Fitting Together Like A Puzzle Quotes

Getting to know someone is like putting a never-ending puzzle together. We fit the smallest pieces first and we get to know ourselves better in the process.

Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design.

contiguous, adj. I felt silly for even mentioning it, but once I did, I knew I had to explain. "When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are." For a moment, you were quiet. And then you nestled in and whispered. "Contiguous." And I knew you understood.

Every relationship has a hard part at the beginning. This is our hard part. It's not like a puzzle piece where there's an instant fit. With relationships, you have to shape the pieces on each end before they go perfectly together.

We weren't friends[...]We were more like jigsaw pieces, each of us part of the same big picture. There are people like this wherever you go. They are part of the same mystery as you are, but you can't quite tell how you fit together. The world is a puzzle, and we can't solve it alone.

They had always fitted together like pieces of an unsolved (and perhaps unsolvable) puzzle- the smoke of her into the solidness of him, the solitariness of her into the gathering of him, the strangeness of her into the straightforwardness of him, the insouciance of her into the restraint of him. The quietness of her into the quietness of him.

What initially began as a couple of pieces that fitted together from first dates, slowly expands with time and for a moment the puzzle actually looks like it will be realized. Heartbreak is when the puzzle is nearly finished and you suddenly realize that pieces are missing. Perhaps they were never in the box in the first place or perhaps they went missing along the way; regardless, the puzzle remains undone. You frantically search the box and your surroundings, desperately trying to find the missing pieces, anxiously looking to fill the void, but you search for what cannot be found.

It made her think that maybe God intended for them to all fit together, like a puzzle made whole.

How do you know when you're There, I had once wondered. Maybe you're lucky enough to notice the moment it's happening to you. Maybe you're able to block out all the other stuff that is, in the end, just background noise. But, most often, you don't know that you were There until you lose it, or until it gets taken away from you. When you look back, you clearly see that time, that place, when all the pieces of you had finally fit together to make you blissfully happy, make you your whole self. Like one of those jumbo puzzles that take up your entire kitchen table for weeks, the tiny pieces are just cardboard shapes with colors splashed on them, and they don't make any sense until you find their rightful place among the other pieces. When you put the last piece into place and the pieces now form a complete picture, that's when you're There. But while you were busy thinking about gluing the puzzle together, so that the pieces would never be apart again, someone comes from behind you, destroys the last piece and throws the rest of the pieces away. Even if you could muster up enough courage to put the pieces back together, the picture would never be complete again, because of the last missing piece...which, as it turned out, was smack in the middle, or in the heart, of the picture.

I imagined Kandinsky's mind, spread out all over the world, and then gathered together. Everyone having only a piece of the puzzle. Only in a show like this could you see the complete picture, stack the pieces up, hold them to the light, see how it all fit together. It made me hopeful, like someday my life would make sense too, if I could just hold all the pieces together at the same time.

The second he slipped inside of me, all I'd doubted, questioned, or feared evaporated, leaving me with one single, definite truth--I'd fallen in love with him in an all-consuming blaze that would blind me if I wasn't careful. We fit together like poorly cut puzzle pieces, but when the edges joined and were positioned just right, our scattered images came together to create a solid, deliberate piece of art, completely crystal clear and in focus. I was a goner.

Families are like puzzles. They fit together in a certain way, and if one piece is missing, it throws everything off.

I used to think of two people in love like that. Like puzzle pieces, fitting together. But it's not like that at all. Love pulls a part of you out, and it pulls a part of him - like taffy, stretching but not separating. The tendrils of each one wrap around the other, until they meld together. One, but not quite. Separate, but not quite.

I wish this was a love story. A love story about lovers whose mouths meet like two puzzle pieces fitting perfectly into place, about the electric feeling of one person's name on the other's tongue because no one has ever spoken them out loud like that before. About people who spend the night together looking at the stars until entire constellations exist within them. Everyone is perfect in that indistinct way most characters are and every perfectly constructed scene in their fictional lives is somehow more real than anything you've known or lived. Love stories, romances, leave a person secure in the knowledge they'll end Happily Ever After and who wouldn't want a story like that? I wish this was a love story because I know how it goes in one like mine, where the only moments of reprieve are the spaces between its lines.

They fit together like puzzle pieces, and the thought made a pain erupt inside of me that I could hardly bear. This was the field that I had planted. With my very own hands. And then I'd left it all to rot.

We fit together like puzzle pieces when we snuggled together.

She didn't really enjoy reading but she liked how the books were clues. Each one a piece in a puzzle. Even when they didn't fit together, they revealed a little more about what kind of picture she was making.

my final piece We’re born into the world As just one small piece to the puzzle That makes up an entire life. It’s up to us throughout our years, to find all of our pieces that fit. The pieces that connect who we are To who we were To who we’ll one day be. Sometimes pieces will almost fit. They’ll feel right. We’ll carry them around for a while, Hoping they’ll change shape. Hoping they’ll conform to our puzzle. But they won’t. We’ll eventually have to let them go. To find the puzzle that is their home. Sometimes pieces won’t fit at all. No matter how much we want them to. We’ll shove them. We’ll bend them. We’ll break them. But what isn’t meant to be, won’t be. Those are the hardest pieces of all to accept. The pieces of our puzzle That just don’t belong. But occasionally . . . Not very often at all, If we’re lucky, If we pay enough attention, We’ll find a perfect match. The pieces of the puzzle that slide right in The pieces that hug the contours of our own pieces. The pieces that lock to us. The pieces that we lock to. The pieces that fit so well, we can’t tell where our piece begins And that piece ends. Those pieces we call Friends. True loves. Dreams. Passions. Beliefs. Talents. They’re all the pieces that complete our puzzles. They line the edges, Frame the corners, Fill the centers, Those pieces are the pieces that make us who we are. Who we were. Who we’ll one day be. Up until today, When I looked at my own puzzle, I would see a finished piece. I had the edges lined, The corners framed, The center filled. It felt like it was complete. All the pieces were there. I had everything I wanted. Everything I needed. Everything I dreamt of. But up until today, I realized I had collected all but one piece. The most vital piece. The piece that completes the picture. The piece that completes my whole life. I held this girl in my arms She wrapped her tiny fingers around mine. It was then that I realized She was the fusion. The glue. The cement that bound all my pieces together. The piece that seals my puzzle. The piece that completes my life. The element that makes me who I am. Who I was. Who I’ll one day be. You, baby girl. You’re my final piece.

