Fill My Shoes Quotes

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I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
But he [Depression] just gives me that dark smile, settles into my favorite chair, puts his feet on my table and lights a cigar, filling the place with his awful smoke. Loneliness watches and sighs, then climbs into my bed and pulls the covers over himself, fully dressed, shoes and all. He's going to make me sleep with him again tonight, I just know it.
Elizabeth Gilbert (Eat, Pray, Love)
Music is fluid, and sometimes I fill up my saxophone to the point where it overflows. Of course, sometimes my ducks splash and slosh it all over my shoes, but the other passengers in the elevator never seem to mind.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Buying her shit only pissed her off, and trust me, I’d had my people filling her wardrobe with designer shoes and dresses. She gave them all away to the homeless shelter down the street like they weren’t worth a dime. In fact, there’s a crazy homeless woman in downtown Boston walking around in a Stella McCartney suit and a pair of Jimmy Choo’s, yelling at traffic lights that she was the real Messiah. Yeah.
L.J. Shen (Sparrow (Boston Belles #0.5))
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
Parking himself on the chaise lounge, he stared at the gown that Lassiter had handled so roughly. The fine satin was bunched up in waves, the disorder creating a wonderful, shimmering display over on the bed. “My beloved is dead,” he said out loud. As the sound of the words faded, something was suddenly, stupidly clear: Wellesandra, blooded daughter of Relix, was never filling out that bodice again. She was never going to put the skirting over her head and wriggle into the corset, or free the ends of her hair from the lace-ups in the back. She wasn’t going to look for matching shoes, or get pissed off because she sneezed right after she put her mascara on, or worry about whether she was going to spill on the skirting. She was… dead.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
She says I shall now have one mouth the more to fill and two feet the more to shoe, more disturbed nights, more laborious days, and less leisure or visiting, reading, music, and drawing. Well! This is one side of the story, to be sure, but I look at the other. Here is a sweet, fragrant mouth to kiss; here are two more feet to make music with their pattering about my nursery. Here is a soul to train for God; and the body in which it dwells is worth all it will cost, since it is the abode of a kingly tenant. I may see less of friends, but I have gained one dearer than them all, to whom, while I minister in Christ's name, I make a willing sacrifice of what little leisure for my own recreation my other darlings had left me. Yes, my precious baby, you are welcome to your mother's heart, welcome to her time, her strength, her health, her tenderest cares, to her lifelong prayers! Oh, how rich I am, how truly, how wondrously blest!
Elizabeth Payson Prentiss (Stepping Heavenward)
What actually happened was something absurdly simple and unspectacular: I stopped thinking. [...] Reason and imagination and all mental chatter died down. For once, words really failed me. Past and future dropped away. I forgot who and what I was, my name, manhood, animalhood, all that could be called mine. It was as if I had been born that instant, brand new, mindless, innocent of all memories. There existed only the Now, that present moment and what was clearly given in it. To look was enough. And what I found was khaki trouserlegs terminating downwards in a pair of brown shoes, khaki sleeves terminating sideways in a pair of pink hands, and a khaki shirtfront terminating upwards in—absolutely nothing whatever! Certainly not in a head. It took me no time at all to notice that this nothing, this hole where a head should have been was no ordinary vacancy, no mere nothing. On the contrary, it was very much occupied. It was a vast emptiness vastly filled, a nothing that found room for everything—room for grass, trees, shadowy distant hills, and far above them snowpeaks like a row of angular clouds riding the blue sky. I had lost a head and gained a world.
Douglas E. Harding (On Having No Head: Seeing One's Original Nature)
She shrugged, looking as baffled by it as he felt. "I don't know. I wonder sometimes if people even know what love is anymore. Some days, when I'm watching my friends change lovers as unperturbedly as they change shoes, I think the world just got filled with too many people, and all our technological advances made things so easy that it cheapened our most basic, essential value somehow," she told him. "It's like spouses are commodities nowadays: disposable, constantly getting tossed back out for trade on the market and everyone's trying to trade up, up--like there is a 'trading up' in love." She rolled her eyes. "No way. That's not for me. I'm having one husband. I'm getting married once. When you know going in that you're staying for life, it makes you think harder about it, go slower, choose really well.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
If you were in my shoes, you’d understand that suffocating feeling. Like an hourglass that keeps filling up, until you drown. Well, I broke the glass and the sand has spilled out. I’m not going to drown here.
Míriam Bonastre Tur (Marionetta)
Well right about that time, people, A fur trapper Who was strictly from commercial (Strictly Commershil) Had the unmedicated audacity to jump up from behind my igyaloo (Peek-a-Boo Woo-ooo-ooo) And he started in to whippin' on my fav'rite baby seal With a lead-filled snow shoe . . .
Frank Zappa (Apostrophe ('))
This is very creative,” said Mrs. Fretag, and she began to read my essay. The words sounded good to me. Everybody was listening. My words filled the room, from blackboard to blackboard, they hit the ceiling and bounced off, they covered Mrs. Fretag’s shoes and piled up on the floor.
Charles Bukowski (Ham on Rye)
One day before he left, Jon called me into his office and he had a pair of shoes and he said, “What do you think of these shoes?” And I said, “Oh, they’re good shoes.” He said, “What size are you?” I said, “I’m a size eleven.” He said, “I’m a size eight.” And he said, “Will these fit you?” And I said, “No.” And he said, “Don’t let anyone ever tell you, you can’t fill my shoes. You’re not meant to fill them.” ~ TREVOR NOAH
Chris Smith (The Daily Show (The Audiobook): An Oral History as Told by Jon Stewart, the Correspondents, Staff and Guests)
When we return from the north,” he promises, hand to his heart in an exaggerated way that lets me know he considers this a silly vow rather than a solemn one, “they will wake to find their shoes filled with fine, fat rubies. They can use them to buy new leggings and another roast chicken.” “How will they sell rubies?” I ask him. “Why not leave them something more practical?” He rolls his eyes. “As a prince of Faerie, I flatly refuse to leave cash. It’s inelegant.” Tiernan shakes his head at both of us, then pokes at the foodstuffs, selecting a handful of nuts. “Gift cards are worse,” Oak says when I do not respond. “I would bring shame on the entire Greenbriar line if I left a gift card.” At that, I can’t help smiling a little, despite my heavy heart. “You’re ridiculous.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .
Tennessee Williams (The Glass Menagerie)
I sat there behind the wheel of my car, not sure what I should do, wishing I was someplace else, anyplace else, trying on shoes at Thom McAn’s, filling out a credit application in a discount store, standing in front of a pay toilet stall with diarrhea and no dime. Anyplace, man. It didn’t have to be Monte Carlo. Mostly I sat there wishing I was older.
Stephen King (Christine)
No one is going to try to fill my mother's shoes, what she did was fantastic. It's about making your own future and your own destiny and Kate will do a very good job of that.
Prince William
And suddenly I was afraid. My father, the man whose shoes I had been trying to fill for two years, was awake. Would he still live up to my expectations? Would I live up to his?
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
Once upon a raindrop, I landed on Depression. My umbrella broke and broke me with it's bones. It hurt but didn't, and it eased my rain. Curious a little afraid, I tried it once again. Bitter feeling, my starburst shrunk with fear. Sadness filled me up and now I'm here. Repeat, repeat, feeling numb and blue. Cutting became my flight from Depression to Okay and I pushed through. Though a bad solution, it became the one. It's lasted years, it's never done. Once upon a raindrop, I smile and blink a tear. Sometimes my plane flies me back to Depression and cutting then appears. I try and try to stop, but I always round the bend. I can stay on Okay for months, but then I reach an end. It's been a rough road, maybe it will end. It's been a rough road, I know cutting's not my friend. So my starburst searches for solutions, not sure which to choose. And once upon a raindrop, I might land in Happy's shoes.
Alysha Speer
I look like a boy who's trying to fill the shoes of a man, sitting in a chair that's swallowing me whole. Living in a kingdom of people I'm too afraid to confront. And yet, through it all, I pretend. Pretend to know how to live my life as a king.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
When my nephew passed beyond, Wilhelm comforted himself that a child in his innocence would be delivered speedily to heaven, and there be given an honored place. “In this small, simple throne,” Wilhelm said, and I said, “With secret compartments for his bird’s nests and smooth stones.” Wilhelm believed this. He had to believe this. I, too, repeated this conception to myself again and again, trying harder to harder to believe it. But a Creator who takes a child so small, so kind, so tender? What can be made of that? The tales we collected are not merciful. Villains are boiled in snake-filled oil, wicked Steifmutter-stepmothers-are made to dance into death in molten-hot shoes, and on and on. The tales are full of terrible punishments, yes, but they follow just cause. Goodness is rewarded; evil is not. The generous simpleton finds more happiness and coin than the greedy king. So why not mercy and justice to sweet youth from an omnipotent and benevolent Creator? There are only three answers. He is not omnipotent, or he is not benevolent, or-the dreariest possibility of all-he is inattentive. What if that was what happened to my nephew? That God’s gaze had merely strayed elsewhere?
Tom McNeal (Far Far Away)
I stumbled out into the street, hoping that I looked like a drunken sailor. Everything was all topsy-turvy because my eyes were filled with tears. I clutched my shoes to my chest as I went. I cried loudly, not even bothering to wipe the tears and snot off my face. I just let it all pour down, allowing everybody walking by to see what this world had done to me. If a kid my age walks down the street in her socks, crying her eyes out, then it makes it a bad neighborhood. I was glad I was making their world a shitty place to live.
