Fingerprint Tattoo Quotes

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With his iPod all the way up, nothing in this world can touch him. Just over his pulse is a fresh tattoo- a dotted line and the words -----Cut Here----- Grief is a street he skates down. "Hey, donkey's ass!" He bides his time, sanding away his fingerprints, wondering how he could get his assailants in one room.
Ron Koertge (Lies, Knives, and Girls in Red Dresses)
There was a risk that Morrison might slip away, and before releasing him, Agent Burger made sure that he’d gone through a rigorous process known as Bertillonage. Devised by the French criminologist Alphonse Bertillon in 1879, it was the first scientific method for identifying repeat criminals. Using a caliper and other special tools, Agent Burger, with the help of the Dallas police, took eleven of Morrison’s body measurements. Among them were the length of his left foot, the width and length of his head, and the diameter of his right ear. After Agent Burger informed Morrison of the purpose of these measurements, he also commissioned a mug shot, another of Bertillon’s innovations. In 1894, Ida Tarbell, the muckraking journalist, wrote that any prisoner who passed through Bertillon’s system would be forever “spotted”: “He may efface his tattooing, compress his chest, dye his hair, extract his teeth, scar his body, dissimulate his height. It is useless.” But Bertillonage was already being displaced by a more efficient method of identification that was revolutionizing the world of scientific detection: fingerprinting. In some cases, a suspect could now be placed at the scene of a crime even without a witness present. When Hoover became the bureau’s acting director, he created the Identification Division, a central repository for the fingerprints of arrested criminals from around the country. Such scientific methods, Hoover proclaimed, would assist “the guardians of civilization in the face of the common danger.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
They had never promised each other every lifetime, every universe, every possible arrangement of atoms. Those are in infinite supply, and they are two girls. But they are two girls whose blood runs with the heat of exploding stars, even as it drips down their knuckles. They are two girls whose souls reach for each other and ignore probability and infinity. They are two girls who crash together and touch each other gently. They have each other’s names carved into their bones and each other’s fingerprints tattooed on their ligaments and they breathe in time with the other’s heartbeat. They would count the steps to hell and freeze it over to save one another and they would burn if there were no other choice. When the sun goes supernova and solar flares lick across the sky, they will see one another, even if only for an instant, and think, This is almost heaven. And with every instant they have they can read each other like braille with ink-stained fingertips and they are a force of nature if you dare to touch them, learning what happens when a hurricane protects its own.
Maia Brown-Jackson (The Magazine of Fantasy & Science Fiction, Vol. 141, Nos. 1 & 2, July/August 2021)
It’s a vacancy. You can decorate it with distinctive stuff. Neurosis. Like a fingerprint or a snowflake, no two alike. But that’s like tattoos on an arm. What do they call it, a ‘sleeve tattoo’? You can embroider the whole damn container. Beneath the decoration, a nullity. Like outer space, mostly dark stuff.
Jonathan Lethem (The Arrest)