Fix Me Quotes

We've searched our database for all the quotes and captions related to Fix Me. Here they are! All 100 of them:

Don't talk to me." "Why not?" "Because I want to fix that in my memory for ever. Draco Malfoy, the amazing bouncing ferret...
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I was always an unusual girl. My mother told me I had a chameleon soul, no moral compass pointing due north, no fixed personality; just an inner indecisiveness that was as wide and as wavering as the ocean.
Lana Del Rey
When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.
J.D. Salinger (The Catcher in the Rye)
Look...at...me..." he whispered. The green eyes found the black, but after a second, something in the depths of the dark pair seemed to vanish, leaving them fixed, blank, and empty. The hand holding Harry thudded to the floor, and Snape moved no more.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Some people, they can't just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just...something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remembering and getting on at the same time.
Sarah Dessen (The Truth About Forever)
If you do not help me," Tessa said to Jem, "I swear, I will change into you, and I will lift him myself. And then everyone here will see what you look like in a dress." She fixed him with a look. "Do you understand?
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wand'ring barque, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
William Shakespeare (Great Sonnets (Dover Thrift Editions: Poetry))
Look at me. Look into my eyes." His eyes fixed on hers as they fluttered open. "I'll give you anything. My body, my soul, Take them. Take everything.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
You'll fix me, because we're parabatai. We're forever.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
She was wearing a pair of my pajamas with the sleeves rolled up. When she laughed I wanted her again. A minute later she asked me if I loved her. I told her it didn't mean anything but that I didn't think so. She looked sad. But as we were fixing lunch, and for no apparent reason, she laughed in such a way that I kissed her.
Albert Camus (The Stranger)
I'm not trying to fix you; I don't think you need to be fixed. I'm not trying to turn you into someone else. I only want you to be who you already are. Because I think I know the real you. I think I've seen him." Warner says nothing, his chest rising and falling. "I don't care what anyone else says about you," I tell him. "I think you're a good person.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Fix me," I commanded him. "This thing, what I've done - there's something wrong with me, Noah. Fix it." Noah's expression broke my heart as he brushed my hair from my face, and skimmed the line of my neck. "I can't" "Why not?" I asked, my voice threatening to crack. "Because," he said, "You're not broken.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Don't try to fix me, I'm not broken...
Evanescence
I’m going to go back and stop your son from killing her.” The queen’s face fell. For a moment, she looked as old as the years she’d spent lying in a suspended state. “That is not a small mistake to fix. If you do this, Time will take something equally valuable from you.” The Fate gave the queen a look more vicious than any curse. “There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Aside from the obvious, Francesca, what do you want in return for supplying information?” Bones asked, getting back to the subject. “You to take me,” she replied at once. “Not gonna happen!” I spat, squeezing him possessively. Three sets of widened eyes fixed on me. That’s when I realized that what I had a firm grip on was no longer his hand.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
You deserve better. I can’t promise you I’ll stay around, not because I don’t want to. It’s hard to explain. I’m a fuckup. I’m broken, and no one can fix it. I’ve tried. I’m still trying. I can’t love anyone because it’s not fair to anyone who loves me back. I’ll never hurt you, not like I want to hurt Roamer. But I can’t promise I won’t pick you apart, piece by piece, until you’re in a thousand pieces, just like me. You should know what you’re getting into before getting involved.
Jennifer Niven (All the Bright Places)
One of the lambs fixed its attention on Jared. “Baa,” it flirted. “Boo,” said Jared. “Oh my God, Jared. Don’t tough-talk the lambs.” "It was giving me a funny look.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
You seem to be under the impression that I work for you and you can give me orders. Let me fix that." I hung up.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
You know about fixing cars, you're athletic, and you know when to shut up." "That last one isn't a skill." "Honey, trust me. It's a skill.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
The normal world has no room for exceptions and always quietly eliminates foreign objects. Anyone who is lacking is disposed of. So that’s why I need to be cured. Unless I’m cured, normal people will expurgate me. Finally I understood why my family had tried so hard to fix me.
Sayaka Murata (Convenience Store Woman)
Clearing his throat, Kai murmured, "You have no idea how to dance, do you?" Cinder fixed her gaze on him, mind still reeling. "I'm a mechanic." His eyebrows raised mockingly. "Believe me, I noticed. Are those grease stains on the gloves I gave you?
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
If you want me to fix your homework, you need to leave me alone.” Then he spotted her. “You’re back.” “Yeah.” She glanced between him and Gabriel. “You do his homework?” “Just the math. It’s a miracle he can count to ten.” “I can count to one.” Gabriel gave him the finger.
