Fire Swamp Quotes

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Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists.. it is real.. it is possible.. it's yours.
Ayn Rand (Atlas Shrugged)
True story This morning I jumped on my horse And went for a ride, And some wild outlaws chased me And shot me in the side. So I crawled into a wildcats cave To find a place to hide But some pirates found me sleeping there And soon they had me tied To a pole and built a fire Under me---I almost cried Till a mermaid came and cut me loose And begged to be my bride So I said id come back Wednesday But I must admit I lied. Then I ran into a jungle swamp But I forgot my guide And I stepped into some quicksand And no matter how hard I tried I couldn’t get out, until I met A watersnake named Clyde Who pulled me to some cannibals Who planned to have me fried But an eagle came and swooped me up And through the air we flied But he dropped me in a boiling lake A thousand miles wide And you’ll never guess what I did then--- I DIED
Shel Silverstein
In the name of the best within you, do not sacrifice this world to those who are at its worst. In the name of the values that keep you alive, do not let your vision of people be distorted by the ugly, the cowardly, the mindless in those who have never achieved integrity. Do not lose your knowledge that our proper estate is an upright posture, an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at-all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it's yours.
Ayn Rand
Let go,” I demand. “No.” My eyebrows snap together. “Why not?” “Because your gut reaction is always to punch, and I don’t like being tickled.” Tickled? Tickled! Indignation swamps me. I’ll show him a tickle.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
Fire he sang, that trees fear, and I, a tree, rejoiced in its flames. New buds broke forth from me though it was full summer. As though his lyre (now I knew its name) were both frost and fire, its chords flamed up to the crown of me. I was seed again. I was fern in the swamp. I was coal. ("A Tree Telling of Orpheus")
Denise Levertov
It's raining in Washington tonight. Plump, warm summer rain that covers the sidewalks with leopard spots. Downtown, elderly ladies carry their houseplants out to set them on the fire-escapes, as if they were infirm relatives or Boy Kings. I like that.
Alan Moore (Swamp Thing, Vol. 1: Saga of the Swamp Thing)
In the wet starlight and on the wet ground. The lake lay in the mist, its ice half drowned. A blurry shape stepped off the reedy bank Into a crackling, gulping swamp, and sank.
Vladimir Nabokov (Pale Fire)
With any luck at all,” he said, “we should soon be safely in the Fire Swamp.
William Goldman (The Princess Bride)
I stepped out to the lawn. I remember the air that night, and how it was so brisk that it could revive the dead. The fragrance of eucalyptus stoking a home fire, the smell of wet grass, of dung fuel, of tobacco, of swamp air, and the perfume of hundreds of roses--this was the scent of Missing. No, it was the scent of a continent.
Abraham Verghese (Cutting for Stone)
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
The message was crystal clear: the Beltway—right, left, and center—is an unprincipled swamp. Its denizens spend most of their time raising money to keep the lights on. The creative fires do not burn here. Those who light them are quickly sent home. Others lose heart working long hours for bad pay under indifferent management. Meanwhile, the cynical and soulless all too often find their way to promotions and permanent positions in the oligarchy.
James O'Keefe (Breakthrough: Our Guerilla War to Expose Fraud and Save Democracy)
Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all.  Do not let the hero in your soul perish in lonely frustration for the life you deserved but have never been able to reach. The world you desire can be won, it exists, it is real, it is possible, it is yours...”   -Ayn Rand
Yessi Smith (Life's A Cappella (A Cappella, #1))
Now, of course, having failed in every attempt to subdue the Glades by frontal attack, we are slowly killing it off by tapping the River of Grass. In the questionable name of progress, the state in its vast wisdom lets every two-bit developer divert the flow into drag-lined canals that give him 'waterfront' lots to sell. As far north as Corkscrew Swamp, virgin stands of ancient bald cypress are dying. All the area north of Copeland had been logged out, and will never come back. As the glades dry, the big fires come with increasing frequency. The ecology is changing with egret colonies dwindling, mullet getting scarce, mangrove dying of new diseases born of dryness.
John D. MacDonald (Bright Orange for the Shroud)
To say it was a dark and stormy night would be a gross understatement. It was colder than witch's kiss, wetter than a spring swamp, and blacker than a tax collector's heart. A sane man would have been curled up in front of a fire with a cup of mulled wine and a good boo-, ah, a willing wench.
Hilari Bell (The Last Knight (Knight and Rogue, #1))
Look not too long in the face of the fire O man!...believe not the artificial fire, when its redness makes all things look ghastly. Tomorrow, in the natural sun, the skies will be bright; those who glared like devils in the forking flames, the morn will show in far other, at least gentler relief; the glorious, golden, glad sun, the only true lamp - all others but liars! Nevertheless the sun hides not Virginia's dismal swamp, nor Rome's accursed Campagna, nor wide Sahara, nor all the millions of miles of deserts and of griefs beneath the moon. The sun hides not the ocean which is the dark side of this Earth, and which is two thirds of this Earth. So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true - not true, or undeveloped. With books the same. The truest of all men was The Man of Sorrows, and the truest of all books is Solomon's, and Ecclesiastes is the fine hammered steel of woe. 'All is vanity'. ALL. The wilful world hath not got hold of unchristian Solomon's wisdom yet. But he who dodges hospitals and jails, and walks fast crossing grave yards, and would rather talk of operas than hell; calls Cowper, Young, Pascal, Rosseau, poor devils all sick of men; and throughout a carefree lifetime swears by Rabelais as passing wise, and therefore jolly; - not that man is fitted to sit down on tomb stones, and break the green damp mould unfathomable wounderous Solomon.
Herman Melville (Moby-Dick or, The Whale)
A picnic. Imagine: a forest, a country road, a meadow. A car pulls off the road into the meadow and unloads young men, bottles, picnic baskets, girls, transistor radios, cameras … A fire is lit, tents are pitched, music is played. And in the morning they leave. The animals, birds, and insects that were watching the whole night in horror crawl out of their shelters. And what do they see? An oil spill, a gasoline puddle, old spark plugs and oil filters strewn about … Scattered rags, burnt-out bulbs, someone has dropped a monkey wrench. The wheels have tracked mud from some godforsaken swamp … and, of course, there are the remains of the campfire, apple cores, candy wrappers, tins, bottles, someone’s handkerchief, someone’s penknife, old ragged newspapers, coins, wilted flowers from another meadow …” “I get it,” said Noonan. “A roadside picnic.
Arkady Strugatsky (Roadside Picnic)
Fire nibbled anxiously at the kindling, then took a big bite and flame crackled.
Jim Kjelgaard (Swamp Cat)
Does this mean we get to ogle handsome men together?” ... “You name the time and place, Swamp Girl.