Heather O'Neill (Lullabies for Little Criminals)
my shoes are leaden and filled with water,
Lauren Oliver (Delirium (Delirium, #1))
In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
Barry Pain (Ghostly By Gaslight)
Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me. But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
Sad truth is. . . we all end up alone on some death bed. Yeah? No way to take anybody else's place and no way we can be lying on the same one.” I was at the edge of the white-wed cloth. My shoes filled with concrete, as did my head, looking at the empty shell of what was once a woman full of wonder. “Any way to make someone feel not so alone?” she asked. “The only thing anyone can ever do is help someone feel a little less lonely before they get there.” “How does someone do that?” “Memories. Help create memories. Better ones. Ones to replace the old.
S.D. Lawendowski (Snapped)
I once sold shoes. They were Buy One, Get One FREE. Then I met a customer with only one foot, and now I have an extra shoe. So, I filled it with duck eggs, because I ran out of room in the six pockets of my pool table.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
In the early months of World War II, San Francisco's Fill-more district, or the Western Addition, experienced a visible revolution. On the surface it appeared to be totally peaceful and almost a refutation of the term “revolution.” The Yakamoto Sea Food Market quietly became Sammy's Shoe Shine Parlor and Smoke Shop. Yashigira's Hardware metamorphosed into La Salon de Beauté owned by Miss Clorinda Jackson. The Japanese shops which sold products to Nisei customers were taken over by enterprising Negro businessmen, and in less than a year became permanent homes away from home for the newly arrived Southern Blacks. Where the odors of tempura, raw fish and cha had dominated, the aroma of chitlings, greens and ham hocks now prevailed. The Asian population dwindled before my eyes. I was unable to tell the Japanese from the Chinese and as yet found no real difference in the national origin of such sounds as Ching and Chan or Moto and Kano. As the Japanese disappeared, soundlessly and without protest, the Negroes entered with their loud jukeboxes, their just-released animosities and the relief of escape from Southern bonds. The Japanese area became San Francisco's Harlem in a matter of months. A person unaware of all the factors that make up oppression might have expected sympathy or even support from the Negro newcomers for the dislodged Japanese. Especially in view of the fact that they (the Blacks) had themselves undergone concentration-camp living for centuries in slavery's plantations and later in sharecroppers' cabins. But the sensations of common relationship were missing. The Black newcomer had been recruited on the desiccated farm lands of Georgia and Mississippi by war-plant labor scouts. The chance to live in two-or three-story apartment buildings (which became instant slums), and to earn two-and even three-figured weekly checks, was blinding. For the first time he could think of himself as a Boss, a Spender. He was able to pay other people to work for him, i.e. the dry cleaners, taxi drivers, waitresses, etc. The shipyards and ammunition plants brought to booming life by the war let him know that he was needed and even appreciated. A completely alien yet very pleasant position for him to experience. Who could expect this man to share his new and dizzying importance with concern for a race that he had never known to exist? Another reason for his indifference to the Japanese removal was more subtle but was more profoundly felt. The Japanese were not whitefolks. Their eyes, language and customs belied the white skin and proved to their dark successors that since they didn't have to be feared, neither did they have to be considered. All this was decided unconsciously.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me. Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship. Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell. “Coming!” I step back and see Aly stick her head out of her second-story window. “No problem,” I call back up. “Take your time.” More time to get my head on straight. Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not. I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves. I grab a second stick and shove it in, too. With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
Ford and Arthur talking: "This is very, very serious indeed. The Guide has been taken over. It's been bought out." Arthur leapt up. "Oh, very serious," he shouted. "Please fill me in straight away on some corporate publishing politics! I can't tell you how much it's been on my mind of late!" "You don't understand! There's a whole new Guide!" "Oh!" shouted Arthur again. "Oh! Oh! Oh! I'm incoherent with excitement! I can hardly wait for it to come out to find out which are the most exciting spaceports to get bored hanging about in in some globular cluster I've never heard of. Please, can we rush to a store that's got it right this very instant?" Ford narrowed his eyes. "This is what you call sarcasm, isn't it?" "Do you know," bellowed Arthur, "I think it is? I really think it might just be a crazy little thing called sarcasm seeping in at the edges of my manner of speech! Ford, I have had a fucking bad night! Will you please try and take that into account while you consider what fascinating bits of badger-sputumly inconsequential trivia to assail me with next?" ... "Temporal reverse engineering." Arthur put his head in his hands and shook it gently from side to side. "Is there any humane way," he moaned, "in which I can prevent you from telling me what temporary reverse bloody-whatsiting is?" ... "I leaped out of a high-rise office window." This cheered Arthur up. "Oh!" he said. "Why don't you do it again?" "I did." "Hmmm," said Arthur, disappointed. "Obviously no good came of it." ... "What was the self-sacrifice?" "I jettisoned half of a much-loved and I think irreplaceable pair of shoes." "Why was that self-sacrifice?" "Because they were mine!" said Ford, crossly. "I think we have different value systems." "Well, mine's better.
Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
I know of no trunk full of old heirlooms, no felt hats or army uniforms. There are no tarnished medals or gold watches. I've stopped dreaming of discovering the old shoe box filled with the history of our family, the documents and letters that recorded our family's arrival and the historical milestones as my grandfathers left their mark on a place. There is no journal or diary. I do not know if they knew how to read or write. I could easily dismiss their existence. Their lives seem empty and still, void of emotion. I cannot tell if they wear scars. I only know of my grandfathers as broken old men.
David Mas Masumoto (Harvest Son: Planting Roots in American Soil)
At childhood’s end, the houses petered out into playing fields, the factory, allotments kept, like mistresses, by kneeling married men, the silent railway line, the hermit’s caravan, till you came at last to the edge of the woods. It was there that I first clapped eyes on the wolf. He stood in a clearing, reading his verse out loud in his wolfy drawl, a paperback in his hairy paw, red wine staining his bearded jaw. What big ears he had! What big eyes he had! What teeth! In the interval, I made quite sure he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink, my first. You might ask why. Here’s why. Poetry. The wolf, I knew, would lead me deep into the woods, away from home, to a dark tangled thorny place lit by the eyes of owls. I crawled in his wake, my stockings ripped to shreds, scraps of red from my blazer snagged on twig and branch, murder clues. I lost both shoes but got there, wolf’s lair, better beware. Lesson one that night, breath of the wolf in my ear, was the love poem. I clung till dawn to his thrashing fur, for what little girl doesn’t dearly love a wolf? Then I slid from between his heavy matted paws and went in search of a living bird – white dove – which flew, straight, from my hands to his hope mouth. One bite, dead. How nice, breakfast in bed, he said, licking his chops. As soon as he slept, I crept to the back of the lair, where a whole wall was crimson, gold, aglow with books. Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood. But then I was young – and it took ten years in the woods to tell that a mushroom stoppers the mouth of a buried corpse, that birds are the uttered thought of trees, that a greying wolf howls the same old song at the moon, year in, year out, season after season, same rhyme, same reason. I took an axe to a willow to see how it wept. I took an axe to a salmon to see how it leapt. I took an axe to the wolf as he slept, one chop, scrotum to throat, and saw the glistening, virgin white of my grandmother’s bones. I filled his old belly with stones. I stitched him up. Out of the forest I come with my flowers, singing, all alone. Little Red-Cap
Carol Ann Duffy (The World's Wife)
My new apartment came with a Baby Shrine. In the closet of a second bedroom. Hemingway's "For sale: baby shoes, never worn" filling an entire shelf. Piles of rattles and dozens of bibs. Too much to describe in just six words. I invited a cute neighbor over to see. It wasn't a very good icebreaker. But young guys only get so smooth.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me....
Robert Walser (The Robber)
I’ve nearly forgotten about my sodden shoes and the stinging from my cut. The fresh, resinuous smell of the woods fills me with renewed energy. We’re Lancelot and Guinevere, fleeing through the forest from a jealous King Arthur. Any moment we’ll come upon a white steed and Lancelot will swing me up upon its jeweled saddle and we’ll gallop off together.
Hester Fox (The Witch of Willow Hall)
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbour’s or friend’s daughter She is like a flower Very fragile, yet so gorgeous An Angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated She needs to live, she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her if pain becomes a reality Embrace her should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her The honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb on a mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to wisely triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Boy meets girl. Girl meets shoes. Shoes meet shoes. Boy empties basement. Shoes fill basement. Boy empties wardrobe. Shoes fill wardrobe. Girl goes into guest room and comes back out of walk-in closet. Boy and girl have baby. Girl meets baby shoes. Boy meets a more “practical” car. Girl meets shopping mall. Boy puts down foot. Girl is forbidden to buy new shoes before girl throws out old shoes. Girl throws out boy’s shoes.
Fredrik Backman (Things My Son Needs to Know about the World)
Your Parents’ Marriage: An Introduction Boy meets girl. Girl meets shoes. Shoes meet shoes. Boy empties basement. Shoes fill basement. Boy empties wardrobe. Shoes fill wardrobe. Girl goes into guest room and comes back out of walk-in closet. Boy and girl have baby. Girl meets baby shoes. Boy meets a more ‘practical’ car. Girl meets shopping mall. Boy puts down foot. Girl is forbidden to buy new shoes before girl throws out old shoes. Girl throws out boy’s shoes.
Fredrik Backman (Things My Son Needs to Know About The World)
Astrid turned, slowly and deliberately, toward Reyna. She looked her up and down, and then frowned, as if she couldn't quite place her. "Reyna? I didn't recognize you without the emo girl costume. Still not quite the goddess of light and beauty, are you? Big heels to fill. It'll take a while to grow into them." She looked Reyna over again. "Maybe a long while." "Oh, I fit my shoes just fine. Today, they're a sweet pair of combat boots, because today, I'm playing a different aspect of Freya. Goddess of kick-your-butt-if-you-mess-with-me. Or mess with anyone else.
