Flags In The Dust Quotes

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It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave yet it's going to begin, we all know that, we have come too far with too much at stake and that moment doesn't need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose than all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world's roaring rim.
William Faulkner (Intruder in the Dust)
The handkerchief is the universal utensil of the seasoned traveler. It can be a sanitizing device, a seat cover, a dust mask, a garrote, a bandage, a gag, or a white flag. One may feel well-prepared with nothing but a pocket square.
Josiah Bancroft (Senlin Ascends (The Books of Babel, #1))
The pale Usher—threadbare in coat, heart, body, and brain; I see him now. He was ever dusting his old lexicons and grammars, with a queer handkerchief, mockingly embellished with all the gay flags of all the known nations of the world. He loved to dust his old grammars; it somehow mildly reminded him of his mortality.
Herman Melville (Moby-Dick)
SENSE OF SOMETHING COMING: I am like a flag in the center of open space. I sense ahead the wind which is coming, and must live it through. while the things of the world still do not move: the doors still close softly, and the chimneys are full of silence, the windows do not rattle yet, and the dust still lies down. I already know the storm, and I am troubled as the sea. I leap out, and fall back, and throw myself out, and am absolutely alone in the great storm.
Rainer Maria Rilke
When they first came for us with their bullets, we didn't stop moving even though the bullets moved twice as fast as the sound of our screams, and even when their heat and speed broke our skin, shattered our bones, skulls, pierced our hearts, we kept on, even when we saw the bullets send our bodies flailing through the air like flags, like the many flags and buildings that went up in place of everything we knew this land to be before. The bullets were premonitions, ghosts from dreams of a hard, fast future. The bullets moved on after moving through us, became the promise of what was to come, the speed and the killing, the hard, fast lines of borders and buildings. They took everything and ground it down to dust as fine as gunpowder, they fired their guns into the air in victory and the strays flew out into the nothingness of histories written wrong and meant to be forgotten. Stray bullets and consequences are landing on our unsuspecting bodies even now. (10)
Tommy Orange (There There)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
Nowadays he drove the car into town to fetch his grandfather from habit alone, and though he still considered forty five miles an hour merely cruising speed, he no longer took cold and fiendish pleasure in turning curves on two wheels or in detaching mules from wagons by striking the whiffle-trees with his bumper in passing.
William Faulkner (Flags in the Dust)
Rather let my left hand take my right hand captive than witness one nation enslave and demolish another. Rather let my heart drag my feet away in chains than witness one ruler flex at the expense of another. Let the flags of nations be white and blank and lifted in the great surrender of humanity. The Scroll of Anatiya 25:3436
Zoe Klein (Drawing in the Dust)
Then Ghana, and the smell of Ghana, a contradiction, a cracked clay pot: the smell of dryness, wetness, both, the damp of earth and dry of dust. The airport. Bodies pushing, pulling, shouting, begging, touching, breathing. He'd forgotten the bodies. The proximity of bodies. In America the bodies were distant. The warmth of it ...... Why had he hated this view? Of this beach, of the backs of these fishermen, glistening brown, of the long wooden boats, evangelical names in bright tricolor paint on their splintering sides, Black Star Jesus, Jah Reign, Christ the Fisher of Men, in the red, yellow, green of the national flag and the national spirit of open-source ethos, this mixing of Anglican, Rastafarian, Ghanaian? What was there to hate in this? There was only openness. As far as he could see. A cheerful openness. An innocence. An innocent beach on the road to Kokrobite at seven A.M. November 1975, little country lurching, cheerful, unaware, to revolution. Little taxi lurching, blasting revolution, to grief.
Taiye Selasi (Ghana Must Go)
At the fairgrounds we saw them in the parking lot inhaling the effluvium of carnival, the smells of fried dough, caramel and cinnamon, the flap-flapping of tents, a carousel plinking out music-box songs, voluptuous sounds bouncing down tent ropes and along the trampled dust of the midway. Wind-curled handbills staple-gunned to telephone poles, the hum of gas-powered generators and the gyro truck, the lemonade truck, pretzels and popcorn, baked potatoes, the American flag, the rumblings of rides and the disconnected screams of riders -- all of it shimmered before them like a mirage, something not quite real.