Nisha J. Tuli (Heart of Night and Fire (The Nightfire Quartet, #1))
The road crossed a dried slough where pipes of ice stood out of the frozen mud like formations in a cave. The remains of an old fire by the side of the road. Beyond that a long concrete causeway. A dead swamp. Dead trees standing out of the gray water trailing gray and relic hagmoss. The silky spills of ash against the curbing. He stood leaning on the gritty concrete rail. Perhaps in the world’s destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.
Cormac McCarthy (The Road)
In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: ... she's gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I'll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie's little sister. She'd seemed so small and alone in the marsh's big sweep. He imagined his own sister lost out there. His dad was right- poems made you feel something.
Delia Owens (Where the Crawdads Sing)
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)
Nick drank the coffee, the coffee according to Hopkins. The coffee was bitter. Nick laughed. It made a good ending to the story. His mind was starting to work. He knew he could choke it because he was tired enough. He spilled the coffee out of the pot and shook the grounds loose into the fire. He lit a cigarette and went inside the tent. He took off his shoes and trousers, sitting on the blankets, rolled the shoes up inside the trousers for a pillow and got in between the blankets. Out through the front of the tent he watched the glow of the fire when the night wind blew on it. It was a quiet night. The swamp was perfectly quiet. Nick stretched under the blanket comfortably. A mosquito hummed close to his ear. Nick sat up and lit a match. The mosquito was on the canvas, over his head. Nick moved the match quickly up to it. The mosquito made a satisfactory hiss in the flame. The match went out. Nick lay down again under the blankets. He turned on his side and shut his eyes. He was sleepy. He felt sleep coming. He curled up under the blanket and went to sleep.
Ernest Hemingway (The Nick Adams Stories)
I have entered into the darkest regions of myself, bearing torches and lighting candles. I have left a burning lamp in each lonely cave of my person; I have planted roses in every swamp of my mind; I have ignited stars in all the nights of my heart. I have lit myself on fire to walk through my soul. I have glowed as my own moon when there was no moon within me. I have done all that was necessary. Now watch me become the light, watch me be the light, watch me illume as light inside of light, watch me emerge as light. You've never seen this version of me before.
C. JoyBell C.
D.C. area colleges being among the most reliable feeders of swamp talent (government is not really an Ivy League profession). Most government and political organizations are not run, for better or worse, by MBAs, but by young people distinguished only by their earnestness and public sector idealism and ambition. (It is an anomaly of Republican politics that young people motivated to work in the public sector find themselves working to limit the public sector.) Careers advance by how well you learn on the job and how well you get along with the rest of the swamp and play its game.
Michael Wolff (Fire and Fury: Inside the Trump White House)
If so, there are—again—two possible attitudes to take. We can say that these twelve were great benefactors, that we are all fed by the overflow of the magnificent wealth of their spirit, and that we are glad to accept it in gratitude and brotherhood. Or, we can say that by the splendor of their achievement which we can neither equal nor keep, these twelve have shown us what we are, that we do not want the free gifts of their grandeur, that a cave by an oozing swamp and a fire of sticks rubbed together are preferable to skyscrapers and neon lights—if the cave and the sticks are the limit of our own creative capacities. Of the two attitudes, Dominique, which would you call the truly humanitarian one? Because, you see, I’m a humanitarian.
Ayn Rand (The Fountainhead)
That thing some people call boredom, in the correct if elusive dosage, can be a form of inoculation against itself. Once you struffle through that swamp of monotony where time bogs down in excruciating ticks from your wristwatch, it becomes possible to break through to a state of equilibrium, to reach a kind of waiting and watching that verges on what I can only call the holy.
Philip Connors (Fire Season: Field Notes from a Wilderness Lookout)
With this warning, Mussolini demanded and was given authority to do just about whatever he wanted; but his initial priority, surprisingly, was good government. He knew that citizens were fed up with a bureaucracy that seemed to grow bigger and less efficient each year, so he insisted on daily roll calls in ministry offices and berated employees for arriving late to work or taking long lunches. He initiated a campaign to drenare la palude (“drain the swamp”) by firing more than 35,000 civil servants. He repurposed Fascist gangs to safeguard rail cargo from thieves. He allocated money to build bridges, roads, telephone exchanges, and giant aqueducts that brought water to arid regions. He gave Italy an eight-hour workday, codified insurance benefits for the elderly and disabled, funded prenatal health care clinics, established seventeen hundred summer camps for children, and dealt the Mafia a blow by suspending the jury system and short-circuiting due process. With no jury members to threaten and judges answerable directly to the state, the courts were as incorruptible as they were docile. Contrary to legend, the dictator didn’t quite succeed in making the trains run on time, but he earned bravos for trying.
Madeleine K. Albright (Fascism: A Warning)
What you are saying, skeleton, is blasphemous.” “You’re the one who dug up your own god.” . . . Vengeous scowled. “As you can see, you’re vastly outnumbered.” “I usually am.” “Your situation has become quite untenable.” “It usually does.” “You are within moments of being swamped by these filthy creatures of Undeath and torn apart in a maelstrom of pain and fury.” Skulduggery paused. “OK, that’s a new one to me.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
This was the point in the Fire Swamp sequence where Buttercup’s dress briefly catches on fire before the flame is extinguished by Westley. It’s merely a line in the stage directions and consumes only a few seconds of film, but before we could shoot the scene, several steps had to be taken. First, a fire marshal had to be brought to the set. He would then meet with the stunt coordinator, Peter Diamond, Nick Allder, our FX supervisor, and his special effects crew. This was followed by what is known as a general “safety meeting” with the rest of the crew. Anytime there are firearms, fire, or even a dangerous or semidangerous stunt involved, there is always a safety meeting of this kind. The whole crew gathers around, and usually the first AD explains what the meeting is about. He then introduces everyone to the person in charge of special effects/stunts/firearms, etc., and that person walks everyone through the sequence, detailing both process and all potential safety concerns.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.
Delia Owens (Where the Crawdads Sing)
Emotion threatened to swamp her. Eliana was so damn grateful to have Dagon in her life now, to have found him against such astounding odds. Reaching up, she curled a hand around the nape of his neck and drew him down to claim his lips in a hard kiss that conveyed gratitude, determination, and caring all at once. Fire raced through her body as he wrapped his arms around her and drew her up onto her toes, locking her form to his. She broke the kiss on a gasp. “So we’re in this together?” “We’re in this together,” he confirmed, leaving no doubt of his commitment.
