Fisher Song Quotes

Walls have ears. Doors have eyes. Trees have voices. Beasts tell lies. Beware the rain. Beware the snow. Beware the man You think you know. -Songs of Sapphique

I have walked a stair of swords, I have worn a coat of scars. I have vowed with hollow words, I have lied my way to the stars -Songs of Sapphique

All my years to this moment All my roads to this wall. All my words to this silence All my pride to this fall. -Songs of Sapphique

Elli couldn’t help it, she had to. She smiled before saying, “Nothing much, but Shea?” “Yeah?” he asked wearily as she smirked up at him. “I’ll never break your heart. I’ll never make you cry,” she continued to sing the chorus of the well known Backstreet Boys song as Shea turned beet red with embarrassment. “Grace, I swear I’m going to kill you!” Shea yelled.

You young people treat love like it’s an accessory, not a matter of life and death. You’re amused by it, in love with the idea of it. You make all of your songs and books about it, but don’t know how to live it out. Love is not part of something else. It’s the only thing.

He sang his last song. And the words of that have never been written down. But it was sweet and of great beauty, and those that heard it were changed utterly. Some say it was the song that moves the stars.

The woods were made for the hunter of dreams, The brooks for the fishers of song; To the hunters who hunt for the gunless game The streams and the woods belong. There are thoughts that moan from the soul of pine And thoughts in a flower bell curled; And the thoughts that are blown with scent of the fern Are as new and as old as the world.

When he came back, I hid my face within my hands. He said: "Fear nothing. Who has seen our kiss? --Who saw us? The night and the moon." "And the stars and the first flush of dawn. The moon has seen its visage in the lake, and told it to the water 'neath the willows. The water told it to the rower's oar. "And the oar has told it to the boat, and the boat has passed the secret to the fisher. Alas! alas! if that were only all! But the fisher told the secret to a woman. "The fisher told the secret to a woman: my father and my mother and my sisters, and all of Hellas now shall know the tale.

Conversation is a minefield until you learn the conventions, Jane dear.’ ‘I’ll never learn all the rules,’ muttered Jane. ‘Yes, you will,’ said Phryne. ‘Then you can bend them. The best advice I would give you is, “If under attack, cause a diversion”.’ ‘A diversion?’ ‘Yes, trip over the dog, spill a glass of wine on your attacker, burst into song, challenge your attacker to a duel. And the angrier you get, the lower your voice should be. Never shout unless you are shouting “Fire!

I think you get the picture. [1976] was a year that like all years, a lot of things happened in. People were on TV or in movies, they wrote songs that were liked more than other songs, while other people excelled at sports, and, as always, a lot of accomplished and famous people died.

You know, the first time I saw you in that bar it was as if someone plugged me into an electrical socket. Everything in my head lit up. I could have written ten songs, answered the age-long question about the meaning of love, and asked you to marry me on the spot.

What sorrow is like to the sorrow of one who is alone? Once I dwelt in the company of the king I loved well, And my arm was heavy with the weight of the rings he gave, And my heart weighed down with the gold of his love. The face the king is like the sun to those who surrounded,. But now my heart is empty And I wander along throughout the world. The groves take on their blossoms, The trees and meadows grow fair But the cuckoo, saddest of singers, Cries forth the only sorrow of the exile, And now my heart hoes wandering, In search of what I shall never see more; All faces are alike to me if I cannot see the face of my king, And all countries are alike to me When I cannot see the fair fields and meadows of my home. So I shall arise and follow my heart in its wandering For what is the fair meadow of home to me When I cannot see the face of my king And the weight on my arm is but a band of gold When the heart is empty of the weight of love. And so I shall go roaming Over the fishers' road And the road of the great whale And beyond the country of the wave With none to bear me company But the memory of those I loved And the songs I sang out of a full heart, And the cuckoo's cry in memory.

I was not a great man whose history has been recorded for children to study in school. No bells will ring for me, no flags descend upon their mast. For I was an ordinary man, my son, one of many, with ordinary hopes and ordinary dreams and ordinary fears. I, too, dreamed of wealth and riches, health and strength. I, too, feared hunger and poverty, war and weakness. I was the neighbour who lived in the next house. The man standing in the subway on his way to work: who held a match to his cigarette: who walked with his dog. I was the soldier shaking with fear: the man berating the umpire at the ball game: the citizen in the privacy of the voting booth, happily electing the worthless candidate. I was the man who lived a thousand times and died a thousand times in all man’s six thousand years of record. I was the man who sailed with Noah  in his ark, who was the multitude that crossed the sea that Moses held apart, who hung from the cross next to Christ. I was the ordinary man about whom songs are never written, stories are never told, legends are never remembered.

asked the heaven of stars What I should give my love— It answered me with silence, Silence above. I asked the darkened sea Down where the fishers go— It answered me with silence, Silence below. Oh, I could give him weeping, Or I could give him song— But how can I give silence, My whole life long?

