Fish Cheeks Quotes

We've searched our database for all the quotes and captions related to Fish Cheeks. Here they are! All 100 of them:

I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
A Thirsty Fish I don't get tired of you. Don't grow weary of being compassionate toward me! All this thirst equipment must surely be tired of me, the waterjar, the water carrier. I have a thirsty fish in me that can never find enough of what it's thirsty for! Show me the way to the ocean! Break these half-measures, these small containers. All this fantasy and grief. Let my house be drowned in the wave that rose last night in the courtyard hidden in the center of my chest. Joseph fell like the moon into my well. The harvest I expected was washed away. But no matter. A fire has risen above my tombstone hat. I don't want learning, or dignity, or respectability. I want this music and this dawn and the warmth of your cheek against mine. The grief-armies assemble, but I'm not going with them. This is how it always is when I finish a poem. A great silence comes over me, and I wonder why I ever thought to use language.
Jalal ad-Din Muhammad ar-Rumi
Rosethorn had gone to her room the moment Niko started to cough. Now she returned with her syrup and a firm look in her eye. "I thought you were having trouble last night. Drink this." She poured some into a cup and held it out to him. Niko looked at it as if she offered him rotten fish. "I am fine. I am per-" He couldn't even finish the sentence for coughing. "It's not bad," said Tris, crossing her fingers behind her back. "Really, tastes like-like mangoes." Niko looked at her, then took the cup and downed its contents. The four watched with interest as his cheeks turned pale, then scarlet. "That's terrible (exclamation point)" he cried, his voice a thin squeak. "Maybe I was thinking of some other syrup," Tris remarked with a straight face.
Tamora Pierce (Daja's Book (Circle of Magic, #3))
I changed your life.” She looked down at the peach they shared. “You changed min. I’m glad of it.” And back into his eyes. “Every day. I’m glad of it. I’d like a pond, and maybe something to sit on so we could watch the creepy, interesting fish.” “That would suit me very well.” She linked her arms around his neck, laid her cheek on his. Love finds a way, she thought.
J.D. Robb (Treachery in Death (In Death, #32))
The steel door of the incinerator went up and the muted hum of the eternal fire became a red roaring. The heat lunged out at them like a famished beast. Then Rahel's Ammu was fed to it. Her hair, her skin, her smile. Her voice. They way she used Kipling to love her children before putting them to bed: We be of one blood, though and I. Her goodnight kiss. The way she held their faces steady with one hand (squashed-cheeked, fish-mouthed) while she parted and combed their hair with the other. The way she held knickers out for Rahel to climb into. Left leg, right leg. All this was fed to the beast, and it was satisfied. She was their Ammu and their Baba and she had loved them Double.
Arundhati Roy (The God of Small Things)
I dreamt I saw a shadow with a burning heart butchering a golden stag, aye. I dreamt of a man without a face, waiting on a bridge that swayed and swung. On his shoulder perched a drowned crow with seaweed hanging from his wings. I dreamt of a roaring river and a woman that was a fish. Dead she drifted, with red tears on her cheeks, but when her eyes did open, oh, I woke from terror. All this I dreamt, and more.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I have won for you a fish, my fair one," he said, and kissed her on the cheek. It was a sweet kiss, gentle and soft, and Mark smelled like he always did: like cold outside air and green growing things.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.
Ernest Hemingway (The Old Man and the Sea)
Tears The first woman who ever wept was appalled at what stung her eyes and ran down her cheeks. Saltwater. Seawater. How was it possible? Hadn't she and the man spent many days moving upland to where the grass flourished, where the stream quenched their thirst with sweet water? How could she have carried these sea drops as if they were precious seeds; where could she have stowed them? She looked at the watchful gazelles and the heavy-lidded frogs; she looked at glass-eyed birds and nervous, black-eyed mice. None of them wept, not even the fish that dripped in her hands when she caught them. Not even the man. Only she carried the sea inside her body.
Lisel Mueller (Alive Together)
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
He looked at me screaming and plugging my ears and at the tears dripping like the kitchen tap down my cheeks; my words finally hit him, and he listened. Fish twisted sharply from me to Will Junior as though suddenly adding two and two and getting twenty-seven, even though most people could only ever get four.
Ingrid Law (Savvy (Savvy, #1))
When I was little, my Aunt Bigeois told me "If you look at yourself too long in the mirror, you'll see a monkey." I must have looked at myself even longer than that: what I see is well below the monkey, on the fringe of the vegetable world, at the level of jellyfish... The eyes especially are horrible seen so close. They are glassy, soft, blind, red-rimmed, they look like fish scales... A silky white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me.
Jean-Paul Sartre (Nausea)
I'm pretty strong," he says. "I could cart you around on my back all day long. Hey, I could even teach you to swim." 'Tisn't true," she replies haughtily. "How could you do that?" I know how--with floats, to keep your feet up." She shakes her head. He puffs out his cheeks and whistles soundlessly. "I go fishing with my father on Sundays. I can bring you back a hake big as this!" He spreads his arms to show a fish about the size of a whale. "You like hake?" She shakes her head. Bass?" Same response. Crab claws? We got a lot of them, in the nets." She turns her chair around and pushes the wheels along--now she's the one who goes away. Snobby Parisienne!" he yells after her. "And to think I almost fell for you! I smell too fishy is that it?
Sébastien Japrisot
Seafood poisoning, a cigarette lit as the person is drifting off to sleep and that sets fire to the sheets or, worse, to a woollen blanket; a slip in the shower—the back of the head—the bathroom door locked; a lightning bolt that splits in two a tree planted in a broad avenue, a tree which, as it falls, crushes or slices off the head of a passer-by, possibly a foreigner; dying in your socks, or at the barber’s, still wearing a voluminous smock, or in a whorehouse or at the dentist’s; or eating fish and getting a bone stuck in your throat, choking to death like a child whose mother isn’t there to save him by sticking a finger down his throat; or dying in the middle of shaving, with one cheek still covered in foam, half-shaven for all eternity, unless someone notices and finishes the job off out of aesthetic pity; not to mention life’s most ignoble, hidden moments that people seldom mention once they are out of adolescence, simply because they no longer have an excuse to do so, although, of course, there are always those who insist on making jokes about them, never very funny jokes.
Javier Marías (Tomorrow in the Battle Think on Me)
My life only has two layers. On the top is thick joy, moving around like the sea, full of fish and slopping goofily at the edges: active and exuberant and amazed by everything. The bottom layer is the cold sea floor, where insects pick through dead things. I'm in the top layer, and then suddenly I'm tired and I'm back on the floor, my cheek against the whisper that says nothing matters. There's no space in between.
Noreen Masud (A Flat Place: Moving Through Empty Landscapes, Naming Complex Trauma)
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
Thank you for this amazing adventure. I never knew that someone could love without limit. Even when you can't hear me say that I love you or when I can't hear you say that you love me, I found a wonderful lover that I hope to be with even in all of my other lives." he lifted his hands off Kai's neck. 'I love you.' Kai held the sides of Sehun's face and connected their lips for a passionate kiss as they dropped to their knees. Kai forced a smile as he wiped the tears on Sehun's cheeks. 'And you will never know how much I love you.
FishMeAnEXo
Reera did not keep them in misery more than a few seconds, for she touched each one with her right hand and instantly the fishes were transformed into three tall and slender young women, with fine, intelligent faces and clothed in handsome, clinging gowns. The one who had been a goldfish had beautiful golden hair and blue eyes and was exceedingly fair of skin; the one who had been a bronzefish had dark brown hair and clear gray eyes and her complexion matched these lovely features. The one who had been a silverfish had snow-white hair of the finest texture and deep brown eyes. The hair contrasted exquisitely with her pink cheeks and ruby-red lips, nor did it make her look a day older than her two companions.
L. Frank Baum (Glinda of Oz (Illustrated))
I stared down into his handsome face while my mouth gaped like a fish. Oh my good God. No wonder I had thought he was a stripper. I had asked him to take his clothes off. If I had been alone I would have beat my head against the wall. An image of Sam stopping his hands fluttered through my mind and my cheeks heated. I really had told him to take his clothes off.
Nichole Chase (Recklessly Royal (The Royals, #2))
Umm, Ren? We have something important we need to discuss. Meet me on the veranda at sundown, okay?” He froze with his sandwich halfway to his mouth. “A secret rendezvous? On the veranda? At sundown?” He arched an eyebrow at me. “Why, Kelsey, are you trying to seduce me?” “Hardly,” I dryly muttered. He laughed. “Well, I’m all yours. But be gentle with me tonight, fair maiden. I’m new at this whole being human business.” Exasperated, I threw out, “I am not your fair maiden.” He ignored my comment and went back to devouring his lunch. He also took the other half of my discarded peanut butter sandwich and ate that too, commenting, “Hey! This stuff’s pretty good.” Finished, I walked over to the kitchen island and began clearing away Ren’s mess. When he was done eating, he stood to help me. We worked well together. It was almost like we knew what the other person was going to do before he or she did it. The kitchen was spotless in no time. Ren took off his apron and threw it into the laundry basket. Then, he came up behind me while I was putting away some glasses and wrapped his arms around my waist, pulling me up against him. He smelled my hair, kissed my neck, and murmured softly in my ear, “Mmm, definitely peaches and cream, but with a hint of spice. I’ll go be a tiger for a while and take a nap, and then I can save all my hours for you this evening.” I grimaced He was probably expecting a make-out session, and I was planning to break up with him. He wanted to spend time with a girlfriend, and my intention was to explain to him how we weren’t meant to be together. Not that we were ever officially together. Still, it felt like a break-up. Why does this have to be so hard? Ren rocked me and whispered, “’How silver-sweet sound lovers’ tongues by night, Like soft music to attending ears.’” I turned around in his arms, shocked. “How did you remember that? That’s Romeo and Juliet!” He shrugged. “I paid attention when you were reading it to me. I liked it.” He gently kissed my cheek. “See you tonight, iadala,” and left me standing there. The rest of the afternoon, I couldn’t focus on anything. Nothing held my attention for more than a few minutes. I rehearsed some sentences in front of the mirror, but they all sounded pretty lame to me: “It’s not you, it’s me,” “There are plenty of other fish in the sea,” “I need to find myself,” “Our differences are too big,” “I’m not the one,” “There’s someone else.” Heck, I even tried “I’m allergic to cats.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Kai kissed Sehun's lips one last time before letting Sehun rest his head on his arm. When Sehun caressed Kai's cheek, he realized that the boy's hand was colder than it had been just several minutes ago. Even then, he managed to smile. "Merry Christmas, Kai." 'Merry Christmas, Sehun.' he tugged Sehun close until their foreheads brushed as he watched Sehun close his sleepy eyes just before Kai closed his.
