Fine Linen Quotes

LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962

no matter how good things get in this world, it’s all Egypt! There will never be enough gold chains, fine linen, praise, adoration, or anything else to satisfy the yearning that God has placed in us. Only his presence in the Land of Promise will satisfy his people.

she was approaching the age when she could indulge in a few creature comforts. She liked order, fine linen, wines in their prime, and carefully planned meals at home.

...but think how mysterious and often unaccountable it is--that lottery of life which gives to this man the purple and fine linen, and sends to the other rags for garments and dogs for comforters.

Calmly, slowly, she reached behind with her left hand and came up against — yes, fabric. Fine linen, to be precise. So far, so good: she was inside a wardrobe, after all. The only problem was that this linen was oddly warm. Body warm. Beneath the tentative pressure of her palm, it seemed to be moving... With terrifying suddenness, an ungloved hand clamped roughly over her nose and mouth. A long arm pinned her arms against her sides. She was held tightly against a hard, warm surface. "Hush," whispered a pair of lips pressed to her left ear. "If you scream, we are both lost.

But then the pastors and men of God can only be human,--cannot altogether be men of God; and so they have oppressed us, and burned us, and tortured us, and hence come to love palaces, and fine linen, and purple, and, alas, sometimes, mere luxury and idleness.

I believe that virtue shows quite as well in rags and patches as she does in purple and fine linen,... even if Gargery and Boffin did not speak like gentlemen, they were gentlemen.

Sometimes I would worry about my internet habits and force myself awy from the computer, to read a magazine or book. Contemporary literature offered no respite: I would find the prose cluttered with data points, tenuous historical connections, detail so finely tuned it could have only been extracted from a feverish night of search-engine queries. Aphorisms were in; authors were wired. I would pick up books that had been heavily documented on social media, only to find that the books themselves had a curatorial affect: beautiful descriptions of little substance, arranged in elegant vignettes—gestural text, the equivalent of a rumpled linen bedsheet or a bunch of dahlias placed just so. Oh, I would think, turning the page. This author is addicted to the internet, too.

My weakness consists in not having a discriminating eye for the incidental --- for the externals, --- no eye for the hod of the rag-picker or the fine linen of the next mean. Next man---that's it. I have met so many men." he pursued, with momentary sadness--- "met them too with a certain, certain impact, let us say; like this fellow, for instance--- and in each case all I could see was merely a human being. A confounded democratic quality of vision which may be better than total blindness, but has been of no advantage to me-- I can assure you. Men expect one to take into account their fine linen. But I never could get up any enthusiasm about these things. Oh! It's a failing; and then comes a soft evening; a lot of men too indolent for whist-- and a story...." [p.44]

The dream was gone. Something had been taken from him. In a sort of panic he pushed the palms of his hands into his eyes and tried to bring up a picture of the waters lapping on Sherry Island and the moonlit veranda, and gingham on the golf-links and the dry sun and the gold color of her neck's soft down. And her mouth damp to his kisses and her eyes plaintive with melancholy and her freshness like new fine linen in the morning. Why, these things were no longer in the world! They had existed and they existed no longer. For the first time in years the tears were streaming down his face. But they were for himself now. He did not care about mouth and eyes and moving hands. He wanted to care, and he could not care. For he had gone away and he could never go back any more. The gates were closed, the sun was gone down, and there was no beauty but the gray beauty of steel that withstands all time. Even the grief he could have borne was left behind in the country of illusion, of youth, of the richness of life, where his winter dreams had flourished. “Long ago,” he said, “long ago, there was something in me, but now that thing is gone. Now that thing is gone, that thing is gone. I cannot cry. I cannot care. That thing will come back no more.

The exquisite gentlemen of the finest breeding wore little pendent trinkets that chinked as they languidly moved; these golden fetters rang like precious little bells; and what with that ringing, and with the rustle of silk and brocade and fine linen, there was a flutter in the air that fanned Saint Antoine and his devouring hunger far away.

Thank Heaven that the temples of such spirits are not made with hands, and that they may be even more worthily hung with poor patch-work than with purple and fine linen!

Lottie did everything the old fashioned way, including the bookkeeping, which was fine with me since I knew nothing about accounting software anyway. To me, spreadsheets was what I did on Saturday mornings after washing my bed linen.

Miss West is never idle. Below, in the big after-room, she does her own laundering. Nor will she let the steward touch her father's fine linen. In the main cabin she has installed a sewing-machine. All hand-stitching, and embroidering, and fancy work she does in the deck-chair beside me. She avers that she loves the sea and the atmosphere of sea-life, yet, verily, she has brought her home-things and land-things along with her--even to her pretty china for afternoon tea.

Then took the quilt out of its linen wrapper for the pleasure of the brilliant colors and the feel of the velvet. The needlework was very fine and regular. Adair hated needlework and she could not imagine sitting and stitching the fine crow’s-foot seams. Writing was the same, the pinching of thoughts into marks on paper and trying to keep your cursive legible, trying to think of the next thing to say and then behind you on several sheets of paper you find you have left permanent tracks, a trail, upon which anybody could follow you. Stalking you through your deep woods of private thought.

A bemused smile crossed Cassandra's face as she saw Tom Severin kneeling on the floor with his thighs spread for balance, a steel pipe cutter in one hand. In contrast to his earlier polished elegance, he was in shirtsleeves with the cuffs rolled up over his forearms and the collar unfastened. A well-formed man, wide-shouldered and long in the bone. He was steaming in the residual heat from the range, the cropped hair at the back of his neck damp with sweat, the fine linen of his shirt clinging to a hard-muscled back. Well. This was an eye-opener, in more ways than one.

As Candide went back to his farm, he reflected deeply on the Turk's remarks. He said to Pangloss and Martin: "That good old man seems to me to have made himself a life far preferable to that of the six Kings with whom we had the honor of having supper." "Great eminence," said Pangloss, " is very dangerous, according to the report of all philosophers. For after all, Eglon, King of the Moabites, was assassinated by Ehud; Absolom was hanged by his hair and pierced with three darts; King Naab son of Jeroboam was killed by Baasha..." "I also know", said Candide, "that we must cultivate our garden." "You are right," said Pangloss, "for when man was put in the Garden of Eden, he was put there ut operaretur eum, to work; which proves that man was not born to rest." "Let us work without reasoning," said Martin, "it is the only way to make life endurable." All the little society entered into this laudable plan; each one began to exercise his talents. The little piece of land produced much. True, Cunégonde was very ugly; but she became and excellent pastry cook; Paquette embroidered; the old woman took care of the linen. No one, not even Friar Giroflée, failed to perform some service; he was a very good carpenter, and even became an honorable man; and Pangloss sometimes said to Candide: "All events are linked together in the best of all possible worlds. for after all, if you had not been expelled from a fine castle with great kicks in the backside for love of Mademoiselle Cunégonde, if you had not been subjected to the Inquisition, if you had not traveled about America on foot, if you had not given the Baron a great blow with your sword, if you had not lost all your sheep from the good country of Eldorado, you would not be here eating candied citrons and pistachios." "That is well said," replied Candide, "but we must cultivate our garden.

Now, in one of those utterly physical moments, when the soul takes a backseat to the digesting stomach, the skin enjoying a recent ablution and some fine linen, the mouth smoking, the eyes reveling in bare shoulders and bright lights, he repeated his prayer more indolently, doubting a miracle that would upset the psychological law of his fickleness, which was as impossible to flout as the physical laws of weight or death.

Agnes Shay had the true spirit of a maid. Moistened with dishwater and mild eau de cologne, reared in narrow and sunless bedrooms, in back passages, back stairs, laundries, linen closets, and in those servants' halls that remind one of a prison, her soul had grown docile and bleak...Agnes loved the ceremonies of a big house. She drew the curtains in the living room at dark, lighted the candles on the table, and struck the dinner chimes like an eager altar boy. On fine evenings, when she sat on the back porch between the garbage pails and the woodbins, she liked to recall the faces of all the cooks she had known. It made her life seem rich.

