Fit Like A Glove Quotes

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Don't exist. Live. Get out, explore. Thrive. Challenge authority. Challenge yourself. Evolve. Change forever. Become who you say you always will. Keep moving. Don't stop. Start the revolution. Become a freedom fighter. Become a superhero. Just because everyone doesn't know your name doesn't mean you dont matter. Are you happy? Have you ever been happy? What have you done today to matter? Did you exist or did you live? How did you thrive? Become a chameleon-fit in anywhere. Be a rockstar-stand out everywhere. Do nothing, do everything. Forget everything, remember everyone. Care, don't just pretend to. Listen to everyone. Love everyone and nothing at the same time. Its impossible to be everything,but you can't stop trying to do it all. All I know is that I have no idea where I am right now. I feel like I am in training for something, making progress with every step I take. I fear standing still. It is my greatest weakness. I talk big, but often don't follow through. That's my biggest problem. I don't even know what to think right now. It's about time I start to take a jump. Fuck starting to take. Just jump-over everything. Leap. It's time to be aggressive. You've started to speak your mind, now keep going with it, but not with the intention of sparking controversy or picking a germane fight. Get your gloves on, it's time for rebirth. There IS no room for the nice guys in the history books. THIS IS THE START OF A REVOLUTION. THE REVOLUTION IS YOUR LIFE. THE GOAL IS IMMORTALITY. LET'S LIVE, BABY. LET'S FEEL ALIVE AT ALL TIMES. TAKE NO PRISONERS. HOLD NO SOUL UNACCOUNTABLE, ESPECIALLY NOT YOUR OWN. IF SOMETHING DOESN'T HAPPEN, IT'S YOUR FAULT. Make this moment your reckoning. Your head has been held under water for too long and now it is time to rise up and take your first true breath. Do everything with exact calculation, nothing without meaning. Do not make careful your words, but make no excuses for what you say. Fuck em' all. Set a goal for everyday and never be tired.
Brian Krans (A Constant Suicide)
I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.
Marguerite Duras (Hiroshima mon amour)
Sevro." I lean forward. "Your eyes..." He leans in close. "Do you like 'em?" "Bloodydamn. Did you get Carved?" "By the best in the business. Do you like 'em?" "They're bloodydamn marvelous. Fit you like a glove." He punches his hands together. "Glad you said that. Cuz they're yours." I blanch. "What?" "They're yours." "My what?" "Your eyes!" "My eyes..." "Do you want the eyes back?" Sevro asks, suddenly worried. "I can give them back." "No!" I say. "It's just I forgot how crazy you are." "Oh." He laughs and slaps my shoulder. "Good. I thought it might be something serious. So I'm prime keeping them?" "Finders keepers," I say with a shrug.
Pierce Brown (Morning Star (Red Rising Saga, #3))
Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me." That makes me nearly spit out beer, I laugh so hard. "No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat." That only makes me laugh harder. "Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope." "Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound. "It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy." "I am a nice guy." I try to be. Sam snorts. "She liked you because you scared her. And then you scared her too much.
Holly Black (Red Glove (Curse Workers, #2))
At the window of my room, I catch my reflection in the glass. Shaggy black hair. Sneer.I look like a hungry ghost, glowering in at a world I am no longer fit to be a part of.
Holly Black (Red Glove (Curse Workers, #2))
Wanna rock you, girl, with a butterfly tunic. / No, I'm not gay, I'm just your emo enuch. / Gonna smile real shy, won't cop a feel, / 'cause I'm your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / 'bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don't mean that nasty, tell your mum don't get mad. / I even wrote 'You're awesome' on your maxi pads.
Libba Bray (Beauty Queens)
The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I'm faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name. I've never seen her before, because if I had, I'd remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff's drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I'm staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that is, tugs me forward until there are only inches between us. “Asp-aspirant Veturius.” It's the way she says my name—like it's something to fear—that brings me back to myself. Pull it together, Veturius. I step away, appalled at myself when I see the terror in her eyes. “What is it?” I ask calmly.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Listen to me. I know something else. It will begin again. 200,000 dead and 80,000 wounded in nine seconds. Those are the official figures. It will begin again. It will be 10,000 degrees on the earth. Ten thousand suns, people will say. The asphalt will burn. Chaos will prevail. An entire city will be lifted off the ground, and fall back to earth in ashes…I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you?
Marguerite Duras (Hiroshima mon amour)
Love's language is imprecise, fits more like mittens than gloves.
Jeannine Atkins (Borrowed Names: Poems About Laura Ingalls Wilder, Madam C.J. Walker, Marie Curie, and Their Daughters)
You have to do whatever it takes to be with the person you love. Love, like gloves, I had guessed was something that fit no two people the exact same way.
Kiera Cass (The Crown (The Selection, #5))
Here was this girl, my best friend, who fit in this faraway place like a hand to a glove. I didn't, and yet she still took me with her. She was always taking me with her, wanting me to be. part of her wide, open life. How could I feel anything but lucky?
Rebecca Serle (In Five Years)
The thing was, though, Ian was one of those rare guys who wanted the one person in the world who fit him like a glove, and that person, it turned out, was me. So, yes, Ian was still technically bi, but was exclusively now Miro-sexual and wasn’t interested in trying the buffet.
Mary Calmes (Fit to Be Tied (Marshals, #2))
You will always feel a little discomfort when you are installing a new habit. It’s sort of like breaking in a new pair of shoes—at first it’s a little hard to wear them but soon they fit like a glove. The best amongst us get comfortable being uncomfortable.
Robin S. Sharma (Daily Inspiration From The Monk Who Sold His Ferrari)
There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
You entered, Abrupt like “Take it!”, Mauling suede gloves, you tarried, And said: “You know,- I’m soon getting married.” Get married then. It’s all right, I can handle it. You see - I’m calm, of course! Like the pulse Of a corpse. Remember? You used to say: “Jack London, Money, Love and ardour,”-- I saw one thing only: You were La Gioconda, Which had to be stolen! And someone stole you. Again in love, I shall start gambling, With fire illuminating the arch of my eyebrows. And why not? Sometimes, the homeless ramblers Will seek to find shelter in a burnt down house! You’re mocking me? “You’ve fewer emeralds of madness than a beggar kopecks, there’s no disproving this!” But remember Pompeii came to end thus When somebody teased Vesuvius! Hey! Gentlemen! You care for Sacrilege, Crime And war. But have you seen The frightening terror Of my face When It’s Perfectly calm? And I feel- “I” Is too small to fit me. Someone inside me is getting smothered.