FishMeAnEXo
my eyes make mirrors out of every reflective surface they pass searching for something beautiful looking my ears fish for compliments and praise but no matter how far they go looking nothing is enough for me i go to clinics and department stores for pretty potions and new techniques i've tried the lasers i've tried the facials i've tried the blades and expensive creams for a hopeful minute they fill me make me glow from cheek to cheek but as soon as i feel beautiful their magic disappears suddenly where am i supposed to find it i am willing to pay any price for a beauty that makes heads turn every moment day and night - a never-ending search
Rupi Kaur (The sun and her flowers)
There's a switch inside every one of us that I guess grew there as a necessary part of survival. How can you drag a fish up out of the river for your supper if you feel the yank of the hook in your own cheek? I get that part. We can't feel for everyone and everything all the time. We'd die of fear or sorrow a hundred times a day. The thing is, it's gotten so we flick the switch off like it's nothing. And, more often than not, we forget to turn it back on.
Alissa York (Fauna)
Punky?” I took her face in my good hand, running my thumb over her cheek. “I love you. I’m proud of you. And no matter what happens, I’m always here.” “Fuck, MacKay. Go fish your balls out of my backpack, will ya?” “That’s my girl.
Tyler King (The Debt)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Love sees ten million fathoms down, till dazzled by the floor of pearls. The eye is Love's own magic glass, where all things that are not of earth, glide in supernatural light. There are not so many fishes in the sea, as there are sweet images in lovers' eyes. In those miraculous translucencies swim the strange eye-fish with wings, that sometimes leap out, instinct with joy; moist fish-wings wet the lover's cheek. Love's eyes are holy things; therein the mysteries of life are lodged; looking in each other's eyes, lovers see the ultimate secret of the worlds; and with thrills eternally untranslatable, feel that Love is god of all. Man or woman who has never loved, nor once looked deep down into their own lover's eyes, they know not the sweetest and the loftiest religion of this earth. Love is both Creator's and Saviour's gospel to mankind; a volume bound in rose-leaves, clasped with violets, and by the beaks of humming-birds printed with peach-juice on the leaves of lilies.
Herman Melville (Pierre or the Ambiguities)
Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.
Dylan Thomas (Collected Poems)
How vivid, still, are the seagoing smells? Oily bilges, fish entrails, a freshly lit cigarette drawn through salt paper? And at night, if you were not diving, the compressor's exhaust fumes, its lethal monoxides, barking and blattering our darkened boat's position for anyone to hear. But a shift of wind might gently lay its hand on a cheek and turn your head like a weathervane, pointing your nostrils into the smell of unseen land: forest and rot and copra, jasmine, mimosa and ylang-ylang. And you may have thought of the strangeness of it, sitting there in night's scented cocoon, propped up by nails and timber in the middle of the water while men you knew like brothers worked away in the fish mines far beneath the boat, their dim torchlight opening up fugitive seams and corridors. Their wooden goggles and floating hair.
James Hamilton-Paterson
Gloria put a bowl of stew in Peter's hands. "Eat," she said. Peter raised the spoon to his lips. He chewed. He swallowed. It had been a long time since he had eaten anything besides tiny fish and old bread. And so when Peter had his first bite of stew, it overwhelmed him. The warmth of it, the richness of it, knocked him backward; it was as if a gentle hand had pushed him when he was not expecting it. Everything he had lost came flooding back: the garden, his father, his mother, his sister, the promises that he had made and could not keep. "What's this?" said Gloria Matienne. "The boy is crying." "Shhh," said Leo. He put his hand on Peter's shoulder. "Shhh. Don't worry, Peter. Everything will be good. All will be well. We will do together whatever it is that needs to be done. But for now, you must eat." Peter nodded. He raised his spoon. Again he chewed and swallowed, and again he was overcome. He could not help it. He could not stop the tears; they flowed down his cheeks and into the bowl. "It is a very good stew, Madam Matienne. he managed to say. "Truly, it is an excellent stew.
Kate DiCamillo (The Magician's Elephant)
I felt the back of my neck crawl. The crawling reached around to the corners of my jaw, then up to my temple, and across my cheeks. I reached up to touch it. Splinters, small fingers, hooks. Scraping at my fingertips, gouging. Slowly reaching for my eyes, reaching for my remaining flesh. Tiny, like the legs of spiders, pincers, fish hooks, they stabbed and set themselves into the flesh that remained, around my mouth, near my eyes, at my forehead. Then they stopped. Waited. Asking. Offering. A deal with the devil, metaphorically speaking. Give up your face if you truly want wings. Give up your eyes. I could hear the dragon screech, not all that far away. This crisis I faced was removed from a very large, very real crisis that threatened people and Others I cared a great deal about. Do it, and you can fly. Fly, and you might be able to do something to save them.
Wildbow
Ding! Princess Alpacca, pronounced like the animal, first in line to the throne of Alieya Island, a small nation below the south of France. The Queen invited her to Wessco after an attempted coup forced her family into exile last year. She doesn’t speak English and I don’t know a word of Aliesh. This is going to be a challenge. Guermo, her translator, glares at me like I’m the bubonic plague in human form—with a mixture of hatred, disgust, and just a touch of fear. She speaks in Aliesh, looking at me. And Guermo translates. “She says she thinks you are very ugly.” Princess Alpacca nods vigorously. She’s pretty in a cute kind of way. Wild curly hair, round hazel eyes, a tiny bulbous nose, and full cheeks. “She says she doesn’t like you or your stupid country,” Guermo informs me. Another nod and a blank but eager smile. “She says she would rather throw herself off the rocks to her death in the waves and be devoured by the fish than be your queen.” I look him in the face. “She barely said anything.” He shrugs. “She says it with her eyes. I know these things. If you weren’t so stupid you would know too.” More nodding. “Fantastic.” She says something to Guermo in Aliesh, then he says something back—harshly and disapproving. And now, they’re arguing. But they can stay. Guermo is obviously in love with Alpacca and she clearly has no idea. My presence will force him to admit his feelings . . . but does she return his infatuation? It’ll be like living in a Latin soap opera—dramatic, passionate, and over the top. I have to see how it ends. Ding!
Emma Chase (Royally Matched (Royally, #2))
Della crouched in front of Sophie and turned Sophie’s face from side to side, then squeezed Sophie’s cheeks, giving her a fish face. “What are you doing?” Sophie asked—though it came out more like “Wharyoooing?” “Attempting to fill in for Elwin. He gave me a Sophie Survival Kit, as well as a separate list called Crazy Messes That Sophie Will Find A Way To Get Herself Into.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you." Emma stops chewing. Galen drops his fork. "Uh, I don't think we need to take it that far-" Emma starts. "Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot. "They do, but-" "No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?" "Probably not, but-" "I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand." "Rachel," he says, shaking his head, "this can wait-" "Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around." Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like. Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing." Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss." Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something." Rachel nods. "That should work." "What does that mean? Making out?" Galen says between bites. Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?" He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him. "We'll just have to plan it, that's all. Give you time to prepare," Emma tells him. "Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun." "Yeah, but this isn't for fun, remember?" Emma says. "This is just for show." "You don't think kissing Galen would be fun?" Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes." Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
Colette Gauthier-Villars
My son was something of a disciple of flying things. On his bedroom wall were posters of fighter planes and wild birds. A model of a helicopter was chandeliered to his ceiling. His birthday cake, which sat before me on the picnic table, was decorated with a picture of a rocket ship - a silver-white missile with discharging thrusters. I had been hoping that the baker would place a few stars in the frosting as well (the cake in the catalog was dotted with yellow candy sequins), but when I opened the box I found that they were missing. So this is what I did: as Joshua stood beneath the swing set, fishing for something in his pocket, I planted his birthday candles deep in the cake. I pushed them in until each wick was surrounded by only a shallow bracelet of wax. Then I called the children over from the swing set. They came, tearing up divots in the grass. We sang happy birthday as I held a match to the candles. Joshua closed his eyes. "Blow out the stars," I said, and his cheeks rounded with air.
Kevin Brockmeier (The United States of McSweeney's: Ten Years of Lucky Mistakes and Accidental Classics)
As the author of Lost Wife, Saw Barracuda - True Stories from a Sharm el Sheikh Scuba Diving Instructor, I know a thing or two about guide books but I have never quite seen anything like the Buns Guide before. There is certainly nothing arse-about-face with this book and indeed you have to admire the author's cheek, although thankfully he didn't include a photo of it here! What shines through in this quality-produced book is "Stryke" Clayton's intelligence, wit and ability to get away with a subject normally found in magazines and websites of questionable pedigree. The result is a hilarious and surprisingly tasteful book written by someone who would probably feel at home in the cast of Monty Python's Flying Circus. The Buns Guide is a great poke in the ribs at those nature guide books and the plastic animal or fish identity picture cards they sell in national parks around the world. With so many parts to the female anatomy I'm sure the author may well be considering a sequel or two? A great read, very funny and a well-produced book. Full marks here!