Too often we only identify the crucial points in our lives in retrospect. At the time we are too absorbed in the fetid detail of the moment to spot where it is leading us. But not this time. I was experiencing one of my dad’s deafening moments. If my life could be understood as a meal of many courses (and let’s be honest, much of it actually was), then I had finished the starters and I was limbering up for the main event. So far, of course, I had made a stinking mess of it. I had spilled the wine. I had dropped my cutlery on the floor and sprayed the fine white linen with sauce. I had even spat out some of my food because I didn’t like the taste of it. “But it doesn’t matter because, look, here come the waiters. They are scraping away the debris with their little horn and steel blades, pulled with studied grace from the hidden pockets of their white aprons. They are laying new tablecloths, arranging new cutlery, placing before me great domed wine glasses, newly polished to a sparkle. There are more dishes to come, more flavors to try, and this time I will not spill or spit or drop or splash. I will not push the plate away from me, the food only half eaten. I am ready for everything they are preparing to serve me. Be in no doubt; it will all be fine.” (pp.115-6)

Miss,” said the maid, “if you could just choose an outfit for tonight. Perhaps if you didn’t…Oh. Oh, that was an antique. No, that’s fine. I’ll get another— OH! Very well, Miss, if you don’t like those bed linens I can— There’s no need to shred them, Miss!

This is overdue. Quite a bit, I'm afraid. I apologize. We moved to Topeka when I was very small, and Mother accidentally packed it up with the linens. I have traveled a long way to return it, and I know the fine must be large, but I have no money. As it is a book of fairy tales, I thought payment of a first-born child would be acceptable. I always loved the library. I'm sure she'll be happy there.

little sleek crisp flaxen wig, setting very close to his head: which wig, it is to be presumed, was made of hair, but which looked far more as though it were spun from filaments of silk or glass. His linen, though not of a fineness in accordance with his stockings, was as white as the tops of the waves that broke upon the neighbouring beach, or the specks of sail that glinted

There was once a rich man, who dressed in purple robes and fine linen, and feasted every day in great splendor. Near his gateway there had been laid a beggar named Lazarus, who was covered with sores, and who longed to satisfy his hunger with what fell from the rich man’s table. Even the dogs came and licked his sores. “After a time the beggar died. The rich man also died and was buried.

They here shall be redeemed from sin, Shall here put on their glorious dress, Fine linen, pure, and white, and clean The saints' inherent righteousness. Love, perfect love, expels all doubt, Love makes them to the end endure; Their names thou never wilt blot out; Their life is hid, their heart is pure. Their names thou wilt vouchsafe to own Before thy Father's majesty, Pronounce them good, and say, 'Well done, Enter, and ever reign with me!

There now. Better?" He gave a reluctant nod. "Can you move your arm in all directions?" He rolled his shoulder to prove it. "Yes." "What about your grip?" "My grip is strong." "Perhaps I should wrap the arm in a sling." "I don't need a sling." "Wait here. I'll dash upstairs to fetch some linen and-" "For the love of God, woman. My shoulder is fine." He took her by the waist and lifted her straight off the floor, until they were eye to eye. "There. Believe me now?" She nodded, wide-eyed. "Good." In his hands, she was delicate, breakable. Her hair was a golden treasure he should never, ever touch. And oh, how he hungered for those soft, pink lips. The familiar voice echoed in his ears. Don't touch, boy. She's not for the likes of you. Put. Her. Down. But before Gabe could lower those beribboned pink slippers to the floor, she captured his sooty, sweaty face in her hands- And kissed him on the lips.

Jesuit reported that the “savages” were disgusted by handkerchiefs: “They say, we place what is unclean in a fine white piece of linen, and put it away in our pockets as something very precious, while they throw it upon the ground.

Being close to him with her face in the space between his ear and his stiff army collar was like being initiated into the subterranean reserves of a fine fabric store exuding the delicacy of cambrics and linen and luxury bound in bales.

and reaches out her hands to the needy. 21 She is not afraid of snow for her household, for all her household are clothed in scarlet. [6] 22 She makes bed coverings for herself; her clothing is fine linen and purple. 23 Her husband is known in the gates when he sits among the elders of the land. 24 She makes linen garments and sells them; she delivers sashes to the merchant. 25 Strength and dignity are her clothing, and she laughs at the time to come. 26 She opens her mouth with wisdom,

But were things different: had I not a friend left in the world; were there not a single house open to me in pity; had I to accept the wallet and ragged cloak of sheer penury: as long as I am free from all resentment, hardness and scorn, I would be able to face the life with much more calm and confidence than I would were my body in purple and fine linen, and the soul within me sick with hate. And I really shall have no difficulty. When you really want love you will find it waiting for you.

I have done it again. One year in every ten I manage it------- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-------

I have used the theologians and their treatment of apocalypse as a model of what we might expect to find not only in more literary treatments of the same radical fiction, but in the literary treatment of radical fictions in general. The assumptions I have made in doing so I shall try to examine next time. Meanwhile it may be useful to have some kind of summary account of what I've been saying. The main object: is the critical business of making sense of some of the radical ways of making sense of the world. Apocalypse and the related themes are strikingly long-lived; and that is the first thing to say tbout them, although the second is that they change. The Johannine acquires the characteristics of the Sibylline Apocalypse, and develops other subsidiary fictions which, in the course of time, change the laws we prescribe to nature, and specifically to time. Men of all kinds act, as well as reflect, as if this apparently random collocation of opinion and predictions were true. When it appears that it cannot be so, they act as if it were true in a different sense. Had it been otherwise, Virgil could not have been altissimo poeta in a Christian tradition; the Knight Faithful and True could not have appeared in the opening stanzas of "The Faerie Queene". And what is far more puzzling, the City of Apocalypse could not have appeared as a modern Babylon, together with the 'shipmen and merchants who were made rich by her' and by the 'inexplicable splendour' of her 'fine linen, and purple and scarlet,' in The Waste Land, where we see all these things, as in Revelation, 'come to nought.' Nor is this a matter of literary allusion merely. The Emperor of the Last Days turns up as a Flemish or an Italian peasant, as Queen Elizabeth or as Hitler; the Joachite transition as a Brazilian revolution, or as the Tudor settlement, or as the Third Reich. The apocalyptic types--empire, decadence and renovation, progress and catastrophe--are fed by history and underlie our ways of making sense of the world from where we stand, in the middest.

the large wood-paneled restaurant. The place has a classic old-fashioned feel: brass lamps, dark green leather upholstery, crisp white linen, and sparkling crystal glasses. The atmosphere buzzes with the chatter of businessmen and -women and the clatter of cutlery on fine china.

Beneath it he wore some kind of Vaskian bedclothes, a tunic and pants of very fine white linen, with a series of loose ties in front. ‘Mine has a little more fabric. Are you disappointed?’ ‘I would be,’ said Damen, rearranging his legs again, ‘if the lamp weren’t behind you.’ It

A fine gentleman like that, they said, had no need of books. Let him leave books, they said, to the palsied or the dying. But worse was to come. For once the disease of reading has laid upon the system it weakens it so that it falls an easy prey to that other scourge which dwells in the inkpot and festers in the quill. The wretch takes to writing. And while this is bad enough in a poor man, whose only property is a chair and a table set beneath a leaky roof--for he has not much to lose, after all--the plight of a rich man, who has houses and cattle, maidservants, asses and linen, and yet writes books, is pitiable in the extreme.

GEN41.41 And Pharaoh said unto Joseph, See, I have set thee over all the land of Egypt. GEN41.42 And Pharaoh took off his ring from his hand, and put it upon Joseph's hand, and arrayed him in vestures of fine linen, and put a gold chain about his neck; GEN41.43 And he made him to ride in the second chariot which he had; and they cried before him, Bow the knee: and he made him ruler over all the land of Egypt. GEN41.44 And Pharaoh said unto Joseph, I am Pharaoh, and without thee shall no man lift up his hand or foot in all the land of Egypt. GEN41.45 And Pharaoh called Joseph's name Zaphnathpaaneah; and he gave him to wife Asenath the daughter of Potipherah

Why had he gone, stepping off into the dark, into the war, into a Cause that was lost, into a world that was mad? Why had he gone, Rhett who loved the pleasures of women and liquor, the comfort of good food and soft beds, the feel of fine linen and good leather, who hated the South and jeered at the fools who fought for it? Now he had set his varnished boots upon a bitter road where hunger tramped with tireless stride and wounds and weariness and heartbreak ran like yelping wolves. And the end of the road was death. He need not have gone. He was safe, rich, comfortable. But he had gone, leaving her alone in a night as black as blindness, with the Yankee Army between her and home.

