“
I like the moment when I break a man's ego
”
”
Bobby Fischer
“
If you're bumming out, you're not gonna get to the top, so as long as we're up here we might as well make a point of grooving. (Quoting Scott Fischer)
”
”
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
“
In a decaying society, art, if it is truthful, must also reflect decay. And unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.
”
”
Ernst Fischer
“
Nothing eases suffering like human touch.
”
”
Bobby Fischer (Chess Meets of the Century)
“
He's satisfied with himself. If you have a soul you can't be satisfied.
”
”
Graham Greene (Doctor Fischer of Geneva or The Bomb Party)
“
I don't keep any close friends. I don't keep any secrets. I don't need friends. I just tell everybody everything, that's all.
”
”
Bobby Fischer
“
You know, surprisingly, they don't sell a lot of brains in the local 24-hour grocery store around the corner from my house.
”
”
Rusty Fischer (Zombies Don't Cry (Living Dead Love Story, #1))
“
I don’t believe in psychology. I believe in good moves.
”
”
Bobby Fischer
“
Your body has to be in top condition. Your chess deteriorates as your body does. You can’t separate body from mind.
”
”
Bobby Fischer
“
No amount of intelligence can save you from stupidity.
”
”
Tibor Fischer (The Thought Gang)
“
Bexley Fischer will just have to accept that I’m going to be her king.
”
”
V. Theia (Manhattan Storm (From Manhattan #3))
“
So why are you so mad at me for kissing you?”
“Because you took too long. If you'd done that, say, three years ago, we wouldn't have only had one kiss before we both get horribly mutilated.
”
”
Rusty Fischer (Ushers, Inc.)
“
Practice isn’t the thing you do once you’re good. It’s the thing you do that makes you good.
”
”
Frank Brady (Endgame: Bobby Fischer's Remarkable Rise and Fall—From America's Brightest Prodigy to the Edge of Madness)
“
That's what chess is all about. One day you give your opponent a lesson, the next day he gives you one.
”
”
Bobby Fischer
“
I look at her and ask, flat out, "What's up?" Girl talk, of course, for, Back off my man, biotch.
”
”
Rusty Fischer (Zombies Don't Cry (Living Dead Love Story, #1))
“
Chess is war over the board. The object is to crush the opponent's mind.
”
”
Bobby Fischer
“
Don’t even mention losing to me. I can’t stand to think of it.
”
”
Bobby Fischer
“
I’m basically on a pity date, but what beautiful Bexley Fischer doesn’t realize. I’m a ball player, and I go all out to win.
I’m going to win her.
”
”
V. Theia (Manhattan Storm (From Manhattan #3))
“
I want to fuck Bexley Fischer like she’s never been fucked before. Wipe all other pleasure from her memory and replace it with the bone shaking pleasure I ache to give her.
”
”
V. Theia (Manhattan Storm (From Manhattan #3))
“
Each and every one of us has their own weirdness, it’s just that it’s more obvious with some people than others.
”
”
Christoph Fischer (Conditions)
“
There are tough players and nice guys, and I’m a tough player.
”
”
Bobby Fischer
“
A strong memory, concentration, imagination, and a strong will.
”
”
Bobby Fischer
“
Few pleasures are greater than knowing you can close your door, ignore the world and create your own.
”
”
Tibor Fischer (Voyage to the End of the Room)
“
Free will," she agreed, "our greatest gift, the thing that makes life worth living, in spite of all the anguish it brings.
”
”
Dean Koontz (Saint Odd (Odd Thomas, #7))
“
I love the story of the Frankenstein monster, because it's about a man made up of all these bad parts and yet he still tries to do something decent and be someone decent.
”
”
Todd Fischer
“
Someday computers will make us all obsolete. (1975)
”
”
Bobby Fischer
“
To become a chess grandmaster also seems to take about ten years. (Only the legendary Bobby Fischer got to that elite level in less than that amount of time: it took him nine years.) And what’s ten years? Well, it’s roughly how long it takes to put in ten thousand hours of hard practice. Ten thousand hours is the magic number of greatness.
”
”
Malcolm Gladwell (Outliers: The Story of Success)
“
This year, everything is going to be different. No one in Fischer Hall is going to die this year. Not even accidentally.”
“How are you going to manage that?” Coop asks, gnawing on a Chinese sparerib. “Bubble wrap all your residents?
”
”
Meg Cabot (The Bride Wore Size 12 (Heather Wells, #5))
“
I prepare myself well. I know what I can do before I go in. I’m always confident.
”
”
Bobby Fischer
“
Sometimes, you get answers to questions you never thought to ask. And sometimes, the answers make you wish you hadn’t asked the questions in the first place.
”
”
Zack Stentz (Colin Fischer)
“
It's funny, ma'am, how sometimes you're so sarcastic but it doesn't sting."
"Because of my dimples. Dimples are a get-out-of-jail-free card
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
All that matters on the chessboard is good moves.
”
”
Bobby Fischer
“
There is life after abuse. This is mine.
”
”
Lindsay Fischer (The House on Sunset)
“
I don’t listen to weakies.
”
”
Bobby Fischer
“
I consider myself to be a genius who happens to play chess.
”
”
Bobby Fischer
“
Americans tended to think of war as something that had to be done from time to time, for a particular purpose or goal. They fought not for the sake of fighting but for the sake of winning.
”
”
David Hackett Fischer (Washington's Crossing)
“
Why is erasing desire seen as so important? If the subjugation of the self is the point of the self what's the point in having a self? It's like someone handing you a leaflet which says throw this leaflet away.
”
”
Tibor Fischer (Voyage to the End of the Room)
“
Many of us, I suppose, see our existences not as lives, but as life-holders, zarfs, waiting for the job, the person, the event to fill it.
”
”
Tibor Fischer (The Thought Gang)
“
I doubt if ever one ceases to love, but one can cease to be in love as easily as one can outgrow an author one admired as a boy.
”
”
Graham Greene (Doctor Fischer of Geneva or The Bomb Party)
“
Life is a ticket to the greatest show on earth.
”
”
Martin H. Fischer
“
Don't fuck with me. I don't like it and I know your mother."
--Jory to a Handsy-Hayes Fischer
”
”
Mary Calmes (Bulletproof (A Matter of Time, #5))
“
I wanted to become world champion, and in this respect school couldn’t give me anything… It is better to be one of the strongest chess players in the world, than to be one of many thousands with a diploma.
”
”
Bobby Fischer
“
Every project you finish has value.
”
”
Jenna Fischer (The Actor's Life: A Survival Guide)
“
I always consider every place worth exploring once- just in case there's a thirty foot flaming sign divulging the secret of life, that no one has told me about.
”
”
Tibor Fischer (The Thought Gang)
“
Don’t worry about being good. Worry about saying things precisely. Worry about saying things in a way that makes them more than what they are.
”
”
Bronwyn Fischer (The Adult)
“
Until Washington crossed the Delaware, the triumph of the old order seemed inevitable. Thereafter, things would never be the same again.
”
”
David Hackett Fischer (Washington's Crossing)
“
I like to make them squirm.
”
”
Bobby Fischer
“
What is this?" I ask, trying to sound brave and flip, and I'm sure, merely coming off as too loud and annoying. "Strip grocery shopping? If it is, I have to tell you I've got on 16 pairs of underwear, so you're going to lose big-time--
”
”
Rusty Fischer (Zombies Don't Cry (Living Dead Love Story, #1))
“
To provoke dreams of terror in the slumber of prosperity has become the moral duty of literature.
”
”
Ernst Fischer
“
I don't know why they call it life, it's just a moment with memories.
”
”
Tibor Fischer (The Thought Gang)
“
To learn a thing was to know a thing; to know a thing was to understand a thing; to understand a thing was to face it without fear.
”
”
Ashley Edward Miller (Colin Fischer)
“
I add status to any tournament I attend.
”
”
Bobby Fischer
“
The website didn't say how much brains--or even how many--I should eat, only that I should eat them in 48 hours OR ELSE. Why doesn't anyone pay attention to details anymore? Would it be so hard to add a simple line like, BTW, Maddy, 3 pounds of brains per week is plenty?