Dianne Duvall (The Segonian (Aldebarian Alliance, #2))
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
RYLAN!" I feel Ivy's palm on my chest and, with a powerful shove, she pushes me back, away from fire, danger, and death. In that moment after the tree plunges, I see Ivy for a single second as I fall. In those emerald eyes is a look of complete calm, undying gratitude, and powerful, protective love. The tree crashes down, the sound echoing in my head. For an eternal moment, I sit there on my butt, staring at the spot where Ivy was standing. I'm numb, only registering the slightest changes; the wind dying down, the rain lessening. What just happened? Desperately, I look side to side, praying that Ivy jumped to the side and what I saw was just an illusion made up by my panicked mind. But Ivy's nowhere. And there's an arm sticking out from under the trunk. "IVY!" I sprint to the fallen tree. The smoldering wood stings my hand when I grab the trunk, but I grit my teeth and bear it. Pulling with all my might, I throw the remains of the tree aside. Ivy's lying there, her eyes closed and her lower half on fire. "No..." I fall to my knees and yank off my sweatshirt to try and smother the flames, but they burn strong, and soon the fabric's on fire. I toss it away, not knowing where it lands as I'm unable to tear my eyes off the most gut-wrenching sight of my life. My hands go to my head and my shouting grows even louder. "No, no, no!" This can't be happening. She can't be—
Colleen Boyd (Swamp Angel)
Then, as he wended his way, by swamp and stream and awful woodland, to the farm-house where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination : the moan of the whip-poor-will from the hill-side; the boding cry of the tree-toad, that har- binger of storm; the dreary hooting of the screech-owl, or the sudden rustling in the thicket of birds frightened from their roost. The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch's token.
Washington Irving (The Legend of Sleepy Hollow)
In the name of the best within you, do not sacrifice this world to those who are its worst. In the name of the values that keep you alive, do not let your vision of man be distorted by the ugly, the cowardly, the mindless in those who have never achieved his title. Do not lose your knowledge that man’s proper estate is an upright posture, an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at-all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it is possible, it’s yours.
Ayn Rand (Atlas Shrugged)
Almost a hundred years earlier, to the day, Samuel Smiles had written the final pages of his book Self-Help. It included this moving tale of heroism as an example for the Victorian Englishman to follow. For the fate of my great-grandfather, Walter, it was poignant in the extreme. The vessel was steaming along the African coast with 472 men and 166 women and children on board. The men consisted principally of recruits who had been only a short time in the service. At two o’clock in the morning, while all were asleep below, the ship struck with violence upon a hidden rock, which penetrated her bottom; and it was at once felt that she would go down. The roll of the drums called the soldiers to arms on the upper deck, and the men mustered as if on parade. The word was passed to “save the women and children”; and the helpless creatures were brought from below, mostly undressed, and handed silently into the boats. When they had all left the ship’s side, the commander of the vessel thoughtlessly called out, “All those that can swim, jump overboard and make for the boats.” But Captain Wright, of the 91st Highlanders, said, “No! If you do that, the boats with the women will be swamped.” So the brave men stood motionless. Not a heart quailed; no one flinched from his duty. “There was not a murmur, nor a cry among them,” said Captain Wright, a survivor, “until the vessel made her final plunge.” Down went the ship, and down went the heroic band, firing a volley shot of joy as they sank beneath the waves. Glory and honor to the gentle and the brave! The examples of such men never die, but, like their memories, they are immortal. As a young man, Walter undoubtedly would have read and known those words from his grandfather’s book. Poignant in the extreme. Indeed, the examples of such men never die, but, like their memories, they are immortal.
Bear Grylls (Mud, Sweat and Tears)
see? I’ve let that go. We’ve had enough offense and punishment in this family to last a lifetime. Please, don’t try to make us suffer any more.” She stared at me in silence, and I think the truth of my words finally connected with her because her face slowly softened. In truth, only I had the key to any prison in my mind, but I didn’t want to see my mother suffer. My mother was beaming proudly. There was no way I could let her go to prison. It seemed absurd to me. I smiled at her. “I’m going to find Bobby.” I left them sitting in silence and made my way toward the lake to look for Bobby. Funny how the swamps looked so different to me the last two days. I had lived in fear of them—they were a part of my prison. But now I saw that it was my fear of the swamps, not the actual swamps, that had fortified that prison. There’s always something to fear if you think fear will keep you safe. Fire. Swamps. Alligators . . . Water. I’m
Ted Dekker (Water Walker: The Full Story (The Outlaw Chronicles #2))
"Ry-Rylan?" Ivy's voice is faint. I crawl over to her side, my eyes never once straying from hers. "Rylan?" "I'm here," I whisper, stroking her forehead with tenderness. "I'm here, and I'm not leaving you." She grins weakly. The light in her eyes is starting to slowly fade. "Thank you. I wish I could say the same...for me." "Don't say that," I beg. "You're not going to die. I'll get some water, out the fire out, and everything will be fine—" Ivy places her hand on mine. "Water will not stop it. Once it starts, the fire will keep going. See how it spreads?" She's right. In these few moments the flames have spread up to her waist, licking her body with searing tongues. Something glows. Glancing down, I see Ivy healing my burned palms. Once she's done, she places her hand on my bloody shoulder and heals that too. "There," she murmurs, letting her hand drop. "You are all healed. My last gift to you." "You can't leave," I whisper, more to myself than anyone else. Tears prick my eyes. "You can't leave." "We all have to leave sometimes," Ivy muses, so calm in the face of death. "Even swamp angels."
Colleen Boyd (Swamp Angel)
Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment: “And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said, ‘Please close that door. It’s fine in here, but I greatly fear you’ll let in the cold and storm— Since I left Plumtree down in Tennessee, it’s the first time I’ve been warm.’” Scupper and Tate chuckled. “Your mom always laughed at that.” They smiled, remembering. Just sat there a minute. Then Scupper said he’d wash up while Tate did his homework. In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.