A certain French nobleman always used to blow his nose with his fingers, something quite opposed to our customs. Defending his action (and he was famous for his repartee) he asked me why that filthy mucus should be so privileged that we should prepare fine linen to receive it and then, going even further, should wrap it up and carry it carefully about on our persons; that practice ought to excite more loathing and nausea than seeing him simply excrete it (wherever it might be) as we do all our other droppings. I considered that what he said was not totally unreasonable, but habit had prevented me from noticing just that strangeness which we find so hideous in similar customs in another country. Miraculous

The door swung open without a warning knock, and he stepped into the room. She couldn’t look at him, trussed up as she was, so she looked away, fixing her eyes on a crack in the floor by her right foot. The feather tick gave way as he sat beside her. He tucked in a stray curl that had come free of the ribbon and lace Angelique had woven into her upswept hair. Timidly her eyes skimmed the floor and fastened on one black boot firmly planted just beyond the sweep of her skirts. Next her eye trailed to seamless buckskin breeches before taking in the ruffled cuff of an exquisite linen shirtsleeve. His voice was low and amused. “What a pair we make, Morrow. The lovesick Métis scout and the beautiful Shemanese princess. At least that’s what Loramie called us when we dragged ourselves into this post.” At this she laughed and looked him fully in the face. His hair was freshly washed and hung in ebony strands about his shoulders, dampening his fine shirt. He smelled of bayberry and tobacco and something else she couldn’t place. And his eyes, though tired, shone with pleasure.

There was a man in Florence, a friar, Fra Savonarola, he induced all the people to think beauty was a sin. Some people think he was a magician and they fell under his spell for a season, they made fires in the streets and they threw in everything they liked, everything they had made or worked to buy, bolts of silk, and linen their mothers had embroidered for their marriage beds, books of poems written in the poet's hand, bonds and wills, rent-rolls, title deeds, dogs and cats, the shirts from their backs, the rings from their fingers, women their veils, and do you know what was worst, Johane – they threw in their mirrors. So then they couldn't see their faces and know how they were different from the beasts in the field and the creatures screaming on the pyre. And when they had melted their mirrors they went home to their empty houses, and lay on the floor because they had burned their beds, and when they got up next day they were aching from the hard floor and there was no table for their breakfast because they'd used the table to feed the bonfire, and no stool to sit on because they'd chopped it into splinters, and there was no bread to eat because the bakers had thrown into the flames the basins and the yeast and the flour and the scales. And you know the worst of it? They were sober. Last night they took their wine-skins …’ He turns his arm, in a mime of a man lobbing something into a fire. ‘So they were sober and their heads were clear, but they looked around and they had nothing to eat, nothing to drink and nothing to sit on.’ ‘But that wasn't the worst. You said the mirrors were the worst. Not to be able to look at yourself.’ ‘Yes. Well, so I think. I hope I can always look myself in the face. And you, Johane, you should always have a fine glass to see yourself. As you're a woman worth looking at.’ You

Actually I'm reminded of a time when I smuggled myself into Sydney Opera House to see Faust. Sydney Opera House is very beautiful at night, its grand interiors and lights beaming out over the water and into the night sky. Afterwards I came out and I heard three women talking together, leaning on the railing overlooking the darkened bay. The older woman was describing how she was having problems with her job, which turned out to be working for the CIA as an intelligence agent, and she had previously complained to the Senate Select Committee for Intelligence and so on, and she was telling this in hushed tones to her niece and another woman. I thought, "So it is true then. CIA agents really do hang out at the Sydney opera!" And then I looked inside the Opera House through the massive glass panels at the front, and there in all this lonely palatial refinement was a water rat that had crawled up in to the Opera House interior, and was scurrying back and forth, leaping on to the fine linen-covered tables and eating the Opera House food, jumping on to the counter with all the tickets and having a really great time. And actually I think that is the most probable scenario for the future: an extremely confining, homogenized, postmodern transnational totalitarian structure with incredible complexity, absurdities and debasements, and within that incredible complexity a space where only the smart rats can go.

If you want waiters in tuxedos with white linen cloths over their arms, menus with unpronounceable words all over them, and high-priced wines served in silver ice buckets when you go out for Italian food, our little restaurant is not the place to come. But if you mostly want good, solid, home-cooked pasta with tasty sauces made with real vegetables and spices by a real Italian Mama and will trade white linen for red-and-white checked plastic tablecloths, you'll like our place just fine. If you're okay with a choice of just two wines, red or white, we'll give you as much of it as you want, from our famous bottomless wine bottle — free with your dinner. This restaurant owner took competitive disadvantages and turned them into a good, solid, “fun” selling story.

Night fell. The full moon shone sweetly and tremulously, bewitching and foreboding with rays which were cold and funereally silent. The heart of the Youth was filled with an apprehensive fear as he went up to his window. His hand, clutching the edge of the yellow curtain, hesitated and vacillated for a long time before he resolved to draw the curtain slowly aside. The yellow linen rustled as it slowly gathered, and its rustle was like the barely audible hissing of a serpent in the forest's undergrowth; and the thin brass rings jingled and scraped against the brass curtain rod. The Beauty stood beneath the window and looked at the window and waited. And the heart of the Youth shuddered, and he could not make out whether his heart was seized by ecstasy or terror. The black braids of the Beauty were undone and fell on her naked shoulders. A sharply outlined shadow lay on the ground beside her. Illuminated from the side by the moon, she stood like some distinct and well-defined spectre. That half of her face which was illuminated by the moon, as well as her shoulders and her arms, were deathly white, as white as her robe. The folds of her white robe were severe and dark. Dark was the azure of her eyes, mysterious her frozen smile. A smooth, burnished clasp, fastened at the shoulder, gleamed dully against the strange tranquility of her body and garments. She began to speak softly, and her words, ringing like the fine silver chains of a lighted censer, gave forth a fragrance of ambergris, musk and lily. ("The Poison Garden

I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.

You look beautiful, ma'am," Ernestine said, delighted with the results of her work. She had drawn Phoebe's hair up into a coil of neatly pinned rolls and curls, winding a velvet ribbon around the base. A few loose curls had been allowed to dangle down the back of her head, which felt a bit strange: she wasn't accustomed to leaving any loose pieces in her usual hairstyles. Ernestine had finished the arrangement by pinning a small, fresh pink rose on the right side of the coil. The new coiffure was very flattering, but the formal gown had turned out to be far less inconspicuous than Phoebe had expected. It was the pale beige of unbleached linen or natural wool, but the silk had been infused with exceptionally fine metallic threads of gold and silver, giving the fabric a pearly luster. A garland of peonies, roses, and delicate green silk leaves trimmed the deeply scooped neckline, while another flower garland caught up the gossamer-thin silk and tulle layers of the skirts at one side.

Reaching into his sporran, he pulled out a small bundle wrapped in fine linen. “I want to give ye somethin’, somethin’I want ye to wear this day.”Carefully, he unfolded the linen and held his hand out to her. Josephine’s eyes widened with curiosity and joy. “’Tis beautiful, Graeme!” “It be a brooch that each MacAulay lad receives when he turns six and ten. I want ye to have it.” Josephine carefully took it and studied it closely. Made of pewter, in the center of the brooch were two hands, one decidedly masculine, the other feminine. The masculine hand held the feminine hand in his palm. In the center of her palm was a tiny ruby. To one side, the circle had been engraved to look like stars twinkling near a crescent moon. On the other were the words aeterna devotione. Eternal devotion. Tears filled her eyes as she looked into his. “Ye want me to have this?” “Aye, I do, Joie,”he said as he placed a kiss on her forehead. “Me great-great-great grandfather presented a brooch just like this to his wife, me great-great-great grandmum. But no’until the first anniversary of their weddin’day. ’Twas a symbol of the great love they had found with one another. ’Tis tradition for the MacAulay men to only give their brooch to a woman who has stolen their heart, a woman they love and trust above all else.” Tears trailed down her cheeks, her heart beating so rapidly she was certain it would burst through her breastbone at any moment. “I do no’quite understand how it happened, or how it happened so quickly, Joie, but it has. Amorem in corde meo ut arctius coccino colloeandus arctius ideo astra,”Graeme said first in Latin and then again in Gaelic, “Toisc go bhfuil do ghrá eitseáilte isteach i mo chroí i corcairdhearg, mar sin tá sé eitseáilte amonst na réaltaí.”He placed a tender kiss on her cheek. “As yer love be etched into me heart in crimson, so it be etched amongst the stars,”he told her. “As me grandda said those words to me grandmum all those many years ago, I say them to ye.

the setting in the rectory was stunning. We sat down to a fully set table, with fine china and crisp, white linen. Whenever the monsignor wanted anything, he would ring a little silver bell and this old housekeeper would come shuffling in, like a servant. Every time I tried to engage the monsignor in some serious discussion, he would pick up that bell and ring it, and the little old woman would come in to deal with his every whim. And so I’m sitting there, not only stunned at the level, the position in life, that they held themselves at, but how we in the Church allowed them to do this, that no one was saying, ‘Hey, this is wrong. These guys shouldn’t be living like this while the nuns don’t have health insurance.’ But what I realized that day, as the monsignor kept ringing that bell, was how distant, how aloof, how detached the hierarchy of the Church had become. They lived separate lives, completely disconnected from the lives of the laity, and we had allowed it to happen.” Eventually,

Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.