I guess it means we don't understand everything, and we're not going to. Maybe the whys aren't answered here. Not because there aren't answers, but because we wouldn't understand the answers if we had them. Maybe there's a bigger purpose, a bigger picture that we only contribute a very small piece to. You know, like one of those thousand piece puzzles? There's no way you can tell by looking at one piece of the puzzle what the puzzle is going to look like in the end. And we don't have the picture on the outside of the puzzle box to guide us. Maybe everyone represents a piece of the puzzle. We all fit together to create this experience we call life. None of us can see the part we play or the way it all turns out. Maybe the miracles that we see are just the tip of the iceberg. And maybe we just don't recognize the blessings that come as a result of terrible things.

Understanding life is like trying to put together a puzzle with pieces that don't fit.

Our hands fitted together like the interlocking pieces of a puzzle.

I feel like my life is made up of tiny puzzle parts that no longer fit together. Imagine working on a puzzle only to find that the final picture can never be complete because one of its pieces is missing. This is exactly what's happened to my life; it has become impossible to put it back together.

My life's a tangle of past and present, like two separate puzzles with their pieces tumbled together. Nothing fits.

We're going to get through this. Every relationship has a hard part at the beginning. This is our hard part. It's not like a puzzle piece where there's an instant fit. With relationships, you have to shape the pieces on each end before they go perfectly together.

There are people like this wherever you go. They are part of the same mystery as you are, but you can't quite tell how you fit together. The world is a puzzle, and we cannot solve it alone.

We were more like jigsaw pieces, each of us parts of the same big picture. There are people like this wherever you go. They are part of the same mystery as you are, but you can’t quite tell how you fit together. The world is a puzzle, and we cannot solve it alone.

It felt like a puzzle, mostly put together but with a piece missing, waiting to be filled. There were plenty of pieces to fill it- gay, straight, bisexual- but none fit quite right. Sometimes I thought I could make one fit if I pressed hard enough, but it would never lie flat. The word asexual took the puzzle piece and turned it, letting it click into place where before it'd been better to just leave the space empty. I wasn't broken. I wasn't empty. I wasn't nothing at all. Just a little differently shaped.

In the end, he had to admit, he didn't really understand her. He didn't understand women. He didn't understand men. He didn't even understand children very well. All he really understood, he thought, was himself and the rest of the universe. Neither anything like completely, of course, but both well enough to know that what remained to be discovered would make sense; it would fit in, it could all be gradually and patiently fitted together a bit at a time, like an infinite jigsaw puzzle, with no straight edges to look for and no end in sight, but one in which there was always going to be somewhere for absolutely any piece to fit.

Like we were just jagged puzzle pieces that made no sense alone but together we fit perfectly. That's what life is supposed to be like for normal people right? You find that other piece that matches yours that completes yours. And you make the jags and the crevices fit, even if they don't go in perfectly smooth, even if they require a few adjustments. You don't demand perfection you make it work and appreciate the parts that fit instead of obsessing about the small angles that don't.

Life's like a puzzle. Everyone is given one piece. Sometimes you connect with someone or something that has an interlocking part. As time goes by, you’ll see that picture taking form, and you’ll be amazed how beautiful it is. God will never tell you how many pieces it takes or how to complete the puzzle, but when you meet Him in heaven, you’ll see that everything fit together perfectly.

God's will is like a jigsaw puzzle, sooner or later, all the pieces will fit together.

We fit together like custom pieces from a two person puzzle. And therefore, you are exactly my perfect kind of nice.

The world comes to us in an endless stream of puzzle pieces that we would like to think all fit together somehow, but that in fact never do.

No, like you’re a jigsaw puzzle and I have all the outside pieces but I haven’t worked out how all the inside ones fit together yet.

A not complete unit or a new unit. The elements in the 3 parts should neither fit nor not fit together. One would like not to be led. Avoid the idea of a puzzle which could be solved. Remove the signs of thought. It is not thought which needs showing.

Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design. But we keep on trying because we know that others have succeeded, and we are not willing to acknowledge defeat.

She thought that it was interesting how just about everyone had a special talent or skill, something they were naturally drawn to and good at, and then they worked years to master it. Nobody knew how to do everything. It wasn’t possible. There wasn’t enough time in the night. But everyone knew something. And everyone was a little different. Some people did one thing. Others did another. It made her think that maybe God intended for them to all fit together, like a puzzle made whole.

A moody teenager, a divorcee with dreams to take off in a van, and an ageing actress. Such an unlikely combination. An odd bunch. Like pieces taken out of different jigsaw puzzles. They didn’t really belong together. And yet somehow they managed to fit.

A lie: 'Opposites attract.' The truth? Magnets attract. Opposites fit together like (fucked up) puzzle pieces. And when you're fucked up, there are more important things than attraction. Like distraction. Like destruction. Opposites distract. Opposites destroy. Opposites decimate. Opposites detonate. Opposites are fun as hell, until they aren't.

But I was beginning to feel like it all fit together, the same way everything in the bowl ends up in the bisquits, as Amma would say.

They had always fitted together like pieces of an unsolved (and perhaps unsolvable) puzzle

That weird, unexplainable quality that made two people fit together like the only matching puzzle pieces in the world.

