“
Every day we're told that we live in the greatest country on earth. And it's always stated as an undeniable fact: Leos are born between July 23 and August 22, fitted queen-size sheets measure sixty by eighty inches, and America is the greatest country on earth. Having grown up with this in our ears, it's startling to realize that other countries have nationalistic slogans of their own, none of which are 'We're number two!
”
”
David Sedaris (Me Talk Pretty One Day)
“
Sighing dismally, she acknowledged that some things just weren't humanly possible - not even Martha Stewart could fold fitted sheets.
”
”
Karen Marie Moning
“
The harder you slam a ball into the ground, the higher it bounces back up... A divorce, a breakup, losing a job, or just feeling seriously down can ground you, rough you up a bit, leave calluses on your feet and grit under your finger nails. But more than that, it leaves you wiser and stronger next time... Life is about experiencing opposites isn’t it?
”
”
Laurel House (QuickieChick's Cheat Sheet to Life, Love, Food, Fitness, Fashion, and Finance---on a Less-Than-Fabulous Budget)
“
To put a city in a book, to put the world on one sheet of paper -- maps are the most condensed humanized spaces of all...They make the landscape fit indoors, make us masters of sights we can't see and spaces we can't cover.
”
”
Robert Harbison (Eccentric Spaces (Mit Press))
“
fuck
she pulled her dress off
over her head
and I saw the panties
indented somewhat into the
crotch.
it's only human.
now we've got to do it.
I've got to do it
after all that bluff.
it's like a party--
two trapped
idiots.
under the sheets
after I have snapped
off the light
her panties are still
on. she expects an
opening performance.
I can't blame her. but
wonder why she's here with
me? where are the other
guys? how can you be
lucky? having someone the
others have abandoned?
we didn't have to do it
yet we had to do it.
it was something like
establishing new credibility
with the income tax
man. I get the panties
off. I decide not to tongue her. even then
I'm thinking about
after it's over.
we'll sleep together
tonight
trying to fit ourselves
inside the wallpaper.
I try, fail,
notice the hair on her
head
mostly notice the hair
on her
head
and a glimpse of
nostrils
piglike
I try it again.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
I had a tattoo once,” said Kaidan. “Last year, just before we left England.”
“What do you mean, you had one 'once'?”
“Bloody thing was gone by the morning!” His voice was indignant. “Sheets were black with ink. I put myself through all of that for hours, and my body just pushed it back out!”
And once again we were both in a fit of hysterics, sharing the world's best inside joke. We were doubled over, unable to breathe, and I accidentally snorted. Kaidan pointed at me and laughed harder, clutching his stomach.
“What was your tattoo?” I managed to push the words out.
“You had to ask. It was a deadly-looking pair of black wings on my shoulder blades.”
Kaidan and I started roaring again, muscles clenching from the exertion.
We had no way of knowing it would be our last reason to laugh for a very long time.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
You can fold fitted sheets?" From the kitchen, Ren replied, "Yeah." I scowled. "Are you even human? No mere mortal can fold a fitted sheet.
”
”
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister.
Jules, Helen had called him. Her little brother.
The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids.
The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart.
“Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.”
Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd.
“Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Your ability to shoulder everything, to give 200% of yourself all the time, to be perfect at everything you attempt…these are not the attributes that make you a valuable human being.” I pause. “And they are not why I fell in love with you.” His black eyes shoot up to me. I smile. The weight of these heavy secrets falls off of me, and I feel relieved to continue. “I fell in love with you because you’re goofy. You’re fun. Your heart is so big I don’t know how it fits in here,” I say, pressing my hand to his chest. “You’re a terrible singer. You make me soup when I’m sick. You bought me tampons that time I was laid out on the couch with cramps and couldn’t move. You didn’t even send someone else for them. You went yourself!
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
“
Every day, the New York Times carries a motto in a box on its front page. "All the News That's Fit to Print," it says. It's been saying it for decades, day in and day out. I imagine most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there. Then I check to make sure that it still irritates me. If I can still exclaim, under my breath, why do they insult me and what do they take me for and what the hell is it supposed to mean unless it's as obviously complacent and conceited and censorious as it seems to be, then at least I know I still have a pulse. You may wish to choose a more rigorous mental workout but I credit this daily infusion of annoyance with extending my lifespan.
”
”
Christopher Hitchens (Letters to a Young Contrarian)
“
Childhood is a time for pretending and trying on maturity to see if it fits or hangs baggy, tastes good or bitter, smells nice or fills your lungs with smoke that makes you cough. It's sharing licks on the same sucker with your best friend before you discover germs. It's not knowing how much a house cost, and caring less. It's going to bed in the summer with dirty feet on clean sheets. It's thinking anyone over fifteen is 'ancient'. It's absorbing ideas, knowledge, and people like a giant sponge. Childhood is where 'competition' is a baseball game and 'responsibility' is a paper route.
”
”
Erma Bombeck (At Wit's End)
“
She has never been a pretty crier. She sobbed the way she did everything else - with passion and excess. That she had managed to keep it inside her this long was astounding to James. He thought of pushing open the half-closed door and kneeling before his wife, wrapping his arms around her shoulders and helping her upstairs. He raised his hand, stroking the wood of the door, planning to say something to calm her. But what wisdom could he offer Gus, when he could not even heed it himself? James walked upstairs again, got into bed, covered his head with a pillow. And hours later, when Gus crept beneath the sheets, he tried to pretend that he did not feel the weight of her grief, lying between them like a fitful child, so solid that he could not reach past it to touch her.
”
”
Jodi Picoult (The Pact)
“
Cora, you’re going to give the poor man a fit,” Edith remonstrated. “He’s gone as white as a sheet. I’m too old to dig graves in the frozen ground.
”
”
Cat Sebastian (Hither, Page (Page & Sommers, #1))
“
You know nothing of me.” Through clenched teeth. “Nothing. You’ve fucked me, that’s all. Well, that’s a crowded hole you’re in, darling. And us humans, we’re a lying, dissembling bunch, remember. Doesn’t pay to trust us between the sheets any more than anywhere else.
”
”
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
“
But what shall we say, when an individual discovers a revelation addressed to himself alone, on the same vast sheet of record. In such a case, it could only be the symptom of a highly disordered mental state, when a man, rendered morbidly self-contemplative by long, intense, and secret pain, had extended his egotism over the whole expanse of nature, until the firmament itself should appear no more than a fitting page for his soul's history and fate.
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
For centuries the writing-desk has contained sheets fit precisely for the communication of friends. Masters of language, poets of long ages, have turned from the sheet that endures to the sheet that perishes, pushing aside the tea-tray, drawing close to the fire (for letters are written when the dark presses around a bright red cave), and addressed themselves the task of reaching, touching, penetrating the individual heart.
”
”
Virginia Woolf (Jacob's Room)
“
The light in that room was a glow; I seem to remember the color green, or perhaps flowers. A pale green sheet covered his inert body but not his head, which lay (eyes closed, mouth set in a tense and terrible grimace) unmoving. Gianluca. Barely able to see, barely able to stand - my knees kept buckling – and breathing so quietly I thought that I, too, might die; that out of shock, I would just drift away, the shell of my body cracking open. No longer anchored by my brother’s love, I would be reabsorbed by sky. Gianluca. If there was never another sound in the world, I would understand – yes, that would be appropriate, it would be fitting. This was the antithesis of music, the antithesis of noise. My brother’s death seemed to demand silence of all the world. Gianluca.
”
”
Antonella Gambotto-Burke (The Eclipse: A Memoir of Suicide)
“
Blow on, ye death fraught whirlwinds! blow,
Around the rocks, and rifted caves;
Ye demons of the gulf below!
I hear you, in the troubled waves.
High on this cliff, which darkness shrouds
In night's impenetrable clouds,
My solitary watch I keep,
And listen, while the turbid deep
Groans to the raging tempests, as they roll
Their desolating force, to thunder at the pole.
Eternal world of waters, hail!
Within thy caves my Lover lies;
And day and night alike shall fail
Ere slumber lock my streaming eyes.
Along this wild untrodden coast,
Heap'd by the gelid' hand of frost;
Thro' this unbounded waste of seas,
Where never sigh'd the vernal breeze;
Mine was the choice, in this terrific form,
To brave the icy surge, to shiver in the storm.
Yes! I am chang'd - My heart, my soul,
Retain no more their former glow.
Hence, ere the black'ning tempests roll,
I watch the bark, in murmurs low,
(While darker low'rs the thick'ning' gloom)
To lure the sailor to his doom;
Soft from some pile of frozen snow
I pour the syren-song of woe;
Like the sad mariner's expiring cry,
As, faint and worn with toil, he lays him down to die.
Then, while the dark and angry deep
Hangs his huge billows high in air ;
And the wild wind with awful sweep,
Howls in each fitful swell - beware!
Firm on the rent and crashing mast,
I lend new fury to the blast;
I mark each hardy cheek grow pale,
And the proud sons of courage fail;
Till the torn vessel drinks the surging waves,
Yawns the disparted main, and opes its shelving graves.
When Vengeance bears along the wave
The spell, which heav'n and earth appals;
Alone, by night, in darksome cave,
On me the gifted wizard calls.
Above the ocean's boiling flood
Thro' vapour glares the moon in blood:
Low sounds along the waters die,
And shrieks of anguish fill the' sky;
Convulsive powers the solid rocks divide,
While, o'er the heaving surge, the embodied spirits glide.
Thrice welcome to my weary sight,
Avenging ministers of Wrath!
Ye heard, amid the realms of night,
The spell that wakes the sleep of death.
Where Hecla's flames the snows dissolve,
Or storms, the polar skies involve;
Where, o'er the tempest-beaten wreck,
The raging winds and billows break;
On the sad earth, and in the stormy sea,
All, all shall shudd'ring own your potent agency.