Anthony Doerr (The Shell Collector)
Let this curse find those who have stolen from us like the wolf finds his prey. May death come to you on swift wings, may your spoils turn into serpents and coil around your necks, may the rest of your days be stricken with unending sickness, may your children's bodies belong to the fire, may every last one of you anguish in eternal pain, crying aloud for mercy, while we turn our heads away with a smile and a deaf ear. In payment for your treachery, we will accept your thieving hands on our finest plates, your sullen heads on our tallest flag poles, and your worthless souls in our enveloping clutches. All the while we will watch your graveless corpses writhe with worms and turn into an eternal, restless dust. Always know, we shall forever be against you as a crocodile on the water, as a serpent on the earth, as a raven in the wind, and as an enemy in this world and worlds to come.
Josh Graham
Did she really have to wait out seven more soul-shredding years? It was like being told you can run free one day—in June several years from now—but during every second of the intervening time, you’ll be getting run over by the world’s slowest steamroller, and every day it cracks a bone, and recracks it, and recracks it, and when you’re eighteen all you’re going to have is a body full of dust, lifted and carried into the future like a flag loose from its mast.
J. Ryan Stradal (Kitchens of the Great Midwest)
SUMMER SHOWER. A drop fell on the apple tree, Another on the roof; A half a dozen kissed the eaves, And made the gables laugh. A few went out to help the brook, That went to help the sea. Myself conjectured, Were they pearls, What necklaces could be! The dust replaced in hoisted roads, The birds jocoser sung; The sunshine threw his hat away, The orchards spangles hung. The breezes brought dejected lutes, And bathed them in the glee; The East put out a single flag, And signed the fete away.
Emily Dickinson (Poems by Emily Dickinson, Series One)
It’s all now you see. Yesterday wont be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two oclock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it’s all in the balance, it hasn’t happened yet, it hasn’t even begun yet, it not only hasn’t begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armstead and Wilcox look grave yet it’s going to begin, we all know that, we have come too far with too much at stake and that moment doesn’t need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose and all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed even a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world’s roaring rim.
William Faulkner (Intruder in the Dust)
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
Ebony Life" A frightening stillness will mark that day And the shadow of streetlights and fire-alarms will exhaust the light All things, the quietest and the loudest, will be silent The suckling brats will die The tugboats the locomotives the wind will glide by in silence We will hear the great voice which coming from far away will pass over the city We will wait a long time for it Then at the rich man's time of day When the dust the stones the missing tears form the sun's robe on the huge deserted squares We shall finally hear the voice. It will growl at doors for a long while It will pass over the town tearing up flags and breaking windowpanes. We will hear it What silence before it, but still greater the silence it will not disturb but will hold guilty will brand and denounce Day of sorrows and joys The day the day to come when the voice will pass over the city A ghostly seagull told me she loved me as much as I loved her That this great terrible silence was my love That the wind carrying the voice was the great revolt of the world And that the voice would look kindly on me.
Robert Desnos
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
1: Everyone Knows It was in the summer of 1998 that my neighbor Coleman Silk—who, before retiring two years earlier, had been a classics professor at nearby Athena College for some twenty-odd years as well as serving for sixteen more as the dean of faculty—confided to me that, at the age of seventy-one, he was having an affair with a thirty-four-year-old cleaning woman who worked down at the college. Twice a week she also cleaned the rural post office, a small gray clapboard shack that looked as if it might have sheltered an Okie family from the winds of the Dust Bowl back in the 1930s and that, sitting alone and forlorn across from the gas station and the general store, flies its American flag at the junction of the two roads that mark the commercial center of this mountainside town.