V. Night Song At Amafi I asked the heaven of stars What I should give my love– It answered me with silence, Silence above. I asked the darkened sea Down where the fishers go– It answered me with silence, Silence below. Oh, I could give him weeping, Or I could give him song– But how can I give silence My whole life long?

One can never call me a quitter I take something right and see it through till it’s wrong Auctioning myself off to the lowest bidder Going once, going twice Gone Sold to the man for the price of disdain Some are sold for a song I don’t rate a refrain I guess it was all going just a little too well If I wasn’t careful I’d be happy pretty soon Heaven’s no place for one who thrives on hell, One who prefers the bit to the silver spoon. Then just when I’d almost resigned myself to winning When it seemed my bright future would never dim When my luck looked as though it was only beginning I met him. Sullen and scornful; a real Marlboro man The type who pours out the beer and eats the can A tall guy with a cultivated leer One you can count on to diaprove or disappear I knew right away that he was a find Given this, he was the kindest man I’d ever met Back came my sense of worthlessness And my long lost pangs of regret I was my old self again, lost and confused Reunited with that old feeling Of being misunderstood and misused. Sold to the man for the price of disdain All of this would be interesting If it weren’t so mundane

How could you betray me, Incarceron? How could you let me fall? I thought I was your son. It seems I am your fool. —Songs of Sapphique

If it were possible to hear a smile, hers would be a love song

When we talk it’s not merely idle chatter We discuss things that really don’t matter We talk of love and god and pain To life’s never-ending song We add yet one more refrain And as the pace gets more and more frantic The words get more and more pedantic We leave no sophistry unturned As our rhetoric becomes more intense Using our very large vocabularies To disguise our very common sense. The words get longer and the plot gets thinner Another discourse to discuss at dinner There is no feeling we can’t analyze Seizing each chance to intellectualize Talking in the past and present tense We’re making a lot more noise And a lot less sense.

One thing she realized soon was that the rain here was eternal. The weather must have changed since the Emperor's time, because now the tower loomed constantly in its cloud of drizzle; all the long afternoons rain trickled in runnels and gutters and spouts, spattering through gargoyles of hideous beasts and goblins that spat far down on the heads of hurrying clerks. Always the roofs ran with water; it dripped and plopped and splashed through culverts and drains, or sheeted down, a relentless liquid gurgle that never stopped, until she started to imagine that this was the song the tower sang, through all the throats and mouths and pipes of its endless body.

Revelation 15:1–3a (HCSB): Then I saw another great and awe-inspiring sign in heaven: seven angels with the seven last plagues, for with them, God’s wrath will be completed. I also saw something like a sea of glass mixed with fire, and those who had won the victory over the beast, his image, and the number of his name, were standing on the sea of glass with harps from God. They sang the song of God’s servant Moses and the song of the Lamb.

Fair enough,” Miss Olyer said, handing the knife over to Ten. “Which one of you wants to do the honor?” “While I appreciate you including me,” Mina drawled wryly, “I don’t think any sort of knife wielding is in my future. And I am saying that as a Maiden.” “I can do it,” Ten offered, taking the knife. “Shall we all sing the song?” “Song? What song?!” But no one answered her question because they all burst into the traditional birthday party song, most of them off key and entirely too enthused by the process. Mina’s head kept turning in every direction, trying to catch up with it. It wasn’t a lengthy song, maybe a minute or so, but Ten was perfectly proud of how they all somehow finished on a slightly different note. “Is… Is this a punishment?” Mina asked when they all finished their howling, er, singing. “It’s a little bit of sour to make the cake that much sweeter,” Miss Olyer said with a chuckle. “Now finally, it’s time!

It was like that perfect song you replay over and over. And even if you weren’t to hear it again until years later you would know exactly the notes and exactly the sequence in which they would sound and exactly the feelings they would evoke.

She finished cleaning him off and then held her baby boy up high to behold this new wonder in his full glory. The brilliant glimmers dancing upon the restive sea as his halo and the winged legions to announce and to extol his arrival and the eternal tide rhythmically whispering of deeds long foreseen. The light and the song and the abiding heart. Creation in its purest form. It was to this divine ensemble that Isa lifted her voice to give name to the precious enigma that she knew would elevate the harmony of all things to realms transcendent.