To aid your toils, to scatter death,
Swift, as the sheeted lightning's force,
When the keen north-wind's freezing breath
Spreads desolation in its course,
My soul within this icy sea,
Fulfils her fearful destiny.
Thro' Time's long ages I shall wait
To lead the victims to their fate;
With callous heart, to hidden rocks decoy,
And lure, in seraph-strains, unpitying, to destroy.
”
”
Anne Bannerman (Poems by Anne Bannerman.)
“
Clover was finally going to learn how to fold a fitted sheet. Of course, she was going to gain that skill set in the prison laundry after she killed Sawyer.
”
”
Avery Flynn (The Negotiator (Harbor City, #1))
“
Life's too short to fold fitted sheets!
”
”
Lisa Quinn (Life's Too Short to Fold Fitted Sheets)
“
Some days are like folding fitted sheets...
”
”
Nanette L. Avery
“
Destiny is no more than the fulfillment of purposive potentialities within us. The human cerebral cortex is a single sheet composed of more neurons than there are stars in the known universe folded like a paper crane to fit in a quart-sized cubbyhole; there is enough potential energy in a single person that if released would equal thirty hydrogen bombs. Destiny is nothing to sneeze at!
”
”
Brian McGreevy (Hemlock Grove)
“
Every day, the New York Times carries a motto in a box on its front page. "All the News That's Fit to Print," it says. It's been saying it for decades, day in and day out. I imagine most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there.
”
”
Christopher Hitchens
“
Zoya pulled the fitted sheet off the bed and began tying it with the others. While she worked, she said, “No offense, Mr. Wonderful, but that’s only a problem for you and Fitzroy. I don’t even know the guy.
”
”
Mark Greaney (Gunmetal Gray (Gray Man, #6))
“
To judge from the entrance the dawn was making, it promised to be a very iffy day -- that is, blasts of angry sunlight one minute, fits of freezing rain the next, all of it seasoned with sudden gusts of wind -- one of those days when someone who is sensitive to abrupt shifts in weather and suffers them in his blood and brain is likely to change opinion and direction continuously, like those sheets of tin, cut in the shape of banners and roosters, that spin every which way on rooftops with each new puff of wind.
”
”
Andrea Camilleri (The Terra-Cotta Dog (Inspector Montalbano, #2))
“
I opened my mouth to reply, but then closed it again. Talking to Mom was a bit like trying to fold a fitted sheet: no matter how hard you try, it always ends up a lumpy, crooked mess. So why even bother? (Page 120)
”
”
Marci Lyn Curtis (The One Thing)
“
But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
You walk up the aisle in a dress that doesn’t fit you. You’re trembling. He’s waiting at the other end. He looks at you like you’re a juicy, fattened pig, a marbled slab of meat for his purchase. He spreads saliva over his dry lips. He doesn’t look away from you throughout the entire banquet. When it’s over, he carries you to his bedroom. He pushes you onto the sheets. She shuddered. Squeezed her eyes shut. Reopened them and found her place on the page.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
Your whole life, you had to fit it onto one sheet of paper. There was a black line around the edge of the sheet, a border, and if you wrote outside the line then your application would not be valid. They only gave you enough space to write down the very saddest things that had happened to you. That was the worst part. Because if you cannot read the beautiful things that have happened in someone's life, why should you care about their sadness?
”
”
Chris Cleave (Little Bee)
“
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later.
Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day."
Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter
"Excuse me?" He says
"I'll keep the earpiece in!" I say loud enough to wake half the hospital.
"You sure? Because I'm equally happy with any of the three options," he tells me
"I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?"
Haymitch rises to go. "While I was waiting. . . I ate your lunch."
My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow.
"You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Did the guy who invent the shower cap also invent the fitted bed sheet?
”
”
Gregor Collins (The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann)
“
he would be like a blank sheet of photographic paper, ready to receive whatever images and ideas might come, without trying to change them so they would fit his own preconceptions.
”
”
Stephen King (Rose Madder)
“
Usually, when he came in these dreams he woke up still thrusting into ruined sheets, his face pressed into a pillow.
This time, he was most assuredly still balls deep inside Delilah McGavin, his face pressed into the mass of silken black hair now that they’d fallen to their sides on a bed far too nice to be his. Like him, she was gasping, trying to catch her breath. She was also bonelessly limp, her sweat slick body slathered over his, their legs tangled, their sexes still throbbing against each other, fitted together like a lock and a key.
”
”
Dee Tenorio (10 Ways To Steal Your Lover (Love by Numbers, #1))
“
Prayer is not bringing your list and asking God to sign on the bottom. Prayer is handing God a blank sheet that you have already signed and trusting him to fill it out as he sees fit.
”
”
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
“
Something must be
very wrong,' it said,
and I agreed,
although it turned out
the author meant that 'no theory
of physics should produce
infinities with impunity.'
I’d point out that every theory
of the heart
produces infinities
with impunity
if I were the kind of jerk
who uses the heart
to mean the human
tendency to make
others suffer
just because we
hate to suffer
alone. I’m sorry
I brought a fitted sheet
to the beach. I’m sorry
I’m selfish and determined
to make the worst
of everything. I’m
sorry language is a ship
that goes down
while you’re building it.
The Hesychasts of Byzantium
stripped their prayers
of words. It’s been tried
with poems too. But insofar
as I am a disappointment
to myself and others, it seems fitting
to set up shop in almost
and not quite and that’s not
what I meant. I draw the line at the heart,
though, with its
infinities.
”
”
Michael Robbins
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
She said, You cannot hide forever, though you may try. I’ve seen you in the kitchen, in the garden. I’ve seen the things you have sewn — curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You can go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes you must go out you must not hide you must dance and it will be harder you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away. So make that astral dress to fit your own body this time. And here are glass shoes made from your words, the stories you have told like a blower -with her torch forming the thinnest, most translucent sheets of light out of what was once sand. But be careful; sand is already broken but glass breaks. The shoes are for dancing, not for running away.
”
”
Francesca Lia Block
“
The Place Faidherbe had the characteristic atmosphere, the overdone décor, the floral and verbal excess, of a subprefecture in southern France gone mad. The ten cars left the Place Faidherbe only to come back five minutes later, having once more completed the same circuit with their cargo of anemic Europeans, dressed in unbleached linen, fragile creatures as wobbly as melting sherbet.
For weeks and years these colonials passed the same forms and faces until they were so sick of hating them that they didn’t even look at one another. The officers now and then would take their families out for a walk, paying close attention to military salutes and civilian greetings, the wives swaddled in their special sanitary napkins, the children, unbearably plump European maggots, wilted by the heat and constant diarrhea.
To command, you need more than a kepi; you also need troops. In the climate of Fort-Gono the European cadres melted faster than butter. A battalion was like a lump of sugar in your coffee; the longer you looked the less you saw. Most of the white conscripts were permanently in the hospital, sleeping off their malaria, riddled with parasites made to order fo every nook and cranny of the body, whole squads stretched out flat between cigarettes and flies, masturbating under moldy sheets, spinning endless yarns between fits of painstakingly provoked and coddled fever.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I will choose from my intimate memories what’s fitting:
the scent of wrinkled sheets after making love
is the scent of grass after rain.
— Mahmoud Darwish, from “Dense Fog Over The Bridge,” If I Were Another: Poems. Translated by Fady Joudah. (Farrar, Straus and Giroux; 1 edition, October 27, 2009) Originally published 2009.
”
”
Mahmoud Darwish
“
This is what it would feel like to be your wife, to wake each morning in a tussle of warm sheets, your breath on the back of my neck, your chest fitted snugly against the curve of my spine. I envision breakfast in bed on the weekends. Eggs and toast on a tray with your paper. And coffee. I’d have to learn to make coffee. Or perhaps you prefer tea. I’ve never thought to ask.
”
”
Barbara Davis (The Echo of Old Books)
“
Kaluza also gave an answer as to where the fifth dimension was. Since we see no evidence of a fifth dimension, it must have "curled up" so small that it cannot be observed. (Imagine taking a two-dimensional sheet of paper and rolling it up tightly into a cylinder. From a distance, the cylinder looks like a one-dimensional line. In this way, a two-dimensional object has been turned into a one-dimensional object by curling it up.)
Kaluza's paper initially created a sensation. But in the coming years, objections were found to his theory. What was the size of this new fifth dimension? How did it curl up? No answers could be found.
For decades Einstein would work on this theory in fits and starts. After he passed away in 1955, the theory was soon forgotten, becoming just a strange footnote to the evolution of physics.
”
”
Michio Kaku (Physics of the Impossible)
“
Every day we’re told that we live in the greatest country on earth. And it’s always stated as an undeniable fact: Leos are born between July 23 and August 22, fitted queen-size sheets measure sixty by eighty inches, and America is the greatest country on earth. Having grown up with this in our ears, it’s startling to realize that other countries have nationalistic slogans of their own, none of which are “We’re number two!
”
”
David Sedaris (Me Talk Pretty One Day)
“
This fucking top sheet. How do people sleep when this top sheet is tucked in so tightly? I can’t even fit my feet under here. Why do they always make it so tight? I guess the bed is supposed to look nice and made when you come in, and then it just gets ruined on a daily basis. What a stupid thing to be annoyed about, the top sheet. People are suffering in the world, everywhere, in terrible ways, and I’m in a hotel bed, annoyed at my fucking top sheet. What an asshole.
”
”
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
“
We simply cannot believe Jefferson’s complaints about his slaves, which fit into his pattern of shifting blame to others for his own mistakes and weaknesses. During his presidency Jefferson averred that the slave’s “burden on his master [is] daily increasing,” yet as the economic historian Steven Hochman has found, “during his presidency Jefferson’s nailery and his farms provided an income that should have met reasonable expectations. The debit side of Jefferson’s balance sheet was where he had his problems
”
”
Henry Wiencek (Master of the Mountain: Thomas Jefferson and His Slaves)
“
Your ability to shoulder everything, to give 200% of yourself all the time, to be perfect at everything you attempt…these are not the attributes that make you a valuable human being.” I pause. “And they are not why I fell in love with you.”