Seriously, am I the first new zombie ever to ask?
”
”
Rusty Fischer (Zombies Don't Cry (Living Dead Love Story, #1))
“
EAMES: Now, in the dream, I can impersonate Browning and suggest the concepts to Fischer's conscious mind...
EAMES: (draws a diagram) Then we take Fischer down another level and his own subconscious feeds it right back to him.
ARTHUR: (impressed) So he gives himself the idea.
EAMES: Precisely. That's the only way to make it stick. It has to seem self-generated.
ARTHUR: Eames, I'm impressed.
EAMES: Your condescension, as always, is much appreciated, Arthur.
”
”
Christopher Nolan (Inception: The Shooting Script)
“
Stamp: "Fine Maddy, Whatever. Take your little punk loser to the dance. I don't need you, Maddy. I can ask two dozen, three dozen chicks right now to go with me." Maddy: "Well then," I guess you better start stocking up on corsages.
”
”
Rusty Fischer (Zombies Don't Cry (Living Dead Love Story, #1))
“
Thinking about your ancestors makes you smarter. A research team led by Peter Fischer found that spending a few minutes contemplating your family tree (as opposed to contemplating a friend, or a shopping list, or nothing at all) significantly boosted performance on tests of cognitive intelligence. Their hypothesis is that thinking about our connections to the group increases our feelings of autonomy and control.
”
”
Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
“
It's just a matter of throwing in a few sacrifices, then checkmate!
”
”
Bobby Fischer
“
Concentrate on material gains. Whatever your opponent gives you take, unless you see a good reason not to.
”
”
Bobby Fischer
“
The greatest danger of being gifted, is that you may never learn how to make an effort.
”
”
Tibor Fischer
“
Just try it,” he murmurs, reaching over to cover my hand gently.
And I think, Whoa, that’s never happened before!
Then: Is he just doing that because he thinks Wyatt is interested?
And, finally, this: Who the hell cares?!
”
”
Rusty Fischer (Ushers, Inc.)
“
Too many times, people don’t try their best. They don’t have the keen spirit; the winning spirit. And once you make it you’ve got to guard your reputation – every day go in like an unknown to prove yourself. That’s why I don’t clown around. I don’t believe in wasting time. My goal is to win the World Chess Championship; to beat the Russians. I take this very seriously.
”
”
Bobby Fischer
“
To that extent that you can sustain and maintain that childlike part of your personality is probably the best part of acting.
Quoted in "Paul Newman's Road To Glory", interview with Paul Fischer, Film Monthly (2002-07-01)
”
”
Paul Newman
“
What is an obsession? It is a form of programming that has gotten completely out of hand. Religious fanatics are a prime example, as are those people who become enveloped in a political concept. Most of man’s progress has come about as a result of obsessions. The Wright brothers were not just tinkerers with an idea; their idea swallowed them up. Most leaders are obsessed with power or possessed by egos so large their only concern is their place in history. I have known writers obsessed with a single subject. Like Bobby Fischer and chess, anything and everything outside their subject seems meaningless. Any art form—music, painting, dance—is done best by those who are completely possessed by it. Such possession often borders on madness. This world would be a sorry place without such madmen.
”
”
John A. Keel (THE EIGHTH TOWER: On Ultraterrestrials and the Superspectrum)
“
When asked if he was better than Morphy, Steinitz, and Capablanca, Fischer responded, Well, I don’t like to put things like that in print, it sounds so egotistical. But to answer your question, Yes.”- Ginzburg interview, Harper’s Magazine 1962
”
”
Bobby Fischer
“
Invest in the people in your lives. Find that friend who makes you feel ten feet tall and bulletproof. Build them up and encourage them. Show up for each other no matter how big or small the occasion. Link arms and walk into any crowd, fake laughing like you own the world and you will!
”
”
Jenna Fischer (The Office BFFs: Tales of The Office from Two Best Friends Who Were There)
“
You read a lot," said the behatted kvetch indicating the two novels he had open. He nodded, because there was no denying it and because he didn't want to put up the ante for a conversation.
Books aren't life."
No, they're better," he replied and flipped through the thirty-two library cards in his wallet to remove his one credit card to pay.
This was twenty-first century vagrancy.
”
”
Tibor Fischer (Don't Read This Book If You're Stupid: Stories)
“
The single best thing an actor can do, both professionally and personally, is to create their own work.
”
”
Jenna Fischer (The Actor's Life: A Survival Guide)
“
I give 98 percent of my mental energy to chess. Others give only 2 percent.
”
”
Bobby Fischer
“
Tactics flow from a superior position.
”
”
Bobby Fischer
“
I want to live the rest of my house in a house built exactly like a rook.
”
”
Bobby Fischer
“
Knowledge is a process of piling up facts; wisdom lies in their simplification.
”
”
Martin Henry Fischer
“
Stay cool, and wait for opportunity.
”
”
Tibor Fischer (Good to be God)
“
Madness is a completely undervalued quality and I don’t understand why people should hide it to conform to some boring version of themselves.
”
”
Christoph Fischer (Conditions)
“
You do what you have to do. That's who you seem to be to me, anyway. You're one who does what he has to do.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
In eighty-six years, child, I've learned the world is a far more mysterious place than most people realize and that every moment of life is woven through with meaning.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
Sometimes that’s all you need to help you move forward: You need the right person to listen.
”
”
Jenna Fischer (The Office BFFs: Tales of The Office from Two Best Friends Who Were There)
“
I’m sad about that which no longer is, but I don’t have to stop being happy over all that was. I always carry that with me.” He
”
”
Christoph Fischer (Ludwika: A Polish Woman's Struggle To Survive In Nazi Germany)
“
ARTHUR: He's out.
ARIADNE: Wait, Cobb-I'm lost. Whose subconscious are we going into?
COBB: Fischer's. I told him it was Browning's so he'd come with us as part of our team.
ARTHUR: (impressed) He's going to help us break into his own subconscious.
COBB: That's the idea. He'll think that his security is Browning's and fight them to learn the truth about his father.
”
”
Christopher Nolan (Inception: The Shooting Script)
“
On the chessboard lies and hypocrisy do not survive long.
The creative combination lays bare the presumption of a lie;
the merciless fact, culminating in a checkmate, contradicts the hypocrite.
”
”
Bobby Fischer (My 60 Memorable Games)
“
Obviously it won’t do to love somebody and enjoy that person’s company but then, when things between you get difficult, to abandon the person. No, it is clear that as pleasant as love is, it must also be unpleasant, because people are sometimes unpleasant or go through unpleasant things, and if we abandon them at those times and run away from them because they or their situation has become unpleasant, we would have to conclude that there wasn’t much to our loving in the first place.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
A person like this is a blessing for the world. And there is no reason why you couldn’t be that person. Why aren’t you that person now? Because of these walls of self-protection you’ve built, these attitudes of limit and lack.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
10,000 hour” rule. The rule’s premise is that, regardless of whether one has an innate aptitude for an activity or not, mastery of it takes around ten thousand hours of focused, intentional practice. Analyzing the lives of geniuses in a wide range of intellectual, artistic, and athletic pursuits confirms this concept. From Mozart to Bobby Fischer to Bill Gates to the Beatles, their diverse journeys from nothing toward excellence in their respective fields shared a common denominator: the accumulation of ten thousand hours of unwavering “exercise” of their crafts.
”
”
Sean Patrick (Nikola Tesla: Imagination and the Man That Invented the 20th Century)
“
The character of Jesus is the character of God. God would never do something Jesus would find morally reprehensible, so if you can’t find it in Jesus, then you really ought to think twice before you claim you’ve found it in God.
”
”
Austin Fischer (Young, Restless, No Longer Reformed: Black Holes, Love, and a Journey in and Out of Calvinism)
“
Once a molecule is asymmetric, its extension proceeds also in an asymmetrical sense. This concept completely eliminates the difference between natural and artificial synthesis. The advance of science has removed the last chemical hiding place for the once so highly esteemed vis vitalis.
”
”
Hermann Emil Fischer
“
Why don't you check out those teenagers in the middle row? They've been going at it like dogs in heat ever since the previews. They're probably both werewolves. And even if they aren't, you should throw them out on principle alone.