Brigid Kemmerer (Storm (Elemental, #1))
I want to be a body for you. I want to chase you, find you, I want to be eluded and teased and adored; I want to be defeated and victorious—I want you to cut me, sharpen me. I want to drink tea beside you in ten years or a thousand. Flowers grow far away on a planet they’ll call Cephalus, and these flowers bloom once a century, when the living star and its black-hole binary enter conjunction.I want to fix you a bouquet of them, gathered across eight hundred thousand years, so you can draw our whole engagement in a single breath, all the ages we’ve shaped together.
Amal El-Mohtar (This is How You Lose the Time War)
You can't do this. You have to give me a chance to fix whatever it is I've done. What have I done?
Huntley Fitzpatrick (My Life Next Door)
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
I want you to know, my dear friend, that without you, I would not be the person I am today." He leaned in close and whispered, "I was a broken boy, and you fixed me. Thank you.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
Once, I'd have wanted that. I'd have wanted someone to tell me what to do, to fix everything. Once, I'd have wanted to be saved.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Unless you stop him. Perhaps next we meet." "You'll be just as annoying?" I guessed. He fixed my with those warm brown eyes. "Or perhaps you could bring me up to speed on those modern courtship rituals." I sat there stunned until he gave me a glimpse of a smile-just enough to let me know he was teasing. Then he disappeared. "Oh, very funny!" I yelled.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I moistened my lips. His gaze fixed on them. I think I stopped breathing. He jerked so sharply away that his long dark coat sliced air, and turned his back to me. “Was that an invitation, Ms.Lane?” “If it was?” I asked, astonishing myself. What did I think I was doing? “I don’t do hypotheticals. Little girl.
Karen Marie Moning (Faefever (Fever, #3))
His Majesty needs a can-I girl anyway. And I'm not it." "A can-I girl?" Andrea frowned. I leaned back. "'Can I fetch your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I..." It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head. "He's standing behind me, isn't he?" Andrea nodded slowly. "Technically it should be 'may I'," Curran said, his voice deeper than I remembered. "Since you're asking for permission." Why me? "To answer your question, yes, you may kiss my ass. Normally I prefer maintain my personal space, but you're a Friend of the Pack and your services have proven useful once or twice. I strive to accommodate the wishes of persons friendly to my people. My only question is, would kissing my ass be obeisance, grooming, or foreplay?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
I'm sorry," he says. "What? Why?" "You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that would be so bad.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When Kai fell silent, she risked a glance at him. He was staring at her hands [which she always holds mechanic gloves over to hide her...you know, cyborg hands]... "Do you ever take those off?" he asked. "No." Kai tilted his head, peering at her as if he could see right through to the metal plate in her head..."I think you should go to the ball with me." She clutched her fingers..."Stars," she muttered. "Didn't you already asked me that?" "I'm hoping for a more favorable answer this time and I seem to be getting more desperate by the minute." "How charming." Kai's lips twitched. "Please?" "Why?" "Why not?" "I mean, why me?" Kai hooked his thumbs on his pockets. "So if my escape hover breaks down, I'll have someone to fix it?
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
That you could fix me? What's more, that I could fix you? Well, Sorry, pet, I don't want to be fixed. - Caleb
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
Marry me, Kiara,” he blurts out in front of everyone. “Why?” she asks, challenging him. “Because I love you,” he says, walking up to her and bending down on one knee while he takes her hand in his, “and I want to go to sleep with you every night and wake up seein’ your face every mornin’, I want you to be the mother of my children, I want to fix cars with you and eat your crappy tofu tacos that you think are Mexican. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy hot makeup sex. Marry me, because without you I’d be six feet under … and because I love your family like they’re my own … and because you’re my best friend and I want to grow old with you.” He starts tearing up, and it’s shocking because I’ve never seen him cry. “Marry me, Kiara Westford, because when I got shot the only thing I was thinkin’ about was comin’ back here and makin’ you my wife. Say yes, chica.
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
She said she knew we were safe with you, and always would be, because once, when she asked you to, you'd given up the thing you most wanted." Archer received this strange communication in silence. His eyes remained unseeingly fixed on the thronged sunlit square below the window. At length he said in a low voice: "She never asked me.
Edith Wharton (The Age of Innocence)
Don't confuse me with those who cling to hope. I enjoy describing how things are, I have no interest in how they 'ought to be.' And I certainly have no interest in fixing them. I sincerely believe that if you think there's a solution, you're part of the problem. My motto: Fuck Hope!
George Carlin (Brain Droppings)
I'm not broken, I'm ruined. Do you understand the difference? With broken maybe you can fix things. Ruined? All you can do is wait to bury me.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
Emma —“ “I’m calling.” Emma lunged for her phone. “No!” Julian said, forcefully enough to stop her. “You know we can’t tell anyone. About Mark —“ “You’re not going to bleed to death in a car for Mark!” “No,” he said, looking at her. His eyes were eerily green-blue, the only bright color in the dark interior of the car. “You’re going to fix me.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?" Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do. You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
Anaïs Nin
I told NASA what I did. Our (paraphrased) conversation was: Me: “I took it apart, found the problem, and fixed it.” NASA: “Dick.