His black eyes shoot up to me.
I smile. The weight of these heavy secrets falls off of me, and I feel relieved to continue. “I fell in love with you because you’re goofy. You’re fun. Your heart is so big I don’t know how it fits in here,” I say, pressing my hand to his chest.
”
”
Sarah Adams (The Cheat Sheet)
“
Mom’s Spritz Cookies 2 sticks salted butter, room temperature ½ cup granulated sugar ½ tsp. almond extract ½ tsp. vanilla 1 egg yolk 2 cups flour Preheat oven to 350°F. Cream butter and sugar together thoroughly. Add the almond and vanilla extracts, egg yolk, and flour. Mix with clean hands and roll into a log for the cookie press. You can fit about 28 cookies on an ungreased sheet. Bake for 9 to 10 minutes or until very lightly browned. Allow to cool on the baking sheet for 5 minutes before transferring to a wire cooling rack. Enjoy!
”
”
Wendy Loggia (All I Want for Christmas)
“
In fact, there is one theory that states that dark matter, an invisible form of matter that surrounds the galaxy, might be ordinary matter floating in a parallel universe. As in H.G. Wells's novel The Invisible Man, a person would become invisible if he floated just above us in the fourth dimension. Imagine two parallel sheets of paper, with someone floating on one sheet, just above the other.
In the same way there is speculation that dark matter might be an ordinary galaxy hovering above us in another membrane universe. We could feel the gravity of this galaxy, since gravity can ooze its way between universes, but the other galaxy would be invisible to us because light moves underneath the galaxy. In this way, the galaxy would have gravity but would be invisible, which fits the description of dark matter. (Yet another possibility is that dark matter might consist of the next vibration of the superstring. Everything we see around us, such as atoms and light, is nothing but the lowest vibration of the superstring. Dark matter might be the next higher set of vibrations.)
”
”
Michio Kaku (Physics of the Impossible)
“
Every day, the New York Times carries a motto in a box on its front page. “All the News That’s Fit to Print,” it says. It’s been saying it for decades, day in and day out. I imagine that most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there. Then I check to make sure that it still irritates me. If I can still exclaim, under my breath, why do they insult me and what do they take me for and what the hell is it supposed to mean unless it’s as
”
”
Christopher Hitchens (Letters to a Young Contrarian)
“
The beautiful clarity of all marked outlines occurred to her--there would be a deep satisfaction in strengthening fences, for instance, going along on the inside of a strong fence enclosing a large land, leaning outward to push towards the extreme limit of property; too, what about the lovely definition of a sheet of white paper alone on her desk, oblong and complete, the tightness with which the sky fitted onto the earth at the horizon, the act of caressing the spine of a book? Irresistibly, she thought with a shiver of a razor sharp edge slicing horizontally through her eyes, into her mouth, and then coming around the hard corner of a building, saw again the campus and its lights and heard its sounds.
”
”
Shirley Jackson
“
Richard found his quarry in the library.
‘Selwick!’ The Honourable Miles Dorrington flung aside the news sheet he had been reading, leapt up from his chair and pounded his friend on the back. He then hastily reseated himself, looking slightly abashed at his unseemly display of affection.
In a fit of temper, Richard’s sister Henrietta had once referred irritably to Miles as ‘that overeager sheepdog,’ and there was something to be said for the description. With his sandy blond hair flopping into his face, and his brown eyes alight with good fellowship, Miles did bear a striking resemblance to the more amiable varieties of man’s best friend. He was, in fact, Richard’s best friend. They had been fast friends since their first days at Eton.
”
”
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
“
One evening, after I had been pottering around her room like a small rodent, Gerda suddenly said in her flat, thick voice, “I want to feel what man be in bed. Come in bed here.” She said this with the same apathy and lack of interest with which she let me flour the pastry dough (my father was partial to pastry) or asked me by gestures to turn the handle while she fed the mincing machine. I received her suggestion in the same spirit. She held back the sheet, gestured me to get in, and followed. She lay on her back, staring at the ceiling; she didn’t look at me or show awareness of my presence. We were a close fit and I was crammed against the wall as if in a game of sardines. I might have been lying beside a big dead fish or reptile, a whale or crocodile.
”
”
John Bayley (Iris and Her Friends: A Memoir of Memory and Desire)
“
Perhaps, if I had a new fountain pen instead of this wreck, or a fresh bouquet of, say, twenty beautifully sharpened pencils in a slim vase, and a ream of ivory smooth paper instead of these, let me see, thirteen, fourteen more or less frumpled sheets . . . I might start writing the unknown thing I want to write; unknown, except for a vague shoe-shaped outline, the infusorial quiver of which I feel in my restless bones, a feeling of shchekotiki . . . half-tingle, half-tickles, when you are trying to remember something or understand something or find something, and probably your bladder is full, and your nerves are on edge, but the combination is on the whole not unpleasant ( if not protracted) and produces a minor orgasm or 'petit éternuement intérieur' when at last you find the picture-puzzle piece which exactly fits the gap.
”
”
Vladimir Nabokov (Bend Sinister)
“
Violet’s not getting out of our sight,” Arion adds.
There’s a moment of just staring…like everyone is trying to silently argue.
“No one naked in my car,” Mom states when I just stand in my spot, waiting on them to hurry through the push and pull.
You really can tell how thick the air is when too many alphas are in the room at one time, but weirdly it never feels this way when it’s just the four of them. Unless punches are thrown. Then it gets a little heavier than normal.
Arion pulls on his clothes, and threads whir in the air as I quickly fashion Emit a lopsided toga that lands on his body. Everyone’s gaze swings to him like it’s weird for him and normal for me to be in a toga.
Awesome.
Damien muffles a sound, Emit arches an eyebrow at me, and Arion remains rigid, staying close to me but never touching me.
All of us squeezing into a car together while most of them hate each other…should be fun.
The storm finally stops before we board the elevator, and it’s one of those super awkward elevator moments where no one is looking at anyone or saying anything, and everyone is trying to stay in-the-moment serious.
We stop on the floor just under us, after the longest thirty-five seconds ever.
The doors open, and two men glance around at Emit and I in our matching togas, even though his is the fitted sheet and riding up in some funny places.
He looks like a caveman who accidentally bleached and shrank his wardrobe.
I palm my face, embarrassed for him.
The next couple of floors are super awkward with the addition of the two new, notably uncomfortable men.
Worst seventy-nine seconds ever. Math doesn’t add up? Yeah. I’m upset about those extra nine seconds as well.
Poor Emit has to duck out of the unusually small elevator, and the bottom of his ass cheek plays peek-a-boo on one side.
Damien finally snorts, and even Mom struggles to keep a straight face. That really pisses her off.
“You’re seeing him on an off day,” I tell the two guys, who stare at my red boots for a second.
I feel the need to defend Emit a little, especially since I now know he overheard all that gibberish Tiara was saying…
I can’t remember all I said, and it’s worrying me now that my mind has gone off on this stupid tangent.
I trip over the hem of my toga, and Arion snags me before I hit the floor, righting me and showing his hands to my mother with a quick grin.
“Can’t just let her fall,” he says unapologetically.
“You’re going to have to learn to deal with that,” she bites out.
She has a very good point. I don’t trip very often, but things and people usually knock me around a good bit of my life.
The two guys look like they want to run, so I hurry to fix this.
“Really, it’s a long story, but I swear Emit—the tallest one in the fitted-sheet-toga—generally wears pants…er…I guess you guys call them trousers over here. Anyway, we had some plane problems,” I carry on, and then realize I have to account for the fact we’re both missing clothing. “Then there was a fire that miraculously only burned our clothes, because Emit put all my flames out by smothering me with his body,” I state like that’s exactly what happened.
Why do they look so scared? I’m not telling a scary lie.
At this point, I’ve just made it worse, and fortunately Damien takes mercy, clamping his hand over my mouth as he starts steering me toward the door before I can make it…whatever comes after worse but before the worst.
“Thank you,” sounds more like “Mmdi ooooo,” against his hand, but he gets the gist, as he grins.
Mom makes a frustrated sound.
“Another minute, and she’d be bragging about his penis size in quest to save his dignity. Did you really want to hear that?” Damien asks her, forcing me to groan against his hand.
”
”
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
“
Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world?
Like your heart may be broken but your spirit is still rising?
Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now.
Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day?
Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer?
Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two?
Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once?
Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming?
Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?
”
”
Jeanette LeBlanc
“
Onset"
Watching that frenzy of insects above the bush of white flowers,
bush I see everywhere on hill after hill, all I can think of
is how terrifying spring is, in its tireless, mindless replications.
Everywhere emergence: seed case, chrysalis, uterus, endless manufacturing.
And the wrapped stacks of Styrofoam cups in the grocery, lately
I can’t stand them, the shelves of canned beans and soups, freezers
of identical dinners; then the snowflake-diamond-snowflake of the rug
beneath my chair, rows of books turning their backs,
even my two feet, how they mirror each other oppresses me,
the way they fit so perfectly together, how I can nestle one big toe into the other
like little continents that have drifted; my God the unity of everything,
my hands and eyes, yours; doesn’t that frighten you sometimes, remembering
the pleasure of nakedness in fresh sheets, all the lovers there before you,
beside you, crowding you out? And the scouring griefs,
don’t look at them all or they’ll kill you, you can barely encompass your own;
I’m saying I know all about you, whoever you are, it’s spring
and it’s starting again, the longing that begins, and begins, and begins.
