Finally Found Someone Quotes

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There are three questions every woman should be able to answer yes to before they commit to a man. If you answer no to any of the three questions, run like hell." [...] "Does he treat you with respect at all times? That's the first question. The second question is, if he is the exact same person twenty years from now that he is today, would you still want to marry him? And finally, does he inspire to be a better person? You find someone you can answer yes to all three, then you've found a good man.
Colleen Hoover (Slammed (Slammed, #1))
Does he treat you with respect at all times? That's the first question. The second question is, if he is the exact same person twenty years from now that he is today, would you still want to marry him? And finally, does he inspire to be a better person? You find someone you can answer yes to all three, then you've found a good man.
Colleen Hoover (Slammed (Slammed, #1))
I looked at him like a stranger, someone I’d never seen before, and he looked at me like I’d been lost to him for a thousand years and finally found.
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
I need your strength. Yes i am a badass, but there are times that i need someone to hold me up too, and i didn't know until i found you that that doesn't make me weak, it means i have finally found my partner.
Kristen Proby (Fight with Me (With Me in Seattle, #2))
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus. The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus. But this was not how the author of the book ended the story. He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears. 'Why do you weep?' the goddesses asked. 'I weep for Narcissus," the lake replied. 'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.' 'But... was Narcissus beautiful?' the lake asked. 'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!' The lake was silent for some time. Finally, it said: 'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.' 'What a lovely story,' the alchemist thought.
Paulo Coelho (The Alchemist)
I tried to be someone else, but nothing seemed to change. I know now, this is who I really am inside. I've finally found myself, fighting for a chance. I know now, this is who I really am.
Jared Leto
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer. What?” The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away. Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control. What?” he asked Halt, and the smaller man made a gesture of exasperation. That’s what I want to know,” he said irritably. “What?” Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper. What?” said Horace, now totally puzzled. Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?” Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.” Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him. What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?” Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.” Horace frowned. “I was?” Halt nodded. “You were. I saw you take a breath to ask it.” I see,” Horace said. “And what was it about?” For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak. That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.” I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded. Then what, if I may use that word once more, were you about to ask me?” Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
Besides, there was something under the good girl facade. She hated me on sight because she’d been burned by someone like me before. No way was she a slut, though. Not even a reformed slut. I could spot them a mile away. My game face slowly melted away. I’d finally found a girl that was interesting enough to get to know, and a version of me had already hurt her.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?” Vin looked up, glaring at him. “Yes.” “What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.” She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!” “He’s a nobleman!” “So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!” She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst. “What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?” She fell silent, puffing slightly, the crewmembers staring at her. “Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.” She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt. And, for once, found himself without anything to say.
Brandon Sanderson (The Final Empire (Mistborn, #1))
Accepting the face that you loved someone was much harder than falling for that person. It took time. And courage. But when I finally took that time, found that courage, when I finally let my guard down, I'd discovered something spectacular.
L.J. Shen (Vicious (Sinners of Saint, #1))
Yet for all the depression no one ever quit. When someone quit, we couldn't believe it. 'I'm becoming a rafting instructor on the Colorado River,' they said. 'I'm touring college towns with my garage band.' We were dumbfounded. It was like they were from another planet. Where had they found the derring-do? What would they do about car payments? We got together for going away drinks on their final day and tried to hide our envy while reminding ourselves that we still had the freedom and luxury to shop indiscriminately.
Joshua Ferris (Then We Came to the End)
Ella knew she should be horrified. Zane had killed someone for just touching her. But, and she might burn in hell for thinking this, she thought it was the nicest thing anyone had ever done for her. In a perverted way, she also found it romantic. She finally had someone who wanted to protect her. My very own vampire in dark armor.
Eve Langlais (Crazy (Crazy Ella in Love, #1))
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
And at last, the lonely young man who belonged to no one finally belonged to someone, forever, and the practical girl who would not settle for less than a love story for the ages found the lifelong romance she had yearned for all her life.
Melissa de la Cruz (Alex and Eliza (Alex & Eliza, #1))
Because I’ve waited my whole life for someone like you. And now that I finally found it, I’m fucking terrified of losing it.
H.D. Carlton (Shallow River)
Of course when she finally found someone that listened to her, understood her, and was motivated by her to do better with himself, he had to be a vampire that was sent to kill her and then her father.
Inger Iversen (Running in the Dark (Running in the Dark, #1))
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
Let's say that the consensus is that our species, being the higher primates, Homo Sapiens, has been on the planet for at least 100,000 years, maybe more. Francis Collins says maybe 100,000. Richard Dawkins thinks maybe a quarter-of-a-million. I'll take 100,000. In order to be a Christian, you have to believe that for 98,000 years, our species suffered and died, most of its children dying in childbirth, most other people having a life expectancy of about 25 years, dying of their teeth. Famine, struggle, bitterness, war, suffering, misery, all of that for 98,000 years. Heaven watches this with complete indifference. And then 2000 years ago, thinks 'That's enough of that. It's time to intervene,' and the best way to do this would be by condemning someone to a human sacrifice somewhere in the less literate parts of the Middle East. Don't lets appeal to the Chinese, for example, where people can read and study evidence and have a civilization. Let's go to the desert and have another revelation there. This is nonsense. It can't be believed by a thinking person. Why am I glad this is the case? To get to the point of the wrongness of Christianity, because I think the teachings of Christianity are immoral. The central one is the most immoral of all, and that is the one of vicarious redemption. You can throw your sins onto somebody else, vulgarly known as scapegoating. In fact, originating as scapegoating in the same area, the same desert. I can pay your debt if I love you. I can serve your term in prison if I love you very much. I can volunteer to do that. I can't take your sins away, because I can't abolish your responsibility, and I shouldn't offer to do so. Your responsibility has to stay with you. There's no vicarious redemption. There very probably, in fact, is no redemption at all. It's just a part of wish-thinking, and I don't think wish-thinking is good for people either. It even manages to pollute the central question, the word I just employed, the most important word of all: the word love, by making love compulsory, by saying you MUST love. You must love your neighbour as yourself, something you can't actually do. You'll always fall short, so you can always be found guilty. By saying you must love someone who you also must fear. That's to say a supreme being, an eternal father, someone of whom you must be afraid, but you must love him, too. If you fail in this duty, you're again a wretched sinner. This is not mentally or morally or intellectually healthy. And that brings me to the final objection - I'll condense it, Dr. Orlafsky - which is, this is a totalitarian system. If there was a God who could do these things and demand these things of us, and he was eternal and unchanging, we'd be living under a dictatorship from which there is no appeal, and one that can never change and one that knows our thoughts and can convict us of thought crime, and condemn us to eternal punishment for actions that we are condemned in advance to be taking. All this in the round, and I could say more, it's an excellent thing that we have absolutely no reason to believe any of it to be true.
Christopher Hitchens
And it's okay if you have to go away Oh just remember the telephone works both ways And if I never ever hear them ring If nothing else I'll think the bells inside Have finally found you someone else and that's okay Cause I'll remember everything you sang ((You and I both))
Jason Mraz
It couldn't be true. She'd finally put her guard down, tried to trust in someone other than her mother and Abram. She'd finally found someone to love. It couldn't be. God couldn't be so cruel.
Taryn Browning (Dark Seeker (Seeker, #1))
My mother had either finally given up, conceding in her efforts to try to shape me into something I didn't want to be, or she had moved on to subtler tactics, realizing it was unlikely that I'd last another year in this mess before I discovered she'd been right all along. Or maybe the three thousand miles between us had made it so she was just happy to be with me. Or maybe she'd finally accepted that I'd forged my own path and found someone who loved me wholly, and believed at last that I would end up all right.
Michelle Zauner (Crying in H Mart)
Normal life is nuts. It's a downhill deterioration to death no matter how you spice it along the way, and there's nothing you can do about it. Now, a sane person, when faced when that, would just plunk his ass down at the starting line, or wherever along the way this realization finally came to him, and say, "Are you kidding? I quit. I'll slide the rest of the way or sit here and smoke." It takes a true lunatic, or someone functioning with the critical apparatus of a worker bee, to keep scrabbling up that hill when he knows his destiny is dust. But that us what is required. Go on.
Norah Vincent (Voluntary Madness: My Year Lost and Found in the Loony Bin)
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course. I didn’t feel it happen, the slip. Even if I had, I was so wrapped up in him that I couldn’t imagine pulling back or letting go of his warm skin or that moment. His touch was feather-light, stroking my skin with a kind of reverence, but the instant his lips found mine again, a single thought was enough to rocket me out of the honey-sweet haze. The memory of Clancy’s face as he had leaned in to do exactly what Liam was doing now suddenly flooded my mind, twisting its way through me until I couldn’t ignore it. Until I was seeing it play out glossy and burning like it was someone else’s memory and not mine. And then I realized—I wasn’t the only one seeing it. Liam was seeing it, too. How, how, how? That wasn’t possible, was it? Memories flowed to me, not from me. But I felt him grow still, then pull back. And I knew, I knew by the look on his face, that he had seen it. Air filled my chest. “Oh my God, I’m sorry, I didn’t want—he—” Liam caught one of my wrists and pulled me back to him, his hands cupping my cheeks. I wondered which one of us was breathing harder as he brushed my hair from my face. I tried to squirm away, ashamed of what he’d seen, and afraid of what he’d think of me. When Liam spoke, it was in a measured, would-be-calm voice. “What did he do?” “Nothing—” “Don’t lie,” he begged. “Please don’t lie to me. I felt it…my whole body. God, it was like being turned to stone. You were scared—I felt it, you were scared!” His fingers came up and wove through my hair, bringing my face close to his again. “He…” I started. “He asked to see a memory, and I let him, but when I tried to move away…I couldn’t get out, I couldn’t move, and then I blacked out. I don’t know what he did, but it hurt—it hurt so much.” Liam pulled back and pressed his lips to my forehead. I felt the muscles in his arms strain, shake. “Go to the cabin.” He didn’t let me protest. “Start packing.” “Lee—” “I’m going to find Chubs,” he said. “And the three of us are getting the hell out of here. Tonight.” “We can’t,” I said. “You know we can’t.” But he was already crashing back through the dark path. “Lee!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I’ve never wanted something more. But with you, I can’t seem to stop myself. I want to look at you and know that you’re mine, and that terrifies me.” Tate’s fingers wrapped around his own as he brought their arms in close to his sides, and then Tate asked again, “Why?” Logan found Tate’s eyes and finally acknowledged, “Because I think I could love someone like you.
