Finest Friend Quotes

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Masquerades disclose the reality of souls. As long as no one sees who we are, we can tell the most intimate details of our life. I sometimes muse over this sketch of a story about a man afflicted by one of those personal tragedies born of extreme shyness who one day, while wearing a mask I don’t know where, told another mask all the most personal, most secret, most unthinkable things that could be told about his tragic and serene life. And since no outward detail would give him away, he having disguised even his voice, and since he didn’t take careful note of whoever had listened to him, he could enjoy the ample sensation of knowing that somewhere in the world there was someone who knew him as not even his closest and finest friend did. When he walked down the street he would ask himself if this person, or that one, or that person over there might not be the one to whom he’d once, wearing a mask, told his most private life. Thus would be born in him a new interest in each person, since each person might be his only, unknown confidant.
Fernando Pessoa
It wasn’t Leo’s finest moment. Panic seized him, and he took off. His only comfort was that his friends did, too – and they weren’t the cowardly type.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
You shone like a star. The funniest, wisest writer & the finest friend
Neil Gaiman
If you apply yourself to study you will avoid all boredom with life, you will not long for night because you are sick of daylight, you will be neither a burden to yourself nor useless to others, you will attract many to become your friends and the finest people will flock about you.
Seneca
So who is she? No wait, let me guess. Skin of the finest porcelain. Hair of the softest silk. A voice like birdsong, a smile like sunshine, and a mouth that would sate your brightest and darkest wishes. "You've met her?" "Oh yes, my friend. We all know her. We've all pursued her. Some of us have even been lucky enough to have her. We've been drunk on her sin, become fools of her favor. she might have borne a different face each time, but her name was always the same. Trouble.
Alethea Kontis (Enchanted (Woodcutter Sisters, #1; Books of Arilland, #1))
Suffering is the finest teacher", said an old friend long ago. "It teaches you details.
Abigail Thomas
The smile is civilization’s finest adornment. It signifies the willpower and duty to fashion mankind’s coexistence as quietly and agreeably as possible so that it will always appear friendly. For it is all a matter of appearance. The smile is culture’s diploma: it is the diplomat’s badge.
Iwan Goll
He wrapped his hand around the back of her neck and massaged gently. “Listen to me, Cat, because I’ll only say this once. You’re the finest Lady I’ve ever met and the dearest friend I’ve ever had. Besides that, I love you like a brother, and any bastard who hurts my little sister is going to answer to me.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
A real friend is one who helps us to think our best thoughts, do our noblest deeds, and be our finest selves.
Elizabeth George
Every fop and fool in London has been sniffing after her." Having said that, Jason returned his attention for the report. "Go ahead and read off the names, if you must." Frowning in surprise at Jason's dismissive attitude, Charles took the seat across the desk from him and put on his spectacles. "First, there is young Lord Crowley, who has already asked my permission to court her." "No. Too impulsive," Jason decreed flatly. "What makes you say so?" Charles said with a bewildered look. "Crowley doesn't know Victoria well enough to want to 'court' her, as you so quaintly phrased it." "Don't be ridiculous. The first four men on this list have already asked my permission to do the same thing- providing, of course, that your claim on her is not unbreakable.” “No, to all those four men- for the same reason,” Jason said curtly, leaning back in his chair, absorbed in the report in his hand. Who’s next?” “Crowley’s friend, Lord Wiltshire.” “Too young. Who’s next?” “Arthur Landcaster.” “Too short,” Jason said cryptically. “Next?” “William Rogers,” Charles shot back in a challenging voice, “and he’s tall, conservative, mature, intelligent, and handsome. He’s also the heir to one of the finest estates in England. I think he would do very well for Victoria.” “No.” “No?” Charles burst out. “Why not?” “I don’t like the way Roger sits a horse.” “You don’t like_” Charles bit out in angry disbelief; then he glanced at Jason’s implacable face and sighed. “Very well. The last name on my list is Lord Terrance. He sits horses extremely well, in addition to being and excellent chap. He is also tall, handsome, intelligent, and wealthy. Now,” he finished triumphantly, “what fault can you find with him?” Jason’s jaw tightened ominously.“I don’t like him.
Judith McNaught (Once and Always (Sequels, #1))
Well, in this case, your friend's finest clothes,' Shazad said. Friends. The simple word grabbed my attention. I'd been shedding friends since Tamid. Shazad must've caught my hesitation. 'I have other khalats. If you don't like it,' she said quickly, pushing a loose strand of hair back behind her ear like she was nervous, only that was impossible.
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
But re-reading Voss also demonstrates again that although White wasn't 'a nice man', and indeed was—perhaps rightly—scathingly dismissive of my and other Australian writers' work and origins unless they were his friends, he was a genius, and Voss one of the finest works of the modernist era and of the past century.
Thomas Keneally
Sunsets are mother nature’s finest artwork; pride is nobody’s friend; readers make the most perceptive, compassionate listeners; silence is sweet; hugs and dark chocolate are emotional medicine; pineapple certainly does belong on anything ham belongs on; and motherhood will always be the most rewarding labor in existence.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a ...more "...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.
Blaise Cendrars (Moravagine)
Most men have inner demons,” Kingston replied quietly. “God knows I do. So does a friend who’s the finest and most genuinely moral man I’ve ever known.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The face of your greatest enemy might be the face of my finest friend. An
Robin S. Sharma (The Monk Who Sold His Ferrari: A Fable About Fulfilling Your Dreams & Reaching Your Destiny)
He had once been a wanderer of libraries and a lover of the finest literature in history. But when real life diminished him, when friends died, when a love failed, when there were too many deaths and accidents surrounding him, he discovered that his faith in books had failed because they could not help him when he needed the help. Turning on them, he lit a match.
Ray Bradbury (Fahrenheit 451)
If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who teams it, farms it, peddles, keeps a school, preaches, edits a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not 'studying a profession,' for he does not postpone his life, but lives already.
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
Double Indemnity, Gaslight, Saboteur, The Big Clock . . . We lived in monochrome those nights. For me, it was a chance to revisit old friends; for Ed, it was an opportunity to make new ones. And we’d make lists. The Thin Man franchise, ranked from best (the original) to worst (Song of the Thin Man). Top movies from the bumper crop of 1944. Joseph Cotten’s finest moments. I can do lists on my own, of course. For instance: best Hitchcock films not made by Hitchcock. Here we go: Le Boucher, the early Claude Chabrol that Hitch, according to lore, wished he’d directed. Dark Passage, with Humphrey Bogart and Lauren Bacall—a San Francisco valentine, all velveteen with fog, and antecedent to any movie in which a character goes under the knife to disguise himself. Niagara, starring Marilyn Monroe; Charade, starring Audrey Hepburn; Sudden Fear!, starring Joan Crawford’s eyebrows. Wait Until Dark: Hepburn again, a blind woman stranded in her basement apartment. I’d go berserk in a basement apartment.
A.J. Finn (The Woman in the Window)
My friend Joseph Goldstein, one of the finest vipassana teachers I know, likens this shift in awareness to the experience of being fully immersed in a film and then suddenly realizing that you are sitting in a theater watching a mere play of light on a wall.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
There is a Japanese belief that business is temporal, whereas relationships are eternal. That’s true. One day you compete. The next day you partner. One day someone is your subordinate; the next day he or she may be your superior. At its finest, business is friendly competition, just like a game of tennis. As
Marc Benioff (Behind the Cloud: The Untold Story of How Salesforce.com Went from Idea to Billion-Dollar Company-and Revolutionized an Industry)
But what is the finest book, or picture, or house, or estate, to me, compared to my wife, my parents, or my friend?
Dietrich Bonhoeffer (Letters Papers from Prison)
Had our friend Pangloss seen El Dorado he would no longer have said that the castle of Thunder-ten-Tronckh was the finest upon earth. It is evident that one must travel.
Voltaire (Candide)
Our lives are not problems to be solved but journeys to be taken with Jesus as our friend and finest guide.
Henri J.M. Nouwen (Spiritual Direction: Wisdom for the Long Walk of Faith)
In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new, an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto: "Anyone can cook." But I realize, only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.
Anton Ego, from Disney Pixar's 'Ratatouille'
If our young men miscarry in their first enterprises, they lose all heart. If the young merchant fails, men say he is ruined. If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life.