”
”
Rusty Fischer (Ushers, Inc.)
“
humanity suffers terribly from the demons it has created over lengths of time.
we learn from nothing that we do. we create religions, heritage, race, traditions, then they all in turn become our stumbling blocks from becoming one. we suffer from the creations of our own inability to interpret history. the only thing we have succeded on is seperation.we are not that different from one another as we think we are. but we are too corrupted to break our deconstruction.
”
”
Jeffrey Fischer
“
Nothing can ease pain like a human touch .
”
”
Robert James Fischer
“
Acceptance is rare and uncommon.
To gain it is a treasure. To lack it is a tragedy.
There’s no guarantee for such a dream.
- Makenna Goldwin
”
”
D. Fischer (Makenna Goldwin's Story (The Cloven Pack #1))
“
Genius. It’s a word. What does it really mean? If I win I’m a genius. If I don’t, I’m not.
”
”
Bobby Fischer
“
Draws make for dull chess, wins make for fighting chess.
”
”
Bobby Fischer
“
I am the best player in the world and I am here to prove it.
”
”
Bobby Fischer
“
I want to be world champion. I have achieved it, now I don’t know what to do.
”
”
Bobby Fischer
“
I’m so glad I put a hot, naked guy on my Christmas wish list. I just didn’t think Santa would actually deliver one.
”
”
Patricia W. Fischer (All I Want For Christmas Is A Soulmate)
“
I believe we best say yes to God's glory and sovereignty by saying no to Calvinism.
”
”
Austin Fischer (Young, Restless, No Longer Reformed: Black Holes, Love, and a Journey in and Out of Calvinism)
“
Meditation is doing what you are doing - whether you are doing formal meditation or child care.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
Why endure verticality when you can be horizontal?
”
”
Tibor Fischer (The Thought Gang)
“
A doctor must work eighteen hours a day and seven days a week. If you cannot console yourself to this, get out of the profession.
”
”
Martin H. Fischer
“
We have to remember that not every action taken to solve a problem will be free of unforeseen consequences. No matter how good our intentions.
”
”
Rachel Fischer
“
It was typical of Washington’s style of leadership to present a promising proposal as someone else’s idea, rather than his own.
”
”
David Hackett Fischer (Washington's Crossing)
“
When you play Bobby, it is not a question of whether you win or lose. It is a question of whether you survive. —BORIS SPASSKY
”
”
David Edmonds (Bobby Fischer Goes to War: How a Lone American Star Defeated the Soviet Chess Machine)
“
All of us have bad luck and good luck. The man who persists through the bad luck—who keeps right on going—is the man who is there when the good luck comes—and is ready to receive it.
”
”
Jenna Fischer (The Actor's Life: A Survival Guide)
“
We now see that the only way that we could love ourselves is by loving others, and the only way that we could truly love others is to love ourselves. The difference between self-love and love of others is very small, once we really understand.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
Faith, doubt, humility, and confidence—this is the stuff and substance of theology at its best. Swagger, smugness, and certainty—this is the stuff and substance of ideology at its worst.
”
”
Austin Fischer (Young, Restless, No Longer Reformed: Black Holes, Love, and a Journey In and Out of Calvinism)
“
So it does turn out that we do need to begin by contemplating the profound nature of self and other. Because if you change the leaves and branches but leave the roots intact, you run the risk of reverting to type.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
The actions, thoughts, and words of each of us are important. All of us together are making the world. So we have to ask ourselves: “How am I living? What kind of actions am I taking? Am I a force for good in the world or am I just another person doing nothing to help and therefore making things worse?
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
Fiddlesticks!” Rall replied. “These clodhoppers will not attack us, and should they do so, we will simply fall on them and rout them.”58 (on describing that they had nothing to fear from the COlonists of New Jersey before the night of December 25, 1776; when Washington and his men crossed the Deleware.)
”
”
David Hackett Fischer
“
We realize how dangerous and painful life is if we don’t open up. We know we have to do it. And as soon as we start to try, we realize immediately that there is no way that we could ever do this alone, because opening up means opening to what’s around us, to others, to the world, and to our radical connectedness.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
Empirical studies show that New Zealanders are the most widely traveled people on the planet. The computer and the Internet have made a major difference. Insularity, distance, and isolation may have been important in an earlier period of New Zealand’s history, but not today. The rapid progress of communications has wrought a revolution in the spatial condition of New Zealand, and yet its culture remains very distinctive. This fact suggests that distance itself is not the key.
”
”
David Hackett Fischer (Fairness and Freedom: A History of Two Open Societies: New Zealand and the United States)
“
This hostility to unnatural sex had a demographic consequence of high importance. Puritan moralists condemned as unnatural any attempt to prevent conception within marriage. This was not a common attitude in world history. Most primitive cultures have practiced some form of contraception, often with high success. Iroquois squaws made diaphragms of birchbark; African slaves used pessaries of elephant dung to prevent pregnancy. European women employed beeswax disks, cabbage leaves, spermicides of lead, whitewash and tar. During the seventeenth and early eighteenth century, coitus interruptus and the use of sheepgut condoms became widespread in Europe.14
”
”
David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
“
Once you've been backstage at a theater, the theater is never the same for you. Once you've noticed the crack in the vase, the vase is never the same for. Once you've seen a friend do something appalling, the friendship is never the same. That does not mean you won't go to the theater, or keep the vase or the friend. You can choose.
”
”
Tibor Fischer (Voyage to the End of the Room)
“
If I've got a Dad, and his name is Wormwood Rot, and he's in some heavy metal rock band called Grave Dirt . . . then I'm definitely meeting him!
She stares at me awkwardly, and I'm about to ask again—maybe even insist—when she says, "Honey, why do you think he's on the news? Wormwood, I mean . . . your father? Becca, he's . . . dead.
”
”
Rusty Fischer (Becca Bloom and the Drumsticks of Doom: A Heavy Metal Love Story)
“
Wenn wir aufeinandertreffen, sprühen keine Funken. Wenn wir aufeinandertreffen, gehen wir in Flammen auf.
”
”
Tami Fischer (Burning Bridges (Fletcher University, #1))
“
When the human race can fly to the moon, is there any real need of moonstruck poets?
”
”
Ernst Fischer (The Necessity of Art: A Marxist Approach (Peregrine))
“
All that matters on the chessboard is good moves.
”
”
Robert James Fischer
“
Ich bin nur entschlossen, im Interesse meines Glückes zu handeln, ohne Rücksicht auf Sie oder irgendjemanden, der ebenso wenig mit mir zu tun hat.
”
”
Jane Austen (Stolz und Vorurteil: Roman (Fischer Klassik Plus) (German Edition))
“
We never let go of a belief once fixed in our minds" quoted by an Appalachian women with an air of pride.' (This quote explains a lot about my family)
”
”
David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History, Vol. I))
“
Laziness always wins.
”
”
Tibor Fischer (Good to be God)
“
Even those with unspendable fortunes only have one mind, one mouth, two ears, two eyes and one pleasure station. There's only so much fun you can take.
”
”
Tibor Fischer (Voyage to the End of the Room)
“
What if there existed a dark kingdom forged on a web of evil spells, with a conniving king plotting to infiltrate the dreams of children all over the world?
”
”
Bernice Fischer
“
Even the wisest and the best of us can be foolish occasionally.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
That's really specific, ma'am. For a prediction, I mean."
"It's not a prediction."
"It's not? Then what is it?"
"It's what is.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
“
The paradox of writing is that you're trying to use words to express what words can't express.
”
”
Stephen Fischer
“
I can’t change the past so why does it still bother me?" -Malledy
”
”
Nan Fischer (Pandora's Key (The Key Trilogy, #1))
“
Spiritual awakening is exactly dropping the sense of one’s narrow separateness; it is essentially and profoundly altruistic.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
A person doesn’t die from this or that disease. He dies from his whole life.
”
”
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
“
Censorship became so stringent that even a scene in which a character complained too strongly about the weather could be considered “antisocial” and ordered removed.
”
”
Paul Fischer (A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power)
“
Life shrinks or expands in proportion to one’s courage.” —Anaïs Nin
”
”
Jenna Fischer (The Actor's Life: A Survival Guide)
“
The satisfaction of a balanced general ledger made her smile. Life was messy. Accounting was not.