Ella Frank (Try (Temptation, #1))
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
Veronica Roth (Divergent (Divergent, #1))
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Dear 2600: I think my girlfriend has been cheating on me and I wanted to know if I could get her password to Hotmail and AOL. I am so desperate to find out. Any help would be appreciated. Thanks. And this is yet another popular category of letter we get. You say any help would be appreciated? Let’s find out if thats true. Do you think someone who is cheating on you might also be capable of having a mailbox you don’t know about? Do you think that even if you could get into the mailbox she uses that she would be discussing her deception there, especially if we live in a world where Hotmail and AOL passwords are so easily obtained? Finally, would you feel better if you invaded her privacy and found out that she was being totally honest with you? Whatever problems are going on in this relationship are not going to be solved with subterfuge. If you can’t communicate openly, there’s not much there to salvage.
Emmanuel Goldstein (Dear Hacker: Letters to the Editor of 2600)
With Sofia, it felt like I’d finally found my compass. I knew that as long as I had her, I had someone to keep me grounded, someone to direct my way. If only for Sofia, I had a reason to stay awake.
Bella Forrest (A Shade of Vampire (A Shade of Vampire, #1))
Straight up, Mels, the only reason I haven't completely jumped you is because I can't. I...can't." He threw up his free hand and let it fall back down to the bedspread. "And you know what sucks? I've been with a lot of women." Annnnnnnd that made her chest hurt. "Before you were injured..." He nodded. "Of all the things for my memory to come back on, right?" Cue another kick in the solar plexus. "You remember them?" "I hate it– because I would trade every single random fuck for just one night with you." He brushed her face with his fingertips and then brought his thumb to her mouth. With the same gentle pressure he'd put against her wrist, he caressed her lower lip. "I'd give up every one of them. Matter of fact, it feels like...a curse to have finally found someone like you, only to have it be too late. And that's where it's at. It's too late for me, Mels, and that's how you're killing me. When I look at you, when I see you move, when you smile or take a deep breath, I just... I die a little. Every time.
J.R. Ward (Rapture (Fallen Angels, #4))
And at last, the lonely young man who belonged to no one finally belonged to someone, forever, and the practical girl who would not settle for less then a love story for the ages found the life long romance she had yearned for all her life.
Melissa de la Cruz
ourselves. That’s a sign that we may have found the work of our lives. We will accomplish this mission. And not because someone gave me permission, but because I finally gave myself permission.
Wes Moore (The Work)
We take it for granted that life moves forward. You build memories; you build momentum.You move as a rower moves: facing backwards. You can see where you've been, but not where you’re going. And your boat is steered by a younger version of you. It's hard not to wonder what life would be like facing the other way. Avenoir. You'd see your memories approaching for years, and watch as they slowly become real. You’d know which friendships will last, which days are important, and prepare for upcoming mistakes. You'd go to school, and learn to forget. One by one you'd patch things up with old friends, enjoying one last conversation before you meet and go your separate ways. And then your life would expand into epic drama. The colors would get sharper, the world would feel bigger. You'd become nothing other than yourself, reveling in your own weirdness. You'd fall out of old habits until you could picture yourself becoming almost anything. Your family would drift slowly together, finding each other again. You wouldn't have to wonder how much time you had left with people, or how their lives would turn out. You'd know from the start which week was the happiest you’ll ever be, so you could relive it again and again. You'd remember what home feels like, and decide to move there for good. You'd grow smaller as the years pass, as if trying to give away everything you had before leaving. You'd try everything one last time, until it all felt new again. And then the world would finally earn your trust, until you’d think nothing of jumping freely into things, into the arms of other people. You'd start to notice that each summer feels longer than the last. Until you reach the long coasting retirement of childhood. You'd become generous, and give everything back. Pretty soon you’d run out of things to give, things to say, things to see. By then you'll have found someone perfect; and she'll become your world. And you will have left this world just as you found it. Nothing left to remember, nothing left to regret, with your whole life laid out in front of you, and your whole life left behind.
Sébastien Japrisot
When I fall in love with someone, then that doesn’t “just” happen… When I love someone’s character, over time I’ll see that personality, I love so much, shining through their eyes and fusing with their appearance, turning them in the most beautiful girl in the world. It’s not about appearance, it’s about someone’s beautiful, amazing, wonderful, fantastic personality, you’ll see every time you look at her. It’s about the fact that when you look in her eyes, you just feel home… You forget all your problems, all your fears, you just feel safe, you feel like you’ve finally found a place where you belong… A place you can spend an eternity, where you will spend an eternity, cause those enchanting, beautiful eyes will slow down time and make every second; looking in her beautiful eyes, right into her amazing personality, last more than a lifetime. It’s about the fact that the whole world, the whole universe just looks so much more beautiful!! All of a sudden everything looks different and your heart will just start smiling. That’s what love is all about… the moment someone you only “liked” before, changes into the most aesthetically pleasing girl in the world. The moment you realize how blind you’ve been all those days, how you were living in a fake universe, never knowing that the only thing your life is all about, the only thing that keeps you smiling, was all the time right next to you.
Tom Hiddleston
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day. But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say. If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written. Up in that room I decided that I would write one story about each thing that I knew about. I was trying to do this all the time I was writing, and it was good and severe discipline.
Ernest Hemingway (A Moveable Feast)
But Sam didn’t die in the wreck that flipped his car. Not only did he manage to stay conscious, he freed himself from the seat, crawled out onto the road, and began walking. Somehow, he made it more than a mile down the road before collapsing. An officer said it was a testament to how strong he was. I think it was a testament to how much he wanted to live. It took hours before someone finally found him. It was too late by then. Sam had lost too much blood and died from exhaustion. No one likes to say it, but maybe it would have been easier for him if he’d died there in the crash. But his will to live on was too stubborn. Just like him.
Dustin Thao (You've Reached Sam)
Freud was fascinated with depression and focused on the issue that we began with—why is it that most of us can have occasional terrible experiences, feel depressed, and then recover, while a few of us collapse into major depression (melancholia)? In his classic essay “Mourning and Melancholia” (1917), Freud began with what the two have in common. In both cases, he felt, there is the loss of a love object. (In Freudian terms, such an “object” is usually a person, but can also be a goal or an ideal.) In Freud’s formulation, in every loving relationship there is ambivalence, mixed feelings—elements of hatred as well as love. In the case of a small, reactive depression—mourning—you are able to deal with those mixed feelings in a healthy manner: you lose, you grieve, and then you recover. In the case of a major melancholic depression, you have become obsessed with the ambivalence—the simultaneity, the irreconcilable nature of the intense love alongside the intense hatred. Melancholia—a major depression—Freud theorized, is the internal conflict generated by this ambivalence. This can begin to explain the intensity of grief experienced in a major depression. If you are obsessed with the intensely mixed feelings, you grieve doubly after a loss—for your loss of the loved individual and for the loss of any chance now to ever resolve the difficulties. “If only I had said the things I needed to, if only we could have worked things out”—for all of time, you have lost the chance to purge yourself of the ambivalence. For the rest of your life, you will be reaching for the door to let you into a place of pure, unsullied love, and you can never reach that door. It also explains the intensity of the guilt often experienced in major depression. If you truly harbored intense anger toward the person along with love, in the aftermath of your loss there must be some facet of you that is celebrating, alongside the grieving. “He’s gone; that’s terrible but…thank god, I can finally live, I can finally grow up, no more of this or that.” Inevitably, a metaphorical instant later, there must come a paralyzing belief that you have become a horrible monster to feel any sense of relief or pleasure at a time like this. Incapacitating guilt. This theory also explains the tendency of major depressives in such circumstances to, oddly, begin to take on some of the traits of the lost loved/hated one—and not just any traits, but invariably the ones that the survivor found most irritating. Psychodynamically, this is wonderfully logical. By taking on a trait, you are being loyal to your lost, beloved opponent. By picking an irritating trait, you are still trying to convince the world you were right to be irritated—you see how you hate it when I do it; can you imagine what it was like to have to put up with that for years? And by picking a trait that, most of all, you find irritating, you are not only still trying to score points in your argument with the departed, but you are punishing yourself for arguing as well. Out of the Freudian school of thought has come one of the more apt descriptions of depression—“aggression turned inward.” Suddenly the loss of pleasure, the psychomotor retardation, the impulse to suicide all make sense. As do the elevated glucocorticoid levels. This does not describe someone too lethargic to function; it is more like the actual state of a patient in depression, exhausted from the most draining emotional conflict of his or her life—one going on entirely within. If that doesn’t count as psychologically stressful, I don’t know what does.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
it seems like when ur in search of something or someone you only succeed when you've finally given up all hope... and i find it rather fascinating how it always ends up in the last place youd expect i found da man of my dreams although he is the total opposite of what i expected hes ten times better
arik maldonales
The following year the house was substantially remodeled, and the conservatory removed. As the walls of the now crumbling wall were being torn down, one of the workmen chanced upon a small leatherbound book that had apparently been concealed behind a loose brick or in a crevice in the wall. By this time Emily Dickinson was a household name in Amherst. It happened that this carpenter was a lover of poetry- and hers in particular- and when he opened the little book and realized that that he had found her diary, he was “seized with a violent trembling,” as he later told his grandson. Both electrified and terrified by the discovery, he hid the book in his lunch bucket until the workday ended and then took it home. He told himself that after he had read and savored every page, he would turn the diary over to someone who would know how to best share it with the public. But as he read, he fell more and more deeply under the poet’s spell and began to imagine that he was her confidant. He convinced himself that in his new role he was no longer obliged to give up the diary. Finally, having brushed away the light taps of conscience, he hid the book at the back of an oak chest in his bedroom, from which he would draw it out periodically over the course of the next sixty-four years until he had virtually memorized its contents. Even his family never knew of its existence. Shortly before his death in 1980 at the age of eighty-nine, the old man finally showed his most prized possession to his grandson (his only son having preceded him in death), confessing that his delight in it had always been tempered by a nagging guilt and asking that the young man now attempt to atone for his grandfather’s sin. The grandson, however, having inherited both the old man’s passion for poetry and his tendency towards paralysis of conscience, and he readily succumbed to the temptation to hold onto the diary indefinitely while trying to decide what ought to be done with it.
Jamie Fuller (The Diary of Emily Dickinson)
Vargo climbed in, twisted and turned a few times to get comfortable on the pillow, then pulled the lid down and latched it. As the eye of narrative drew back from the coffin on its stand, two things happened. One happened comparatively slowly, and this was Vargo's realization that he never recalled the coffin having a pillow before. The other was Greebo deciding that he was as mad as hell and wasn't going to take it any more. He'd been shaken around in the wheely thing and then sat on by Nanny, and he was angry about that because he knew, in a dim, animal way, that scratching Nanny might be the single most stupid thing he could do in the whole world, since no one else was prepared to feed him. This hadn't helped his temper. Then he'd encountered a dog, which had tried to lick him. He'd scratched and bitten it a few times, but this had had no effect apart from encouraging it to try to be more friendly. He'd finally found a comfy resting place and had curled up into a ball, and now someone was using him as a cushion- There wasn't a great deal of noise. The coffin rocked a few times, and then pivoted around.