Andy Weir (The Martian)
I am a man, and men do not drink pink drinks. Now, be gone, woman, and fetch me something brown." Jace said. "Brown?" said Isabelle. "Yes. Brown. It's a manly color. See? Alec is wearing it." Jace said. "Well, it was black but it faded." Alec said. "Well, I can always fix it up with something sparkly," Magnus said, holding a sparkley headband. "Resist the urge, Alec, resist the urge." Simon said.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
He looks at me, the light in his eyes fractures into millions of bits—a kaleidoscope of darkness that may never be fixed.
Alyson Noel (Shadowland (The Immortals, #3))
Not nearly enough. Not recently, anyway.” And she was sad about that. “I know,” he said, and kissed the back of her hand. “We’ll fix it. Get some sleep.” “Night,” she said, and watched him walk toward the door. “Hey. How’d you get in?” He wiggled his fingers at her in a spooky oogie-boogie pantomime. “I’m a vampire. I have secret powers ,” he said with a full-on fake Transylvanian accent, which he dropped to say, “Actually, your mom let me in.” “Seriously? My mom? Let you in my room? In the middle of the night?” He shrugged. “Moms like me.” He gave her a full-on Hollywood grin, and slipped out the door.
Rachel Caine (Carpe Corpus (The Morganville Vampires, #6))
Yes. What is it, guilt, revenge, love, what?” I swallowed. “I live alone.” "And your point is?” "You have the Pack. You’re surrounded by people who would fall over themselves for the pleasure of your company. I have no one. My parents are dead, my entire family is gone. I have no friends. Except Jim, and that’s more of a working relationship than anything else. I have no lover. I can’t even have a pet, because I’m not at the house often enough to keep it from starving. When I come crawling home, bleeding and filthy and exhausted, the house is dark and empty. Nobody keeps the porch light on for me. Nobody hugs me and says, ‘Hey, I’m glad you made it. I’m glad you’re okay. I was worried.’ Nobody cares if I live or die. Nobody makes me coffee, nobody holds me before I go to bed, nobody fixes my medicine when I’m sick. I’m by myself.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
This flirting is all well and good, but I mean it when I tell you, I cant have you leaving me again. It almost broke me." My ribs seemed to squeeze all of the air out of my lungs at the thought. "I don't think I could. I don't want to be away from you again either." "But you need to give me a chance to fix things when I screw up. You know I'm an ass sometimes." "Sometimes?" Growling, he whispered, "And I tear lingerie." I pushed a curl off his forehead, "And hoard it. Don't forget the creepy hoarding.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
I don't have a lot of domestic instincts," Ranger said to me, his attention fixing on the unidentifiable glob in my hair, "but I have a real strong urge to take you home and hose you down." I went dry mouth. Connie bit into her lower lip, and Lula fanned herself with a file.
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with visions of myself dancing and laughing and crying with them. Three years down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not a very popular one, who once had dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lay your head. I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiveness that was as wide as wavering as the ocean. And if I said that I didn't plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obsession for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me. Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
Lana Del Rey
Alec isn’t happy,” said Magnus, as if she hadn’t spoken. “Of course he isn’t,” Isabelle snapped. “Jace—” “Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said: “I thought you were friends.” “It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.” Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —” “I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—” “Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said. “How dare you make this worse than it is —” “Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.” “There is nothing weak about Alec,” said Isabelle. “No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.” “Of course he loves me. I’m his sister.” “Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
It was my view then, and still is, that you don't make war without knowing why. Knowledge of course, is always imperfect, but it seemed to me that when a nation goes to war it must have reasonable confidence in the justice and imperative of its cause. You can't fix your mistakes. Once people are dead, you can't make them undead.
Tim O'Brien (The Things They Carried)
I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you just feel we’re becoming more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it would mean that such a thing is still possible? I want to believe that.
Rachel Cohn (Nick & Norah's Infinite Playlist)
His earlier hesitation gone, he removed the last scraps of fabric we were wearing, fixed the condom in place, kissed me fiercely and rocked into me. Had this been Kennedy, it would have been over in a few minutes. My last coherent thought, as Lucas took his time kissing and touching every part of me he could reach and my body arched into his, was Oh... so this is what all the fuss is about.
