Frosty Morning Quotes

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When the girl returned, some hours later, she carried a tray, with a cup of fragrant tea steaming on it; and a plate piled up with very hot buttered toast, cut thick, very brown on both sides, with the butter running through the holes in great golden drops, like honey from the honeycomb. The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender, of the purring of contented cats, and the twitter of sleepy canaries.
Kenneth Grahame (The Wind in the Willows)
The smell of that buttered toast simply spoke to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cozy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender; of the purring of contented cats, and the twitter of sleepy canaries.
Kenneth Grahame (The Wind in the Willows)
I am a winter person, never happier than on a clear, frosty morning.
Nigel Slater (Tender: Volume II: A Cook's Guide to the Fruit Garden)
It was one January morning, very early—a pinching, frosty morning—the cove all grey with hoar-frost, the ripple lapping softly on the stones, the sun still low and only touching the hilltops and shining far to seaward.
Robert Louis Stevenson (Treasure Island)
There comes a day each September when you wake up and know the summer is over and fall has arrived. The slant of the sun looks different and something is in the air--a coolness, a hint of frosty mornings to follow. I woke early on the morning of September 24 and reached for a warmer petticoat.
Ann Rinaldi (Time Enough for Drums)
Any woman who does not thoroughly enjoy tramping across the country on a clear frosty morning with a good gun and a pair of dogs does not know how to enjoy life.
Anne M. Oakley
Lovers, forget your love, And list to the love of these, She a window flower, And he a winter breeze. When the frosty window veil Was melted down at noon, And the caged yellow bird Hung over her in tune, He marked her through the pane, He could not help but mark, And only passed her by, To come again at dark. He was a winter wind, Concerned with ice and snow, Dead weeds and unmated birds, And little of love could know. But he sighed upon the sill, He gave the sash a shake, As witness all within Who lay that night awake. Perchance he half prevailed To win her for the flight From the firelit looking-glass And warm stove-window light. But the flower leaned aside And thought of naught to say, And morning found the breeze A hundred miles away.
Robert Frost (The Road Not Taken and Other Poems)
I don’t like reading about martyrs because they always make me feel petty and ashamed... ashamed to admit I hate to get out of bed on frosty mornings and shrink from a visit to the dentist!
L.M. Montgomery (Anne of Green Gables Collection)
Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more. She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom. No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
I seen but little of this world, Except my corner of it; The city never drew me, For I knew I could not love it. What I loved best was watching The garden getting ripe And a pouch of sweet tobacco And my old cob pipe. What I loved best was a harvest moon Before a frosty morn And lamplight in the barn lot And them long, straight rows of corn. I was plain and country; That's where it starts and ends, But nobody loved her family more, Or treasured more her friends. I loved the changing seasons, And looking for life's reasons, And honey in the comb, and home.
Richard Peck (The Teacher's Funeral: A Comedy in Three Parts)
When the holly’s in the red And the pine is in the green, When the mornings all are frosty, In a brilliant silver sheen Then I love to go a’ walking Rambling here and there, quite slow, Plucking greenery and berries; Wishing for a Christmas snow
Rachel Heffington
The lady bears a crust of rage as the ground bears hardened frost in the morning. Some days, 't melts with warm persuasion, but on others, 't lingers, and all is hollow ere its cold fury.
Stewart Stafford
At daybreak, my face still turned to the wall, and before I had seen above the big window-curtains what shade of colour the first streaks of light assumed, I could already tell what the weather was like. The first sounds from the street had told me, according to whether they came to my ears deadened and distorted by the moisture of the atmosphere or quivering like arrows in the resonant, empty expanses of a spacious, frosty, pure morning; as soon as I heard the rumble of the first tramcar, I could tell whether it was sodden with rain or setting forth into the blue.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
Villagers all, this frosty tide, Let your doors swing open wide, Though wind may follow, and snow beside, Yet draw us in by your fire to bide; Joy shall be yours in the morning!
Kenneth Grahame (The Wind in the Willows)
Because when on a raw and frosty morning I get up at five o'clock and stand shivering my belly off on the stone floor and all the rest still have another hour to snooze before the bells go, I slink downstairs through all the corridors to the big outside door with a permit running-card in my fist, I feel like the first and last man in the world, both at once, if you can believe what I'm trying to say.