John Kean
But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.
Emma Chase (Royally Matched (Royally, #2))
If Colonel Lowe doesn’t treat you like a goddess, he’ll have me to answer to,” he said gruffly. She mustered a little laugh. “Please, no basket of fish on his desk.” “Trust me, I’ll be far more creative if he hurts you.” The diamond powder weighed in his hands. “You will want this,” he said as he extended the sack to her. “Zack, I don’t want any gifts.” He picked up her hand and pressed it into her palm. “It’s diamond powder. I heard you were in short supply, and Caleb Magruder has a mill that can produce it.” Her eyes widened in surprise, and she peeked inside. It looked as if she was about to cry as she pulled the drawstrings closed. “Zack, I can’t accept this. It wouldn’t be right.” “Take it. What would I do with diamond powder?” He tried to sound light-hearted, as if this glorious woman had not just trampled on the dreams he had been building for three years. She still looked hesitant, which was insane because he knew she craved that diamond powder like a drowning man craved a life raft. He sighed impatiently. “If you don’t take it, I’ll throw it in the lake. You know I will.” She must have believed him, because she relented and accepted the gift. “Thank you,” she said quietly. “Thank you for everything, Zack.” “You deserve it,” he said bluntly. “I’ve never seen anyone work as hard as you.” “Don’t be nice to me,” she said. “I’ll start bawling like a watering pot if you do.” His hand looked big and clumsy against her delicate cheek. He was such a sap where this woman was concerned. Had been from the first time he ever clapped eyes on her. “Don’t shed any tears over me. I’m not worth it.” He had to get out of there before he made a complete fool of himself. Before he fell to his knees and begged her not to fling herself at a man who would never feel a fraction of the soaring love he had for her. Stepping aside and letting Richard Lowe court his woman made his gut tie itself into knots, but it had to be done.
Elizabeth Camden (Into the Whirlwind)
What do you want?' I hissed. 'An apology? For me to crawl back into your bed and play nice, little wife?' 'Why should I want spoiled goods returned to me?' My cheeks heated. Tamlin growled, 'The moment you let him fuck you like an-' One heartbeat, the poisoned words were spewing from his mouth- where fangs lengthened. Then they stopped. Tamlin's mouth simply stopped emitting sounds. He shut his mouth, opened it- tried again. No sound, not even a snarl, came out. There was no smile on Rhysand's face, not a glint of irreverent amusement as he rested his head against the back of his chair. 'The gasping-fish look is a good one for you, Tamlin.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Everything felt wrong. She needed to go home, to her dad’s small lab in the basement, to curl up on one of the tables like she used to. It had been a long time since she’d last brought a quilt down and made a nest for herself among the books, tubes, and wires—a million years or however long it took light to travel. She’d rest her cheek on the table and listen to her dad talk about space. She’d been little when he’d told her about the beginning of the universe and how the solar system was born. How the sun was like an island, and the planets were ships sailing around it. He’d said, “Pluto is our far star sailor,” the way other people said Once upon a time. His words opened a door inside her. She wished she’d brought her NASA book, with six full pages on the “Thirty-Five New Guys,” the Astronaut Class of 1978, NASA’s first new group of astronauts since 1969. On Sally Ride, on Challenger—which she realized was gone now—on Judy Resnik, mission specialist, the second American woman in space. Who Nedda wanted to be. Who was gone now too. They were gas and carbon—and what else? They had to be something else. She wanted her stupid little-kid pony, but it was in the classroom. She wanted to go fishing with Denny, even if it was too cold. She wanted to smell her mother’s perfume until she was sick from it. She wanted to eat all the icing roses off that stupid cake until Betheen yelled.
Erika Swyler (Light from Other Stars)
What is there about me that makes me the least bit desirable?” She wasn’t fishing, she truly wanted to know. Right now she didn’t feel very attractive There was no joy in the laugh that seemed to catch in his throat. He closed the scant distance between them, taking her face between the warm hollows of his palms. “Foolish girl. You are everything that is good in life. Don’t you know that?” She would have shaken her head were she not afraid that he would release her. “No. I’m manipulative and spoiled. And I think only of my own happiness.” “You are good and sweet and true.” His thumbs brushed the apples of her cheeks. “Everything I am not. Everything. I want you so badly I may go mad before the Season ends.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You can sit,” Maggot said in a small, shy voice. Mia did as she was bid, holding her throbbing hand to her chest. Maggot toddled across the room, fishing about in a series of chests. She returned with a handful of wooden splints and a ball of woven brown cotton. “Hold out your hand,” the girl commanded. Mia’s shadow swelled, Mister Kindly drinking her fear at the thought of what was to come. Maggot looked her digits over, stroking her chin. And gentle as falling leaves, she took hold of Mia’s smallest finger. “It won’t hurt,” she promised. “I’m very good at this.” “All riiiiiaaaaaaaaaaaaAAAGHH!” Mia howled as Maggot popped her finger back into place, quick as silver. She rose from the slab and bent double, clutching her hand. “That HURT!” she yelled. Maggot gave a solemn nod. “Yes.” “You promised it wouldn’t!” “And you believed me.” The girl smiled sweet as sugarfloss. “I told you, I’m very good at this.” She motioned to the slab again. “Sit back down.” Mia blinked back hot tears, hand throbbing in agony. But looking at her finger, she could see Maggot had worked it right, popping the dislocated joint back into place neat as could be. Breathing deep, she sat back down and dutifully proffered her hand. The little girl took hold of Mia’s ring finger, looked up at her with big, dark eyes. “I’m going to count three,” she said. “All riiiiiaaaaaaaaaaaaFUCK!” Mia roared as Maggot snapped the joint back into place. She rose and half-danced, half-hopped about the room, wounded hand between her legs. “Shit cock twat fucking fuckitall!” “You swear an awful lot,” Maggot frowned. “You said you were going to count three!” Maggot nodded sadly. “You believed me again, didn’t you?” Mia winced, teeth gritted, looking the girl up and down. “ . . . You are very good at this,” she realized. Maggot smiled, patted the bench. “Last one.” Sighing, Mia sat back down, hand shaking with pain as Maggot gently took hold of her middle finger. She looked at Mia solemnly. “Now this one is really going to hurt,” she warned. “Wa—” The Blade flinched as Maggot popped the finger back in. Mia blinked. “Ow?” she said. “All done,” Maggot smiled. “But that was the easiest of the lot?” Mia protested. “I know,” Maggot replied. “I’m—” “—very good at this,” they both finished. Maggot began splinting Mia’s fingers, binding them tight to limit their movement. The three circles branded into the little girl’s cheek weren’t so much of a mystery anymore . . .
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
I get off at Witney. I'm part of the Friday-evening commuter throng, just another wage slave amongst the hot, tired masses, looking forward to getting home and sitting outside with a cold beer, dinner with the kids, an early night. It might just be the gin, but it feels indescribably good to be swept along with the crowd, everyone phone-checking, fishing in pockets for rail passes. I'm taken back, way back to the first summer we lived on Blenheim Road, when I used to rush home from work every night, desperate to get down the steps and out of the station, half running down the street. Tom would be working from home and I'd barely be through the door before he was taking my clothes off. I find myself smiling about it even now, the anticipation of it: heat rising to my cheeks as I skipped down the road, biting my lip to stop myself from grinning, my breath quickening, thinking of him and knowing he'd be counting the minutes until I got home, too.
Paula Hawkins (The Girl on the Train)
Giggling, Cath leaned over the table and scratched him beneath his chin. “You’re perfect no matter your size, Cheshire. But the lemons are safe—I bit one before I started baking.” Her cheeks puckered at the sour memory. Cheshire had started to purr, already ignoring her. Cath cupped her chin with her free hand while Cheshire flopped deliriously onto one side and her strokes moved down to his belly. “Besides, if you ever did eat some bad food, I could still find a use for you. I’ve always wanted a cat-drawn carriage.” Cheshire opened one eye, his pupil slitted and unamused. “I would dangle balls of yarn and fish bones out in front to keep you moving.” He stopped purring long enough to say, “You are not as cute as you think you are, Lady Pinkerton.” Cath tapped Cheshire once on the nose and pulled away. “You could do your disappearing trick and then everyone would think, My, my, look at the glorious bulbous head pulling that carriage down the street!” Cheshire was fully glaring at her now. “I am a proud feline, not a beast of labor.” He disappeared with a huff.
Marissa Meyer (Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles, #4.5))
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?
Melissa Simmons (Best Thing I Never Had (Anthology))
I looked at R. I needed only to lean slightly in his direction for us to be touching. He raised his hand and brushed away a tear at the corner of my eye with his fingers. They were warm. I watched as my tears fell on his hand. And then he took me in his arms. The silence of the night had returned. It suddenly seemed unbelievable that less than an hour ago the doorbell had rung and boots had stomped across the floor above his room. Now I could feel his heart through his sweater. He embraced me gently, his hands encircling my back as though holding a cloud, and at last my tears stopped. Everything that had happened-shopping in the market, the death of the fish, lighting the candles on the cake, opening the music box, the burning of the datebook-seemed like memories from the distant past. We were entirely in the present. There, behind your heartbeat, have you stored up all my lost memories? I thought this to myself, cheek pressed against R’s chest. If I could, I would have liked to take them out and line them up in front of me one by one. I was sure that any memories that remained inside him would be very much alive, so different from my own, which were few in number and very pale-sodden flower petals sinking into the waves at the bottom of the incinerator.