Delia Owens (Where the Crawdads Sing)
them—or something like it. They even got the Doctor some tobacco one day, when he had finished what he had brought with him and wanted to smoke. At night they slept in tents made of palm leaves, on thick, soft beds of dried grass. And after a while they got used to walking such a lot and did not get so tired and enjoyed the life of travel very much. But they were always glad when the night came and they stopped for their resting time. Then the Doctor used to make a little fire of sticks; and after they had had their supper, they would sit round it in a ring, listening to Polynesia singing songs about the sea, or to Chee-Chee telling stories of the jungle. And many of the tales that Chee-Chee told were very interesting. Because although the monkeys had no history books of their own before Doctor Dolittle came to write them for them, they remember everything that happens by telling stories to their children. And Chee-Chee spoke of many things his grandmother had told him—tales of long, long, long ago, before Noah and the Flood—of the days when men dressed in bearskins and lived in holes in the rock and ate their mutton raw because they did not know what cooking was, never having seen a fire. And he told them of the great mammoths, and lizards as long as a train, that wandered over the mountains in those times, nibbling from the treetops. And often they got so interested listening that when he had finished they found their fire had gone right out, and they had to scurry around to get more sticks and build a new one. Now, when the King’s army had gone back and told the King that they couldn’t find the Doctor, the King sent them out again and told them they must stay in the jungle till they caught him. So all this time, while the Doctor and his animals were going along toward the Land of the Monkeys, thinking themselves quite safe, they were still being followed by the King’s men. If Chee-Chee had known this, he would most likely have hidden them again. But he didn’t know it. One day Chee-Chee climbed up a high rock and looked out over the treetops. And when he came down he said they were now quite close to the Land of the Monkeys and would soon be there. And that same evening, sure enough, they saw Chee-Chee’s cousin and a lot of other monkeys, who had not yet gotten sick, sitting in the trees by the edge of a swamp, looking and waiting for them. And when they saw the famous doctor really come, these monkeys made a tremendous noise, cheering and waving leaves and swinging out of the branches to greet him. They wanted to carry his bag and his trunk and everything he had. And one of the bigger ones even carried Gub-Gub, who had gotten
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle Series))
In the chapter entitled “You Can’t Pray a Lie” in Twain’s beloved novel Adventures of Huckleberry Finn, Huck Finn has helped hide Miss Watson’s runaway slave, Jim. But Huck thought he was committing a sin in helping a runaway slave. Huck had learned in Sunday school “that people that acts as I’d been acting … goes to everlasting fire.” So in an act of repentance in order to save his soul, Huck wrote a note to Miss Watson and told her where she could find her runaway slave. Now Huck was ready to pray his “sinner’s prayer” and “get saved.” I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world and the only he’s got now; and then I happened to look around and see the paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up. It was awful thoughts and awful words but they was said. And I let them stay said; and never thought no more about reforming.1 Huck Finn had been shaped by the Christianity he’d found in his Missouri Sunday school—a Christianity focused on heaven in the afterlife while preserving the status quo of the here and now. Huck thought that helping Jim escape from slavery was a sin, because that’s what he had been taught. He knew he couldn’t ask God to forgive him until he was ready to “repent” and betray Jim. Huck didn’t want to go to hell; he wanted to be saved. But Huck loved his friend more, so he was willing to go to hell in order to save his friend from slavery.
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
Mikhail, I don’t know what you want.” She didn’t know what she wanted either. He stood up then, power and grace combined. His shadow reached her before he did. His strength was enormous, but his touch was gentle as he pulled her to her feet. His hands slid up her arms, rested lightly on her shoulders, thumbs stroking the pulse in her neck. His touch sent warmth curling in her abdomen. She was so small beside him, so fragile and vulnerable. “Do not try to leave me, little one. We need one another.” His dark head bent lower, his mouth brushing her eyelids, sending little darts of fire licking along her skin. “You make me remember what living is,” he whispered in his mesmerizing voice. His mouth found the corner of hers, and a jolt of electricity sizzled through her body. Raven reached up to touch the shadowed line of his jaw, to place a hand on the heavy muscles of his chest in an attempt to put space between them. “Listen to me, Mikhail.” Her voice was husky. “We both know what loneliness is, what real isolation can do to a person. It’s beyond my imagination that I can be this close to you, physically touch you, and not be swamped with unwanted burdens. But we can’t do this.” Amusement crept into the dark fire of his eyes, a hint of tenderness. His fingers curled around the nape of her neck. “Oh, I think we can.” His black velvet voice was pure seduction, his smile frankly sensual.
Christine Feehan (Dark Prince (Dark, #1))
My hands, which for some reason keep ending up on his waist lately, curl into fists. Beta Sinta grabs one and holds on. “Let go,” I demand. “No.” My eyebrows snap together. “Why not?” “Because your gut reaction is always to punch, and I don’t like being tickled.” Tickled? Tickled! Indignation swamps me. I’ll show him a tickle. Before I can move, he drops the reins and captures my other hand, easily maneuvering both my hands into one of his. He picks the reins back up with the other. As usual, he gains the upper hand with disgustingly little effort, and I end up with both arms around him, my face buried in his back. Beta Sinta’s crisp, masculine scent of citrus and sunshine fills my nose. Hard muscle ripples under my cheek. I’m frighteningly aware of all the places his broad, powerful body touches mine, and I shiver despite the heat. “Let. Me. Go,” I grind out. “I. Said. No.” I open my mouth, teeth bared. “If you bite me, I swear to the Gods I’ll dumpyou off this horse and make you walk.” I close my mouth. The town is still miles away. “I won’t bite.” “Or punch.” I grit my teeth. “You’re asking a lot.” “Am I?” he drawls, tightening his grip on my wrists until I hiss. “Ow! Fine. Or punch.” His fingers loosen. “Is that your binding word?” My eyes widen. Beta Sinta says he needs me for information, but he already knows more about the ways of magic than is good for me. “Fine. It’s my binding word.” It’s like pulling my own teeth, but I’m desperate to stop hugging him. He’s too hot and…and…something. “Ever,” he stipulates. Something between a laugh and a snort explodes from me. “Don’t push your luck.” “A day, then. Starting now.” “Fine. A day,” I agree, fuming. He lets go of my wrists. I sit up so fast I almost tumble off the back of the horse. Beta Sinta’s chuckle is almost as irritating as the jolt of magic that seals the deal.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
DREAMLAND             BY a route obscure and lonely,             Haunted by ill angels only,             Where an Eidolon, named NIGHT,             On a black throne reigns upright,             I have reached these lands but newly             From an ultimate dim Thule— From a wild weird clime that lieth, sublime                 Out of SPACE—out of TIME.             Bottomless vales and boundless floods,             And chasms, and caves, and Titan woods             With forms that no man can discover             For the dews that drip all over; WHERE AN EIDOLON NAMED NIGHT ON A BLACK THRONE REIGNS UPRIGHT         Mountains toppling evermore         Into seas without a shore;         Seas that restlessly aspire,         Surging, unto skies of fire;         Lakes that endlessly outspread         Their lone waters—lone and dead,         Their still waters—still and chilly         With the snows of the lolling lily.         By the lakes that thus outspread         Their lone waters, lone and dead,—         Their sad waters, sad and chilly         With the snows of the lolling lily,—         By the mountains—near the river         Murmuring lowly, murmuring ever,—         By the grey woods,—by the swamp         Where the toad and the newt encamp,—         By the dismal tarns and pools                 Where dwell the Ghouls,—         By each spot the most unholy—         In each nook most melancholy,—         There the traveller meets aghast         Sheeted Memories of the Past—         Shrouded forms that start and sigh         As they pass the wanderer by—         White-robed forms of friends long given,         In agony, to the Earth—and Heaven.         For the heart whose woes are legion         ’Tis a peaceful, soothing region—         For the spirit that walks in shadow         ’Tis—oh, ’tis an Eldorado!         But the traveller, travelling through it,         May not—dare not openly view it;         Never its mysteries are exposed         To the weak human eye unclosed;         So wills its King, who hath forbid         The uplifting of the fringèd lid;         And thus the sad Soul that here passes         Beholds it but through darkened glasses.         By a route obscure and lonely,         Haunted by ill angels only,         Where an Eidolon, named NIGHT,         On a black throne reigns upright,         I have wandered home but newly         From this ultimate dim Thule.