Tammara Webber (Easy (Contours of the Heart, #1))
Look at me, he said to her. His arms and legs jerked. Look at me. You got your wish. I have learned how to love. And it’s a terrible thing. I’m broken. My heart is broken. Help me. The old woman turned and hobbled away. Come back, thought Edward. Fix me
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
Rowena Clark and I had met on the first day of our mixed media class. I’d sat down at her table and said, “Mind if I join you? Figure the best way to learn about art is to sit with a masterpiece.” Maybe I was in love, but I was still Adrian Ivashkov. Rowena had fixed me with a flat look. “Let’s get one thing straight. I can see through crap a mile away, and I like girls, not guys, so if you can’t handle me telling you what’s what, then you’d better take your one-liners and hair gel somewhere else. I don’t go to this school to put up with pretty boys like you. I’m here to face dubious employment options with a painting degree and then go get a Guinness after class.” I’d scooted my chair closer to the table. “You and I are going to get along just fine.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I’ve come to the conclusion that there are no set rules in life. You do what you have to do to survive. If that means running away from the love of your life to preserve your sanity, you do it. If it means breaking someone’s heart so yours doesn’t break; do it. Life is complicated — too much so for there to be absolutes. We are all so broken. Pick up a person, shake them around and you’ll hear the rattling of their broken pieces. Pieces our fathers broke, or our mothers, or our friends, strangers, or our loves. Olivia has stopped rattling quite as much as she used to. Love is a God-given tool, she tells me. It screws things back in place that were loose, and it cleans out all the broken pieces that you don’t need anymore. I believe her. Our love has been fixing each other. I hope to only hear a tiny jingle when I shake her in a few years
Tarryn Fisher (Thief (Love Me with Lies, #3))
Our culture has become hooked on the quick-fix, the life hack, efficiency. Everyone is on the hunt for that simple action algorithm that nets maximum profit with the least amount of effort. There’s no denying this attitude may get you some of the trappings of success, if you’re lucky, but it will not lead to a calloused mind or self-mastery. If you want to master the mind and remove your governor, you’ll have to become addicted to hard work. Because passion and obsession, even talent, are only useful tools if you have the work ethic to back them up.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest. Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now. "Take off your hat," I said, the words tumbling out before I could stop them. He slid it around, the brim facing backward. I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind. He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me. I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way. "You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck. My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin... "My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all through my body, legs included. "I could solve that." Patch’s hands closed on my hips.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
The karmic philosophy appeals to me on a metaphorical level because even in ones lifetime it's obvious how often we must repeat our same mistakes, banging our heads against the same ole addictions and compulsions, generating the same old miserable and often catastrophic consequences, until we can finally stop and fix it. This is the supreme lesson of karma ( and also of western psychology, by the way)- take care of the problem now, or else you'll just have to suffer again later when you screw everything up the next time. And that repetition of suffering-that's hell. Moving out of that endless repetition to a new level of understanding-there's where you'll find heaven.
Elizabeth Gilbert
I was always an unusual girl, my mother told me I had a chameleon soul No moral compass pointing due north, no fixed personality; just an inner indecisiveness that was as wide and as wavering as the ocean I belonged to no one, who belonged to everyone who had nothing, who wanted everything
Lana Del Rey
One of us should stop her," Ranger said to Morelli, his eyes fixed on me. "Not going to be me," Morelli said. "Have you ever tried to stop her from doing something she wanted to do?" "Haven't had much success at it," Ranger said. Morelli rocked on his heels. "One thing I've learned about Stephanie over the years, she's not good at taking orders." "Has authority issues," Ranger said. "And if you piss her off, she'll get even. She ran me over with her father's Buick once and broke my leg." That got a small smile out of Ranger. "Nice to see you boys bonding," I said.
Janet Evanovich (Twelve Sharp (Stephanie Plum, #12))
It seems to me that we can’t explain all the truly awful things in the world like war and murder and brain tumors, and we can’t fix these things, so we look at the frightening things that are closer to us and we magnify them until they burst open. Inside is something that we can manage, something that isn’t as awful as it had a first seemed. It is a relief to discover that although there might be axe murderers and kidnappers in the world, most people seem a lot like us: sometimes afraid and sometimes brave, sometimes cruel and sometimes kind.
Sharon Creech (Walk Two Moons)
When you meet someone so different from yourself, in a good way, you don't even have to kiss to have fireworks go off. It's like fireworks in your heart all the time. I always wondered, do opposites really attract? Now I know for sure they do. I'd grown up going to the library as often as most people go to the grocery store. Jackson didn't need to read about exciting people or places. He went out and found them, or created excitement himself if there wasn't any to be found. The things I like are pretty simple. Burning CDs around themes, like Songs to Get You Groove On and Tunes to Fix a Broken Heart; watching movies; baking cookies; and swimming. It's like I was a salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic.
Lisa Schroeder (I Heart You, You Haunt Me)
You know, and so, I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
Brené Brown
A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—
Rick Riordan
None of it seems real. Who knows? Maybe it isn’t. Maybe it’s actually happening to someone else. Maybe it’s something I imagined. Maybe soon I’m going to wake up and find everything fixed with Lissa and Dimitri. We’ll all be together, and he’ll be there to smile and hold me and tell me everything ‘s going to be okay. Maybe all of this really has been a dream. But I don’t think so.