Yōko Ogawa (The Memory Police)
I turned the shower off and, instead of toweling and dressing before the steam on the door mirror cleared, like I normally would, I waited. It was an accident, my beauty revealed to me. I was daydreaming, thinking about the day before, of Trevor and me behind the Chevy, and had stood in the tub with the water off for too long. By the time I stepped out, the boy before the mirror stunned me. Who was he? I touched the face, its sallow cheeks. I felt my neck, the braid of muscles sloped to collarbones that jutted into stark ridges. The scraped-out ribs sunken as the skin tried to fill its irregular gaps, the sad little heart rippling underneath like a trapped fish. The eyes that wouldn’t match, one too open, the other dazed, slightly lidded, cautious of whatever light was given it. It was everything I hid from, everything that made me want to be a sun, the only thing I knew that had no shadow. And yet, I stayed. I let the mirror hold those flaws—because for once, drying, they were not wrong to me but something that was wanted, that was sought and found among a landscape as enormous as the one I had been lost in all this time. Because the thing about beauty is that it’s only beautiful outside of itself. Seen through a mirror, I viewed my body as another, a boy a few feet away, his expression unmoved, daring the skin to remain as it was, as if the sun, setting, was not already elsewhere, was not in Ohio.
Ocean Vuong
Fukuoka, more than any other city in Japan, is responsible for ramen's rocket-ship trajectory, and the ensuing shift in Japan's cultural identity abroad. Between Hide-Chan, Ichiran, and Ippudo- three of the biggest ramen chains in the world- they've brought the soup to corners of the globe that still thought ramen meant a bag of dried noodles and a dehydrated spice packet. But while Ichiran and Ippudo are purveyors of classic tonkotsu, undoubtedly the defining ramen of the modern era, Hideto has a decidedly different belief about ramen and its mutability. "There are no boundaries for ramen, no rules," he says. "It's all freestyle." As we talk at his original Hide-Chan location in the Kego area of Fukuoka, a new bowl arrives on the table, a prototype for his borderless ramen philosophy. A coffee filter is filled with katsuobushi, smoked skipjack tuna flakes, and balanced over a bowl with a pair of chopsticks. Hideto pours chicken stock through the filter, which soaks up the katsuobushi and emerges into the bowl as clear as a consommé. He adds rice noodles and sawtooth coriander then slides it over to me. Compared with other Hide-Chan creations, though, this one shows remarkable restraint. While I sip the soup, Hideto pulls out his cell phone and plays a video of him layering hot pork cheeks and cold noodles into a hollowed-out porcelain skull, then dumping a cocktail shaker filled with chili oil, shrimp oil, truffle oil, and dashi over the top. Other creations include spicy arrabbiata ramen with pancetta and roasted tomatoes, foie gras ramen with orange jam and blueberry miso, and black ramen made with bamboo ash dipped into a mix of miso and onions caramelized for forty-five days.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
Rafael Nicolás (Angels Before Man)
But, after one quick trace of his tongue between her lips, he abruptly pulled away and stepped back from her. She was leaning into him so hard he had to put his hands on her shoulders to steady her. Catherine’s eyes flew open. Releasing her shoulders, he pointed past her to the books he’d set on the desk. She opened her mouth to protest, but closed it again. As she followed Jim, she caught a glimpse of his profile when he picked up the books and slate. There was a smug grin on his face. He was toying with her, teaching her a lesson—that two could play at heating things up and abruptly cooling them down. Indignation and amusement competed in her as she took her seat beside him and he handed her the paper he’d written. She hadn’t set him any homework. He’d done it on his own, printed a brief description of their picnic in short sentences or single words. It was almost like a poem without rhyme. “Fish swim water. Sky. Trees. Leaves. Eat food. Drink.” She smiled at him. “Very good.” He touched his lips, puckering them in a kiss, and tapped the signing book. “Kiss,” she said and looked up the sign for it. “Fingers touching thumbs as both hands come together,” the text said. Her cheeks flushed as she read, “trembling slightly to indicate the degree of passion.” Catherine made the movement as she repeated the word aloud. “Kiss.” Jim copied the movement, shaping his lips like hers. He pointed to the slate and offered her the chalk so she could spell the word. He studied each letter as she wrote it, before printing them himself: K-i-s-s. Catherine’s cheeks flamed even hotter from seeing it written in glaring white against the black slate. Kiss. Kiss. Somehow there seemed to be no denying or hiding it now that it was written down. She glanced at Jim’s lips and her nipples tightened at the memory of his mouth sucking them.
Bonnie Dee (A Hearing Heart)
A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower. “What’cha staring at?” I asked. He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign. I pumped him for more info, to make sure. “What about my tank top?” “You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me. No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch. “Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.” Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh. He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.” “Why not?” “Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that. I shrugged. “Fine, little brim. Little bass.” He walked toward the stairs. “Little striper.” He turned. “What if Sean actually asked you out?” I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“ “He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?” “In his lap?” A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !
Rudyard Kipling (Mandalay)
As Japan recovered from the post-war depression, okonomiyaki became the cornerstone of Hiroshima's nascent restaurant culture. And with new variables- noodles, protein, fishy powders- added to the equation, it became an increasingly fungible concept. Half a century later it still defies easy description. Okonomi means "whatever you like," yaki means "grill," but smashed together they do little to paint a clear picture. Invariably, writers, cooks, and oko officials revert to analogies: some call it a cabbage crepe; others a savory pancake or an omelet. Guidebooks, unhelpfully, refer to it as Japanese pizza, though okonomiyaki looks and tastes nothing like pizza. Otafuku, for its part, does little to clarify the situation, comparing okonomiyaki in turn to Turkish pide, Indian chapati, and Mexican tacos. There are two overarching categories of okonomiyaki Hiroshima style, with a layer of noodles and a heavy cabbage presence, and Osaka or Kansai style, made with a base of eggs, flour, dashi, and grated nagaimo, sticky mountain yam. More than the ingredients themselves, the difference lies in the structure: whereas okonomiyaki in Hiroshima is carefully layered, a savory circle with five or six distinct layers, the ingredients in Osaka-style okonomiyaki are mixed together before cooking. The latter is so simple to cook that many restaurants let you do it yourself on table side teppans. Hiroshima-style okonomiyaki, on the other hand, is complicated enough that even the cooks who dedicate their lives to its construction still don't get it right most of the time. (Some people consider monjayaki, a runny mass of meat and vegetables popularized in Tokyo's Tsukishima district, to be part of the okonomiyaki family, but if so, it's no more than a distant cousin.) Otafuku entered the picture in 1938 as a rice vinegar manufacturer. Their original factory near Yokogawa Station burned down in the nuclear attack, but in 1946 they started making vinegar again. In 1950 Otafuku began production of Worcestershire sauce, but local cooks complained that it was too spicy and too thin, that it didn't cling to okonomiyaki, which was becoming the nutritional staple of Hiroshima life. So Otafuku used fruit- originally orange and peach, later Middle Eastern dates- to thicken and sweeten the sauce, and added the now-iconic Otafuku label with the six virtues that the chubby-cheeked lady of Otafuku, a traditional character from Japanese folklore, is supposed to represent, including a little nose for modesty, big ears for good listening, and a large forehead for wisdom.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
 “You like me, though. You want to go on a date with me.” It wasn’t a question. “Cocky much?” “Confident. Don’t be mistaken.” “Why do you want to take me out so badly?” “Fishing for more compliments, are we?” He’d caught me, but went on anyway. “Obviously you’re beautiful. You have nice, you know, legs and . . . stuff.” “You’re laughing. I don’t think I’m really your type. I think you’re messing with me. I’m not at all like Charlize Theron.” We pulled up to my car but he let Charlize idle before getting out. “You are so my type. Charlize—at least the actress—is not. I mean, she’s gorgeous, in a blond, Amazonian, I-might-kill-and-eat-my-own-young kind of way, but I like your look better.” “Oh yeah? What’s my look?” “There’s something dark about you . . . and interesting. Your creamy skin, your black hair. The way you move. Your mouth.” He reached out to touch my cheek but I jerked away, breaking the seriousness of the moment. “What do you mean I’m dark?” He smiled and shrugged. “I don’t know. Like I want to get naked with you and a Ouija board.” I burst out laughing. “And your laugh . . . it’s like the sound of someone squeezing the life out of a miniature trumpet. It’s really cute.” “That is not a compliment. I have a nice laugh. And by the way, your voice is nasally when you’re not trying to impress people.” He held his hand to his chest like he was offended, except he was still smiling. “I’m crushed. Penny, whatever your last name is—” “Piper.” “Ha! Penny Piper? You’ve got to be kidding! That’s either a children’s book character or a porn star’s name. Penny Piper picked a peck of pickled pep—” “Stop! I know, trust me. I have to live with this name. My poor sister’s name is Kiki Piper. Like we’re fucking hobbits or something.” “Penny Piper is worse than Kiki Piper, hands down.” I cocked my head to the side. “Thanks.” “Just sayin’. What’s your middle name?” “Isabelle.” “I’m gonna call you PIP Squeak.” “Thank you. I can’t wait.” “And by the way, I happen to have a deviated septum. That’s why my voice sounds like this sometimes, you asshole. Now get out and help me with your car.” As we stepped out, he pointed to my Honda and said, “Try and start it when I tell you.” I stopped and turned to him. “What’s your middle and last name?” “Gavin Augusta Berninger.” “Regal,” I said with a wink. “I know, right?” He shrugged one arm like he was royalty or something. “Is that French?” “Yeah, my dad’s family is French . . . sort of. Like, his great-great-grandfather came from France. No one in our family even speaks French.” “Hmm, not so regal anymore,” I said. “Whatever, Penny Piper.