Edgar Allan Poe (The Poems of Edgar Allan Poe)
In the pass the muttering sickness leaped into our throats, coughing and spitting in the silver morning, frost on our bones. Most of the ape forms died there on the treeless slopes, dumb animal eyes on "me" brought the sickness from white time caves frozen in my throat to hatch in the warm steamlands spitting song of scarlet bursts in egg flesh, beyond the pass, limestone slopes down into a high green savanna and the grass-wind on our genitals, came to a swamp fed by hot springs and mountain ice. and fell in flesh heaps, sick apes spitting blood laugh, sound bubbling in throats torn with the talk sickness, faces and bodies covered with pus foam, animal hair thru the purple sex- flesh, sick sound twisted thru body, underwater music bubbling in blood beds, human faces tentative flicker in and out of focus. We waded into the warm mud-water, hair and ape flesh off in screaming strips, stood naked human bodies covered with phosphorescent green jelly, soft tentative flesh cut with ape wounds, peeling other genitals, fingers and tongues rubbing off the jelly-cover, body melting pleasure-sounds in the warm mud. till the sun went and a blue wind of silence touched human faces and hair. When we came out of the mud we had names. In the pass muttering arctic flowers, gusts of frost wind, bones and most of the ape still felt, invisible slopes, spitting the bloodbends human bones out of focus, and ape-flesh naked human body. Caves frozen in my throat, green jelly genitals. Limestone slopes cover our bodies melting in savanna and grass mud. shit and sperm fed hot till the sun went. The mountain touched human bubbling throats. Torn we crawled out of the mud. faces and bodies covered the purple sex-flesh, and the sickness leaped into our body underwater music bubble in the silver morning frost, faces tentative flicker in ape forms, into the warm mud and water slopes, cold screaming sickness from white time, covered with phosphorescent shed in the warm lands, spitting ape wounds, feeling egg flesh, green pleasure-sounds warm our genitals, blue wind of silence. Apes spitting sound faces thru pus foam, the talking sickness had names. The sound stood naked in the grass, music bubbling in the blood, quivering frog eggs and sound thru our throats and swap we had names for each other, tentative flicker-laugh and laughing washed the hairs off. down to his genitals. Human our bodies melted into when we crawled out. And the other did not want to touch me because of the white worm-thing inside but no one could refuse if I wanted and ate the fear-softness in other men. The cold was around us in our bones. And I could see the time before the thing when there was green around and the green taste in my mouth and the green plant-shit on my legs, before the cold. . . And some did not eat flesh and died because they could not live with the thing inside. . . Once we caught one of the hairy men with our vine nets and tied him over a slow fire and left him there until he died and the thing sucked his screams moving in my face like smoke and no one could eat the flesh-fear of the hairy man and there was a smell in the cave bent us over
William S. Burroughs (The Soft Machine (The Nova Trilogy #1))
The torment of hell is not fire and brimstone, pitchforks and claws, or, as Dante supposed, aimless wandering, unsatisfied lust, icy rain, foul swamps, or any kind of eternal violence. Hell is a place utterly without God.
Ron Phillips (Unexplained Mysteries of Heaven and Earth: Surprising Insights About Our World and Beyond)
No!” She yanked it away, curling protectively around it. He felt like she had slapped him. “What do you think I am going to do, snatch it and throw it in the lake?” he demanded in an angry voice. She took a step back, and he followed. “Do you?” “Shhhh!” she said in a fierce whisper. “People are still sleeping!” He stepped closer, his face inches from hers. “And I am dying here because a woman I have hankered after for years just kicked me in the teeth. Again.” Mollie blanched. “Why do you keep talking like that? We barely know each other!” He was mad enough to spit fire. “I couldn’t court a woman who did business with Hartman’s,” he ground out. “That was the quickest route for me to get canned, but after the fire, I don’t care anymore about rules. You are a woman I want in my life, but my hand to God, if you keep accusing me of trying to swindle you, I am liable to combust.” Her eyes narrowed in distrust, and he was smart enough to know that blasted scrap of paper was going to be a wedge between them forever unless he could figure a way to dispose of it. He settled his hands on her shoulders. “Mollie, you have a piece of paper. In the coming years, the court system in this city is going to be swamped with a legal quagmire the likes of which this country has never seen before. With the archives of the courthouse in ashes, there is no way to prove the legitimacy of that deed.” “No way to disprove it either.” “Exactly.” He turned her around and cupped the side of her face. He tried using a gentle pressure to nudge her face up to look at him, but she resisted. “Mollie, I have cared about you for years. I have made a great study of Mollie Knox and the way she runs her business, but you know nothing about me. I suppose it is not fair for me to expect you to trust me when I’ve never been more than the man signing off on your quarterly revenue statements. Come live at my house. Bring Frank. Heaven help me, you can even bring Sophie, but come. I can’t stand the thought of you shivering in that church. No matter what it takes, I intend to earn your trust, and after that, you’d better put an armed guard around your heart, because I plan on winning you and folding you into my life. Fair warning, woman.” Mollie squinted at something over his shoulder, and Zack realized she had not been paying attention to a single word he’d said.
Elizabeth Camden (Into the Whirlwind)
Ivy hugs me tighter. "Wonderful, Rylan. This is good to know. And thank you for calling me...your friend. I love being called that." Love. My cheeks catch fire and my heart races as we continue holding each other. That word has become so foreign in my house, ever since my dad started distancing himself. But here's my best friend using it in a way that makes me feel like everything's okay and I'm whole again. It's the same one word—the only word—that could describe what I'm feeling for Ivy.
Colleen Boyd (Swamp Angel)
"I...love you...Rylan. But do not fear...I'll be seeing you...again...I am...forever watching..." She breathes her last. The fire races across her face and through her hair. I watch as she lifted up with the rising smoke.
Colleen Boyd (Swamp Angel)
I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .
Tim Dorsey (Electric Barracuda (Serge Storms #13))
So nice to be stuck up here again, wouldn't you agree Agres.” “Not really no.” Agres replied “Day three is it” Agres nodded they where huddled up behind a rock as the cold wind blew around their small fire “I didn't really miss being stuck up here did you?” “I bet Tria, you'd rather be stuck in a swamp again wouldn't you?” “Actually I'd gladly take being stuck in a swamp over being stranded on a cold mountain any day. You hear that Dilmore!
Charon Lloyd-Roberts (PUTSCH. Volume I (PUTSCH. Trilogy, #1))
Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists . . . it is real . . . it is possible . . . it’s yours.” — Ayn Rand
Jason Petersen (Modern Day Fables)
What would we think of a father, who should give a farm to his children, and before giving them possession should plant upon it thousands of deadly shrubs and vines; should stock it with ferocious beasts, and poisonous reptiles; should take pains to put a few swamps in the neighborhood to breed malaria; should so arrange matters, that the ground would occasionally open and swallow a few of his darlings; and besides all this, should establish a few volcanoes in the immediate vicinity, that might at any moment overwhelm his children with rivers of fire? Suppose that this father neglected to tell his children which of the plants were deadly; that the reptiles were poisonous; failed to say anything about the earthquakes, and kept the volcano business a profound secret; would we pronounce him angel or fiend?