”
”
Kim Addonizio (Tell Me)
“
1 tablespoon flaked sea salt, like Maldon 2 pieces of salmon fillet with skin on, ⅓ pound each Olive oil Freshly ground black pepper and lemon wedges, for serving Scatter the salt evenly over a dry, well-seasoned 10-inch cast-iron pan. A stainless steel pan will also work. If you’re using a stainless steel pan instead of cast iron, brush the pan lightly with oil before adding the salt. Place the pan over medium-high heat for 3 minutes. While the pan heats, dry the fish fillets well with paper towels and lay them flat on a large plate. Brush with olive oil on both sides. Place the fish into the hot pan, skin side down. Turn the heat down slightly if the crackle sounds too loud and sputtery. Cover with a lid. If you don’t have a lid that fits your pan, a metal baking sheet will do the job. Cook without moving the fillets for 3 to 5 minutes, until the skin is brown and crisp, and releases easily from the pan. Flip the fillets and cook them uncovered for another 2 to 4 minutes, depending on their thickness. The fish is done when the flesh deep inside is still faintly translucent and the internal temperature reads 125 degrees. Serve with freshly ground black pepper and lemon wedges. Serves 2.
”
”
Jessica Fechtor (Stir: My Broken Brain and the Meals That Brought Me Home)
“
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door.
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did.
“Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio.
“Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
“So,” Marlboro Man said. “What have you been doing all day?”
I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.”
“Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me.
He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened.
And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor.
“R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched.
“Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug.
“Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him.
It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Castle Scones ¼ cup currants 2 cups all-purpose flour 2 tablespoons sugar 1 tablespoon baking powder ½ teaspoon salt 4 tablespoons well-chilled unsalted butter, cut into 4 pieces 1 large egg ¼ cup whipping cream ¼ cup milk 2 teaspoons sugar (optional) butter, whipped cream, jams, curds, and marmalades Place the currants in a medium-sized bowl and pour boiling water over them just to cover. Allow to stand for 10 minutes. Drain the currants, pat them dry with paper towels, and set aside. Preheat the oven to 400°F. Mix the flour, sugar, baking powder, and salt in the bowl of a food processor fitted with a steel blade. With the motor running, add the butter and process until the mixture looks like cornmeal. In a separate bowl, beat the egg slightly with the cream and milk. With the motor still running, pour the egg mixture in a thin stream into the flour mixture just until the dough holds together in a ball. Fold in the currants. On a floured surface, lightly pat the dough into 2 circles, each about 7 inches in diameter. Cut each circle into 6 even pieces. Place the scones on a buttered baking sheet 2 inches apart. Sprinkle them with the optional sugar, if desired. Bake about 15 minutes, or until the scones are puffed, golden, and cooked through. Serve with butter, whipped cream, and jams. Makes 12 scones
”
”
Diane Mott Davidson (Sticks & Scones (A Goldy Bear Culinary Mystery, #10))
“
So Beaujolais is like this hybrid---a red that drinks like a white, we even put a chill on it. Maybe that's why it has trouble, it doesn't quite fit. No one takes Gamay seriously---too light, too simple, lacks structure. But..." I swirled the glass and it was so... optimistic. "I like to think it's pure. Fleurie sound like flowers doesn't it?"
"Girls love flowers," she said judiciously.
"They do." I put her wine down, then moved it two inches closer to her, where I knew the field of her focus began. "None of that means anything. It just speaks to me. I feel invited to enjoy it. I get roses."
"Child, what is wrong with you? There's no roses in the damn wine. Wine is wine and it makes you loose and helps you dance. That's it. The way you kids talk, like everything is life or death."
"It's not?"
"You ain't even learned about living yet!"
I thought about buying wine. About how I would scan the different Beaujolais crus at the liquor store---the Morgan, the Côte de Brouilly, the Fleurie would be telling me a story. I would see different flowers when I looked at the labels. I thought about the wild strawberries dropped off from Mountain Sweet Berry Farm just that afternoon and how the cooks laid out paper towels and sheet trays in the kitchen, none of them touching, as if they would disintegrate, their fragrance euphoric.
”
”
Stephanie Danler (Sweetbitter)
“
Romance of the sleepwalker"
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea
and the horse on the mountain.
With her waist that’s made of shadow
dreaming on the high veranda,
green the flesh, and green the tresses,
with eyes of frozen silver.
Green, as I love you, greenly.
Beneath the moon of the gypsies
silent things are looking at her
things she cannot see.
Green, as I love you, greenly.
Great stars of white hoarfrost
come with the fish of shadow
opening the road of morning.
The fig tree’s rubbing on the dawn wind
with the rasping of its branches,
and the mountain cunning cat,
bristles with its sour agaves.
Who is coming? And from where...?
She waits on the high veranda,
green the flesh and green the tresses,
dreaming of the bitter ocean.
- 'Brother, friend, I want to barter
your house for my stallion,
sell my saddle for your mirror,
change my dagger for your blanket.
Brother mine, I come here bleeding
from the mountain pass of Cabra.’
- ‘If I could, my young friend,
then maybe we’d strike a bargain,
but I am no longer I,
nor is this house, of mine, mine.’
- ‘Brother, friend, I want to die now,
in the fitness of my own bed,
made of iron, if it can be,
with its sheets of finest cambric.
Can you see the wound I carry
from my throat to my heart?’
- ‘Three hundred red roses
your white shirt now carries.
Your blood stinks and oozes,
all around your scarlet sashes.
But I am no longer I,
nor is this house of mine, mine.’
- ‘Let me then, at least, climb up there,
up towards the high verandas.
Let me climb, let me climb there,
up towards the green verandas.
High verandas of the moonlight,
where I hear the sound of waters.’
Now they climb, the two companions,
up there to the high veranda,
letting fall a trail of blood drops,
letting fall a trail of tears.
On the morning rooftops,
trembled, the small tin lanterns.
A thousand tambourines of crystal
wounded the light of daybreak.
Green, as I love you, greenly.
Green the wind, and green the branches.
They climbed up, the two companions.
In the mouth, the dark breezes
left there a strange flavour,
of gall, and mint, and sweet basil.
- ‘Brother, friend! Where is she, tell me,
where is she, your bitter beauty?
How often, she waited for you!
How often, she would have waited,
cool the face, and dark the tresses,
on this green veranda!’
Over the cistern’s surface
the gypsy girl was rocking.
Green the bed is, green the tresses,
with eyes of frozen silver.
An ice-ray made of moonlight
holding her above the water.
How intimate the night became,
like a little, hidden plaza.
Drunken Civil Guards were beating,
beating, beating on the door frame.
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea,
and the horse on the mountain.
”
”
Federico García Lorca (Collected Poems)
“
Marlboro Man’s call woke me up the next morning. It was almost eleven.
“Hey,” he said. “What’s up?”
I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged.
“Were you asleep?” he said.
“Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings.
“Yes. You,” he said, chuckling. “I can’t believe you were asleep!”
“I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser.
“You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me.
I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?”
“Oh, I had to run to the city early this morning,” he said.
“Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there?
Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.”
Huh?
I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged.
“Yep. I am,” he answered.
“No you’re not,” I repeated.
“Yes. I am,” he said.
I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking.
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
performance during PMS: Take 250 milligrams of magnesium, 45 milligrams of zinc, 80 milligrams of aspirin (baby aspirin), and 1 gram of omega-3 fatty acids (flaxseed and fish oil) each night for the 7 days before your period starts. Pretraining: Take 5 to 7 grams of branched-chain amino acid supplement (BCAAs) to fight the lack of mojo. These amino acids cross the blood-brain barrier and decrease the estrogen-progesterone effect on central nervous system fatigue. In training: Consume a few more carbohydrates per hour. In this high-hormone phase, aim for about 0.45 gram of carbohydrate per pound of body weight (about 61 grams for a 135-pound woman) per hour. In the low-hormone phase (first 2 weeks of the cycle), you can go a bit lower—about 0.35 gram of carbohydrate per pound of body weight (about 47 grams for a 135-pound woman) per hour. (For reference: 2.2 kilograms = 1 pound.) Post-training: Recovery is critical. Progesterone is extremely catabolic (breaks muscle down) and inhibits recovery. Aim to consume 20 to 25 grams of protein within 30 minutes of finishing your session. Overall you should aim to get 0.9 to 1 gram of protein per pound per day (a 135-pound woman needs about 122 to 135 grams of protein per day; see the Roar Daily Diet Cheat Sheet for Athletes for more information). THE MARTIAL ARTIST WHO BEAT HER BLOAT It may not be nice to fool Mother Nature, but there are definitely times when you need to trick her a little.
”
”
Stacy T. Sims (Roar: How to Match Your Food and Fitness to Your Unique Female Physiology for Optimum Performance, Great Health, and a Strong, Lean Body for Life)
“
A plane in mathematics is not merely a flat surface but a flat surface of infinite thinness and size. Trivial? Not to us. When I say plane, I'm not thinking of a tabletop or sheet of glass or a piece of paper. You might point to any one of these objects; but all of them are precisely that: objects. They exist in the world. And because they do, they are defined by their breadth and reach. To a mathematician, a tabletop is no more a plane than a slice of rum cake is. In the world we know, in fact, the only thing that can actually be called a plane--or a portion of one, anyhow--is a shadow.
You see?
Words fail us. Even the world fails us.
Are there not a thousand forms of sorrow? Is the sorrow of death the same as the sorrow of knowing the pain in a child's future? What about the melancholy of music? Is it the same as the melancholy of a summer dusk? Is the loss I was feeling for my father the same I would have felt for a man better-fit to the world who might have thrown a baseball with me or taken me out in the mornings to fish? Both we call grief. I don't think we have words for our feeling any more than we have words for our thoughts. I don't even believe that we actually do the things we call thinking and feeling. We do something, but it is only out of crudeness that we call it thinking; and when we do the other thing, we call it feeling. But I can tell you, if you asked Archimedes ... or Brahmagupta ... or Hilbert ... when they'd first known that they'd solved their great problem, I suspect they'd all say they had a feeling.