I love the English language, playing with words, watching sentences fit together like pieces of a jigsaw puzzle,

Nathan smoothly touched the bottom with a palm. His shirt and shoes were off. When his head and chest rose out of the water, I was in awe of the muscles that were defined in his body. Unlike Silas whose bulk of muscle was smooth, Nathan was a precision machine. The ripples of muscles along his abdomen fit together like a living puzzle. A smile broke on his lips as those penetrating blue eyes fixed on my face. “Did you find out?

Gracie’s memory was like a jigsaw puzzle with parts that didn’t always fit, but she’d found the all-important edge pieces. She was beginning to reframe her life—their life. It was a work in progress, but the image was coming together. “It’s

Instead of having a well-integrated sense of who they are, emotionally immature people are more like an amalgam of various borrowed parts, many of which don’t go together well. Because they had to shut down important parts of themselves out of fear of their parents’ reactions, their personalities formed in isolated clumps, like pieces of a puzzle that don’t fit together.

No probability, however seductive, can protect us from error; even if all parts of a problem seem to fit together like the pieces of a jigsaw puzzle, one has to remember that the probable need not necessarily be the truth, and the truth not always probable.

I had injected more of myself than I had ever intended into our nonexistent relationship. Now I would have to relocate the bits and pieces of myself that I had lost, and put myself back together, like a waterlogged puzzle whose pieces didn't quite fit anymore.

We were more like jigsaw pieces, each of us part of the same big picture. There are people like this wherever you go. They are part of the same mystery as you are, but you can't quite tell how you fit together. The world is a puzzle, and we cannot solve it alone.

Love is like a jigsaw puzzle. There's an infinite number of ways for people to fit together.

Manifesting our visions into reality is just like a puzzle. First we take a good look at a picture of the end result, hold onto it, and then set out to fit together the pieces.

It’s not like a puzzle piece where there’s an instant fit. With relationships, you have to shape the pieces on each end before they go perfectly together.

Like a puzzle, the good and bad parts fit together perfectly.

PEOPLE ARE LIKE puzzle pieces. Put together, the shapes make a picture. And a friend is the one whose shape fits into your shape—fits perfectly because it is different, opposite, like a key in a lock, or a foot in a shoe.

just because you feel a connection with them does not mean they are right for you the hard truth is that you need more than a spark to build a home attraction is common, but fitting together like two pieces of a puzzle is rare

sometimes the world seem so fucked up, like nothing make any sense at all. Like there’s no sense at all. Just—just vicious like that. Just vicious. But then sometimes, sometimes, it’s like—like it all fit together perfect, like a puzzle.

And so this end in confusion, where when things stop I never get to know it, and this moving is the space, is that what is yet to be, which is for others to see filled wherever it may finally be in the frame when the last pieces are fitted and the others stop, and there will be the stopped pattern, the final array, but not even that, because that final finitude will itself be a bit of scrolling, a percent clump of tiles, which will generally stay together but move about within another whole and be mingled, with in endless ways of other people's memories, so that I will remain a set of impressions porous and open to combination with all of the other vitreous squares floating about in whoever else's frames, because there is always the space left in reserve for the rest of their downtime, and to my great-grandchildren, with more space than tiles, I will be no more than the smoky arrangement of a set of rumors, and to their great-grandchildren, I will be no more than a tint of some obscure color, and to their great grandchildren nothing they ever know about, and so what army of strangers and ghosts has shaped and colored me until back to Adam, until back to when ribs were blown from molten sand into the glass bits that took up the light of this world because they were made from this world, even though the fleeting tenants of those bits of colored glass have vacated them before they have had even the remotest understanding of what it is to inhabit them, and if they -- if we are fortunate (yes, I am lucky, lucky), and if we are fortunate, have fleeting instants when we are satisfied that the mystery is ours to ponder, if never to solve, or even just rife personal mysteries, never mind those outside-- are there even mysteries outside? a puzzle itself -- but anyway, personal mysteries, like where is my father, why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simple even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this.

You make the puzzle work. Without you, we’re just a bunch of pieces that look like we belong together, but no matter how hard we try to hold on to each other, we fall apart. You’re the glue. You’re the fifth piece that makes everything fit just right.

He was the easiest person to be around that I’d ever met. He’d burrowed into my life and set himself up like he had always been a part of my world. We were a puzzle made of two pieces, and when we fit together, all the sharp edges of life seemed squared off, blunted.

Everything melts away. All that I know is this kiss; all that I feel is his lips pressing into mine. I become dizzy from want, need, and the lack of oxygen. Our lips, our bodies, our souls, have always fit perfectly together—like two pieces of a puzzle. Alexia Grant More Layers

Wanting All Husband, it's fine the way your mind performs Like a circus, sharp As a sword somebody has To swallow, rough as a bear, Complicated as a family of jugglers, Brave as a sequined trapeze Artist, the only boy I ever met Who could beat me in argument Was why I married you, isn't it, And you have beaten me, I've beaten you, We are old polished hands. Or was it your body, I forget, maybe I foresaw the thousands on thousands Of times we have made love Together, mostly meat And potatoes love, but sometimes Higher than wine, Better than medicine. How lately you bite, you baby, How angels record and number Each gesture, and sketch Our spinal columns like professionals. Husband, it's fine how we cook Dinners together while drinking, How we get drunk, how We gossip, work at our desks, dig in the garden, Go to the movies, tell The children to clear the bloody table, How we fit like puzzle pieces. The mind and body satisfy Like windows and furniture in a house. The windows are large, the furniture solid. What more do I want then, why Do I prowl the basement, why Do I reach for your inside Self as you shut it Like a trunkful of treasures? Wait, I cry, as the lid slams on my fingers.

Vertebrate brains and objective reality do not fit together like the pieces of a puzzle, for the simple reason that we ourselves create every idea from our own ‘objective reality.’ ‘Real reality,’ outside our perception, inevitably remains a construct, and each of us has to decide where God figures in it.