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
Was this how you were going to awaken the creatures?" Machiavelli,clutching the bars of his cell,smiled but said nothing. Virginia stood in front of Dee and stared into his eyes,using herwill to calm him down. "So you tried to use the pages to awaken the cratures.Tell me what happened." Dee jabbed a finger into the nearest cell. It was empty. Virginia stepped closer and discovered the pile of white dust in the corner. "I don't even know what was in the cell-some winged monstrosity.Giant vampire bat,I think.I said the words,and the creature opened its eyes and immediately crumbled to dust." "Maybe you said a word wrong?" Virginia suggested. She plucked a scrap of paper from Josh's hands. "I mean,it looks difficult." "I am fluent," Dee snapped. "He is," Machiavelli said, "I will give him that.And his accent is very good too, though not quite as good as mine." Dee spun back to the cell holding Machiavelli. "Tell me what went wrong." Machiavelli seemed to be considering it; then he shook his head. "I don't think so." Dee jerked his thumb at the sphinx. "Right now she's absorbing your aura,ensuring that you cannot use any spells against me. But she'll be just as happy eating your flesh.Isn't that true?"he said, looking up into the crature's female face. "Oh,I love Italian," she rumbled. She stepped away from Dee and dipped her head to look into the opposite cell. "Give me this one," she said,nodding at Billy the Kid. "He'll make a tasty snack." Her long black forked tongue flickered in the air before the outlaw, who immediately grabbed it,jerked it forward and allowed it to snap back like an elastic band. She screamed,coughed, and squawked all at the same time. Billy grinned."I'll make sure I'll choke you on the way down." "It might be difficult to do that if you have no arms," the sphinx said thickly,working her tongue back and forth. "I'll still give you indigestion." Dee looked at Machiavelli. "Tell me," he said again, "or I will feed your young American friend to the beast." "Tell him nothing," Billy yelled. "This is one of those occasions when I am in agreement with Billy.I am going to tell you nothing." The Magician looked from one side of the cell to the other. Then he looked at Machiavelli."What happened to you? You were one of the Dark Elders' finest agents in this Shadowrealm. There were times you even made me look like an amateur." "John,you were always an amateur." Machiavelli smiled."Why, look at the mess you're in now.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
Bitter criticism caused the sensitive Thomas Hardy, one of the finest novelists ever to enrich English literature, to give up forever the writing of fiction. Criticism drove Thomas Chatterton, the English poet, to suicide.
Dale Carnegie (How To Win Friends and Influence People)
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
No, wait, let me guess. Skin of the finest porcelin. Hair of the softest silk. A voice like birdsong, a smile like sunshine, and a mouth … that could sate your brightest and darkest wishes.” “You’ve … m-met her?” “Oh yes, my friend. We all know her. We’ve all pursued her. Some of us have even been lucky enough to have her. We’ve been drunk on her sin, become fools for her favor. She might have borne a different face each time, but her name was always the same. Trouble
Althea Kontis
It was all a mistake,” he pleaded, standing out of his ship, his wife slumped behind him in the deeps of the hold, like a dead woman. “I came to Mars like any honest enterprising businessman. I took some surplus material from a rocket that crashed and I built me the finest little stand you ever saw right there on that land by the crossroads—you know where it is. You’ve got to admit it’s a good job of building.” Sam laughed, staring around. “And that Martian—I know he was a friend of yours—came. His death was an accident, I assure you. All I wanted to do was have a hot-dog stand, the only one on Mars, the first and most important one. You understand how it is? I was going to serve the best darned hot dogs there, with chili and onions and orange juice.” The
Ray Bradbury (The Martian Chronicles)
Some might wonder that the two men should consider themselves to be old friends having only known each other for four years; but the tenure of friendships has never been governed by the passage of time. These two would have felt like old friends had they met just hours before. To some degree, this was because they were kindred spirits—finding ample evidence of common ground and cause for laughter in the midst of effortless conversation; but it was also almost certainly a matter of upbringing. Raised in grand homes in cosmopolitan cities, educated in the liberal arts, graced with idle hours, and exposed to the finest things, though the Count and the American had been born ten years and four thousand miles apart, they had more in common with each other than they had with the majority of their own countrymen.
Amor Towles (A Gentleman in Moscow)
In fact, the laboratory may be the greatest friend to dumb animals. As science advances, the lives of animals will improve as we depend less and less on their labor and no longer ignore their conditions in order to improve ours. You know, there is much to learn from animals if we are ever to be truly industrial creatures. The beaver is the finest builder of bridges and the silkworm a better weaver than any man or woman. God gave industry perfectly to the caterpillar while we must learn our arts. That is technology--our way to become closer to being like animals.
Matthew Pearl (The Technologists)
The first task of seeking guidance then is to touch your own struggles, doubts, and insecurities—in short, to affirm your life as a quest.8 Your life, my life, is given graciously by God. Our lives are not problems to be solved but journeys to be taken with Jesus as our friend and finest guide.
Henri J.M. Nouwen (Spiritual Direction: Wisdom for the Long Walk of Faith)
One of the finest definitions of happiness in literature is that given by Oliver Wendell Holmes. "Happiness," said the Autocrat, "is four feet on the fender." When his beloved wife was gone, and an old friend came in to condole with him, he said, shaking his gray head, "Only two feet on the fender now.
J.R. Miller (Personal Friendships of Jesus)
There’s always been books. All my bedraggled life, they’ve been the only constant. Even Sutton, my closest friend, had exclaimed, “What’s with the fucking reading, man? You used to be a guard, for christsakes.” Which is Irish logic at its finest. I’d said to him then and umpteen times since, “Reading transports me.
Ken Bruen (The Guards (Jack Taylor, #1))
Our dedication to charity guides our purpose. The love of laughter inspires our vision. The generous support of supporters, friends and fans along with the finest businesses in Houston and throughout America helps drive our mission. Thank you to those who generously donate to one or all of the charities Sol-Caritas supports.
Carlos Wallace
In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the *new*. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new: an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook." But I realize, only now do I truly understand what he meant. Not everyone can become a great artist; but a great artist *can* come from *anywhere*. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.
Walt Disney Company
tell you. Fun is worth having. And love. And beauty. And travel. And success—My God, there is so much worth having, Dad!” It felt very queer to be talking to her father about herself in earnest, as though he were Noel Airman or Marsha Zelenko. It was like blurting confidences to a new friend whom she wasn’t sure she could trust. But she was enjoying it. “The finest foods are worth having, the finest wines, the loveliest places, the best music, the best books, the best art. Amounting to something. Being well known, being myself, being distinguished, being important, using all my abilities, instead of becoming just one more of the millions of human cows! Children,
Herman Wouk (Marjorie Morningstar)
Friendship, resembling art and philosophy, is an aspects of life that adds meaning to existence, because you can share in some else’s life, their pains, and joys. The beauty of a friendship is the silences, where you do not need to ask or explain; a friend can just be there in our finest hours or in our times of grief and bereavement.
Kilroy J. Oldster (Dead Toad Scrolls)
It looks as though your shop is doing well,” Luka said, gazing around. “Could you help me find a gift for a lady friend of mine?” My heart plunged to my green satin slippers, and I had to stare down at Azarte for a minute, petting him hard. Naturally Luka had a “lady friend.” She was probably nobly born: the daughter of a count or a duke. I imagined her having thick dark hair and clear skin, and was bitterly jealous. “Of c-course,” I stammered after a time. “What would she like? A gown? A sash?” If she came in for a fitting, I decided to “accidentally” poke her with every pin. “Hmm, well, she is wearing a lovely gown today,” he said. “Although no sash.” So. He’d already seen her today, and it was not yet noon. I rubbed Azarte’s ears furiously. “What color is her gown?” “It’s sort of green, with more green, and the design looks like stained glass windows,” he said. “It’s very beautiful, like her.” I stopped petting the dog and looked up at him, not sure what I was hearing. “Oh?” My heart thumped painfully. “Yes, so perhaps she doesn’t need a sash after all. No sense gilding the lily.” He gave a melancholy sigh. “But I really would love to give her a very special gift. I was hoping if I did, she might give me a kiss in return, instead of the brotherly hugs I always get instead.” I raised my eyebrows, trying for casual interest even though I could feel my pulse beating in the blood rushing to my cheeks. “I know!” Luka snapped his fingers. “Forget a sash. I’ll give her this!” And with a flourish, he pulled a roll of parchment from his belt pouch. More confused than ever, I unrolled the paper and read. It was a letter from a priest in the Southern Counties, addressed to King Caxel. In it the priest begged for a grant of money. They had recently built a large chapel, the finest that had ever been dedicated to the Triune Gods in that region, and it had only been completed the year before. “But we do need another grant from the crown,” the priest wrote. “For a most heinous act of vandalism has taken place. Our rose-glass window, which illuminates the Triple Altar in glorious colors pleasing to the gods, has been stolen. It was removed from its frame the night before last, and not a pane of it can be found.” “Shardas?” I looked up at Luka with my eyes brimming. “Shardas!” “I have a pair of horses waiting outside,” Luka said. “We can be at Feniul’s cave by nightfall.” I threw my arms around him again, and this time I gave him the kiss he’d been waiting for.
