Five Easy Pieces Quotes

When top-level chess players look at a board, they see words, not letters. Instead of seeing twenty-five pieces, they may see just five or six groups of pieces. That’s why it’s easy for them to remember where all the pieces are.

Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we are going to haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.

And Grandma spooned in some beans. “We need one of them psychics,” Grandma said. “I saw on television where you can call them up, and they know everything. They find dead people all the time. I saw a couple of them on a talk show, and they were saying how they help the police with these serial murder cases. I was watching that show, and I was thinking that if I was a serial murderer I’d chop the bodies up in little pieces so those psychics wouldn’t have such an easy job of it. Or maybe I’d drain all the blood out of the body and collect it in a big bucket. Then I’d bury a chicken, and I’d take the victim’s blood and make a trail to the chicken. Then the psychic wouldn’t know what to make of it when the police dug up a chicken.” Grandma helped herself to the gravy boat and poured gravy over her pot roast. “Do you think that’d work?” Everyone but Grandma paused with forks in midair.

On the morning of November 22nd, a Friday, it became clear the gap between living and dying was closing. Realizing that Aldous [Huxley] might not survive the day, Laura [Huxley's wife] sent a telegram to his son, Matthew, urging him to come at once. At ten in the morning, an almost inaudible Aldous asked for paper and scribbled "If I go" and then some directions about his will. It was his first admission that he might die ... Around noon he asked for a pad of paper and scribbled LSD-try it intermuscular 100mm In a letter circulated to Aldous's friends, Laura Huxley described what followed: 'You know very well the uneasiness in the medical mind about this drug. But no 'authority', not even an army of authorities, could have stopped me then. I went into Aldous's room with the vial of LSD and prepared a syringe. The doctor asked me if I wanted him to give the shot- maybe because he saw that my hands were trembling. His asking me that made me conscious of my hands, and I said, 'No, I must do this.' An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.' All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.

Consider this, music is a collection of sounds and silences, if music was just a constant sound, it would be horrible and difficult to listen to, if music was just silence there would be nothing to listen to. In fact, rests could be easily compared to punctuation, if we ignored commas and full stops then reading and indeed speaking would become chaotic.

I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.

In summary, the rather obscure laws of the weather are easy to understand once we view the earth from space. Thus the solution to the problem is to go up into space, into the third dimension. Facts that were impossible to understand in a flat world suddenly become obvious when viewing a three-dimensional earth. Similarly, the laws of gravity and light seem totally dissimilar. They obey different physical assumptions and different mathematics. Attempts to splice these two forces have always failed. However, if we add one more dimension, a fifth dimension, to the previous four dimensions of space and time, then the equations governing light and gravity appear to merge together like two pieces of a jigsaw puzzle. Light, in fact, can be explained as vibrations in the fifth dimension. In this way, we see that the laws of light and gravity become simpler in five dimensions.

I’ve often thought that a planet without water would be a dull, sad place. Most, if not all, water on this planet came from countless small comets thumping against the atmosphere (which continues at about ten thousand comets or pieces of comets per day, enough to add a twenty-five-foot depth of water across the entire globe every half a million years). That it comes from space suggests why it is so peculiar and fascinating here on earth. It is a substance from far beyond our reach.

Tell me," he said, leaning forward with his elbows braced on his knees, "tell me how you were able to find peace about your situation. How did you forgive the man who hurt you?" She studied him. Apparently he'd been thinking long and hard about something that disturbed him. The corners of his mouth were tight, and his eyes slightly shiny. Had he been putting himself through this sort of stressful heart searching every night? "I struggled, yes." She closed her hands to resist the impulse to stroke his cheek. "But when I saw Buddy sitting there, I realized he had already paid a price. And I'm not his judge-I will never be. He has to answer to God, not only for what he did to me, but for how he treated everyone. Knowing that I'm only a tiny piece of the picture-knowing that, I could smile and let it go. I don't really think about him anymore, and I don't hate him. Truthfully, I mostly feel sorry for him." Erik hung his head. "It sounds so easy when you say it. So sensible." "I'm not saying what worked for me will for everyone-I mean, "I'm not much of an expert." Aren't you?" His mouth twisted in wry amusement. "Let me see-instead of being angry at that church for running me off, I need to realize they've paid a price? "They lost you as a minister. And who knows? Maybe what they did soured other people in town.