I wrote that the sails are our desires that must be perfectly pure and clean, since the port we seek is the knowledge of God, which none can attain save the pure in heart.[291] Hence it is written of the ship of Tyre:  “Fine broidered linen . . . was woven for your sail.” [292]  The mast is the love of God, which the same prophet declares was made of cedar and incorruptible, as the soul should never fail in the practice of any exercise; the cedar must come from Libanus, which means ‘beatitude’, for infused charity is perfect love. To this mast must be fastened the ropes of peace and harmony with God, ourselves, and our neighbor, which in Holy Scripture are called ‘the bands of love.’ [293]  The mariner's compass is faith, by which the rudder must be directed, and the helm is prudence. The compass points to the North, for faith must rule us and raise us to contemplation between the two is discretion, which is very necessary. The pilot is good counsel: he must be guided by the mariner's chart, that is, the Holy Scriptures, if he wishes to avoid mistakes. The sounding-line is prudence, by which we must measure what is to be done if we wish to succeed: the pilot, or sage counsel, must plumb the water over which we sail, that is, our restless life.

The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.

Celia realized she'd shocked Mr. Pinter when his thick black brows drew together in a frown. His lean form seemed even more rigid than usual, and his angular features-the arrow of a nose and bladed jaw-even more stark. IN his severe morning attire of black serge and white linen, he radiated male disapproval. But why? He knew she was the only "hellion" left unmarried. Did he think she would let her brothers and sisters lose their inheritance out of some rebellious desire to thwart Gran's ultimatum? Of course he did. He'd been so kind and considerate during her recitation of the dream that she'd almost forgotten he hated her. Why else were his eyes, gray as slate after a storm, now so cold and remote? The blasted fellow was always so condescending and sure of himself, so...so... Male. "Forgive me, my lady," he said in his oddly raspy voice, "but I was unaware you had any suitors." Curse him for being right. "Well, I don't...exactly. There are men who might be interested but haven't gone so far as to offer marriage." Or even to show a partiality to her. "And you're hoping I'll twist their arms so they will?" She colored under his piercing gaze. "Don't be ridiculous." This was the Mr. Pinter she knew, the one who'd called her "a reckless society miss" and a "troublemaker." Not that she cared what he thought. He was like her brother's friends, who saw her as a tomboy because she could demonstrate a rifle's fine qualities. And like Cousin Ned. Scrawny bitch with no tits-you don't have an ounce of anything female on you. Curse Ned to hell.

Catherine Marks came to stand on the other side of the doorway as if she were a fellow sentinel guarding the castle gate. Leo glanced at her covertly. She was dressed in lavender, unlike her usual drab of colors. Her mousy brown hair was pulled back into such a tight chignon as to make it difficult for her to blink. The spectacles sat oddly on her nose, one of the wire earpieces crimped. It gave her the appearance of a befuddled owl. "What are you looking at?" she asked tersely. "Your spectacles are crooked," Leo said, trying not to smile. She scowled. "I tried to fix them, but it only made them worse." "Give them to me." Before she could object, he took them from her face and began to fiddle with the bent wire. She spluttered in protest. "My lord, I didn't ask you to- if you damage them-" "How did you bend the earpiece?" Leo asked, patiently straightening the wire. "I dropped them on the floor, and as I was searching, I stepped on them." "Nearsighted, are you?" "Quite." Having reshaped the earpiece, Leo scrutinized the spectacles carefully. "There." He began to give them to her and paused as he stared into her eyes, all blue, green, and gray, contained in distinct dark rims. Brilliant, warm, changeable. Like opals. Why had he never noticed them before? Awareness chased over him, making his skin prickle as if exposed to a sudden change in temperature. She wasn't plain at all. She was beautiful, in a fine, subtle way, like winter moonlight, or the sharp linen smell of daisies. So cool and pale... delicious. For a moment, Leo couldn't move.

Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.

Annabelle met her at the door, looking strained and weary but wearing a brilliant smile. And there was a tiny bundle of linen and clean toweling in her arms. Daisy put her fingers over her mouth and shook her head slightly, laughing even as her eyes prickled with tears. “Oh my,” she said, staring at the red-faced baby, the bright dark eyes, the wealth of black hair. “Say hello to your niece,” Annabelle said, gently handing the infant to her. Daisy took the baby carefully, astonished by how light she was. “My sister—” “Lillian’s fine,” Annabelle replied at once. “She did splendidly.” Cooing to the baby, Daisy entered the room. Lillian was resting against a stack of pillows, her eyes closed. She looked very small in the large bed, her hair braided in two plaits like a young girl’s. Westcliff was at her side, looking like he had just fought Waterloo singlehandedly. The veterinarian was at the washstand, soaping his hands. He threw Daisy a friendly smile, and she grinned back at him. “Congratulations, Mr. Merritt,” she said. “It seems you’ve added a new species to your repertoire.” Lillian stirred at the sound of her voice. “Daisy?” Daisy approached with the baby in her arms. “Oh, Lillian, she’s the most beautiful thing I’ve ever seen.” Her sister grinned sleepily. “I think so too. Would you—” she broke off to yawn. “Show her to Mother and Father?” “Yes, of course. What is her name?” “Merritt.” “You’re naming her after the veterinarian?” “He proved to be quite helpful,” Lillian replied. “And Westcliff said I could.” The earl tucked the bedclothes more snugly around his wife’s body and kissed her forehead. “Still no heir,” Lillian whispered to him, her grin lingering. “I suppose we’ll have to have another one.” “No, we won’t,” Westcliff replied hoarsely. “I’m never going through this again.

Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.

I have only twenty acres," replied the Turk; "I cultivate them with my children; work keeps away the three great evils: boredom, vice, and need." As Candide went back to his farm, he reflected deeply on the Turk's remarks. He said to Pangloss and Martin: "That good old man seems to me to have made himself a life far preferable to that of the six Kings with whom we had the honor of having supper." "Great eminence," said Pangloss, " is very dangerous, according to the report of all philosophers. For after all, Eglon, King of the Moabites, was assassinated by Ehud; Absolom was hanged by his hair and pierced with three darts; King Naab son of Jeroboam was killed by Baasha..." "I also know", said Candide, "that we must cultivate our garden." "You are right," said Pangloss, "for when man was put in the Garden of Eden, he was put there ut operaretur eum, to work; which proves that man was not born to rest." "Let us work without reasoning," said Martin, "it is the only way to make life endurable." All the little society entered into this laudable plan; each one began to exercise his talents. The little piece of land produced much. True, Cunégonde was very ugly; but she became and excellent pastry cook; Paquette embroidered; the old woman took care of the linen. No one, not even Friar Giroflée, failed to perform some service; he was a very good carpenter, and even became an honorable man; and Pangloss sometimes said to Candide: "All events are linked together in the best of all possible worlds. for after all, if you had not been expelled from a fine castle with great kicks in the backside for love of Mademoiselle Cunégonde, if you had not been subjected to the Inquisition, if you had not traveled about America on foot, if you had not given the Baron a great blow with your sword, if you had not lost all your sheep from the good country of Eldorado, you would not be here eating candied citrons and pistachios." "That is well said," replied Candide, "but we must cultivate our garden.