Philip Roth (The Human Stain (The American Trilogy, #3))
The big color television set was on, glowing eerily over the bottles of rye and bourbon, and that was how I happened to witness the event. I saw the two padded figures take their first steps in that airless world, bouncing like toys over the landscape, driving a golf cart through the dust, planting a flag in the eye of what had once been the goddess of love and lunacy. Radiant Diana, I thought, image of what is dark within us. Then the president spoke. In a solemn, deadpan voice he declared this to be the greatest event since the creation of man. The old-timers at the bar laughed when they heard this, and I believe I managed to crack a smile or two myself. But for all the absurdity of that remark, there was one thing no one could challenge: since the day he was expelled from Paradise, Adam had never been this far from home.
Paul Auster (Moon Palace)
Twenty thousand troops drawn from several countries, including Japan, marched to Beijing to relieve the siege and loot the city. Among the British contingent was a north Indian soldier, Gadhadar Singh, who felt sympathetic to the anti-Western cause of the Boxers even though he believed that their bad tactics had ‘blanketed their entire country and polity in dust.’ His first sight of China was the landscape near Beijing, of famished Chinese with skeletal bodies in abandoned or destroyed villages, over whose broken buildings flew the flags of China’s joint despoilers- France, Russia and Japan. River waters had become a ‘cocktail of blood, flesh, bones and fat.’ Singh particularly blamed the Russian and French soldiers for the mass killings, arson and rape inflicted on the Chinese. Some of the soldiers tortured their victims purely for fun. ‘All these sportsmen,’ Singh noted, ‘belonged to what where called “civilized nations”.
Pankaj Mishra (From the Ruins of Empire: The Revolt Against the West and the Remaking of Asia)
Before long they saw in the distance the towers and flags of Dictionopolis sparkling in the sunshine, and in a few moments they reached the great wall and stood at the gateway to the city. “A-H-H-H-R-R-E-M-M,” roared the gateman, clearing his throat and snapping smartly to attention. “This is Dictionopolis, a happy kingdom, advantageously located in the Foothills of Confusion and caressed by gentle breezes from the Sea of Knowledge. Today, by royal proclamation, is market day. Have you come to buy or sell?” “I beg your pardon?” said Milo. “Buy or sell, buy or sell,” repeated the gateman impatiently. “Which is it? You must have come here for some reason.” “Well, I——” Milo began. “Come now, if you don’t have a reason, you must at least have an explanation or certainly an excuse,” interrupted the gateman. Milo shook his head. “Very serious, very serious,” the gateman said, shaking his head also. “You can’t get in without a reason.” He thought for a moment and then continued. “Wait a minute; maybe I have an old one you can use.” He took a battered suitcase from the gatehouse and began to rummage busily through it, mumbling to himself, “No … no … no … this won’t do … no … h-m-m-m … ah, this is fine,” he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved on one side were the words “WHY NOT?” “That’s a good reason for almost anything— a bit used perhaps, but still quite serviceable.” And with that he placed it around Milo’s neck, pushed back the heavy iron gate, bowed low, and motioned them into the city.
Norton Juster (The Phantom Tollbooth)
St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.
Bessie Smith
I feel proud that I have been counted worthy to have blood shed by a traitor, and to suffer torture at the hands of those who have undertaken to trail our Flag in the dust. Signed, Yours as Ever, Franklin M. Haven.
Franklin Marion Havens
First we devise the notion that this spec of cosmic gas and elements is the universe’s Disneyland. Then we further display our arrogance by declaring that this particular country on this spec of dust is beloved by some imaginary creator. We’re so engorged on national pride that we stop baseball games in the 7th inning just to sing a self-aggrandizing dirge celebrating how much the man in the sky loves us. We well up at songs, waving flags, and jets flying overhead spewing out red, white and blue smoke in a proud demonstration of patriotic flatulence. We get aroused over symbols but are too lazy or stupid to ponder the concepts they represent. Don
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
was like being told you can run free one day—in June several years from now—but during every second of the intervening time, you’ll be getting run over by the world’s slowest steamroller, and every day it cracks a bone, and recracks it, and recracks it, and when you’re eighteen all you’re going to have is a body full of dust, lifted and carried into the future like a flag loose from its mast.