”
”
Ethan Canin (A Doubter's Almanac)
“
Haymitch leans forward and dangles something on a thin white wire in front of my nose. It’s hard to focus on, but I’m pretty sure what it is. He drops it to the sheets. “That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I’ll have you fitted with this.” He holds up some sort of metal headgear that I instantly name the head shackle. “It’s an alternative audio unit that locks around your skull and under your chin until it’s opened with a key. And I’ll have the only key. If for some reason you’re clever enough to disable it”— Haymitch dumps the head shackle on the bed and whips out a tiny silver chip —“I’ll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day.” Haymitch in my head full-time. Horrifying. “I’ll keep the earpiece in,” I mutter. “Excuse me?” he says. “I’ll keep the earpiece in!” I say, loud enough to wake up half the hospital. “You sure? Because I’m equally happy with any of the three options,” he tells me. “I’m sure,” I say. I scrunch up the earpiece wire protectively in my fist and fling the head shackle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. “Anything else?” Haymitch rises to go. “While I was waiting . . . I ate your lunch.” My eyes take in the empty stew bowl and tray on my bed table. “I’m going to report you,” I mumble into my pillow. “You do that, sweetheart.” He goes out, safe in the knowledge that I’m not the reporting kind.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
This was certainly a fitting end to Valentine’s Day.” She slanted him a glance. “Tell me, was it really just chance that you drew my name at the ball?”
“What do you think?”
“I don’t know. Celia told me on the way home that she thought it was Fate.”
He arched one eyebrow. “Only if Fate’s helper is the Duke of Foxmoor. He rigged the drawing for me.”
To his surprise, she laughed. “You ought to be ashamed of yourself! I thought perhaps you’d spotted my name by chance, but deliberately cheating…You have no principles whatsoever, do you?”
“Not where you’re concerned,” he said.
That answer seemed to please her. Reassured of her ability to bewitch him, she stretched beside him like a cat, her full breasts moving enticingly under the sheet.
It roused him instantly. “I wouldn’t do that if I were you, my dear.”
“Do what?” Her gaze was full of curiosity.
“Display yourself so deliciously. Or I’m going to make love to you again.”
A coy smile tipped up her lips. “Are you really?” She slid up next to him, her hand drawing a line down his bare chest in a motion worthy of the most experienced courtesan.
He caught her hand. “I mean it, minx. Don’t tempt me. I’ll have you on your back so fast you won’t know what happened.”
“And what would be wrong with that?”
He entwined his fingers with hers. Why couldn’t he stop touching her? “It was your first time. Your body needs to rest.”
“Oh.” She frowned. “I suppose I am a little sore.” She cast him a teasing glance. “Who could have known that making love would be so…vigorous? Or addictive?”
“You have no idea.” Already his cock was rock hard beneath the sheet. “But after we’re married, I’ll be happy to add to your store of experience.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too. Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go. Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him. Crunch! Crash! The truck dropped by six inches. Tommy stopped screaming. When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy. Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail. After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
”
”
Michael Robertson (Crash (Crash, #1))
“
This dance was the dance of death, and they danced it for George Buffins, that they might be as him. They danced it for the wretched of the earth, that they might witness their own wretchedness. They danced the dance of the outcasts for the outcasts who watched them, amid the louring trees, with a blizzard coming on. And, one by one, the outcast outlaws raised their heads to watch and all indeed broke out in laughter but it was a laughter without joy. It was the bitter laugh one gives when one sees there is no triumph over fate. When we saw those cheerless arabesques as of the damned, and heard that laughter of those trapped in the circles of hell, Liz and I held hands, for comfort.
They danced the night into the clearing, and the outlaws welcomed it with cheers. They danced the perturbed spirit of their master, who came with a great wind and blew cold as death into the marrow of the bones. They danced the whirling apart of everything, the end of love, the end of hope; they danced tomorrows into yesterdays; they danced the exhaustion of the implacable present; they danced the deadly dance of the past perfect which fixes everything fast so it can’t move again; they danced the dance of Old Adam who destroys the world because we believe he lives forever.
The outlaws entered into the spirit of the thing with a will. With ‘huzzahs’ and ‘bravos’, all sprang up and flung themselves into the wild gavotte, firing off their guns. The snow hurled wet, white sheets in our faces, and the wind took up the ghastly music of the old clowns and amplified it fit to drive you crazy. Then the snow blinded us and Samson picked us up one by one and slung us back in that shed and leaned up hard against the door, forcing it closed against the tempest with his mighty shoulders.
Though bullets crashed into the walls and the wind came whistling through the knotholes and picked up burning embers from the fire, hurling them about until we thought we might burn to death in the middle of the snow and ice, the shed held firm. It rocked this way and that way and it seemed at any moment the roof might be snatched away, but this little group of us who, however incoherently, placed our faiths in reason, were not exposed to the worst of the storm. The Escapee, however, faced with this insurrection of militant pessimism, turned pale and wan and murmured to himself comforting phrases of Kropotkin, etc., as others might, in such straits, recite the rosary.
When the storm passed, as pass it did, at last, the freshly fallen snow made all as new and put the camp fire out. Here, there was a shred of scarlet satin and, there, Grik’s little violin with the strings broken but, of the tents, shacks, muskets and cuirasses of the outlaws, the clowns and the clowns themselves, not one sight, as if all together had been blown off the face of the earth.
”
”
Angela Carter (Nights at the Circus (Oberon Modern Plays))
“
There is an art to the business of making sandwiches which it is given to few ever to find the time to explore in depth. It is a simple task, but the opportunities for satisfaction are many and profound: choosing the right bread for instance. The Sandwich Maker had spent many months in daily consultation and experiment with Grarp the baker and eventually they had between them created a loaf of exactly the consistency that was dense enough to slice thinly and neatly, while still being light, moist and having that fine nutty flavour which best enhanced the savour of roast Perfectly Normal Beast flesh.
There was also the geometry of the slice to be refined: the precise relationships between the width and height of the slice and also its thickness which would give the proper sense of bulk and weight to the finished sandwich: here again, lightness was a virtue, but so too were firmness, generosity and that promise of succulence and savour that is the hallmark of a truly intense sandwich experience.
The proper tools, of course, were crucial, and many were the days that the Sandwich Maker, when not engaged with the Baker at his oven, would spend with Strinder the Tool Maker, weighing and balancing knives, taking them to the forge and back again. Suppleness, strength, keenness of edge, length and balance were all enthusiastically debated, theories put forward, tested, refined, and many was the evening when the Sandwich Maker and the Tool Maker could be seen silhouetted against the light of the setting sun and the Tool Maker’s forge making slow sweeping movements through the air trying one knife after another, comparing the weight of this one with the balance of another, the suppleness of a third and the handle binding of a fourth.
Three knives altogether were required. First there was the knife for the slicing of the bread: a firm, authoritative blade which imposed a clear and defining will on a loaf. Then there was the butter-spreading knife, which was a whippy little number but still with a firm backbone to it. Early versions had been a little too whippy, but now the combination of flexibility with a core of strength was exactly right to achieve the maximum smoothness and grace of spread.
The chief amongst the knives, of course, was the carving knife. This was the knife that would not merely impose its will on the medium through which it moved, as did the bread knife; it must work with it, be guided by the grain of the meat, to achieve slices of the most exquisite consistency and translucency, that would slide away in filmy folds from the main hunk of meat. The Sandwich Maker would then flip each sheet with a smooth flick of the wrist on to the beautifully proportioned lower bread slice, trim it with four deft strokes and then at last perform the magic that the children of the village so longed to gather round and watch with rapt attention and wonder. With just four more dexterous flips of the knife he would assemble the trimmings into a perfectly fitting jigsaw of pieces on top of the primary slice. For every sandwich the size and shape of the trimmings were different, but the Sandwich Maker would always effortlessly and without hesitation assemble them into a pattern which fitted perfectly. A second layer of meat and a second layer of trimmings, and the main act of creation would be accomplished.