Vladimir Mayakovsky
I knew in that moment, we were never meant to surrender our childlike innocence, to trade a world in which we fit like a glove for one that hung on us like ill-fitting hand-me-downs. However, all about us insisted on our membership. And instead of a handshake or a mystical password as entrance into this spurious society, we agreed instead to share a lie, the one that says we’re safe, secure, and fulfilled living this way.
Christina Carson (Dying to Know)
Well I knew when I first laid eyes on her I could never be free One look at her and I knew right away She should always be with me Well the dream dried up a long time ago Don't know where it is anymore True to life, true to me Was the girl from the red river shore Well I'm wearing the cloak of misery And I've tasted jilted love And the frozen smile upon my face Fits me like a glove Well I can't escape from the memory Of the one I'll always adore All those nights when I lay in the arms Of the girl from the red river shore Well we're living in the shadows of a fading past Trapped in the fires of time I've tried not to ever hurt anybody And to stay out of the life of crime And when it's all been said and done I never did know the score One more day is another day away From the girl from the red river shore.
Bob Dylan (Lyrics, 1962-2001)
It’s very lonely and sad feeling when you are the Big Box in a relationship. You can fit them but they can’t fit you. You can understand them but they can’t understand you. The ideal relationship is when one box is just slightly bigger than the other so that they fit like a glove fits in a hand. Then there is no room for insecurities and misunderstandings. Such a match doesn’t come ready-made. Both sides have to surrender to each other to fit into each other.
Shunya
Here was this girl, my best friend, who fit in this faraway land like a hand to a glove. I didn't, and yet she still took me with her. She was always taking me with her, wanting me to be a part of her wide, open life. How could I feel anything but lucky?
Rebecca Serle (In Five Years)
Understanding, in fact, is my job, that's what writers are for--to try to understand everyone and everything and put this understanding into words, finished to the gossamer fineness of a rose petal, words made supple and obedient, words cut to hold the reader's mind like a well-made glove that fits like second skin.
Oksana Zabuzhko (Your Ad Could Go Here: Stories)
...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression! Oh my contemporaries, my dear contemporaries... Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic... Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff... Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!
Jean Lorrain (Monsieur De Phocas)
Someone in the sweater business should totally try to corner that market: extra-long-sleeved sweaters so you don’t need gloves to keep your hands warm! They’d make millions. Or maybe not: everyone else at school is wearing clothes that actually fit them, so it’s possible that I’d be the only customer for a product like that.
Paige McKenzie (The Haunting of Sunshine Girl (The Haunting of Sunshine Girl #1))
His mouth was soft and fit mine like my favorite pair of Dolce & Gabbana leather gloves that I scored at TJ Maxx.
Jen Calonita (Sleepaway Girls (Whispering Pines #1))
Appraise' fits Eileen like her glove. She appraises every thing on a monetary basis, and when she can't figure that it's going to be worth an appreciable number of dollars and cents to her—'to the garage wid it,' as Katy would say." When
Gene Stratton-Porter (Her Father's Daughter)
... the General Cemetery's unwritten motto is All the Names, although it should be said that, in fact, these three words fit the Central Registry like a glove, because it is there that all the names are to be found, both those of the dead and those of the living, while the cemetery, given its role as ultimate destination and ultimate depository, has to content itself only with the names of the dead. This mathematical evidence, however, is not enough to silence the keepers of the General Cemetery who, confronted by what they call their apparent numerical inferiority, usually shrug their shoulders and argue, With time and patience everyone ends up here, the Central Registry, from this point of view, is merely a tributary of the General Cemetery.
José Saramago (All the Names)
Someone stepped through the garage doorway. I squinted against the light. Mad Rogan. He wore a dark suit. It fit him like a glove, from the broad shoulders and powerful chest to the flat stomach and long legs. Well. A visit from the dragon. Never good. He started toward me. The track vehicle on his left slid out of his way, as if pushed aside by an invisible hand. The Humvee on his right slid across the floor. I raised my eyebrows. He kept coming, his blue eyes clear and fixed on me. I stepped back on pure instinct. My back bumped into the wall. The multiton hover tank hovered off to the wall. So that was the secret to making it work. You just needed Mad Rogan to move it around. Rogan closed in and stopped barely two inches from me. Anticipation squirmed through me, turning into a giddy excitement spiced with alarm. “Hi,” I said. “Are you planning on putting all of this back together the way you found it?” His eyes were so blue. I could look into them forever. He offered me his hand. “Time to go.” “To go where?” “Wherever you want. Pick a spot on the planet.” Wow. “No.” He leaned forward slightly. We were almost touching. “I gave you a week with your family. Now it’s time to go with me. Don’t be stubborn, Nevada. That kiss told me everything I needed to know. You and I both understand how this ends.” I shook my head. “How did this encounter go in your head? Did you plan on walking in here, picking me up, and carrying me away like you’re an officer and I’m a factory worker in an old movie?” He grinned. He was almost unbearably handsome now. “Would you like to be carried away?
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
At forty-six, Grant was still trim and fit, the youngest man elected president until then. Having weathered the crucible of war, he was a more worldly figure than in earlier years, his face showing curiosity, intelligence, and skepticism. Lacking the tall, upright carriage or silver mane of a prototypical politician, Grant, in black suit and yellow kid gloves, looked more like a man on a minor business errand than a statesman embarking on high office. To those who knew him well, he seemed a bit tense,
Ron Chernow (Grant)
Wanna rock you, girl, with a butterfly tunic. / No, I’m not gay, I’m just your emo eunuch. / Gonna smile real shy, won’t cop a feel, / ’cause I’m your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / ’bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don’t mean that nasty, tell your mom don’t get mad. /I even wrote ‘You’re awesome’ on your maxi pads.” Tiara sighed. “My mom let me use that song for my Christian pole dancing routine.