His voice is lower than before when he says, "You're a vision." "She is, isn't she?" My heart skips a beat. The voice coming from over my shoulder is so cold I nearly shiver. Kai brushes my arm as he steps around me, facing the stunned boy still clutching me to him. "I'll be stealing her now," Kai says simply,... He feels too familiar. We fit together perfectly, pieces of a puzzle snapping into place. I shouldn't let myself relax into his touch. Shouldn't let the tension ease from my body when he holds me. But I can do nothing to stop it. Utterly and completely powerless. His palm is flat and firm against my exposed back, calluses brushing my flushed skin. "You looked like you needed saving," Kai says, and I catch a glimpse of his smirk before he spins me. "For once," I sigh, "I'm going to have to agree with you." "I'm sure I could think of other things we agree on." "Oh really? And what would those things be?" "That he was right," Kai says softly. "You are a vision. I'm sure we can both agree on that.

I imagined Kandinsky’s mind, spread out all over the world, and then gathered together. Everyone having only a piece of the puzzle. Only in a show like this could you see the complete picture, stack the pieces up, hold them to the light, see how it all fit together. It made me hopeful, like someday my life would make sense too, if I could just hold all the pieces together at the same time.

Most of us do not like not being able to see what others see or make sense of something new. We do not like it when things do not come together and fit nicely for us. That is why most popular movies have Hollywood endings. The public prefers a tidy finale. And we especially do not like it when things are contradictory, because then it is much harder to reconcile them (this is particularly true for Westerners). This sense of confusion triggers in a us a feeling of noxious anxiety. It generates tension. So we feel compelled to reduce it, solve it, complete it, reconcile it, make it make sense. And when we do solve these puzzles, there's relief. It feels good. We REALLY like it when things come together. What I am describing is a very basic human psychological process, captured by the second Gestalt principle. It is what we call the 'press for coherence.' It has been called many different things in psychology: consonance, need for closure, congruity, harmony, need for meaning, the consistency principle. At its core it is the drive to reduce the tension, disorientation, and dissonance that come from complexity, incoherence, and contradiction. In the 1930s, Bluma Zeigarnik, a student of Lewin's in Berlin, designed a famous study to test the impact of this idea of tension and coherence. Lewin had noticed that waiters in his local cafe seemed to have better recollections of unpaid orders than of those already settled. A lab study was run to examine this phenomenon, and it showed that people tend to remember uncompleted tasks, like half-finished math or word problems, better than completed tasks. This is because the unfinished task triggers a feeling of tension, which gets associated with the task and keeps it lingering in our minds. The completed problems are, well, complete, so we forget them and move on. They later called this the 'Zeigarnik effect,' and it has influenced the study of many things, from advertising campaigns to coping with the suicide of loved ones to dysphoric rumination of past conflicts.

Sottoportico San Zaccaria" It rains on the roofs As it rains in my poems Under the thunder We fit together like parts Of a magic puzzle Twelve winds beat the gulls from the sky And tear the curtains And lightning glisters On your sweating breasts Your face topples into dark And the wind sounds like an army Breaking through dry reeds We spread our aching bodies in the window And I can smell the odor of hay In the female smell of Venice

Darce and Jill were an odd couple—especially when we all were kids. Darcy was short and small with chin-length black hair. My wife was always cute and approachable. Jill was as tall as most boys. Her straight blond hair cascaded down to her butt. She floated through the high school hallways like a goddess. I would have never dreamed of speaking to her back then. As adults, Jill was the one who was always nervously telling jokes and Darcy was the one who was always quick to laugh, throwing her head back and roaring with her mouth wide open. My wife was easy to please and Jill was a pleaser. Jill’s looks often made other girls self-conscious but my wife was always very comfortable in her own skin. Jill was impulsive. Darcy was thoughtful. All of the Jill and Darcy puzzle pieces just naturally snapped together. For every tab, knob, and loop one had, the other had a corresponding blank, hole, or socket. They were a perfect fit.

Initially, his theory was inspired by the observation that the shapes of continents like South America and Africa could be fitted together like pieces of a jigsaw puzzle. Continental drift then became more certain as fossils accumulated and paleontologists found that the distribution of ancient species suggested that the continents were once joined. Later, “plate tectonics” was suggested as a mechanism for continental movement, just as natural selection was suggested as the mechanism for evolution:

These fields, which govern the interaction of all subatomic particles, are now called Yang-Mills fields. However, the puzzle that has stumped physicists within this century is why the subatomic field equations look so vastly different from the field equations of Einstein-that is, why the nuclear force seems so different from gravity. Some of the greatest minds in physics have tackled this problem, only to fail. Perhaps the reason for their failure is that they were trapped by common sense. Confined to three or four dimensions, the field equations of the subatomic world and gravitation are difficult to unify. The advantage of the hyperspace theory is that the Yang-Mills field, Maxwell's field, and Einstein's field can all be placed comfortably within the hyperspace field. We see that these fields fit together precisely within the hyperspace field like pieces in a jig-saw puzzle. The other advantage of field theory is that it allows us to calculate the precise energies at which we can expect space and time to foem wormholes.

The truth was that a complex murder case attracted his attention and curiosity like nothing else on earth. He could make up reasons for it. He could say it was all about justice. About rectifying an imbalance in the scheme of things. About standing up for those who had been struck down. About a quest for truth. But there were other times when he considered it nothing but high-stakes puzzle-solving, an obsessive-compulsive drive to fit all the loose pieces together. An intellectual game, a contest of mind and will. A playing field on which he could excel.