Renee Carlino (Blind Kiss)
There’s my girl.” He tossed the rag to the hearth. “Now, cuddle up. Do you know, I think you put bruises on my arse, woman?” He stretched out on his side, right smack beside her. “You have slain me, Emmie Farnum.” He sighed happily and felt cautiously for her in the dark. His hand found her hair, which he smoothed back in a tender caress. “I badly needed slaying, too, I can tell you.” He bumped her cheek with his nose and pulled back abruptly. “I would have said you were in need of slaying, as well,” he said slowly, “but why the tears, Emmie, love?” There were women who cried in intimate circumstances, a trait he’d always found endearing, but they weren’t Emmie, and her cheek wasn’t damp. It was wet. “Did I hurt you?” he asked, pulling her over his body. He positioned her to straddle him and wrapped an arm around her even while his hand continued to explore her face. He thought he’d been careful, but at the end, he’d been ardent—or too rough? “Sweetheart.” He found her cheek with his lips. “I am so heartily sorry.” “For what?” she expostulated, sitting up on him. “I am the one who needs to apologize. Oh, God, help me, I was hoping you wouldn’t learn this of me, and I tried to tell you, but I couldn’t… I just…” She was working herself up to a state. Even in the dark, her voice alone testified to rising hysteria. “Emmie.” He leaned up and gathered her in his arms. “Emmie, hush.” But she couldn’t hush; she was sobbing and hiccupping and gulping in his arms, leaving him helpless to do more than hold her, murmur meaningless reassurances, and then finally, lay her gently on her side, climb out of bed, and fish his handkerchief out of his pockets. All the while though, he sorted through their encounter and seized upon a credible source of Emmie’s upset. “You were not a virgin,” he said evenly as he tucked the handkerchief into her hand and gathered her back over him. “I was n-n-not,” she said, seizing up again in misery. “And I h-h-hate to cry. But of course you know.” I do now, he thought with a small smile, though had he thought otherwise, he wouldn’t have been so willing to bed her—he hoped. “Cease your tears, Emmie love.” He tucked her closer. “I am sorry for your sake you are so upset, and I hope your previous liaisons were not painful, but as for me, I am far more interested in your future than your past.” A moment of silence went by, his hands tracing lazy patterns on her lovely back, and then she looked up at him. “You cannot mean that.” “I can,” he corrected her gently. “I know you were without anyone to protect you, and you were in service. One of my own sisters was damned near seduced by a footman, Emmie. It happens, and that’s the end of it. Has your heart been broken?” She nodded on a shuddery breath. “Shall I trounce him for you? Flirt with his wife?” “That won’t be necessary,” she said, her voice sounding a little less shaky.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Elizabeth’s breakfast had cured Ian’s hunger, in fact, the idea of ever eating again made his stomach churn as he started for the barn to check on Mayhem’s injury. He was partway there when he saw her off to the left, sitting on the hillside amid the bluebells, her arms wrapped around her knees, her forehead resting atop them. Even with her hair shining like newly minted gold in the sun, she looked like a picture of heartbreaking dejection. He started to turn away and leave her to moody privacy; then, with a sigh of irritation, he changed his mind and started down the hill toward her. A few yards away he realized her shoulders were shaking with sobs, and he frowned in surprise. Obviously there was no point in pretending the meal had been good, so he injected a note of amusement into his voice and said, “I applaud your ingenuity-shooting me yesterday would have been too quick.” Elizabeth started violently at the sound of his voice. Snapping her head up, she stared off to the left, keeping her tear-streaked face averted from him. “Did you want something?” “Dessert?” Ian suggested wryly, leaning slightly forward, trying to see her face. He thought he saw a morose smile touch her lips, and he added, “I thought we could whip up a batch of cream and put it on the biscuit. Afterward we can take whatever is left, mix it with the leftover eggs, and use it to patch the roof.” A teary chuckle escaped her, and she drew a shaky breath but still refused to look at him as she said, “I’m surprised you’re being so pleasant about it.” “There’s no sense crying over burnt bacon.” “I wasn’t crying over that,” she said, feeling sheepish and bewildered. A snowy handkerchief appeared before her face, and Elizabeth accepted it, dabbing at her wet cheeks. “Then why were you crying?” She gazed straight ahead, her eyes focused on the surrounding hills splashed with bluebells and hawthorn, the handkerchief clenched in her hand. “I was crying for my own ineptitude, and for my inability to control my life,” she admitted. The word “ineptitude” startled Ian, and it occurred to him that for the shallow little flirt he supposed her to be she had an exceptionally fine vocabulary. She glanced up at him then, and Ian found himself gazing into a pair of green eyes the amazing color of wet leaves. With tears still sparkling on her long russet lashes, her long hair tied back in a girlish bow, her full breasts thrusting against the bodice of her gown, she was a picture of alluring innocence and intoxicating sensuality. Ian jerked his gaze from her breasts and said abruptly, “I’m going to cut some wood so we’ll have it for a fire tonight. Afterward I’m going to do some fishing for our supper. I trust you’ll find a way to amuse yourself in the meantime.” Startled by his sudden brusqueness, Elizabeth nodded and stood up, dimly aware that he did not offer his hand to assist her.
Judith McNaught (Almost Heaven (Sequels, #3))
Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.
Lara Williams (Supper Club)
Your upbringing must have been the complete opposite of lonely,” she said, “with so many brothers and sisters about.” “You know who I am,” he stated. She nodded. “I didn’t at first.” He walked over to the balustrade and leaned one hip against it, crossing his arms. “What gave me away?” “It was your brother, actually. You looked so alike—” “Even with our masks?” “Even with your masks,” she said with an indulgent smile. “Lady Whistledown writes about you quite often, and she never passes up an opportunity to comment upon how alike you look.” “And do you know which brother I am?” “Benedict,” she replied. “If indeed Lady Whistledown is correct when she says that you are tallest among your brothers.” “You’re quite the detective.” She looked slightly embarrassed. “I merely read a gossip sheet. It makes me no different from the rest of the people here.” Benedict watched her for a moment, wondering if she realized that she’d revealed another clue to the puzzle of her identity. If she’d recognized him only from Whistledown, then she’d not been out in society for long, or perhaps not at all. Either way, she was not one of the many young ladies to whom his mother had introduced him. “What else do you know about me from Whistledown?” he asked, his smile slow and lazy. “Are you fishing for compliments?” she asked, returning the half smile with the vaguest tilt of her lips. “For you must know that the Bridgertons are almost always spared her rapier quill. Lady Whistledown is nearly always complimentary when writing about your family.” “It’s led to quite a bit of speculation about her identity,” he admitted. “Some think she must be a Bridgerton.” “Is she?” He shrugged. “Not that I’m aware of. And you didn’t answer my question.” “Which question was that?” “What you know of me from Whistledown.” She looked surprised. “Are you truly interested?” “If I cannot know anything about you, at least I might know what you know about me.” She smiled, and touched the tip of her index finger to her lower lip in an endearingly absentminded gesture. “Well, let’s see. Last month you won some silly horse race in Hyde Park.” “It wasn’t the least bit silly,” he said with a grin, “and I’m a hundred quid richer for it.” She shot him an arch look. “Horse races are almost always silly.” “Spoken just like a woman,” he muttered. “Well—” “Don’t point out the obvious,” he interrupted. That made her smile. “What else do you know?” he asked. “From Whistledown?” She tapped her finger against her cheek. “You once lopped the head off your sister’s doll.” “And I’m still trying to figure out how she knew about that,” Benedict muttered. “Maybe Lady Whistledown is a Bridgerton, after all.” “Impossible. Not,” he added rather forcefully, “that we’re not smart enough to pull it off. Rather, the rest of the family would be too smart not to figure it out.” -Sophie & Benedict
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Marlene collapses in giggles. I wipe some of the paint from my face, slowly, and then smear it on his cheek. The scent of fish oil wafts through the train car. “Ew!” He squeezes the ball at me again, but the opening is at the wrong angle, and the paint sprays into his mouth instead. He coughs
Veronica Roth (The Divergent Series: Complete Collection)
He tugged on her hand, but instead of going to him, she looked at the timepiece above her breast. “It’s getting late.” “Are you coming over here or not?” “Not.” But she smiled to lessen the refusal. After a moment, he stood. “I was planning to cover the south side tomorrow. Sales have been kind of slow and I need to find us some new subscribers.” Unfolding herself from the couch, she rose as well. “Does SWT&T know who you are?” “Only the chairman. Everyone else thinks I’m a troubleman, including our boss.” She tilted her head. “Are you really going to try and sell phones or are you doing your, um, other work?” He ran the back of his knuckles against her cheek. “Both. I’m always doing both.” Twisting her face to the side, she gave his hand a peck. “You be careful, then.” He slid his hand around the nape of her neck, and gently pulled her toward him. Defenses melting, she let him reel her in as surely as if she were one of his fish. The kiss was slow, gentle, and devastating. “If I don’t see you tomorrow,” he whispered, “I’ll see you on Tuesday.