K.L. Armstrong (Thor's Serpents (The Blackwell Pages #3))
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
Sarah Winman (Tin Man)
We only have a little bit of time before I leave for Korea. Let’s not waste it.” Then I slide my hand in his, and he squeezes it. The house is completely empty, for the first time all week. All the other girls are still at the party, except for Chris, who ran into somebody she knows through Applebee’s. We go up to my room, and Peter takes off his shoes and gets in my bed. “Want to watch a movie?” he asks, stretching his arms behind his head. No, I don’t want to watch a movie. Suddenly my heart is racing, because I know what I want to do. I’m ready. I sit down on the bed next to him as he says, “Or we could start a new show--” I press my lips to his neck, and I can feel his pulse jump. “What if we don’t watch a movie or a show? What if we…do something else instead.” I give him a meaningful look. His body jerks in surprise. “What, you mean like now?” “Yes.” Now. Now feels right. I start planting little kisses down his throat. “Do you like that?” I can feel him swallow. “Yes.” He pushes me away from him so he can look at my face. “Let’s stop for a second. I can’t think. Are you drunk? What did Chris put in that drink she gave you?” “No, I’m not drunk!” I had a little bit of a warm feeling in my body, but the walk home woke me right up. Peter’s still staring at me. “I’m not drunk. I swear.” Peter swallows hard, his eyes searching mine. “Are you sure you want to do this now?” “Yes,” I say, because I really, truly am. “But first can you put on Frank Ocean?” He grabs his phone, and a second later the beat kicks in and Frank’s melodious voice fills the room. Peter starts fumbling with his shirt buttons and then gives up and starts to pull my shirt up, and I yelp, “Wait!” Peter’s so startled, he jumps away from me. “What? What’s wrong?” I leap off the bed and start rummaging through my suitcase. I’m not wearing my special bra and underwear set; I’m wearing my normal every day cappuccino-colored bra with the frayed edges. I can’t lose my virginity in my ugliest bra.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
She's barely gained consciousness and when she sees me standing over her naked, I can imagine my virtual absence of humanity fills her with mind-bending horror. I've situated the body in front of the new Toshiba Television set and in the VCR is an old tape and appearing on the screen is the last girl I filmed. I'm wearing: a Joseph Abboud suit, tie by Paul Stuart, shoes by J. Crew, a vest by someone Italian and I'm kneeing on the floor beside a corpse eating the girl's brain gobbling it down spreading Grey Poupon over hunks of the pink fleshy meat. "Can you see?" I asked the girl not on the Television set. "Can you see this, are you watching?" I whisper. I try using the power drill on her, forcing it into her mouth but she's conscious enough, has strength to close her teeth clamping them down and even though the drill goes through the teeth quickly it fails to interest me. So I hold her head up, blood dribbling from her mouth and make her watch the rest of the tape. While she's looking at the girl on the screen bleed from almost every possible orifice I'm hoping she realizes that this would've happened to her no matter what. That she would've ended up here lying on the floor in my apartment hands nailed to posts, cheese and broken glass pushed up into her cunt. Her head cracked and bleeding purple no matter what other choice she might have made.
Bret Easton Ellis (American Psycho)
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbour’s or friend’s daughter She is like a flower Very fragile, yet so gorgeous An Angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated She needs to live, she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her if pain becomes a reality Embrace her should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her The honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb on a mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to tactfully triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbour’s or friend’s daughter She is like a flower Very fragile, yet so gorgeous An Angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated Like others, she needs to live Indeed, she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her if pain becomes a reality Embrace her should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her The honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb on a mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to wisely triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
I don't respond. Instead, I chuck my shoes over the fence and start to climb. When I was twelve, I could climb fences pretty quick. Especially growing up in Tampa where we would hop fences to get to each other's yards. But I'm not even halfway up and i'm winded, my foot has slipped more than once, and I can only imagine what I look like from below. "Shit!" I yell as my toe misses the next opening. Nicole's laughter fills the air. "Stop laughing and start climbing!" "This is priceless," she laughs harder. "Wait. Let me get my camera!" "Nicole! We need to get out of here in case he comes looking for me." "Fine. Fine. Chicken shit." Her shoes fly over my head, and the entire fence shakes. "You owe me." "Stop moving!" I try not to laugh, but it's futile. This is hysterical. "I'm going to pee," tears fall from my eyes as I hold on. "I need a Go-Pro for the next time we go out." "I hate you," I say between giggles. She purposely rocks back, causing me to almost fall. "You only wish you did." "If I fall..." I warn as I sway and try to climb higher. "It'll be what you deserve for making me climb a freaking fence at one in the morning!" The amount of ways that I'm going to pay for this is unimaginable. My co-workers saw me being sung to on stage, I'm sure one of the guys from my squad caught me going backstage, I'm going to have scrapes from climbing a fence, and Nicole will never let me live this down. I reach the top, one leg swung over on one side and one still in Eli-land. And that's when I hear him. "You're just going to run out?" Eli's voice is filled with disbelief. "Just like that?
Corinne Michaels (We Own Tonight (Second Time Around, #1))
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
I like storms. Thunder, torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought.
Penelope Douglas (Bully (Fall Away, #1))
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
I ask them to write brief descriptions of two recent moments in the classroom: a moment when things went so well that you knew you were born to be a teacher and a moment when things went so poorly that you wished you had never been born! Then we get into small groups to learn more about our own natures through the two cases. First, I ask people to help each other identify the gifts that they possess that made the good moment possible. It is an affirming experience to see our gifts at work in a real-life situation-and it often takes the eyes of others to help us see. Our strongest gifts are usually those we are barely aware of possessing. They are a part of our God-given nature, with us from the moment we drew first breath, and we are no more conscious of having them than we are of breathing. Then we turn to the second case. Having been bathed with praise in the first case, people now expect to be subjected to analysis, critique, and a variety of fixes: "If I had been in your shoes, I would have ... ," or, "Next time you are in a situation like that, why don't you ... ?" But I ask them to avoid that approach. I ask them instead to help each other see how limitations and liabilities are the flip side of our gifts, how a particular weakness is the inevitable trade-off for a particular strength. We will become better teachers not by trying to fill the potholes in our souls but by knowing them so well that we can avoid falling into them. My gift as a teacher is the ability to "dance" with my students, to teach and learn with them through dialogue and interaction. When my students are willing to dance with nee, the result can be a thing of beauty. When they refuse to dance, when my gift is denied, things start to become messy: I get hurt and angry, I resent the students-whom I blame for my plight-and I start treating them defensively, in ways that make the dance even less likely to happen. But when I understand this liability as a trade-off for my strengths, something new and liberating arises within me. I no longer want to have my liability "fixed"-by learning how to dance solo, for example, when no one wants to dance with me-for to do that would be to compromise or even destroy my gift. Instead I want to learn how to respond more gracefully to students who refuse to dance, not projecting my limitation on them but embracing it as part of myself. I will never be a good teacher for students who insist on remaining wallflowers throughout their careers-that is simply one of my many limits. But perhaps I can develop enough self-understanding to keep inviting the wallflowers onto the floor, holding open the possibility that some of them might hear the music, accept the invitation, and join me in the dance of teaching and learning.
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
wanted to go with her twenty-year-old brother. “I’m a little old for that, you know. Alan’s fine about it though. He’ll make me laugh all night and say rude things about all the big stars, but they all know him and love him.” “I didn’t expect you to fill my shoes quite so handsomely,” he said, sounding both peeved and jealous, and she laughed. Maybe it was good for him. “I’d rather be with you than Alan any day,” she said honestly. “Just remember that,” he smiled. “That’s one hell of a compliment, Allie. I’ve never thought of myself in the same league with Alan Carr.” “Well, don’t let it
Danielle Steel (The Wedding)
I felt the urge to scratch an itch on my right cheek. I didn’t react. My neural system didn’t necessarily work the way I’d been taught in school—that, in an infinitesimal instant, a neural message traveled from my cheek to my brain (itch), then from my brain to my hand (scratch). I knew now that between those two steps, the brain processed the information. There was room for the brain to fill in or to make things up entirely. By slowing down the process through meditation, by creating space, I could catch the impulse, slow it down, and quiet it. Instead of reaching for my cheek, I responded to the sensation by noting it and then focusing the laser beam of my attention on it. Magically, that simple act of bringing the itch from the periphery of my awareness to center stage melted the urge away. I returned my attention to my breath. I sat, surrendered in perfect stillness, feeling strength in the silence.
Ben Feder (Take Off Your Shoes: One Man's Journey from the Boardroom to Bali and Back)
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
Nalini Singh (Cherish Hard (Hard Play, #1))
Mr. Bronson,” the little girl chirped innocently, “why did you sleep with two women at your party?” Stunned, Holly realized that Rose had overheard her earlier conversation with Maude. Maude paused in the act of filling the child's plate, the fine china slipping from her hands and clattering on the sideboard. Elizabeth choked on a mouthful of food, somehow managed to swallow and concealed her crimson face with a napkin. When she was able, she glanced at Holly with eyes brimming with equal parts of dismay and mirth, and spoke in a strangled murmur. “Excuse me—my right shoe is pinching—I believe I'll change into another pair.” She fled the scene hastily, leaving the rest of them to stare at Bronson. Of all of them, Bronson was the only one who showed no visible reaction, save for a thoughtful quirk of his mouth. He must have been a very, very good card player, Holly thought. “At times the guests become very tired at my parties,” Bronson said to the child, his tone matter-of-fact. “I was merely helping them to rest.” “Oh, I see,” Rose said brightly. Holly managed to find her voice. “I believe my daughter is finished with her breakfast, Maude.” “Yes, milady.” The maid rushed forward in a panic to gather up the child and quit the mortifying scene. “But Mama,” Rose protested, “I haven't even—” “You may take your plate to the nursery,” Holly said firmly, seating herself as if nothing untoward had occurred. “Right this minute, Rose. I want to discuss something with Mr. Bronson.” “Why don't I ever get to eat with the big people?” the child asked sullenly, accompanying Maude from the room.