Conceivably, though, the sea might have filtered into her body over the years in tiny fragments like the parts of a picture puzzle which, while she'd never identified the whole, had pieced themselves together as the sea in all its sparkling radiance. An internal sea. Untouched by anyone... Having drunk too much, the mother was beginning to drift off with the sound of the children's high-pitched voices in her ears. Fragments of the sea... Could she trace the matrix into which she'd fitted them all the way back to the flood of light she'd experienced at the moment of birth? The light was pain. She didn't actually remember that time, of course. She'd thought she was reminded of it when she heard the first cries of her own children: yes, she'd thought then, it was painful and dazzling, and I couldn't help crying. With every cry I was longing to accustom myself to the flood of light. But before my body had time to adjust, the light had ceased to exist as light. Perhaps what I was seeing was the brightness of the internal sea? My mother's sea. There were other memories. The tale of the Little Mermaid she'd come across in a foreign picture book. Though it would never have occurred to her to see herself in the person of the lovely little princess, she'd been haunted by the idea that perhaps she had been present herself, somewhere in the deeps where the princess lived. She sensed the sea's wan bluish gleam in the Little Mermaid's sobs.

The biggest canvas is wider than my arm span. It’s bursting with so much color it looks like a graffiti artist got too excited with a spray can. But it’s my story, told in brushstrokes and acrylic paint. There's Jamie and me as children, hiding in trees and searching for ladybugs. There's me alone, searching for stars in the dark. There's my mom, the queen of the starfish, existing in a tornado of glitter that poisons anything else it touches. There are my brothers and me, living on opposite sides of a triangle, experiencing the same things but never together. There's my dad, never knowing or doing as much as he should but trying to fix the poison all the same. There's Hiroshi, painting my hands so I can paint my voice. There's me split in half—Japanese and white—stitching myself together again because I am whole only when I’ve embraced the true beauty of my heritage. And there's Jamie and me in June, the sun on our faces and the sand at our feet, finding each other again after all those years. Our lives trail around us, sometimes broken and sometimes beautiful, but all puzzled and tangled up into the lump that is us. We fit together not because we need each other, but because we choose each other. Our friendship was always our choice. Love was a natural progression. Jamie stares at the painting for so long that I think the room actually starts to get darker. When he turns to face me, he looks relieved. Calm. Jamie turns back to the painting. We don’t need words. We just know. Our fingers find each other’s.

emotionally immature people are more like an amalgam of various borrowed parts, many of which don’t go together well. Because they had to shut down important parts of themselves out of fear of their parents’ reactions, their personalities formed in isolated clumps, like pieces of a puzzle that don’t fit together. This explains their inconsistent reactions, which make them so difficult to understand. Because they probably weren’t allowed to express and integrate their emotional experiences in childhood, these people grow up to be emotionally inconsistent adults. Their personalities are weakly structured, and they often express contradictory emotions and behaviors. They step in and out of emotional states, never noticing their inconsistency. When they become parents, these traits create emotional bafflement in their children. One woman described her mother’s behavior as chaotic, “flip-flopping in ways that made no sense.” This inconsistency means that, as parents, emotionally immature people may be either loving or detached, depending on their mood. Their children feel fleeting moments of connection with them but don’t know when or under what conditions their parent might be emotionally available again. This sets up what behavioral psychologists call an intermittent reward situation, meaning that getting a reward for your efforts is possible but completely unpredictable. This creates a tenacious resolve to keep trying to get the reward, because once in a while these efforts do pay off. In this way, parental inconsistency can be the quality that binds children most closely to their parent, as they keep hoping to get that infrequent and elusive positive response.

The mood at the table is convivial throughout the meal. A dried-sausage and prosciutto plate gives way to briny sardines, which give way to truffle-covered gnocchi topped with a plethora of herbs. Richness cut with acidity, herbaceousness and cool breezes at every turn. A simple ricotta and lemon fettuccine topped with sharp pecorino is the perfect counterpoint. I am not driving, and apparently Anjana isn't, either, so we both order a Cynar and soda. "How can we digest all the pasta without another digestif?" we exclaim to the waiter, giddily. Meat, carbs, sunshine, and lingering music coming from across the plaza have stirred us up, and soon our dessert--- some sort of chocolate cake with walnuts--- arrives. It's dense in that fudgey way a flourless concoction can be, like it has molded itself into the perfection of pure chocolate. The crunch of the walnuts is a counterweight, drawing me deeper into the flavor. I haven't been inspired by food like this in a long time, despite spending so much time thinking about food. The atmosphere at work has sucked so much of the joy out of thinking about recipes, but I find myself taking little notes on my phone for recipe experimentation when I get home. The realization jolts me. I've always felt like I have the perfect job for a creative who happens to also be left-brained. Recipes are an intriguing puzzle every single time. Today's fettuccine is the perfect example. The tartness of the lemon paired with the smooth pasta and pillowy ricotta is the no-brainer part. But the trickier puzzle piece--- the one that is necessary to connect the rest of the puzzle to the whole--- is the light grating of the pecorino on top. That tang, that edge, that cutting spice works in tangent with the lemon to give the dish its power. Lemon alone wouldn't have been enough. Pecorino alone wouldn't have been enough. The dish is so simple, but it has to fit together perfectly to work. These little moments, these exciting eurekas, are the elation I normally get in my job.

What are the path of love and the path of meditation? There are basically two different paths to enlightenment. These two paths are The path of love and The path of meditation. The path of love is the female path to enlightenment and The path of meditation is the male path to enlightenment. The path of love is the path of love, joy, relationships, devotion and surrender. The path of meditation is the path of meditation, silence, aloneness and freedom. These two paths has different ways, but they have the same goal. Through love and surrender the person that walks The path of love discovers the inner silence. Through meditation and aloneness the person that walks The path of meditation discovers the inner source of love. These two paths are like climbing the mountain of enlightenment through different routes, but the two paths are meeting on the summit of the mountain - and discover an inner integration between love and meditation, between relating and aloneness. Before I accept to work with a student now, I make an intuitive and clairvoyant evaluation about which spiritual paths that the student has walked before in previous lives. This intuitive assessment gives information about the spiritual level that the student has attained, and it also makes it easier to guide the person spiritually if he has followed a certain path in the past. A female student of mine laughed recently when I told her that she had followed The path of love in several past lives. She commented: "You have told me three times now that I have walked the path of love and silence, but with my head I still do not understand it." But this overall assessment of her spiritual growth uptil now, and of the spiritual paths that she had walked, made all the pieces of her life puzzle fit together - and brought a new, creative light to all her life choices in her current life. A male student of mine, who was a Tibetan monk in a previous life, walks The path of meditation, and I notice how I change my language and the methods that I recommend when I guide him along the path of meditation. I now work with students who walk both The path of love and The path of meditation, which also allows me to discover a deeper integration of love and meditation on my path to enlightenment.