Alan Sillitoe (The Loneliness of the Long-Distance Runner)
It is one of the evils of rapid diffusion of news that the sorrows of all the world come to us every morning. I think each village was meant to feel pity for it’s own sick and poor whom it can help and I doubt if it is the duty of any private person to fix his mind on ills which he cannot help. (This may even become an escape from the works of charity we really can do to those we know). A great many people do now seem think that the mere state of being worried is in itself meritorious. I don’t think it is. We must, if it so happens, give our lives for others: but even while we’re doing it, I think we’re meant to enjoy Our Lord and, in Him, our friends, our food, our sleep, your jokes, and the birds song and the frosty sunrise.
C.S. Lewis (The Quotable Lewis)
There is a story they tell, about a girl dared by her peers to venture to a local graveyard after dark. This was her folly: when they told her that standing on someone’s grave at night would cause the inhabitant to reach up and pull her under, she scoffed. Scoffing is the first mistake a woman can make. I will show you, she said. Pride is the second mistake. They gave her a knife to stick into the frosty earth, as a way of proving her presence and her theory. She went to that graveyard. Some storytellers say that she picked the grave at random. I believe she selected a very old one, her choice tinged by self-doubt and the latent belief that if she were wrong, the intact muscle and flesh of a newly dead corpse would be more dangerous than one centuries gone. She knelt on the grave and plunged the blade deep. As she stood to run she found she couldn’t escape. Something was clutching at her clothes. She cried out and fell down. When morning came, her friends arrived at the cemetery. They found her dead on the grave, the blade pinning the sturdy wool of her skirt to the ground. Dead of fright or exposure, would it matter when the parents arrived? She was not wrong, but it didn’t matter any more. Afterwards, everyone believed that she had wished to die, even though she had died proving that she could live. As it turns out, being right was the third, and worst, mistake.
Carmen Maria Machado (Her Body and Other Parties: Stories)
He inquired next what Allan had seen in the stranger to take such a fancy to? Allan had seen in him—what he didn't see in people in general. He wasn't like all the other fellows in the neighborhood. All the other fellows were cut out on the same pattern. Every man of them was equally healthy, muscular, loud, hard-hearted, clean-skinned, and rough; every man of them drank the same draughts of beer, smoked the same short pipes all day long, rode the best horse, shot over the best dog, and put the best bottle of wine in England on his table at night; every man of them sponged himself every morning in the same sort of tub of cold water and bragged about it in frosty weather in the same sort of way; every man of them thought getting into debt a capital joke and betting on horse-races one of the most meritorious actions that a human being can perform. They were, no doubt, excellent fellows in their way; but the worst of them was, they were all exactly alike. It was a perfect godsend to meet with a man like Midwinter—a man who was not cut out on the regular local pattern, and whose way in the world had the one great merit (in those parts) of being a way of his own.
Wilkie Collins (Armadale)
The smell of that buttered toast simply spoke to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cozy parlor firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender; of the purring of contented cats, and the twitter of sleepy canaries.
Kenneth Grahame (The Wind in the Willows)
One brisk morning I stood in a field chilled frosty by autumn’s touch. Suddenly, the hordes of geese that surrounded me lifted off into the sky in a thunderous roar of nature on a grand mission. Standing stunned and awed in a field now fallen silent, it dawned on me that something is most powerful when it believes in its mission and rises without hesitation to achieve it.