Richelle Mead (Blood Promise (Vampire Academy, #4))
I want to help you,' I say to Juliet, though I know that I can't make her understand, not like this. 'Don't you get it?' She turns to me, and to my surprise I see she's crying. 'I can't be fixed, do you understand?' I think of standing on the stairs with Kent and saying exactly the same thing. I think of his beautiful light green eyes, and the way he said, You don't need to be fixed and the warmth of his hands and the softness of his lips. I think of Juliet's mask and how maybe we all feel patched and stitched together and not quite right. I am not afraid. Dimly, I have the sense of roaring in my ears and voices so close and faces, white and frightened, emerging from the darkness, but I can't stop staring at Juliet as she's crying, still so beautiful. 'It's too late,' she says. And I say, 'It's never too late.
Lauren Oliver (Before I Fall)
The nurse whirled and fixed him with a gimlet eye. “You—” she began, then threw her hands up. “Go get ready, idiot. You’ve been hovering at the door like a lost puppy all day. Tell the prince we’ll be leaving as soon as Miss Chase is ready. Now, get.” Puck retreated, grinning, and the nurse sighed. “Those two,” she muttered. “They’re either best friends or darkest enemies, I can’t tell which. Come with me, Miss Chase.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Jamie," I said, "how, exactly, do you decide whether you're drunk?" Aroused by my voice, he swayed alarmingly to one side, but caught himself on the edge of the mantelpiece. His eyes drifted around the room, then fixed on my face. For an instant, they blazed clear and pellucid with intelligence. "och, easy, Sassenach, If ye can stand up, you're not drunk." He let go of the mantelpiece, took a step toward me, and crumpled slowly onto the hearth, eyes blank, and a wide, sweet smile on his dreaming face.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
I tried so hard to fix what I'd ruined. I tried every single day to be what they wanted. I tried all the time to be better but I never really knew how. I only know now that the scientist are wrong. The world is flat. I know because I was tossed right off the edge and I've been trying to hold on for 17 years. I've been trying to climb back up for 17 years but its nearly impossible to beat gravity when no one is willing to give you a hand. When no one wants to risk touching you.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
His Majesty needs a can-I girl anyway. And I’m not it.” “A can-I girl?” Andrea frowned. I leaned back. “ ‘ Can I fetch you your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick out your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I...” It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head. “He’s standing behind me, isn’t he?” Andrea nodded slowly. “Technically it should be ‘may I,’” Curran said, his voice deeper than I remembered. “Since you’re asking permission.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Without lifting his head from his own journal, he said, “Not having any luck figuring me out, then? Don’t worry, you’ll get better with practice. And, yes”—he grinned wickedly, eyes fixed on his paper—“you’ll still fancy me tomorrow no matter how much you wish otherwise. I’m unpredictable, and you adore it. Just as I cannot wrap my massive brain around the equation of you and yet adore it.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Sometimes I wonder if my whole life will pass by this way: me waiting in the shadows, waiting for something to happen. Waiting for someone else to make it happen. Something new or different or crazy and amazing. I‘ve been there for so long, letting everyone else figure it out for me, floating along without much direction or conscious thought. Reacting.
Sarah Ockler (Fixing Delilah)
I don't want you to kill anyone at all," I say. "Not just Adam." Warner laughs a sharp, strange laugh. He looks almost relieved. "Do you have any other stipulations?" "Not really." "You don't want to fix me, then? You don't have a long list of things I need to work on?" "No." I stare out the window. The view is so bleak. So cold. Covered in ice and snow. "There's nothing wrong with you that isn't already wrong with me," I say quietly. "And it I were smart I'd first figure out how to fix myself.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
That’s not the only reason I’m stayin’, chica. I can’t leave you any more than I could walk out that door right now while my leg is busted up. I was just thinkin’ . . . should we tell your parents now or later?” “Tell them what?” I ask, eyes wide. He kisses me softly, then says proudly, “That we’re in a serious, monogamous, committed relationship.” “We are?” “Sí. And when I get out of here, I’m gonna fix the door to your car.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter. I see it now though. Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further. And then he touches me again, and my convictions disappear like smoke in the wind. This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct? Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him. Tomorrow. What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever. Just one last time, Sweets. Just one last fix. That’s all I need. And that is why I now understand addiction.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
How can I live without thee, how forego Thy sweet converse, and love so dearly joined, To live again in these wild woods forlorn? Should God create another Eve, and I Another rib afford, yet loss of thee Would never from my heart; no, no, I feel The link of nature draw me: flesh of flesh, Bone of my bone thou art, and from thy state Mine never shall be parted, bliss or woe. However, I with thee have fixed my lot, Certain to undergo like doom; if death Consort with thee, death is to me as life; So forcible within my heart I feel The bond of nature draw me to my own, My own in thee, for what thou art is mine; Our state cannot be severed, we are one, One flesh; to lose thee were to lose myself.