1. Divine Writing: The Bible, down to the details of its words, consists of and is identical with God’s very own words written inerrantly in human language. 2. Total Representation: The Bible represents the totality of God’s communication to and will for humanity, both in containing all that God has to say to humans and in being the exclusive mode of God’s true communication.[11] 3. Complete Coverage: The divine will about all of the issues relevant to Christian belief and life are contained in the Bible.[12] 4. Democratic Perspicuity: Any reasonably intelligent person can read the Bible in his or her own language and correctly understand the plain meaning of the text.[13] 5. Commonsense Hermeneutics: The best way to understand biblical texts is by reading them in their explicit, plain, most obvious, literal sense, as the author intended them at face value, which may or may not involve taking into account their literary, cultural, and historical contexts. 6. Solo Scriptura:[14] The significance of any given biblical text can be understood without reliance on creeds, confessions, historical church traditions, or other forms of larger theological hermeneutical frameworks, such that theological formulations can be built up directly out of the Bible from scratch. 7. Internal Harmony: All related passages of the Bible on any given subject fit together almost like puzzle pieces into single, unified, internally consistent bodies of instruction about right and wrong beliefs and behaviors. 8. Universal Applicability: What the biblical authors taught God’s people at any point in history remains universally valid for all Christians at every other time, unless explicitly revoked by subsequent scriptural teaching. 9. Inductive Method: All matters of Christian belief and practice can be learned by sitting down with the Bible and piecing together through careful study the clear “biblical” truths that it teaches. The prior nine assumptions and beliefs generate a tenth viewpoint that—although often not stated in explications of biblicist principles and beliefs by its advocates—also commonly characterizes the general biblicist outlook, particularly as it is received and practiced in popular circles: 10. Handbook Model: The Bible teaches doctrine and morals with every affirmation that it makes, so that together those affirmations comprise something like a handbook or textbook for Christian belief and living, a compendium of divine and therefore inerrant teachings on a full array of subjects—including science, economics, health, politics, and romance.[15]

A great transition, a great transformation, is on the way, which for us will be like the transformation from childhood to mature adult life, the transition from peering into a smoky mirror to seeing someone face to face, the shift from glimpsing parts of a jigsaw puzzle but having no idea how they fit together to seeing the whole thing, complete, at a single glance - or, to match more exactly what Paul says, from glimpsing parts of the puzzle to realizing that the Puzzle is not only complete but is looking back at us.

Oh, do be gentle with Albern, dear girl,” he told Mag. “Any art requires time and patience, and songs most of all. They come to us in dreams, in our mind’s wanderings, a piece at a time. Then we must sit there with the parts of them, shoving them about like a child with a tinker’s puzzle, often going days or weeks without seeing the way they fit together. And then, all of a sudden, the pieces form into a whole, and then the world is forever blessed with a new and beautiful thing. Nothing can fly through the ages like a song.

your lives are like a jigsaw puzzle; every piece fits together and has its place. You mightn’t like the cut of certain bits that much, but there’s a harmony of sorts. I’m

When you’re in your twenties and you haven’t fully realized what you look for in a partner, the single market has about everything you can imagine and more. And you’re like a blank canvas—everyone’s like a blank canvas—as you discover how to paint a relationship together. Later in life, when you’ve experienced love and heartbreak and you find yourself single again and returning to the spouseless market, you kind of figure out that what’s left for you…is not a blank canvas for you to write your story on anymore. Every bachelor comes with a previous story, with drama and emotional baggage from their past relationships. And you—you—have to deal with it all, measure the puzzle pieces and see if somehow they might fit within the gaps and cracks left by your own experiences.

Don’t ever fool yourself that facts don’t fit, if you get the right explanation. They’re just like jigsaw puzzles—when you get them right, they’re all going to fit together.

It took me miles of gentle puzzling before I worked out that the love was about my father and me. For weeks after he died, I’d sat in front of the television watching the British television drama Tinker Tailor Soldier Spy over and over again; hours of grainy 1970s 16mm cinefilm, soft and black on an old VHS tape. I’d curled up mentally in its dark interiors, its Whitehall offices and gentlemen’s clubs. It was a story of espionage and betrayal that fitted together like a watch, and it was glacially slow and beautiful.

Instead of having a well-integrated sense of who they are, emotionally immature people are more like an amalgam of various borrowed parts, many of which don’t go together well. Because they had to shut down important parts of themselves out of fear of their parents’ reactions, their personalities formed in isolated clumps, like pieces of a puzzle that don’t fit together. This explains their inconsistent reactions, which make them so difficult to understand.

Studying history, of course, is not like assembling a neatly cut jigsaw puzzle. Pieces of historical evidence do not have to fit together tidily or logically within fixed and predetermined borders. Indeed, despite the best efforts of historians, they do not have to fit together at all. History defines its own parameters, and real historical figures often defy our assumptions and expectations. Contradictions and inconsistencies are the rule rather than the exception in human affairs. History is not a play. There is no script.

His hands covered mine, resting on my thighs, and I watched with parted lips how well we fit. Like we were two pieces of the same puzzle fitting together, even though we belonged to different worlds.