J. Ryan Stradal (Kitchens of the Great Midwest)
When they first came for us with their bullets, we didn't stop moving even though the bullets moved twice as fast as the sound of our screams, and even when their heat and speed broke our skin, shattered our bones, skulls, pierced our hearts, we kept on, even when we saw the bullets send our bodies flailing through the air like flags, like the many flags and buildings that went up in place of everything we knew this land to be before. The bullets were premonitions, ghosts from dreams of a hard, fast, future. The bullets moved on after moving through us, became the promise of what was to come, the speed and the killing, the hard,f ast lines of borders and buildings. They took everything and ground it down to dust as fine as gunpowder, they fired their guns into the air in victory and the strays flew out into the nothingneww of histories written wrong and meant to be forgotten. Stray bullets and consequences are landing on our unsuspecting bodies even now.
Tommy Orange (author)
Daily" These shriveled seeds we plant, corn kernel, dried bean, poke into loosened soil, cover over with measured fingertips These T-shirts we fold into perfect white squares These tortillas we slice and fry to crisp strips This rich egg scrambled in a gray clay bowl This bed whose covers I straighten smoothing edges till blue quilt fits brown blanket and nothing hangs out This envelope I address so the name balances like a cloud in the center of sky This page I type and retype This table I dust till the scarred wood shines This bundle of clothes I wash and hang and wash again like flags we share, a country so close no one needs to name it The days are nouns: touch them The hands are churches that worship the world
Naomi Shihab Nye
Milkyway Messiah Sonnet (Simplified Version) Whenever humanity degrades into inhumanity, Whenever the oppressed cry out for a little dignity, Whenever political animals come and sell hate, Whenever morons 'n their yes men ruin harmony, Whenever some cavemen fly the flag of tribalism, Whenever love of luxury undermines accountability, Whenever gentleness is overpowered by greed, Whenever megalomania tramples heart's humility, Whenever goodness is patronized by cold smartness, Whenever compassion is vilified by indifference, Whenever selfishness is accepted as norm and sanity, Whenever accountability is deemed as an offence, Embracing affliction, from the dust 'n dirt of soil 'n street, You the Milkyway Messiah is to rise as the sentient shield.
Abhijit Naskar (Dervish Advaitam: Gospel of Sacred Feminines and Holy Fathers)
Semantic Transparency: Children acquire early complex words which are based on roots they already know (sky-car, baby-bottle, to flag, to dust, brusher, hider). English-speaking children acquire early noun plus noun compounds (toothpaste, football), and compounds having head noun as –man (mailman, milkman, corresponding with batman, spiderman).
Endri Shqerra (Acquisition of Word Formation Devices in First & Second Languages: Morphological Cross-linguistic Influence)
Old Bayard held the rapier upon his hands for a while, feeling the balance of it. It was just such an implement as a Sartoris would consider the proper equipment for raising tobacco in a virgin wilderness; it and the scarlet heels and the ruffled wristbands in which he fought his stealthy and simple neighbors. And old Bayard held it upon his two hands, seen in it stained fine blade and shabby elegant sheath the symbol of his race; the two in the tradition: the thing itself fine and clear enough, only the instrument had become a little tarnished in its very aptitude for shaping circumstance to Its arrogant ends.
William Faulkner (Flags in the Dust)
The son of a Revolutionary soldier, attachment to this Union was among the first lessons of my childhood; bred to the service of my country, from boyhood to mature age, I wore its uniform. Through the brightest portion of my life I was accustomed to see our flag, historic emblem of the Union, rise with the rising and fall with the setting sun. I look upon it now with the affection of early love, and seek to preserve it by a strict adherence to the Constitution, from which it had its birth, and by the nurture of which its stars have come so much to outnumber its original stripes. Shall that flag, which has gathered fresh glory in every war, and become more radiant still by the conquest of peace—shall that flag now be torn by domestic faction, and trodden in the dust by sectional rivalry?