Jessica Day George (Dragon Slippers (Dragon Slippers, #1))
He stared at me, unreadable for a moment. "I've had women try to save me before," he said idly. "Then that means I'll be yesterday's trash soon on that part of the equation, but we will still be friends." He smiled with a far truer lift of his cheeks. "Don't be foolish. I told you before. I'd never let you go." He touched my chin, tilting it up toward him. "I could remove the danger, you know. Lock you in a room—a tower—" "My hair isn't long enough," I said automatically. "But you would spin me gold. So many things better than gold. Truer." His gaze dropped to my lips. "I would keep you in the finest of materials, handcrafted with only you in mind. The finest paints, in a tower so high that you would have no cares.
Anne Zoelle (The Unleashing of Ren Crown (Ren Crown, #4))
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. It was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. These were fragrant, colorless alcohols served from cut-glass carafes in small glasses and whether they were quetsche, mirabelle or framboise they all tasted like the fruits they came from, converted into a controlled fire on your tongue that warmed you and loosened your tongue. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern Italian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
My beloved is all radiant and ruddy, distinguished among ten thousand. His head is the finest gold. His eyes are like doves beside springs of water.... His cheeks are like beds of spices yielding fragrance. His lips are lilies, distilling liquid myrrh. His arms are rounded gold, set with jewels. His body is ivory work, encrusted with sapphires.... This is my beloved and this is my friend, O daughters of Jerusalem.
Talia Carner (Jerusalem Maiden)
I use the pay phone to call my friend Noel. The last time I was here he took me up a mountainside in Connemara with a seventy-eight-year-old poteen-maker who’d learned his craft as a teenager from his father. We spent the day watching him double-distill brown bog water in two oil drums over a turf fire into something that tasted like the finest malt. Noel acted as interpreter, as the old man spoke no English. Perhaps he’ll have another adventure in store for me this time.
Pete McCarthy (McCarthy's Bar: A Journey of Discovery In Ireland)
Perhaps no expression better encapsulates our attitude towards conflict (or its avoidance) than, “let's agree to disagree.” It is a neat, friendly and oddly poetic little piece of language, yet it also a miraculously dense blackhole of passive-aggression expressed at its very finest. It still says “you are wrong,” of course, but it also says, “you will continue to be wrong, perhaps forever, but unfortunately I’ve run out of time, energy and patience to unpack your wrongness.
Paul Hawkins (The Bloody British: A Well-Meaning Guide to an Awkward Nation)
Several friends told stories, boasting about how much Marcia had meant to them, how deeply she'd touched their lives. Marcia would have liked it, John thought - all these people discussing her, pointing out her best qualities, remembering her finest moments. She'd have eaten it up. But what did these people really know about her? What could one know about a person? John had known her best of all, had been able to predict her every move, the arc of her sighs, her laughs, the twists of her shadow as it crossed a room. In the days since her death, he'd felt her drifting through the apartment. He'd done double takes the way you do when you think you see your own cat or dog begging for food under the table at a restaurant. Nobody would understand, John thought, how well he knew the sound of Marcia's coffee spoon hitting the saucer, how the sheets rustled around her when she turned over in bed. But were those things significant enough, he wondered, to boast about?
Ottessa Moshfegh (Homesick for Another World)
I woke a few moments ago from a fever and a host of interlocking fever dreams, one after the next. There was one where I was in London, walking through old abandoned formerly beautiful buildings, all of them about to be demolished. Sometimes I'd find myself walking past the enormous line of people waiting to attend the television memorial for a dead author friend of mine, but his memorial was a television spectacular with comedians and big band music. There was the one where I had accidentally connected my bank card to a portable printer and the little printer kept printing cash but on the wrong paper and at the wrong size, so my money had huge, incredibly detailed faces on it, works of art that could not be spent. Then I woke from one dream into another: I was asleep in the passenger seat of the car, and saw that we were driving through a densely populated town, and that the driver was also asleep. I tried hard to wake her up and failed, and knew that no one was in control, no one was at the wheel, and soon someone was going to be killed, and I was shouting and calling without effect; but I whimpered and snuffled enough in the real world that my wife stroked my face and said, "Honey? You're having a nightmare," and, finally, I woke for real. But I woke into a world in which, somewhere, I am still being driven through my life by a sleeping driver, in which money is only good as art, in which we can write the finest books but at the end the crowds will come out and say good-bye for the entertainment, in which the buildings and cities we inhabit will relentlessly be destroyed by progress and time: a world colored by dreams and illuminated by them, too.
Neil Gaiman (The Sandman: Overture)
...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.
Blaise Cendrars
Catti-brie had to believe that now, recalling the scene in light of the drow's words. She had to believe that her love for Wulfgar had been real, very real, and not misplaced, that he was all she had thought him to be. Now she could. For the first time since Wulfgar's death, Cattie-brie could remember him without pangs of guilt, without the fears that, had he lived, she would not have married him. Because Drizzt was right; Wulfgar would have admitted the error despite his pride, and he would have grown, as he always had before. That was the finest quality of the man, an almost childlike quality, that viewed the world and his own life as getting better, as moving toward a better way in a better place. What followed was the most sincere smile on Cattie-brie's face in many, many months. She felt suddenly free, suddenly complete with her past, reconciled and able to move forward with her life. She looked at the drow, wide-eyed, with a curiosity that seemed to surprise Drizzt. She could go on, but what exactly did that mean? Slowly, Cattie-brie began shaking her head, and Drizzt came to understand that the movement had something to do with him. He lifted a slender hand and brushed some stray hair back from her cheek, his ebony skin contrasting starkly with her light skin, even in the quiet light of night. "I do love you," the drow admitted. The blunt statement did not catch Catti-brie by surprise, not at all. "As you love me," Drizzt went on, easily, confident that his words were on the mark. "And I, too, must look ahead now, must find my place among my friends, beside you, without Wulfgar." "Perhaps in the future," Catti-brie said, her voice barely a whisper. "Perhaps," Drizzt agreed. "But for now..." "Friends," Catti-brie finished. Drizzt moved his hand back from her cheek, held it in the air before her face, and she reached up and clasped it firmly. Friends
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
I tried to get a hold of myself. But again in my mind I heard that terrible, terrible scream, the same one that awakens me, bullying its way into my solitary dreams, night after night, the confirmation of guilt. The endless guilt of the survivor. ‘Help me, Marcus! Please help me!’ It was a desperate appeal in the mountains of a foreign land. It was a scream cried out in the echoing high canyons of one of the loneliest places on earth. It was the nearly unrecognizable cry of a mortally wounded creature. And it was a plea I could not answer. I can’t forget it. Because it was made by one of the finest people I ever met, a man who happened to be my best friend.
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
Pretty soft!' he cried. 'To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!' I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent. 'It would kill me to have to live in New York,' he went on. 'To have to share the air with six million people! TO have to wear stiff collars and decent clothes all the time! To - ' He started. 'Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!' I was shocked, absolutely shocked. 'My dear chap!' I said, reproachfully. 'Do you dress for dinner every night, Bertie?' 'Jeeves,' I said coldly. 'How many suits of evening clothes have we?' 'We have three suits full of evening dress, sir; two dinner jackets- ' 'Three.' 'For practical purposes, two only, sir. If you remember, we cannot wear the third. We have also seven white waistcoats.' 'And shirts?' 'Four dozen, sir.' 'And white ties?' 'The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.' I turned to Rocky. 'You see?' The chappie writhed like an electric fan. 'I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realise that most days I don't get out of my pyjamas till five in the afternoon and then I just put on an old sweater?' I saw Jeeves wince, poor chap. This sort of revelation shocked his finest feelings.