”
”
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
“
TREASURE CHEST COOKIES (Lisa’s Aunt Nancy’s Babysitter’s Cookies) Preheat oven to 350 degrees F., rack in the middle position. The Cookie Dough: ½ cup (1 stick, 4 ounces, ¼ pound) salted butter, room temperature ¾ cup powdered sugar (plus 1 and ½ cups more for rolling the cookies in and making the glaze) ¼ teaspoon salt 2 tablespoons milk (that’s cup) 1 teaspoon vanilla extract 1 and ½ cups all-purpose flour (pack it down when you measure it) The “Treasure”: Well-drained Maraschino cherries, chunks of well-drained canned pineapple, small pieces of chocolate, a walnut or pecan half, ¼ teaspoon of any fruit jam, or any small soft candy or treat that will fit inside your cookie dough balls. The Topping: 1 cup powdered (confectioners) sugar To make the cookie dough: Mix the softened butter and ¾ cup powdered sugar together in a medium-sized mixing bowl. Beat them until the mixture is light and fluffy. Add the salt and mix it in. Add the milk and the vanilla extract. Beat until they’re thoroughly blended. Add the flour in half-cup increments, mixing well after each addition. Divide the dough into 4 equal quarters. (You don’t have to weigh it or measure it, or anything like that. It’s not that critical.) Roll each quarter into a log shape and then cut each log into 6 even pieces. (The easy way to do this is to cut it in half first and then cut each half into thirds.) Roll the pieces into balls about the size of a walnut with its shell on, or a little larger. Flatten each ball with your impeccably clean hands. Wrap the dough around a “treasure” of your choice. If you use jam, don’t use over a quarter-teaspoon as it will leak out if there’s too much jam inside the dough ball. Pat the resulting “package” into a ball shape and place it on an ungreased cookie sheet, 12 balls to a standard-size sheet. Push the dough balls down just slightly so they don’t roll off on their way to your oven. Hannah’s 1st Note: I use baking sheets with sides and line them with parchment paper when I bake these with jam. If part of the jam leaks out, the parchment paper contains it and I don’t have sticky jam on my baking sheets or in the bottom of my oven. Bake the Treasure Chest Cookies at 350° F. for approximately 18 minutes, or until the bottom edge is just beginning to brown when you raise it with a spatula. Remove the cookies from the oven and allow them to cool on the sheets for about 5 minutes. Place ½ cup of powdered sugar in a small bowl. Place wax paper or parchment paper under the wire racks. Roll the still-warm cookies in the powdered sugar. The sugar will stick to the warm cookies. Coat them evenly and then return them to the wire racks to cool completely. (You’ll notice that the powdered sugar will “soak” into the warm cookie balls. That’s okay. You’re going to roll them in powdered sugar again for a final coat when they’re cool.) When the cookies are completely cool, place another ½ cup powdered sugar in your bowl. Roll the cooled cookies in the powdered sugar again. Then transfer them to a cookie jar or another container and store them in a cool, dry place. Hannah’s 2nd Note: I tried putting a couple of miniature marshmallows or half of a regular-size marshmallow in the center of my cookies for the “treasure”. It didn’t work. The marshmallows in the center completely melted away. Lisa’s Note: I’m going to try my Treasure Chest Cookies with a roll of Rollo’s next time I make them. Herb just adores those chocolate covered soft caramels. He wants me to try the miniature Reese’s Pieces, too. Yield: 2 dozen delicious cookies that both kids and adults will love to eat.
”
”
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
“
The Cornell Method The Cornell method is probably the best-known and most widely used note taking method out there. It is a brilliantly simple method that is characterized by how it divides the page you use. To use the Cornell method, first take a page of lined paper. There will usually be a margin on the left of the page. From this margin, measure roughly 6cm in and then draw a line down the page from top to bottom. Next, draw a line across the page six lines up from the bottom of the sheet. (The measurements are not set in stone, so feel free to modify them to your own taste.) This will divide the page into three areas: the section across the bottom, the now extended margin on the left of the page, and a section on the right. The right of the page will be where you will make your “normal notes.” The reduced area will have the effect of encouraging you to take fewer notes as there is simply less space to do so. The section along the bottom of the page is where you write a summary of everything on the page. This will be no more than a couple of sentences, and depending on how you prefer to work, this summary can be written perhaps at the end of the class, later that evening, or on another day. Writing this summary will solidify your understanding of your notes and help cut them down further. The section on the left of the page can be used in a few different ways. You may choose to use this area to write down the most important words, like names, dates, and essential ideas. Another way to use the left side of the page is to record your own reactions to the notes you are taking. This is a brilliant way to encourage active listening, as writing down your personal reactions ensures that you engage fully with the lesson. Don’t worry about writing anything smart or insightful in these reactions. Perhaps comment on how something relates back to another topic, how you find something interesting, or maybe you write a few question marks to denote that you find it confusing. Using the Cornell method is a straightforward technique for note taking, and can be adapted in various ways to fit your own preferences. It can be helpful for studying and testing yourself later on, too. One way to do this is to use the left hand area to write questions that correspond to the right side of the page. You can then test yourself by covering the right side of the page and attempting to answer the questions, slowly revealing the notes and “answers” on the right as you go. You can also test yourself by attempting to recite the summary at the bottom of the page.
”
”
John Connelly (7 Books in 1 (Short Reads): Improve Memory, Speed Read, Note Taking, Essay Writing, How to Study, Think Like a Genius, Type Fast (The Learning Development Book Series 2))
“
VANILLA CRACK Preheat oven to 350 degrees F., rack in the middle position. 1 box salted soda crackers. (I used Saltines) 2 sticks salted butter (1 cup, 8 ounces, ½ pound) 1 cup white (granulated) sugar 2 teaspoons vanilla extract ½ cup salted nut pieces Line a 10-inch by 15-inch cookie sheet with heavy-duty foil. If you have a jellyroll pan, that’s perfect. If you don’t, turn up the edges of the foil to form sides. Spray the foil with Pam or other nonstick cooking spray. (You want to be able to peel it off later, after the cookies harden.) Cover the pan completely with a single layer of soda crackers, salt side up. (You can break the crackers in pieces to make them fit if you have to.) Set the cracker-lined jellyroll pan or cookie sheet aside while you cook the topping. Combine the butter with the white sugar and vanilla in a heavy saucepan. Bring it to a full boil over medium high heat on the stovetop, stirring constantly. (A full boil will have breaking bubbles all over the surface of the pan.) Boil it for exactly five (5) minutes, stirring it constantly. If it sputters too much, you can reduce the heat. If it starts to lose the boil, you can increase the heat. Just don’t stop stirring. Pour the mixture over the soda crackers as evenly as you can. Hannah’s Note: I start by pouring the mixture in lines from top to bottom over the length of the pan. Then I turn it and pour more lines over the width of the pan. Once the whole pan is cross-hatched with the hot toffee mixture, I pour any that’s left where it’s needed. If it doesn’t cover the soda crackers completely, don’t worry—it’ll spread out quite a bit in the oven. Sprinkle the salted nut pieces over the top. Slide the pan into the oven and bake the cookies at 350 degrees F. for ten (10) minutes. Remove the pan from the oven and let it cool on a wire rack. When the cookies have thoroughly cooled, peel off the foil and break them into random-sized pieces.
”
”
Joanne Fluke (Apple Turnover Murder (Hannah Swensen, #13))
“
Do not store your linens together in a central location. It is more efficient to store them near the bed for which they are intended. Reducing your linen inventory to two sets or fewer for each bed should make it easy to fit the linens on the closet shelf of their respective bedrooms. Finally, assign each bed a color to clear up any confusion about which sheets fit which bed.
”
”
Susan C. Pinsky (Organizing Solutions for People with ADHD, 2nd Edition-Revised and Updated: Tips and Tools to Help You Take Charge of Your Life and Get Organized)
“
Dr. Weeks said you’re supposed to refrain from movements that put pressure on your ribs. No pulling or lifting anything. You have to rest.”
“I’ll rest as long as you stay with me.”
The feel of him was so clean and warm and inviting that she felt herself weakening. Carefully she eased into the crook of his arm. “Is this hurting you?”
“I’m feeling better by the minute.” He pulled the covers over them both, enclosing her in a cocoon of white sheets and soft wool blankets.
She lay against him front to front, shivering with pleasure as she felt how perfectly the hard, warm contours of his body fit against hers. “Someone will see.”
“The door’s closed.” Devon reached up to toy with the delicate curve of her ear. “You’re not afraid of me, are you?”
She shook her head, even though her pulse was racing.
Devon nuzzled against her hair. “I worried that I might have hurt or frightened you yesterday, in my…” He paused, searching for a word. “…enthusiasm,” he finished dryly.
“You…you didn’t know what you were doing.”
Self-mockery thickened his voice. “I knew exactly what I was doing. I just wasn’t able to do it well.” His thumb grazed the edge of her lower lip, teasing the full shape. She caught her breath as his fingers slid across her jaw, nudging the angle upward, stroking the soft skin beneath her chin. “I meant to kiss you more like…this.”
His mouth covered hers with tantalizing pressure. So hot and slow, his lips coaxing a helpless response before she could think of withholding it.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
A Sardarjee reported for his University final examination which consists of
"yes/no" type questions. he takes his seat in the examination hall, stares at
the question paper for five minutes, and then in a fit of inspiration takes his wallet out, removes a coin and starts tossing the coin and marking the
answer sheet - Yes for Heads and No for Tails. Within half an hour he is all
done whereas the rest of the class is sweating it out. During the last few
minutes, he is seen desperately throwing the coin, swearing and sweating. The
moderator, alarmed, approaches him and asks what is going on. "I finished the
exam in half and hour. But, I am rechecking my answers
”
”
Sunny Kodwani (Jokes and SMS (Hindi) - New)
“
And I began to believe that you could exchange your life, send it back for a different model, and I knew that wasn’t really true but I also knew that it wasn’t, here, entirely untrue. And I did not fold fitted sheets or meet deadlines or go to the grocery store or do our taxes or call 1-800 numbers to complain. I did not wear electrodes or answer questions. I did not hear my husband opening the front door or closing the front door. And I did not feel guilt; I did not feel guilty; I forgot all the things that could have caused any warm ounce of that feeling. *
”
”
Catherine Lacey (Nobody Is Ever Missing)
“
When someone makes a spectacular ass of himself, it's always in a French restaurant, never a Japanese or Italian one. The French are the people who slap one another with gloves and wear scarves to cover their engorged hickies. My understanding was that, no matter how hard we tried, the French would never like us, and that's confusing to an American raised to believe that the citizens of Europe should be grateful for all the wonderful things we've done. Things like movies that stereotype the people of France as boors and petty snobs, and little remarks such as "We saved your ass in World War II." Every day we're told that we live in the greatest country on earth. And it's always stated as an undeniable fact: Leos were born between July 23 and August 22, fitted queen-size sheets measure sixty by eighty inches, and America is the greatest country on earth. Having grown up with this in our ears, it's startling to realize that other countries have nationalistic slogans of their own, none of which are "We're number two!
”
”
David Sedaris (Me Talk Pretty One Day)
“
Making a blanket fort? Use a fitted sheet instead of a normal blanket for a sturdier and more practical roof.