Now Shig. Picture this: They stare at each other. From this angle, you can see how they fit together, these boys, like puzzle pieces, their elbows and shoulders modeled into one another by the years, the adventures, the skinned knees, the after school detentions. Then Twitchy tackles him. They're half hugging, half wrestling around the room, knocking into chairs and bed frames. Until they're not. Until they're just hugging, standing still in the middle of the barack, the world spins on around them, time slipping away from them, faster and faster, out of their control. Two boys who love each other, one going off to war.

With the blow of his hammer, or the twist of a screw, he could make magical toys beyond compare. And people loved them. But Ever Everly had a secret, and it was that no one had ever loved him. He hadn’t minded, at first. If that was the way of the world, then let it be so. Yet as he grew older, and watched couples filter in together in the shy throes of new love, then pregnant, and then perhaps with two children at their side, he yearned for how neatly they fitted into one another, like puzzle pieces. And if he was a puzzle piece, he was the one missing from the box, unable to be part of the picture.

I used to think that I was kind of like a doll. When I was a kid, I’d imagine myself taken apart like a puzzle and rearranged into a different thing altogether. If I just removed a bit of myself and mixed them that maybe I could fit together in a way that I never felt I could. Or just not rearranged at all. Just taken apart piece by piece and left in a metal drum. Either way, I wish I could just take parts of myself away and make this all more manageable, but I can’t.

In the aftermath, their family was living under the same roof like warped puzzle pieces that once fit together.

The proceedings of these ecumenical councils remind me of the experience of sitting down at a table before a large, thousand-piece jigsaw puzzle. Many of us know how frustrating it can be to keep trying piece after piece that looks like it should fit, but it doesn’t. I have even been guilty of trying to force a piece into the wrong space, even though I know only one will be a true fit. Eventually, I find the proper puzzle piece that provides an exact fit. Likewise, the delegates to the Council of Nicea and the Council of Chalcedon were seeking to be faithful to the hundreds of Christological “pieces” found in the texts of Scriptures. It was their unenviable task to put the whole “picture” of Christ together for the very first time in such a way as to find a perfect match for every piece. At times, various groups presented “pieces” they believed were a proper fit regarding the humanity or deity or natures or wills of Christ, but, in the end, each was declared to be improper fits. The proceedings of these councils did more to declare which pieces were not true pieces of the puzzle and should be discarded, than to provide a final, definitive statement of Christology that would silence all future discussions. We may know that the “Arius,” “Nestorius,” and “Eutyches” pieces do not fit the Christological puzzle, but this is not to say that a final and complete picture emerged.

Life has a way of revealing a side of itself that no rightful mind would expect. It’s like a maze, or pieces to a puzzle, fitting together like the speckled tile beneath my feet—white blocks with spots of gray. In the end, all you are left with are random patterns,

table sat an antique ormolu clock, its hands frozen on the twelve and the ten, 11:50. The magic hour. The time when Zee’s ghosts appeared in the greenhouse wall. Bits and pieces of two scenarios were coming back to her, fitting together like a child’s jigsaw puzzle. She had, indeed, come to this place—Mathew Brady’s New York studio—a short time earlier to have her portrait made

Indulge me for a minute. This won’t take long. I want to use a scenario to set the stage for our discussion about parenting. For starters, I’ll need you to pull up a chair on one of the sides of this card table I’m looking at. You’ll notice that it is crowded with tiny pieces of an elaborate jigsaw puzzle. You can tell—just by looking at the colors and designs on the pieces—that this is going to be a bit of a challenge. Before you tear into this project, though, there are a few things you need to know about what you’re looking at: → The border pieces have all been removed. I know it’s easier to start a jigsaw puzzle by putting the edge pieces together to form a border. That gives you an early sense of accomplishment before you move on to the difficult stuff. Sorry. You’ll have to decide the boundaries of this puzzle for yourself. → Somebody threw a couple of handfuls of pieces from a different puzzle into the box. They may look like they belong to this one, but they don’t. They won’t fit no matter how hard you try. And because you don’t know which ones they are, you could waste a lot of time before you find out. Are you ready to start putting the puzzle together? I realize I’ve complicated matters for you, but you’re fairly resourceful. Given enough time and enough soothing medication, you could probably figure it out. All you need is the picture on the box cover and you can begin. Oh, I forgot to mention something: We lost the cover to the box. You’re just going to have to guess what this picture puzzle is supposed to look like. Does this sound like fun? I can’t speak for you, but I’d rather get my gums scraped. If anything, this puzzle project sounds more like a sick joke. It’s tough enough when you have all the right pieces, all the edge pieces, and the picture on the box. Take those things away, and it’s anybody’s guess what you’ll come up with. Not only that, but without a clear picture of what you are trying to put together, you’ll never really know if you even came close to what it was supposed to be.

I would like to say it was now that I succeeded in teaching her to sweep the yard. But, in truth, I did not teach her; she taught herself, picking up the broom one morning after I had put it down, and swishing it to and fro. I praised her loudly, and gave her a tid-bit, and this encouraged her into further sweeping, and she soon became an excellent sweeper, though her enthusiasm sometimes made her sweep too vigorously. On one occasion she broke the broom handle, which puzzled her greatly; after staring at the two pieces she attempted to fit them together and, when she failed to do so, seemed quite dejected. To teach her to sweep slowly, and gently, using the broom like a feather, took more than two weeks. When Timothy returned from the Ooze, he watched her at work, and deciding to copy her, just as she had copied me, grabbed the broom from her grasp; however, he did not understand the reason for sweeping, and made violent sweeps in the air. Jenny was upset at losing the broom, and attempted its recovery, and a short tussel ensued, which came to an end when I ordered them to give me the broom. The matter was resolved when I provided each of the Elephants with a broom; thereafter, each morning, they would sweep the yard in consort, raising a storm of dust.