”
”
Lori B. Duff (Devil's Defense: A Fischer at Law Novel)
“
As for the United States, it is a farce controlled by dirty, hook-nosed, circumcised Jew bastards.
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Bobby Fischer
“
bizarre example of what appears to be a Tit for Tat arrangement in nature was discovered by Eric Fischer in a hermaphrodite fish, the sea bass.
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Richard Dawkins (The Selfish Gene)
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That was the problem with Alison Fischer: you never knew which part of her to look at. He looked at her face
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Nam Le
“
Emil Fischer represents a symbol of Germany's greatness.
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Carl Dietrich Harries
“
Real empathy requires that we develop the capacity to put our own concerns aside long enough to notice what someone else is going through internally, without reference to ourselves.
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Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
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It’s like training dogs. You want the dog to obey you, but you can’t have real respect for a dog that always obeys you. You want a dog that occasionally goes over the wall or bites the postman without your permission; you want to be reminded that you command a subdued yet wild animal, not a crawler. A man should be strong enough to kill you with his bare hands.
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Tibor Fischer (Voyage to the End of the Room)
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New England farmers did not think of war as a game, or a feudal ritual, or an instrument of state power, or a bloodsport for bored country gentlemen. They did not regard the pursuit of arms as a noble profession. In 1775, many men of Massachusetts had been to war. They knew its horrors from personal experience. With a few exceptions, they thought of fighting as a dirty business that had to be done from time to time if good men were to survive in a world of evil. The New England colonies were among the first states in the world to recognize the right of conscientous objection to military service, and among the few to respect that right even in moments of mortal peril. But most New Englanders were not pacifists themselves. Once committed to what they regarded as a just and necessary war, these sons of Puritans hardened their hearts and became the most implacable of foes. Their many enemies who lived by a warrior-ethic always underestimated them, as a long parade of Indian braves, French aristocrats, British Regulars, Southern planters, German fascists, Japanese militarists, Marxist ideologues, and Arab adventurers have invariably discovered to their heavy cost.
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David Hackett Fischer (Paul Revere's Ride)
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Compassion is sympathy for others specifically in the case of their suffering. Although it is uncomfortable, we are willing to feel the suffering of others and to do something about it when we can,
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Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
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I'm not much for parties. Sometimes you have to wear a funny hat, sometimes they expect you to eat sushi, which is like eating bait. And there's always some totally drunk girl who thinks you're smitten by her, when what you're really wondering is if she'll vomit on your shirt or instead on your shoes.
”
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Dean Koontz (Deeply Odd (Odd Thomas, #6))
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When we sit we recognize the crucial, divine importance of absolutely everything that arises—every thought, every feeling, every breath, every unspeakable, unnameable impulse. But also we recognize the ultimate importance of the others—of the sky, of all the sounds inside and outside the room. As the mind becomes a little more quiet the sacredness of everything within and without becomes clear to us.
”
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Norman Fischer
“
We might not want to share our food or our money, but we do want to share our judgement. We want others to think we have more fun.But we need meeting-places of the mind. A Kilimanjaro of spirit that we've all visited so we can say of other things: it's shorter, or taller, or the same height as Kilimanjaro.
”
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Tibor Fischer (Voyage to the End of the Room)
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I was longing for that soft spot-the age where your parents look at you and you look at them back, and you're just their child. And you don't yet feel the strain of being something else. Of being yourself.
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Bronwyn Fischer (The Adult)
“
He's reading a book called Great Warlocks of the 18th Century, and to get this ball rolling before Dean Devlin shows up and rains on our private parade, I snort and ask, "Good book?"
I forget I'm pretending to be sitting behind my two-thousand-ninety-eight-page Highlights of Modern Chemistry book, so he snorts back. "Better than yours.
”
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Rusty Fischer (Becca Bloom and the Drumsticks of Doom: A Heavy Metal Love Story)
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The money itself didn’t seem terribly important to Fischer. He cared little for material things but he hungered for respect and he was acutely aware that in the culture in which he lived, money was the prevailing gauge of success.
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Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
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Sexual intercourse was taboo on the Lord’s Day. The Puritans believed that children were born on the same day of the week as when they had been conceived. Unlucky infants who entered the world on the Sabbath were sometimes denied baptism because of their parents’ presumed sin in copulating on a Sunday. For many years Sudbury’s minister Israel Loring sternly refused to baptize children born on Sunday, until one terrible Sabbath when his own wife gave birth to twins!18 Altogether, the Puritans created a sabbatical rhythm of unique intensity in the time ways of their culture.19
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
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In other words, to Train in the preliminaries is to stop moaning and feeling sorry for yourself and to recognize instead that regardless of what has happened or why, this is your life and you are the only one equipped to deal with it.
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Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
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These are the times that try men’s souls,” Paine began. “The summer soldier and the sunshine patriot will, in this crisis shrink from the service of his country; but he that stands it NOW deserves the love and thanks of man and woman.
”
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David Hackett Fischer (Washington's Crossing)
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far back in the forest. Just when the pavement began to rise again, the headlights caught a sign on the left that announced FIRE ROAD / FORESTRY DEPT ONLY. In the absence of a fire, no one would be using that rough dirt track. Mrs. Fischer parked on it, facing out toward the state route, but in far enough among the trees to avoid being seen by passing traffic, of which we had encountered none since turning off the interstate. She damped the headlights, cut the engine.
”
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Dean Koontz (Deeply Odd (Odd Thomas, #6))
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Harlan that allowed them to reproduce in the New World the culture of honor they had created in the Old World. “To the first settlers, the American backcountry was a dangerous environment, just as the British borderlands had been,” the historian David Hackett Fischer writes in Albion’s Seed. Much of the southern highlands were “debatable lands” in the border sense of a contested territory without established government or the rule of law. The borderers were more at home
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Malcolm Gladwell (Outliers: The Story of Success)
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First I would like to wash Bunsen, and then I would like to kiss him because he is such a charming man.
(Remark by the wife of Emil Fischer, upon meeting Bunsen for the first time, perhaps noticing a lasting chemical odour from his work.)
”
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Agnes Fischer
“
Gandhi said, “I’m going to throw all the arms into the ocean and send all the armies to work in the fields and in the gardens.” And Louis Fischer asked, “But have you forgotten? Somebody can invade your country.” Gandhi said, “We will welcome them. If somebody invades us, we will accept him as a guest and tell him, ‘You can also live here, just the way we are living. There is no need to fight.’” But he completely forgot all his philosophy—that’s how revolutions fail. It is very beautiful to talk about these things, but when power comes into your hands . . . First, Mahatma Gandhi did not accept any post in the government. It was out of fear, because how was he going to answer the whole world if they asked about throwing the weapons into the ocean? What about sending the armies to work in the fields? He escaped from the responsibility for which he had been fighting his whole life, seeing that it was going to create tremendous trouble for him. If
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Osho (The Book of Understanding: Creating Your Own Path to Freedom)
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Some sample lyrics I think I catch: "My engine races up to seventh gear; wrap your legs around my engine, dear . . . . The tunnel's dark, but the ground is wet; I lubricate it with my dripping sweat!"
Or, something vaguely disturbing and gross like that; it's hard to tell with the wailing guitars and the front man screaming through his ravaged vocal chords.
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Rusty Fischer (Becca Bloom and the Drumsticks of Doom: A Heavy Metal Love Story)
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The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review.
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John Sutherland
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Many activities were forbidden on the Sabbath: work, play, and unnecessary travel. Even minor instances of Sabbath-breaking were punished with much severity. The Essex County Court indicted a man for carrying a burden on the Sabbath, and punished a woman for brewing on the Lord’s Day. When Ebenezer Taylor of Yarmouth, Massachusetts, fell into a forty-foot well, his rescuers stopped digging on Saturday afternoon while they debated whether it was lawful to rescue him on the Sabbath. Other
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
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Almost all of us have the hankering to be famous, to be important, to be admired, to stand out, but the assumption is you have to be different or better to get that. No. The best thing is to be famous, to be cuddled by the public, but to be like everyone else.