”
”
Keith Bradford (Life Hacks: Any Procedure or Action That Solves a Problem, Simplifies a Task, Reduces Frustration, Etc. in One's Everyday Life (Life Hacks Series))
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FROM OTHER SOURCES Pre–race and Venue Homework Get hold of any history of past events at the venue, plus any information that the conducting club may have about weather and expected conditions. Go to the weather bureau and get history for the area. Speak to sailors from your class who have this venue as their home club or who have sailed there on a number of occasions. Boat, Sails, Gear Preparation Checklist Many times the outcome of a race is as dependent on what you have done prior to the race as to what you do out on the course. Sometimes no matter how good your tactics and strategy are a simple breakage could render all that useless. Hull – make sure that your hull is well sanded and polished, centreboard strips are in good condition, venturis if fitted are working efficiently, buoyancy tanks are dry and there are no extraneous pieces of kit in your boat which adds unwanted weight. Update any gear that looks tired or worn especially control lines. Mast, boom and poles – check that all halyards, stays and trapeze wires are not worn or damaged and that pins are secure, knots tight and that anything that can tear a sail or injure flesh is taped. Mark the full hoist position on all halyards. Deck hardware – check all cam cleats for spring tension and tape anything that may cause a sail tear or cut legs hands and arms. Check the length of all sheets and control lines and shorten anything that is too long. This not only reduces weight but also minimises clutter. Have marks on sheets and stick or draw numbers and reference scales for the jib tracks, outhaul and halyards so that you can easily duplicate settings that you know are fast in various conditions. Centreboard and rudder – ensure that all nicks and gouges are filled and sanded and the surfaces are polished and most importantly that rudder safety clips are working. Sails – select the correct battens for the day’s forecast. Write on the deck, with a china graph pencil, things like the starting sequence, courses, tide times and anything else that will remind you to sail fast. Tools and spares – carry a shackle key with screwdriver head on your person along with some spare shackles and short lengths of rope or different diameters. A tool like a Leatherman can be very useful to deal with unexpected breakages that can occur even in the best prepared boat.
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Brett Bowden (Sailing To Win: Guaranteed Winning Strategies To Navigate From The Back To The Front Of The Fleet)
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The Quick List Method Here is an exercise that we use with our coaching clients very early in the process. We give them a sheet of paper and then tell them, “In thirty seconds, write down your three most important goals in life right now.” We have found that when people have only thirty seconds to write their three most important goals, their answers are as accurate as if they had thirty minutes or three hours. Their subconscious minds seem to go into hyperdrive, and their three most important goals pop out of their heads and onto the paper, often to the surprise of the people doing the exercise. In 80 percent or more of cases, people have three goals in common: first, a financial and career goal; second, a family or personal relationship goal; and third, a health or fitness goal.
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Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time)
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EXERCISE: Building a Better You Find a blank page in a journal or use a sheet of paper and write out the days of the week. Alternatively, you could open up your calendar or diary to the following week. Choose seven qualities that are attractive to you and fit your definition of self-worth. Examples of such qualities include mindful, patient, generous, spiritual, strong, loyal, etc. Assign each quality to a day of the week. Every morning check which quality you will focus on that day and try to express that quality in as many of your activities for that day as possible. If you repeat this exercise every week, you will make these qualities feel natural and emphasize their presence in your personality.
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Daniel S. Lobel (When Your Mother Has Borderline Personality Disorder: A Guide for Adult Children)
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These teams started with a provisional plan, the “sheet music.” Film crews had a detailed daily schedule. The SWAT team outlined a plan for each mission—which specified, for example, who would cover the exits of a house, where snipers would be stationed, and when officers would bust down the door. But when things didn’t go as expected, because people understood one another’s roles so well and how their roles fit together, teams were adept at revising their plan on the spot.
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Robert I. Sutton (The Friction Project: How Smart Leaders Make the Right Things Easier and the Wrong Things Harder)
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Caramel Celebration Cake Yield: 10–12 servings My mother always made birthdays a big to-do in our family, with balloons hanging from the chandelier and the most gorgeous birthday cakes on crystal cake stands. This caramel cake is certainly celebration worthy! 4 cups cake flour 1 teaspoon baking soda 2 teaspoons baking powder 1 teaspoon salt 2-1/4 cups sugar 1/2 cup vegetable oil 1 cup butter 1-1/2 tablespoons vanilla extract 3 whole eggs plus 2 egg yolks 2-1/4 cups buttermilk Caramel Icing 1/2 cup butter 1 cup brown sugar 1/4 cup milk 2 cups sifted powdered sugar 1/2 teaspoon vanilla extract 1 pinch salt Preheat oven to 325 degrees F. Prepare 3 (8-inch) round cake pans by spraying with nonstick baking spray and lining with parchment paper cut rounds to fit bottom of cake pan. Sift cake flour, baking soda, baking powder, and salt into a mixing bowl; set aside. With a stand mixer, cream together sugar, vegetable oil, butter, and vanilla. Beat well at medium-high speed until light and fluffy. Beat the 3 whole eggs in, 1 at a time, then add in the 2 egg yolks. Fold in the dry ingredients alternately with buttermilk, beginning and ending with dry ingredients. Do not overmix the batter. Batter will be thick. Evenly divide batter between prepared pans and bake for 30–35 minutes or until toothpick inserted comes out clean. Allow cake to cool 10 minutes before turning onto wire racks to cool completely. Caramel Icing Melt butter and brown sugar together in a saucepan over medium-low heat. Add milk and bring to a boil, stirring constantly. Remove from heat and whisk in powdered sugar, 1 cup at a time. Using a hand-held mixer helps to smooth the icing. Add vanilla and salt. Add more powdered sugar for a thicker icing, if desired. As icing cools, it will set, so work quickly to pour and then spread icing over cake. This icing also works well for a sheet cake. If icing begins to set up, warm slightly in the microwave to make icing more spreadable. Note: This will be a thin layer of icing on the cake. If you want a thick layer, double the icing recipe. For layer cakes, lay sheets of wax paper around the cake as you spread on the icing to catch any overflow. TIP: Caramel icing is long known to be difficult, even for the most accomplished bakers. The key is to work quickly and spread the icing before it sets up.
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Courtney Whitmore (The Southern Entertainer's Cookbook: Heirloom Recipes for Modern Gatherings)
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Prayer is handing God a blank sheet that you have already signed and trusting him to fill it out as he sees fit.
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Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
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they’re thinking and all. It really is. I kept trying not to yawn. It wasn’t that I was bored or anything – I wasn’t – but I was so damn sleepy all of a sudden. “Something else an academic education will do for you. If you go along with it any considerable distance, it’ll begin to give you an idea what size mind you have. What it’ll fit and, maybe, what it won’t. After a while, you’ll have an idea what kind of thoughts your particular size mind should be wearing. For one thing, it may save you an extraordinary amount of time trying on ideas that don’t suit you, aren’t becoming to you. You’ll begin to know your true measurements and dress your mind accordingly.” Then, all of a sudden, I yawned. What a rude bastard, but I couldn’t help it! Mr. Antolini just laughed, though. “C’mon, Holden,” he said, and got up. “We’ll fix up the couch for you.” I followed him and he went over to this closet and tried to take down some sheets and blankets and stuff that was on the top shelf, but he couldn’t do it with this highball glass in his hand. So he drank it and then put the glass down on the floor and then he took the stuff down. I helped him bring it over to the couch. We both made the bed together. He wasn’t too hot at it. He didn’t tuck anything in very tight. I didn’t care, though. I could’ve slept standing up I was so tired. “How’re all your women?” “They’re okay.” I was being a lousy conversationalist, but I didn’t feel like it.
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M. Clifford (The Book)
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The second letter was sealed plainly, with no crest. I flung myself onto my pillows, broke the seal impatiently, and read:
My Dear Countess:
You say you would prefer discourse to gifts. I am yours to command. I will confess my hesitancy was due largely to my own confusion. It seems, from my vantage anyway, that you are surrounded by people in whom you could confide and from whom you could obtain excellent advice. Your turning to a faceless stranger for both could be ascribed to a taste for the idiosyncratic if not to mere caprice.
I winced and dropped the paper to the table. “Well, I asked for the truth,” I muttered, and picked it up again.
But I am willing to serve as foil, if foil you require. Judging from what you reported of your conversation with your lady of high rank, the insights you requested are these: First, with regard to her hint that someone else in power lied about rendering assistance at a crucial moment the year previous, you will not see either contender for power with any clarity until you ascertain which of them is telling the truth.
Second, she wishes to attach you to her cause. From my limited understanding of said lady, I suspect she would not so bestir herself unless she believed you to be in, at least potentially, a position of influence.
There was no signature, no closing.
I read it through three times, then folded it carefully and fitted it inside one of my books.
Pulling a fresh sheet of paper before me, I wrote:
Dear Unknown:
The only foil--actually, fool--here is me, which isn’t any pleasure to write. But I don’t want to talk about my past mistakes, I just want to learn to avoid making the same or like ones in future. Your advice about the event of last year (an escape) I thought of already and have begun my investigation. As for this putative position of power, it’s just that. I expect you’re being confused by my proximity to power--my brother being friend to the possible king and my living here in the Residence. But believe me, no one could possibly be more ignorant or less influential than I.
With a sense of relief I folded that letter up, sealed it, and gave it to Mora to send along the usual route. Then I went gratefully to sleep.