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
You've finally understood! Kirillov cried out rapturously. So it can be understood, if even someone like you understands! You understand now that the whole salvation for everyone is to prove this thought to them all. Who will prove it? I! I don't understand how, up to now, an atheist could know there is no God and not kill himself at once. To recognize that there is no God, and not to recognize at the same time that you have become God, is an absurdity, otherwise you must necessarily kill yourself. Once you recognize it, you are king, and you will not kill yourself but live in the chiefest glory. But one, the one who is first, must necessarily kill himself, otherwise who will begin and prove it? It is I who will necessarily kill myself in order to begin and prove it. I am still God against my will, and I am unhappy, because it is my duty to proclaim self-will. Everyone is unhappy, because everyone is afraid to proclaim self-will. That is why man has been so unhappy and poor up to now, because he was afraid to proclaim the chief point of self-will and was self-willed only on the margins, like a schoolboy. I am terribly unhappy, because I am terrible afraid. Fear is man's curse...But I will proclaim self-will, it is my duty to believe that I do not believe. I will begin, and end, and open the door. And save. Only this one thing will save all men and in the next generation transform them physically. for in the present physical aspect, so far as I have thought, it is in no way possible for man to be without the former God. For three years I have been searching for the attribute of my divinity, and I have found it: the attribute of my divinity is--Self-will! That is all, by which I can show in the main point my insubordination and my new fearsome freedom. For it is very fearsome. I kill myself to show my insubordination and my new fearsome freedom.
Fyodor Dostoevsky (Demons)
Once someone asked, when I was present, what constituted the greatest pleasure in love. Someone replied, naturally: in receiving. Another: in giving. Someone said: the pleasure of pride! someone else: the ecstasy of humility! All these muckers making like the Imitation of Christ. Finally, an impudent utopian was found who insisted that the greatest pleasure of love was in forming new citizens for the fatherland. Me, I said: what is uniquely, supremely voluptuous about love lies in the certainty of doing evil.
Charles Baudelaire
He was completely detached from every thing except the story he was writing and he was living in it as he built it. The difficult parts he had dreaded he now faced one after another and as he did the people, the country, the days and the nights, and the weather were all there as he wrote. He went on working and he felt as tired as if he had spent the night crossing the broken volcanic desert and the sun had caught him and the others with the dry gray lakes still ahead. He could feel the weight of the heavy double-barreled rifle carried over his shoulder, his hand on the muzzle, and he tasted the pebble in his mouth. Across the shimmer of the dry lakes he could see the distant blue of the escarpment. Ahead of him there was no one, and behind was the long line of porters who knew that they had reached this point three hours too late. It was not him, of course, who had stood there that morning, nor had he even worn the patched corduroy jacket faded almost white now, the armpits rotted through by sweat, that he took off then and handed to his Kamba servant and brother who shared with him the guilt and knowledge of the delay, watching him smell the sour, vinegary smell and shake his head in disgust and then grin as he swung the jacket over his black shoulder holding it by the sleeves as they started off across the dry-baked gray, the gun muzzles in their right hands, the barrels balanced on their shoulders, the heavy stocks pointing back toward the line of porters. It was not him, but as he wrote it was and when someone read it, finally, it would be whoever read it and what they found when they should reach the escarpment, if they reached it, and he would make them reach its base by noon of that day; then whoever read it would find what there was there and have it always.
Ernest Hemingway (The Garden of Eden)
Tell us why someone should come to Moose Springs." For a long time, River couldn't say a word. Then she finally whispered into the wind. "Because it's where I found you.
Sarah Morgenthaler (Enjoy the View (Moose Springs, Alaska, #3))
After hours of work, they finally found an address through someone Jorge called “a friend of a friend of an enemy’s enemy.” By that time it was late and they all crashed for the night;
James Dashner (The Death Cure (Maze Runner, #3))
I finally understand what it means to find that someone who is everything to you. Once you've found that kind of love, you must hold on to it-no matter what or who gets in the way. - Princess Diana
Christopher Andersen
Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite. This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers. These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.
Charles de Lint
Miracle was thinking she'd finally fallen in love, for the first time and maybe the last, with someone who may or may not be around for very long. Hardy was thinking he'd found someone that made his past and his future not matter quite so much, someone who gave him a present that eclipsed everything else. But there was a chance he might lose her. Later, when he kissed her goodnight, it was a kiss full of promise, a kiss that said he'd be around forever, however long forever ended up being.
M. Leighton
Praise meant that she had finally, finally received validation that she was not nothing. She could be brilliant, could be worth someone’s attention. She adored praise—craved it, needed it, and realized she found relief only when she finally had it.
R.F. Kuang (The Poppy War (The Poppy War, #1))
Praise meant that she had finally, finally received validation that she was not anything. She could be brilliant, could be worth someone's attention. She adored praise-- craved it, needed it, and realized she found relief only when she finally had it.
R.F. Kuang (The Complete Poppy War Trilogy: The Poppy War, the Dragon Republic, the Burning God)
And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did. Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide. The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught. 'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees. And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts... It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think... The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast. ("The Wendigo")
Algernon Blackwood (Monster Mix)
Most of us begin, aided by almost every aspect of our culture, hoping for a perfect marriage. What this means is that we accept sexual attractiveness as a clue to finding our way in the labyrinth of marriage. It almost never is. Oddly enough, the media, which promise marriage as the happy ending, almost simultaneously show it, after several years, to be more ending than happy. But the dream lives on that this time will be different. "Perhaps the reason the truth is so little told is that it sounds quotidian, bourgeois, even like advocating proportion, that most unappealing of all virtues. But E. M. Forester understood this: when someone suggested that truth is halfway between extremes, his answer (in Howards End) was, "No; truth, being alive, was not halfway between anything. It was only to be found by continuous excursions into either realm, and though proportion is the final secret, to espouse it at the outset is to ensure sterility." Proportion is the final secret, and that is why all good marriages are what Stanley Cavell calls 'remarriages,' and not lust masquerading as passion.
Carolyn G. Heilbrun (Writing a Woman's Life)
Mother, stop it!” I shout. She takes a step back as if I’d physically slapped her. “Not all guys that look a certain way or dress a certain way or act a certain way are the same. You’ve tried all my life to drive me toward the kind of guy you wanted me to be with. You made me feel as though there was something wrong with me for liking anyone who rode a motorcycle or drove a muscle car or played in a band. But there was never anything wrong with them, Mom. They just weren’t for me. I wouldn’t have wanted to end up with any of them. Not now. But you don’t see that. You don’t see that now and you didn’t see that then. You could never be like a normal mother, one who holds her daughter when she cries and tells her that one day she’ll find Mr. Right, that one day love will be worth it. That was just beyond you. You had to do your best, at every possible opportunity, to convince me that the only way I’d ever be happy would be with a guy like Lyle, one who is so focused on his job and his money that he doesn’t have time for love. But Mom, if falling in love means risking getting hurt, then I’m okay with that. Because finally, for once, I’ve found someone worth the risk. I wouldn’t have missed out on Cash for the world, Mom. Did it ever occur to you that it took all those heartbreaks, all those tears, all those failed attempts to be able to recognize something real when I found it? Can’t you just be happy for me and leave us in peace?
M. Leighton (Up to Me (The Bad Boys, #2))
And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawn-out we tell ourselves we hear nothing. And so this music is a lament, and I am doomed to hear its bittersweet notes for a lifetime. Show me a god that does not demand mortal suffering. Show me a god that celebrates diversity, a celebration that embraces even non-believers and is not threatened by them. Show me a god who understands the meaning of peace. In life, not in death. Show— 'Stop,' Gesler said in a grating voice. Blinking, Fiddler lowered the instrument. 'What?' 'You cannot end with such anger, Fid. Please.' Anger? I am sorry. He would have spoken that aloud, but suddenly he could not. His gaze lowered, and he found himself studying the littered floor at his feet. Someone, in passing – perhaps Fiddler himself – had inadvertently stepped on a cockroach. Half-crushed, smeared into the warped wood, its legs kicked feebly. He stared at it in fascination. Dear creature, do you now curse an indifferent god? 'You're right,' he said. 'I can't end it there.' He raised the fiddle again. 'Here's a different song for you, one of the few I've actually learned. From Kartool. It's called "The Paralt's Dance".' He rested the bow on the strings, then began. Wild, frantic, amusing. Its final notes recounted the triumphant female eating her lover. And even without words, the details of that closing flourish could not be mistaken. The four men laughed. Then fell silent once more.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
There were twenty-three females on the Keltar estate--not counting Gwen, Chloe, herself, or the cat--Gabby knew, because shortly after Adam had become visible last night, she'd met each and every one, from tiniest tot to tottering ancient. It had begun with a plump, thirtyish maid popping in to pull the drapes for the evening and inquire if the MacKeltars "were wishing aught else?" The moment her bespectacled gaze had fallen on Adam, she'd begun stammering and tripping over her own feet. It had taken her a few moments to regain a semblance of coordination, but she'd managed to stumble from the library, nearly upsetting a lamp and a small end table in her haste. Apparently it had been haste to alert the forces, for a veritable parade had ensued: a blushing curvaceous maid had come offering a warm-up of tear (they'd not been having any), followed by a giggling maid seeking a forgotten dust cloth (which--was anyone surprised?--was nowhere to be found), then a third one looking for a waylaid broom (yeah, right--they swept castles at midnight in Scotland--who believed that?), then a fourth, fifth, and sixth inquiring if the Crystal Chamber would do for Mr. Black (no one seemed to care what chamber might do for her; she half-expected to end up in an outbuilding somewhere). A seventh, eighth, and ninth had come to announce that his chamber was ready would he like an escort? A bath drawn? Help undressing? (Well, okay, maybe they hadn't actually asked the last, but their eyes certainly had.) Then a half-dozen more had popped in at varying intervals to say the same things over again, and to stress that they were there to provide "aught, aught at all Mr. Black might desire." The sixteenth had come to extract two tiny girls from Adam's lap over their wailing protests (and had stayed out of his lap herself only because Adam had hastily stood), the twenty-third and final one had been old enough to be someone's great-great-grandmother, and even she'd flirted shamelessly with the "braw Mr. Black," batting nonexistent lashes above nests of wrinkles, smoothing thin white hair with a blue-veined, age-spotted hand. And if that hadn't been enough, the castle cat, obviously female and obviously in heat, had sashayed in, tail straight up and perkily curved at the tip, and would her furry little self sinuously around Adam's ankles, purring herself into a state of drooling, slanty-eyed bliss. Mr. Black, my ass, she'd wanted to snap (and she liked cats, really she did; she'd certainly never wanted to kick one before, but please--even cats?), he's a fairy and I found him, so that him my fairy. Back off.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
Xanthous had been raised to believe his interests and preferences were shameful and despicable - to finally have someone dismiss them as simple and shameless was the greatest gift he could have been given. The boy sighed with relief like an invisible weight had been lifted off his shoulders. "I understand how you feel," Brystal told him. "It's ironic, but when I was growing up in the Southern Kingdom, I was forced to play with dolls. I was always furious about the expectations they placed on girls, but I never realized it was just as unfair for the boys." Xanthous nodded. "Maybe it was for the best," he said. "If we had had everything we wanted, then we might never have found what we need now.