The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.

No,” she croaked, trying to shrink away from him. “You’re not supposed to be here. Don’t come near me; you’ll catch it. Please go—” “Quiet,” Kev said, sitting on the edge of the mattress. He caught Win as she tried to roll away, and settled his hand on her forehead. He felt the burning pulse beneath her fragile skin, the veins lit with raging fever. As Win struggled to push him away, Kev was alarmed by how feeble she had grown. Already. “Don’t,” she sobbed, writhing. Weak tears slid from her eyes. “Please don’t touch me. I don’t want you here. I don’t want you to get sick. Oh, please go. … ” Kev pulled her up against him, her body living flame beneath the thin layer of her nightgown, the pale silk of her hair streaming over both of them. And he cradled her head in one of his hands, the powerful battered hand of a bare-knuckle fighter. “You’re mad,” he said in a low voice, “if you think I would leave you now. I’ll see you safe and well no matter what it takes.” “I won’t live through this,” she whispered. Kev was shocked by the words, and even more by his own reaction to them. “I’m going to die,” she said, “and I won’t take you with me.” Kev gripped her more closely, letting her fitful breaths blow against his face. No matter how she writhed, he wouldn’t let go. He breathed the air from her, taking it deep into his own lungs. “Stop,” she cried, trying desperately to twist away from him. The exertion caused her flush to darken. “This is madness. … Oh, you stubborn wretch, let me go!” “Never.” Kev smoothed her wild, fine hair, the strands darkening where her tears had tracked. “Easy,” he murmured. “Don’t exhaust yourself. Rest.” Win’s struggles slowed as she recognized the futility of resisting him. “You’re so strong,” she said faintly, the words born not of praise, but damnation. “You’re so strong. … ” “Yes,” Kev said, gently using a corner of the bed linens to dry her face. “I’m a brute, and you’ve always known it, haven’t you?” “Yes,” she whispered. “And you’re going to do as I say.” He cradled her against his chest and gave her some water. She took a few painful sips. “Can’t,” she managed, turning her face away. “More,” he insisted, bringing the cup back to her lips. “Let me sleep, please—” “After you drink more.

Now I saw heaven opened, and behold, a white horse. And He who sat on him was called Faithful and True, and in righteousness He judges and makes war. His eyes were like a flame of fire, and on His head were many crowns. He had a name written that no one knew except Himself. He was clothed with a robe dipped in blood, and His name is called The Word of God. And the armies in heaven, clothed in fine linen, white and clean, followed Him on white horses. Now out of His mouth goes a sharp sword, that with it He should strike the nations. And He Himself will rule them with a rod of iron. He Himself treads the winepress of the fierceness and wrath of Almighty God. And He has on His robe and on His thigh a name written: KING OF KINGS AND LORD OF LORDS. (Revelation 19:11–16) The great Lord Jesus, the captain of the Lord's hosts, the King over all kings will descend to defend and protect His chosen people and put a once-and-for-all end to the evil of the Antichrist.

Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.

Physically, Ramsay was as fine a specimen as they came. He hadn’t removed his shirt to lie down for bed and still wore a loose linen tunic. The opening at the collar revealed soft, golden brown hair over a broad chest sculpted from hard muscle. And then there was the rest of him. She recalled green tattoos and silver ink against his bronzed skin.

Her dream mind should have conjured him naked, so she could better appreciate his muscles. Instead, he wore a white linen shirt, unfastened at the neck to reveal the dip between the muscles of his fine chest. Brazen confidence drove her to place a palm above his heart, and he froze.

his shirt and hauled the fine linen up, and off.

He smiles. I sit a few feet away and watch as he unpacks the linen bag. “Torin packed this, not Rayna, so who knows what we’ll find.” “Eye of newt and toe of frog,” I mutter. “Wool of bat and tongue of dog.” He smiles, waiting for me to pick up the next verse. “Sorry. That’s all I know.” He props his arms on his knees. “‘Adder’s fork and blind worm’s sting,’” he continues, affecting a macabre tone, “‘lizard’s leg and howlet’s wing, for a charm of powerful trouble, like a hell-broth, boil and bubble.’” “Yum. Breakfast of champions. Is howlet an owl?” “It is indeed.” “And blind worm must be a snake?” “No. Blind worms are lizards with no legs.” “That makes sense. That’s why those were added separately—the lizard legs.” “No respectable brew is complete without them.” “There should be some soft ingredients in there for flavor balance, like butterfly wings and dove’s feathers.” His eyebrows rise. “You’d eat butterfly wings?” “Never. I don’t know why I said that. I love butterflies.” “A symbol of rebirth and resurrection, I might add.” “Subtle, Samrael. Real subtle.” I catch myself smiling. But if he’s good—if he’s really changed—then smiling is fine. Right?

He will know better when he has outgrown this same callow trick of honesty, and learnt of the great goddess Detraction how to show himself wiser than the wise, by pointing out to the world the fool's motley which peeps through the rents in the philosopher's cloak. Go to, lad! slander thy equals, envy thy betters, pray for an eye which sees spots in every sun, and for a vulture's nose to scent carrion in every rose-bed. If thy friend win a battle, show that he has needlessly thrown away his men; if he lose one, hint that he sold it; if he rise to a place, argue favor; if he fall from one, argue divine justice. Believe nothing, hope nothing, but endure all things, even to kicking, if aught may be got thereby; so shalt thou be clothed in purple and fine linen, and sit in kings' palaces, and fare sumptuously every day." "And

34He also has put in his heart to teach, both he and Oholiab, the son of Ahisamach, of the tribe of Dan. 35He has filled them with awisdom in their heart to do every work of an engraver and of a designer and of an embroiderer, in bblue and in purple and in scarlet material and in fine linen, and of a weaver, as those who do every work and make designs.

The doors of this House of God as well as the gate of its court, were all woven of blue, purple, and scarlet thread and fine woven linen.

It is right to love beauty and to desire it; but God desires us to love and seek first the highest beauty, that which is imperishable. No outward adorning can compare in value or loveliness with that “meek and quiet spirit,” the “fine linen, white and clean” (Revelation 19:14), which all the holy ones of earth will wear. This apparel will make them beautiful and beloved here, and will hereafter be their badge of admission to the palace of the King.

Let us rejoice and be glad and give him glory! For the wedding of the Lamb has come, and his bride has made herself ready. Fine linen, bright and clean, was given her to wear. REVELATION 19:7 – 8

Virtue shows quite as well in rags and patches as she does in purple and fine linen.

Then let’s go.” He tugged her. She resisted. “Oh, I understand.” Sunlight danced in his eyes. “You’re waiting for me to pick you up and carry you.” She sucked in a breath. “You wouldn’t dare.” A hint of a grin snared the corner of his mouth. “Don’t you know you should never dare me? It’s a sure bet I’ll do it.” Before she could protest, he grabbed her around the middle. With one motion he lifted her to his shoulder and hung her there like a sack of seed grain. “Eli Ernest! This is entirely uncivilized.” Her cheeks burned. But not entirely from embarrassment. “No one ever said I was civilized.” She made a halfhearted protest by squirming. The cold wetness from his clothes seeped through the thin layers of her dress and linen chemise. He clamped his arm across her backside. She gasped and grew motionless. The solidness of his arm pushed against the roundness of her flesh. “Your hold is quite indecent.” “Suits me just fine.” He stalked forward with an ease that belied her weight and his exhaustion. “It’s entirely inappropriate.” She couldn’t think past the pressure his arm exerted. “Please, put me down. You’ll cause a scene.” His arm only tightened. “You know how much I like causing scenes.” Her mind whirled, and the heat in her cheeks blazed hotter. “Then you’ll force me to take extreme measures to stop you.” He chuckled. “I’d like to see what you can do.” She took a deep breath, and then, before she lost courage, she sank her fingers into the hair that stuck in wet clumps to the back of his neck. His steps faltered. She combed through the thick locks, letting her fingers brush against the soft skin. “Looks like you’re in need of a haircut,” she said softly, in what she hoped was a seductive voice. He stumbled. Her brazenness shocked even her own delicate ears. But she couldn’t help smiling. Her ploy was working. She brushed her fingers through his hair again, pulling the wet strands up, making sure to trail her fingers across his neck. “I can give you a haircut.” She wrapped a strand around one of her fingers. “If you want.” With a jolt, he stopped. He shifted her and slid her down. When her feet touched the ground, he didn’t let her go but instead pulled her against him. His eyes flashed with a heat she couldn’t begin to understand. “You won.