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Tibor Fischer (Voyage to the End of the Room)
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Ich bin unglücklich in meiner Sprache. Wir sagen seit Jahren nur solche Sätze wie: Sie werden sie aufhängen. Wo waren die Köpfe? Man weiß nicht, wo ihr Grab ist. Die Polizei hat die Leiche nicht freigegeben! Die Wörter sind krank. Meine Wörter brauchen ein Sanatorium, wie kranke Muscheln. Es gibt eine Stelle am Ägäischen Meer, wo drei Ströme zusammenkommen. Man bringt Säcke mit Muscheln aus Istanbul, Izmir, Italien dorthin, die im schmutzigen Wasser krank geworden sind. Das saubere Wasser aus den drei Strömen heilt ein paar Monaten die erkrankten Muscheln. Dieses Stück Meer nenne die Fischer Muschelsanatorium. Wie lange braucht ein Wort, um wieder gesund zu werden? Man sagt, in fremden Ländern verliert man die Muttersprache. Kann man nicht auch in seinem eigenen Land die Muttersprache verlieren?
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Emine Sevgi Özdamar (Seltsame Sterne starren zur Erde)
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Meditation is when you sit down, let's say that, and don't do anything. Poetry is when you get up and do something.
Somewhere we've developed the misconception that poetry is self-expression, and that meditation is going inward. Actually, poetry has nothing to do with self-expression, it is the way to be free, finally, of self-expression, to go much deeper than that. And meditation is not a form of thought or reflection, it is a looking at or an awareness of what is there, equally inside and outside, and then it doesn't make sense anymore to mention inside or outside.
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Norman Fischer
“
There is a great distance between skepticism and confidence and an equally great distance between confidence and certainty. God helps us bridge the gap between skepticism and confidence, but he doesn’t seem particularly concerned with building us a bridge from confidence to certainty. Due
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Austin Fischer (Young, Restless, No Longer Reformed: Black Holes, Love, and a Journey In and Out of Calvinism)
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threatened. As late as 1775, townsmen within twenty miles of the sea were urged to carry arms to church lest godless British raiding parties surprise them while at worship. After the service, the men left the meeting first—a regional folkway that continued long after its military origins had been forgotten.
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”
David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
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Sitting up, Jocelyn rolled her head from side to side. “Been better.”
“Heard you’re a doctor now.” She grabbed the thermometer.
“Yes, a veterinarian.”
Placing her fist on her ample hip, Mia scoffed, “You go to that fancy school in Washington State and now you don’t eat meat?”
“Good Lord! I’m not a vegetarian—
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Patricia W. Fischer (Deep in My Heart (Tuscany, Texas, #1))
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It turns out that it takes courage simply to be a normal person at ease in the world among others.
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Norman Fischer (The World Could Be Otherwise: Imagination and the Bodhisattva Path)
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One of the few points of agreement between Anglican Virginians and Puritan New Englanders was their common loathing of Quakers.
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
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When one southerner was asked why so many people were killed in his region, he answered that “there were just more folks in the South that needed killing.
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
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American ideas of freedom developed from indigenous folkways which were deeply rooted in the inherited culture of the English-speaking world.
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
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the doors of hell are locked on the inside.
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Austin Fischer (Faith in the Shadows: Finding Christ in the Midst of Doubt)
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There is some good in the worst of us and some evil in the best of us. When we discover this, we are less prone to hate our enemies.
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Kristin Noel Fischer (Jillian's Promise (Rose Island, #2))
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Can you look at someone, half in darkness, leave them there, and still love them?
”
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Bronwyn Fischer
Marina Abramović (Psychoanalyst Meets Marina Abramovic: Jeannette Fischer Meets Artist)
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What music is to the spirit, reading is to the mind
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Steven Roger Fischer
“
Book-writing is always much easier in other people's lives.
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Tibor Fischer (The Thought Gang)
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Then the clarifying thing happens, and what you need to do, what you must do, is not a question, not demand more revelation than what is given, be quiet in the face of it, quiet and grateful that it has been given to you to see this, to be for even a short time aware of the extraordinary layered depths and profound beauty of the world to which we mostly blind ourselves.
”
”
Dean Koontz (Deeply Odd (Odd Thomas, #6))
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If an eighty-six-year-old woman has been clear-seeing from a young age, she will have gone through a lot of life developing a keen eye for snares and pitfalls, an ear for deceit, and a good nose for knavery. And by such an age, a smart woman with no illusions is one to whom courage comes far more readily than it does to those young people who don't yet know the world for what it is.
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Dean Koontz (Deeply Odd (Odd Thomas, #6))
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There was no heat in these buildings, partly because the earliest meetinghouses also served as powder magazines, and fires threatened to blow the entire congregation to smithereens. They were bitter cold in winter. Many tales were told of frozen communion bread, frostbitten fingers, baptisms performed with chunks of ice and entire congregations with chattering teeth that sounded like a field of crickets. It was a point of honor for the minister never to shorten a service merely because his audience was frozen. But sometimes the entire congregation would begin to stamp its feet to restore circulation until the biblical rebuke came crashing down upon them: “STAND STILL and consider the wonderous work of God.” Later generations built “nooning houses” or “sab-baday houses” near the church where the congregation could thaw out after the morning sermon and prepare for the long afternoon sermon to come. But unheated meetings remained a regional folkway for two hundred years.
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
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But to play in an international tournament of the caliber announced, he had to spend much more time at careful, precise study, analysis, and memorization. He stopped answering his phone, because he didn’t want to be interrupted or tempted to socialize—even for a chess party—and at one point, to be alone with the chessboard, he just threw some clothes in a suitcase, didn’t tell anyone where he was going, and checked into the Brooklyn YMCA. During his stay there, he sometimes studied more than sixteen hours per day. Malcolm Gladwell, in his book Outliers, describes how people in all fields reach success. He quotes neurologist Daniel Levitin: “In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chessplayers, criminals and what have you, the number comes up again and again [the magic number for true expertise: ten thousand hours of practice].” Gladwell then refers to Bobby: “To become a chess grandmaster also seems to take about ten years. (Only the legendary Bobby Fischer got to that elite level in less than that amount of time: it took him nine years.) Practice isn’t the thing you do once you’re good. It’s the thing you do that makes you good.
”
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Frank Brady (Endgame: Bobby Fischer's Remarkable Rise and Fall - from America's Brightest Prodigy to the Edge of Madness)
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And John Nash, my mathematical hero, revolutionized analysis and geometry with the proof of three theorems in scarcely more than five years before succumbing to paranoid schizophrenia. There is a fine line, it is often said, between genius and madness. Neither of these concepts is well defined, however. And in the case not only of Grothendieck but also of Gödel and Nash, periods of mental derangement, so far from promoting mathematical productivity, actually precluded it. Innate versus acquired, a classic debate. Fischer, Grothendieck, Erdős, and Perelman were all Jewish. Of these, Fischer and Erdős were Hungarian. No one who is familiar with the world of science can have failed to notice how many of the most gifted mathematicians and physicists of the twentieth century were Jews, or how many of the greatest geniuses were Hungarian (many
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Cédric Villani (Birth of a Theorem: A Mathematical Adventure)
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This idea of collective liberty also was expressed in many bizarre obligations which New England towns collectively imposed upon their members. Eastham’s town meeting, for example, ordered that no single man could marry until he had killed six blackbirds or three crows. Every town book contained many such rules.4 The General Court also passed sweeping statutes which allowed the magistrates to suppress almost any act, by any means. One such law, for example, threatened that “if any man shall exceed the bounds of moderation, we shall punish him severely.” The definition of “exceeding the bounds of moderation” was left to the magistrate.
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
“
For a while, every smart and shy eccentric from Bobby Fischer to Bill Gate was hastily fitted with this label, and many were more or less believably retrofitted, including Isaac Newton, Edgar Allen Pie, Michelangelo, and Virginia Woolf. Newton had great trouble forming friendships and probably remained celibate. In Poe's poem Alone, he wrote that "All I lov'd - I lov'd alone." Michelangelo is said to have written "I have no friends of any sort and I don't want any." Woolf killed herself.