Robert G. Ingersoll (On the Gods and Other Essays)
their death by starting a grass fire. The escaping animals would flounder in a swamp or rush headlong off a cliff, as at Ulm Pishkun, outside of Great Falls, Montana, only to plummet to a horrible and lingering death from broken bones and damaged internal organs. And what about the natural respect for life and the “peaceful” Indians? We hear of Custer’s cruelty and murderous rampages against helpless and innocent Native Americans, but Indian wars between Iroquois and Huron, Comanche and Chickasaw were equally vicious
Thomas Horn (Blood on the Altar: The Coming War Between Christian vs. Christian)
She could walk the mile from Wall Street to the north edge of the city. But then she’d run into the guards stationed there. She’d have to sneak past them and not get shot. Then she’d have eleven miles of running to the north edge of the island. If she took the Greenwich Road or the Post Road, she’d likely be captured by one in need of a slave or in need of the reward paid for a healthy runaway. If she stuck to the woods that ran up the center of the island, she could be et by a bear or drowned in a swamp. If angels guided her safe through the woods and she made the north edge, she’d have to get past the guards watching over King’s Bridge, where New York Island touched the rest of America. I rolled over, my back to the fire. That girl could more likely grab hold of the feet of a passing crow and bid him fly her to safety. Better yet, sprout her own wings. The only path left was across the water. A girl like that could not swim and did not own a boat, not to mention the river currents were fast and the crossing would be noted by someone who would raise a ruckus and then the soldiers would line up like a firing squad and shoot that girl dead in the water. They wouldn’t even bury her proper, just let the water take the boat and the body and both would be consumed by sea monsters.
Laurie Halse Anderson (Chains (Seeds of America #1))
My dreams took me many places. Sometimes I would be in a pirogue with my father, deep in the Atchafalaya swamp, the fog thick in the black trees, and just as the sun broke on the earth’s rim, I’d troll my Mepps spinner next to the cypress stumps and a largemouth bass would sock into it and burst from the quiet water, rattling with green-gold light. But tonight I dreamed of Hueys flying low over jungle canopy and milky-brown rivers. In the dream they made no sound. They looked like insects against the lavender sky, and as they drew closer I could see the door-gunners firing into the trees. The down-drafts from the helicopter blades churned the treetops into a frenzy, and the machine-gun bullets blew water out of the rivers, raked through empty fishing villages, danced in geometrical lines across dikes and rice paddies. But there was no sound and there were no people down below. I saw a door-gunner’s face, and it was stretched tight with fear, whipped with wind, throbbing with the action of the gun. I could see only one of his eyes—squinted, cordite-bitten, liquid with the reflected images of dead water buffalo in the heat, smoking villages, and glassy countryside, where the people had scurried into the earth like mice. His hands were swollen and red, his finger wrapped in a knot around the trigger, the flying brass cartridge casings kaleidoscopic in the light. There were no people to shoot at anymore, but no matter—his charter was clear. He was forever wedded and addicted to this piece of earth that he’d helped make desolate, this land that was his drug and nemesis. The silence in the dream was like a scream.
James Lee Burke (Heaven's Prisoners (Dave Robicheaux, #2))
In writing a life you search for the white pebbles you didn’t know you dropped to define your way. When they disappear, you instinctively follow the glimmer of swamp fire to the deep woods where time and event collapse, to the original source where love flourishes still.
Frances Mayes (Under Magnolia: A Southern Memoir)
Do not allow your fire to go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not at all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists. It is real. It is possible. It is yours.” —Ayn Rand
Robin S. Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
For every poor sod who appreciated the sacrifices endured in mosquito-infested swamps while your brothers-in-arms disintegrated into bloody chunks all around you, there was some other motherfucker burning the American flag.
Trish McCallan (Forged in Fire (Red-Hot SEALs, #1))
While we've painted the guardians of the pale in a somewhat reactionary light, let's give the gatekeepers their due. What lies beyond the pale isn't always safe and secure. Outside the fence of state-sanctioned consciousness, there are, to be sure, peaks of profound insight and inspiration. But there are also the swamps of addiction, superstition, and groupthink, where the unprepared can get stuck.
Steven Kotler (Stealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and Work)
On the center island the remaining pans of Swamp Yankee Applesauce Cake batter were lined up like victims about to face a firing squad.
Suzanne M. Trauth (Running Out of Time (A Dodie O'Dell Mystery #3))
It is not in the nature of man--nor of any living entity--to start out by giving up, by spitting in one's own face and damning existence; that requires a process of corruption whose rapidity differs from man to man. Some give up at the first touch of pressure; some sell out; some run down by imperceptible degrees and lose their fire, never knowing when or how they lost it. Then all of these vanish in the vast swamp of their elders who tell them persistently that maturity consists of abandoning one's mind; security, of abandoning one's values; practicality, of losing self-esteem. Yet a few hold on and move on, knowing that that fire is not to be betrayed, learning how to give it shape, purpose and reality. But whatever their future, at the dawn of their lives, men seek a noble vision of man's nature and of life's potential.
Ayn Rand (The Fountainhead)
In the name of the best within you, do not sacrifice this world to those who are its worst. In the name of the values that keep you alive, do not let your vision of man be distorted by the ugly, the cowardly, the mindless in those who have never achieved his title. Do not lose your knowledge that man's proper estate is an upright posture, an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at-all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it is possible, it's yours.
Ayn Rand (Atlas Shrugged)
Careers advance by how well you learn on the job and how well you get along with the rest of the swamp and play its game.
Michael Wolff (Fire and Fury: Inside the Trump White House)
The real swamp is the swamp of insular, inbred, incestuous interests.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Mnemosyne: Neither is the staleness or the toil, nor returning to the daily round. Don’t you understand that man, every man, is born in that swamp of blood? That the sacred and the divine are with you too? In bed, in the fields, before the fire? In everything you do, you renew a divine model. Day and night, there is not an instant, not even the most futile, which has not sprung from the silence of your origins. Hesiod: You speak, Melete, and I cannot help believing. Only let me adore you. Mnemosyne: My dear, you have an alternative. Hesiod: What is that? Mnemosyne: Try telling mortals the things you know.