Craig D. Lounsbrough
Just as I am watching a tongue of blue flame rising in the fire, and my lamp is burning low, the horrible contraction will begin in my chest. I shall only have time to reach the bell, and pull it violently, before the sense of suffocation will come. No one will answer my bell. I know why. My two servants are lovers, and will have quarrelled. My housekeeper will have rushed out of the house in a fury, two hours before, hoping that Perry will believe she has gone to drown herself. Perry is alarmed at last, and is gone out after her. The little scullery-maid is asleep on a bench: she never answers the bell; it does not wake her. The sense of suffocation increases: my lamp goes out with a horrible stench: I make a great effort, and snatch at the bell again. I long for life, and there is no help. I thirsted for the unknown: the thirst is gone. 0 God, let me stay with the known, and be weary of it. I am content. Agony of pain and suffocation - and all the while the earth, the fields, the pebbly brook at the bottom of the rookery, the fresh scent after the rain, the light of the morning through my chamber window, the warmth of the hearth after the frosty air - will darkness close over them for ever? Darkness-darkness-no pain-nothing but darkness: but I am passing on and on through the darkness: my thought stays in the darkness, but always with a sense of moving onward ... ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
So as soon as I tell myself I'm the first man ever to be dropped into the world, and as soon as I take that first flying leap into the frosty grass of an early morning when even birds haven't the heart to whistle, I get to thinking, and that's what I like. I go my rounds in a dream, turning at lane or footpath corners without knowing I'm turning, leaping brooks without knowing they're there, and shouting good morning to the early cow-milker without seeing him. It's a treat being a long-distance runner, out in the world by yourself with not a soul to make you bad-tempered or tell you what to do.
Alan Sillitoe
If, when you say whiskey, you mean the devil’s brew, the poison scourge, the bloody monster that defiles innocence, yea, literally takes the bread from the mouths of little children; if you mean the evil drink that topples the Christian man and woman from the pinnacles of righteous, gracious living into the bottomless pit of degredation and despair, shame and helplessness and hopelessness, then certainly I am against it with all my power. But if, when you say whiskey, you mean the oil of conversation, the philosophic wine, the stuff that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman’s step on a frosty morning; if you mean the drink that enables a man to magnify his joy, and his happiness and to forget, if only for a little while, life’s great tragedies and heartbreaks and sorrows, if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little children, our blind, our deaf, our dumb, our pitiful aged and infirm, to build highways, hospitals, and schools, then certainly I am in favor of it.
Adam Rogers (Proof: The Science of Booze)
Winter-Time" Late lies the wintry sun a-bed, A frosty, fiery sleepy-head; Blinks but an hour or two; and then, A blood-red orange, sets again. Before the stars have left the skies, At morning in the dark I rise; And shivering in my nakedness, By the cold candle, bathe and dress. Close by the jolly fire I sit To warm my frozen bones a bit; Or with a reindeer-sled, explore The colder countries round the door. When to go out, my nurse doth wrap Me in my comforter and cap; The cold wind burns my face, and blows Its frosty pepper up my nose. Black are my steps on silver sod; Thick blows my frosty breath abroad; And tree and house, and hill and lake, Are frosted like a wedding-cake.
Robert Louis Stevenson
The rest of the half-year is a jumble in my recollection of the daily strife and struggle of our lives; of the waning summer and the changing season; of the frosty mornings when we were rung out of bed, and the cold, cold smell of the dark nights when we were rung into bed again; of the evening schoolroom dimly lighted and indifferently warmed, and the morning schoolroom which was nothing but a great shivering-machine; of the alternation of boiled beef with roast beef, and boiled mutton with roast mutton; of clods of bread-and-butter, dog's-eared lesson-books, cracked slates, tear-blotted copy-books, canings, rulerings, hair-cuttings, rainy Sundays, suet-puddings, and a dirty atmosphere of ink, surrounding all.     I
Charles Dickens (David Copperfield)
James Agee. He was born a prince of the language, and so he remains. And Capote. I don't care what kind of stupid ass remarks he makes, he can write; he really can. When he's on he's really on. Updike would be twice the writer he is if he weren't such a hot dog. God knows, he's a word man. Eudora Welty, great writer. Erskine Caldwell, by the way is a helluva lot better than he's ever been given credit for. But if you ask me, "Who's your favorite writer?" there's no answer to that. That's like saying, "What do you like best for breakfast?" Some mornings you want a beer; some mornings you want strawberries; some mornings you want, God help us, Frostie Crispie Flakes with a lot of sugar, and some mornings you want your old lady.
Harry Crews (Getting Naked with Harry Crews: Interviews)
But if, when you say whiskey, you mean the oil of conversation, the philosophic wine, the stuff that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman’s step on a frosty morning; if you mean the drink that enables a man to magnify his joy, and his happiness and to forget, if only for a little while, life’s great tragedies and heartbreaks and sorrows, if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little children, our blind, our deaf, our dumb, our pitiful aged and infirm, to build highways, hospitals, and schools, then certainly I am in favor of it.