according to Alamoth; 21Mattithiah, Elipheleh, Mikneiah, Obed-Edom, Jeiel, and Azaziah, to direct with harps on the Sheminith; 22Chenaniah, chief of the Levites, was in charge of the music because he was skillful; 23Berechiah and Elkanah were doorkeepers for the ark; 24Shebaniah, Joshaphat, Nethanel, Amasai, Zechariah, Benaiah, and Eliezer, the priests, were to blow the trumpets before the ark of God; and Obed-Edom and Jehiah were doorkeepers for the ark. The Ark Is Moved to Jerusalem 25With joy David and the elders of Israel and the captains over thousands went to bring up the ark of the covenant of the Lord from the house of Obed-Edom.† 26And so it was, when God helped the Levites who bore the ark of the covenant of the Lord, they offered seven bulls and seven rams.† 27David was clothed with a robe of fine linen, as were all the Levites who bore the ark, the singers, and Chenaniah the music master with the singers. David also wore a linen ephod.† 28Thus all of Israel brought up the ark of the covenant of the Lord with shouting and the sound of the horn, with trumpets and cymbals, making music with stringed instruments and harps. 29And it happened, as the ark of the covenant of the Lord came to the City of David, that Michal, Saul's daughter, looked out through a window and saw King David dancing and playing music; and she despised him in her heart.

If we submit to his authority and do his will, we will come under his covering. In Revelation 19:8, the white robes of fine linen are the righteousness of the saints. All we have to do is eat the clean food that the Lord provides, for man shall not live by bread alone but by every word that proceeds from the mouth of God (Matthew 4:4).

I’m tired of sitting. I’m tired of watching everyone else work. I can set my own limits, Amelia. Let me do as I wish.” “No.” Incredulously Amelia watched as Win picked up a broom from the corner. “Win, put that down and stop being silly!” Annoyance whipped through her. “You’re not going to help anyone by expending all your reserves on menial tasks.” “I can do it.” Win gripped the broom handle with both hands as if she sensed Amelia was on the verge of wrenching it away from her. “I won’t overtax myself.” “Put down the broom.” “Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.” Sitting at a chair that had been placed beside the table, she began to unwrap pieces of china.

The woman was dressed in purple and scarlet, and was glittering with gold, precious stones and pearls” (Revelation 17:4(a)). “Give her as much torture and grief as the glory and luxury she gave herself” (Revelation 18:7(a)) “When the kings of the earth who committed adultery with her and shared her luxury…” (Revelation 18:9(a)) “Woe! Woe, O great city, dressed in fine linen, purple and scarlet, and glittering with gold, precious stones and pearls! In one hour such great wealth has been brought to ruin!” (Revelation 18:16) “Woe! Woe, O great city, where all who had ships on the sea became rich through her wealth!” (Revelation 18:18(b))

Some items from your home that you might consider your child having access to include.   Cheese grater.  A good starting activity for a four or five year-old is grating bars of soap. Real scissors. Children’s safety scissors are often clumsy to handle and can be difficult to maneuver. Teaching a child to cut with pointed scissors allows them to more quickly master fine motor skills. Utensils for cutting soft fruit and a cutting board. Make sure they are not too sharp, but not so dull that they are ineffective. Always supervise your child. Pots and pans, dishes, etc. for pretend play. Cleaning supplies such as a gentle vinegar and water (50/50) cleaning solution, sponges, dish soap, towels, short broom, dust pan, etc. Plants for daily care. Coat hanging racks placed at shoulder level of the child allow them to not only take responsibility for their own outerwear but to offer to take care of others as well. Sturdy, non-skid step stool or a handy learning tower (the one in the picture actually folds for easy storage). Accessible linens, including those that can be used for play. Encourage your child to make their own bed, even if it might be a bit messy by your standards. Always keep a few towels and washcloths where they can reach them as needed. A big basket that holds a few blankets and pillows allows a child to take some responsibility for their own level of comfort.     This list is by no means all-inclusive, nor are you required to use what is on it. The point is to take a look around your home and think about ways to implement many of your own household items into your routine. It is also meant to point out that even the youngest of children are often ready for a bit more responsibility than we give them credit for.

Would it surprise you to learn that I’ve already settled my affections on a specific lady?” Stanley blinked. “I have yet to witness you paying any of the ladies who’ve visited Ravenwood any special attention.” “That’s because this lady has never been to Ravenwood. Truth be told, I’ve not actually been formally introduced to her.” Stanley abandoned his toast. “That seems a bit curious, sir.” “Indeed, but you see, the reason I have yet to be properly introduced to her is because she’s a delicate sort, possessed of fragile and tender sensibilities.” Stanley’s brows drew together. “You believe a lady with tender sensibilities is an appropriate choice for you to settle your affections on, sir?” “She’s perfect for me—lovely, charming, demure. Why, I can’t think of another lady I’d want to settle my affections on. But even given her delicate nature, she’s a lady in very high demand. Gentlemen flock around her, but because of her tender sensibilities, she seems reluctant to enter into a relationship with any of them, in fact, more often than not, she’s given them the cut direct.” Bram blotted his lips with a linen napkin. “That right there is why I’ve been biding my time, waiting for just the right moment to become introduced to her. I don’t want to scare her off and lose any chance I might have of securing her interest.” “I think you’re forgetting a very important fact, sir. You’re Mr. Bram Haverstein, a gentleman in possession of a very fine fortune, your own castle, a summer house on Long Island, more carriages than I care to count, a steamboat, and you’re apparently possessed of a face that all the ladies find swoon-worthy. On top of that, I’ve heard more than one young lady whispering about that fine dark hair you have on your head.” Stanley grinned. “Apparently, it’s a huge mark in your favor.” Bram rolled his eyes. “I don’t believe I’ve ever caused a lady to swoon before, and honestly, my hair is a very nondescript shade of brown. I hardly think it’s unusual enough to have the ladies whispering about it.” “You’re missing the point. You’re a catch, Mr. Haverstein, and that means this lady of yours, be she in high demand or not, will be more than receptive to accepting your attention.” “I’ve never gotten the impression this particular lady is impressed by things such as fortunes and handsome faces, let alone nondescript brown hair.” “Every lady is appreciative of a handsome face, sir, and throw in a fortune and a castle to go with that face, and you can’t lose.” Stanley’s brow furrowed. “Although, you might not want to tell her straight off that Ravenwood is haunted. That might not be a mark in your favor, unless she enjoys ghosts and creatures of the night, but if she’s truly a delicate sort . . . hmm . . . best keep that under wraps until she’s fully committed to you.” “Ravenwood is not haunted, Stanley.” Stanley

That’s so sweet.” “So says the romance novel reader.” “You have something against romance, Callahan?” “Not at all. I have something against schmaltz.” “Schmaltz! That wasn’t schmaltz.” “Darlin’, that picnic was the epitome of schmaltz.” “All right then, Casanova. What should Harry have done to romance his lady?” Gabe stretched his legs out and crossed them at the ankles. He linked his hands behind his head and considered the question. “The bouquet was way overdone. A single rose would be okay, or even better, whatever flower she considered her favorite. Hiring a violinist to ride behind the courting buggy ruined the whole thing.” “Now, why would you say that? It’s terribly romantic.” “You like threesomes, do you?” “What? No!” Gabe chuckled and continued, “A mountain meadow picnic was good, but a linen-draped table? Fine china? Roast duckling? No. Way too formal. Too stuffy. All you need for a romantic mountain meadow picnic is a quilt to spread on the grass and a picnic basket with finger foods. The champagne was a good idea, but it’d have been better if he’d put it to chill in the creek.” “That’s a good idea,” Nic agreed. “What about the poetry and the dancing?” “Depends on the woman, of course. If she’s into that, then yeah. Nothing’s wrong with poetry or dancing.” “What do you do for music if you’ve left the violinist back in town?” “If a guy can carry a tune at all, he can sing softly, or hum. You can dance to birdsong or music in your mind, as far as that goes.” She let that sit a minute, then said, “That’s not bad, Callahan. Not bad at all.” He

With those thoughts marching around inside her head, Annabel found her appetite quickly waning. It did not help that the stew was cold, and the cheese hard from sitting in the open air so long. She’d barely touched her food before she was pushing it away and letting the fur slip to the floor so that she could draw the linen around herself in the roman style and stand. “I thought ye were hungry?” Ross said, stepping closer and scooping her up when she stepped from between the table and chair. “So did I,” Annabel admitted quietly, slipping her arms around his neck as he carried her back across the room. Her words made him stop at the foot of the bed and he eyed her with concern. “Is yer head aching again? Seonag said it was pounding something fierce when ye woke up the first time, but that she’d given ye something fer it.” “She did, and ’tis fine. I am just not hungry anymore,” Annabel said with a shrug. “But ye feel all right?” he persisted. “Aye. You may go quench your thirst without worrying about me,” she assured him. Ross grunted with satisfaction at this news and promptly set her to sit on the foot of the bed.