Asperger's disorder, once considered a sub-type of autism, was named after the Austrian pediatrician Hans Asperger, a pioneer, in the 1940s, in identifying and describing autism. Unlike other early researchers, according to the neurologist and author Oliver Sacks, Asperger felt that autistic people could have beneficial talents, especially what he called a "particular originality of thought" that was often beautiful and pure, unfiltered by culture of discretion, unafraid to grasp at extremely unconventional ideas. Nearly every autistic person that Sacks observed appeard happiest when alone. The word "autism" is derived from autos, the Greek word for "self."
"The cure for Asperger's syndrome is very simple," wrote Tony Attwood, a psychologist and Asperger's expert who lives in Australia. The solution is to leave the person alone. "You cannot have a social deficit when you are alone. You cannot have a communication problem when you are alone. All the diagnostic criteria dissolve in solitude."
Officially, Asperger's disorder no longer exists as a diagnostic category. The diagnosis, having been inconsistently applied, was replaced, with clarified criteria, in the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders; Asperger's is now grouped under the umbrella term Autism Spectrum Disorder, or ASD.
”
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Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
“
when Shin needed special-effects scale models to achieve a shot of an exploding train for the climax of Runaway, he asked, tongue-in-cheek, whether Kim wouldn’t just give him instead a real train to blow up. To his surprise, an actual, functioning train was delivered to the set, loaded to the brim with explosives. Shin had only one take to get it right, but that was a lovely problem to have. Runaway’s final train explosion became one of North Korean cinema’s iconic images.
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Paul Fischer (A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power)
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At the age of six, Mahler accepted paid commissions as a composer, something he was never to do in later life, his mother having promised him two kreuzers on condition that he did not make any ink blots on the expensive music manuscript paper.
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Jens Malte Fischer (Gustav Mahler)
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The problem is to explain the origins and stability of a social system which for two centuries has remained stubbornly democratic in its politics, capitalist in its economy, libertarian in its laws, individualist in its society and pluralistic in its culture.
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
“
In the name of all responsible gods, saints and mascots I pledge to obey the following ten points and hope that all responsible gods, saints and mascots will be merciful and help me to keep my word:
1. I will always love you.
2. I will never leave you.
3. I will do everything to make you happy.
4. I will take care of you and the children, as far as circumstances allow.
5. I will not object to you taking care of me.
6. I will no longer look at pretty girls, or at least only to ascertain that you are prettier.
7. I will not come home late very often.
8. I will try to grind my teeth quietly at night.
9. I will always love you.
10. I will always love you.
Until further notice,
Felice
”
”
Erica Fischer (Aimée & Jaguar: A Love Story, Berlin 1943)
“
Through the half-open door in one room of the huts I saw Pastor Bonhoeffer, before taking off his prison garb, kneeling on the floor praying fervently to his God. I was most deeply moved by the way this lovable man prayed, so devout and so certain that God heard his prayer. At the place of execution, he again said a short prayer and then climbed the steps to the gallows, brave and composed. His death ensued after a few seconds. In the almost fifty years that I worked as a doctor, I have hardly ever seen a man die so entirely submissive to the will of God.
”
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H. Fischer-Hüllstrung
“
This doesn’t work by thought and will. It doesn’t disregard thought and will, but thought and will are not the engine that makes this go. The engine that makes this go is taking a step back and trusting the body, trusting the breath, trusting the heart. We’re living our lives madly trying to hold onto everything, and it looks like it might work for awhile but in the end it always fails, and it never was working, and the way to be happy, the way to be loving, the way to be free is to really be willing to let go of everything on every occasion or at least to make that effort.
So the practice really works with sitting down, returning awareness to the body, returning awareness to the breath. It usually involves sitting up straight and opening up the body and lifting the body so that the breath can be unrestrained. And then returning the mind to the present moment of being alive, which is anchored in the breath, in the body.
Then, of course, other things happen. You have thoughts, you have feelings. You might have a pain, an ache, visions, memories, reflections. All these things arise, but instead of applying yourself to them and getting entangled in them, you just bear witness to it, let it go, come back to the breathing and the body, and what happens is you release a whole lot of stuff in yourself. A whole new process comes into being that would not have been there if you were always fixing and choosing and doing and making. This way you’re allowing something to take place within your heart.
”
”
Norman Fischer
“
Now I think I was wrong. I think my luck was built into me, the keystone that cohered my bones, the golden thread that stitched together the secret tapestries of my DNA; I think it was the gem glittering at the fount of me, coloring everything I did and every word I said. And if somehow that has been excised from me, and if in fact I am still here without it, then what am I? Acknowledgments I owe huge thanks to the amazing Darley Anderson and everyone at the agency, especially Mary, Emma, Pippa, Rosanna and Kristina; Andrea Schulz, my wonderful editor, whose enormous skill, patience and wisdom have made this book so much better than I thought it could be; Ben Petrone, who is just plain great, and everyone at Viking; Susanne Halbleib and everyone at Fischer Verlage; Katy Loftus, for her faith in this book and for putting her finger on the one thing that would make the most difference; my brother, Alex French, for the computer bits and for sending me the link to the case of Bella in the Wych Elm; Fearghas Ó Cochláin, for the medical bits; Ellen at ancestrysisters.com, for genealogy help; Dave Walsh, for his enormous help with the intricacies of police procedure; Ciara Considine, Clare Ferraro and Sue Fletcher,
”
”
Tana French (The Witch Elm)
“
'Sehen Sie'. sagt er, 'jeder Mensch lebt auf zwei Ebenen. Auf der einen leistet man etwas, das von andern gesehen und beurteilt wird. Da hat man Erfolg oder Mißerfolg, da wird man getrieben von Ehrgeiz und Machtwillen und Besitzgier und Eigennutz und Eitelkeit, und man ist in Unruhe und verzettelt sich in lauter Betrieb. Auf der anderen Ebene sieht einen ein anderes Auge, und man wird mit einem anderen Maßstab gemessen, der läßt nichts gelten als das, was ganz ohne Berechnung getan wird, ganz ohne Egoismus, aus keinem andern Motiv als dem der Liebe und der Freude. Ich bin von der einen Ebene auf die andre gesprungen, von der Erde in den Himmel.'
”
”
Luise Rinser (Bruder Feuer (Fischer Taschenbuch) (German Edition))
“
OBITUARY
Certificate in hand, my school career
now finds its slow and certain end.
Last act, the iron curtain here
Closes on what I might have been.
One year more and I would have earned
my diploma, having played my part.
Instead this list of what I've learned,
States I was quiet, hardworking, smart.
Yes, gone those lovely days in time
When once I dozed to Schiller's "Clock,"
Though much preferred was Scheffler's rhyme.
Awakening me and signalling "stop."
Playing hooky, passing notes, my relinquished
School pass - all passe.
Only I remain, dismissed and hindered,
a ninth-grade student without a grade.
[September 11, 1939]
by Felice Schragenheim
”
”
Erica Fischer (Aimée & Jaguar: A Love Story, Berlin 1943)
“
That case was not unique in the sexual history of New Haven. When a second deformed pig was born in that troubled town, another unfortunate eccentric was also accused of bestiality by his neighbors. Even though he could not be convicted under the two-witness rule, he was imprisoned longer than anybody else in the history of the colony. When yet a third defective piglet was born with one red eye and what appeared to be a penis growing out of its head, the magistrates compelled everyone in town to view it in hopes of catching the malefactor. The people of New Haven seem to have been perfectly obsessed by fear of unnatural sex. When a dog belonging to Nicholas Bayly was observed trying to copulate with a sow, neighbors urged that it be killed. Mrs. Bayly refused and incautiously made a joke of it, saying of her dog, “if he had not a bitch, he must have something.” The magistrates of New Haven were not amused. Merely for making light of bestiality, the Baylys were banished from the town.12
”
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David Hackett Fischer (Albion's Seed: Four British Folkways in America (America: A Cultural History #1))
“
This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony.
This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.
”
”
Arved Mark Ashby (Popular Music and the New Auteur: Visionary Filmmakers after MTV)
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Marketa really desired, with both her body and her senses, the women she considered Karel's mistresses. And she also desired them with her head: fulfilling the prophecy of her old math teacher, she wanted - at least to the limits of the disastrous contract - to show herself enterprising and playful, and to astonish Karel.