Libba Bray (Beauty Queens)
There comes a time in every man's life when he reaches a crossroads. A chance to choose between two paths. One is unknown, filled with potential and struggles that demand growth and change, but could lead to new beginnings. The other is familiar, grooved with well-worn ruts and established twists, muddy holes and isolation. The path that, while lonely, fits like a glove. Where words had failed him, his actions wouldn't. They'd speak loud and clear, showing her regardless of what he'd said, or how they'd started and ended, this was real. Their connection wasn't manufactured or fake. It was the truest thing he'd ever known.
Rachel Harris (You're Still the One (Country Blues, #1))
Cleo was like those little bluebirds of happiness in Cinderella, flitting around until Natalie had been transformed into a princess. A fraudulent one, to be sure, but a princess nonetheless. The silk dress from her mother's closet had been transformed into a couture masterpiece by the sartorial skills of Cleo's talented aunt. The sheath now fit like an extremely flattering glove. Its color, and the bright handwork accents, echoed the colors of the precious vase---jade green, turquoise, marigold, and fuchsia with veins of cobalt blue. She paired it with the gold-heeled sandals, the vintage watch, and a gold snake belt borrowed from Cleo.
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
I pick up the paper and sink into a chair, gripping the photo so tight it crinkles. Felicity Ambrose. Even her name sounds like it fits in a world of people like the Harrises. With the elegant lace on her dress, the elbow-length gloves, the sparkling pins in her hair…I scan the article for the word “engagement” or “betrothal,” but it only mentions that they attended a dinner event together yesterday evening. I sniff hard and chuck the paper back onto the table. So what if he ends up engaged to her? It’s not like there could have been a possibility of something happening with me. I’m a nobody from nowhere who wears the same old stained dress day after day and vomits into umbrella stands.
Jessica S. Olson (A Forgery of Roses)
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
We should check the— What, damn it?” The tapping grows insistent, and I turn, intending to tell off the Cadet. Instead, I’m faced with a slave-girl looking up at me through impossibly long eyelashes. A heated, visceral shock flares through me at the clarity of her dark gold eyes. For a second, I forget my name. I’ve never seen her before, because if I had, I’d remember. Despite the heavy silver cuffs and high, painful-looking bun that mark all of Blackcliff’s drudges, nothing about her says slave. Her black dress fits her like a glove, sliding over every curve in a way that makes more than one head turn. Her full lips and fine, straight nose would be the envy of most girls, Scholar or not. I stare at her, realize I’m staring, tell myself to stop staring, and then keep staring. My breath falters, and my body, traitor that it is, tugs me forward until there are only inches between us. “Asp-aspirant
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
The room was two-tiered, its marble balconies filled with rams and water nymphs in fancy dress; a kaleidoscope of colours swayed in time to the beat of hypnotic music. A concerto of absent musicians, it played only in her mind. The numerous chandeliers with sculptured metal frames hung down from chains, with endless fireflies attached. At the far end stretched a grand staircase, dressed with a plush velvet carpet in deep cerise, and ceiling paintings edged with gold embossed dado rails clung to the walls. Then Eve honed in on herself and saw that she wore a crushed white taffeta A-line gown that fit her trim figure like a glove. Her butterfly mask with floral patterns embroidered in red and gold silk sat against her pale skin, her reflection like that of a porcelain doll. A matching shawl rested softly on her shoulders. Everything was so beautiful that she almost totally lost herself in the mirror’s reflection." (little snippet from our book)
L. Wells
Laurel stood on stage. She was very still. Her lovely blue eyes were lowered modestly. Her silver blonde hair fell in disheveled curls around her face, white roses and strands of pearls woven artfully throughout. A necklace of what looked like diamonds clasped her slender throat while white kid gloves were drawn up to her elbow. She held a fan of frosted silver in one hand, dangling at her side. Her dress was a shimmering sapphire blue, and it fit her exquisitely, molding to her form, hugging her small bosom and lifting her breasts until they appeared ready to spill from the satin bodice. A silver braided sash cinched her waist, emphasizing its narrowness. And then, she lifted her head, raised the hand that held the fan, then the other one and, tipping her head back, opened her eyes. They were haunting and luminous, soft in the candlelight. Her skin was pale and smooth. The crowd was utterly quiet, watching her. And then, she began to sing. If Dare had thought Laurel Spencer beautiful before, now she became goddess-like to him in an instant as a melody so heart-wrenching and lovely spilled forth from her lips.
Fenna Edgewood (Kiss Me, My Duke (Blakeley Manor, #2))
Sexual reproduction is thus a costly investment that has to pay for itself in the short run. The details of theory and experiment on this topic are fascinating (see, e.g., Maynard Smith, 1978; Ridley, 1993), but for our purposes a few highlights from the currently front-running theory are most instructive: sex (in vertebrates like us, at least) pays for itself by making our offspring relatively inscrutable to the parasites we endow them with from birth. Parasites have short lifespans compared with their hosts, and typically reproduce many times during their host’s lifetime. Mammals, for instance, are hosts to trillions of parasites. (Yes, right now, no matter how healthy and clean you are, there are trillions of parasites of thousands of different species inhabiting your gut, your blood, your skin, your hair, your mouth, and every other part of your body. They have been rapidly evolving to survive against the onslaught of your defenses since the day you were born.) Before a female can mature to reproductive age, her parasites evolve to fit her better than any glove. (Meanwhile, her immune system evolves to combat them, a standoff—if she is healthy—in an ongoing arms race.) If she gave birth to a clone, her parasites would leap to it and find themselves at home from the outset. They would be already optimized to their new surroundings. If instead she uses sexual reproduction to endow her offspring with a mixed set of genes (half from her mate), many of these genes—or, more directly, their products, in the offspring’s internal defenses—will be alien or cryptic to the ship-jumping parasites. Instead of home sweet home, the parasites will find themselves in terra incognita. This gives the offspring a big head start in the arms race.
Daniel C. Dennett (Breaking the Spell: Religion as a Natural Phenomenon)
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!