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
No hotdog stands. The Ferris wheel isn’t going around and around at Coney Island tonight. No one’s having a nightcap at the Space Needle in Seattle. Someone finally found a way to clean up the dope in Boston’s Combat Zone and the chicken-ranch business in Times Square. Those were terrible things, but I think the cure was a lot worse than the disease. Know what I mean?
Stephen King (The Stand)
Did I say something wrong?” I ask. “No,” she says weakly. “You said everything right. You’re perfect.” “Why are you crying?” “Because I’ve waited my whole life for someone like you. And now I that I finally found it, I’m fucking terrified of losing it.” “I get it. That’s how I’ve felt for months now. But if I have anything to do with it, River, that won’t ever happen.
H.D. Carlton (Shallow River)
Have you found it different having girls in the house?” He cleared his throat. “Oh, yeah.” “Would you care to elaborate?” “Nope.” I looked up from my writing. “If you don’t elaborate, it’s going to be a very short article.” “Look, I’ve already gotten into it once tonight--” “Are you implying I’m hard to live with? Is that why you won’t comment further? Because you think I’ll be offended? I won’t be.” “No further comment.” I sighed, tempted to toss the recorder at him. “Okay, then, we’ll move on. What’s been the most difficult aspect of living with us?” There was silence, but it was the kind where you can sense someone wants to speak but doesn’t. Jason was so incredibly still, as though he was weighing consequences. “Not kissing you,” he finally said, quietly.
Rachel Hawthorne (The Boyfriend League)
THE WELL Be thankful now for having arrived, for the sense of having drunk from a well, for remembering the long drought that preceded your arrival and the years walking in a desert landscape of surfaces looking for a spring hidden from you so long that even wanting to find it now had gone from your mind until you only remembered the hard pilgrimage that brought you here, the thirst that caught in your throat; the taste of a world just-missed and the dry throat that came from a love you remembered but had never fully wanted for yourself, until finally after years making the long trek to get here it was as if your whole achievement had become nothing but thirst itself. But the miracle had come simply from allowing yourself to know that you had found it, that this time someone walking out into the clear air from far inside you had decided not to walk past it any more; the miracle had come at the roadside in the kneeling to drink and the prayer you said, and the tears you shed and the memory you held and the realization that in this silence you no longer had to keep your eyes and ears averted from the place that could save you, that you had been given the strength to let go of the thirsty dust laden pilgrim-self that brought you here, walking with her bent back, her bowed head and her careful explanations. No, the miracle had already happened when you stood up, shook off the dust and walked along the road from the well, out of the desert toward the mountain, as if already home again, as if you deserved what you loved all along, as if just remembering the taste of that clear cool spring could lift up your face and set you free.
David Whyte
There are three questions every woman should be able to answer yes to before she commits to a man. If you answer no to any of the three questions, run like hell.” “It’s just a date,” I laugh. “I doubt we’ll be doing any committing.” “I know you’re not, Lake. I’m serious. If you can’t answer yes to these three questions, don’t even waste your time on a relationship.” When I open my mouth, I feel like I’m just reinforcing the fact that I’m her child. I don’t interrupt her again. “Does he treat you with respect at all times? That’s the first question. The second question is, if he is the exact same person twenty years from now that he is today, would you still want to marry him? And finally, does he inspire you to want to be a better person? You find someone you can answer yes about to all three, then you’ve found a good man.
Colleen Hoover (Slammed (Slammed, #1))
found out I was singing, and he couldn’t resist the chance to see me embarrass myself. The play was supposed to start at 8: 00, but it got delayed because Rodney James had stage fright. You’d figure that someone whose job it was to sit on the stage and do nothing could just suck it up for one performance. But Rodney wouldn’t budge, and eventually, his mom had to carry him off. The play finally got started around 8: 30. Nobody could remember their lines, just like I predicted, but Mrs. Norton kept things
Jeff Kinney (Diary of a Wimpy Kid (Diary of a Wimpy Kid, #1))
She was a young thing, a child really, full of hope and light, who’s only friends were the shadows on the walls. Others would have found the darkness that she traversed lacking in shadows, but she exuded an unearthly radiance, lighting the world with every step and bringing life to the shadows that lived only in the twilight between worlds. It was here that her friends came out to play and fed her soul with their love of her joy and the light she bore. For without light, there could be no shadows. He, a man living in the light, found nothing in the darkness, though his eyes scoured it constantly for a kindred spirit. Always, he searched the void for someone to cling to, some kind of anchor for his soul. For he walked in the light only with help of a mask to hide behind. Under it hid an ethereal animal, primal in its needs and desires, which could not stand the light of day. If only there was one who could give him light without destroying the darkness that filled him so that he could finally be free.
Lexie Syrah (Torn: A Dark BDSM Romance Novel (Shattered Lives, #1))
back,” Daddy said. “It’ll work out.” He had no idea what to do about Helen. They spoke a completely different language. He was an old-timer who called school “schoolin”’ and called me “boy.” He had run off from Jim Crow in the South and felt that education, any education, was a privilege. Helen was far beyond that. Weeks passed, months, and Helen didn’t return. Finally Jack called. “I found her. She’s living with some crazy woman,” Jack said. She told Ma she didn’t know much about the lady other than that she wore a lot of scarves and used incense. Mommy got the address and went to the place herself. It was a dilapidated housing project near St. Nicholas Avenue, with junkies and winos standing out front. Mommy stepped past them and walked through a haze of reefer smoke and took the elevator to the eighth floor. She went to the apartment door and listened. There was music playing on a stereo inside, and the voice of someone on the phone. She knocked on the door. The stereo lowered. “Who is it?” someone asked. It sounded like Helen. “I’m here to see Helen,” Mommy said. Silence. “I know you’re there, Helen,” Mommy said. Silence. “Helen. I want you to come home. Whatever’s wrong we’ll fix. Just forget all of it and come on home.” From down the hallway, a doorway opened and a black woman watched in silence as the dark-haired, bowlegged white lady talked to the closed door. “Please come home, Helen.” The door had a peephole in it. The peephole slid back. A large black eye peered out. “Please come home, Helen. This is no place for you to be. Just come on home.” The peephole closed.
James McBride (The Color of Water)
Zachary had slept deeply for the first night in a month and awakened at the hour of eight, unusually late for him. He couldn't remember when he had felt so relaxed. It seemed that after decades of striving and struggling, he had finally reached the pinnacle he had sought. Perhaps for the first time in his life he could truly be happy… and the reason was at once extraordinary and commonplace. He was in love. He had finally relinquished his heart to someone and found that she loved him in return. It seemed too miraculous to be true.
Lisa Kleypas (Where Dreams Begin)
Sleep claimed her eventually. She slept heavily, welcoming the escape. But some time later, while it was still very dark, she found herself struggling upward through layers of dreams. Someone or something was in the room. Her first thought was that it might be Beatrix's ferret, who sometimes slipped past the door to collect objects that intrigued him. Rubbing her eyes, Win began to sit up, when there was a movement beside the bed. A large shadow crossed over her. Before bewilderment could give way to fear, she heard a familiar murmur, and felt a man's warm fingers press across her lips. "It's me." Her lips moved soundlessly against his hand. "Kev." Win's stomach constricted with an ache of pleasure, and her heartbeat hammered in her throat. But she was still angry with him, she was done with him, and if he had come here for a midnight talk, he was sadly mistaken. She started to tell him so, but to her astonishment, she felt a thick piece of cloth descend over her mouth, and then he was tying it deftly behind her head. In a few more seconds, he had bound her wrists in front of her. Win was rigid with shock. Merripen would never do something like this. And yet it was him; she would know him if only by the touch of his hands. What did he want? What was going through his mind? His breath was faster than usual as it brushed against her hair. Now that her vision had adjusted to the darkness, she saw that his face was hard and austere. Merripen drew the ruby ring off her finger and set it off the bedside table. Taking her head in his hands, he stared into her wide eyes. He said only two words. But they explained everything he was doing, and everything he intended to do. "You're mine." He picked her up easily, draping her over one powerful shoulder, and he carried her from the room. Win closed her eyes, yielding, trembling. She pressed a few sobs against the gag covering her mouth, not of unhappiness or fear, but of wild relief. This was not an impulsive act. This was ritual. This was an ancient Romany courtship rite, and there would be nothing half-hearted about it. She was going to be kidnapped and ravished. Finally.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't. Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do." Suddenly she heard a voice calling to her. "Kilikina!" Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around. "Kilikina," called out the tall, blond surfer who was running toward her. Christy looked up into the screaming silver-blue eyes that could only belong to one person. "Todd?" she whispered, convinced she was hallucinating. "Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be? "Todd?" she whispered again. "How? I mean, what...? I don't..." Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed. "For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?" Christy shook her head, unable to find any words. "Didn't Dr. Benson tell you?" She shook her head again. "You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised. "No, I thought you were in Papua New Guinea or something. I had no idea you were here!" "They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling." Christy had never heard him talk like this before. Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God." The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips. "Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever." Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible. Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp. Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding. Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart. In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever." "Forever," Christy whispered back. Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
There are wars all over the world because people are insulted that someone else doesn’t agree with their belief system. Everybody is guilty of it. It’s what is called fundamental theism. You want something to hold on to, you want to say, “Finally I have found it. This is it, and now I feel confirmed and secure and righteous.” Buddhism is not free of it either. This is a human thing. But in Buddhism there is a teaching that would seemingly undercut all this, if people would only listen to it. It says, “If you meet the Buddha on the road, kill the Buddha.