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Sherwood Smith (Court Duel (Crown & Court, #2))
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There you are,” I told my mother, standing in the hot breeze that had entered along with the rattle of traffic and the voices in the street. “Brooklyn.” My mother turned to Gabe, who was holding her hand. “Show me,” she said again. The strain of this vigil was evident in the shape of his shoulders and the weariness in his eyes. He glanced up at me where I stood by the window and then down at her again. “All right,” he said softly. He got up slowly, pushing back the old dining-room chair. He leaned over the bed, slipping his hands beneath her. I watched in some astonishment as he lifted her, the bedclothes trailing. “Get the door,” he said over his shoulder as he made his way out of the room with our mother in his arms like a child. He turned to his side to fit them both through the passageway, and I overtook them in the living room. We had lined the woodwork here with boric acid, to keep the roaches at bay, and there was something of its pale dust over everything in those days. It sometimes made me recall: sand of Syria and Mount Lebanon. I went ahead to open the door. Gabe slipped through it, our mother in his arms. I followed them down the stairs, astonished, full of objections, but unable to object. I watched him as he gently negotiated the turnings. I wondered briefly if he planned to carry her all the way to the hospital. In the vestibule, the door to the parlor-floor apartment was still patched with plywood. Gabe turned to me and nodded toward the street. My mother’s eyes were closed. In my brother’s arms she seemed as small and light as an infant. I went ahead to pull the first door open, and then slipped around them to get the outer door as well. There was a blast of heat. Gabe carried my mother into the sunlight and down the steps. There were kids on the stoop across the street, there was the tinny music from their transistor radios. They glared, open-mouthed. A pair of dark men passing by looked up as Gabe came down the stairs with my mother in his arms. They walked to the curb, glancing over their shoulders, giving him wide berth. Gabe, too, went to the curb and then turned around to look back up at the house. I rushed to scoop up the sheet and the blanket that was now brushing the sidewalk. “You’re here, Momma,” I heard him say. “Where we’ve always lived.” My mother raised her head. She extricated one thin hand from the winding bedclothes and raised it to her eyes against the sun. She looked down the street and then up at our building, the blue summer light reflecting in the glass of the front door, the bowed parlor window—some plywood there, too—and then up to the fourth floor, where a bit of lace curtain, her handiwork, had been drawn through the opened window. “Not home,” I heard Gabe tell her, reassuring her. “Brooklyn.
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Alice McDermott (Someone)
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Ocean warming dominates that total heating rate, with full ocean depth warming accounting for about 93% (high confidence), and warming of the upper (0 to 700 m) ocean accounting for about 64%. Melting ice (including Arctic sea ice, ice sheets and glaciers) and warming of the continents each account for 3% of the total. Warming of the atmosphere makes up the remaining 1%. The 1971–2010 estimated rate of ocean energy gain is 199 × 10 12 W from a linear fit to data over that time period, equivalent to 0.42 W m–2 heating applied continuously over the Earth’s entire surface, and 0.55 W m–2 for the portion owing to ocean warming applied over the
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Anonymous
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They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
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Don Carpenter (Blade of Light)
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They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.
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Don Carpenter (Blade of Light)
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She joined in a singsong in the sailors’ mess, playing “What shall we do with a drunken sailor?” after drinking from a can of beer. “We were all tickled pink,” recalls one sailor. One moonlit night they enjoyed a barbecue in a bay on the coast of Ithaca. It was organized by the yacht’s officers, who did all the cooking. After they had eaten a Royal Marine accordionist came ashore, song sheets were handed out, and the night air rang to the sound of Boy Scout songs and sea shanties.
In its own way, the honeymoon finale was the highpoint of the trip. For days the officers and men had rehearsed a farewell concert. There were more than fourteen acts, from stand-up comics to bawdy singalongs. The royal couple returned to Britain looking fit, tanned and very much in love and flew to join the Queen and the rest of the royal family on the Balmoral estate.
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Andrew Morton (Diana: Her True Story in Her Own Words)
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a new product entering an existing market with unique functionality targeted at a specific user class, not only takes market share from incumbents, but expands the size of the market by selling to new customers brought to the market by the new functionality. Either customers will stop using a competitors’ product and use yours because your functionality better matches their needs, or you will acquire new users because existing products never adequately fit their needs.
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Brant Cooper (The Entrepreneur's Guide to Customer Development: A cheat sheet to The Four Steps to the Epiphany)
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ay cheese!" If you're like most women I know, you have at least one family and friends photo area in your home. My entire home is practically a photo gallery! Walls, tabletops, and my refrigerator door are all crowded with the faces of people I love. My husband, Bob, my children, grandchildren, new friends, old friends you name 'em and I've displayed 'em. How precious are these gatherings of faces to us. And it's so fitting, isn't it? Because our family and friends' pictures tell the story of their lives.. .and ours! Cherish your family and friends and those priceless moments. Hold them close. Seek out your friends and enjoy their company more often. Treasure their faces, their characteristics, their uniqueness. But also make room for new people.. .and add them to the gallery in your heart.
ant to hold a spring garden party? It can be a birthday, a graduation, or just a celebration. For invitations, glue inexpensive packets of seeds
to index cards and write in your party information. Pass them out or stick them in envelopes and mail them.
Decorate a picnic table with an umbrella and bright floral sheets or vinyl cloths. Why not decorate the awnings and porch posts to make it even more festive? Flowers, flowers, and flowers everywhere create a bright, aromatic space.
If you're limber and energetic or you're inviting kids, spread sheets on the ground for an authentic, old-fashioned picnic. A little red wagon or painted tub with a potted plant makes a fun off-to-the-side "centerpiece." Use a clean watering can for your lemonade pitcher. Engage your imagination and have fun entertaining.
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Emilie Barnes (365 Things Every Woman Should Know)
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In happy moments, these things intersect, the sheet fits the bed, and the whole thing just works. But for the most part, What You Want and What You Can Have are two different trains on parallel tracks, forever waving to each other from the window, never quite meeting.
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Carter Bays (The Mutual Friend: the unmissable debut novel from the co-creator of How I Met Your Mother)
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When she made the decision to leave Lawrence—the day she found out she wasn’t pregnant, seven weeks after he buried her diaphragm in the trash—her mind refused to think she would have to return to her childhood home. She hated being a wife, was terrified of becoming a mother, but she couldn’t stomach the idea of once again being only a daughter. Each role an ill-fitting dress. Still, she didn’t know what shape a life outside of Lake Forest could take. She could only see pulses from films: drunken evenings in grand ballrooms, strangers and strange cities, a lipstick mark left on a napkin, on someone’s throat. Scenes electric with desire. Scenes too dramatic to be real. And then one she could not place: Lois peeling a sheet from her newspaper for a person seated across from her at a diner, their silence as comfortable as a warm bath.
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Rowan Beaird (The Divorcées: A Novel)
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The mental load means always having to remember. Remember that you have to add cotton buds to the shopping list, remember that today’s the deadline to order your vegetable delivery for the week, remember that we should have paid the caretaker for last month’s work by now. That the baby grew another 3 cm and can’t fit into his trousers anymore, that he needs to get his booster shot, or that your partner doesn’t have a clean shirt left. . . . So while most heterosexual men say that they do their fair share of household chores . . . their partners have a rather different perspective: ‘He always puts on the washing machine but never hangs the washing out to dry.’ ‘The sheets could be standing stiff before he thought to change them.’ ‘He’s never cooked a single meal for the baby.
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Darcy Lockman (All the Rage: Mothers, Fathers, and the Myth of Equal Partnership)
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I fell in love with you because you're goofy. You're fun. Your heart is so big I don't know how it fits in here,' I say, pressing my hand to his chest. 'You're a terrible singer. You make me soup when I'm sick. You bought me tampons that time I was laid out on the couch with cramps and couldn't move. You didn't even send someone else for them. You went yourself!' He chuckles lightly, and I wish there was more light so I could see his smile clearer. 'Look, Nathan, I don't care if you never pick up another football a day in you life, or if no one in the world attached the word successful to your name ever again.' Now I'm the one dumping tears, and Nathan's hands have moved to cradle my face. His thumb dash across my cheekbones. I shake my head lightly and try to swallow down my sob enough to finish speaking. 'So don't say you're not worthy or deserving, because you are to me. You always will be' Nathan pulls me closer and crushes me against his chest. His strong forearms are pressing into my shoulder blades, his face buried in my hair. 'I love you too,' he whispers over and over again. 'I love you, Bree. I love you. I always have.
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Sarah Adams (The Cheat Sheet (French Edition))
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feel like a lottery winner who can’t handle a life that doesn’t fit me anymore, like a coat that’s too big, too expensive. I caress the silk sheets, stare at the perfectly painted aubergine wall and long for the shabby old life that I loved, that fit me.
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Sue Watson (You, Me, Her)
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MORE ON THIS TIDY STORY AS IT UNFOLDS
“Here are your sheets, Mom, warm from the dryer. I’ll make us some lunch while you fold.”
Elsie knew not to do everything for her mother because getting her mother active would help her blood circulation and help dispel the swelling in her feet. She dropped the armload of laundry on the ottoman beside her mother’s lounger.
“I can’t fold sheets alone. Help me with these.”
Of course. What was she thinking? Elsie turned to grasp a couple corners of her mother’s queen-sized fitted sheet. “I need to relearn how to fold these things, anyway.”
Mother and daughter pulled and halved, tucked one corner inside another, and brought the ends together like partners in a square dance. Suddenly, Gail growled, “Oh!” Fed up, she grabbed the sheet from Elsie and wadded the whole thing into a roll. “I don’t remember how to do these things! Just stuff them into the linen closet, will you?” She laughed.
“Okay. I was hoping you’d teach me how to do it.”
“If you don’t know by sixty, daughter, it’s too late! My mom was always so good with linens. You should’a seen her linen closet. It was like the linen closets at Macy’s, all lined up. Mom took pride in her housekeeping, but I just don’t care anymore.”
Elsie was noticing how she no longer cared about much of anything either. The proverbial rug had been pulled out from under her, and though she went through the motions of taking Gail’s vitals, dispensing her meds and massaging her feet, they often had little to say to one another.
“Mom, why do you think the Bible says so often to remember this or remember that?”
“Does it?” Gail gasped, “—talk about remembering?
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Lynn Byk (The Fearless Moral Inventory of Elsie Finch)