But as soon as she found herself naked with them on the wide daybed, the sensual wanderings immediately vanished from her mind, and seeing her husband was enough to return her to her role, the role of the better one, the one who is wronged, Even when she was with Eva, whom she loved very much and of whom she was not jealous, the presence of the man she loved too well weighed heavily on her, stifling the pleasure of the senses.
The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva's face, while the headless body moved vigorously on top of her.
But here the headless body interrupted his movements and, in a voice that reminded her unpleasantly of Karel's, uttered unbelievably idiotic words: "I'm Bobby Fischer! I'm Bobby Fischer!"
It was like being awakened from a dream. And just then, as she lay snuggled against Eva (as the awakening sleeper snuggles against his pillow to hide from the dim first light of day), Eva had asked her, "All right?" and she had consented with a sign, pressing her lips against Eva's. She had always loved her, but today for the first time sh loved her with all her senses, for herself, for her body, and for her skin, becoming intoxicated with this fleshly love as with a sudden revelation.
Afterward, while they lay side by side on their stomachs, with their buttocks slightly raised, Marketa could feel on her skin that the infinitely efficient body was again fixing its eyes on hers and at any moment was going to start again making love to them. She tried to ignore the voice talking about seeing beautiful Mrs. Nora, tried simply to be a body hearing nothing while lying pressed between a very soft-skinned girlfriend and some headless man.
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Milan Kundera (The Book of Laughter and Forgetting)
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I was dissatisfied with my 1967 manuscript and decided to rewrite the book. It was the first of September, and I said to myself, “If I do not have the finished manuscript in Faber’s hands by September 10, I shall have to kill myself.” And under this threat, I started writing. Within a day or so, the feeling of threat had disappeared, and the joy of writing took over. I was no longer using drugs, but it was a time of extraordinary elation and energy. It seemed to me almost as though the book were being dictated, everything organizing itself swiftly and automatically. I would sleep for just a couple of hours a night. And a day ahead of schedule, on September 9, I took the book to Faber & Faber. Their offices were in Great Russell Street, near the British Museum, and after dropping off the manuscript, I walked over to the museum. Looking at artifacts there — pottery, sculptures, tools, and especially books and manuscripts, which had long outlived their creators — I had the feeling that I, too, had produced something. Something modest, perhaps, but with a reality and existence of its own, something that might live on after I was gone.
I have never had such a strong feeling, a feeling of having made something real and of some value, as I did with that first book, which was written in the face of such threats from Friedman and, for that matter, from myself. Returning to New York, I felt a sense of joyousness and almost blessedness. I wanted to shout, “Hallelujah!” but I was too shy. Instead, I went to concerts every night — Mozart operas and Fischer-Dieskau singing Schubert — feeling exuberant and alive.
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Oliver Sacks
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We may regard the cell quite apart from its familiar morphological aspects, and contemplate its constitution from the purely chemical standpoint. We are obliged to adopt the view, that the protoplasm is equipped with certain atomic groups, whose function especially consists in fixing to themselves food-stuffs, of importance to the cell-life. Adopting the nomenclature of organic chemistry, these groups may be designated side-chains. We may assume that the protoplasm consists of a special executive centre (Leistungs-centrum) in connection with which are nutritive side-chains... The relationship of the corresponding groups, i.e., those of the food-stuff, and those of the cell, must be specific. They must be adapted to one another, as, e.g., male and female screw (Pasteur), or as lock and key (E. Fischer).
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Paul R. Ehrlich
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What happened next is perhaps one of my favorite Angela stories ever. Still a little stung by our Ivy experience, Angela was determined to salvage a “star” moment for us. She coyly said to the photographer, “Do you know who she is? She’s Pam from The Office.” He looked at us blankly. Angela then motioned to the group. “We are the ladies of The Office.” Still nothing. Angela pushed harder. “On NBC. The Office. On NBC.” Finally, the guy’s face lit up. “Are you serious?!” But he didn’t raise his camera. Instead, he reached into his pocket and produced a business card. He said, “Here’s my card. If you ever want to tip me off on when celebrities will be out and about, I’ll give you a finder’s fee.” It took us a minute until we all collectively realized that he thought we worked IN AN OFFICE at NBC. OMG. We died.
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Jenna Fischer (The Office BFFs: Tales of The Office from Two Best Friends Who Were There)
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We left the diner for another long walk along the lake. The sky had lightened the last couple of days, making me think that Ontonagon was a Michigan paradise tucked up in its northern corner. But today, racks of clouds as big as steamships parked themselves above us, giving the whole town the grey murkiness I'd grown used to. Wind came off Lake Superior, bypassed my skin and veins, and dug right into my bones. We stopped at one of the benches along the lakeshore. Pieces of driftwood were scattered across the sand like they'd been tossed there long ago by some burly creature or god. My mind drifted to the sort of gods that would inhabit Upper Michigan, tough ones to be sure. No grape-eating lounging Greeks; these gods would be plaid-wearing giants as big as pine trees who waded into Superior's violent water for a morning dip.
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Craig Terlson (Manistique (Luke Fischer, #2))
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Renunciation isn't a moral imperative or a form of self-denial. It's simply cooperation with the way things are: for moments do pass away, one after the other. Resisting this natural unfolding doesn't change it; resistance only makes it painful. So we renounce our resistance, our noncooperation, our stubborn refusal to enter life as it is. We renounce our fantasy of a beautiful past and an exciting future we can cherish and hold on to. Life just isn't like this. Life, time, is letting go, moment after moment. Life and time redeem themselves constantly, heal themselves constantly, only we don't know this, and much as we long to be healed and redeemed, we refuse to recognize this truth. This is why the sirens' songs are so attractive and so deadly. They propose a world of indulgence and wishful thinking, an unreal world that is seductive and destructive. (142)
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Norman Fischer (Sailing Home: Using the Wisdom of Homer's Odyssey to Navigate Life's Perils and Pitfalls)
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The Chinese ideograph for forbearance is a heart with a sword dangling over it, another instance of language's brilliant way of showing us something surprising and important fossilized inside the meaning of a word. Vulnerability is built into our hearts, which can be sliced open at any moment by some sudden shift in the arrangements, some pain, some horror, some hurt. We all know and instinctively fear this, so we protect our hearts by covering them against exposure. But this doesn't work. Covering the heart binds and suffocates it until, like a wound that has been kept dressed for too long, the heart starts to fester and becomes fetid. Eventually, without air, the heart is all but killed off, and there's no feeling, no experiencing at all.
To practice forbearance is to appreciate and celebrate the heart's vulnerability, and to see that the slicing or piercing of the heart does not require defense; that the heart's vulnerability is a good thing, because wounds can make us more peaceful and more real—if, that is, we are willing to hang on to the leopard of our fear, the serpent of our grief, the boar of our shame without running away or being hurled off. Forbearance is simply holding on steadfastly with whatever it is that unexpectedly arises: not doing anything; not fixing anything (because doing and fixing can be a way to cover up the heart, to leap over the hurt and pain by occupying ourselves with schemes and plans to get rid of it.) Just holding on for hear life. Holding on with what comes is what makes life dear.
...Simply holding on this way may sound passive. Forbearance has a bad reputation in our culture, whose conventional wisdom tells us that we ought to solve problems, fix what's broken, grab what we want, speak out, shake things up, make things happen. And should none of this work out, then we are told we ought to move on, take a new tack, start something else. But this line of thinking only makes sense when we are attempting to gain external satisfaction. It doesn't take into account internal well-being; nor does it engage the deeper questions of who you really are and what makes you truly happy, questions that no one can ignore for long... Insofar as forbearance helps us to embrace transformative energy and allow its magic to work on us... forbearance isn't passive at all. It's a powerfully active spiritual force, (67-70).
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Norman Fischer (Sailing Home: Using the Wisdom of Homer's Odyssey to Navigate Life's Perils and Pitfalls)
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From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).