Pema Chödrön (Awakening Loving-Kindness (Shambhala Pocket Classics))
To be sure, I was outwardly secured. I had no fear of people; my schoolmates had found that out, too, and showed me a secret respect that often made me smile. Whenever I wished, I could see through most of them very well and occasionally amaze them that way. But I seldom or never felt like it. I was always occupied with myself, always with myself. And I desired ardently to experience a bit of life finally, to give something of myself to the world, to create a relationship with it and do battle with it. Sometimes, when I roamed through the streets in the evening and, in my restlessness, was unable to return to my room until midnight, I would imagine that I just must meet my beloved now; she would pass by at the next corner, call to me from the nearest window. Sometimes, too, all this seemed unbearably painful to me, and I was mentally prepared to take my life at some point. At that time I found a peculiar refuge—by “accident,” as people say. But there are no such accidents. When someone who badly needs something finds it, it isn’t an accident that brings it his way, but he himself, his own desire and necessity lead him to it. Two
Hermann Hesse (Demian (Dover Thrift Editions: Classic Novels))
She opened the hidden door and entered the tree. There were stairs and she took them down, her eyes shining like opals of uncertain fortunes. Inside she stayed for days, weeks, years, or perhaps many lifetimes, nobody will ever know. Until came the day and the stairs were gone, and her home in the tree was no longer what she needed. She found herself outside in the forest with nothing to guide her except the voice in her head that told her to walk. She walked for days until she found a marked path and a wrinkled map. That map took her around the world, and she experienced wonder, magic, riches, but also tragedy, misery and poverty. She met people of all cultures, colors and beliefs. She ate food she had never tasted before and drank from the generous cups of the people she met. Finally, she took all that home, back to her tree, but she didn’t go in and hide. She knew she had a responsibility to share what she had learned, that we are all together. If her cup had more than theirs, she would fill them up so they could fill up someone else’s. That way she would try and get her message across. When we all have the same, are the same, we all survive. Together.
Riitta Klint
Wrote the fucking book. I remember when I finished it. It was the middle of the night. I had been working on it for a year. I was alone and tired and it was dark, probably 4 a.m. I wrote the last word and I stared at it and I burst into tears. Just sobbed. Face in my hands, for probably an hour, just sat and sobbed. I was the only one who cared, the only one who believed, and after all those years, I had done it, I had written a book that I wasn’t going to light on fire or throw in a river. From there I found an agent, and we submitted it to publishers as a novel, a novel that told a version of the story of part of my life. At some point someone thought it would sell as a memoir, they asked me if I was okay with it as a memoir. I didn’t give a shit, just wanted it to come out, just wanted the dream to finally come true. The publisher knew what they were buying. When it came out I asked what I should do about the fact that not all of it was true, they said no memoir is, just do the interviews. I was cocky and proud and believed in the book, and I went along with it, I lied, got swept up in it, and the book became hugely successful, and I kept lying. I hated doing it, and hated myself every time I did, but I didn’t
James Frey (Katerina: A Novel)
For all my life, I had been passive when faced with dangers. I was stunned as I swam to find that I had, for the first time in my history, asserted myself and been truly heard—respected. It felt monumental, I was buzzing with adrenaline. It was as if I’d become someone else entirely. I had escaped a kidnapper. It finally felt real. My body unclenched tension in the balmy pool. I was proud of the strength I’d found. I was the one who asserted he take me back; I caused him to listen. I was no longer a passive Doll Girl, trapped. This was me learning I could trust my voice—I’d used it, and it finally worked! I was triumphant. This escape showed me: I had grown, and grown vividly.
Aspen Matis (Girl in the Woods: A Memoir)
Kids didn’t just disappear unless someone made them disappear.‘Relax, mate,’ the head of security said. ‘We’ve never lost one yet.’ Lots of kids wandered off at the Easter Show, he told them. They were always found, usually somewhere near the food.Doug had tried to relax, to stay calm, but he could feel the panic building inside him.The place was too big.There were too many people.Lockie could be anywhere. The police were called. It took hours for everyone to leave the showgrounds because every family was stopped. Every parent was questioned and every child identified. It was way past midnight when everyone had finally gone home, and still they had not found Lockie.The head of security changed his tone. The police held whispered conversations in groups. They began to look at him with sympathy in their eyes.Doug felt his heart slow down. There was a ringing in his ears. He was underwater and he couldn’t swim.Lockie was gone.They had lost one.Sammy had gone from impatience to hunger to exhaustion. She didn’t understand what was happening.Sarah sat next to the pram twisting her hands. She did not cry. She didn’t cry for days, but every time Doug went near her he could hear her muttering the word ‘please’. ‘Please, please, please, please.’ It drove Doug mad and he had to move away because he wanted to hit her, to snap her out of her trance. He had never lifted a hand to his wife or his children, but now he had to close his fist and dig his nails into his palm to keep himself from lashing out Sarah didn’t believe in hitting children; she believed in time out and consequences. It was different to the way Doug had been raised but he had come around to the idea. The thought of anyone—especially himself—hurting Sarah and the kids was almost too much to bear.Doug sometimes wondered, after, if whoever had taken his son had hit him. When he did think about someone hurting his boy he could feel his hands curl into fists. He would embrace the rush of heat that came with the anger because at least it was a different feeling to the sorrow and despair. Anger felt constructive. He wanted to kill everyone, even himself. But as fast as the anger came it would recede and he would be back at the place he hated to be. Mired in his own helplessness. There was fuck-all he could do.
Nicole Trope (The Boy Under the Table)
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
This might baffle you, but despite not being a physician, I do have some pride. Although most certainly not enough to withstand the kind of beating you're capable of dealing it. The kind of beating you've repeatedly dealt it from the first time we've met. You're right, I value honesty, so I'll tell you that I make it a practice not to find women who insult me at every opportunity attractive." Color flooded her cheeks and traveled down her neck. Finally, she stepped away from him, too, and found the back of a chair to clutch. She looked entirely devastated. Had no one ever denied her anything? He hated the hurt in her eyes. But it was done now. "How is telling you I'm attracted to you an insult?" He pressed the back of his hand into his forehead. It made him feel like a drama queen in some sort of musical farce. Which this had to be. "Telling me how unworthy I am of your attraction, that's the insulting part. And, no, that's not all it is. Even if you hadn't told me at every opportunity how inferior to you I am... all I do is cook... every assumption you've made about me is insulting. Culinary school is definitely college. And Le Cordon Bleu is one of the most competitive institutions in the world. The fact that that's so wholly incomprehensible to you... that's the insulting part. And it wasn't thrown in my overly privileged lap either. I had to work my bottom off to make it in." Ammaji had sold her dowry jewels to pay for his application, something her family would have thrown her out on the street for had they found out. Trisha squared her shoulders, the devastation draining fast from her face, leaving behind the self-possession he was so much more used to. And the speed with which she gathered herself shook something inside him. "I might not do what you see as important work, but I work hard at being a decent human being, and I would need anyone I'm with to be that first and foremost. Even if I didn't find snobbery in general incredibly unattractive, I would never go anywhere near a person as self-absorbed and arrogant as you, Dr. Raje. I would have to be insane to subject myself to your view of me and the world." "Wow." She was panting, or maybe it was him. He couldn't be sure. "You wanted honesty. I'm sorry if I hurt you." She cleared her throat. "I'm surprised you think someone as... as... self-absorbed and arrogant as me is even capable of being hurt.
Sonali Dev (Pride, Prejudice, and Other Flavors (The Rajes, #1))
I’m not what you think I am, Aladdin! I will betray you, and I will hurt you, because that is what I am. Why do you think Nardukha rips souls from the living and creates jinnis? Why do you think he sends us into the world? To make your miserable dreams come true? To bring you happiness?” I laugh sourly. “He gives you the thing you want most and uses it to destroy you. Look at yourself. You’re a prince. You have money, power, privilege. The chance to avenge your parents. And you’re miserable.” Aladdin stares at me, and in his eyes is pity. “I’ve been making myself miserable my whole life,” he says softly. “I convinced myself long ago that if I could get revenge on Sulifer, I could finally move on. That I could erase the memory of the day my parents died, when I held their severed heads and watched their blood run in the gutters. But as you say, here I am, a step away from that vengeance—and it has soured on my tongue. I don’t want it anymore.” He sighs and looks up at the sky, as if searching for words among the stars. “You don’t make me miserable, Zahra. I do that to myself, because I’m too weak, too afraid to admit that it isn’t Sulifer I’m angry at—it’s me. My parents were killed because of me. The day before they were executed, I was caught by the guards for stealing an earring, and when they found out who I was, Sulifer had me whipped until I told him where my parents were. And after they were dead, he gave me back the earring as payment for turning my mother and father over to him.” Lowering his gaze to meet mine, he brushes his fingers over the ring in his ear. “I’ve worn it every day since, to remind myself that nothing—nothing—is worth betraying someone you love.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
have to give it, especially if that engagement seems emotionally charged. When you decide not to dignify an irrational communication with a response, it’s about preserving your personal dignity and mental clarity. Just because someone throws the ball doesn’t mean you have to catch it. Think of it this way: How would you feel if you sent someone an emotionally charged email but never received a response? You’d initially be confused. First, you’d double-check your Sent folder to make sure it went through. Then you’d start obsessing over the audible “ding” of your incoming messages, thinking it might be their response. Finally, you’d begin wondering if they even got your electronic tirade, somehow found a way to block your emails, or what else they might be doing that was more important than sending you a reply. In the end, you’d feel embarrassed, your pride deflated, and the fire you had to engage in keyboard karate would burn out. That’s the power of not reacting. When faced with a situation in which you’re being provoked, take a moment to let your emotions pass, and then ask yourself, “Do I really need to respond?” Assess the situation from a logical vantage point—rather than an emotional one—and base your decisions on what will ultimately benefit you in the long run. This mental strategy, however, isn’t solely for dealing with insults or slander. It’s just as effective when trying to handle people who constantly want your time and attention. Sometimes you simply don’t have it to give. Or giving it will distract you from things that are more important. When it comes to time allocation, it’s good to separate the signals from the noise. If everything in your life is important, then nothing is.
Evy Poumpouras (Becoming Bulletproof: Protect Yourself, Read People, Influence Situations, and Live Fearlessly)
If you’re still struggling to recognize your Something Larger, research has found a few strategies that can help: Try writing your own obituary or a “life summary” through the eyes of a grandchild or a student. Ask your closest friends to describe the “real you,” the characteristics of your personality and your life that are at the core of your best self. Imagine that someone you care about is going through a dark moment in their life—they’ve experienced significant loss and feel helpless and isolated (the two things that drain us of meaning fastest). As your best self, write that person a letter to support them through this difficult time. Then reread it. It’s for you.18 Finally, think of a time when you experienced an intense sense of meaning or purpose or “alignment” or whatever it feels like for you. What were you doing? What was it that created that sense of meaning?