Jean Lorrain (Monsieur De Phocas)
Knightmare. Breezeo’s archenemy. Where Breezeo is light, a breath of fresh air, the nice breeze on a warm summer day, Knightmare is the storm that rolls in and takes it all away. Darkness, thick and suffocating, the shadows you can’t escape in the night in back alleyways. Black leather framed with dark armor, head to toe, from the combat boots the whole way up to the oversized black hood with a metal mask covering part of the face, rendering him unrecognizable. I’ve always been envious of the costume. Beats the damn pseudo-spandex, that’s for sure. “I, uh, wow.” Kennedy stands in the doorway of her apartment with a look of awe as her eyes scan the costume. “That’s just… wow.” “Wow, huh?” I glance down. “Good or bad?” “It’s just, uh, you know…” “Wow?” I guess. She nods, fighting off a smile. “Wow.” I smirk. “It’s the original.” “Seriously?” “Straight from the second movie,” I say, touching an armored chest plate with a fingerless glove-clad hand. “Well, except for these gloves. The real ones wouldn’t fit because of the cast, so I had to improvise.” “It’s, uh…” “Wow?” “Nice,” she says, touching the costume, fingertips grazing the armor. “Kind of weird seeing you like this, but still, it’s nice.” “Thanks,” I say as she steps aside for me to come in the apartment. “I talked them into letting me borrow it. Might not give it back, though. I’m kind of enjoying it.” “You should keep it,” she says, her eyes still scanning me as she closes the door. “It’s, uh…” “Nice?” “Wow.” She smiles playfully as she walks away. “I need to finish getting ready for work. Maddie, you've got a visitor!” A moment after Kennedy disappears, Madison runs in. She skids to a stop when she spots me, eyes wide, mouth popping open. “Whoa.” I push the hood off, shoving the mask up, her expression changing when she sees it’s me, face lighting up. She runs right at me, slamming into me so hard I stumble. I laugh as she hugs me. “Hey, pretty girl.” She looks up at me. “You think I’m pretty?” “What? Of course.” I kneel next to her, grinning as I press a finger to the tip of her nose. “You look like your mom.” “You think Mommy’s pretty, too?” “I think she's the most beautiful woman in the world.” Her expression shifts rapidly when I say that before her eyes widen. “Even more beautifuler than Maryanne?” I lean closer, whispering, repeating her words. “Even more beautifuler than Maryanne.” “Whoa
J.M. Darhower (Ghosted)
There was fear, of course. That was always with her, something she'd accepted and learned to live with a long time ago. But, right beside it, other emotions were pushing up, fighting for space and light and air. Things like excitement and desire, longing and hope. Agony and uncertainty. Things that made fear seem almost comfortable, like broken-in pair of leather shoes or a perfectly fitted glove. Fear, at least, was familiar.
Laura Lee Guhrke (How to Lose a Duke in Ten Days (An American Heiress in London, #2))
Could it be that a young, Black, working-class boy is always already perceived as vulgar within the nomos of schooling and therefore in need of harsh punishment to correct such deviant language practices and thoughts and force him in line with the unspoken rules of which he is only beginning to decipher? Whereas a White, middle-class girl who is typically a teacher-pleaser is always already perceived as fitting into the nomos of school, slipping into the context like a glove, and therefore in need only of a raised eyebrow or subtle reminder of the unspoken rules of refinement and civility in school that she already understands completely? Pacing, pacing, pacing.
Lisa Scherff (Culturally Relevant Pedagogy: Clashes and Confrontations)
It was getting harder to remind himself he wasn’t going to let another person close to him again. With the spunk, wisdom and sheer determination she contained in that pretty little package, Leah could easily fit into his world like his buckskin gloves fit his hands.
Misty M. Beller (The Lady and the Mountain Man (Mountain Dreams, #1))
They say some people ' cast a thin shadow', a turn of phrase that fitted my father like a glove. Too weak, too kind, he couldn't even say goodbye to my mother and me when he left. Weak and pathetic, pathetic and sad - that Dad.
Rika Yokomori (تانغو طوكيو)
Every girl needs to make an entrance. It’s part of her signature. My hot pink high heels hit the sidewalk and I straightened. My blue jean skirt was brand new and had a bunch of totally rad colorful ruffles on it. My neon green top was spandex and fit like a glove.
Cambria Hebert (1982: Maneater (Love in the 80s #3))
Oprah in a Muumuu Looks Like a Yurt {Couplet} Nudity fits the body, graceful as a glove; loose fashions only obscure our perfect frame of love.
Beryl Dov
Skin in the game can make boring things less boring. When you have skin in the game, dull things like checking the safety of the aircraft because you may be forced to be a passenger in it cease to be boring. If you are an investor in a company, doing ultra-boring things like reading the footnotes of a financial statement (where the real information is to be found) becomes, well, almost not boring. But there is an even more vital dimension. Many addicts who normally have a dull intellect and the mental nimbleness of a cauliflower—or a foreign policy expert—are capable of the most ingenious tricks to procure their drugs. When they undergo rehab, they are often told that should they spend half the mental energy trying to make money as they did procuring drugs, they are guaranteed to become millionaires. But, to no avail. Without the addiction, their miraculous powers go away. It was like a magical potion that gave remarkable powers to those seeking it, but not those drinking it. A confession. When I don’t have skin in the game, I am usually dumb. My knowledge of technical matters, such as risk and probability, did not initially come from books. It did not come from lofty philosophizing and scientific hunger. It did not even come from curiosity. It came from the thrills and hormonal flush one gets while taking risks in the markets. I never thought mathematics was something interesting to me until, when I was at Wharton, a friend told me about the financial options I described earlier (and their generalization, complex derivatives). I immediately decided to make a career in them. It was a combination of financial trading and complicated probability. The field was new and uncharted. I knew in my guts there were mistakes in the theories that used the conventional bell curve and ignored the impact of the tails (extreme events). I knew in my guts that academics had not the slightest clue about the risks. So, to find errors in the estimation of these probabilistic securities, I had to study probability, which mysteriously and instantly became fun, even gripping. When there was risk on the line, suddenly a second brain in me manifested itself, and the probabilities of intricate sequences became suddenly effortless to analyze and map. When there is fire, you will run faster than in any competition. When you ski downhill some movements become effortless. Then I became dumb again when there was no real action. Furthermore, as traders the mathematics we used fit our problem like a glove, unlike academics with a theory looking for some application—in some cases we had to invent models out of thin air and could not afford the wrong equations. Applying math to practical problems was another business altogether; it meant a deep understanding of the problem before writing the equations.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life (Incerto))
It felt like a glove that didn’t fit.