John Milton (Paradise Lost)
Well," Lucien said, his remaining russet eye fixed on me, "you don't look half as bad now. A relief, I suppose, since you're to live with us. Though the tunic isn't as pretty as a dress." Wolves ready to pounce - that's what they were, just like their friend. I was all to aware of my diction, of the very breath I took as I said, "I'd prefer not to wear that dress" "And why not?" Lucien crooned. It was Tamlin who answered for me. "Because killing us is easier in pants.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Seven years, Dawn. Working with the Slayer. Seeing my friends get more and more powerful... a witch. A demon. Hell, I could fit Oz in my shaving kit, but come a full moon, he had a wolfy mojo not to be messed with. Powerful, all of them. And I'm the guy who fixes the windows. They'll never know how tough it is, Dawnie, to be the one who isn't Chosen, to live so near the spotlight and never step in it. But I know. I see more than anybody realizes because nobody's watching me. I saw you last night, and I see you working here today. You're not special; you're extraordinary.
Joss Whedon
You’re too good for me.” He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?” She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.” “Wow,” Carmine said. “I’d like to meet that motherfucker.
J.M. Darhower (Sempre (Sempre, #1))
We were fools.” “You were children. Was there no one to protect you?” “Was there anyone to protect you?” “My father. My mother. They would have done anything to keep me from being stolen.” “And they would have been mowed down by slavers.” “Then I guess I was lucky I didn’t have to see that.” How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.” “They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.” “The fact that you’re bleeding through your bandages tells me otherwise.” She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.” He didn’t mean to say it. He meant to let her go. “I can help you.” Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It's hard to talk about the importance of an imaginary hero. But heroes ARE important: Heroes tell us something about ourselves. History tells us who we used to be, documentaries tell us who we are now; but heroes tell us who we WANT to be. And a lot of our heroes depress me. But when they made this particular hero, they didn't give him a gun--they gave him a screwdriver to fix things. They didn't give him a tank or a warship or an x-wing fighter--they gave him a box from which you can call for help. And they didn't give him a superpower or pointy ears or a heat-ray--they gave him an extra HEART. They gave him two hearts! And that's an extraordinary thing. There will never come a time when we don't need a hero like the Doctor.
Steven Moffat
Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.' Grantaire was on his feet. The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard. He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras. 'Two at one shot,' he said. And, turning toward Enjolras gently, he said to him, 'Will you permit it?' Enjolras shook his hand with a smile. The smile had not finished before the report was heard. Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted. Grantaire, struck down, collapsed at his feet.
Victor Hugo (Les Misérables)
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
Unfortunately I am afraid, as always, of going on. For to go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I’ll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time.
Samuel Beckett (The Unnamable)
I think—I think it’s a big deal. Bigger for him and Eve than for most people.' Shane kept his eyes down, fixed on the sidewalk and the steps they were taking. 'Look, ask him, okay? This is girl talk. I don’t do girl talk.' She punched him in the shoulder. 'Ass.' 'That’s better. I was starting to feel like we should go shoe shopping or something.' 'Being a girl is not a bad thing!' 'No.' He took his hand out of his pocket and put his arm around her shoulders, hugging her close. 'If I could be half the girl you are, I’d be—wow, I have no idea where I was going with that, and it just turned out uncomfortable, all of a sudden.' 'Jackass.' 'You like being a girl—that’s good. I like being a guy—that’s also good.' 'Next you’ll be all Me, Tarzan, you, Jane!