Adam Rogers (Proof: The Science of Booze)
Upon Evangeline and Jacks's initial return to the inn, the Hollow had actually been quite frosty. Doors often slammed shut. Windows stuck. Wardrobes refused to open. Faucets yielded only icy water. 'I think it's cross with us,' Jacks had said. 'Give it a few days. It will warm up.' The walls had rattled then. 'If it doesn't, we'll leave,' Jacks added, tossing a dart up in the air as he spoke. 'We can build a new inn- a better one.' Jacks caught his dart, then threw it, purposefully missing the board and sinking the dart's sharp tip into the wall instead. Doors stopped slamming after that. Windows no longer stuck, and wardrobes were more eager to open. As the days went on, the Hollow became friendlier and friendlier. Fresh flowers started to appear on tables. Evangeline found new logs in the fireplaces every morning at dawn, and whenever she drew a bath, the water was always perfectly warm. The Hollow wanted them to stay. (Indigo Exclusive Edition Alternate Ending).
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Sir Walter thought much of Mrs. Wallis; she was said to be an excessively pretty woman, beautiful. "He longed to see her. He hoped she might make some amends for the many very plain faces he was continually passing in the streets. The worst of Bath was, the number of its plain women. He did not mean to say that there were no pretty women, but the number of the plain was out of all proportion. He had frequently observed, as he walked, that one handsome face would be followed by thirty, or five and thirty frights; and once, as he had stood in a shop in Bond-street, he had counted eighty-seven women go by, one after another, without there being a tolerable face among them. It had been a frosty morning, to be sure, a sharp frost, which hardly one woman in a thousand could stand the test of. But still, there certainly were a dreadful multitude of ugly women in Bath; and as for the men! they were infinitely worse. Such scare-crows as the streets were full of! It was evident how little the women were used to the sight of any thing tolerable, by the effect which a man of decent appearance produced.
Jane Austen (Persuasion)
I recall a frosty sunny morning in March when I was sitting in the interrogator's office. He was asking his customary crude questions and writing down my answers, distorting my words as he did so. The sun played in the melting latticework of frost on the wide window... In the gaps where the frost had melted, the rooftops of Moscow could be seen, rooftop after rooftop, and above them merry little puffs of smoke. But I was staring not in that direction but at a mound of piled-up manuscripts which had been dumped there a little while before and had not yet been examined. In notebooks, in file folders, in homemade binders, in tied and untied bundles, and simply in loose pages. The manuscripts lay there like the burial mound of some interred human spirit, its conical top rearing higher than the interrogator's desk, almost blocking me from his view. And brotherly pity ached in me for the labor of that unknown person who had been arrested the previous night, these spoils from the search of his premises having been dumped that very morning on the parquet floor of the torture chamber... I sat there and I wondered: Whose extraordinary life had they brought in for torment, for dismemberment, and then for burning? Oh, how many idea and works had perished in that building - a whole lost culture? Oh, soot, soot, from the Lubyanka chimneys! And the most hurtful thing of all was that our descendants would consider our generation more stupid, less gifted, less vocal than in actual fact it was.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
Villagers all, this frosty tide, Let your doors swing open wide, Though wind may flow and snow betide Yet draw us in by your fire to bide: Joy shall be yours in the morning. Here we stand in the cold and the sleet, Blowing fingers and stamping feet, Come from far away, you to greet— You by the fire and we in the street— Bidding you joy in the morning. For ere one half of the night was gone, Sudden a star has led us on, Raining bliss and benison— Bliss tomorrow and more anon, Joy for every morning. Good man Joseph toiled through the snow— Saw the star o’er the stable low; Mary she might not further go— Welcome thatch and litter below! Joy was hers in the morning. And then they heard the angels tell, “Who were the first to cry Nowell? Animals all as it befell, In the stable where they did dwell! Joy shall be theirs in the morning.” Kenneth Grahame The Wind in the Willows
Thomas Kinkade (I'll Be Home for Christmas (Lighted Path Collection®))
Loneliness covers the earth like a blanket. It flows in the stream down through the Callows to the lake. It's in the muck in the yard and the briars in the haggard and the empty outbuildings are bursting with it. It runs down the walls inside of the house like tears and grows on the walls outside like a poisonous choking weed. It's in the sky and the stones and the clouds and the grass. The air is thick with it: you breath it into your lungs and you feel like it might suffocate you. It runs into hollow places like rainwater. It settles on the grass and on trees and takes their shapes and all the earth is wet with it. It has a smell, like the inside of a saucepan: scrapped metal, cold and sharp. When it hits you, it feels like a rap of a hurl across your knuckles on a frosty winter's morning. in PE: sharp, shocking pain, but inside you, so it can't be seen and no one says sorry for causing it nor asks are you ok, and no kind teacher wants to look at it and tut-tut and tell you you'll be grand, good lad. But you know if another man stood where you're standing and looked at the same things he wouldn't see it or feel it.