Jefferson Davis (The Rise and Fall of the Confederate Government)
When they first came for us with their bullets, we didn’t stop moving even though the bullets moved twice as fast as the sound of our screams, and even when their heat and speed broke our skin, shattered our bones, skulls, pierced our hearts, we kept on, even when we saw the bullets send our bodies flailing through the air like flags, like the many flags and buildings that went up in place of everything we knew this land to be before. The bullets were premonitions, ghosts from dreams of a hard, fast future. The bullets moved on after moving through us, became the promise of what was to come, the speed and the killing, the hard, fast lines of borders and buildings. They took everything and ground it down to dust as fine as gunpowder, they fired their guns into the air in victory and the strays flew out into the nothingness of histories written wrong and meant to be forgotten. Stray bullets and consequences are landing on our unsuspecting bodies even now.
Tommy Orange (There There)
The first of the pre-monsoon winds stirs the dust in the courtyard outside the police station. The women have gathered in front of the door. Sarita Devi sits in front, the pradhan's formidable wife by her side. The wind picks up speed. The drapes of the women's saris and lehengas flutter like a battalion's flags, screaming pinks and yellows, burnt orange and incendiary blues, deep-dyed ominous reds. Their silence worries Ombir, far more than if they were raising slogans or shouting.
Nilanjana Roy (Black River)
When the Germans surrendered with their arms raised high, holding a white flag, they weren't at all how i imagined them: hard, cruel, tall and monstrous with cigars chomped between their lips talking about how they wanted to shoot babies and old people. Instead they were boys like us, teenagers, tired, scared, dirty, and looking almost relieved that their was over, for now, that they can rest their bone-tired bodies in the POW camps.
Mariko Nagai (Dust of Eden)
Wind flags can be used to estimate wind speed by their angle. If a flag is at an 80-degree angle, that number is divided by the constant 4—to get 20 miles per hour. Likewise, if the flag only waves at a 40-degree angle, 40 divided by 4 equals 10 miles per hour. If no flag is available, the sniper can use his observation skills. A wind that is barely felt but causes smoke to drift is less than 3 miles per hour. Light winds are 3 to 5 miles per hour. Wind that constantly blows leaves around is 5 to 8 miles per hour. Dust and trash are blown at 8 to 12 miles per hour. Trees sway at 12 to 15 miles per hour. A
Howard E. Wasdin (I Am a SEAL Team Six Warrior: Memoirs of an American Soldier)
must choose a geological deposit to mark our time, one that is uniquely human-born, I would suggest the area of Mare Tranquilitatis, the Sea of Tranquility, on the Moon, where the Apollo 11 astronauts first stepped onto the soil of another world, hopped about, did experiments, took rocks and soil, and left behind machines, flags, and footprints. Those boot marks will fade in a few million years as micrometeorites grind them into the surrounding dust, but the overall disturbance of this site, including the alien artifacts we left there, will surely be detectable for as long as there is an Earth and a Moon. This could not have been produced by any other species.
David Grinspoon (Earth in Human Hands: Shaping Our Planet's Future)
the Western contingent and took the two leaders captive, and then seized all who were with them. The flag was torn and stamped into the dust, the captives were imprisoned and put to torture for their boldness in daring to invade the country. In great joy this good news was carried back to the capital. Once again the Western men were routed. The Emperor praised Tzu Hsi heartily and gave her a gold coffer filled with jewels. Then he announced seven days of feasting in the nation and in the palaces special theatricals
Pearl S. Buck (Imperial Woman: The Story of the Last Empress of China)
One Mission, Many Vessels (The Sonnet, 1313) One thunder, visions plenty. One mission, vessels plenty. One source, seekers plenty. One fate, fervors plenty. From dust we're born, In dust we're gone. Cashes to ashes, Bitcoins in trashes, Division is nefarious, Unity is dawn. The day the billions of people of earth are valued more than the billionaires, that day you shall be human being, that day you are king and queen. Naskar doesn't have flag or nation, My flag is world flag - my nation, world nation. Call me poet, scientist or humanitarian, Naskar is the spirit of world integration.
Abhijit Naskar (Visvavatan: 100 Demilitarization Sonnets (Sonnet Centuries))