Rachel Caine (Last Breath (The Morganville Vampires, #11))
Strigoi have red eyes, " I explained. "Do his eyes look red?" The boy leaned forward. "No. They're brown. " "What else do you know about Strigoi?" I asked. "They have fangs like us, " the boy replied. "Do you have fangs?" I asked Dimitri in a singsong voice. I had a feeling this was already-covered territory, but it took on a new feel when asked from a child's perspective. Dimitri smiled--a full, wonderful smile that caught me off guard. "Okay, Jonathan, " said his mother anxiously. "You asked. Let's go now. " "Strigoi are super strong, " continued Jonathan, who possibly aspired to be a future lawyer. "Nothing can hurt them. " Jonathan fixed Dimitri with a piercing gaze. "Are you super strong? Can you be hurt?" "Of course I can, " replied Dimitri. "I'm strong, but all sorts of things can still hurt me. " And then, being Rose Hathaway, I said something I really shouldn't have to the boy. "You should go punch him and find out. " Jonathan's mother screamed again, but he was a fast little bastard, eluding her grasp. He ran up to Dimitri before anyone could stop him--well, I could have--and pounded his tiny fist against Dimitri's knee. Then, with the same reflexes that allowed him to dodge enemy attacks, Dimitri immediately feinted falling backward, as though Jonathan had knocked him over. Clutching his knee, Dimitri groaned as though he were in terrible pain. Several people laughed, and by then, one of the other guardians had caught hold of Jonathan and returned him to his near-hysterical mother. As he was being dragged away, Jonathan glanced over his shoulder at Dimitri. "He doesn't seem very strong to me. I don't think he's a Strigoi. " This caused more laughter
Richelle Mead (Spirit Bound (Vampire Academy, #5))
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two" She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam. Celaena grabbed Sam's elbow. "Enough," she warned him. The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind. Celaena whirled to face Sam. "What in hell was that for?" "You're drunk," he told her, so close her chest brushed his, "And he knew it, too." "So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground. "You'll thank me in the morning." "Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist. "Let me take you home.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!" He grasped my hands, fixing me with a steady blue gaze. "Aye, I would," he said. "But I wasna carrying your child." The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away. "You can't tell," I said, at last. "It's much too soon to be sure." He snorted briefly, and a tiny flicker of amusement lit his eyes. "And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days." "You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!" "Didn't you?" "No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late. "Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does." He lifted one brow, and cupped a broad hand gently beneath my breast. "Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you." I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me. Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky. "Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head. I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me. Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art. LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN. I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.* Who are you? Are you in touch with all your darkest fantasies? Have you created a life for yourself where you’re free to experience them? I Have. I Am Fucking Crazy. But I Am Free.
Lana Del Rey
It’s okay to feel all of the stuff you’re feeling. You’re just becoming human again. You’re not doing life wrong; you’re doing it right. If there’s any secret you’re missing, it’s that doing it right is just really hard. Feeling all your feelings is hard, but that’s what they’re for. Feelings are for feeling. All of them. Even the hard ones. The secret is that you’re doing it right, and that doing it right hurts sometimes.” I did not know, before that woman told me, that all feelings were for feeling. I did not know that I was supposed to feel everything. I thought I was supposed to feel happy. I thought that happy was for feeling and that pain was for fixing and numbing and deflecting and hiding and ignoring. I thought that when life got hard, it was because I had gone wrong somewhere. I thought that pain was weakness and that I was supposed to suck it up. But the thing was that the more I sucked it up, the more food and booze I had to suck down.
Glennon Doyle (Untamed)
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
...Whilst on board the Beagle I was quite orthodox, and I remember being heartily laughed at by several of the officers... for quoting the Bible as an unanswerable authority on some point of morality... But I had gradually come by this time, i.e., 1836 to 1839, to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow at sign, &c., &c., and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian. ...By further reflecting that the clearest evidence would be requisite to make any sane man believe in the miracles by which Christianity is supported, (and that the more we know of the fixed laws of nature the more incredible do miracles become), that the men at that time were ignorant and credulous to a degree almost uncomprehensible by us, that the Gospels cannot be proved to have been written simultaneously with the events, that they differ in many important details, far too important, as it seemed to me, to be admitted as the usual inaccuracies of eyewitnesses; by such reflections as these, which I give not as having the least novelty or value, but as they influenced me, I gradually came to disbelieve in Christianity as a divine revelation. The fact that many false religions have spread over large portions of the earth like wild-fire had some weight with me. Beautiful as is the morality of the New Testament, it can be hardly denied that its perfection depends in part on the interpretation which we now put on metaphors and allegories. But I was very unwilling to give up my belief... Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all of my friends, will be everlastingly punished. And this is a damnable doctrine.
Charles Darwin (The Autobiography of Charles Darwin, 1809–82)
He looked down at the keys and played a gentle chord. Jesper wondered at how he could have mistaken Kuwei for Wylan. Their hands were completely different, the shape of the fingers, the knuckles. “Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Tikkun olam.” Exactly. Basically, it says that the world has been broken into pieces. All this chaos, all this discord. And our job - everyone’s job - is to try to put the pieces back together. To make things whole again.” And you believe that?” I guess I do. I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you feel we’re becoming more and more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.” Do you really think it’s getting worse? I mean, aren’t we better off than we were twenty years ago? Or a hundred?” We’re better off. But I don’t know if the world’s better off. I don’t know if the two are the same thing.” You’re right.” Excuse me?” I said, ‘You’re right.’” But nobody ever says, ‘You’re right.’ Just like that.” Really?” Really.” …Then it hits me. Maybe we’re the pieces,” What?” Maybe that’s it. With what you were talking about before. The world being broken. Maybe it isn’t that we’re supposed to find the pieces and put them back together. Maybe we’re the pieces. Maybe, what we’re supposed to do is come together. That’s how we stop the breaking.” Tikkun olam.