Donal Ryan
My father played the melodion Outside at our gate; There were stars in the morning east; And they danced to his music. Across the wild bogs his melodion called To Lennons and Callans. As I pulled on my trousers in a hurry I knew some strange thing had happened. Outside in the cow-house my mother Made the music of milking; The light of her stable-lamp was a star And the frost of Bethlehem made it twinkle. A water-hen screeched in the bog, Mass-going feet Crunched the wafer-ice on the pot-holes, Somebody wistfully twisted the bellows wheel. My child poet picked out the letters On the grey stone, In silver the wonder of a Christmas townland, The winking glitter of a frosty dawn. Cassiopeia was over Cassidy's hanging hill, I looked and three whin bushes rode across The horizon - the Three Wise Kings. An old man passing said: "Can't he make it talk" - The melodion, I hid in the doorway And tightened the belt of my box-pleated coat. I nicked six nicks on the door-post With my penknife's big blade - There was a little one for cutting tobacco. And I was six Christmases of age. My father played the melodion, My mother milked the cows, And I had a prayer like a white rose pinned On the Virgin Mary's blouse
Patrick Kavanagh (The Complete Poems)
Spring was a long time unfolding. During the last weeks of Lent the weather was clear and frosty. In the daytime it thawed in the sun, but at night it went down to seven below; there was such a crust that carts could go over it where there was no road. There was still snow at Easter. Then suddenly, on Easter Monday, a warm wind began to blow, dark clouds gathered, and for three days and nights warm, heavy rain poured down. On Thursday the wind dropped, and a thick grey mist gathered, as if concealing the mysteries of the changes taking place in nature. Under the mist waters flowed, ice blocks cracked and moved off, the muddy, foaming streams ran quicker, and on the eve of Krasnaya Gorka the mist scattered, the dark clouds broke up into fleecy white ones, the sky cleared, and real spring unfolded. In the morning the bright sun rose and quickly ate up the thin ice covering the water, and the warm air was all atremble, filled with the vapours of the reviving earth. The old grass and the sprouting needles of new grass greened, the buds on the guelder-rose, the currants and the sticky, spiritous birches swelled, and on the willow, all sprinkled with golden catkins, the flitting, newly hatched bee buzzed. Invisible larks poured trills over the velvety green fields and the ice-covered stubble, the peewit wept over the hollows and marshes still filled with brown water; high up the cranes and geese flew with their spring honking. Cattle, patchy, moulted in all but a few places, lowed in the meadows, bow-legged lambs played around their bleating, shedding mothers, fleet-footed children ran over the drying paths covered with the prints of bare feet, the merry voices of women with their linen chattered by the pond, and from the yards came the knock of the peasants’ axes, repairing ploughs and harrows. The real spring had come.