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
Have you found it different having girls in the house?” He cleared his throat. “Oh, yeah.” “Would you care to elaborate?” “Nope.” I looked up from my writing. “If you don’t elaborate, it’s going to be a very short article.” “Look, I’ve already gotten into it once tonight--” “Are you implying I’m hard to live with? Is that why you won’t comment further? Because you think I’ll be offended? I won’t be.” “No further comment.” I sighed, tempted to toss the recorder at him. “Okay, then, we’ll move on. What’s been the most difficult aspect of living with us?” There was silence, but it was the kind where you can sense someone wants to speak but doesn’t. Jason was so incredibly still, as though he was weighing consequences. “Not kissing you,” he finally said, quietly. My heart did this little stutter. I just stared at him as the recorder continued to run, searching for sound. My hand was shaking when I reached over and turned it off. “But you did kiss me, and you said it was a mistake.” “Because getting involved with you is a bad idea, on so many levels.” “Care to share one of those levels?” “I’m living in your house. Your parents are giving me a roof over my head. Your mom brings home extra takeout. I’m here only for the summer. Then I’m back at school.” He reached up, removed the ice pack from around his shoulder, and set it on the table. “And Mac? After we went to Dave and Bubba’s, he comes out to the mound and tells me he thinks you’re hot. And I know you like him, so I was willing to bunt.” “Bunt?” “Willing to sacrifice my happiness.” “You thought you’d be happy being with me?” “Are you kidding? You’re cute, easy to talk to. You love baseball. You make me smile, make me laugh. And we won’t even mention how much I liked kissing you.” Only he had mentioned it. And now I was thinking about it when I really shouldn’t be.
Rachel Hawthorne (The Boyfriend League)
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
The key point here is Macaulay’s belief that “knowledge and reflection” on the part of the Hindus, especially the Brahmanas, would cause them to give up their age-old belief in anything Vedic in favor of Christianity. The purpose was to turn the strength of Hindu intellectuals against their own kind by utilizing their commitment to scholarship in uprooting their own tradition, which Macaulay viewed as nothing more than superstitions. His plan was to educate the Hindus to become Christians and turn them into collaborators. He persisted with this idea for fifteen years until he found the money and the right man for turning his utopian idea into reality. He needed someone who would translate and interpret the Vedic texts in such a way that the newly educated Indian elite would see the superiority of the Bible and choose that over everything else. Upon his return to England, after a good deal of effort he found a talented but impoverished young German Vedic scholar by name Friedrich Max Muller who was willing to take on the arduous job. Macaulay used his influence with the East India Company to find funds for Max Muller’s translation of the Rig Veda. Though an ardent German nationalist, Max Muller agreed for the sake of Christianity to work for the East India Company, which in reality meant the British Government of India. He also badly needed a major sponsor for his ambitious plans, which he felt he had at last found. The fact is that Max Muller was paid by the East India Company to further its colonial aims, and worked in cooperation with others who were motivated by the superiority of the German race through the white Aryan race theory. This was the genesis of his great enterprise, translating the Rig Veda with Sayana's commentary and the editing of the fifty-volume Sacred Books of the East. In this way, there can be no doubt regarding Max Muller’s initial aim and commitment to converting Indians to Christianity. Writing to his wife in 1866 he observed: “It [the Rig Veda] is the root of their religion and to show them what the root is, I feel sure, is the only way of uprooting all that has sprung from it during the last three thousand years.” Two years later he also wrote the Duke of Argyle, then acting Secretary of State for India: “The ancient religion of India is doomed. And if Christianity does not take its place, whose fault will it be?” This makes it very clear that Max Muller was an agent of the British government paid to advance its colonial interests. Nonetheless, he still remained an ardent German nationalist even while working in England. This helps explain why he used his position as a recognized Vedic and Sanskrit scholar to promote the idea of the “Aryan race” and the “Aryan nation,” a theory amongst a certain class of so-called scholars, which has maintained its influence even until today.
Stephen Knapp (The Aryan Invasion Theory: The Final Nail in its Coffin)
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
Carol S. Dweck (Mindset: The New Psychology of Success)
How did you find me?" "I've followed you for a long time." He must have mistaken the look on my face for alarm or fear, and said, "Not literally. I just mean I never lost track." But it wasn't fear, or anything like that. It was an instant of realization I'd have a lot in the coming days: I'd been thinking of him as coming back from the dead, but the fact was he'd been there all along. He'd been alive when I cried in my room over him being gone. He'd been alive when I started a new school without him, the day I made my first friend a Jones Hall, the time I ran into Ethan at the library. Cameron Quick and I had existed simultaneously on the planet during all of those moments. It didn't seem possible that we could have been leading separate lives, not after everything we'd been through together. "...then I looked you up online," he was saying, "and found your mom's wedding announcement from before you changed your name. I didn't even need to do that. It's easy to find someone you never lost." I struggled to understand what he was saying. "You mean...you could have written to me, or seen me, sooner?" "I wanted to. Almost did, a bunch of times." "Why didn't you? I wish you had." And I did, I wished it so much, imagined how it would have been to know all those years that he was there, thinking of me. "Things seemed different for you," he said, matter-of-fact. "Better. I could tell that from the bits of information I found...like an interview with the parents who were putting their kids in your school when it first started. Or an article about that essay contest you won a couple years ago." "You knew about that?" He nodded. "That one had a picture. I could see just from looking at you that you had a good thing going. Didn't need me coming along and messing it up." "Don't say that," I said quickly. Then: "You were never part of what I wanted to forget." "Nice of you to say, but I know it's not true." I knew what he was thinking, could see that he'd been carrying around the same burden all those years as me. "You didn't do anything wrong." It was getting cold on the porch, and late, and the looming topic scared me. I got up. "Let's go in. I can make coffee or hot chocolate or something?" "I have to go." "No! Already?" I didn't want to let him out of my sight. "Don't worry," he said. "Just have to go to work. I'll be around." "Give me your number. I'll call you." "I don't have a phone right now." "Find me at school," I said, "or anytime. Eat lunch with us tomorrow." He didn't answer. "Really," I continued, "you should meet my friends and stuff." "You have a boyfriend," he finally said. "I saw you guys holding hands." I nodded. "Ethan." "For how long?" "Three months, almost." I couldn't picture Cameron Quick dating anyone, though he must have at some point. If I'd found Ethan, I was sure Cameron had some Ashley or Becca or Caitlin along the way. I didn't ask. "He's nice," I added. "He's..." I don't know what I'd planned to say, but whatever it was it seemed insignificant so I finished that sentence with a shrug. "You lost your lisp." And about twenty-five pounds, I thought. "I guess speech therapy worked for both of us." He smiled. "I always liked that, you know. Your lisp. It was...you." He started down the porch steps. "See you tomorrow, okay?" "Yeah," I said, unable to take my eyes off of him. "Tomorrow.
Sara Zarr (Sweethearts)
Your life in the multiverse was like a magnificent oak tree with a gajillion branches, some of them deformed and some of them beautiful. You made stupid decisions, and tragedy ensued. You made wise decisions, and tragedy ensued. But for every tragedy, there was a triumph, a world where you lived instead of dying, where you found love instead of losing it, where you prospered. Both fate and free will were involved. Everything that could happen to you was known from the big bang, and yet each version of Amity chose the path she wished to choose. In the end, the meaning of your life was the final shape and beauty—or ugliness—of the tree when all branches had grown to maturity. This was a total crazy-ass way to design the multiverse, really and truly. If before her adventure someone had explained this reality to her, she would have called it bullsugar. However, she had experienced the truth of it, and with the passing days, she had come to see great beauty in this infinite forest of oak trees that were human lives in their striving, such beauty that sometimes the contemplation of it left her breathless and humbled.
Dean Koontz (Elsewhere)
She threw Lillian a laughing glance. “I’m sure he has found it refreshing to encounter a woman who actually dares to disagree with him.” “I’m not certain that ‘refreshing’ would be his first choice of words,” Lillian replied wryly. “However, when I don’t like something that he’s done, I do not hesitate to tell him so.” “Good,” Lady Olivia returned. “That is precisely what my brother needs. There are few women— or men, for that matter— who ever contradict him. He is a strong man who requires an equally strong wife to balance his nature.” Lillian found herself needlessly smoothing the skirts of her pale green gown as she remarked carefully, “If Lord Westcliff and I did marry… he would face many objections from relatives and friends, wouldn’t he? Especially from the countess.” “His friends would never dare,” Lady Olivia replied at once. “As for my mother…” She hesitated and then said frankly, “She has already made it clear that she does not approve of you. I doubt she ever will. However, that leaves you in very large company, as she disapproves of nearly everyone. Does it worry you that she opposes the match?” “It tempts me beyond reason,” Lillian said, causing Lady Olivia to erupt with laughter. “Oh, I do like you,” she gasped. “You must marry Marcus, as I would love above all else to have you as a sister-in-law.” Sobering, she stared at Lillian with a warm smile. “And I have a selfish reason for hoping that you will accept him. Although Mr. Shaw and I have no immediate plans to move to New York, I know that day will not be long in coming. When that happens, I should be relieved to know that Marcus is married and has someone to care for him, with both his sisters living so far away.” She stood from the bench, straightening her skirts. “The reason I’ve told you all of this is because I wanted you to understand why it is so difficult for Marcus to abandon himself to love. Difficult, but not impossible. My sister and I have finally managed to break free of the past, with the help of our husbands. But Marcus’s chains are the heaviest of all. I know that he is not the easiest man to love. However, if you could bring yourself to meet him halfway… perhaps even a bit more than halfway… I believe you would never have cause to regret it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.