Deeanne Gist (Love on the Line)
Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands. For a silent minute or two they worked on each other. Daisy was so intent on the task that the impropriety of her position didn’t occur to her at first. For the first time she was close enough to notice the variegated blue of his eyes, ringed with cobalt at the outer edge of the irises. And the texture of his skin, satiny and sun-hued, with the shadow of close-shaven stubble on his jaw. She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers. They both went still at the same moment, caught together in a half-embrace while every cell of Daisy’s skin seemed to fill with liquid fire. Fascinated, disoriented, she let herself relax into it, feeling the throb of her pulse in every extremity. There were no more feathers, but Daisy found herself gently lacing her fingers through the dark waves of his hair. It would be so easy for him to roll her beneath him, his weight pressing her into the damp earth. The hardness of their knees pressed together through layers of fabric, triggering a primitive instinct for her to open to him, to let him move her limbs as he would. She heard Swift’s breath catch. He clamped his hands around her upper arms and unceremoniously removed her from his lap. Landing on the grass beside him with a decisive thump, Daisy tried to gather her wits. Silently she found the pen-knife on the ground and handed it back to him. After slipping the knife back into his pocket, he made a project of brushing feathers and dirt from his calves. Wondering why he was sitting in such an oddly cramped posture, Daisy struggled to her feet. “Well,” she said uncertainly, “I suppose I’ll have to sneak back into the manor through the servants’ entrance. If Mother sees me, she’ll have conniptions.” “I’m going back to the river,” Swift said, his voice hoarse. “To find out how Westcliff is faring with the reel. And maybe I’ll fish some more.” Daisy frowned as she realized he was deliberately avoiding her. “I should think you’d had enough of standing up to your waist in cold water today,” she said. “Apparently not,” Swift muttered, keeping his back to her as he reached for his vest and coat.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
CHRISTOPHER CALLAN, Number Twelve, drove across town to Hackney, following his satnav to Victoria Park. It was a hot, sticky night, and he drove with the windows open, the warm breeze blowing onto his face. He looked around distastefully. It was a mongrel area: million-pound houses cheek by jowl with slumlike high-rises. He reversed into a parking space in one of the better streets, locked the car, and set off the rest of the way on foot. His destination was marked on his phone’s map, and he followed it across the southern end of the park, alongside a wide boating lake with a fountain throwing water into the air and Polish immigrants fishing for their dinners from the banks. Finally, he turned onto Grove Road.
Mark Dawson (The Cleaner (John Milton, #1))
We return to some spaces in the world because we enter them and feel that they were made for us. Others, we come back to because we wish that they were. And still others pull us back despite our resistance, despite the grief they cause us, like there's some filament - fine and strong as fishing line - stretched from a hook in our cheek all the way to that ground.
Molly McCully Brown (Places I've Taken My Body: Essays)
He took Mephi. And I know where he’ll take him to.” He took his hands in mine. His fingers were cold, though mine weren’t much warmer. “Then you have to go.” There wasn’t anything else he could do. The thought of someone taking Thrana, of not knowing where she was, of knowing she was in unfamiliar hands—I couldn’t bear it. “You have to find him.” He ran his fingers over my knuckles, his gaze on our entwined hands. “I shouldn’t leave you. I’m your Captain of the Imperial Guard. You’ll need me now, more than ever.” Now that the Alanna were returning. Now that we knew that their motives were as varied as the fish in the sea. “We both know Mephi needs you more. Take whatever you need from the ship. Money. Supplies. Witstone. It’s all yours.” I could feel the pull to be out on the open sea, away from the mess of politics, trying to untangle the knots my father had wrought. “I wish I could go with you.” He sighed. “But you can’t.” I tugged him in closer, reaching up to press my lips to his. He tasted earthy, like mud and rainwater. His clothes were heavy with moisture, as were mine. But I could feel the heat of him beneath, and it warmed me more than a roaring fire. “Lin,” he said, breathless, again my mouth. To the depths of the Endless Sea with propriety. I seized his collar with mud-caked hands, pressing against him, knowing this could be the last time. The last kiss, the last embrace, the last time I ever saw him. It felt like drowning, but with no urge to come up for air. He caught me, one arm around my waist, the other lifting to cup my cheek, to dig fingers into the tangle of my hair. I wished I could live in this moment. I wished it never had to end. But for ever was a term for fools and poets. I was neither. I pulled away. “I don’t care where you came from. I don’t care about your heritage. Come back to me.” I didn’t ask, but he offered it anyway. “I promise.” He took my hand and held it over his heart. It beat, strong and steady, beneath my palm. “And I’ll never break a promise to you again.” Before I could respond he was gone.
Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
He took Mephi. And I know where he’ll take him to.” He took his hands in mine. His fingers were cold, though mine weren’t much warmer. “Then you have to go.” There wasn’t anything else he could do. The thought of someone taking Thrana, of not knowing where she was, of knowing she was in unfamiliar hands—I couldn’t bear it. “You have to find him.” He ran his fingers over my knuckles, his gaze on our entwined hands. “I shouldn’t leave you. I’m your Captain of the Imperial Guard. You’ll need me now, more than ever.” Now that the Alanga were returning. Now that we knew that their motives were as varied as the fish in the sea. “We both know Mephi needs you more. Take whatever you need from the ship. Money. Supplies. Witstone. It’s all yours.” I could feel the pull to be out on the open sea, away from the mess of politics, trying to untangle the knots my father had wrought. “I wish I could go with you.” He sighed. “But you can’t.” I tugged him in closer, reaching up to press my lips to his. He tasted earthy, like mud and rainwater. His clothes were heavy with moisture, as were mine. But I could feel the heat of him beneath, and it warmed me more than a roaring fire. “Lin,” he said, breathless, again my mouth. To the depths of the Endless Sea with propriety. I seized his collar with mud-caked hands, pressing against him, knowing this could be the last time. The last kiss, the last embrace, the last time I ever saw him. It felt like drowning, but with no urge to come up for air. He caught me, one arm around my waist, the other lifting to cup my cheek, to dig fingers into the tangle of my hair. I wished I could live in this moment. I wished it never had to end. But for ever was a term for fools and poets. I was neither. I pulled away. “I don’t care where you came from. I don’t care about your heritage. Come back to me.” I didn’t ask, but he offered it anyway. “I promise.” He took my hand and held it over his heart. It beat, strong and steady, beneath my palm. “And I’ll never break a promise to you again.” Before I could respond he was gone.
Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
Diana loosened a sliver of halibut with her fork and slipped it into her mouth. She closed her eyes, tasting the sweetness of the fish; the tart, juicy tomatoes; oil and butter and garlic and thyme. "Good?" asked Reese. His eyes were dark brown behind his glasses, and there was a deep dimple in his left cheek. She chewed and swallowed. "So good." He was still watching her, clearly expecting more. "I don't even like fish, usually. But this- it's so sweet! The tomatoes..." "They're from a farm in Truro. They turn into jam when you reduce them. They're my favorite," he said, voice lowered, like he was telling her a secret, or like he didn't want to hurt the figs' or the bok choy's feelings. "We source as many of our ingredients locally as we can. Our milk and eggs, our butter, our honey- everything we can get from around here, we do.
Jennifer Weiner (That Summer)
My mouth twitches and I reach up and grab his face between my palms. “Umpf,” he says as I squeeze his cheeks together so he looks like a fish.
Lily Morton (Merry Measure)
She is a tiny woman with feelings and opinions and a sense of humour and I want her to be mine alone. She is a little girl who blows out her cheeks to do impressions of puffer fish whenever she’s bored. She fits in my arms so perfectly now, but sometime soon she’ll be desperate to escape them and this is where it begins. This is where she starts to learn to live without me.
Anna Whitehouse (Underbelly)
I’d done it for myself, and for my parents, and for these people: for my grandfather, for Basia, for my second cousin Ilena coming down the stairs and kissing us on our cheeks before she climbed into the waiting cart to set off for her own home in another narrow village where she lived with seven other houses around hers and every village around them hating them all. I’d done it for the men and women going by in the street in front of my grandfather’s house. Lithvas didn’t mean home to me; it was just the water we lived beside, my people huddled together on the riverbanks, and sometimes the wave came rolling up the slope and dragged some of us down into the depths for the fish to devour. I didn’t have a country to do it for. I only had people, so what about those people: what about Flek, and Tsop, and Shofer, whose lives I’d bound to mine, and a little girl I’d given a Jewish name like a gift, before I’d gone away to destroy her home?
Naomi Novik (Spinning Silver)
He laughed. “In our line of work, a lot of things tend to break, though not usually when I’m sleeping on them.” “You mean you’ve never broken a bed before? I find that hard to believe.” He squeezed me tighter against him. “Not everyone’s as enthusiastic as you are.” “I’m not always that enthusiastic.” “Really?” “Are you fishing for compliments?” Giorgio brushed his thumb over my cheek. “No. I just… You’re so full of life and energy, and I assumed that was normal for you.” “I’m not saying I’m quiet. I don’t lie there and think of England.” He snorted. “I should hope not.
Silvia Violet (Giorgio (Vigilance #1))
All day you have been on my mind A seagull perched on an old wharf piling by the steely grip of its claws shrieking when any other comes too near waiting for fish or what the tide brings shaking out its long white wings like laundry. All day you have been on my mind a thrift store glamour hat that doesn't fit with a perky veil scratching my cheek with a feather hanging down like a broken tail.
Marge Piercy (The Moon Is Always Female: Poems)
I am a dark clodling deep inside the coddling sea, thick with drifts of tiny dead: fish, gribkin, sponge. Cheek and jowl a soupy seeping is I, a lulled, dull clump and wondrous lumping, quiet, secrety.
Cat Woodward (Strange Shape)
There are always more fish in the sea, Kai.” “Are there?” “Yes.” He got up and patted my cheeks cheerfully and messed up my hair. “And lucky for you, we live next to an ocean.