Cesare Pavese (Dialoghi con Leucò)
real life the role of randomness is far less obvious than it was in Langer’s experiments, and we are much more invested in the outcomes and our ability to influence them. And so in real life it is even more difficult to resist the illusion of control. One manifestation of that illusion occurs when an organization experiences a period of improvement or failure and then readily attributes it not to the myriad of circumstances constituting the state of the organization as a whole and to luck but to the person at the top. That’s especially obvious in sports, where, as I mentioned in the Prologue, if the players have a bad year or two, it is the coach who gets fired. In major corporations, in which operations are large and complex and to a great extent affected by unpredictable market forces, the causal connection between brilliance at the top and company performance is even less direct and the efficacy of reactionary firings is no greater than it is in sports. Researchers at Columbia University and Harvard, for example, recently studied a large number of corporations whose bylaws made them vulnerable to shareholders’ demands that they respond to rough periods by changing management.44 They found that in the three years after the firing there was no improvement, on average, in operating performance (a measure of earnings). No matter what the differences in ability among the CEOs, they were swamped by the effect of the uncontrollable elements of the system, just as the differences among musicians might become unapparent in a radio broadcast with sufficient noise and static. Yet in determining compensation, corporate boards of directors often behave as if the CEO is the only one who matters.
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
The evening breeze was strong and from the sea; the three ships moored offshore were nudged parallel, and the fires on the beach threw sparks away from the setting sun toward the black Florida cypress swamps. In the raised hut the pirates had built on a sandy rise just inland of the fires, Beth Hurwood peered out at the sky and the sea, and filled her lungs with the cool sea air, and prayed that the breeze would hold until dawn.
Tim Powers (On Stranger Tides)
Once the fire has leapt upon its fuel and we are sitting round it with our marshmallows skewered on sharpened sticks and out beyond the veil of the border of glimmer and darkness among the marsh mallows at the swamp’s edge some frogs boom a humble love made solemnly and briefly in cold and darkness, the fire will not die.
A.F. Moritz (As Far As You Know)
Have you stood, staring out over the swamps, the swirling rivers where the birds like tossing fires flash through the trees, their bodies exchanging a certain happiness in the sleek, amazing humdrum of nature’s design — blood’s heaven, spirit’s haven, to which you cannot belong?
Mary Oliver (Dream Work)
In the name of the best within you, do not sacrifice this world to those who are its worst. In the name of the values that keep you alive, do not let your vision of man be distorted by the ugly, the cowardly, the mindless in those who have never achieved his title. Do not lose your knowledge that man’s proper estate is an upright posture, an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at-all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it is possible, it’s yours. “But to win it requires your total dedication and a total break with the world of your past, with the doctrine that man is a sacrificial animal who exists for the pleasure of others. Fight for the value of your person. Fight for the virtue of your pride. Fight for the essence of that which is man: for his sovereign rational mind. Fight with the radiant certainty and the absolute rectitude of knowing that yours is the Morality of Life and that yours is the battle for any achievement, any value, any grandeur, any goodness, any joy that has ever existed on this earth. “You will win when you are ready to pronounce the oath I have taken at the start of my battle—and for those who wish to know the day of my return, I shall now repeat it to the hearing of the world: “I swear—by my life and my love of it—that I will never live for the sake of another man, nor ask another man to live for mine.
Ayn Rand (Atlas Shrugged)
They had been in the Fire Swamp for one hour, and it turned out to be the easiest one they had of the six it took to cross it. But they crossed it. Alive and together. Hand very much in hand.
William Goldman (The Princess Bride: An Illustrated Edition of S. Morgenstern's Classic Tale of True Love and High Adventure)
By aborting their own children, poisoning livestock, lighting fires, and escaping to the cypress swamps, the slaves struggled to dilute, deflect, and if possible demolish slaveholders’ authority. Even open revolt was not beyond question
Daniel Rasmussen (American Uprising: The Untold Story of America's Largest Slave Revolt)
Nearly every organized group on Oahu staked out something to do. Boy Scouts fought fires, served coffee, ran messages. The American Legion turned out for patrol and sentry duty. One Legionnaire struggled into his 1917 uniform, had a dreadful time remembering how to wind his puttees and put on his insignia. He took it out on his wife, and she told him to leave her alone —go out and fight his old enemy, the Germans. The San Jose College football team, in town from California for a benefit game the following weekend, signed up with the Police Department for guard duty. Seven of them joined the force, and Quarterback Paul Tognetti stayed on for good, ultimately going into the dairy business. A local committee, called the Major Disaster Council, had spent months preparing for this kind of day; now their foresight was paying off. Forty-five trucks belonging to American Sanitary Laundry, New Fair Dairy, and other local companies sped off to Hickam as converted ambulances. Dr. Forrest Pinkerton dashed to the Hawaii Electric Company’s refrigerator, collected the plasma stored there by the Chamber of Commerce’s Blood Bank. He piled it in the back of his car, distributed it to various hospitals, then rushed on the air, appealing for more donors. Over 500 appeared within an hour, swamping Dr. John Devereux and his three assistants. They took the blood as fast as they could, ran out of containers, used sterilized Coca-Cola bottles.
Walter Lord (Day of Infamy)
You know how dreams work, right? Our brains are full of static; neurons just fire off at random sometimes, not thoughts or anything, just—background noise. The visual cortex gets its share, but normally you don’t notice ’cause the signals coming in over your optic nerves are so much stronger, they just swamp everything else. When you’re asleep, though, there’s nothing coming in through the main cables. Nothing to drown out the static. And the brain—notices. It’s got these pattern-matching circuits and when static’s all they’ve got to work with, they’ll find signal in that noise even if there isn’t any signal to find. They try and shoehorn these random flickers into the experiential database. Same reason we see faces in clouds.
Peter Watts (Crysis: Legion)
Azriel- his hands. The scars, I mean,' I said. 'Where did they come from?' Rhys was quiet a moment. Then he said too softly. 'His father had two legitimate sons, both older than Azriel. Both cruel and spoiled. They learned it from their mother, the lord's wife. For the eleven years that Azriel lived in his father's keep, she saw to it he was kept in a cell with no window, no light. They let him out for an hour every day- let him see his mother for an hour once a week. He wasn't permitted to train, or fly, or any of the things his Illyrian instincts roared at him to do. When he was eight, his brothers decided it'd be fun to see what happened when you mixed an Illyrian's quick healing gifts with oil- and fire. The warriors heard Azriel's screaming. But not quick enough to save his hands.' Nausea swamped me. But that still left him with three more years living with them. What other horrors had he endured before he was sent to that mountain-camp? Were- were his brothers punished?' Rhys's face was as unfeeling as the rock and wind and sea around us as he said with lethal quiet. 'Eventually.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists.. it is real.. it is possible.. it’s yours.