Judith McNaught (Almost Heaven (Sequels, #3))
Bobby conjured up something that scared him to death and he ran out of the house and never came back. Of course you’re supposed to close those doors but they never did… I found these cards dating back to the Salem witch trials that were at a house in New York where we lived with Raven, and they were covered in human blood. They were horrifying. I took about ten of them and they almost destroyed my life…The toilets flushed black and there was infestation of flies. Objects were flying off the counters at us. The house smelled like Rosewater Lavender, which was an old cologne people used in the 1600’s. We would tell the spirit to leave but it would go into another room. I was someone who didn’t believe in any of this and in two weeks I had to become an expert or it would have killed me and my son. Finally I found out who it was, what it was and I had to return it to Salem. Since then it has been a process of getting rid of the residual effects. I had an exorcism done several times….I am a very religious person because of it today. I won’t go into it any further but I will say that Cliff Burton of Metallica had the other half of the artifacts that I had and I really believe they killed him
Jon Wiederhorn
Part of it is personal. It’s the same way for athletes: an athlete wants to be in a big game, wants to compete on the field or in the ring. But another part, a bigger part I think, is patriotism. It’s the sort of thing that if it has to be explained, you’re not going to understand. But maybe this will help: One night a little later on, we were in an exhausting firefight. Ten of us spent roughly forty-eight hours in the second story of an old, abandoned brick building, fighting in hundred-degree-plus heat wearing full armor. Bullets flew in, demolishing the walls around us practically nonstop. The only break we took was to reload. Finally, as the sun came up in the morning, the sound of gunfire and bullets hitting brick stopped. The fight was over. It became eerily quiet. When the Marines came in to relieve us, they found every man in the room either slumped against a wall or collapsed on the floor, dressing wounds or just soaking in the situation. One of the Marines outside took an American flag and hoisted it over the position. Someone else played the National Anthem—I have no idea where the music came from, but the symbolism and the way it spoke to the soul was overwhelming; it remains one of my most powerful memories.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
He swore sharply, David Jones’s still-so-familiar voice coming out of that stranger’s body. “Do you have any idea how unbelievably hard it’s been to get you alone?” Had she finally started hallucinating? But he took off his glasses, and she could see his eyes more clearly and . . . “It’s you,” she breathed, tears welling. “It’s really you.” She reached for him, but he stepped back. Sisters Helen and Grace were hurrying across the compound, coming to see what the ruckus was, shading their eyes and peering so they could see in through the screens. “You can’t let on that you know me,” Jones told Molly quickly, his voice low, rough. “You can’t tell anyone—not even your friend the priest during confession, do you understand?” “Are you in some kind of danger?” she asked him. Dear God, he was so thin. And was the cane necessary or just a prop? “Stand still, will you, so I can—” “No. Don’t. We can’t . . .” He backed away again. “If you say anything, Mol, I swear, I’ll vanish, and I will not come back. Unless . . . if you don’t want me here—and I don’t blame you if you don’t—” “No!” was all she managed to say before Sister Helen opened the door and looked from the mess on the floor to Molly’s stricken expression. “Oh, dear.” “I’m afraid it’s my fault,” Jones said in a British accent, in a voice that was completely different from his own, as Helen rushed to Molly’s side. “My fault entirely. I brought Miss Anderson some bad news. I didn’t realize just how devastating it would be.” Molly started crying. It was more than just a good way to hide her laughter at that accent—those were real tears streaming down her face and she couldn’t stop them. Helen led her to one of the tables, helped her sit down. “Oh, my dear,” the nun said, kneeling in front of her, concern on her round face, holding her hand. “What happened?” “We have a mutual friend,” Jones answered for her. “Bill Bolten. He found out I was heading to Kenya, and he thought if I happened to run into Miss Anderson that she would want to know that a friend of theirs recently . . . well, passed. Cat’s out of the bag, right? Fellow name of Grady Morant, who went by the alias of Jones.” “Oh, dear,” Helen said again, hand to her mouth in genuine sympathy. Jones leaned closer to the nun, his voice low, but not low enough for Molly to miss hearing. “His plane went down—burned—gas tank exploded . . . Ghastly mess. Not a prayer that he survived.” Molly buried her face in her hands, hardly able to think. “Bill was worried that she might’ve heard it first from someone else,” he said. “But apparently she hadn’t.” Molly shook her head, no. News did travel fast via the grapevine. Relief workers tended to know other relief workers and . . . She could well have heard about Jones’s death without him standing right in front of her. Wouldn’t that have been awful?
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Dr. Syngmann: But someone must have made it all. Don't you think so, John? Pastor Jón: Thou shalt love the Lord thy God with all thy heart and so on, said the late pastor Lens. Dr. Syngmann: Listen, John, how is it possible to love God? And what reason is there for doing so? To love, is that not the prelude to sleeping together, something connected with the genitals, at its best a marital tragedy among apes? It would be ridiculous. People are fond of their children, all right, but if someone said he was fond of God, wouldn't that be blasphemy? Pastor Jón once again utters that strange word 'it' and says: I accept it. Dr. Syngmann: What do you mean when you say you accept God? Did you consent to his creating the world? Do you think the world as good as all that, or something? This world! Or are you all that pleased with yourself? Pastor Jón: Have you noticed that the ewe that was bleating outside the window is now quiet? She has found her lamb. And I believe that the calf here in the homefield will pull through. Dr. Syngmann: I know as well as you do, John, that animals are perfect within their limits and that man is the lowest rung in the reverse-evolution of earthly life: one need only compare the pictures of an emperor and a dog to see that, or a farmer and the horse he rides. But I for my part refuse to accept it. Pastor Jón Prímus: To refuse to accept it - what is meant by that? Suicide or something? Dr. Syngmann: At this moment, when the alignment with a higher humanity is at hand, a chapter is at last beginning that can be taken seriously in the history of the earth. Epagogics provide the arguments to prove to the Creator that life is an entirely meaningless gimmick unless it is eternal. Pastor Jón: Who is to bell the cat? Dr. Syngmann: As regards epagogics, it is pleading a completely logical case. In six volumes I have proved my thesis with incontrovertible arguments; even juridically. But obviously it isn't enough to use cold reasoning. I take the liberty of appealing to this gifted Maker's honour. I ask Him - how could it ever occur to you to hand over the earth to demons? The only ideal over which demons can unite is to have a war. Why did you permit the demons of the earth to profess their love to you in services and prayers as if you were their God? Will you let honest men call you demiurge, you, the Creator of the world? Whose defeat is it, now that the demons of the earth have acquired a machine to wipe out all life? Whose defeat is it if you let life on earth die on your hands? Can the Maker of the heavens stoop so low as to let German philosophers give Him orders what to do? And finally - I am a creature you have created. And that's why I am here, just like you. Who has given you the right to wipe me out? Is justice ridiculous in your eyes? Cards on the table! (He mumbles to himself.) You are at least under an obligation to resurrect me!
Halldór Laxness (Under the Glacier)
Marcus released the countess as if he had been burned. His first reaction was a piercing relief that Lillian was still alive. However, the relief was followed immediately by the awareness that she was far from safe. In light of St. Vincent’s need of a fortune, it made perfect sense for him to abduct Lillian. Marcus turned from his mother, never wanting to look at her again, unable to bring himself to speak to her. His gaze locked with Simon Hunt’s. Predictably, Hunt was already making rapid calculations. “He’ll take her to Gretna Green, of course,” Hunt murmured, “and they’ll have to travel east to the main road in Hertfordshire. He won’t risk traveling the back ways and getting mired in mud, or having the wheels damaged from broken road. From Hertfordshire it will be approximately forty-five hours to Scotland… and at a speed of ten miles per hour, with occasional stops for fresh relay horses…” “You’ll never overtake them,” the countess cried with a cackling laugh. “I told you I would have my way, Westcliff!” “Oh, shut up, you evil hag!” cried Daisy Bowman impatiently from the doorway, her eyes huge in her pale face. “Lord Westcliff, shall I run to the stables and tell them to saddle a horse?” “Two horses,” Simon Hunt said resolutely. “I’m going with him.” “Which ones—” “Ebony and Yasmin,” Marcus replied. They were his best Arabians, bred for speed over long distance. They were not as lightning-fast as thoroughbreds, but they would endure a punishing pace for hours, traveling at least three times as fast as St. Vincent’s coach. Daisy disappeared in a flash, and Marcus turned to his sister. “See that the countess is gone by the time I return,” he said curtly. “Pack whatever she needs, and get her off the estate.” “Where do you wish me to send her?” Livia asked, pale but composed. “I don’t give a damn, so long as she knows not to return.” Realizing that she was being banished, and most likely exiled, the countess rose from her chair. “I will not be disposed of in this manner! I won’t have it, my lord!” “And tell the countess,” Marcus said to Livia, “that if the slightest harm comes to Miss Bowman, she had better pray that I never find her.” Marcus strode from the room, shoving through a small crowd that had gathered in the hallway. Simon Hunt followed, pausing only to murmur briefly to Annabelle and press a kiss to her forehead. She stared after him with an anxious frown, biting her lip to keep from calling after him. After a lengthy pause, the countess was heard to mutter, “It matters not what becomes of me. I am content in the knowledge that I have prevented him from befouling the family lineage.” Livia turned to give her mother a half-pitying, half-contemptuous glance. “Marcus never fails,” she said softly. “Most of his childhood was spent learning to overcome impossible odds. And now that Marcus has finally found someone worth fighting for… do you really think he would let anything stop him?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Her mother cleaved him, cracking open like a peach pit split the tender centre mewling, a monster turned a baby. They snatched up the infant, innocent, beastly, from Half World they fled, they fled to the Realm of Flesh. Gee could not stop the words in the terrible book from popping up in his mind. The images that formed filled him with fear and fascination. Confusion. A creeping sense of recognition. The déjà vu of dreams…. Half World. The words whispered, echoed inside him. Like something almost familiar. Something he’d forgotten— How could Popo do this to him? Gee pounded the heels of his fists on the thick table. He pounded and pounded until he could feel the physical pain. Maybe Popo had written this book herself…. Maybe it was an elaborate psychological experiment? Maybe she was a psychotic, abusive person. Those irregularities in his adoption…. There were no papers. He had no birth certificate. His grandmother had found someone to forge documents. It had cost a lot of money. Popo had kidnapped him from somewhere and his real parents were still looking for him, far far away. That made more sense than the gibberish book. He wasn’t a murderous monster from a different Realm! Ridiculous! Mad. Popo! he raged. You did this to me! It’s all your fault! That’s why he didn’t have a real name. Baby G. Like a foundling in a basket. Baby X. John Doe. Why hadn’t she given him a proper name? The school had written his name as “Gee” when they saw Ms. Wei, saw that his papers identified him only as “G.” They must have thought she was illiterate. Did the teachers think it would make him more Asian? Because it hadn’t! When he’d finally asked his popo about his real name, she had been silent for a long time. You must seek your own name, she finally said. When the time comes.