Hey, I got an idea, let’s go to the movies. I wanna go to the movies, I want to take you all to the movies. Let’s go and experience the art of the cinema. Let’s begin with the Scream Of Fear, and we're gonna have it haunt us for the rest of our lives. And then let’s go see The Great Escape, and spend our summer jumping our bikes, just like Steve McQueen over barb wire. And then let’s catch The Seven Samurai for some reason on PBS, and we’ll feel like we speak Japanese because we can read the subtitles and hear the language at the same time. And then let’s lose sleep the night before we see 2001: A Space Odyssey because we have this idea that it’s going to change forever the way we look at films. And then let’s go see it four times in one year. And let’s see Woodstock three times in one year and let’s see Taxi Driver twice in one week. And let’s see Close Encounters of the Third Kind just so we can freeze there in mid-popcorn. And when the kids are old enough, let’s sit them together on the sofa and screen City Lights and Stage Coach and The Best Years of Our Lives and On The Waterfront and Midnight Cowboy and Five Easy Pieces and The Last Picture Show and Raging Bull and Schindler’s List… so that they can understand how the human condition can be captured by this amalgam of light and sound and literature we call the cinema.

under Polly’s eyes, her gaunt cheeks, and her shaking hands as she poured the tea. *   *   * Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps! But the big interviews, the ones that Poppy

Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps! But the big interviews, the ones that Poppy

Goldfish Memory For decades people believed that the goldfish memory lasts only for 3 seconds. But over the years, this belief has been debunked multiple times with experiments and research. Goldfish are one of the most popular pet fish, and if you are a proud owner of a goldfish, you would be happy to know that your fish remembers you. Disproving the 3 seconds memory myth Studies show that your goldfish memory spans more than three months. In one of the studies, the scientists added a lever to the goldfish tank that dispensed food when pressed. The goldfish in the tank quickly learned to press the lever to get food. The goldfish started to come to the lever whenever they were hungry. Later the scientist changed the process and adjusted the lever to dispense food only at a particular time within a one-hour window. Soon the goldfish learned to return to the lever each day around that time when the lever dispensed food. This experiment proves that goldfish do have memories that span more than 3 seconds. In another study, the scientists used music to train the goldfish. Whenever they brought food for the goldfish, a particular piece of music would be playing. The goldfish learned to associate this music with food. Later, the scientists released the goldfish into the wild. After about five months, they played the same piece of music, and the goldfish returned to the same feeding place. The results of the above experiments would have been different if the goldfish has a 3-second memory. Are goldfish smart? The answer is yes they are! Besides having better than a 3-second memory, goldfish are also quite intelligent in their own right. They have shown an incredible ability to learn and process information. In many cases, your pet goldfish have been found to remember their owners' sound and to distinguish the one who feeds them. They are usually scared when they meet new people, and it is only after repeatedly seeing the person that they no longer fear them. There have also been instances where goldfish do complex activities like swimming through a maze or push a ball into a net. This proves that the goldfish have better memory and can perform far more complex tasks than we give them credit. Goldfish evolving over millions of years Scientists believe that the entire fish category has evolved over hundreds of years and have learned to remember where and how they can find food, what predators look like, how to stay safe, and basic survival instincts. Conclusion From all the research and studies that have been conducted, it is easy to deduce that when you keep your goldfish in a bowl with the same accessories for years, it will not provide a scintillating environment for the fish to thrive. The goldfish may not be the smartest species in the animal kingdom, but they do have a memory that is more than just 3 seconds. Hence, it is only fair that if you bring home a goldfish as a pet, give it the environment it needs to enjoy a healthy and stimulating life.

Before five hundred spectators, Seabiscuit breezed an easy mile under Woolf. He didn’t show a trace of lameness, prompting Smith to announce that the horse was ready to run in the Gold Cup. But no one was ready to believe that things were as they appeared. The rumors about Seabiscuit’s bad-leggedness continued to circulate, and the stewards’ anxiety escalated. Two days later Smith stacked Seabiscuit with 133 pounds, including Woolf, and turned them loose for another workout. With Woolf pulling hard on the reins, Seabiscuit went smoothly and soundly, looking so fit that even the clockers were singing his praises. The pair of workouts should have been enough to dispel the rumors. They weren’t. As Smith led the horse back to the barn, someone gave him an incredible piece of news. The stewards had commissioned a veterinarian to go over to the Howard barn, pull Seabiscuit out, examine him, and determine whether or not Smith was lying about his horse’s condition. The action was unprecedented; no one had ever seen stewards treat a trainer with such blatant distrust.4 It was all the more extraordinary given the record of the trainer in question; aside from Fair Knightess, Tom Smith had reportedly never had a horse in his care suffer a serious injury.5 But Smith had played around with his pursuers for too

Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps!

An hour later she gave Huxley a second 100mm. Then she began to talk, bending close to his ear, whispering, 'light and free you let go, darling; forward and up. You are going forward and up; you are going toward the light. Willingly and consciously you are going, willingly and consciously, and you are doing this beautifully — you are going toward the light — you are going toward a greater love … You are going toward Maria's [Huxley's first wife, who had died many years earlier] love with my love. You are going toward a greater love than you have ever known. You are going toward the best, the greatest love, and it is easy, it is so easy, and you are doing it so beautifully.' All struggle ceased. The breathing became slower and slower and slower until, 'like a piece of music just finishing so gently in sempre piu piano, dolcamente,' at twenty past five in the afternoon, Aldous Huxley died.