Lisa Kleypas (Where Dreams Begin)
Apparently that speech struck a chord in Delilah, because ever since, she has been in this office spilling her guts out. This is fine because that was my purpose of becoming a high school counselor. I didn’t merely want to guide children into good grades and help them fill out college applications. I wanted to be that shoulder, that advice, that parent that I was missing when I was in their very shoes when I walked these halls. However,
Jessica N. Watkins (Love, Sex, Lies)
My wife had only been dead for a few months, and already random ass women were trying to fill her shoes.
Jessica N. Watkins (Secrets of a Side Bitch - The Simone Campbell Story)
Why, Reshi?"The words poured out of Bast in a sudden gush. "Why did you stay there when it was so awful?" Kvothe nodded to himself, as if he had been expecting the question. "Where else was there for me to go, Bast? Everyone I knew was dead." "Not everyone," Bast insisted. "There was Abenthy. You could have gone to him." "Hallowfell was hundreds of miles away, Bast," Kvothe said wearily as he wandered to the other side of the room and moved behind the bar. Hundreds of miles without my father's maps to guide me. Hundreds of miles without wagons to ride or sleep in. Without help of any sort, or money, or shoes. Not an impossible journey, I suppose. But for a young child, still numb with the shock of losing his parents. . . ." Kvothe shook his head. "No. In Tarbean at least I could beg or steal. I'd managed to survive in the forest for a summer, barely. But over the winter?" He shook his head. "I would have starved or frozen todeath." Standing at the bar, Kvothe filled his mug and began to add pinches of spice from several small containers, then walked toward the great stone fireplace, a thoughtful expression on his face. "You're right, of course. Anywhere would have been better than Tarbean." He shrugged, facing the fire. "But we are all creatures of habit. It is far too easy to stay in the familiar ruts we dig for ourselves. Perhaps I even viewed it as fair. My punishment for not being there to help when the Chandrian came. My punishment for not dying when I should have, with the rest of my family." Bast opened his mouth, then closed it and looked down at the tabletop, frowning. Kvothe looked over his shoulder and gave a gentle smile. "I'm not saying it's rational, Bast. Emotions by their very nature are not reasonable things. I don't feel that way now, but back then I did. I remember." He turned back to the fire. "Ben's training has given me a memory so clean and sharp I have to be careful not to cut myself sometimes." Kvothe took a mulling stone from the fire and dropped it into his wooden mug. It sank with a sharp hiss. The smell of searing clove and nutmeg filled the room. Kvothe stirred his cider with a long-handled spoon as he made his way back to the table. "You must also remember that I was not in my right mind. Much of me was still in shock, sleeping if you will. I needed something, or someone, to wake me up." He nodded to Chronicler, who casually shook his writing hand to loosen it, then unstoppered his inkwell. Kvothe leaned back in his seat. "I needed to be reminded of things I had forgotten. I needed a reason to leave. It was years before I met someone who could do those things." He smiled at Chronicler. "Before I met Skarpi.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
How much longer can I get away with being so fucking cute? Not much longer. The shoes with bows, the cunning underwear with slogans on the crotch — Knock Here, and so forth — will have to go, along with the cat suit. After a while you forget what you really look like. You think your mouth is the size it was. You pretend not to care. When I was young I went with my hair hiding one eye, thinking myself daring; off to the movies in my jaunty pencil skirt and elastic cinch-belt, chewed gum, left lipstick imprints the shape of grateful, rubbery sighs on the cigarettes of men I hardly knew and didn’t want to. Men were a skill, you had to have good hands, breathe into their nostrils, as for horses. It was something I did well, like playing the flute, although I don’t. In the forests of grey stems there are standing pools, tarn-coloured, choked with brown leaves. Through them you can see an arm, a shoulder, when the light is right, with the sky clouded. The train goes past silos, through meadows, the winter wheat on the fields like scanty fur. I still get letters, although not many. A man writes me, requesting true-life stories about bad sex. He’s doing an anthology. He got my name off an old calendar, the photo that’s mostly bum and daisies, back when my skin had the golden slick of fresh-spread margarine. Not rape, he says, but disappointment, more like a defeat of expectations. Dear Sir, I reply, I never had any. Bad sex, that is. It was never the sex, it was the other things, the absence of flowers, the death threats, the eating habits at breakfast. I notice I’m using the past tense. Though the vaporous cloud of chemicals that enveloped you like a glowing eggshell, an incense, doesn’t disappear: it just gets larger and takes in more. You grow out of sex like a shrunk dress into your common senses, those you share with whatever’s listening. The way the sun moves through the hours becomes important, the smeared raindrops on the window, buds on the roadside weeds, the sheen of spilled oil on a raw ditch filling with muddy water. Don’t get me wrong: with the lights out I’d still take on anyone, if I had the energy to spare. But after a while these flesh arpeggios get boring, like Bach over and over; too much of one kind of glory. When I was all body I was lazy. I had an easy life, and was not grateful. Now there are more of me. Don’t confuse me with my hen-leg elbows: what you get is no longer what you see.
Margaret Atwood
Hello, said Loo. What's wrong? Hawley asked. You're not outside. Not tonight. But you're *always* outside. Hawley did not know how to answer. All this time he had been watching her window, it had never occurred to him that she was watching for him, too. He could hear Loo's breath, heavy and expectant, blowing hard into the mouthpiece, and for a moment all he could think of was the sound of the whale's spout--the blast of air and water as the giant rose to the surface, the salted spray that had rained down upon him in Puget Sound and filled him with terror and longing and a sense that he could right the path he was on. He had not realized that he'd been waiting for this sound until he heard it. He knew only that he had been waiting--for something that had never arrived, that had failed him, that had made him rage and murder int he silence it had left. But now here it was again. His daughter, still breathing. And so was he. I'll come now. Right now? Yes, said Hawley. Put your coat on. And get your toothbrush. Your real toothbrush. Hawley wrapped the phone cord around his arm, tighter and tighter, waiting to hear what she would say. Instead he heard the sound of footsteps. A door open and close. Then a clattering as the phone dropped to the ground. Hawley called Loo's name. He pressed his ear tightly against the receiver, straining to listen. Something dragged across the floor. Shuffling. Thumps. A noise like Velcro being ripped apart. And then she came back to him. I've got my shoes on, Loo said. I've got the candy, too.
Hannah Tinti (The Twelve Lives of Samuel Hawley)
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth
When I started sixth grade, the other kids made fun of Brian and me because we were so skinny. They called me spider legs, skeleton girl, pipe cleaner, two-by-four, bony butt, stick woman, bean pole, and giraffe, and they said I could stay dry in the rain by standing under a telephone wire. At lunchtime, when other kids unwrapped their sandwiches or bought their hot meals, Brian and I would get out books and read. Brian told everyone he had to keep his weight down because he wanted to join the wrestling team when he got to high school. I told people that I had forgotten to bring my lunch. No one believed me, so I started hiding in the bathroom during lunch hour. I’d stay in one of the stalls with the door locked and my feet propped up so that no one would recognize my shoes. When other girls came in and threw away their lunch bags in the garbage pails, I’d go retrieve them. I couldn’t get over the way kids tossed out all this perfectly good food: apples, hard-boiled eggs, packages of peanut-butter crackers, sliced pickles, half-pint cartons of milk, cheese sandwiches with just one bite taken out because the kid didn’t like the pimentos in the cheese. I’d return to the stall and polish off my tasty finds. There was, at times, more food in the wastebasket than I could eat. The first time I found extra food—a bologna-and-cheese sandwich—I stuffed it into my purse to take home for Brian. Back in the classroom, I started worrying about how I’d explain to Brian where it came from. I was pretty sure he was rooting through the trash, too, but we never talked about it. As I sat there trying to come up with ways to justify it to Brian, I began smelling the bologna. It seemed to fill the whole room. I became terrified that the other kids could smell it, too, and that they’d turn and see my overstuffed purse, and since they all knew I never ate lunch, they’d figure out that I had pinched it from the trash. As soon as class was over, I ran to the bathroom and shoved the sandwich back in the garbage can.
Jeannette Walls (The Glass Castle)
I stare at the woman in question and wonder what happened to the concept of sisterhood. If women stopped doing this kind of thing to other women, there would be a lot less pain in this world. Men, I'll admit, are probably a lost cause, but we could stop cheating on other women with their husbands, boyfriends, fiancés. Jo props herself up on her elbows and gives me a defiant look which, frankly, I'd like to wipe off her face---preferably with a cricket bat. "Who'd have thought that I'd be seeing so much of you," I say. "And so soon." Marcus's breakfast dish looks rather rattled. "I can explain," Marcus says as he tries to dismount from the table with some dignity. Difficult to pull off. "I'm all ears." "This was the last time," he says earnestly. There are raspberries crushed on his knees. "The last time ever. I was having one last fling before settling down. As soon as you moved in, I was going to be completely and utterly faithful." Jo doesn't look as if she knows about this particular part of the arrangement and she glares darkly at my fiancé. Perhaps she'll be sneaking into his flat and filling his clothes and his shoes with leftovers and leaving stinking prawns in his soft furnishings. Because, for sure, I won't be troubling myself to do it again. "You called to tell me you love me while she was here?" Jo clearly doesn't know about that bit either. Marcus chews his lip. I stare at Marcus as if I'm seeing him for the first time. He looks ridiculous---yogurt on his knob, smears of berry juice all over his chest and legs, breakfast cereal in his hair. I burst out laughing. Marcus laughs too---nervously. "Oh, Marcus," I say, clutching at my sides. "I can't believe you've done this again." I double over and belly laugh right the way up from my boots. "I love you," he says bleakly, and then he continues to laugh along with me, although it sounds forced. When I finally wrest control of my voice once more, I say softly, "I'm not laughing with you, Marcus. I'm laughing at you." Slipping my engagement ring from my finger, I put it delicately into the bowl of yogurt that's lying by Jo's feet. Then, picking it up, I tip the bowl upside down on Marcus's head. Yogurt drips slowly down his face. He licks it from his lips. Perhaps he can get Jo to do it for him when I'm gone. "This really is the very last time you do this to me, Marcus.