Randi Rigby (Dibs (Dryden High #1))
Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
Famous The river is famous to the fish. The loud voice is famous to silence, which knew it would inherit the earth before anybody said so. The cat sleeping on the fence is famous to the birds watching him from the birdhouse. The tear is famous, briefly, to the cheek. The idea you carry close to your bosom is famous to your bosom. The boot is famous to the earth, more famous than the dress shoe, which is famous only to floors. The bent photograph is famous to the one who carries it and not at all famous to the one who is pictured. I want to be famous to shuffling men who smile while crossing streets, sticky children in grocery lines, famous as the one who smiled back. I want to be famous in the way a pulley is famous, or a buttonhole, not because it did anything spectacular, but because it never forgot what it could do.
Naomi Shihab Nye
The dusky-pink pollock roe she removed from its polystyrene packaging gleamed wetly and, for an instant, the image of Kaiji's puckered lips passed through her mind. Leaving its outer skin on, she broke up the roe with a fork and mixed it unfussily into the spaghetti. She sliced off a knob of the Calpis with a knife and perched it on top, then watched as the pale-yellow solid gently began to change color, spreading out to the sides and turning golden, mingling with the fish eggs. The full, milky aroma of the butter married with the salty marine tang of the roe as the scent of the dish went rising up to her face, and she breathed it deeply into her lungs. She garnished the pasta with a scattering of shiso leaves she'd torn up with her fingers, then moved the bowl of pasta over to her cardboard box. There was a rosy-cheeked frankness about the pink of the roe, and in combination with the oozing butter, it looked positively carefree. Rika tool up her fork and wound up the spaghetti, before lifting it to her mouth. Cloaked in a coating of minuscule fish eggs and butter, the spaghetti strands sprang around Rika's tongue as if in excitement. The dish was adequately salted, but there was a relaxed, mellow quality to its taste. What a wonderful combination pollock roe and butter made!
Asako Yuzuki (Butter)
Do you guys have any questions?" she asked after they popped their first tastes. "Is there butter in this branzino al sala?" asked a ruddy-cheeked guy who was the latest addition to the team, his mouth full of fish. "First, 'sala' is a room. It's 'sale'- as in 'salt.' But only tell people that if they specifically ask, otherwise they'll assume it's too salty. And tell them the salt, which dries into a hard crust that's cracked open at the end, preserves the fish's natural flavors and juices as it cooks so it's moist and tender. And no butter, just olive oil, fresh thyme, chervil, and lemon." "Push this one, guys. We're selling it at thirty-three bucks a pop," Bernard said without looking up from his clipboard. "Really?" Georgia said. "A little high for my taste, but almost worth it." "So, it's rich and flavorful?" the new guy continued hopefully. She shook her head. "Subtle and delicate. Tell them we only serve this when the branzino is really top-notch. Say that and it'll fly.
Jenny Nelson (Georgia's Kitchen)
We’re not going to give in. We’re going to fight.” “Got that right,” a voice cried out. “First thing we need to have clear: there’s no line between freak and normal here. If you have the power, we’ll need you. If you don’t, we’ll need you.” Heads were nodding. Looks were being exchanged. “Coates kids, Perdido Beach kids, we’re together now. We’re together. Maybe you did things to survive. Maybe you weren’t always brave. Maybe you gave up hope.” A girl sobbed suddenly. “Well, that’s all over now,” Sam said gently. “It all starts fresh. Right here, right now. We’re brothers and sisters now. Doesn’t matter we don’t know each other’s names, we are brothers and sisters and we’re going to survive, and we’re going to win, and we’re going to find our way to some kind of happiness again.” There was a long, deep silence. “So,” Sam said, “my name is Sam. I’m in this with you. All the way.” He turned to Astrid. “I’m Astrid, I’m in this with you, too.” “My name is Edilio. What they said. Brothers and sisters. Hermanos.” “Thuan Vong,” said a thin boy with yet-unhealed hands like dead fish. “I’m in.” “Dekka,” said a strong, solidly built girl with cornrows and a nose ring. “I’m in. And I have game.” “Me too,” called a skinny girl with reddish pigtails. “My name’s Brianna. I…well, I can go real fast.” One by one they declared their determination. The voices started out soft and gained strength. Each voice louder, firmer, more determined than the one before. Only Quinn remained silent. He hung his head, and tears rolled down his cheeks. “Quinn,” Sam called to him. Quinn didn’t respond, just looked down at the ground. “Quinn,” Sam said again. “It starts fresh right now. Nothing before counts. Nothing. Brothers, man?” Quinn struggled with the lump in his throat. But then, in a low voice, he said, “Yeah. Brothers.
Michael Grant
Did you see a lot of combat?” she asked. “A lot of combat,” he answered, directing the bottle into the baby’s mouth expertly. “Somalia, Bosnia, Afghanistan, Iraq. Twice.” “No wonder you just want to fish.” “Twenty years in the marines will make a fisherman out of just about anyone.” “You seem too young to have retired.” “I’m forty. I decided it was time to get out when I got shot in the butt.” “Ouch. Complete recovery?” she asked, then surprised herself by feeling her cheeks grow warm. He lifted a corner of his mouth. “Except for the dimple. Wanna see?” “Thanks,
Robyn Carr (Virgin River (Virgin River #1))
Tell us about your man,” Susan said. “Oh, Jack’s not my man,” she said automatically. “He is the first friend I made in Virgin River, however. He runs a little bar and grill across the street from Doc’s—as much a meeting place as a restaurant. They don’t even have a menu—his partner, a big scary-looking guy named Preacher who turns out to be an angel—cooks up one breakfast item, one lunch item and one dinner item every day. On an ambitious day, they might have two items—maybe something left from the day before. They run it on the cheap, fish a lot, and help out around town wherever needed. He fixed up the cabin I was given to stay in while I’m there.” The women didn’t say anything for a moment. Then Susan said, “Honey, I have a feeling he doesn’t think of you as a friend. Have you seen the way he looks at you?” She glanced at him and as if he could feel her gaze, he turned his eyes on her. Soft and hard all at once. “Yeah,” Mel said. “He promised to stop doing that.” “Girl, I’d never make a man stop doing that to me! You can’t possibly not know how much he—” “Susan,” June said. “We don’t mean to pry, Mel.” “June doesn’t mean to pry, but I do. You mean to say he hasn’t…?” Mel felt her cheeks flame. “Well, it isn’t what you think,” she said. June and Susan burst out laughing, loud enough to cause the men to turn away from their conversation and look up at the porch. Mel laughed in spite of herself. Ah, she had missed this—girlfriends. Talking about the secret stuff, the private stuff. Laughing at their weaknesses and strengths. “That’s what I thought,” Susan said. “He looks like he can’t wait to get you alone. And do unspeakable things to you.” Mel
Robyn Carr (Virgin River (Virgin River #1))
She walked to a nearby bench piled high with shoes and outerwear, sat down, and unlaced her skates. Gabe’s gaze focused on her foot, and for a moment he was back in the basement with his hands on her leg. “So what brings you to Hummingbird this early in the day?” she asked. Distracted, he said, “Hmm?” “If you didn’t come to skate, are you here to go ice fishing?” “Oh.” He shook his head. “No. I was just taking the long way to work. It’s a pretty morning. Beautiful.” Beautiful. She was beautiful, with her cheeks rosy, her blue eyes sparkling, and her blond ponytail sliding like silk over her shoulders. Her petite but lush curves were on glorious display in the tight-fitting clothes. His fingers itched to reach out and touch. His
Emily March (Angel's Rest (Eternity Springs, #1))
Prophet quickly fished the condom out of his pocket, tore his jeans down, and suited up while Tommy turned to look at him. Prophet fisted a hand in his hair, holding the man’s cheek down to the table while he entered him, hard and fast. He didn’t stop, rocked his pelvis back and forth, watching his cock slide in and out of Tommy. Tommy, who’d raised his hands over his head to clutch the underside of the table. Tommy, whose muscles and ink formed the perfect, masculine lines along his back, his skin shining with sweat.
S.E. Jakes (Catch a Ghost (Hell or High Water, #1))
Your river is gorgeous.” I leaned through a cloud of clean-smelling hair tonic to kiss his cheek. “It was gleaming with fish when we crossed it.” “Glad you’re keen on the trout.
Paula McLain (Circling the Sun)
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Mr. Rutledge, please don’t take this as an affront, but you don’t have the qualities I seek in a husband.” “How do you know? I have some excellent qualities you haven’t even seen yet.” Poppy gave a shaky laugh. “I think you could talk a fish out of its skin,” she told him. “But still, I don’t—” She stopped with a gasp as he ducked his head and stole an off-center kiss from her lips, as if her laughter were something he could taste. She felt the imprint of his mouth even after he drew back, her excited nerves reluctant to release the sensation. “Spend an afternoon with me,” he urged. “Tomorrow.” “No, Mr. Rutledge. I’m—” “Harry.” “Harry, I can’t—” “An hour?” he whispered. He bent to her again, and she turned her face away in confusion. He sought her neck instead, his lips brushing the vulnerable flesh with half-open kisses. No one had ever done such a thing, even Michael. Who would have thought it would feel so delicious? Dazed, Poppy let her head fall back, her body accepting the steady support of his arms. He searched her throat with devastating care, touching his tongue to her pulse. His hand cradled her nape, the pad of his thumb tracing the satiny edge of her hairline. As her balance faltered, she reached around his neck. He was so gentle, teasing color to the surface of her skin, chasing little shivers with his mouth. Blindly she followed, wanting the taste of him. As she angled her face toward his, her lips grazed the close-shaven surface of his jaw. His breath caught. “You should never cry over a man,” he said against her cheek. His voice was soft, dark, like smoked honey. “No one is worth your tears.” Before she could answer, he caught her mouth in a full, open kiss.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
She was momentarily distracted by the way he held the book in his hands, his fingertips subtly caressing the kid-leather binding. He had princely hands; they were large and manly, full of strength, yet ineffably elegant. She routed a shivery-sweet memory of those smooth, warm hands gliding up under her skin. "You wished to see me, my lord?" she asked in a studiedly formal tone, one hand still on the door latch. " 'Come live with me and be my love, And we will some some new pleasures prove, Of golden sands and crystal brooks, With silken lines and silver hooks.' " Alice blinked in surprise. "I beg your pardon?" He slid her a disarming, rather wily smile, and continued in a low, magical singsong: " 'Thee will the river whispering run, Warmed by thine eyes more than the sun. And there the enamored fish will stay, Begging themselves they may betray. When thou wilt swim in that live bath, Each fish, which every channel hath, Will amorously to thee swim, Gladder to catch thee, than thou him.' " A blush crept into her cheeks as pink as the rose he had sent her, but she gave him an arch look. Did the cad really expect her to fall for this?