Warrior beckoned to her. “Loh-rhett-ah, you come, eh?” Loretta glanced uneasily at Red Buffalo. To her surprise, he moved closer to Maiden of the Tall Grass to make room for her. Blackbird dashed across the room and seized Loretta’s hand. “Keemah!” she cried. Loretta rose and let the child lead her to the circle. She shot a glance at Red Buffalo. He caught the look and smiled. She had the uneasy feeling he did so only for the benefit of Warrior and Maiden of the Tall Grass, and that he had a motive for this sudden turnabout. Oh, God. Did he hope that Warrior might leave him alone with her? “This Comanche will not eat you,” he said. “Be easy.” Not sure what to make of his mood, Loretta arranged her skirt around her and sat down, folding her hands in her lap. With Warrior sitting so close, she felt fairly safe. These last five days he had proven himself to be an even-tempered and kind man. Maiden of the Tall Grass, in her sweet, quiet way, ruled the roost. Loretta felt confident no one would harm her with Warrior close at hand. After the corn finished popping, Maiden removed the kettle from over the flames and set it in the center of their circle. When she whisked away the lid, the smell itself was almost good enough to eat. Once everyone else had helped themselves, Loretta shyly scooped a small handful, trying not to think about Amy and failing miserably. Red Buffalo snorted and dipped his hands into the fluffed kernels, his palms forming a sizable bowl. The next instant he dumped the mountain of corn onto Loretta’s skirt where it stretched across her lap. “Oh, my! I--” Loretta was about to say she couldn’t possibly eat so much. She swallowed the words and forced a smile. These people didn’t know Amy. She couldn’t expect them to understand her somber mood--or even to care. “Thank you.” Blackbird snitched a piece of popcorn from Loretta’s mound, and everyone laughed. Not to be outdone, Pony Girl, always on the move, toddled over and helped herself as well. “You see? It is good you have so much,” Red Buffalo said.

For example, our knives deliver the performance of those fancy knives at a fraction of the cost—and we’ll deliver them right to your door! Pro tip: this is also a perfect place to insert the belief statement you created in the previous section (e.g., “At the Cerebral Knife Company, we believe that every home cook deserves affordable, professional-grade knives”). Here’s another example of an infomercial narrative for a piece of home exercise equipment: Hey, do you want to lose weight and get in the best shape of your life? Well, the best way to do that is to go to the gym five times a week and work out for two hours each time. But gym memberships are expensive—and who has that kind of time? What you need is our awesome, cost-effective home exercise machine. Or how about an infomercial narrative for some kind of fruit and vegetable juicer: Eating too many processed foods is destroying your health. The solution is to eat more fresh fruits, vegetables, and juices. The problem is that typical juicers are too large, time-consuming to use, expensive, hard to clean, and kill too many of your food’s helpful nutrients. Our awesome, compact, easy-to-clean, and affordable juice machine is what you need! From a classical sales perspective, this messaging and pitch formula is so effective because at each stage your audience is taking small, incremental steps toward your solution. These steps are rooted in both universal truths and emotion. While the approach starts with tension to garner the buyer’s interest, the story unfolds naturally with no big leaps of faith required.

My good friend and hero, Tom Murphy, had an incredible generosity of spirit. He would do five things for you without thinking about whether you did something for him. After he was done with those five things, he'd be thinking about how to do the sixth. He was also an enormously able person in business and was kind of effortless about it. He didn't have to shout or scream or anything like that. He did everything in a very relaxed manner. Forty years ago, Tom gave me one of the best pieces of advice I've ever received. He said, "Warren, you can always tell someone to go to hell tomorrow." It's such an easy way of putting it. You haven't missed the opportunity. Just forget about it for a day. If you feel the same way tomorrow, tell them then—but don't spout off in a moment of anger.

It was a virtual cut-and-paste job from one harmony to the next, resulting in a boring, mildly satisfying piano piece. A computer could have written it. Mine practically did. That’s how easy it is to compose a bad prelude. Still, it took me five days and I turned it in overdue. I got a B plus. Nobuo Uematsu wrote the prelude for Final Fantasy (FF1) in under three minutes, as a filler track, to satisfy a last-minute request from the game’s director.

and Boyer has to be on the Jack Nicholson end of the old routine in which he tries to order a slice of cheese that comes only with the apple pie. (Why did no one mention that Five Easy Pieces [1970], with its “hold the chicken salad, just give me the toast” routine, was recycling old-movie dialogue that had appeared in many films?)

The promise of the future is not free. There is a price to be paid for any future reward. The price the future exacts from us involves discipline, labor, consistency and a burning desire to make the future better than either the past or the present. Those are the price tags of progress, but the price gets easy when the promise becomes clear. When the end becomes attractive, we become keenly interested in the means. We must see and want the promise with an insatiable desire, or the price it requires will overcome our wishes, and we will fall back to where we once were.

Many of those in search of success and happiness are already working hard, but they just do not seem to be getting anywhere. The problem is that in order to produce the desired results we must put intelligence as well as intensity into our activity. Action without intelligence can be destructive. But we must not spend too much time in the process of acquiring intelligence. All things must be in their rightful ratio. It is so easy to mistake motion for progress and movement for achievement. That is why activity must be deliberately planned, carefully refined and consistently executed.