Ayn Rand (Atlas Shrugged)
Westley watched it all. He stood silently at the edge of the Fire Swamp. It was darker now, but the flame spurts behind him outlined his face. He was glazed with fatigue. He had been bitten, cut, gone without rest, had assaulted the Cliffs of Insanity, had saved and taken lives. He had risked his world, and now it was walking away from him, hand in hand with a ruffian prince. Then Buttercup was gone, out of sight. Westley took a breath. He was aware of the score of soldiers starting to surround him, and probably he could have made a few of them perspire for their victory. But for what point? Westley sagged. "Come, sir." Count Rugen approached. "We must get you safely to your ship." "We are both men of action," Westley replied. "Lies do not become us." "Well spoken," said the Count, and with one sudden swing, he clubbed Westley into insensitivity. Westley fell like a beaten stone, his last conscious thought being of the Count's right hand; it was six-fingered, and Westley could never quite remember having encountered that deformity before. . . .
William Goldman (The Princess Bride)
Frankenswine: Like an old crazy quilt, I'm pieces and parts from nine different bodies and five different hearts. My brain is a poet's, my snout's from a thief, my hooves all belonged to the old fire chief, I'm slogging thru swamps and mist covered bogs, hunted by farmers with torches and dogs. Thru mountains and towns, over oceans and snow, I've landed here on this arctic ice floe. So I sit here alone at the world frozen end, just looking for someone whom I can call friend.
Doug Cushman
The truth be told, that shadow over the porte-cochere is probably nothing more than swamp fire, those mysterious lights that flash over a body of water. 
C.M. Turner (Where the Ironweed Blooms)
The lieutenant named a firing squad and the soldiers he selected slowly, almost grudgingly assembled in a firing line. They surely saw no point in it anymore. I was sitting in the ambulance and almost ready to vomit from the sheer senselessness of it. Not out of compassion, I'd left my compassion somewhere out in the Ukrainian swamps in '41, but out of the cosmic senselessness that was about to cause these old men to lose their lives on a spring day, against a backdrop of white mountains glowing in the sunlight.
Drago Jančar (To noč sem jo videl)
Alas, politics itself has more and more become a discrete business. Its appeal is B-to-B—business-to-business. The real swamp is the swamp of insular, inbred, incestuous interests. This isn’t corruption so much as overspecialization. It’s a wonk’s life. Politics has gone one way, the culture another. The left-right junkies might pretend otherwise, but the great middle doesn’t put political concerns at the top of their minds.
Michael Wolff (Fire and Fury: Inside the Trump White House)
You have to come now. Mara was injured in the swamp… by a boar.” Belesia clasped her hands together. “A boar? Good heavens. Are you responsible for this? Never mind about that, first tell me, is she bleeding?” “From the mouth.” The vivid image of blood dribbling wrenched Talis' heart.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Listen to me, Mikhail.” Her voice was husky. “We both know what loneliness is, what real isolation can do to a person. It’s beyond my imagination that I can be this close to you, physically touch you, and not be swamped with unwanted burdens. But we can’t do this.” Amusement crept into the dark fire of his eyes, a hint of tenderness. His fingers curled around the nape of her neck. “Oh, I think we can.” His black velvet voice was pure seduction, his smile frankly sensual. Raven felt his power right down to her toes. Her body went boneless, liquid, aching. She was so close to him that she felt a part of him, surrounded by him, enveloped by him. “I’m not going to sleep with someone I don’t know because I’m lonely.” He laughed softly, low and amused. “Is that what you think? That you would be sleeping with me because you are lonely?” His hand was at her throat again, stroking, caressing, heating her blood. “This is why you will make love with me. This.” His mouth fastened on hers.
Christine Feehan (Dark Prince (Dark, #1))
Listen to me, Mikhail.” Her voice was husky. “We both know what loneliness is, what real isolation can do to a person. It’s beyond my imagination that I can be this close to you, physically touch you, and not be swamped with unwanted burdens. But we can’t do this.” Amusement crept into the dark fire of his eyes, a hint of tenderness. His fingers curled around the nape of her neck. “Oh, I think we can.
Christine Feehan (Dark Prince (Dark, #1))
He initiated a campaign to drenare la palude (“drain the swamp”) by firing more than 35,000 civil servants.
Madeleine K. Albright (Fascism: A Warning)
The physical domain of the country had its counterpart in me. The trails I made led outward into the hills and swamps, but they led inward also. And from the study of things underfoot, and from reading and thinking, came a kind of exploration, myself and the land. In time the two became one in my mind. With the gathering force of an essential thing realizing itself out of early ground, I faced in myself a passionate and tenacious longing—to put away thought forever, and all the trouble it brings, all but the nearest desire, direct and searching. To take the trail and not look back.
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
With her left hand, Herself clumsily tucked the shells into her nightgown and straightened them, each cuntshell wrapped in its cradle of braided lavender or gray or black cotton thread now touching her skin. Herself had told Donkey that each shell was a woman's life saved at great cost, and she needed to keep the shells warm and safe while she lived, giving these souls their time in the world. Baba Rose had had over a hundred shells on her necklace when she'd finally been unable to get out of bed under the burden. Every time Herself told the story of how Baba Rose died, there was another cause, and Donkey had to assume that the ghost whose fire had warmed their cottage for so many years had died of all of it, of everything.
Bonnie Jo Campbell (The Waters)
Look at it. A sublime achievement, isn’t it? A heroic achievement. Think of the thousands who worked to create this and of the millions who profit by it. And it is said that but for the spirit of a dozen men, here and there down the ages, but for a dozen men—less, perhaps—none of this would have been possible. And that might be true. If so, there are—again—two possible attitudes to take. We can say that these twelve were great benefactors, that we are all fed by the overflow of the magnificent wealth of their spirit, and that we are glad to accept it in gratitude and brotherhood. Or, we can say that by the splendor of their achievement which we can neither equal nor keep, these twelve have shown us what we are, that we do not want the free gifts of their grandeur, that a cave by an oozing swamp and a fire of sticks rubbed together are preferable to skyscrapers and neon lights—if the cave and the sticks are the limit of our own creative capacities. Of the two attitudes, Dominique, which would you call the truly humanitarian one? Because, you see, I’m a humanitarian.
Ayn Rand (The Fountainhead)
He initiated a campaign to drenare la palude (“drain the swamp”) by firing more than 35,000 civil servants.
Madeleine K. Albright (Fascism: A Warning)
Here at the tip of Louisiana, it’s as if the sky and swamp and wild green trees know Holy Fire demands we lead staid, ascetic lives and try to make up for it, giving us all the splendor and decadence we aren’t supposed to want. Sunrises and sunsets are riots of color, the gulf sapphire blue, the black swamp laced with velvet-green lily pads, tall trees almost floating out of the depths. Trees everywhere, in fact: bending over dirt roads and bracing the shore and thick as a wall of sentries in the woods, dripping with Spanish moss. All this beauty stirs the soul, making one feel the pinprick presence of another order: God, perhaps, but maybe also something darker, secret beings with lives that unfold in the slivers between trees, whose slitted eyes blink open at night in the depths of the swamp, yellow and ancient as alligators’.
Ashley Winstead (Midnight Is the Darkest Hour)