P.G. Wodehouse
In 1804, a delegation of Osage chiefs met with Jefferson at the White House. He told the navy secretary that the Osage, whose warriors typically stood well over six feet tall, were the “finest men we have ever seen.” At the meeting, Jefferson addressed the chiefs as “my children” and said, “It is so long since our forefathers came from beyond the great water, that we have lost the memory of it, and seem to have grown out of this land, as you have done….We are all now of one family.” He went on, “On your return tell your people that I take them all by the hand; that I become their father hereafter, that they shall know our nation only as friends and benefactors.” But within four years Jefferson had compelled the Osage to relinquish their territory between the Arkansas River and the Missouri River. The
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
So much of the most important personal news I'd received in the last several years had come to me by smartphone while I was abroad in the city that I could plot on a map, could represent spatially the events, such as they were, of my early thirties. Place a thumbtack on the wall or drop a flag on Google Maps at Lincoln Center, where, beside the fountain, I took a call from Jon informing me that, for whatever complex of reasons, a friend had shot himself; mark the Noguchi Museum in Long Island City, where I read the message ("Apologies for the mass e-mail...") a close cousin sent out describing the dire condition of her newborn; waiting in line at the post office on Atlantic, the adhan issuing from the adjacent mosque, I received your wedding announcement and was shocked to be shocked, crushed, and started a frightening multi week descent, worse for being so embarrassingly cliched; while in the bathroom at the SoHo Crate and Barrel--the finest semipublic restroom in lower Manhattan--I learned I'd been awarded a grant that would take me overseas for a summer, and so came to associate the corner of Broadway and Houston with all that transpired in Morocco; at Zucotti Park I heard my then-girlfriend was not--as she'd been convinced--pregnant; while buying discounted dress socks at the Century 21 department store across from Ground Zero, I was informed by text that a friend in Oakland had been hospitalized after the police had broken his ribs. And so on: each of these experiences of reception remained, as it were, in situ, so that whenever I returned to a zone where significant news had been received, I discovered that the news and an echo of its attendant affect still awaited me like a curtain of beads.
Ben Lerner (10:04)
The third feature which is of importance for romantic subjectivity within its mundane sphere is fidelity. Yet by ‘fidelity’ we have here to understand neither the consistent adherence to an avowal of love once given nor the firmness of friendship of which, amongst the Greeks, Achilles and Patroclus, and still more intimately, Orestes and Pylades counted as the finest model. Friendship in this sense of the word has youth especially for its basis and period. Every man has to make his way through life for himself and to gain and maintain an actual position for himself. Now when individuals still live in actual relationships which are indefinite on both sides, this is the period, i.e. youth, in which individuals become intimate and are so closely bound into one disposition, will, and activity that, as a result, every undertaking of the one becomes the undertaking of the other. In the friendship of adults this is no longer the case. A man’s affairs go their own way independently and cannot be carried into effect in that firm community of mutual effort in which one man cannot achieve anything without someone else. Men find others and separate themselves from them again; their interests and occupations drift apart and are united again; friendship, spiritual depth of disposition, principles, and general trends of life remain, but this is not the friendship of youth, in the case of which no one decides anything or sets to work on anything without its immediately becoming the concern of his friend. It is inherent essentially in the principle of our deeper life that, on the whole, every man fends for himself, i.e. is himself competent to take his place in the world. Fidelity in friendship and love subsists only between equals.
Georg Wilhelm Friedrich Hegel
The bust of the General was unquestionably the finest bust I ever saw. For your life you could not have found a fault with its wonderful proportion. This rare peculiarity set off to great advantage a pair of shoulders which would have called up a blush of conscious inferiority into the countenance of the marble Apollo. I have a passion for fine shoulders, and may say that I never beheld them in perfection before. The arms altogether were admirably modeled. Nor were the lower limbs less superb. These were, indeed, the ne plus ultra of good legs. Every connoisseur in such matters admitted the legs to be good. There was neither too much flesh, nor too little,—neither rudeness nor fragility. I could not imagine a more graceful curve than that of the os femoris, and there was just that due gentle prominence in the rear of the fibula which goes to the conformation of a properly proportioned calf. I wish to God my young and talented friend Chiponchipino, the sculptor, had but seen the legs of Brevet Brigadier General John A. B. C. Smith.
Edgar Allan Poe (The Man that was Used Up - an Edgar Allan Poe Short Story)
These two would have felt like old friends had they met just hours before. To some degree, this was because they were kindred spirits—finding ample evidence of common ground and cause for laughter in the midst of effortless conversation; but it was also almost certainly a matter of upbringing. Raised in grand homes in cosmopolitan cities, educated in the liberal arts, graced with idle hours, and exposed to the finest things, though the Count and the American had been born ten years and four thousand miles apart, they had more in common with each other than they had with the majority of their own countrymen. This, of course, is why the grand hotels of the world’s capitals all look alike. The Plaza in New York, the Ritz in Paris, Claridge’s in London, the Metropol in Moscow—built within fifteen years of each other, they too were kindred spirits, the first hotels in their cities with central heating, with hot water and telephones in the rooms, with international newspapers in the lobbies, international cuisine in the restaurants, and American bars off the lobby. These hotels were built for the likes of Richard Vanderwhile and Alexander Rostov, so that when they traveled to a foreign city, they would find themselves very much at home and in the company of kin.
Amor Towles (A Gentleman in Moscow)
The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
And I've got good news for you! This gospel of clean and aggressive strength is spreading everywhere in this country among the finest type of youth. Why today, in 1936, there's less than 7 per cent of collegiate institutions that do not have military-training units under discipline as rigorous as the Nazis, and where once it was forced upon them by the authorities, now it is the strong young men and women who themselves demand the right to be trained in warlike virtues and skill—for, mark you, the girls, with their instruction in nursing and the manufacture of gas masks and the like, are becoming every whit as zealous as their brothers. And all the really thinking type of professors are right with 'em! "Why, here, as recently as three years ago, a sickeningly big percentage of students were blatant pacifists, wanting to knife their own native land in the dark. But now, when the shameless fools and the advocates of Communism try to hold pacifist meetings—why, my friends, in the past five months, since January first, no less than seventy-six such exhibitionistic orgies have been raided by their fellow students, and no less than fifty-nine disloyal Red students have received their just deserts by being beaten up so severely that never again will they raise in this free country the bloodstained banner of anarchism! That, my friends, is NEWS!
Sinclair Lewis (It Can't Happen Here)
Romance of the sleepwalker" Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea and the horse on the mountain. With her waist that’s made of shadow dreaming on the high veranda, green the flesh, and green the tresses, with eyes of frozen silver. Green, as I love you, greenly. Beneath the moon of the gypsies silent things are looking at her things she cannot see. Green, as I love you, greenly. Great stars of white hoarfrost come with the fish of shadow opening the road of morning. The fig tree’s rubbing on the dawn wind with the rasping of its branches, and the mountain cunning cat, bristles with its sour agaves. Who is coming? And from where...? She waits on the high veranda, green the flesh and green the tresses, dreaming of the bitter ocean. - 'Brother, friend, I want to barter your house for my stallion, sell my saddle for your mirror, change my dagger for your blanket. Brother mine, I come here bleeding from the mountain pass of Cabra.’ - ‘If I could, my young friend, then maybe we’d strike a bargain, but I am no longer I, nor is this house, of mine, mine.’ - ‘Brother, friend, I want to die now, in the fitness of my own bed, made of iron, if it can be, with its sheets of finest cambric. Can you see the wound I carry from my throat to my heart?’ - ‘Three hundred red roses your white shirt now carries. Your blood stinks and oozes, all around your scarlet sashes. But I am no longer I, nor is this house of mine, mine.’ - ‘Let me then, at least, climb up there, up towards the high verandas. Let me climb, let me climb there, up towards the green verandas. High verandas of the moonlight, where I hear the sound of waters.’ Now they climb, the two companions, up there to the high veranda, letting fall a trail of blood drops, letting fall a trail of tears. On the morning rooftops, trembled, the small tin lanterns. A thousand tambourines of crystal wounded the light of daybreak. Green, as I love you, greenly. Green the wind, and green the branches. They climbed up, the two companions. In the mouth, the dark breezes left there a strange flavour, of gall, and mint, and sweet basil. - ‘Brother, friend! Where is she, tell me, where is she, your bitter beauty? How often, she waited for you! How often, she would have waited, cool the face, and dark the tresses, on this green veranda!’ Over the cistern’s surface the gypsy girl was rocking. Green the bed is, green the tresses, with eyes of frozen silver. An ice-ray made of moonlight holding her above the water. How intimate the night became, like a little, hidden plaza. Drunken Civil Guards were beating, beating, beating on the door frame. Green, as I love you, greenly. Green the wind, and green the branches. The dark ship on the sea, and the horse on the mountain.