Nick Acosta
Jay got up and walked to the trash to scrape off his plate, but when the trash can popped open, he stopped and reached in. Mae got cold inside. Shit. That was where she had put everything from her satisfying clear-out earlier in the day, and she hadn't covered up the things she was discarding with other trash, as she usually did. Damn it! She knew exactly what was coming. Jay stood up with a ratty stuffed chicken in his hand. "You can't throw this away. Ryder loves this." He did, but Mae hated it. The little stuffed chicken---a gift from her sister when Ryder was born---had grown gray and smelly and was beyond washing, and Mae had been able to slip it away from Ryder's bed for several nights running. With the trip, she figured he would forget about it, although she'd felt a tiny twinge of regret as she'd stuffed it into the trash can. It was just that it was so gross now, and there were so many stuffies. If she didn't get rid of them, they'd take over. "He doesn't care about it. Not really," she said. It sounded weak, even to her. "It's so filthy, Jay. He's little. He'll like other things. It's just junk, anyway." Jay turned on her. "You don't always get to decide what's junk, Mae. You don't get to pick and choose everything we have and everything we do and everywhere we go." "I don't. Just---some things. And it's not the same." Throwing away a toy was not the same as making all their life decisions---and how could she not make decisions right now, when everything Jay wanted to do felt so precarious? Couldn't he see that they wanted the same things, for the world to stay nice and safe and solid around Madison and Ryder and around themselves? She knew Jay had moved around a lot as a kid, and that at least once his dad had handed him a shoebox and told him if it didn't fit in there, it couldn't come. But sometimes you had to get rid of those things, even things you once loved, to make room for better things. And sometimes you made mistakes. Don't bring up the baseball glove. Don't bring up the baseball glove. She hadn't known the baseball glove was a perfectly worn-in classic Rawlings. Or that Jay had been hoping Madison or Ryder might use it someday. All she'd seen was that it was old. And kinda moldy. She honestly hadn't thought he would notice it was gone.
K.J. Dell'Antonia (The Chicken Sisters)
Like a glove, life fits if you can just get yourself to fit with it. But, like a mule, it can kick if you get yourself out of step with it.
Calvin W. Allison (The Sunset of Science and the Risen Son of Truth)
On reflection, my being prepared for diagnosis looked like this. I knew I was going on a journey, not quite sure where, I’d just been told to pack an overnight bag. So, I’d loaded my bag with PJs, a sundress, towel, beachwear, flip-flops and sunscreen. My journey turned out to be a hiking one! I needed a rucksack, walking boots, crampons and a warm jacket. I wasn’t even nearly fit for purpose. Fortunately, I had the right people join me in that journey. They gave me a jacket, warm socks, hat and gloves, refreshments and passed me the goggles and blister cream for when it got tough. I am grateful to those who have supported me.
Jane McNeice (The Umbrella Picker: A Lost Girl’s journey to self-identity and finding her neurological truth)
Heavy turbulence shook the aircraft, yet it held course toward its destination. Its powerful engines barely produced any noise, and the black hull made it almost invisible against the darkness. Three more of the same type of aircraft followed it, traveling in formation, like silent birds of prey hiding in the shadows of the night. The passengers inside weren't bothered by the shaky ride. Highly focused and ready for anything, they sat there in silence, secured with safety bars into long rows of seats facing each other. All wore the same tight black combat suits and gloves, firearms were strapped to their thighs, and everyone had a rucksack on their back. Matching, tight-fitting helmets covered their heads, cheeks, and upper necks. Only a small part of their faces was visible, and their eyes. All of them had identical neon-blue eyes. Their stares were somewhat chilling and disturbing; the unnatural eyes and their unmoving faces made them look like an army of living dolls, waiting to spring into action.
Anna Mocikat (Behind Blue Eyes (Behind Blue Eyes, #1))
Frederick looked great in the parade of old-fashioned suits I'd seen in since we'd met, of course. More than great. But I realized now that his consistently too-formal, out-of-date attire served as a constant reminder to me that Frederick was out of my league in every imaginable way--- and completely off-limits. Untouchable. And other. Now, though... "What do you think?" he asked. "Do I look like I fit in with modern society now?" With difficulty, I tore my eyes from the broad expanse of his chest now covered in a forest-green Henley that fit him like a glove and met his gaze. He was fidgeting a little as I looked back at him, drumming his fingertips against his upper thigh again, looking at me with a nervous intensity that stole the breath from my lungs. I let my eyes trail slowly down his body, drinking him in, taking in his new shirt and the dark blue jeans that fit him so well you wouldn't have guessed he'd had no idea what size he was twenty minutes ago. The other jeans he'd tried on lay folded in a pile on the chair beside him; his suit hung neatly on a hanger in the dressing room. I focused on these other details to distract myself from how Frederick not only looked just as hot in more casual clothes as he did in his stuffy suits, but also how he now looked attainable in a way that was dangerous to me, specifically. I had to avert my eyes. Looking right at him felt a little too much like looking directly at the sun. "You look great. You look unbelievable, actually." I heard his sharp intake of breath, only then realizing that that hadn't quite been what he'd asked me. All he'd asked was whether he looked like he fit in. My stomach swooped, my face suddenly feeling like it was on fire. Idiot. "That is... that is to say---" "You think I look great?" He was looking at me with an expression that felt somewhere between surprise and pleasure. He stepped from the dressing room, stopping when he was only a few inches away from me. I took an involuntary breath, breathing in the scent of lavender soap and new clothes that clung to him.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
Wolves mate for life. They find their perfect match, the one person who completes them, who fits them like a glove.