Carole Matthews (The Chocolate Lovers' Club)
Y'all know that little gal Kelly Crawford that works down at Tuckers?" Tuckers Jiffy Lube was the only gas station and mechanical shop in town. Jena Lynn's face contorted in disapproval. "You referring to that scantily clad girl who runs the register?" I asked as Jena Lynn hopped up to retrieve the coffeepot. "That's the one." Betsy curled up her lip in disgust. "That girl is barely legal!" I was outraged. "I know! I'm going to tell her granny. She'll take a hickory switch to the girl when she finds out what she's been up to. She was all over Darnell." Betsy wiped her nose with the back of her hand. She was right about that. Her granny wasn't the type to spare the rod; she parented old-school style. Jena Lynn's tone rose as she stirred raw sugar into her coffee. "You caught them?" "Well, I called him after what happened with poor Mr. Ledbetter---" We shook our heads. "---told him I was going to be late 'cause I was taking that extra shift. Guess he thought late meant real late 'cause when I got home, they we're rootin' around on my couch, the one my meemaw gave me last spring when she had her house redecorated." We sat in stunned silence. "I threw his junk out last night. And when he still didn't budge from the TV"---she paused for effect---"I set it all on fire, right there in the front yard." She leaned back and crossed her arms over her expansive chest. "That's harsh." Sam stacked his empty plates. "Maybe it wasn't Darnell's fault." Jena Lynn and I gave him a disapproving glare. He appeared oblivious to his offense, and the moron had the audacity to reach into the container for a cream cheese Danish. "Sam, if you value that scrawny hand of yours, I'd pull it out real slow or you'll be drawing back a nub," Betsy warned. "Sheesh!" Sam jerked backward. It was obvious he didn't doubt her for a second. He marched toward the kitchen and dropped the plates in the bus tub with a loud thud. "He should know better. You don't touch a gal's comfort food in a time of crisis," I said, and my sister nodded in agreement. Jena Lynn patted Betsy on the arm. "Ignore him, Bets. He's a man." I stood. "And if I may be so bold as to speak for all the women of the world who have been unfortunate enough to be in your shoes, we applaud you." A satisfied smile spread across Betsy's lips. "Thank you." She took a little bow. "That's why my eyes look like they do. Smoke got to me." She leaned in closer. "I threw all his high school football trophies into the blaze while he was hollering at me. The whole neighborhood came out to watch." I chuckled. The thought of Darnell Fryer running around watching all his belongings go up in smoke was hilarious. I wished I'd been there. "Did anyone try to step in and help Darnell?" "Hell nah. He owes his buddies so much money from borrowing to pay his gambling debts, the ones that came out brought their camping chairs and watched the show while tossing back a few cold ones." She got up from the counter to scoop a glass full of ice and filled it with Diet Coke from the fountain. "Y'all, I gotta lose this weight now I'm back on the market." Betsy was one of a kind.
Kate Young (Southern Sass and Killer Cravings (Marygene Brown Mystery, #1))
I caught his mouth with mine and shifted my hands to start unhooking his shirt buttons. I could feel him grinning as he kissed me harder, driving me back against the bookshelf and shoving his knee between my thighs. I pushed his shirt off of his broad shoulders and looked at the perfection of his muscular torso for a moment, running my hands down his chest. He drove me back against the shelf more firmly, kissing me again. I devoured the taste of him, his hands sliding over my breasts through the thin material of my dress and making my nipples harden in response. I placed my palms on his chest and pushed him back, propelling him around so that he was pressed against the shelf instead of me and a dark laugh left him. “Do you wanna be in charge, sweetheart?” “Well, I am more powerful than you,” I teased. His eyes lit with the challenge in my tone as I took a few steps back and pulled on the knot at the back of my neck. My dress fell from my body like a spill of oil and pooled at my feet, leaving me in nothing but my black panties. “Holy shit, Tory.” He gazed at me hungrily and I stepped back again biting on my bottom lip as I looked at him. “Take your pants off,” I commanded. Caleb’s smile deepened and he held my eye as he kicked his shoes off and unhooked his belt. I twisted my fingers through my hair as I watched him, my pulse rising as he revealed more of his muscular body to me. When he was down to his navy boxers, he advanced on me again. I smiled, backing up as he stalked towards me until the backs on my thighs met with the games table. He was upon me in a heartbeat, his hands gripping my thighs as he lifted me up and sat me on the table. His mouth pressed to my throat, stubble grazing across my skin in the most delicious way. His kisses moved lower, passing over my collar bone before making it to the swell of my breast. His mouth landed on my nipple, his tongue flicking against it and making me moan in pleasure. His hand found my other breast while he spread his other palm across my lower back to hold me in place. I locked my ankles around him, pulling him closer so that I could feel the full length of his arousal grinding against me through the lacy fabric of my panties. His mouth found mine again and I pushed my fingers into his golden curls as my breasts skimmed against the firm lines of his muscular chest. My muscles were tightening, my heart pounding and my body aching for more of him. I grazed my fingertips down his chest, feeling every ridge of his abdomen before reaching the waistband of his boxers. I pushed my hand beneath the soft material and wrapped my fingers around the hard length of him. Caleb groaned against my lips as I began to move my hand up and down, a tingle running along my spine as I felt just how much my touch affected him. His hands made it to the sides of my panties and he peeled them down as his heavy breathing broke our kiss. I lifted my ass to let him remove them and he stepped back, forcing my hand off of him as he tossed my underwear aside. I watched as he pushed his boxers off revealing every inch of him and my mouth dried up with desire. He shot forward with his Vampire speed, scooping me up and moving me backwards as he lay me beneath him on the games table. Poker chips and cards scattered all around us and a surprised laugh left my lips. He grinned as he kissed me again, hard enough to bruise my lips but still not enough to tame my desire. My hands explored the curve of his shoulders and I arched my back off of the table so that my nipples skimmed his flesh. Caleb shifted, moving between my legs, our kiss breaking for the briefest moment as he looked into my eyes and pushed himself inside me. A moan of pleasure escaped me as he filled me and I tipped my head back, my eyes falling closed as I absorbed the feeling of his body merging with mine. “Fuck,” Caleb breathed as he started to move, slowly at first but building in speed as I urged him on. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
The band began to play faster, then faster still. My mother came over and took his hand. Dance with me, she said, and my father did. Later, at the hotel, when she took off his shoes, she was surprised to find them filled with blood.
Jenny Offill (Last Things)
It’s not fair for you to come here,” I tell Depression. “I paid you off already. I served my time back in New York.” But he just gives me that dark smile, settles into my favorite chair, puts his feet on my table and lights a cigar, filling the place with his awful smoke. Loneliness watches and sighs, then climbs into my bed and pulls the covers over himself, fully dressed, shoes and all. He’s going to make me sleep with him again tonight, I just know it.
Elizabeth Gilbert (Eat, Pray, Love)
Stepmother taps her chin and frowns at Moody’s dress. “She needs some pin tucks in the skirt to give it more lift. And put some padding into the bodice to fill out her bosom-” “Motherrr!” Moody whines. “What? It’s no secret you’re flat as a floor.” Loony cackles while Moody throws a murderous look. “At least my chest doesn’t fall on my lap when I sit down.” Loony frowns. “Are you calling me fat?” “Well, if the shoe fits-” “Come, come, girls,” Stepmother says. I’m glad she stopped them. I’ve seen my stepsisters fight before and it’s like cats, all clawing and hissing. I don’t care if they go to the ball with red scratches on their faces but they could ruin Moody’s gown. “You
Anita Valle (Sinful Cinderella (Dark Fairy Tale Queen, #1))
If she only knew how many size-seven replacements I’ve bought her. The whole damn closet behind me is filled, not just with shoes, but clothes and bags and… Jesus, I sound like a psychopath, even in my head. I’m not even a shopper. Fucking hate it.