Federico García Lorca (Collected Poems)
In the forest there was once the sweetest little fir tree imaginable. It grew in a good place, where the sun could warm it, with good friends all around it: fir trees and pine trees. And yet it had but one aim: to be big very soon. The children would sit close to it; looking at it, they would say, ‘How sweet this little fir tree is.’ And the little fir tree couldn’t bear that. To grow, to grow; to become tall and mature, that’s the only happiness on earth, it thought . . . At the end of the year, the woodcutters always came to fell a few trees, always the finest ones. ‘Where are they going?’ the little fir tree wondered . . . A stork told it, ‘I believe I saw them; they were standing tall, heads held high, on splendid new boats, and travelling the world.’ When Christmas came, every year some very young trees would also be felled, selected from among the finest and sturdiest. ‘Where might they be going?’ the fir tree wondered. Finally, its turn came. And off it was carried, into a large and beautiful room with lovely armchairs; on all of its branches toys gleamed and lights twinkled. What brightness! What splendor! Only joy! The following day, the fir tree was carried off to a corner where it was forgotten. It had time to think. Looking back at its happy youth in the woods, and the joyous Christmas Eve, it sighed, ‘Over, all that is over! Oh, if only I had been able to appreciate the fresh air and the warm sun when there was still time!
Valérie Perrin (Fresh Water for Flowers)
You might consider a full shave," he suggested. "You certainly have the chin for it." Keir shook his head. "I must keep the beard." Looking sympathetic, the barber asked, "Pockmarks? Scars?" "No' exactly." Since the man seemed to explain an explanation, Keir continued uncomfortably, "It's... well... my friends and I, we're a rough lot, you ken. 'Tis our way to chaff and trade insults. Whenever I shave off the beard, they start mocking and jeering. Blowing kisses, calling me a fancy lad, and all that. They never tire of it. And the village lasses start flirting and mooning about my distillery, and interfering with work. 'Tis a vexation." The barber stared at him in bemusement. "So the flaw you're trying to hide is... you're too handsome?" A balding middle-aged man seated in the waiting area reacted with a derisive snort. "Balderdash," he exclaimed. "Enjoy it while you can, is my advice. A handsome shoe will someday be an ugly slipper." "What did he say, nephew?" asked the elderly man beside him, lifting a metal horn to his ear. The middle-aged man spoke into the horn. "Young fellow says he's too handsome." "Too handsome?" the old codger repeated, adjusting his spectacles and squinting at Keir. "Who does the cheeky bugger think he is, the Duke of Kingston?" Amused, the barber proceeded to explain the reference to Keir. "His Grace the Duke of Kingston is generally considered one of the finest-looking men who's ever lived." "I know-" Keir began. "He caused many a scandal in his day," the barber continued. "They still make jokes about it in Punch. Cartoons with fainting women, and so forth." "Handsome as Othello, they say," said a man who was sweeping up hair clippings. "Apollo," the barber corrected dryly. He used a dry brush to whisk away the hair from Keir's neck. "I suspect by now Kingston's probably lost most of those famed golden locks." Keir was tempted to contradict him, since he'd met the duke earlier that very day and seen for himself the man still had a full head of hair. However, he thought better of it and held his tongue.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The goal was ambitious. Public interest was high. Experts were eager to contribute. Money was readily available. Armed with every ingredient for success, Samuel Pierpont Langley set out in the early 1900s to be the first man to pilot an airplane. Highly regarded, he was a senior officer at the Smithsonian Institution, a mathematics professor who had also worked at Harvard. His friends included some of the most powerful men in government and business, including Andrew Carnegie and Alexander Graham Bell. Langley was given a $50,000 grant from the War Department to fund his project, a tremendous amount of money for the time. He pulled together the best minds of the day, a veritable dream team of talent and know-how. Langley and his team used the finest materials, and the press followed him everywhere. People all over the country were riveted to the story, waiting to read that he had achieved his goal. With the team he had gathered and ample resources, his success was guaranteed. Or was it? A few hundred miles away, Wilbur and Orville Wright were working on their own flying machine. Their passion to fly was so intense that it inspired the enthusiasm and commitment of a dedicated group in their hometown of Dayton, Ohio. There was no funding for their venture. No government grants. No high-level connections. Not a single person on the team had an advanced degree or even a college education, not even Wilbur or Orville. But the team banded together in a humble bicycle shop and made their vision real. On December 17, 1903, a small group witnessed a man take flight for the first time in history. How did the Wright brothers succeed where a better-equipped, better-funded and better-educated team could not? It wasn’t luck. Both the Wright brothers and Langley were highly motivated. Both had a strong work ethic. Both had keen scientific minds. They were pursuing exactly the same goal, but only the Wright brothers were able to inspire those around them and truly lead their team to develop a technology that would change the world. Only the Wright brothers started with Why. 2.
Simon Sinek (Start With Why: How Great Leaders Inspire Everyone to Take Action)
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
Judith McNaught (Almost Heaven (Sequels, #3))
Outrageous grace is God’s goodness that comes looking for you when you have nothing but a middle finger flipped in the face of God to offer in return. It’s a farmer paying a full day’s wages to a crew of deadbeat day laborers with only a single hour punched on their time cards (Matthew 20:1 – 16). It’s a man marrying an abandoned woman and then refusing to forsake his covenant with her when she turns out to be a whore (Ezekiel 16:8 – 63; Hosea 1:1 — 3:5). It’s the insanity of a shepherd who puts ninety-nine sheep at risk to rescue the single lamb that’s too stupid to stay with the flock (Luke 15:1 – 7). It’s the love of a father who hands over his finest rings and robes to a young man who has squandered his inheritance on drunken binges with his fair-weather friends (Luke 15:11 – 32). It’s God’s choice to save a slave trader knowing full well that it would take a decade for this man to recognize the wretchedness of his ways. It’s one-way love that calls you into the kingdom not because you’ve been good but because God has chosen you and made you his own. And now he is chasing you to the ends of the earth to keep you as his child, and nothing in heaven or hell can ever stop him.
Daniel Montgomery (PROOF: Finding Freedom through the Intoxicating Joy of Irresistible Grace)
because there was a new face in the chorus, and rumor—in the person of his friend Aubrey—said she was a promising possibility as a mistress. And indeed she was, Lucien had to admit—at least, she would be for Aubrey, who had come into his title and had full control of his fortune. But not for someone like Lucien—a young man on a strict allowance and whose title of Viscount Hartford was only a courtesy one, borrowed from his father. Being my lord was, he had found, one of the few benefits of being the only son of the Earl of Chiswick. “She’s quite attractive, as game pullets go,” he told Aubrey carelessly after the play, as they cracked the first bottle of wine at their club. “Have her with my blessing.” Aubrey snorted. “You know, Lucien, it’s just as well you’re not looking for a high-flyer, for you damned well couldn’t afford her.” Lucien forced a smile. “She’s not my sort, as it happens.” “Balderdash—she’s any man’s sort.” Not mine, Lucien thought absently. He might have said it aloud if the sentiment hadn’t been so startlingly true. How odd—for the chorus girl had been a prime piece, buxom and long-limbed and flashy, as well as incredibly flexible as she moved around the stage. How could he not be interested? Aubrey was looking at him strangely, so Lucien said, “If she’s so much to your taste, I’m surprised you didn’t go around to the stage door after the performance and make yourself known.” “Strategy, my friend. Never let a woman guess exactly how interested you are.” Aubrey waved a hand at a waiter to bring another bottle, and as they drank it, he detailed his plan for winning the chorus girl. “It’s too bad you can’t join the fun, for I’m certain she has a friend,” Aubrey finished. “The gossips have it that your father is never without a lightskirt, so why should he object to you having one?” “Oh, not a lightskirt. Only the finest of the demimonde will do for the Earl of Chiswick.” Lucien drained his glass. “I’m meant to be on the road to Weybridge at first light—for the duke’s birthday, you know. A few hours’ sleep before I climb into a jolting carriage will not come amiss.” “Too late.” Aubrey tilted his head toward the nearest window. “Dawn’s breaking now, if I’m not mistaken. You won’t mind if I don’t come to see you off? Deadly dull it is, waving good-bye—and I’ve a mind for a hand or two of piquet before I go home.” Lucien walked from the club to his rooms in Mount Street, hoping a fresh breeze might help clear his head. The post-chaise Uncle Josiah had ordered for him was already waiting. The horses stamped impatiently, snorting in the cool morning air, and the postboys looked bored. Nearby, Lucien’s valet paced—but he
Leigh Michaels (The Birthday Scandal)
The bride, the beautiful princess, a royal daughter is glorious. She waits within her chamber, dressed in a gown woven with gold. Wearing the finest garments, she is brought to the King. Her friends, her companions, follow her into the royal palace. What a joyful, enthusiastic, excited procession as they enter the palace! She comes before her King, who is wild for her! -OLD TESTAMENT, PSALM 45
Holly Wagner (God Chicks: Living Life As A 21st Century Woman: Living Life as a Twenty-first-century Woman)
Perseverance. Force of purpose. Indomitable will. Those traits were once uniquely part of the American DNA. But they’ve been weakening for some time. As Emerson wrote in 1841, If our young men miscarry in their first enterprises, they lose all heart. If the young merchant fails, men say he is ruined. If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. Think of what he’d say about us now. What would he say about you?