If there’s one thing I know, it’s that God has a purpose for things. Everything fits together like a puzzle, but we’re looking at it from a human angle. All we can see are missing pieces. He sees the big picture and knows how it all fits.” Vicki

The most fundamental objection to Gamow’s scheme is that it does not distinguish between the direction of a sequence; that is, between Thr. Pro. Lys. Ala. and Ala. Lys. Pro. Thr…. There is little doubt that Nature makes this distinction, though it might be claimed that she produces both sequences at random, and that the “wrong” ones—not being able to fold up—are destroyed. This seems to me unlikely. That observation, made in passing, was the first acknowledgment of a theoretical question that is still unanswered: in general terms, what does the cell do with information it possesses on the DNA—and some organisms possess some DNA sequences in thousands of copies—that it does not use to code for proteins? This difficulty brings us face-to-face with one of the most puzzling features of the DNA structure—the fact that it is non-polar, due to the dyads at the side; or put another way, that one chain runs up while the other runs down. It is true that this only applies to the backbone, and not to the base sequence, as Delbrück has emphasized to me in correspondence. This may imply that a base sequence read one way makes sense, and read the other way makes nonsense. Another difficulty is that the assumptions made about which diamonds are equivalent are not very plausible…. [Gamow’s idea] would not be unreasonable if the amino acid could fit on to the template from either side, into cavities which were in a plane, but the structure certainly doesn’t look like that. The bonds seem mainly to stick out perpendicular to the axis, and the template is really a surface with knobs on, and presents a radically different aspect on its two sides…. What, then are the novel and useful features of Gamow’s ideas? It is obviously not the idea of amino acids fitting on to nucleic acids, nor the idea of the bases sequence of the nucleic acids carrying the information. To my mind Gamow has introduced three ideas of importance: (1) In Gamow’s scheme several different base sequences can code for one amino acid…. This “degeneracy” seems to be a new idea, and, as discussed later, we can generalise it. (2) Gamow boldly assumed that code would be of the overlapping type…. Watson and I, thinking mainly about coding by hypothetical RNA structures rather than by DNA, did not seriously consider this type of coding. (3) Gamow’s scheme is essentially abstract. It originally paid lip service to structural considerations, but the position was soon reached when “coding” was looked upon as a problem in itself, independent as far as possible of how things might fit together…. Such an approach, though at first sight unnecessarily abstract, is important. Finally it is obvious to all of us that without our President the whole problem would have been neglected and few of us would have tried to do anything about it.

As we approach parts with curiosity and compassion, they may spontaneously release burdens and polarities, returning to the wholeness of the Self, no longer believing in separateness. The conceptual framework surrounding parts may dissolve, and the very label "part" may become superfluous. This aligns with Schwartz’s belief that in a healthy, integrated, or never-burdened system, you "hardly notice your parts." As inner harmony is achieved through this work, the practices themselves may naturally fade away, including any mindfulness or self-inquiry techniques, as our direct knowing of the unified Self stabilizes. What remains is unmediated experiencing—perception without an internal judge or narrator imposing layers of meaning. Like a bird feeling the fresh raindrop, we awaken to the pure isness of the present moment. We recognize that diversity was never truly separate—all parts reside within the vastness of the Self and feel its illuminating presence infusing life with wholeness. Self-realization does not conflict with the experience of inner multiplicity. Rather, it provides the foundation for embracing our diverse parts with love and understanding. Just as clouds naturally arise within the vast expanse of the sky, the many facets of our psyche emerge from the same unitary source of consciousness. By recognizing our fundamental oneness, we can openly accept all inner voices and perspectives as inseparable expressions of our true nature. Parts work therapies like Jungian analysis, psychosynthesis, and IFS rest on the realization that our multiplicity arises from and returns to an underlying unity. Healing separation unveils the intrinsic connectedness shining through our diversity. The many are seen to be expressions of the one infinite consciousness from which we all emerge. Awakening to our true nature does not erase our finite human form but allows us to live as embodiments of the infinite while navigating the relative world. We can embrace relationships, experiences, and inner parts as manifestations of the vast depths of being itself. Our very capacity for a richly textured existence arises from the fecundity of the source—celebrating the unlimited creativity that gives rise to all multiplicities within its all-encompassing embrace. When we unravel the tendency to view parts as separate from Self, ourselves as separate from the collective, and the collective as separate from the universe, we find interconnected wholeness underneath it all, like pieces of the same puzzle fitting perfectly together. Though each piece may seem distinct, together they form a complete picture. Just as a puzzle is not whole without all its pieces, so too are we fragments without our connections to others and the greater whole. All pieces big and small fit together to create the fullness of life. From the vantage point of the infinite, life appears as a seamless whole. Yet seen through the finite lens of the mind, it fragments into countless shapes and forms. To insist that only oneness or multiplicity is real leads to a fragmented perspective, caught between mutually exclusive extremes. With curiosity and compassion, we can integrate these views into a unified vision. Like the beads in a kaleidoscope, Self appears in endless configurations—now as particle, now as wave. Though the patterns change, the beads remain the same. All possibilities are held safely within the kaleidoscope's luminous field. The essence lies in remembering that no bead stands alone. Parts require the presence of an overarching whole that encompasses them. The individual Self necessitates the existence of a vaster, universal SELF. The love that binds all parts infuses the inside and outside alike. This unifying love can be likened to the Tao, the very fabric from which life is woven.

Our bodies fit together like two puzzle pieces as we moved to the sensuous rhythm, hips swaying in perfect sync.

Just two human beings, falling together like puzzle pieces, which made sense because both of them were broken, their edges not the smooth arcs or straight lines of others, which fit easily into so many situations. No, there was only one place each of them belonged, and that was with the other. It sounded dramatic, but wasn’t.

The final piece in the puzzle. It is a beautiful pink diamond. The three other stones are set slightly off center, allowing them to fit together seamlessly. But this one is larger, and in the center of the ring. Like the star on top of the Christmas tree.