Whose idea was it,” Val groused as Nick knotted his cravat for him, “to leave this benighted place the day after the local version of a party?” “Some duke’s son devised the notion,” Nick replied. “An otherwise fairly steady fellow, but one must make allowances. He’s dealing with a lot at present. Stickpin?” Val produced the requisite finishing accessory, and Nick frowned in concentration as he shoved gold through linen and lace. He patted the knot approvingly. “You’ll do.” When Val merely grimaced, Nick offered him a crooked smile. “Dare and I will get you drunk, and there will be all manner of eager little heifers panting to take a spin with the duke’s son. Shoulders back, chin up, duty and honor call, and all that. Darius is also waiting for us in the library, guarding the decanter.” “Suppose we must relieve him.” Val sighed, and met Nick’s eyes. “Heifers don’t pant.” Nick’s smile was mischievous. “Maybe not after a duke’s youngest son. After a fine new earl like yours truly, turned out in his country finest and sadly lacking his dear countess at his side, they will be panting, or my name isn’t Wee Nick.” They

23And everyone who had in his possession blue, purple, and crimson yarns, fine linen, goats’ hair, tanned ram skins, and dolphin skins, brought them;

Can I help you?” She was middle height and very pretty. He had an overall impression of fine bones and white linen, topped with a wealth of curly brown hair in a sort of half-tamed chignon. And in the middle of it all, the most extraordinary pair of light eyes, just the color of well-aged sherry.

the Cistercians who felt the strict observance of the Rule of Saint Benedict of Nursia had been forsaken by corrupted abbeys and their clergy. These Cistercians were determined to strip away the excesses of flesh and spirit that had infected the Benedictines. They would reject fine linen shirts, breeches, furs, sheets and bedspreads. Their abbeys and cloisters would never be embellished by gargoyles and chimeras. They would take their bread hard, without lard or honey. They would charge no burial dues, take no tithes, they would build their communities away from cities, towns or villages and ban all women to avoid all worldly distractions. And they would interrupt their prayers and meditations only by the kind of hard physical labour necessary for subsistence.

Take linseed and dry it in a pan, without water, on the fire. Put it in a mortar and pound it to a fine powder; then replacing it in the pan and pouring a little water on it, make it quite hot. Afterwards wrap it in a piece of new linen; place it in a press used for extracting the oil of olives, of walnuts, and express this in the same manner. With this oil grind minium or vermilion, or any other colour you wish, on a stone slab...prepare tints for faces and draperies...distinguishing, according to your fancy, animals, birds, or foliage with their proper colours.

Then I saw heaven opened, and behold, a white horse! The one sitting on it is called Faithful and True, and in righteousness he judges and makes war. His eyes are like a flame of fire, and on his head are many diadems, and he has a name written that no one knows but himself. He is clothed in a robe dipped in blood, and the name by which he is called is The Word of God. And the armies of heaven, arrayed in fine linen, white and pure, were following him on white horses. From his mouth comes a sharp sword with which to strike down the nations, and he will rule them with a rod of iron. He will tread the winepress of the fury of the wrath of God the Almighty. On his robe and on his thigh he has a name written: King of kings and Lord of lords. (Rev. 19:11–16)

Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.

Excerpted From Chapter One “Rock of Ages” floated lightly down the first floor corridor of the Hollywood Hotel’s west wing. It was Sunday morning, and Hattie Mae couldn’t go to church because she had to work, so she praised the Lord in her own way, but she praised Him softly out of consideration for the “Do Not Disturb” placards hanging from the doors she passed with her wooden cart full of fresh linens and towels. Actually Sundays were Hattie Mae’s favorite of the six days she worked each week. For one thing, her shift ended at noon on Sundays. For another, this was the day Miss Lillian always left a “little something” in her room to thank Hattie Mae for such good maid service. Most of the hotel’s long-term guests left a little change for their room maids, but in Miss Lillian’s case, the tip was usually three crinkly new one dollar bills. It seemed like an awful lot of money to Hattie Mae, whose weekly pay was only nineteen dollars. Still, Miss Lillian Lawrence could afford to be generous because she was a famous actress in the movies. She was also, Hattie Mae thought, a very fine lady. When Hattie Mae reached the end of the corridor, she knocked quietly on Miss Lillian’s door. It was still too early for most guests to be out of their rooms, but Miss Lillian was always up with the sun, not like some lazy folks who laid around in their beds ‘til noon, often making Hattie Mae late for Sunday dinner because she couldn’t leave until all the rooms along her corridor were made up. After knocking twice, Hattie Mae tried Miss Lillian’s door. It opened, so after selecting the softest towels from the stacks on her cart, she walked in. With the curtains drawn the room was dark, but Hattie Mae didn’t stop to switch on the overheard light because her arms were full of towels. The maid’s eyes were on the chest of drawers to her right where Miss Lillian always left her tip, so she didn’t see the handbag on the floor just inside the door. Hattie Mae tripped over the bag and fell headlong to the floor, landing inches from the dead body of Lillian Lawrence. In the dim light Hattie Mae stared into a pale face with a gaping mouth and a trickle of blood from a small red dot above one vacant green eye. Hattie Mae screamed at the top of her lungs and kept on screaming.

Behold their women did toil and spin, and did amake all manner of bcloth, of fine-twined linen and cloth of every kind, to clothe their nakedness. And thus the sixty and fourth year did pass away in peace.

March 12 MORNING “Thou shalt love thy neighbour.” — Matthew 5:43 “LOVE thy neighbour.” Perhaps he rolls in riches, and thou art poor, and living in thy little cot side-by-side with his lordly mansion; thou seest every day his estates, his fine linen, and his sumptuous banquets; God has given him these gifts, covet not his wealth, and think no hard thoughts concerning him. Be content with thine own lot, if thou canst not better it, but do not look upon thy neighbour, and wish that he were as thyself. Love him, and then thou wilt not envy him. Mayhap, on the other hand, thou art rich, and near thee reside the poor. Do not scorn to call them neighbour. Own that thou art bound to love them. The world calls them thy inferiors. In what are they inferior? They are far more thine equals than thine inferiors, for “God hath made of one blood all people that dwell upon the face of the earth.” It is thy coat which is better than theirs, but thou art by no means better than they. They are men, and what art thou more than that? Take heed that thou love thy neighbour even though he be in rags, or sunken in the depths of poverty. But, perhaps, you say, “I cannot love my neighbours, because for all I do they return ingratitude and contempt.” So much the more room for the heroism of love. Wouldst thou be a feather-bed warrior, instead of bearing the rough fight of love? He who dares the most, shall win the most; and if rough be thy path of love, tread it boldly, still loving thy neighbours through thick and thin. Heap coals of fire on their heads, and if they be hard to please, seek not to please them, but to please thy Master; and remember if they spurn thy love, thy Master hath not spurned it, and thy deed is as acceptable to Him as if it had been acceptable to them. Love thy neighbour, for in so doing thou art following the footsteps of Christ.

 "Love thy neighbour." Perhaps he rolls in riches, and thou art poor,  and living in thy little cot side-by-side with his lordly mansion; thou  seest every day his estates, his fine linen, and his sumptuous  banquets; God has given him these gifts, covet not his wealth, and  think no hard thoughts concerning him. Be content with thine own lot,  if thou canst not better it, but do not look upon thy neighbour, and  wish that he were as thyself. Love him, and then thou wilt not envy  him.