Anonymous
For I am the Lord your God who takes hold of your right hand and says to you, Do not fear; I will help you.” —Isaiah 41:13 (NIV) One day I was standing in line at the store, when a woman tapped me on the arm. “Remember me?” she asked. It was Margo, a girl I’d gone to middle school with. We did the usual those-were-the-days banter and then she said, “A while back I picked your mom up one night on Lahser Road.” My mother was fighting the onset of Alzheimer’s, and she used to get up in the middle of the night, don her Sunday finest, and walk three miles to church in the freezing Michigan dark. I started to thank Margo, but she stopped me. “I thought my life was crumbling,” she said, “that I’d wasted years for nothing. I couldn’t lie in bed crying anymore, so I just threw something on and went driving. I didn’t know what I was going to do. That’s when I saw her.” “Mom?” “We had the most incredible conversation. She said she knew how I felt, that things may seem dark now, but they will get better because God is always near. And she was right. They did. Your mom was such a kind soul and good listener. I will never, ever forget that night.” Mom’s been gone now for a few years. I sometimes wonder about her need to get to church when the hour was darkest. I think she knew what she was about more than we might have suspected and maybe not quite as lost as we assumed. She was searching for something in that cold dark, something she knew was there. My old school friend said she’d never forget that night. Neither will I. Lord, I search for You when the hour is darkest and I am most lost. Direct my steps to You. —Edward Grinnan Digging Deeper: Pss 73:28, 139:7–8; Jn 1:5
Guideposts (Daily Guideposts 2014)
People of Italy!” they were told, “the Army of France has broken your chains: the People of France is the friend of all other Peoples! Come to greet it!” Their joy vanished when the young hero presented them with his bill. An immediate contribution of twenty million francs, vast stores of provisions and thousands of horses were demanded as the price of French protection. A hundred of the finest carriage horses in the province were dispatched across the Alps to grace the coaches of the Directors. The Grand Duke of Parma, who had been slower to acclaim the liberator than the fickle Milanese, had to yield twenty of the best pictures in his gallery and a crushing tribute. And when the people of Pavia contested Bonaparte's requisitions, they were quickly enlightened as to the conditions of Italian emancipation. The magistrates and leading inhabitants were shot, the city sacked and all who resisted massacred. A few weeks later a village near Bologna was burnt to the ground and the entire population murdered to strike fear through Italy. For Bonaparte, once a follower of Robespierre, did not believe in terror for its own sake but only as an instrument of policy.
Arthur Bryant (The Years of Endurance, 1793-1802)
My wife owned her own hair salon called “Bangs.” Her friends Tisha, Tamika, and Kyla worked there as well. Even though I’m always messing with her girls, one thing for sure; they can do some hair.  
Diamond D. Johnson (I Choose You: Hood Love at Its Finest)
Remember what I told you, Nerissa.  Spare no expense when it comes to dressing her.  I want her out of those hideous colors and fabrics she's in now, and into something that will show her coloring to greatest advantage." "Silks, satins, velvets?" "Yes, and the finest, most expensive ones Madame has."  Lucien's enigmatic black eyes had gleamed with sly delight before he'd turned away and, his forefinger tapping his lips once, twice, continued on.  "And dramatic colors only — no pastels for that girl, no more washed out yellows and wretched browns that only make her look sallow and ill.  She's no English rose and shouldn't be dressed like one.  No, I want her in blazing scarlet, brilliant turquoise, emerald green, magenta — loud, startling hues that will flatter her exotic coloring and make every man at the ball unable to take his eyes off her."  He'd given a dangerous little smile.  "Especially Charles . . ." Nerissa had returned his grin.  "Especially Charles." "Just take care, my dear, that he does not learn of the purchases you'll make for the girl at Madame Perrot's.  Let him think the shopping trip is for you, and that Amy is along as . . . as training to be a lady's maid.  Ah, yes.  That will throw him off the scent quite nicely, I think — as well as make him seriously begin to question, if he has not already, whether he wants her to be a lady's maid or his lady."  He had grinned then, as delighted with his machinations as he must've been when he'd brought Gareth and Juliet together.  "It is imperative that he is, shall we say, pleasantly surprised when he sees his little friend at Friday night's ball . . ." Even
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Out of all my friends, Ty said he liked Tisha the most because she acted just like me. “Well in the meantime,
Diamond D. Johnson (I Choose You: Hood Love at Its Finest)
Silas Ruff, even though he’d recently been accepted in all the finest homes in New York, was one of the most reprehensible gentlemen Lucetta had ever had the misfortune of knowing. He was egotistical, wealthy, and belligerent, and he did not understand the meaning of the word no. He was also turning out to be a formidable adversary, apparently determined to possess her no matter the means required to do just that, simply because she’d tried to dissuade him from pursuing her. He’d started stalking her at the theater months before, sending her roses numerous times per week, as well as invitations to dine with him. She’d refused every invitation, and had Mr. Skukman refuse delivery of his roses. Instead of discontinuing his campaign to win her over, though, Silas had increased his presence in the audience, leaving her unsettled and actually fearing for her safety. When Silas had been released from his position working for Oliver Addleshaw, Archibald’s grandson and husband to her very good friend, Harriet Peabody, Lucetta had finally been able to breathe a sigh of relief. His subsequent attempt to ruin Oliver had not worked in his favor, and feeling the displeasure of New York society, Silas had left the city for places unknown. Now, however, he was back, and this time Lucetta had the unpleasant feeling he was not going to go away until he got exactly what he’d returned to New York for—her. That
Jen Turano (Playing the Part (A Class of Their Own, #3))
But what is the finest book, or picture, or house, or estate, to me, compared to my wife, my parents, or my friend
Dietrich Bonhoeffer (Letters Papers from Prison)
My friend is prepared to swear that no female is to be entirely trusted, and that the very finest examples of the sex are yet subject to flights of deception and caprice capable of driving any logician to distraction.
Lyndsay Faye (The Whole Art of Detection: Lost Mysteries of Sherlock Holmes)
Just look at that. That evil grin. She looks thrilled. She’s so happy to have a place to fight. Without a doubt, she’s going to end up being the most horrible person I know. And she’ll probably also be one of my most reliable friends on the battlefield.
Carlo Zen (The Saga of Tanya the Evil, Vol. 3: The Finest Hour (light novel))
L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
So I’d encourage you to put some effort into finding some reasonably priced, readily available table whiskeys you like. That way you’ll always have drinking whiskey available when friends show up, or when you want a quick highball with dinner, or when you feel like a cocktail but don’t really want to put a $250 bourbon in there.
Lew Bryson (Tasting Whiskey: An Insider's Guide to the Unique Pleasures of the World's Finest Spirits)
What do you think? There, isn’t that the finest of negative landscapes? Look, on the left we have that pile of ashes they call a dune here, with the grey dyke on our right, the pallid beach at our feet and, in front of us, the sea, the colour of diluted washing powder, it’s pale waters reflected in the vast sky above. A soft hell, it really is! Nothing but horizontals, no brightness: colourless space and dead life. Is it not universal obliteration, a void perceptible to the eyes? No men, above all, no men! Just you and I, only us, face-to-face with a planet that is finally empty. The sky is alive? You’re right, dear friend. It thickens then sinks back, opens up airy staircases, then closes its doors of cloud.
Albert Camus (The Fall)
There is great need for tears in life. There are times when you faint if you do not cry. Therefore, it is not proper to insult tears whimsically. It is the companions in adversity who are the finest friends, and those are tears. Do not waste them
Pratibha Ray (Yajnaseni: The Story of Draupadi)
In the end, Wyatt Earp and his brothers will be forever remembered as the mythical gunfighters who took on the Cowboys at the O.K. Corral. But in 1900, a journalist who knew them well provided their finest and most accurate epitaph. “The Earp boys always had a reputation for absolute fearlessness and a worse reputation that they do not deserve. They were not rustlers. They were sports, it is true, every one of them. They played high, rode hard, and shot quick, but they were open-hearted, generous and would go to the limit for a friend. Either for trailing Apaches, horse and cattle thieves, or stage robbers, they outstripped any posse. They were simply ‘men with the bark on.’” Rightly or wrongly, we will never see their like again.