Pam Godwin (Dark Notes)
If I wanted a plaything, Miss Emma,” he said hoarsely, “I’d go over to the Stardust and lay my money on the bar.” Emma scrambled to her feet and began pulling on her petticoats, her back turned to Steven. “Daisy always says men don’t buy the cow when they can get the milk for free,” she confided, and a little sob followed the words out of her throat. Steven gripped her arm and turned her to face him. He was wearing his trousers but nothing else, and Emma’s fingers ached to spread themselves over his chest. “Do you have any idea how beautiful you are with your hair all tumbled and filled with daisies?” “You’re deliberately changing the subject!” Emma accused, as it began to dawn on her what she’d done, what she’d sacrificed. “All right,” Steven barked, “I’ll marry you as soon as we get back to Whitneyville!” “Well, that’s damn generous of you, considering that you just ruined me for any other man!” Emma shouted as the librarian chased the tigress back into her cage. She limped around in a circle in that ocean of daisies, searching in vain for her shoes. Finally, Steven stopped her restless prowling by holding them aloft. “Tell me to leave, Emma,” he said, when she flung herself at him, grabbing for her shoes. “That was our deal, remember?” Emma stopped the struggle and stared at him. As furious as she was with this man, as used as she felt, she couldn’t bring herself to say the words that would end her torment and perhaps allow her to salvage something of her dreams. He took her chin in his hand and held it, leaving her nowhere to look but directly into his eyes. “Say it,” he ordered.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Miss Kay In the midst of that low place, the darkest place I have ever been emotionally, with thoughts of sleep and rest filling my mind, through my sobs I heard the scurry of little feet headed toward the bathroom door. I could tell all three boys, in their house shoes, were coming to talk to me. Alan spoke first: “Mom, don’t cry. Don’t cry anymore. God will take care of us.” I was silent for a moment. Then I heard Jase ask, “Did she quit crying?” And I could hear Willie doing something he did often, making smacking noises while sucking on two of his fingers. In an instant, it was like a lightbulb came on for me. “What am I doing?” I asked myself. “I have three little boys. I can’t leave them with a drunk.” I spoke to my sons through the door. “I’m okay. I love y’all. I’ll be out in a minute.” I then got on my knees and prayed. “God, help me. Just help me. I don’t want to leave these kids. I don’t know what to do or where to find You. Just lead me to somebody who can help me.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
It’s not fair for you to come here,” I tell Depression. “I paid you off already. I served my time back in New York.” But he just gives me that dark smile, settles into my favorite chair, puts his feet on my table and lights a cigar, filling the place with his awful smoke. Loneliness watches and sighs, then climbs into my bed and pulls the covers over himself, fully dressed, shoes and all. He’s going to make me sleep with him again tonight, I just know it.
Elizabeth Gilbert (Eat, Pray, Love)
But you can’t forget how easy it is to seduce people,” Ben said. “You see that everywhere, be it politics or religion. Even here in Europe, populists have been wildly successful despite the fact that this continent has a lot of experience with fanatical right- and left-wing ideology.” “Most people yearn for guidance,” Fritz said. “They want others to determine their lives for them, at least when all is said and done. In politics, the only people who are respected are so-called ‘strong’ leaders or politicians who show the way. It’s hardly surprising these people don’t have a basic understanding of democracy.” “That’s the problem,” said Ben. “People love to be told what they should do. And the worse they have it, the more grateful they are for a strong hand to push them.” “That said, we don’t exactly have it that bad here in Europe,” Hannes added. “Sure, there’s always some economic crisis and unemployment is rising, but still most people have it good enough that they can’t be enthralled by some dictator.” “Economic crises aren’t the only reason people turn to extremism,” Fritz said. “It’s also about personal crises. Look at the faces on the bus. How many people look happy?” “They’re probably just tired,” Ben joked. “But it’s true. There are plenty of studies which suggest that people in poorer countries are happier than we are. But when did you last hear politicians discuss the question of how we actually want to live? Emotional needs are basically irrelevant. It’s all about growth, recovery, optimization, and efficiency. If you work day after day in some office like a robot, there’s an inner emptiness that reality shows and dramas on television can no longer fill. Take a look at the nonsense the masses tune into night after night. You can’t consume real feelings, you have to live them.” “But that’s exactly what our society has forgotten how to do,” Fritz said. “You need someone to advise you on how to be ‘happy.’ At some schools, students can now choose Happiness as an elective. How sad is that? Have we become so far removed from real life that we have to introduce happiness as a school subject? How can society not understand something so fundamental?” “Now some charismatic, eloquent politician appears who knows exactly how to appeal to people,” Ben said. “Do you really think we would be completely immune to a politician’s temptations and promises today?” “Okay, okay!” Hannes laughed and raised his hands. “I give up. At the next neo-Nazi march, I’ll be standing in the front line of the counterdemonstration, I promise. But speaking of robots—I spent way too long spinning on the hamster wheel today. And Fritz has already given me a list of things to do tomorrow. It’s been lovely chatting, but I have to hit the hay.” “Man! But we’ve only just started planning the revolution,” Ben joked. “No, my young colleague’s right.” Fritz rose from his chair. “I just have to use the bathroom and then I’ll be on my way.” “It’s straight ahead.” Ben showed him the way and handed Hannes another beer. “Come on, you Goody Two-Shoes. Let’s have a
Hendrik Falkenberg (Time Heals No Wounds (Baltic Sea Crime #1))
Ever since Brenna’s birth shook up everything we thought we knew, God had been reshaping and remolding my heart to discover all the joy and the beauty that this new world was trying to offer us. I opened myself up to this transformation as I faced each new trial and each new triumph… seeking, begging, learning, and finding strength, peace, gratitude, and joy. As we seek, we find. As we ask, we receive. And as we choose, we allow within us. By deliberately seeking joy and choosing joy throughout the challenges and the sickness, I realized that I had begun to find joy even when I wasn’t intentionally looking for it. By seeking to praise God and choosing to praise God within the trials and uncertainty of life, I had begun to find gratitude even when I wasn’t intentionally reaching for it. With a heart filled with joy over anger, peace over anguish, strength over despair, we can then begin to experience a full appreciation for so much of God’s beauty that we may never have considered before. We can build a life of contentment and gratitude as we appreciate and celebrate this different beautiful. Beautiful has very little to do with appearance—or at least as it pertains to hair color and noses and shoes. Beautiful is a way of being and a way of living, each and every day, perhaps each and every moment. Beautiful is joy radiating from your soul. Beautiful can be found everywhere, when we take the time to see it, when we want to see it. Beautiful can be wherever we seek it—in motherhood, in our homes, in our children, in marriage, in ourselves, in our faith, in our emotions, and in our experiences. The world, through God, is giving us all kinds of beautiful. It’s time for us to be brave. It’s time for us to take this different beautiful as it is offered to us and allow it to change us, to make us better, to connect us with others. If we’re going to open our hearts and live a life that celebrates a different beautiful, we need to shake off the unrealistic expectations, unwritten rules, and false definitions of normal that we place upon ourselves or allow others to pile on us. Living a life according to God’s definition of beautiful means ignoring the should-bes and, instead, chasing the could-bes.
Courtney Westlake (A Different Beautiful: Discovering and Celebrating Beauty in Places You Never Expected)
It was 60, 70 kilometers to go, and I took a peach,” LeMond says. “About 10 km later, I went to a teammate, ‘Pass me your hat.’ He was like, ‘What?’ I said, ‘Pass me your hat, please.’ ‘What do you want my hat for?’ ‘Pass me the goddamn hat!’ “I shoved it down my shorts; it didn’t feel like it was going to be diarrhea, but oh, my God, it was so severe. I just felt the shorts go woooooop! And it fills my shorts, then slowly dribbles down my legs into my shoes. I mean literally, it was dripping into my wheels, it was flying off the spokes. And then everyone separated off from me. We were single file, we were going hard, and I was cramping, my stomach.
Richard Moore (Slaying the Badger: Greg LeMond, Bernard Hinault, and the Greatest Tour de France)
Today I Pray Help me to take inventory each day of my stock of my new, healthy thoughts, throwing out the old ones as I happen upon them without regret or nostalgia. For I have outgrown those old ideas, which are as scuffed and run-over as an old pair of shoes. Now, in the light, I can see that they are filled with holes.
Anonymous (A Day at a Time: Daily Reflections for Recovering People (Hazelden Meditations))
For those of you who think that I have my life altogether, I definitely do not. Every season brings new challenges. For example, since I had my fifth child, I am notoriously 5-10 minutes late everywhere no matter how hard I try to be on time. I would like to say that I am "fashionably" late, but that isn't the truth either. Running in a mad dash in a parking lot (all holding hands of course) to make it somewhere 5 minutes late (instead of 6 minutes cause that makes a big difference) while one child is missing shoes and my hair is going in every direction. Yep, that is my family.
Tamara L. Chilver
For those of you who think that I have my life altogether, I definitely do not. Every season brings new challenges. For example, since I had my fifth child, I am notoriously 5-10 minutes late everywhere no matter how hard I try to be on time. I would like to say that I am 'fashionably' late, but that isn't the truth either. Running in a mad dash in a parking lot (all holding hands of course) to make it somewhere 5 minutes late (instead of 6 minutes cause that makes a big difference) while one child is missing shoes and my hair is going in every direction. Yep, that is my family.
Tamara L. Chilver
The zombie fell over the generator, too, and laid on the ground next to me—its eyes seemed to glow in the dark. I was so scared, I almost lost it. Shaking, I sprayed it in the face and rolled away. It started smoking the same way the other zombies had, but then did something unexpected—it caught fire. Instantly, the entire area went up in flames. I stepped back, and still standing, jumped up and down, kicking my gas-soaked pants and shoes off. The flames sprouted up as if they had a life of their own.  I shot them with the Super Soaker, but it didn't do any good. The flames spread up the side of a rack of cheesy Hawaiian shirts. I knew I had to put the fire out fast. I ran to the aisle with the fire extinguishers and stopped. I'd dropped my flashlight back by the generator. A couple aisles over, something moved in the shadows. I started to lift my Super Soaker when I got hit in the face. "Oww, it burns," I cried, "Darn it. It burns." My eyes started watering like a busted drinking fountain. "Nathan, is that you? Were you bit? Did I kill you?" "No, no. I'm fine, it's just the lemonade; that stuff burns." "What's going on? You're burning the place down." I could hear panic in her voice. "Grab a fire extinguisher and follow me." My eyes dribbled lemonade-flavored tears as I grabbed two of the largest fire extinguishers and ran back. It took four extinguishers, but we managed to put the fire out. "Wow, the generator's still running," I said. Charred clothes were everywhere. Smoke filled the place—it smelled like fresh-roasted zombie. And I'd thought my day couldn't get any worse. "What the heck happened?" Misty held her nose and looked around at the blackened remains. "Security zombie in the bathroom; it was a close call." "I'll say. We're lucky the fire sprinklers didn't come on." "If this is lucky, I'd hate to see cursed." "Umm, Nate?" "Yeah?" I exhaled in relief. It would have been embarrassing if I'd burnt the place down. "Where's your pants?
