate, and the creature uttered a faint, quavering shriek. With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm. Lowering his gaze, Eragon saw four more giant snails farther down upon the rise. One of the creatures had retreated within its shell; the others were hurrying away upon their undulating, skirtlike bellies. “Over there!” shouted Eragon. Saphira leaped forward. Her entire body left the ground for a moment, and then she landed upon all fours and snapped up first one, then two, then three of the snails. She did not eat the last snail, the one hiding in its shell, but drew back her head and bathed it in a stream of blue and yellow flame that lit up the land for hundreds of feet in every direction. She maintained the flame for no more than a second or two; then she picked up the smoking, steaming snail between her jaws--as gently as a mother cat picking up a kitten--carried it over to Eragon, and dropped it at his feet. He eyed it with distrust, but it appeared well and truly dead. Now you can have a proper breakfeast, said Saphira.

Self-consciousness is the curse of the city and all that sophistication implies. It is the glimpse of oneself in a storefront window, the unbidden awareness of reactions on the faces of other people- the novelist’s world, not the poet’s. I’ve lived there. I remember what the city has to offer; human companionship, major league baseball, and a clatter of quickening stimulus like a rush from strong drugs that leaves you drained. I remember how you bide your time in the city, and think, if you stop to think, “next year, I’ll start living…next year I’ll start my life.” Innocence is a better world. Innocence sees that this is it, and finds it world enough, and time. Innocence is not the prerogative of infants and puppies, and far less of mountains and fixed stars, which have no prerogatives at all. It is not lost to us; the world is a better place than that. Like any other of the spirit’s good gifts, it is there if you want it, free for the asking, as has been stressed by stronger words than mine. It is possible to pursue innocence as hounds pursue hares; singlemindledly, driven by a kind of love, crashing over creeks, keening and lost in fields and forests, circling, vaulting over hedges and hills wide-eyed, giving loud tongue all unawares to the deepest, most incomprehensible longing, a root-flame in the heart, and that warbling chorus resounding back from the mountains, hurling itself from ridge to ridge over the valley, now faint, now clear ringing the air through which the hounds tear, open-mouthed, the echoes of their own wails dimly knocking in their lungs. What I call innocence is the spirit’s unselfconscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration. One needn’t be, shouldn’t be reduced to a puppy. If you wish to tell me that the city offers galleries, I’ll pour you a drink and enjoy your company while it lasts; but I’ll bear with me to my grave those pure moments at the Tate (was it the Tate?) where I stood planted, open-mouthed, born, before that one particular canvas, that river, up to my neck, gasping, lost, receding into watercolor depth and depth to the vanishing point, buoyant, awed, and had to be literally hauled away. These are our few live seasons. Let us live them as purely as we can, in the present.

A man can survive ten years--but twenty-five, who can get through alive? Shukhov rather enjoyed having everybody poke a finger at him as if to say: Look at him, his term's nearly up. But he had his doubts about it. Those zeks who finished their time during the war had all been "retained pending special instructions" and had been released only in '46. Even those serving three-year sentences were kept for another five. The law can be stood on its head. When your ten years are up they can say, "Here's another ten for you." Or exile you. Yet there were times when you thought about it and you almost choked with excitement. Yes, your term really _is_ coming to an end; the spool is unwinding. . . . Good God! To step out to freedom, just walk out on your own two feet. But it wasn't right for an old-timer to talk about it aloud, and Shukhov said to Kilgas: "Don't you worry about those twenty-five years of yours. It's not a fact you'll be in all that time. But that I've been in eight full years--now that is a fact." Yes, you live with your feet in the mud and there's no time to be thinking about how you got in or how you're going to get out. According to his dossier, Ivan Denisovich Shukhov had been sentenced for high treason. He had testified to it himself. Yes, he'd surrendered to the Germans with the intention of betraying his country and he'd returned from captivity to carry out a mission for German intelligence. What sort of mission neither Shukhov nor the interrogator could say. So it had been left at that- -a mission. Shukhov had figured it all out. If he didn't sign he'd be shot If he signed he'd still get a chance to live. So he signed. But what really happened was this. In February 1942 their whole army was surrounded on the northwest front No food was parachuted to them. There were no planes. Things got so bad that they were scraping the hooves of dead horses--the horn could be soaked In water and eaten. Their ammunition was gone. So the Germans rounded them up in the forest, a few at a time. Shukhov was In one of these groups, and remained in German captivity for a day or two. Then five of them managed to escape. They stole through the forest and marshes again, and, by a miracle, reached their own lines. A machine gunner shot two of them on the spot, a third died of his wounds, but two got through. Had they been wiser they'd have said they'd been wandering in the forest, and then nothing would have happened. But they told the truth: they said they were escaped POW's. POW's, you fuckers! If all five of them had got through, their statements could have been found to tally and they might have been believed. But with two it was hopeless. You've put your damned heads together and cooked up that escape story, they were told. Deaf though he was, Senka caught on that they were talking about escaping from the Germans, and said in a loud voice: "Three times I escaped, and three times they caught me." Senka, who had suffered so much, was usually silent: he didn't hear what people said and didn't mix in their conversation. Little was known about him--only that he'd been in Buchenwald, where he'd worked with the underground and smuggled in arms for the mutiny; and how the Germans had punished him by tying his wrists behind his back, hanging him up by them, and whipping him. "You've been In for eight years, Vanya," Kilgas argued. "But what camps? Not 'specials.' You bad breads to sleep with. You didn't wear numbers. But try and spend eight years in a 'special'--doing hard labor. No one's come out of a 'special' alive." "Broads! Boards you mean, not broads." Shukhov stared at the coals in the stove and remeinbered his seven years in the North. And how he worked for three years hauling logs--for packing cases and railroad ties. The flames in the campfires had danced up there, too--at timber-felling during the night. Their chief made it a rule that any squad that had failed to meet its quota had to stay In the forest after dark.