John Boessenecker (Ride the Devil's Herd: Wyatt Earp's Epic Battle Against the West's Biggest Outlaw Gang)
Chicken Salad à la Danny Kaye YIELD: 4 SERVINGS TO MOST AMERICANS, Danny Kaye is remembered as a splendid comedian and actor. I think of him as a friend and one of the finest cooks I have ever known. In every way, Danny was equal to or better than any trained chef. His technique was flawless. The speed at which he worked was on par with what you’d find in a Parisian brigade de cuisine. Danny taught me a great deal, mostly about Chinese cuisine, his specialty. Whenever I traveled to Los Angeles, Danny picked me up at the airport and took me to his house, where we cooked Chinese or French food. His poached chicken was the best I have ever had. His method was to put the chicken in a small stockpot, cover it with tepid water seasoned with salt, peppercorns, and vegetables, and cook it at a gentle boil for only 10 minutes, then set it aside off the heat for 45 minutes. As an added touch, he always stuck a handful of knives, forks, and spoons into the cavity of the chicken, to keep it submerged. The result is so moist, tender, and flavorful that I have used the recipe—minus the flatware—ever since. CHICKEN 1 chicken, about 3½ pounds ½ cup sliced carrot 1 cup sliced onion 1 small leek, washed and left whole 1 rib celery, washed and left whole 1 teaspoon salt ¼ teaspoon black peppercorns 2 sprigs thyme 2 bay leaves About 7 cups tepid water, or more if needed DRESSING 2 tablespoons Dijon-style mustard 1 tablespoon white wine vinegar 1 teaspoon finely chopped garlic ¼ teaspoon salt ¼ teaspoon freshly ground black pepper ½ teaspoon Tabasco hot pepper sauce 5 tablespoons extra-virgin olive oil GARNISHES 1 dozen Boston lettuce leaves, cleaned 2 dozen fresh tarragon leaves FOR THE CHICKEN: Place the chicken breast side down in a tall, narrow pot, so it fits snugly at the bottom. Add the remaining poaching ingredients. The chicken should be submerged, and the water should extend about 1 inch above it. Bring to a gentle boil, cover, and let boil gently for two minutes. Remove the pot from the heat, and set it aside to steep in the hot broth for 45 minutes. Remove the chicken from the pot, and set it aside on a platter to cool for a few minutes. (The stock can be strained and frozen for up to 6 months for use in soup.) Pick the meat from the chicken bones, discarding the skin, bones, and fat. Shred the meat with your fingers, following the grain and pulling it into strips. (The meat tastes better shredded than diced with a knife.) FOR THE DRESSING: Mix together all the dressing ingredients in a bowl large enough to hold the chicken salad. Add the chicken shreds to the dressing and toss well. Arrange the Boston lettuce leaves in a “nest” around the periphery of a platter, and spoon the room-temperature chicken salad into the center. Sprinkle with the tarragon leaves and serve.
Jacques Pépin (The Apprentice: My Life in the Kitchen)
Chicken Salad à la Danny Kaye YIELD: 4 SERVINGS TO MOST AMERICANS, Danny Kaye is remembered as a splendid comedian and actor. I think of him as a friend and one of the finest cooks I have ever known. In every way, Danny was equal to or better than any trained chef. His technique was flawless. The speed at which he worked was on par with what you’d find in a Parisian brigade de cuisine. Danny taught me a great deal, mostly about Chinese cuisine, his specialty. Whenever I traveled to Los Angeles, Danny picked me up at the airport and took me to his house, where we cooked Chinese or French food. His poached chicken was the best I have ever had. His method was to put the chicken in a small stockpot, cover it with tepid water seasoned with salt, peppercorns, and vegetables, and cook it at a gentle boil for only 10 minutes, then set it aside off the heat for 45 minutes. As an added touch, he always stuck a handful of knives, forks, and spoons into the cavity of the chicken, to keep it submerged. The result is so moist, tender, and flavorful that I have used the recipe—minus the flatware—ever since. CHICKEN 1 chicken, about 3½ pounds ½ cup sliced carrot 1 cup sliced onion 1 small leek, washed and left whole 1 rib celery, washed and left whole 1 teaspoon salt ¼ teaspoon black peppercorns 2 sprigs thyme 2 bay leaves About 7 cups tepid water, or more if needed DRESSING 2 tablespoons Dijon-style mustard 1 tablespoon white wine vinegar 1 teaspoon finely chopped garlic ¼ teaspoon salt ¼ teaspoon freshly ground black pepper ½ teaspoon Tabasco hot pepper sauce 5 tablespoons extra-virgin olive oil
Jacques Pépin (The Apprentice: My Life in the Kitchen)
Partisanship had grown so fierce even treatments for the disease became politicized. There were now “Republican” and “Federalist” cures. Jeffersonian Benjamin Rush, acknowledged the finest doctor in town if not the country, used the time-honored if incorrect practices of bleeding and purging. Alexander Hamilton and his family were stricken just when an old friend from Nevis, Dr. Edward Stevens, was visiting. A veteran of “Yellow Jack” outbreaks in the Caribbean, Stevens administered large doses of “Peruvian bark”—quinine—laced with burnt cinnamon and a nightcap of laudanum. The treatment worked, but Rush, an ardent Republican, dismissed it and went right on bleeding patients, which Stevens believed medieval. Rush’s backyard was soon so drenched with blood that he indirectly began to breed countless flies, while his property gave off a “sickening sweet stench” to passersby.
Tim McGrath (James Monroe: A Life)
Certainly one of Haussmann’s finest achievements, this is the water system that, with modifications and updates, still supplies Paris today.
Mary McAuliffe (Dawn of the Belle Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and Their Friends)
Nosta is a family-owned and operated restaurant. We serve authentic Mediterranean-Turkish cuisine daily. It's our passion to serve high-quality food and drink in a comfortable and friendly setting. We take pride in only using the finest local ingredients. Whether you're looking for a casual evening with friends, a special celebration, or a delicious and healthy meal, Nosta is here to make sure you have the best experience possible. We value our customers and hope to have the opportunity to serve you.
Nosta
The spring evenings had grown long, and it was hard to darken the room. They sat in their separate chairs and waited for Fassbinder, their silence a respectful preparation. They had waited this way for their meetings with Truffaut, Bergman, Visconti, Renoir, Wilder, and all the other honored guests that Jonna had chosen and enthroned–the finest present she could give her friend.
Tove Jansson (Fair Play)
FansOfTheShoebill shoebillbird@mailingo.net Sherry R. Stinson 206-329-5623 UNT612Z3BL776 SitthenwagnerLaane Seattle, WA 98122 #FansOfTheShoebill Our blog ShoebillBird.Org is focused on giving you excellent online resources about this lovely wild bird, Balaeniceps Rex, or usually called the Shoebill stork. ShoebillBird.Org has handled all the researching just for you: the potential Shoebill enthusiast who wants a superb destination on the net to discover more about this astonishing and unbelievable stork! Find the finest Shoebill stork articles on the web right now on our website ShoebillBird.Org, and please make sure you share us with your family and friends! Thank you for visiting our website! Everybody here at our site ShoebillBird.Org adores the spectacular Shoebill Crane! This web site was created by fans of the lovely stork, Balaeniceps rex, or typically known as the Shoebill. Please ensure that you have a look at our articles and don’t be reluctant to share a link or two… Everyone should discover more about this extraordinary crane-almost definitely one of the last existing relatives of the dinosaurs!