David Levithan (Nick & Norah's Infinite Playlist)
I started getting Mal's texts just before lunch. Mal: Awake Anne: Morning Mal: Going for a run with Jim Anne: Have fun! Mal: Back from run having lunch ... Mal:Your taste in music sucks Anne: Thanks Mal: Seriously, we need to talk it's that bad. Everything apart from Stage Dive needs to go. Anne: Wait. What are you doing? Mal:Fixing it. Anne: Mal, WTH are you doing? Mal: Making you new playlist wih decent shit. Relay Anne: K Thanks Mal: Bored again Mal: Ben's coming over to play Halo Anne: Great! But you don't have to tell me everything you do, Mal Mal: Davie says communication's important Mal: When are you on the rag? Davie said to find out if you want cupcakes or ice cream Anne: I want to not talk about this ever Mal: Bored. Ben's late Mal: Let's get a dog Anne: Apartment has no pets rule Mal: Nice green lace bra Anne: Get out of my drawers, Mal. Mal: Matching panties? Anne: GET OUT NOW. Mal: :) Mal: sext me Mal: Some on it'll be funny Mal: Plz? Mal: High level of unhealthy codependency traits exhibited by both parties relationship possibly bordeing on toxic Anne: WTF? Mal: Did magazine quiz. We need help- Especially you Anne:... Mal: Booking us couples counseling. Tues 4:15 alright? Anne: We are not going to counseling. Mal: What's wrong? Don't you love me anymore? Anne: Turning phone off now.
Kylie Scott (Play (Stage Dive, #2))
THE INVITATION by Oriah Mountain Dreamer It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dreams, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of future pain. I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours or mine, and still stand on the edge of the lake and shout to the silver of the full moon, "yes!" It doesn't interest me who you know, or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with your and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
She said no, okay?" All the eyes that had been on me suddenly jerked toward Adrian. He leaned forward, fixing his gaze on Sonya and Dimitri, and I saw something in those pretty eyes I'd never seen before: anger. They were like emerald fire. "How many times does she have to refuse?" Adrian demanded. "If she doesn't want to, then that's all there's to it. This has nothing to do with her. This is our science project. She's here to protect Jill and has plenty to do there. So stop harassing her already!"" "Harassing is kind of a strong word," Dimitri said, calm in the face of Adrian's outburst. "Not when you keep pushing someone who wants to be left alone," countered Adrian. He shot me a concerned look before fixing his anger back on Sonya and Dimitri. "Stop ganging up on her." Sonya glanced uncertainly between us. She looked legitimately hurt. As astute as she was, I don't think she'd realized how much this bothered me. "Adrian... Sydney... we aren't trying to upset anyone. We just really want to get to the bottom of this. I thought all of you did too. Sydney's always been so supportive. "It doesn't matter," growled Adrian. "Take Eddie's blood. Take Belikov's blood. Take your own for all I care. But if she doesn't want to give hers, then that's all there is to it. She said no. This conversation is done.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Do I, then, belong to the heavens? Why, if not so, should the heavens Fix me thus with their ceaseless blue stare, Luring me on, and my mind, higher Ever higher, up into the sky, Drawing me ceaselessly up To heights far, far above the human? Why, when balance has been strictly studied And flight calculated with the best of reason Till no aberrant element should, by rights, remain- Why, still, should the lust for ascension Seem, in itself, so close to madness? Nothing is that can satify me; Earthly novelty is too soon dulled; I am drawn higher and higher, more unstable, Closer and closer to the sun's effulgence. Why do these rays of reason destroy me? Villages below and meandering streams Grow tolerable as our distance grows. Why do they plead, approve, lure me With promise that I may love the human If only it is seen, thus, from afar- Although the goal could never have been love, Nor, had it been, could I ever have Belonged to the heavens? I have not envied the bird its freedom Nor have I longed for the ease of Nature, Driven by naught save this strange yearning For the higher, and the closer, to plunge myself Into the deep sky's blue, so contrary To all organic joys, so far From pleasures of superiority But higher, and higher, Dazzled, perhaps, by the dizzy incandescence Of waxen wings. Or do I then Belong, after all, to the earth? Why, if not so, should the earth Show such swiftness to encompass my fall? Granting no space to think or feel, Why did the soft, indolent earth thus Greet me with the shock of steel plate? Did the soft earth thus turn to steel Only to show me my own softness? That Nature might bring home to me That to fall, not to fly, is in the order of things, More natural by far than that improbable passion? Is the blue of the sky then a dream? Was it devised by the earth, to which I belonged, On account of the fleeting, white-hot intoxication Achieved for a moment by waxen wings? And did the heavens abet the plan to punish me? To punish me for not believing in myself Or for believing too much; Too earger to know where lay my allegiance Or vainly assuming that already I knew all; For wanting to fly off To the unknown Or the known: Both of them a single, blue speck of an idea?
Yukio Mishima (Sun & Steel)
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-" She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean. She felt him inhale. "Tess," he said. "Tess, look at me." She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one. This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his. "Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down. "No," he said. "Let me touch you first. I have wanted...
Cassandra Clare