10Who can find350 a woman of worth?a Far beyond jewels is her value. 11Her husband trusts her judgment; he does not lack income. 12She brings him profit, not loss,351 all the days of her life. 13She seeks out wool and flax and weaves with skillful hands. 14Like a merchant fleet,352 she secures her provisions from afar. 15She rises while it is still night, and distributes food to her household, a portion to her maidservants. 16She picks out a field and acquires it; from her earnings she plants a vineyard. 17She girds herself with strength; she exerts her arms with vigor.353 18She enjoys the profit from her dealings; her lamp is never extinguished at night.354 19She puts her hands to the distaff, and her fingers ply the spindle.355 20She reaches out her hands to the poor, and extends her arms to the needy. 21She is not concerned for her household when it snows— all her charges are doubly clothed. 22She makes her own coverlets; fine linen and purple are her clothing. 23Her husband is prominent at the city gates as he sits with the elders of the land.356 24She makes garments and sells them, and stocks the merchants with belts. 25She is clothed with strength and dignity, and laughs at the days to come.357 26She opens her mouth in wisdom; kindly instruction is on her tongue. 27She watches over358 the affairs of her household, and does not eat the bread of idleness. 28Her children rise up and call her blessed; her husband, too, praises her: 29“Many are the women of proven worth, but you have excelled them all.” 30Charm is deceptive and beauty fleeting; the woman who fears the LORD is to be praised.359 31Acclaim her for the work of her hands, and let her deeds praise her at the city gates.

And now, because of the steadiness of the church they began to be exceedingly rich, having abundance of all things whatsoever they stood in need -- an abundance of flocks and herds, and fatlings of every kind, and also abundance of grain, and of gold, and of silver, and of precious things, and abundance of silk and fine-twined linen, and all manner of good homely cloth. 30. And thus, in their prosperous circumstances, they did not send away any who were naked, or that were hungry, or that were athirst, or that were sick, or that had not been nourished; and they did not set their hearts upon riches; therefore they were liberal to all, both old and young, both bond and free, both male and female, whether out of the church or in the church, having no respect to persons as to those who stood in need. 31. And thus they did prosper and become far more wealthy than those who did not belong to their church.

see her hesitating at the threshold as if she cannot bear to leave him, and I give her a smile, and I stretch out my hand and rest it lightly on her son’s shoulder, a gentle proprietorial touch. “Good night, Lady Mother,” I say. “Good night from us both.” I let her see me take her son’s fine linen collar in my fingers, the collar she embroidered herself in white-on-white embroidery, and I hold it as if it were the leash of a hunting dog who is wholly mine. For

Shep-en-Mut The painted wooden face was known to me. She stood in the dusty museum sun, Painted eyes lengthened with kohl. Azure, terra-cotta, white, Emblazoned cartonnage. The Isis wings, spread in care and love. Curving protective Neckbet and Nepthys. Beneath, the corticated skin, Black bitumen. Eyeless, cracked and black, Dessicated viscera, wrapped apart. Leaving child and husband, moving through satin bands of shadow, Singing in the ecstatic sun. Feet hissing through the silken sand She carried the Milk Jar and a Palm frond, Worshipping and serving each day. This lady was the songstress of Amun-Re, Her songs curved upward in the great Temple of Thebes. The stone beauty of the face of the God above her frailty Gave her voice a scope of praise denied to our dessicated senses When death stooped on her, claws and beak ripped. Then feathers lay outstretched in love. Horus wings, Night Heron beak, Having slain, now standing guard in fearful phalanx. Leaving the echo between the roof trees. Her flesh must be pickled, cured with cinnamon and myrrh. The skull, frail as a blown egg, Emptied of its convolute majesty, Stuffed with delicate resinous rags. When the sucking natron has had its meal Her shell will taste the shriving sun and wind once more. Blow gently, shine kindly down, Amun-Re, on thy slave. She shall be wrapped in fine linen Layer on layer, and laced like a shoe. The last we shall see in linen and plaster and paint. May her journey be safe through the dark tunnels May her soul sing in light before her God, In soft peace. The holding wings enfold my friend. Priestess of Thebes. Singer of Amun-Re Bearer of the little Milk Jar.

It was Sunday-morning services and these Sunday-afternoon dinners with the fine china and the whitest linen and something classical and delicate tinkling from the Victrola, like the sounds from a past none of them could point to. That’s where the other Greenwood got to Luther most—in that music. You only had to hear but a few bars to know it was white. Chopin, Beethoven, Brahms. Luther could just picture them sitting at their pianos, tapping away in some big room with polished floors and high windows while the servants tiptoed around outside. This was music by

Stop," she cried, trying desperately to twist away from him. The exertion caused her flush to darken. "This is madness… Oh, you stubborn wretch, let me go!" "Never." Kev smoothed her wild, fine hair, the strands darkening where her tears had tracked. "Easy," he murmured. "Don't exhaust yourself. Rest." Win's struggles slowed as she recognized the futility of resisting him. "You're so strong," she said faintly, the words born not of praise, but damnation. "You're so strong…" "Yes," Kev said, gently using a corner of the bed linens to dry her face. "I'm a brute, and you've always known it, haven't you?" "Yes," she whispered. "And you're going to do as I say." He cradled her against his chest and gave her some water. She took a few painful sips. "Can't," she managed, turning her face away. "More," he insisted, bringing the cup back to her lips. "Let me sleep, please-" "After you drink more." Kev wouldn't relent until she obeyed with a moan. Settling her back into the pillows, he let her drowse for a few minutes, then returned with some toast softened in broth. He bullied her into taking a few spoonfuls. By that time Amelia had awakened, and she came into Win's room. A quick double blink was Amelia's only reaction to the sight of Win leaning back against Kev's arm while he fed her. "Get rid of him," Win told her sister hoarsely, her head resting on Kev's shoulder. "He's torturing me." "Well, we've always known he was a fiend," Amelia said in a reasonable tone, coming to stand at the bedside. "How dare you, Merripen?… Coming into an unsuspecting girl's room and feeding her toast.

And the armies in heaven, clothed in fine linen, white and clean, followed Him on white horses”.

But his bed, as he found after a lazy afternoon on the verandah spent drafting a proposal for the next stage of what he hoped would eventually become the foundation of a universal income, was the most comfortable he had ever experienced, and he slept very well. He woke in the morning feeling greatly refreshed, and lay in the cool fine linen sheets with a blissful sense of peace.

I wore diamonds for the birth of your baby For the birth of your son On the same day, my husband-to-be Packed his things to run Was bittersweet to say the least One life begins, one comes undone I've always been a strong woman of faith Strong like a tree, but the unlucky one I'm going down now With all of my Fine china and fresh linen All of my dresses with them tags still on them Fine china and dull silver My white horses and my ivory almonds I guess they really got the best of us, didn't they? They said that love was enough, but it wasn't The Earth shattered, the sky opened The rain was fire, but we were wooden I wore diamonds for the day of our wedding For our day in the sun On the same day, my mother-to-be said she wouldn't come It's always been that way with me No time for change, no time for fun It's always been that way, it seems One love begins, one comes undone I'm going down now With all of my Fine china and fresh linen All of my dresses with them tags still on them Fine china and dull silver My white horses and my ivory almonds I guess they really got the best of us, didn't they? They said that love was enough, but it wasn't The Earth shattered, the sky opened The rain was fire, but we were wooden All of my, all of my fine china All of my, all of my fine china All of my, all of my fine china Blue, ah, blue All of my, all of my fine china All of my, all of my fine china All of my, all of my fine china Blue, ah Fine china and fresh linen All of my dresses with them tags still on them Fine china and dull silver My white horses and my ivory almonds I guess they really got the best of us, didn't they? They said that love was enough, but it wasn't The Earth shattered, the sky opened The rain was fire, but we were wooden Fine china, fine china, fine china Fresh linen, fresh linen, fresh linen

Their hands bathed in purifying water, the family members gathered up the calcined bones in the folds of their black garments, then sprinkled them with wine and milk, dried them with fine linen before enclosing them in a marble urn (Tib., 3, 2, 16-22). In memory of the time when burial was performed, a finger severed before the body was burnt was buried separately, and a handful of earth was thrown three times on this os resectum.