Fans Of The Shoebill
In another invaluable service to the Allies, the resistance movements in every captive country helped rescue and spirit back to England thousands of British and American pilots downed behind enemy lines, as well as other Allied servicemen caught in German-held territory. In Belgium, for example, a young woman named Andrée de Jongh set up an escape route called the Comet Line through her native country and France, manned mostly by her friends, to return Britons and Americans to England. De Jongh herself escorted more than one hundred servicemen over the Pyrenees Mountains to safety in neutral Spain. As de Jongh and her colleagues knew, being active in the resistance, regardless of gender, was far more perilous than fighting on the battlefield or in the air. If captured, uniformed servicemen on the Western front were sent to prisoner of war camps, where Geneva Convention rules usually applied. When resistance members were caught, they faced torture, the horrors of a German concentration camp, and/or execution. The danger of capture was particularly great for those who sheltered British or American fighting men, most of whom did not speak the language of the country in which they were hiding and who generally stuck out like the proverbial sore thumb. As one British intelligence officer observed, “It is not an easy matter to hide and feed a foreigner in your midst, especially when it happens to be a red-haired Scotsman of six feet, three inches, or a gum-chewing American from the Middle West.” James Langley, the head of a British agency that aided the European escape lines, later estimated that, for every Englishman or American rescued, at least one resistance worker lost his or her life. Andrée de Jongh managed to escape that fate. Caught in January 1943 and sent to the Ravensbruck concentration camp in Germany, she survived the war because, although she freely admitted to creating the Comet Line, the Germans could not believe that a young girl had devised such an intricate operation. IN
Lynne Olson (Citizens of London: The Americans Who Stood with Britain in Its Darkest, Finest Hour)
Robert stared after her in bemusement. He tried to be honest with himself. He had to be, as so few others were. His friend, Sebastian, could charm the bloomers off even the most upright dragons of the ton—and had, on occasion. His brother had a razor-sharp wit on the one hand, and a way of making others comfortable on the other. Oliver could make ladies laugh. For himself… He could rarely think of how to respond when immersed in that heady back-and-forth. Sometimes he thought of clever things to say…hours later. Usually, he committed the worst sin possible: He said what he was really thinking. That was why he came out with gems like, I like your tits. Not one of his finest moments, that.
Courtney Milan (The Duchess War (Brothers Sinister, #1))
In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new, an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto: 'Anyone can cook.' But I realize, only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.
Brad Bird
Frightened and horribly frustrated, Loretta sank onto a rock and hugged her knees. Think. Amy’s life depended on it. And so did hers. Lost. The word dripped into her mind, as cold as melt-off ice. Hunter had made it look easy, but he was a Comanche. She was a stupid tosi tivo. How could she hope to track Comanches out here when some of the finest scouts in the country had failed? Loretta sighed and stood up. She couldn’t turn back. The Comancheros had Amy. To admit defeat would be like signing Amy’s life away. Friend had wandered to the far side of the water hole, grazing. Loretta circled the pool to fetch him. She had walked perhaps thirty feet when she glanced down. The earth on this side of the pool was torn up with hoof marks. Unshod horses had been here. One of the prints was achingly familiar, a notched crescent. “They were here!” she screeched. Friend lifted his head and fastened bewildered brown eyes on her. Loretta started to laugh. She wasn’t just any stupid tosi tivo. She was a stupid tosi tivo on a perfectly wonderful Comanche pony. She ran her hands into her hair and closed her eyes, letting the fear flow out of her. Hunter would never have told her to come to him if he hadn’t believed she could find him. Between her and Friend, they would make it. Loretta mounted up, no longer feeling so horribly alone. As crazy as it was, she felt as if Hunter rode beside her.
Catherine Anderson (Comanche Moon (Comanche, #1))
In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the *new*. The world is often unkind to new talent, new creations. The new needs friends. Last night, I experienced something new: an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook." But I realize, only now do I truly understand what he meant. Not everyone can become a great artist; but a great artist *can* come from *anywhere*. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.
Brad Bird
I feel sorry for you, Task.’ ‘Don’t bother.’ ‘No, not because you’ve suffered, or you’re cursed, but because you don’t realise.’ He threw her a quizzical look. Lesky reached out a hand and placed it on his stone. He tensed, but felt nothing, just the warmth of her skin. ‘You don’t realise how human you are. All of us. Alabast, Ellia, me, Huff, even you, with a mind made out of stone. We all walk around pretendin’ we’re not broken in some way. Most spend their lives hiding it. But we are broken. And you know what? That’s fine. In fact, it’s perfect because it’s imperfect. Each crack, each blemish, each scar, whether of the skin or in the mind, they make us whole. We’re made through livin’, not by bein’ born. What we learn is what shapes us. Some choose a friendly shape, others somethin’ more jagged and sharp. That is what it means to be human, Task. We can choose. You say your master made a mistake? Made you broken? I think he made the finest golem there is. One who’s more than stone, not just some mindless machine. One who can make actually make a choice for himself. One who’s got a conscience. A heart.
Ben Galley (The Heart of Stone)
When Derek Sivers first built his business CDbaby.com, he set up a standard confirmation email to let customers know their order had been shipped. After a few months, Derek felt that this email wasn’t aligned with his mission—to make people smile. So he sat down and wrote a better one. Your CD has been gently taken from our CD Baby shelves with sterilized contamination-free gloves and placed on a satin pillow. A team of 50 employees inspected your CD and polished it to make sure it was in the best possible condition before mailing. Our packing specialist from Japan lit a candle and a hush fell over the crowd as he put your CD into the finest gold-lined box that money can buy. We all had a wonderful celebration afterwards and the whole party marched down the street to the post office where the entire town of Portland waved “Bon Voyage!” to your package, on its way to you, in our private CD Baby jet on this day, Friday, June 6th. I hope you had a wonderful time shopping at CD Baby. We sure did. Your picture is on our wall as “Customer of the Year.” We’re all exhausted but can’t wait for you to come back to CDBABY.COM!! —Derek Sivers, Anything You Want The result wasn’t just delighted customers. That one email brought thousands of new customers to CD Baby. The people who got it couldn’t help sharing it with their friends. Try Googling “private CD Baby jet”; you’ll find over 900,000 search results to date. Derek’s email has been cited by business blogs the world over as an example of how to authentically put your words to work for your business.
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
She has a great and rare virtue: she is cheerful, but she can understand the sufferings of others and also knows how to soothe them with her mindful compassion. She is, above all, an intellectual woman, a woman of refined tastes, a perfect woman, a friend who is not a burden. She takes perhaps a little too much pleasure in witticisms and clever phrases, but her arrows always have a golden point and are shot with inimitable grace. Certainly, among all the worldly ladies I have known, she is the finest; among all my friends, she is my favorite.
Gabriele d'Annunzio (The Child of Pleasure (Classic Reprint))
If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who teams it, farms it, [225] peddles, keeps a school, preaches, edits a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not "studying a profession," for he does not postpone his life, but lives already. He has not one chance, but a hundred chances.
Ralph Waldo Emerson (Essays by Ralph Waldo Emerson)
Visitors to Mason’s Yard in St. James’s will search in vain for Isherwood Fine Arts. They will, however, find the extraordinary Old Master gallery owned by my dear friend Patrick Matthiesen. A brilliant art historian blessed with an infallible eye, Patrick never would have allowed a misattributed work by Artemisia Gentileschi to languish in his storerooms for nearly a half century. The painting depicted in The Cellist does not exist. If it did, it would look a great deal like the one produced by Artemisia’s father, Orazio, that hangs in the National Gallery of Art in Washington. Like Julian Isherwood and his new managing partner, Sarah Bancroft, the inhabitants of my version of London’s art world are wholly fictitious, as are their sometimes-questionable antics. Their midsummer drinking session at Wiltons Restaurant would have been entirely permissible, as the landmark London eatery briefly reopened its doors before a rise in coronavirus infection rates compelled Prime Minister Boris Johnson to shut down all non-essential businesses. Wherever possible, I tried to adhere to prevailing conditions and government-mandated restrictions. But when necessary, I granted myself the license to tell my story without the crushing weight of the pandemic. I chose Switzerland as the primary setting for The Cellist because life there proceeded largely as normal until November 2020. That said, a private concert and reception at the Kunsthaus Zürich, even for a cause as worthy as democracy, likely could not have taken place in mid-October. I offer my profound apologies to the renowned Janine Jansen for the unflattering comparison to Anna Rolfe. Ms. Jansen is rightly regarded as one of her generation’s finest violinists, and Anna, of course, exists only in my imagination. She was introduced in the second Gabriel Allon novel, The English Assassin, along with Christopher Keller. Martin Landesmann, my committed if deeply flawed Swiss financier, made his debut in The Rembrandt Affair. The story of Gabriel’s blood-soaked duel with the Russian arms dealer Ivan Kharkov is told in Moscow Rules and its sequel, The Defector. Devotees of F. Scott Fitzgerald undoubtedly spotted the luminous line from The Great Gatsby that appears in chapter 32 of The Cellist. For the record, I am well aware that the headquarters of Israel’s secret intelligence service is no longer located on King Saul Boulevard in Tel Aviv. There is no safe house in the historic moshav of Nahalal—at least not one that I am aware of—and Gabriel and his family do not live on Narkiss Street in West Jerusalem. Occasionally, however, they can be spotted at Focaccia on Rabbi Akiva Street, one of my favorite restaurants in Jerusalem.
Daniel Silva (The Cellist (Gabriel Allon, #21))