Reece Barden (The Alpha's Saviour (Shifters of Grey Ridge #1))
Yes Dear [Verse] Well, I’ve been known to raise some hell, ride the wind, and chase the storms, But when it comes to you, my lady, I find myself reborn. All the wild ways of my youth seem to fade to gray, ‘Cause when you speak, darlin', there ain't much to say but... [Chorus] Yes dear, you’re right dear, I ain't gonna argue at all, A happy wife makes a happy home, that's the truth, y’all. Damn woman, I loved you first, and that means I’m right dear, But when you're smiling at me, well, it all becomes so clear. [Verse 2] Outlaws and rebels, that's what folks used to call my name, Running whiskey through the night, playing a dangerous game. But then you came into my life, all calm and fierce, Now every morning starts with "Yes dear," whispered in my ears. [Chorus] Yes dear, you’re right dear, I ain't gonna argue at all, A happy wife makes a happy home, that's the truth, y’all. Damn woman, I loved you first, and that means I’m right dear, But when you're smiling at me, well, it all becomes so clear. [Bridge] Now the only fight I want is fighting for your love, Your laughter echoes in my heart, fits like a flawless glove. And every time you say I’m wrong, I shrug and pull you near, Cause it’s worth it just to keep you happy, always saying, "Yes dear." [Verse 3] I might be an outlaw still, but you’re the sheriff of my heart, Together we ride this life, never apart. So let them talk of wild men tamed by love's sweet song, I'll just smile and say, "Yes dear," no matter what goes wrong.
James Hilton-Cowboy
Labels seem to fit like a glove for some and felt more like a too-small scratchy sweater for me.
Madison Nicole (Not Queer Enough)
(Verse 1) In the glow of a **dawn's early light**, With the dew on the grass, shining so bright, A cup of coffee, a **gentle breeze**, These little things, oh how they please. (Chorus) **Grab your hat and dance in the rain,** **Kick off your boots, forget the pain,** **Laugh with friends, under the sun's reign,** **Life's a sweet ride, hop on the train!** **Raise your glass to the stars above,** **Sing with heart, push and shove,** **Every little moment, fit like a glove,** **It's the simple things that we love!** (Verse 2) A **dog's wagging tail**, a **porch swing's sway**, The **colors of flowers** that brighten the day, A **song on the radio** that takes you back, To the **sweet old memories** that never lack. (Bridge) **Lights down low, we're just starting up,** **Fill up the tank, let's raise our cup,** **To the moments that feel like a live wire,** **Simple sparks igniting our fire.** **Sync to the beat of the city's pulse,** **Every little win, every single result,** **We're living loud in the here and now,** **In the simple life, we take our bow.** (Verse 3) **Under the wide-open sky so blue,** **Life's painting scenes, each one anew,** **A simple hello, a wave goodbye,** **In these little things, our dreams fly high.** **With every sunrise, we start again,** **Finding joy in the whisper of the wind,** **A hearty laugh, a warm embrace,** **In the simple life, we find our grace.** (Chorus) **Turn it up, let the bass line roll,** **Simple life's got that rock 'n' roll soul,** **Snap your fingers, tap your feet,** **Living for the moment, life's so sweet.** **Catch the vibe, let it take control,** **These little things are how we roll,** **From the heartland to the city's grip,** **It's the simple life that makes us flip.** (Verse 4) **The jukebox plays a tune that's bittersweet,** **Echoing tales of love and deceit,** **But in the neon glow, we find our truth,** **In simple things, we reclaim our youth.** **A twist of fate, a turn of the key,** **Life's full of surprises, as we can see,** **A chance encounter, a new beginning,** **In the simple life, we keep on winning.**
James Hilton-Cowboy
**Grab your hat and dance in the rain,** **Kick off your boots, forget the pain,** **Laugh with friends, under the sun's reign,** **Life's a sweet ride, hop on the train!** **Raise your glass to the stars above,** **Sing with heart, push and shove,** **Every little moment, fit like a glove,** **It's the simple things that we love!**
James Hilton-Cowboy
(Chorus) **Grab your hat and dance in the rain,** **Kick off your boots, forget the pain,** **Laugh with friends, under the sun's reign,** **Life's a sweet ride, hop on the train!** **Raise your glass to the stars above,** **Sing with heart, push and shove,** **Every little moment, fit like a glove,** **It's the simple things that we love!**
James Hilton-Cowboy
You were made for me. You fit me like a glove. I want you to always remember that. I love you…You. Are. Everything. My everything.
Kate Stewart (Anything but Minor (Balls in Play, #1))
Sometimes we have reconnected with an old lover after quite a few years and found a fit like an old glove.
Dossie Easton (The Ethical Slut: A Practical Guide to Polyamory, Open Relationships, and Other Freedoms in Sex and Love)
Try these," she suggested. She held out a pair of simple long gauntlets that were almost as fine as gloves, chain underneath and plate on top. Aurora Rose carefully took off the ones she wore and slipped the others on. They fit perfectly. "This is a bit more your style," the blue one said, approaching her with a breastplate that was almost as big as she was. It was curved femininely to fit Aurora Rose's body, but not ridiculously so. A staid design of roses and thorns was inlaid along the sides. It was sturdy, and 'heavy.' The princess had to readjust the way she stood to support it while everyone helped buckle it on the back. "And for the top..." the red one said, looking around. "Let 'her' choose," the green one suggested gently. Aurora Rose walked down the aisle slowly, getting used to the weight of the armor. She passed each of the women and then Phillip- dashing in his shining cuirass and silver-white greaves, like a soldier from ancient Rome. Her eyes swept over everything, everywhere, pausing nowhere. Golden helms, intricate onyx headpieces, spiked and dangerous-looking crowns, plated metal turbans. Finally, she saw what she wanted. She strode forward and lifted a helmet- one she 'knew' would fit- off the top shelf. A point came down the middle of the forehead to protect her nose- and was also vaguely reminiscent of Maleficent's headpiece. But instead of horns, silver wings swept back over the ears. With slow, sure movements she put it on. It 'did' fit. Perfectly. She turned around to show the others. Phillip sucked in his breath. "You look 'magnificent,' Rose. Like- like an ancient goddess of war." "Like victory," the green one said softly.