Leo Tolstoy (Anna Karenina)
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
The westerly wind whines sharp, wild gees cry in the sky, the frosty morning’s moon. Frosty the morning’s moon, Horses’ hooves clatter hard, Stifled the sound of the trumpet. Mao Zedong, 1935
Henning Mankell (The Man from Beijing)
You feel so overwritten you're like a palimpsest; the original girl almost lost under years of scrawling yet you nurture an illusion of beauty, brush your hair in the dark so when your reflection finally catches up with you you stare straight past that older woman to the skateboard dancers behind hitting the frosty air with exuberant grace. On the loose in the morning city reminds you of lovers, catching the tram to work in last night's laddered stockings, the sharp-edged day already intruding like a hangover. It's not the sex you miss or the hotel mornings but the reassurance of strangers and that wild card. Now everything's played out the same, no surprises in the pack except those dealt by disaster. Early this morning such certainty dragged on your thoughts they stumbled flat-footed through the breakfast silence and you knew neither the apples orchard fresh, crisp as snow nor the blue bowl they posed in were enough. People disappear all the time, emerge like summer snakes newly marked and glittering into a clean desert. Without the photo of a child you carry in your wallet which reminds you who you have become you'd catch a train to Musk or Mollymook, some place your fingers have strayed over. Even thinking that, you turn your face into the wind, keep walking that same old line in your new flamboyant shoes. Oh my treacherous heart.
Catherine Bateson (The Vigilant Heart)
Coyote Mountain too much for her, alone with pine trees up to your neck, wooden bench by the Pecos River which runs silver in the winter untold. Dust-bit dirt lonely Indians with wet brown bellies which the moon shines upon like a frosty lake, the silver show of market stalls and paintings of four pitiful horses likes of which the Spanish brought under the Mexican memory of nightfall but the old Ming china-woman on her rickety bicycle with broken straw hat with bow-legged strength,simply; the perfect depiction of the fellaheen world riddled with ancient endeavour, the old china women of the world you’ll find them so perfect in all your cities under the twinkle of stars. The would be fishermen of dawn, collected wintery downpours and sunlight situations which never beckon further than his share, meant on this earth , match stick motels which warp your loving tales of good mornings or whichever is left.
Samuel J Dixey (An evening in Autumn: The unbegotten procession)
The boy from that morning stood idly in the doorframe, once again wearing that maddening smirk. “Mort doesn’t really believe in cooking,” he said, swinging into the room. He opened the freezer door and nimbly transferred a pie from the box to the microwave. “He calls it a waste of time and sulfuric acid.” Lex attempted to disguise the mangled expression of intrigue and annoyance that had involuntarily appeared on her face. “And you would know because you’re his . . .” “Pool boy.” “There is no pool!” She turned to Uncle Mort, the ire rising once again. “What is he doing here?” Uncle Mort heaved an overdramatic shrug. “What are any of us doing here, really?” he said, waving his hands philosophically. “Jesus. You’re both evil.” “That’s no way to talk about your uncle,” her uncle said. “Or your partner,” Driggs added. “What?” Lex squawked, a whole new stew of emotions bubbling over. Not knowing what else to do, she grabbed the salt shaker and hurled it at him, followed by the pepper. “You’re my partner?” Driggs caught both items and began to juggle. “Yes, he is,” said Uncle Mort. “And in case you’ve forgotten, you still have a full week of training left—training that I can easily cancel and turn into a one-way ticket back home if you keep acting like a troglodyte.” Lex frowned, but lowered the sugar bowl she had readied. “So you two better find a way to get along. Now hug it out.” “No way.” She eyed Driggs. “I’m not hugging that.” “Oh yes you are.” Uncle Mort was enjoying this little show. “Befriend or else.” She had no choice. Careful to avoid Driggs’s gaze, Lex reluctantly entered into the frosty embrace. “You have no intention of befriending, do you?” Driggs whispered. “I’d rather take a bath with a toaster.
Gina Damico (Croak (Croak, #1))
Winter again. The summer people have gone. The early morning walks are solitary once more. Fog wraps the ocean and sky like a wet, gray glove. Sprinting through the frosty dune grass, my dog Buddy emerges soaked and grinning. He's become a man-child, his boundless puppy love and mindless exuberance caroming off the walls in a muscular body. He lives by one rule: To be alive is to be gloriously happy. Not a bad way to be, I often remind myself. Comfortable in the ebb and flow of each other's idiosyncracies and needs, he keeps me company while I work, I join him often in his play. His unflagging high spirits urge me to cram activity and joy into every waking moment as he does. By so doing, I tell myself, I will multiply my allotted time by dog years and dilate the remaining seasons accordingly. A good way to look at life, I figure.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
I was out every day, and often all night, sleeping but little, studying the so-called wonders and common things ever on show, wading, climbing, sauntering among the blessed storms and calms, rejoicing in almost everything alike that I could see or hear: the glorious brightness of frosty mornings; the sunbeams pouring over the white domes and crags into the groves end waterfalls, kindling marvelous iris fires in the hoarfrost and spray; the great forests and mountains in their deep noon sleep; the good-night alpenglow; the stars; the solemn gazing moon, drawing the huge domes and headlands one by one glowing white out of the shadows hushed and breathless like an audience in awful enthusiasm, while the meadows at their feet sparkle with frost-stars like the sky; the sublime darkness of storm-nights, when all the lights are out; the clouds in whose depths the frail snow-flowers grow; the behavior and many voices of the different kinds of storms, trees, birds, waterfalls, and snow-avalanches in the ever-changing weather.