I used to think of you, when ye were small,” Jamie was saying to Bree, his voice very soft. “When I lived in the cave; I would imagine that I held ye in my arms, a wee babe. I would hold ye so, against my heart, and sing to ye there, watching the stars go by overhead.” “What would you sing?” Brianna’s voice was low, too, barely audible above the crackle of the fire. I could see her hand, resting on his shoulder. Her index finger touched a long, bright strand of his hair, tentatively stroking its softness. “Old songs. Lullabies I could remember, that my mother sang to me, the same that my sister Jenny would sing to her bairns.” She sighed, a long, slow sound. “Sing to me now, please, Da.” He hesitated, but then tilted his head toward hers and began to chant softly, an odd tuneless song in Gaelic. Jamie was tone-deaf; the song wavered oddly up and down, bearing no resemblance to music, but the rhythm of the words was a comfort to the ear. I caught most of the words; a fisher’s song, naming the fish of loch and sea, telling the child what he would bring home to her for food. A hunter’s song, naming birds and beasts of prey, feathers for beauty and furs for warmth, meat to last the winter. It was a father’s song—a soft litany of providence and protection. I

She stared out. She saw a vastness, a rising shape, indistinct in the rain, gray in the misty drizzle. At first she had thought it was a cloud, a great bank of fog drifting up over the mountains, but now she realized with a cold awe that it was real, a vast building climbing the mountainside, rising in a countless series of rooms, stairways, balconies, and galleries, far away and immense, its topmost roofs white with snow. And up there, like a needle sharp with ice, one uttermost pinnacle flew the remote black pennant of the Watch. The Tower of Song.

Thank you again, Mr. Brooks.” Ms. Fisher tilted her head. She’d graduated to using Kyle’s last name, signaling it was time for him to shut up. “As helpful as you’re being today, I’m gonna say no. Not quite. But that’s a common misinterpretation. Freedom of speech protects you from government retaliation for expressing personal views or just generally dissenting opinions. It’s a much more specific context than many people think. For example, it will not protect my son from my wrath when he’s a back-talking teenager.

The murmur of the brook, the voice of the village folk, the songs of the boatmen, the crying of the birds and rustle of trees mingled and were one with the trembling of her heart. They became one vast wave of sound which beat upon her restless soul. This murmur and movement of Nature were the dumb girl's language; that speech of the dark eyes, which the long lashes shaded, was the language of the world about her. From the trees, where the cicalas chirped, to the quiet stars there was nothing but signs and gestures, weeping and sighing. And in the deep mid-noon, when the boatmen and fisher-folk had gone to their dinner, when the villagers slept and birds were still, when the ferry-boats were idle, when the great busy world paused in its toil and became suddenly a lonely, awful giant, then beneath the vast impressive heavens there were only dumb Nature and a dumb girl, sitting very silent,—one under the spreading sunlight, the other where a small tree cast its shadow.

When you are trying to catch an airplane your goal may seem tremendously important; looking back on it, you see you could have caught the next plane. Negotiation will often present you with a similar situation. You will worry, for instance, about failing to reach agreement on an important business deal in which you have invested a great deal of yourself. Under these conditions, a major danger is that you will be too accommodating to the views of the other side—too quick to go along. The siren song of “Let’s all agree and put an end to this” becomes persuasive. You may end up with a deal you should have rejected.

He raised his hands. They saw his coat was feathered like the wings of the swan when it dies, when it sings its secret song. And he opened the door that none of them had seen until now.

Michael Malone: So why did eBay win? Mary Lou Song: The economic genius of what Pierre came up with was that we never interfered with the velocity of the transactions. We facilitated, we helped people find each other and connect, and our job really was to make sure that buyers could find sellers and sellers could find buyers and make that transaction as seamless as possible. If we had taken possession of their items, we would have interfered with that velocity.

Steven Levy: I liked it from the beginning. To me the most exciting thing about the iPod was the shuffle thing. You could take all your music and shuffle it, and it would all be yours but there would be the element of surprise, too. It was like a radio station where every single selection was a song you liked. To me it was a metaphor for the digital age. A symbol of the promise of the digital age.

Then I saw a scroll in the right hand of the one who was sitting on the throne. There was writing on the inside and the outside of the scroll, and it was sealed with seven seals. And I saw a strong angel, who shouted with a loud voice: “Who is worthy to break the seals on this scroll and open it?” But no one in heaven or on earth or under the earth was able to open the scroll and read it. Then I began to weep bitterly because no one was found worthy to open the scroll and read it. But one of the twenty-four elders said to me, “Stop weeping! Look, the Lion of the tribe of Judah, the heir to David’s throne, has won the victory. He is worthy to open the scroll and its seven seals.” Then I saw a Lamb that looked as if it had been slaughtered, but it was now standing between the throne and the four living beings and among the twenty-four elders. He had seven horns and seven eyes, which represent the sevenfold Spirit of God that is sent out into every part of the earth. He stepped forward and took the scroll from the right hand of the one sitting on the throne. And when he took the scroll, the four living beings and the twenty-four elders fell down before the Lamb. Each one had a harp, and they held gold bowls filled with incense, which are the prayers of God’s people. And they sang a new song with these words: “You are worthy to take the scroll and break its seals and open it. For you were slaughtered, and your blood has ransomed people for God from every tribe and language and people and nation. And you have caused them to become a Kingdom of priests for our God. And they will reign on the earth.

A lot of the old songs and stories have been terribly whitewashed, cleaned up and sanitised, for modern ears. Don’t want anything that might upset people . . . Idiots! History is supposed to be upsetting, to make sure you don’t do it again!