Liz Braswell (Once Upon a Dream)
When one looks at the numbers, the situation becomes even more perplexing. The effect of lambda grows steadily with respect to the familiar Newtonian force of gravity as the Universe gets bigger. If it is only recently becoming the dominant force, after billions of years of expansion of the Universe, it must have started out enormously smaller than the Newtonian force. The distance of that final minimum energy level in Figure 8.14 from the zero line in order to explain the value of lambda inferred from the supernova observations is bizarre: roughly 10^-120 - that is, 1 divided by 10 followed by 119 zeros! This is the smallest number ever encountered in science. Why is it not zero? How can the minimum level be tuned so precisely? If it were 10 followed by just 117 zeros, then the galaxies could not form. Extraordinary fine tuning is needed to explain such extreme numbers. Extraordinary fine tuning is needed to explain such extreme numbers. And, if this were not bad enough, the vacuum seems to have its own defence mechanism to prevent us finding easy answers to this problem. Even if inflation does have some magical property which we have so far missed that would set the vacuum energy exactly to zero when inflation ends, it would not stay like that. As the Universe keeps on expanding and cooling it passes through several temperatures at which the breaking of a symmetry occurs in a potential landscape, rather like that which occurs in the example of the magnet that we saw at the beginning of the chapter. Every time this happens, a new contribution to the vaccum energy is liberated and contributes to a new lambda term that is always vastly bigger than our observation allows. And, by 'vastly bigger' here, we don't just mean that it is a few times bigger than the value inferred from observations, so that in the future some small correction to the calculations, or change in the trend of the observations, might make theory and observation fit hand in glove. We are talking about an overestimate by a factor of about 10 followed by 120 zeros! You can't get much more wrong than that.
John D. Barrow (The Book of Nothing: Vacuums, Voids, and the Latest Ideas about the Origins of the Universe)
Abrams voice cut in over the comm. “My God, this place is breath-taking!” “It is a palace for the gods,” added Brock. The group stood gawking at the magnificence of the hall surrounding them. Delanda went to the table, placed her helmet and pack on it, and began pulling tablets, scanners, and other accessories out. She wrestled off her gloves, but had trouble with the suit torso so Wilson had to intervene and help. Without a thought to the revealing fit of the white stretch suit liner, she escaped the spacesuit bottom and placed it on the table. Then, with still no self-consciousness at all, she stripped the suit liner off down to athletic bra and slim panties and pulled her pink, rolled up vacuum-packed flight coveralls and cloth boots from the suit pack. After excitedly dressing, she hurriedly grabbed a scanner from her pack and began investigating the hall. Show over, one by one we all removed our suits and became visitors in white suit liners. Wilson gave his fatherly warning. “Everyone be very careful removing and folding those liners. If you tear or damage the thermal control system in any way you could have an unpleasant trip back to the ship. Also, be careful to tuck in your suit communicator since we’ll all be using wrist coms from now on. That is if they actually work here.” Delanda ignored his comments and headed for the far end of the hall. Wilson pulled on black coveralls, R.J.’s were farmhouse blue, Brock and Wen light green, Abrams in hospital scrubs green, and Sharma’s and Ansara’s in tan. Mine were captain’s blue. As we studied our celestial surroundings, Delanda returned and spoke in a commanding voice. “Gentlemen, if you would grab your tablets and gather around me here at this magnificent table we should get started.” For the first time there was a unanimous look of annoyance, although everyone quickly complied. R.J. and I stood opposite her feeling like two school kids being ushered around on a field trip. Delanda checked to be sure everyone was paying attention. “Okay, I’m assuming our intranet will work in here even though we’re out of contact with the ship. Let’s try it. All of you use your tablets to access mine and copy the file titled: Translations. Let me know if anyone has trouble.” Delanda’s tablet appeared on our screens. As she had guessed, there were no problems getting in. Once copied, I opened the file and found dozens of Altair symbols, some highlighted, most grayed-out. “Okay, everyone got in? Right? Okay, the symbols you see highlighted are the ones I believe I have a rudimentary translation for. Those that are in gray, your guess is as good as mine.” “How do you propose we proceed?” asked Brock. “Speaking as an experienced field researcher, I would suggest one of us photographs and documents this first chamber thoroughly while the rest of us split up and do the same with other chambers, periodically reporting back here after each excursion. We should have one central person remain here to monitor the progress of everyone in the event they get into trouble. I would think that would be you, Commander Mirtos, since you are the best at rescue. Does anyone have any objections?” R.J. leaned over. “I believe this is a non-hostile takeover. Are you going to step in?” “Not until she says something I disagree with.” Delanda continued. “So, if no one has any objections the first order of business will be to photograph every wall symbol we find along with any artifacts possibly associated
E.R. Mason (Mu Arae (Adrian Tarn Book 5))
What did I know about Bertrand, apart from the fact that his ass fit my dick like a glove?
James Lear (The Secret Tunnel (Mitch Mitchell Mystery, #2))
It takes a certain specialist’s dedication to travel in squalid cities and fetid slums, among the utterly dependant poor, who have lost nearly all of their traditions, and most of their habitat. You need first of all the skill and the temperament of a proctologist. Such a person, deft in rectal exams, is as essential to medicine as any other specialist, yet it is only the resolute few who opt to examine the condition of the human body by staring solemnly – fitted out like spelunkers, with scopes and tubes and gloves – up its fundament and trawling through its intestines, making the grand colonic tour. Some travel has its parallels, and some travellers might fit the description as rectal specialists of topography, joylessly wandering the guts and entrails of the earth and reporting on their decrepitude. I am not one of them.
Paul Theroux (The Last Train to Zona Verde: My Ultimate African Safari)
It fit me like a glove, which begged the question: how the hell did Balor know my size? I shuddered. Maybe I didn’t want to know the answer to that question. Had he merely guessed? Or had he snuck into my bedroom to check my clothes? That was pretty creepy no matter which way I looked at it. Another point in the “potential abductor” column for Balor, Prince of London’s fae.