John Muir (The Yosemite)
The ideal coorie scene should reflect a balance of the outside and in. Bring to mind a day spent Munro-bagging or loch swimming, bookended by a bowl of something hot and nourishing as you dry off next to a heat source with a contended dog at your side. Don't forget smell: faint lanolin clinging to woollen blankets, cinnamon dissolving into porridge cooking slowly on the hob, the frosty pinch of winter air when you step into a Trossachs morning. If a King Creosote album is playing as you road trip across the humpbacked north-west Highlands then all the better. The more homegrown ingredients are added to the mix, the coorier life will be.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
On a frosty December morning, with her best handbag, hat, and a small suitcase she handed over the keys to their flat to her maid and asked her to keep their most precious belongings safe there... Then she joined the disorderly progression of Jews heading for the Veletržní palác. Instead of taking something necessary and useful like tinned fish or packet soup, Anka carried a large hat box tied with string. In it were three dozen of her maid's delicious sugar-coated donuts, [her husband's] favorite treat... The young bride kept brushing her hair and reapplying her makeup. [The people around her] were even more intrigued when she knelt on the floor in her fine stockings to use her eyelash curlers. "I just wanted to look my best for the man I loved." A passage about Anka Bergman, a Czech Holocaust survivor, being transferred to the Theresienstadt ghetto
Wendy Holden (Born Survivors)
On a frosty December morning, with her best handbag, hat, and a small suitcase she handed over the keys to their flat to her maid and asked her to keep their most precious belongings safe there... Then she joined the disorderly progression of Jews heading for the Veletržní palác. Instead of taking something necessary and useful like tinned fish or packet soup, Anka carried a large hat box tied with string. In it were three dozen of her maid's delicious sugar-coated donuts, [her husband's] favorite treat... The young bride kept brushing her hair and reapplying her makeup. [The people around her] were even more intrigued when she knelt on the floor in her fine stockings to use her eyelash curlers. "I just wanted to look my best for the man I loved." A passage about Anka Bergman, a Czech Holocaust survivor, being transferred to the Theresienstadt ghetto.
Wendy Holden
I want to go on a picnic with you and watch the clouds I want to save random wildlife that does not need to be saved with you I want to go out dancing with you I want late-night talks until dawn Frosty mornings with coffee and a blanket Let's make music together Write No art is bad No thought is too far fetched No joke too lame Come sit with me for a while Let's be still
Shay Hazelwood
He was having a great deal more fun than even he’d anticipated from the baby tyrant being gone: a whole morning fucking Benjamin Rider-Mikkelsen, a frosty drive over Dartmoor, getting enough ammunition on the moron to last him years, and now an unexpected and highly amusing drunken escapade to Light Island.
John Wiltshire (Down to a Sunlit Sea (The Winds of Fortune, #5))
In one crushing moment, it became obvious to Jack that he’d behaved like a Buffoon of the First Order. When he thought of his petulant sulk the previous morning, he could cheerfully have dug a hole for himself to have crawled into, for it was clear that Charlotte Reed was a hard-working person who asked no favours except common decency from others. She had responsibilities at work and at home that outweighed his own, by a long margin, and the prospect of moving to a new team based in Newcastle was obviously a great relief to her. Despite his frosty welcome, she’d persevered with him, made him laugh, and even covered for him in front of the others, extending a friendly olive branch though he hadn’t deserved it
L.J. Ross (Death Rocks (DCI Ryan Mysteries, #21))