Hiromi Goto (Darkest Light)
There’s just one thing I don’t understand,” she remarked, setting the periodical aside for a moment. “And that is?” She tucked her skirts around her legs, denying him further glimpses of her ankles. “Would you by chance know what gamahuching is?” Grey would have thought himself far beyond the age of blushing, but the heat in his cheeks was unmistakable. “Good lord, Rose.” His voice was little more than a rasp. “That is hardly something a young woman brings up in casual conversation.” Oh, but he could show her what gamahuching was. He’d be all too happy to crawl between those trim ankles and climb upward until he found the slit in her drawers… Rose shrugged. “I suppose it might be offensive to someone of your age, but women aren’t as sheltered as they once were, Grey. If you won’t provide a definition, I’m sure Mr. Maxwell will when I see him tonight.” And with that threat tossed out between them, the little baggage returned her attention to her naughty reading. His age? What did she think he was, an ancient? Or was she merely trying to bait him? Tease him? Well, two could play at that game. And he refused to think of Kellan Maxwell, the bastard, educating her on such matters. “I believe you’ve mistaken me if you think I find gamahuching offensive,” he replied smoothly, easing himself down onto the blanket beside her. “I have quite the opposite view.” Beneath the high collar of her day gown, Rose’s throat worked as she swallowed. “Oh?” “Yes.” He braced one hand flat against the blanket near her hip, leaning closer as though they were co-conspirators. “But I’m afraid the notion might seem distasteful to a lady of your inexperience and sheltered upbringing.” Doe eyes narrowed. “If I am not appalled by the practice of frigging, why would anything else done between two adults in the course of making love offend me?” Christ, she had the sexual vocabulary of a whore and the naivete of a virgin. There were so many things that people could do to each other that very well could offend her-hell, some even offended him. As for frigging, that just made him think of his fingers deep inside her wet heat, her own delicate hand around his cock, which of course was rearing its head like an attention-seeking puppy. He forced a casual shrug. Let her think he wasn’t the least bit affected by the conversation. Hopefully she wouldn’t look at his crotch. “Gamahuching is the act of giving pleasure to a woman with one’s mouth and tongue.” Finally his beautiful innocent seductress blushed. She glanced down at the magazine in her hands, obviously reimagining some of what she had read. “Oh.” Then, her gaze came back to his. “Thank you.” Thank God she hadn’t asked if it was pleasurable because Grey wasn’t sure his control could have withstood that. Still, glutton for punishment that he was, he held her gaze. “Anything else you would like to ask me?” Rose shifted on the blanket. Embarrassed or aroused? “No, I think that’s all I wanted to know.” “Be careful, Rose,” he advised as he slowly rose to his feet once more. He had to keep his hands in front of him to disguise the hardness in his trousers. Damn thing didn’t show any sign of standing down either. “Such reading may lead to further curiosity, which can lead to rash behavior. I would hate to see you compromise yourself, or give your affection to the wrong man.” She met his gaze evenly, with a strange light in her eyes that unsettled him. “Have you stopped to consider Grey, that I may have done that already?” And since that remark rendered him so completely speechless, he turned on his heel and walked away.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.
Laura Kipnis (Men: Notes from an Ongoing Investigation)
saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
Local Teen Adopted Finds Adoptive Family Within 24 Hours of 18th Birthday The final chapter of a family tragedy was written yesterday at the county courthouse when Cynthia and Tom Lemry signed formal adoption papers, gaining custody of Sarah Byrnes less than 24 hours before her 18th birthday. Local readers will remember Ms. Byrnes as the youngster whose face and hands were purposely burned on a hot wood stove by her father 15 years ago. The incident came to light this past February after Virgil Byrnes assaulted another teenager, 18-year-old Eric Calhoune, with a hunting knife. “Better late than never,” said Cynthia Lemry, a local high school teacher and swimming coach, in a statement to the press. “If someone had stepped up for this young lady a long time ago, years of heartache could have been avoided. She’s a remarkable human being, and we’re honored to have her in our family.” “I guess they’re just in the nick of time to pay my college tuition,” the new Sarah Lemry said with a smile. Also attending the ceremony were Eric Calhoune, the victim of Virgil Byrnes’s attack; Sandy Calhoune, the boy’s mother and a frequent columnist for this newspaper; Carver Milddleton, who served time on an assault charge against Virgil Byrnes in a related incident; the Reverend John Ellerby, controversial Episcopalian minister whose support of female clergy and full homosexual rights has frequently focused a spotlight on him in his 15-year stay at St. Mark’s; and his son, Steve Ellerby, who describes himself as “a controversial Episcopalian preacher’s kid.” Sarah Lemry confirmed that following the burning 15 years ago, her father refused her opportunities for reconstructive surgery, saying her condition would teach her to “be tough.” She refused comment on further torturous physical abuse allegations, for which, among other charges, Byrnes has been found guilty in superior court and sentenced to more than 20 years in the state penitentiary at Walla Walla. When asked if she would now seek the reconstructive surgery she was so long denied, Sarah Lemry again smiled and said, “I don’t know. It’d be a shame to change just when I’m getting used to it.
Chris Crutcher (Staying Fat for Sarah Byrnes)
We’ve combined the jurda parem with a sedative that makes them more biddable. We’re still working out the correct ratios, but we’ll get there. Besides, by the second dose, the addiction does the work of controlling them.” “Not the first dose?” “Depends on the Grisha.” “How many times have you done this?” Brum laughed. “I haven’t counted. But trust me, she’ll be so desperate for more jurda parem, she won’t dare act against us. It’s a remarkable transformation. I think you’ll enjoy it.” Matthias’ stomach clenched. “You’ve kept the scientist alive then?” “He’s done his best to replicate the process of creating the drug, but it’s a complicated thing. Some batches work; others are no better than dust. As long as he can be of service, he lives.” Brum placed his hand on Matthias’ shoulder, his harsh gaze softening. “I can scarcely believe you’re really here, alive, standing before me. I thought you were dead.” “I believed the same of you.” “When I saw you in that ballroom, I barely recognized you, even in that uniform. You are so changed—” “I had to let the witch tailor me.” Brum’s revulsion was obvious. “You allowed her to—” Somehow, seeing that response in someone else made Matthias ashamed of the way he’d reacted to Nina. “It had to be done,” he said. “I needed her to believe I was committed to her cause.” “That’s all over now, Matthias. You are finally safe and among your own kind.” Brum frowned. “Something is troubling you.” Matthias looked into the cell next to Nina’s, then another, and another, moving down the hall as Brum followed. Some of the captive Grisha were agitated, pacing. Others had their faces pressed up against the glass. Others simply lay on the floor. “You can’t have known about parem for more than a month. How long has this facility been here?” “I had it built almost fifteen years ago with the blessing of the king and his council.” Matthias drew up short. “Fifteen years? Why?” “We needed someplace to put the Grisha after the trials.” “After? When Grisha are found guilty, they’re sentenced to death.” Brum shrugged. “It is still a death sentence, just one a little longer in the making. We discovered long ago that the Grisha could prove a useful resource.” A resource. “You told me they were to be eradicated. That they were a blight on the natural world.” “And they are—when they attempt to masquerade as men. They aren’t capable of right thinking, of human morality. They are meant to be controlled.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
As physicist Edward Witten once said, “String theory is extremely attractive because gravity is forced upon us. All known consistent string theories include gravity, so while gravity is impossible in quantum field theory as we have known it, it’s obligatory in string theory.” Ten Dimensions But as the theory began to evolve, more and more fantastic, totally unexpected features began to be revealed. For example, it was found that the theory can only exist in ten dimensions! This shocked physicists, because no one had ever seen anything like it. Usually, any theory can be expressed in any dimension you like. We simply discard these other theories because we obviously live in a three-dimensional world. (We can only move forward, sideways, and up and down. If we add time, then it takes four dimensions to locate any event in the universe. If we want to meet someone in Manhattan, for example, we might say, Let’s meet at the corner of 5th Avenue and 42nd Street, on the tenth floor, at noon. However, moving in dimensions beyond four is impossible for us, no matter how we try. In fact, our brains cannot even visualize how to move in higher dimensions. Therefore all the research done in higher-dimensional string theory is done using pure mathematics.) But in string theory, the dimensionality of space-time is fixed at ten dimensions. The theory breaks down mathematically in other dimensions. I still remember the shock that physicists felt when string theory posited that we live in a universe of ten dimensions. Most physicists saw this as proof that the theory was wrong. When John Schwarz, one of the leading architects of string theory, was in the elevator at Caltech, Richard Feynman would prod him, asking, “Well, John, and how many dimensions are you in today?” Yet over the years, physicists gradually began to show that all rival theories suffered from fatal flaws. For example, many could be ruled out because their quantum corrections were infinite or anomalous (that is, mathematically inconsistent). So over time, physicists began to warm up to the idea that perhaps our universe might be ten-dimensional after all. Finally, in 1984, John Schwarz and Michael Green showed that string theory was free of all the problems that had doomed previous candidates for a unified field theory. If string theory is correct, then the universe might have originally been ten-dimensional. But the universe was unstable and six of these dimensions somehow curled up and became too small to be observed. Hence, our universe might actually be ten-dimensional, but our atoms are too big to enter these tiny higher dimensions.
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
Chapter 1 Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.
Jennifer Cano (Hinges of Broams Eld (Broams Eld, #1))
‌* When the coughing stopped, there was nothing but the nothingness of life moving on with a shuffle, or a near-silent twitch. ‌* Mistakes, mistakes, it’s all I seem capable of at times ‌*No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment. ‌*It’s much easier, she realized, to be on the verge of something than to actually be it ‌*When death captures me,” the boy vowed, “he will feel my fist on his face.”. ‌*he’d turned for one last look at his family as he left the apartment. Perhaps then the guilt would not have been so heavy. No final goodbye. No final grip of the eyes. Nothing but goneness. ‌ *Wrecked, but somehow not torn into pieces. ‌*Life had altered in the wildest possible way, but it was imperative that they act as if nothing at all had happened. ‌*“If we gamble on a Jew,” said Papa soon after, “I would prefer to gamble on a live one,” and from that moment, a new routine was born. *‌you should know it yourself—a young man is still a boy, and a boy sometimes has the right to be stubborn.” ‌*The fire was nothing now but a funeral of smoke, dead and dying, simultaneously. ‌*Even death has a heart.. ‌* In truth, I think he was afraid. Rudy Steiner was scared of the book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them. ‌*There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone. *‌That damn snowman,” she whispered. “I bet it started with the snowman—fooling around with ice and snow in the cold down there.” Papa was more philosophical. “Rosa, it started with Adolf.” *‌There were broken bodies and dead, sweet hearts. Still, it was better than the gas ‌*They were French, they were Jews, and they were you. ‌*Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. *‌Himmel Street was a trail of people, and again, Papa left his accordion. Rosa reminded him to take it, but he refused. “I didn’t take it last time,” he explained, “and we lived.” War clearly blurred the distinction between logic and superstition. ‌*Silence was not quiet or calm, and it was not peace. ‌*“I should have known not to give the man some bread. I just didn’t think.” “Papa, you did nothing wrong.” “I don’t believe you. ‌ * I’m an idiot.” No, Papa. You’re just a man.. ‌*What someone says and what happened are usually two different things ‌* despised by his homeland, even though he was born in it ‌ *“Of course I told him about you,” Liesel said. She was saying goodbye and she didn’t even know it. ‌*Say something enough times and you never forget it ‌*robbery of his life? ‌*Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places ‌*One could not exist without the other, because for Liesel, both were home. Yes, that’s what Hans Hubermann was for Liesel Meminger ‌*DEATH AND LIESEL It has been many years since all of that, but there is still plenty of work to do. I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.
Markus Zusak (THE BOOK THIEF)