Jenna Wolfhart (Live Fae or Die Trying (The Paranormal PI Files, #1))
Once again, the clothes fit me like a glove, only this time, they were far more practical. And comfortable. I could definitely kick some ass in this. I mean, if I could actually kick ass in the first place. Which I couldn’t.
Jenna Wolfhart (Live Fae or Die Trying (The Paranormal PI Files, #1))
Instead, she said, “Well, then. Go ahead, I don’t mind.” “You don’t mind?” This was totally outside Hal’s admittedly limited wooing experience. “No. I don’t mind,” she said with a shrug. “Oh. Well, do you want to?” “Forget it,” she growled, spots of pink coloring her cheeks. “Let’s walk back. I’ve spent less time dickering over a horse.” Hal’s father always said that a good soldier adapts to a changing battlefield. “Wait.” When she turned back, he cradled her chin with his gloved hands and kissed her. Her lips were warm and rough and perfect. Encouraged, he slid his arms around her and pulled her close, extending the kiss. They were of nearly equal height, and they fit together like the two halves of—of something fine. She smelled like fresh air and sweat, metal and horse—perfect. When they finally broke apart, she studied him a moment, then took his face between her warm hands and kissed him again, long and deep, their hearts thumping between them. With a kind of growl, Hal pinned her to the wall and answered her with a longer, deeper kiss of his own. And then it was like a kind of madness took them, a frenzy of kissing
Cinda Williams Chima (Shadowcaster (Shattered Realms, #2))
When designing a system, I believe it’s important to construct a set of rules that fit more like a mitten than like a glove.
Michael W. Covel (Trend Following: How to Make a Fortune in Bull, Bear, and Black Swan Markets (Wiley Trading))
I love you, Raleigh,” I told her. “I love you like a quarterback loves the feel of the laces between his fingers. Like a baseball player loves the feel of an old, worn glove that he’s put thousands of hours into. Like the goddamn sun and the moon. You’re it for me. You’ll be my wife one day. You’ll have my kids. You’ll grow old with me and drink sweet tea on our front porch with me. You’ll be mine, and we’ll die within a week of each other because neither one of us will be able to stand to be here without the other.
Lani Lynn Vale (Hissy Fit (The Southern Gentleman #1))
When someone makes a spectacular ass of himself, it's always in a French restaurant, never a Japanese or Italian one. The French are the people who slap one another with gloves and wear scarves to cover their engorged hickies. My understanding was that, no matter how hard we tried, the French would never like us, and that's confusing to an American raised to believe that the citizens of Europe should be grateful for all the wonderful things we've done. Things like movies that stereotype the people of France as boors and petty snobs, and little remarks such as "We saved your ass in World War II." Every day we're told that we live in the greatest country on earth. And it's always stated as an undeniable fact: Leos were born between July 23 and August 22, fitted queen-size sheets measure sixty by eighty inches, and America is the greatest country on earth. Having grown up with this in our ears, it's startling to realize that other countries have nationalistic slogans of their own, none of which are "We're number two!
David Sedaris (Me Talk Pretty One Day)
But there was no mockery or disapproval in Cassandra's gaze as she approached. She was smiling as if she were glad to see him. She gave him her slim gloved hand, a gesture of closeness and familiarity. The day instantly became the best one he'd had in weeks. His heart thumped joyfully at her nearness. The shape of her hand fit his as if every joint and fine muscle and soft ligament had been designed for perfect alignment. It had been like this when they'd waltzed, their bodies fitting together, moving together, with magical coordination.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Condoms are not like a glove; one size does not fit all. Bring your own.
Ren French (Creating a Concierge)
Loneliness was like an ill-fitting glove, one that only served to annoy rather than to offer comfort and warmth.
Patrick Logan (Frozen Stiff (Chase Adams #1))
God, this man is sizzling hot. He’s very tall, immaculately dressed in an expensive well-tailored grey suit that hugs his fit body like a glove, his smile is sure to make me melt and his accent is a major turn-on. The fact he has such impeccable repartee makes him so much more interesting.
Scarlett Avery (The Seduction Factor (The Seduction Factor #1-5))
The gown Lottie had decided to wear tonight was a pale blue satin overlaid with white tulle, with a daring scooped neckline that bared the tops of her shoulders. Lottie stood in the center of the bedroom while Mrs. Trench and Harriet pulled the billowing gown over her head and helped guide her arms through the puffed sleeves of stiffened satin. It was a gown as beautiful- no, more beautiful- than any she had seen during the parties at Hampshire. Thinking of the ball she was about to attend, and Nick's reaction when he saw her, Lottie was nearly giddy with excitement. Her light-headedness was no doubt encouraged by the fact that her corset was laced with unusual tightness, to enable Mrs. Trench to fasten the close-fitting gown. Wincing in the confinement of stays and laces, Lottie stared into the looking glass as the two women adjusted the ballgown. The transparent white tulle overslip was embroidered with sprays of white silk roses. White satin shoes, long kid gloves, and an embroidered gauze scarf were the final touches, making Lottie feel like a princess. The only flaw was her stick-straight hair, which refused to hold a curl no matter how hot the tongs were. After several fruitless attempts to create a pinned-up mass of ringlets, Lottie opted for a simple braided coil atop her head, encircled with fluffy white roses. When Harriet and Mrs. Trench stood back to view the final results of their labors, Lottie laughed and did a quick turn, making the blue skirts whirl beneath the floating white tulle.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
shades of brown and gold, and if I did say so myself, it fit me like a glove.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
We want to make production a dominant force in getting good sales. Sales which will fit both the client’s needs and the plant’s capabilities like a glove.
Eliyahu M. Goldratt (The Goal: A Process of Ongoing Improvement)
SureI’llberightback!” The ninja costume fit like a glove, I tell you.
Marcus Emerson (Diary of a Sixth Grade Ninja (Diary of a 6th Grade Ninja, #1))
You feel that, Angel?” he growls. “Your pussy is fucking made for me. You fit me like a fucking glove.
Sadie Kincaid (Ryan Rule (New York Ruthless, #1))
Your pussy is fucking made for me. You fit me like a fucking glove.
Sadie Kincaid (Ryan Rule (New York Ruthless, #1))