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
my arms, around my legs, and suddenly the force field disappeared. I could move again! The only problem was, the instant I did, my clothes all fell off. The laser had sliced my shirt, my pants, my shoes and socks, even my underwear, into pieces—and had done it all without touching my skin. “Get me out of here!” I yelled. “Get me some clothes!” No answer. Did that mean there wasn’t anyone there? Just as well, I decided, since I didn’t have any clothes on. But how long were the aliens going to leave me here? Or was someone watching me even now—watching, but not speaking? That made sense, in a way. If the alien mission was to study earthlings, then probably they were doing that right now—especially since I was the only one they had. I decided if I was going to be the sample earthling, I was going to do my best not to act like an idiot. So I began to take deep breaths. I felt myself getting a little calmer. I mean, it wasn’t like no one had ever seen me naked before. I’ve been to the doctor. And next year I would be taking showers in gym class. Come to think of it, given my choice of getting stuck naked in front of a bunch of aliens, or in a seventh-grade gym class, I’d choose the aliens any day. At least they won’t flick your butt with a wet towel! Unfortunately, just as I was getting calm, my little chamber started to fill with gas. Was this a test, to see if I would panic? Were they going to knock me out and do some medical exams? Or were they going to kill me and dissect me? I held my breath until my lungs were
Bruce Coville (My Teacher Glows in the Dark (My Teacher Is an Alien Book 3))
Pathways It seems that the world that surrounds me today. Is filling with problems that don't go away, And as the world fills with this terrible mess, I'm filling with ever more negative stress. There's COVID and climate and corporate greed. There's outrageous prices for things that we need. There's misinformation that's meant to deceive, So much that it's hard to know who to believe. There’s ongoing battles ‘tween Magas and Dems, And unending fights between us’s and them’s, Where one side says something, the other side shuns On racism, gender, abortion and guns. There's war in Ukraine thanks to Putin and friends And some who say this is how everything ends. While others say robots we program today Will soon start to program us all to obey. If that's not enough to be stressed all the time, There's China, the border, there's drugs, and there's crime. There's those who claim wokeness and those that oppose. There's gridlock among the elected we chose. Attempting to manage the stress and the blues, I turn to my life and I turn off the news, But wouldn't you know it, I find when I do There's stress and there's problems existing there too. The place where I work’s wanting more for less pay. My in-laws come visit and won't go away. My partner complains that I'm not up to par, And now, once again, something's wrong with my car. My kids go to school where I worry a lot They'll get education without getting shot. This morning I tried to take positive views To find that the cat had thrown up in my shoes. Surrounded by problems, I can’t catch a break. They frazzle my nerves, and they keep me awake. At times it gets to me, I have to admit And then stress has me, ‘stead of me having it. If you are like me in these challenging times, Read on for within there are rhythms and rhymes That show the way through and some ways we can cope And most of all show there are pathways to hope.
Jerry Bockoven
The river was lined with churches, as if to prove that decent people still believed in things. Maybe they did. Maybe they thought it made a difference, all the ritual marryings and christenings and confirmings and funereals, all the centuries of asking, in their different churches each filled with the same cold air off the mountains and the Firth, for things to reveal themselves as having meaning after all, for some proof the world was held in larger hands than human hands. I’d be happy, myself, I thought as I sat in the wet grass with my hands in the warmth still inside my shoes, just to know that the world was a berry in the beak of a bird, or was nothing more than a slab of sloped grassy turf like this, fished out of cosmic nothingness one beautiful spring morning by some meaningless creature or other. That would do. That would do fine. It would be fine, just to know that for sure.
Ali Smith (Girl Meets Boy)
But a Creator who takes a child so small, so kind, so tender? What can be made of that? The tales we collected are not merciful. Villains are boiled in snake-filled oil, wicked Stiefmütter—stepmothers—are made to dance into death in molten-hot shoes, and on and on. The tales are full of terrible punishments, yes, but they follow just cause. Goodness is rewarded; evil is not. The generous simpleton finds more happiness and coin than the greedy king. So why not mercy and justice to a sweet youth from an omnipotent and benevolent Creator? There are only three answers. He is not omnipotent, or he is not benevolent, or—the dreariest possibility of all—he is inattentive. What if that was what happened to my nephew? That God’s gaze had merely strayed elsewhere?
Tom McNeal (Far Far Away)
The recruiting sergeant wore dress blue trousers, a khaki shirt, necktie, and white barracks hat. His shoes had a shine the likes of which I’d never seen. He asked me lots of questions and filled out numerous official papers. When he asked, “Any scars, birthmarks, or other unusual features?” I described an inch-long scar on my right knee. I asked why such a question. He replied, “So they can identify you on some Pacific beach after the Japs blast off your dog tags.” This was my introduction to the stark realism that characterized the Marine Corps I later came to know.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
What I wish I could have told him then is that at that moment I believed no one in the entire world knew me better than he did. That with him I did not have to pretend. I did not have to shield myself from his concern or bewilderment. I did not have to translate. And violence demands translation. I will never have the words to explain what it is like to be shot, to lose the ability to return home or to give up on everything I expected my life to be, or why it felt as though I had died that day in St. James's Square, and through some grotesque accident, been reborn into the hapless shoes of an eighteen-year-old castaway, stranded in a foreign city where he knew no one and could be little use to himself, that all he could just about manage was to march through each day, from beginning to end, and then do it again. I did not know how to say such things then, I still do not, and the inarticulacy filled my mouth. This, I now know, is what is meant by grief...
Hisham Matar
Fucking in Cornwall The rain is thick and there’s half a rainbow over the damp beach; just put your hand up my top. I’ve walked around that local museum a hundred times and I’ve decided that the tiny, stuffed dog labelled: the smallest dog in the world, is a fake. Kiss me in a pasty shop with all the ovens on. I’ve held a warm, new egg on a farm and thought about fucking. I’ve held a tiny green crab in the palm of my hand. I’ve pulled my sleeve over my fingers and picked a nettle and held it to a boy’s throat like a sword. Unlace my shoes in that alley and lift me gently onto the bins. The bright morning sun is coming and coming and the holiday children have their yellow buckets ready. Do you remember what it felt like to dig a hole all day with a tiny spade just to watch it fill with sea? I want it like that – like water feeling its way over an edge. Like two bright-red anemones in a rock-pool, tentacles waving ecstatically. Like the gorse has caught fire across the moors and you are the ghost of a fisherman, who always hated land.
Ella Frears (Shine, Darling)
My grandmother swaddled her baby, as they did two thousand years ago, and let him swing on a tree branch so she could do backbreaking work for fifteen cents a day. Lizzie talked about working, herself, too, starting when she was eight or nine years old, long before the era of child labor laws, at the Milford Shoe Company. “My first day, they put me at a sewing machine and give me two pieces a leathuh. They told me how to stitch the pieces togethuh—paht of a man’s shoe. Each time I did that, they told me, drop it inna drawa. I thought, this is easy. Zip, zip, zip, one afta anuthuh. End of the day comes, my drawa is full. Lady next to me, olda woman—she didn’t have so many done. The boss fired her right then. They gave me her job afta that.” From that day on, my aunt worked in factories all her life. Like my mother, she was heavy set but solid, as sturdy and muscled as the men who worked beside her, first at Milford Shoe and later at William Lapworth & Sons, a manufacturer of elastic fabrics, whose British-born owner berated her whenever a needle broke on her sewing machine. Later she worked at Archer Rubber, where a chemical spray left a small scar on her cheek. Her final employer was the Stylon Tile Company, known for making pink and black bathroom tiles, which were hard to handle without cutting her hands. She always called her place of work “the shop.” She was “working down at the shop.” Before I left her house, she always gave me something to take with me, like a bag of her hand-made swiss-chard ravioli, or if it was close to Christmas, a plate of her own Italian cookies. My favorites were the ceci, little fried cookies that looked like ravioli but were stuffed with sweet chestnut and honey filling, or the ones that looked like bowties, called cenci, dusted with powdered sugar. No matter how busy she was, she never let anyone leave her house hungry or empty-handed. Once I accompanied Lizzie to the Sacred Heart Cemetery to help her with all the flower baskets she wanted to lay on the gravestones of lost family members. There’s something about Italians and cemeteries. I was never attracted to cemeteries, never finding any comfort in visiting the dead, but for most of my family, it was like attending a family reunion. Seeing Lizzie moving
Catherine Marenghi (Glad Farm)
I Pray For This Girl Oh yes! For the young girl Who just landed on Mother Earth! The one about to turn five with a smile Or the other one who just turned nine She is not only mine My Mother’s, Grandmother’s Neighbours’ or friends’ daughter She is like a flower Very fragile, yet so gorgeous An angel whose wings are invisible I speak life to this young or older girl She might not have a say But expects the world to be a better place Whether affluent or impoverished No matter her state of mind Her background must not determine How she is treated in life She needs to live; she has to thrive! Lord God Almighty Sanctify her unique journey Save her from the claws of the enemy Shield her against any brutality Restore her, if pain becomes reality Embrace her, should joy pass swiftly When emptiness fills her heart severely May you be her sanctuary! Dear Father, please give her Honour to grow without being frightened Hope whenever she feels forsaken Contentment even after her heart was broken Comfort when she is shaken Courage when malice creeps in Calm when she needs peace Strength when she is weak Freedom to climb to the mountain peak And wisdom to tackle any season Guide her steps, keep her from tumbling My Lord, if she does sometimes stumble Lift her up, so she can rise and ramble Grant her power to tactfully triumph On my knees, I plead meekly for this girl I may have never met her I may not know her name I may not be in her shoes I may not see her cries Yet, I grasp her plight Wherever she is King of Kings Be with her Each and every day I pray for this girl
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Keep the sand filled shoes, I will keep my feet, Away with your red-hot porridge, My birthright is mine to keep.