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Craig Johnson (Hell Is Empty (Walt Longmire, #7))
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All 250 + episodes to date can be found at tim.blog/ podcast and itunes.com/ timferriss Jamie Foxx on Workout Routines, Success Habits, and Untold Hollywood Stories (# 124)—tim.blog/ jamie The Scariest Navy SEAL I’ve Ever Met . . . and What He Taught Me (# 107)—tim.blog/ jocko Arnold Schwarzenegger on Psychological Warfare (and Much More) (# 60)—tim.blog/ arnold Dom D’Agostino on Fasting, Ketosis, and the End of Cancer (# 117)—tim.blog/ dom2 Tony Robbins on Morning Routines, Peak Performance, and Mastering Money (# 37)—tim.blog/ tony How to Design a Life—Debbie Millman (# 214)—tim.blog/ debbie Tony Robbins—On Achievement Versus Fulfillment (# 178)—tim.blog/ tony2 Kevin Rose (# 1)—tim.blog/ kevinrose [If you want to hear how bad a first episode can be, this delivers. Drunkenness didn’t help matters.] Charles Poliquin on Strength Training, Shredding Body Fat, and Increasing Testosterone and Sex Drive (# 91)—tim.blog/ charles Mr. Money Mustache—Living Beautifully on $ 25–27K Per Year (# 221)—tim.blog/ mustache Lessons from Warren Buffett, Bobby Fischer, and Other Outliers (# 219)—tim.blog/ buffett Exploring Smart Drugs, Fasting, and Fat Loss—Dr. Rhonda Patrick (# 237)—tim.blog/ rhonda 5 Morning Rituals That Help Me Win the Day (# 105)—tim.blog/ rituals David Heinemeier Hansson: The Power of Being Outspoken (# 195)—tim.blog/ dhh Lessons from Geniuses, Billionaires, and Tinkerers (# 173)—tim.blog/ chrisyoung The Secrets of Gymnastic Strength Training (# 158)—tim.blog/ gst Becoming the Best Version of You (# 210)—tim.blog/ best The Science of Strength and Simplicity with Pavel Tsatsouline (# 55)—tim.blog/ pavel Tony Robbins (Part 2) on Morning Routines, Peak Performance, and Mastering Money (# 38)—tim.blog/ tony How Seth Godin Manages His Life—Rules, Principles, and Obsessions (# 138)—tim.blog/ seth The Relationship Episode: Sex, Love, Polyamory, Marriage, and More (with Esther Perel) (# 241)—tim.blog/ esther The Quiet Master of Cryptocurrency—Nick Szabo (# 244)—tim.blog/ crypto Joshua Waitzkin (# 2)—tim.blog/ josh The Benevolent Dictator of the Internet, Matt Mullenweg (# 61)—tim.blog/ matt Ricardo Semler—The Seven-Day Weekend and How to Break the Rules (# 229)—tim.blog/ ricardo
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Timothy Ferriss (Tribe Of Mentors: Transformative Wisdom From Icons and Innovators to Help You Navigate Life's Challenges)
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Or could one seriously introduce the idea of a bad God, as it were by the back door, through a sort of extreme Calvinism? You could say we are fallen and depraved. We are so depraved that our ideas of goodness count for nothing; or worse than nothing—the very fact that we think something good is presumptive evidence that it is really bad. Now God has in fact—our worse fears are true—all the characteristics we regard as bad: unreasonableness, vanity, vindictiveness, injustice, cruelty. But all these blacks (as they seem to us) are really whites. It’s only our depravity that makes them look black to us. And so what? This, for all practical (and speculative) purposes, sponges God off the slate. The word good, applied to him, becomes meaningless: like abracadabra. We have no motive for obeying him. Not even fear. It is true we have his threats and promises. But why should we believe them? If cruelty is from his point of view “good,” telling lies may be “good” too. Even if they are true, what then? If his ideas of good are so very different from ours, what he calls Heaven might well be what we should call Hell, and vice-versa. Finally, if reality at its root is so meaningless to us—or, putting it the other way round, if we are such total imbeciles—what is the point of trying to think either about God or about anything else? This knot comes undone when you try to pull it tight.41
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Austin Fischer (Young, Restless, No Longer Reformed: Black Holes, Love, and a Journey In and Out of Calvinism)
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Brahms' friends in Budapest finally managed to talk him into attending the performance of Don Giovanni - he had initially turned down their invitation, arguing that he preferred to read the score and had never seen or heard a decent performance of the work. He would even prefer a cold beer, he insisted. But in the end he allowed his friends to drag him along to their box, where he demonstratively settled down on a sofa at the back in the hope of enjoying a rest. But it was not long before he was making increasingly inarticulate noises indicative of his enthusiasm, and at the end of the first act he was heard to shout out: 'Most excellent, admirable, what a deuce of a fellow!' He then ran on to the stage and embraced Mahler with typically grumpy cordiality.
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Jens Malte Fischer (Gustav Mahler)
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Appendix 1 Seven Points and Fifty-Nine Slogans for Generating Compassion and Resilience POINT ONE Resolve to Begin 1. Train in the preliminaries. POINT TWO Train in Empathy and Compassion: Absolute Compassion 2. See everything as a dream. 3. Examine the nature of awareness. 4. Don’t get stuck on peace. 5. Rest in the openness of mind. 6. In Postmeditation be a child of illusion. POINT TWO Train in Empathy and Compassion: Relative Compassion 7. Practice sending and receiving alternately on the breath. 8. Begin sending and receiving practice with yourself. 9. Turn things around (Three objects, three poisons, three virtues). 10. Always train with the slogans. POINT THREE Transform Bad Circumstances into the Path 11. Turn all mishaps into the path. 12. Drive all blames into one. 13. Be grateful to everyone. 14. See confusion as Buddha and practice emptiness. 15. Do good, avoid evil, appreciate your lunacy, pray for help. 16. Whatever you meet is the path. POINT FOUR Make Practice Your Whole Life 17. Cultivate a serious attitude (Practice the five strengths). 18. Practice for death as well as for life. POINT FIVE Assess and Extend 19. There’s only one point. 20. Trust your own eyes. 21. Maintain joy (and don’t lose your sense of humor). 22. Practice when you’re distracted. POINT SIX The Discipline of Relationship 23. Come back to basics. 24. Don’t be a phony. 25. Don’t talk about faults. 26. Don’t figure others out. 27. Work with your biggest problems first. 28. Abandon hope. 29. Don’t poison yourself. 30. Don’t be so predictable. 31. Don’t malign others. 32. Don’t wait in ambush. 33. Don’t make everything so painful. 34. Don’t unload on everyone. 35. Don’t go so fast. 36. Don’t be tricky. 37. Don’t make gods into demons. 38. Don’t rejoice at others’ pain. POINT SEVEN Living with Ease in a Crazy World 39. Keep a single intention. 40. Correct all wrongs with one intention. 41. Begin at the beginning, end at the end. 42. Be patient either way. 43. Observe, even if it costs you everything. 44. Train in three difficulties. 45. Take on the three causes. 46. Don’t lose track. 47. Keep the three inseparable. 48. Train wholeheartedly, openly, and constantly. 49. Stay close to your resentment. 50. Don’t be swayed by circumstances. 51. This time get it right! 52. Don’t misinterpret. 53. Don’t vacillate. 54. Be wholehearted. 55. Examine and analyze. 56. Don’t wallow. 57. Don’t be jealous. 58. Don’t be frivolous. 59. Don’t expect applause.
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Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
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His body was racked with movement and in the semi-darkness he looked like some kind of fairy-tale goblin engaged in a flurry of hocus-pocus. In the harsh spotlight that lit up the rostrum his face was fascinatingly ugly and had a ghastly pallor, ringed as it was by his waving hair. Every little shift in the orchestra was reflected in his sensitive features: one moment he would be dampening something down, which would knot the skin round his eyes into grim folds accompanied by a lifting of his nose; the next moment he would be smiling in confluence with the sweet strains of the orchestra, radiating his approval and enjoyment, so that it was a case of both devils and angels crossing his visage in turn. Lightning flashed from his spectacle lenses with each sharp movement of his head, and from behind the lenses his eyes shone forth, watchful, assertive and demanding attention - every inch of his frame was simultaneously both an instrument of command and a means of expression.
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Jens Malte Fischer (Gustav Mahler)