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Kahnawake August 1704 Temperature 75 degrees “It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?” Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear. Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face. Mercy stumbled back from him. Her bear grease stained his clothing. “Mercy,” he said, turning away from her, “go cover yourself.” Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet. Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping. She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked. Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.” No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back. On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.” Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.” Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--” The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.” Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?” “Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?” Joseph swallowed and wet his lips. “No.” He could barely get the syllable out. Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed. “Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?
Caroline B. Cooney (The Ransom of Mercy Carter)
We go back to our silent fishing, but I'm smiling the whole time. The tension has dimmed. Well, until Blake shoves Graham into the river. A gasp leaves me, my mouth hanging open as I watch my roommate sputter to the surface of the dirty water. I drop my fishing pole, frozen in place. My dad mutters, “What the hell?” Blake throws his head back and laughs like I have never seen nor heard him laugh before. The loud and hearty sound is cut off short when Graham comes barreling out of the water, his body aimed straight for him, his eyes daggers of retribution. He lunges for his brother, wrapping his arms around his stomach and heaving him toward the water. Blake stumbles back, landing on his rear just inside the water. The sound of jeans smacking into water is sharp. He swipes water out of his eyes as Graham smirks at him. “What is wrong with you two?” I demand, more annoyed than worried. They seem to be getting along, even if they are being brutish about it. Suddenly I have the attention of two wet men, twin calculating gleams in their eyes. Graham is closest, his steps slow and purposeful as he approaches me. “Don't even think about it.” I put my hands out in front of me to ward him off. His grin deepens as he reaches me. Water drips from his hair down his face to become one with his soggy clothes. “Don't think about what?” A glance over my shoulder tells me a tree, the first form of cover I think of, is too far away. Not one to give up, I move for it anyway, but a wet, strong hand grabs the back of my shirt and pulls me away from where I want to go until I am flush with a cold chest. Cold clothes; warm body, I should say. His skin is burning through the dampness of his shirt. “Graham, I swear, if you throw me in that water, I will never speak to you again.” His voice is low and close as he says, “You make it sound like that wouldn't be a good thing.” I haven't even finished my sound of incredulity before I am gathered into his arms, my arms unconsciously going around his neck to anchor me to him. His touch is gentle, his eyes are smiling. “I mean it. This won't be good for you.” “Oh, I don't know about that.” His arms swing out, and I tighten my hold on him, threatening him even as he is laughing at me. He does it again as we move closer to the water and I glare all my irk at him. “If I go, you go.” He tilts his head as he studies me. His voice is unnaturally sober as he tells me, “That's fine with me.” I don't have time to process that before he lets go of me. I hit the water, refusing to let go of his neck, and we both go under. Lucky for me, the water is only a couple feet deep. Unlucky for Graham, I twist around until I am straddling him, keeping him down with my weight so the only thing above water is his head. I give him a sweet smile. He doesn't return it. “Hi,” I purr. He grunts in response. “Fancy meeting you here.” “What can I say? Where you go, I follow.” I pat his cheek. “That's so sweet.” “I'm a sweet guy.” “So sweet,” I agree. “Hey! You're scaring the fish away.” This from Blake, who is now standing near my father. “The fish love me!” I declare, sweeping my arms out wide and losing my balance. I splash into the water, first laughing, and then choking as water goes down my throat. Graham lifts me out of the water by my shirt. “The weight of your arrogance obviously tipped you over.” “It was more like the air couldn't handle all my splendor.” Half of his mouth lifts. “Something like that.” “Fishing with the three of you is impossible,” Dad grumbles and stomps to the cooler, opening a can of soda and gulping it down
Lindy Zart (Roomies)
We flopped like landed fish down the shallow submerged steps, splashing and sinking into the warm, scented waters beneath the fantastical glass and mural ceiling. And it was the closest I’d been to happiness in months. The closest since Mael. I closed my eyes and sank into the soothing warmth, feeling my muscles melt like they had when he’d kissed me that morning in the vale. I’d almost forgotten what that had felt like. The steam rose off the surface of the water until I couldn’t see old Gruoch where she sat on her bench. Even Elka, drifting motionless on the other side of the pool, was just a shadow. I could have stayed there forever, my hair floating out all around me, wrapped in mist and dreaming and the scent of flowers. I barely felt the tears sliding down my cheeks.
Lesley Livingston (The Valiant (The Valiant, #1))
Your wooden walls are far away, Yellow Hair. If you try to slip away, this Comanche will find you.” Until that moment, the thought of swimming off hadn’t occurred to her. She shot a glance over her shoulder at the swift current. If only she had clothes… “You do not make like a fish so good. Save this Comanche much trouble, eh?” She thought she detected laughter in his voice, but when she looked back at him, his gaze, blue-black and piercing, was as unreadable as ever. He studied her for several endless seconds. She wondered what he was thinking and decided, from the gleam in his eye, that she didn’t want to find out. “Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it.
Catherine Anderson (Comanche Moon (Comanche, #1))
The agent smiled, her cheeks a bit pink from the cold. “The door is original to the home, built in 1890. I love the fish-scale shingles on the siding. It completes the wonderful Victorian look.” She pointed up at the house as she spoke, her shoulder-length hair blowing in the breeze.
Victorine E. Lieske (Not What She Seems)
Have you ever heard the song ‘My Love’s a Bonny Lady, if Only She Weren’t a Fish’?”   “Is it about a mermaid?”   Fred shook his head. “Nope.”   Fred taught her the song, and soon she was joining in on the refrain:   Her skin’s as pretty as lilies, her eyes as bright as a star,   If only she could come up here, she’d be the prettiest girl by far.   Alas, she’s under the ocean, I cannot kiss her there,   For whenever I duck my head under, I come gasping up for air.   A kiss, a kiss, I’d give my fish a kiss.   My lady lies under the ocean where I cannot get a kiss.   Fred beamed at her as she finished the verse. “Okay,” he said, “now you’ve got to learn the hand motions. Keep rhythm with your foot and lift your hand up as though you’ve got a mug of beer in it.”   He raised her arm and folded her fingers around an imaginary mug handle. “Now pretend you’re in the pub, swinging the mug to the tune, and when you get to the part ‘whenever I duck my head under,’ duck your head”—gently, he pushed her head down and to the side—“and tip the mug. It’s not quite as entertaining without the beer actually splashing down on your face, but you get the idea.”   Kyra’s long hair caressed her cheek. From that angle she asked, “Are you serious? You pour beer on your face?”   “Well, you aim for your mouth.”   “I’m sure this is extremely popular with pub owners.”   “If it keeps the customers happy… Once through with the hand motions?
Bridget Zinn (Poison)
His main ingredient is sea bream... At least the head of one!" Aah, now I see. He's making Fish-Head Curry! FISH-HEAD CURRY Originating in Singapore and Malaysia... ... it uses the whole head of a white-meat fish so that even delicately flavorful parts, like the eyes and cheeks, can be enjoyed! "Next, he's put some baking powder into a bowl... ... along with baking soda... yogurt... It's naan! He's making naan bread!" "So he intends to serve his curry with naan instead of rice? That's fairly... ordinary." "I'd expected something a little more unique from Professor Shiomi's prized apprentice." "Isn't it a display of confidence on his part? Not relying on some wacky, unusual dish to generate surprise?" "No... That naan. If he's doing what I think he's doing...!" "Shhh. That's right, Jun. This... ... is just the beginning of my dish! " "Hayama has left the naan to rise... returning to his curry! He's adding a pinch of lemongrass for fragrance, and-" "Whoa! It's a dash of freshness to the otherwise mild and soft coconut milk..." "Just the refreshing scent is enough to make my mouth water!
Yūto Tsukuda (食戟のソーマ 6 [Shokugeki no Souma 6] (Food Wars: Shokugeki no Soma, #6))
She’s all yours. The she devil made it abundantly clear from day one. But let me tell you one thing.” Leaning his forearms on his knees, my brother squints at me. “Any woman that can gut a demon like a fish has my respect. One like your mate, who is capable of disintegrating jinn, has me clenching my ass cheeks singing yes ma’am any day.
Maya Daniels (To Look the Devil in the Eye (Broken Halos #5))
Fishmonger I have taken scales from off The cheeks of the moon. I have made fins from bluejays’ wings, I have made eyes from damsons in the shadow. I have taken flushes from the peachlips in the sun. From all these I have made a fish of heaven for you, Set it swimming on a young October sky. I sit on the bank of the stream and watch The grasses in amazement As they turn to ashy gold. Are the fishes from the rainbow Still beautiful to you, For whom they are made, For whom I have set them, Swimming?
Marsden Hartley