Paul Bamikole (Renegades And Other Soulful Poems)
And he said... ...know that you may fill my footsteps, but you will never fill my shoes.
Anthony T. Hincks
Eddie Grace's buick Got four bullet holes in the side Charley Delisle is sittin' at the top Of an avocado tree Mrs Storm will stab you with a steak knife If you step on her lawn I got a half a pack of lucky strikes man So come along with me Let's fill our pockets With macadamia nuts And go over to Bobby Goodmanson's And jump off the roof Hilda plays strip poker When her mama's across the street Joey Navinsky says she put Her tongue in his mouth Dicky Faulkner's got a switchblade And some gooseneck risers That eucalyptus is a hunchback There's a wind down from the south So let me tie you up with kite string I'll show you the scabs on my knee Watch out for the broken glass Put your shoes and socks on And come along with me Let's follow that fire truck I think your house is burning down Then go down to the hobo jungle And kill some rattlesnakes with a trowel And we'll break all the windows In the old Anderson place We'll steal a bunch of boysenberrys And smear 'em on your face I'll get a dollar from my mama's purse Buy that skull and crossbones ring And you can wear it round your neck On an old piece of string Then we'll spit on Ronnie Arnold And flip him the bird Slash the tires on the school bus Now don't say a word I'll take a rusty nail Scratch your initials in my arm I'll show you how to sneak up on the roof Of the drugstore I'll take the spokes from your wheelchair And a magpie's wings And I'll tie 'em to your shoulders And your feet I'll steal a hacksaw from my dad Cut the braces off your legs And we'll bury them tonight Out in the cornfield Just put a church key in your pocket We'll hop that freight train in the hall We'll slide all the way down the drain To New Orleans in the fall
Tom Waits
The marks and wounds from the attack on the 8th of January were changing colors over time. There was still a large graze on my lower back or hip, caused either by flying backwards and falling on the asphalt or possibly a kick or another. I wasn't sure. Over the course of a few weeks, I saw the bruise change colors from purple to black to blue to green, yellow. I sent a picture of it to Martina, along with a depiction of how skinny and sad I had become. I had lost my appetite and had no desire to eat. Since months. I was filled with thoughts of wanting to end all this, unable to imagine living without her, without us, our joy. I struggled to eat, live, and breathe without our love. To this day. My depression (was and is) severe, and I looked like a survivor from a death camp. Just like today. A Prisoner of War. Marked for Death. And I knew Martina was not looking any better, „Missing.” „In Action.” Her words were echoing in my head, in the apartment full of death and violence, (Satan) with invisible marks in plain sight, (Evil Eye) everywhere. One such mark of terror (Hell) and the one-sided wars, all the violence and foolish hatred, (Psychopathy) was the missing glass from the bedroom door, broken by Martina, (Golem) which was why I could clearly hear the couple having sex in our bedroom even with the doors closed. Even near the washing machine, at the other end of the apartment. In the kitchen, I noticed a small bouquet of flowers I had bought for Martina on the first days. I had purchased it from a very old lady in the underground near the Universitat metro station. As I looked at it, still stuck to the wall, I realized it had been there for a year. I sent her a picture of it and, to my surprise, she replied. She told me she loved me and wanted us to be happy. She said we should get a cat and that she wanted to see me and have me bring her the tiny bouquet of flowers. Not her blender from the kitchen, not her shoes, not her bathrobe, not the large images on the wall. Just the tiny flower. It seemed fishy that once again, I wouldn't come back home alive if I went to see her and give her those tiny flowers. And I was Vincent van Gogh now.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
for the rest of the night. Other than to refuel with holiday leftovers. “Would you still love me if I told you I didn’t know what tasted better, Christmas leftovers or you?” Jana cocked her eyebrow with a sexy smile on her face. Damn, she was beautiful. “No but I will be mad unless you do some very thorough research and come up with a satisfying answer…” I grinned. This Christmas was unlike any of the others Jana and I had spent together. This time we had two little boys, a bigger family and we’d faced our biggest threat yet and come out on top. “If it’s for the sake of research, consider me in babe.” And I spent the rest of the night doing science. Between the gorgeous legs of my beautiful wife. I was pretty sure in that moment, life for the Reckless Bastard’s couldn’t get any better. Merry friggin’ Christmas to us! * * * * If you think the Reckless Bastards are spicy bad boys, they’re nothing compared to the steam in my next series Reckless MC Opey, TX Chapter where Gunnar and Maisie move to Texas! There’s also a sneak peek on the next page.   Don’t wait — grab your copy today!  Copyright © 2019 KB Winters and BookBoyfriends Publishing Inc Published By: BookBoyfriends Publishing Inc Chapter One Gunnar “We’re gonna be cowboys!” Maisie had been singing that song since we got on the interstate and left Nevada and the only family we’d had in the world behind. For good. Cross was my oldest friend, and I’d miss him the most, even though I knew we’d never lose touch. I’d miss Jag too, even Golden Boy and Max. The prospects were cool, but I had no attachment to them. Though I gave him a lot of shit, I knew I’d even miss Stitch. A little. It didn’t matter that the last year had been filled with more shit than gold, or that I was leaving Vegas in the dust, we were all closer for the hell we’d been through. But still, I was leaving. Maisie and I’d been on the road for a couple of days. Traveling with a small child took a long damn time. Between bathroom breaks and snack times we’d be lucky to make it to Opey by the end of the month. Lucky for me, Maisie had her mind set on us becoming cowboys, complete with ten gallon hats, spurs and chaps, so she hadn’t shed one tear, yet. It wasn’t something I’d been hoping for but I was waiting patiently for reality to sink in and the uncontrollable sobs that had a way of breaking a grown man’s heart. “You’re not a boy,” I told her and smiled through the rear view mirror. “Hard to be a cowboy if you’re not even a boy.” Maisie grinned, a full row of bright white baby teeth shining back at me right along with sapphire blue eyes and hair so black it looked to be painted on with ink. “I’m gonna be a cowgirl then! A cowgirl!” She went on and on for what felt like forever, in only the way that a four year old could, about all the cool cowgirl stuff she’d have. “Boots and a pony too!” “A pony? You can’t even tie your shoes or clean up your toys and you want a pony?” She nodded in that exaggerated way little kids did. “I’ll learn,” she said with the certainty of a know it all teenager, a thought that terrified the hell out of me. “You’ll help me, Gunny!” Her words brought a smile to my face even though I hated that fucking nickname she’d picked up from a woman I refused to think about ever again. I’d help Maisie because that’s what family did. Hell, she was the reason I’d uprooted my entire fucking life and headed to the great unknown wilds of Texas. To give Maisie a normal life or as close to normal as I was capable of giving her. “I’ll always help you, Squirt.” “I know. Love you Gunny!” “Love you too, Cowgirl.” I winked in the mirror and her face lit up with happiness. It was the pure joy on her face, putting a bloom in her cheeks that convinced me this was the right thing to do. I didn’t want to move to Texas, and I didn’t want to live on a goddamn ranch, but that was my future. The property was already bought and paid for with my name
K.B. Winters (Mayhem Madness (Reckless Bastards MC #1-7))
I like that my closet is filled (to the brim) with my clothes and shoes and that I don’t have to save half the space for anyone else’s clothes and shoes. (I especially like this.) I like that I can eat cold pizza for breakfast and cereal for dinner if I choose to. I like that I can flip the two meals without concern that someone won’t like my random tastes. I really like that I can use my kitchen cabinets for storage space rather than for dishes or canned foods. I like that I don’t own a garlic press, nor do I know how to use one. I like that I have no need to know that right now. I like that I choose my own bedtime, my own alarm clock setting, my own home décor, my own vacation spots, my own TV channels, my own meals, my own life. I like that I’m only thinking and planning for one. I like that I have multiple remote controls and no clue what they go to, but I’m afraid to toss them out because they could be connected to a device that I might someday want to use again . . . and I control them all. I like that I can sit on my balcony on a cool autumn night with a blanket and a cup of hot cocoa and talk to God for hours, because I don’t have anywhere else to be or anyone else to be with. I like that my heart belongs to Him and is safe with Him. I like that He is the only entity I feel the need to consult with before making big life decisions . . . and I like that I have the luxury of a deeply intimate walk with Him, because He has my undivided attention and undistracted devotion. I’m pretty sure God really likes that too. So, after giving it all very careful consideration . . . I don’t think I’m merely settling for my life. I think I’ve chosen it.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
But what Ianthe and Tamlin had said... 'You don't think it sends a bad message if people see me learning to fight- using weapons?' The moment the words were out, I realised the stupidity of them. The stupidity of- of what had been shoved down my throat these past months. Silence. Then Mor said with a soft venom that made my understand the High Lord's Third had received training of her own in the Court of Nightmares, 'Let me tell you two things. As someone who has perhaps been in your shoes before.' Again, that shared bond of anger, of pain throbbed between them all, save for Amren, who was giving me a look dripping with distaste. 'One,' Mor said, 'you have left the Spring Court.' I tried not to let the full weight of those words sink in. 'If that does not send a message, for good or bad, then your training will not, either. Two,' she continued, laying her palm flat on the table, 'I once lived in a place where the opinion of others mattered. It suffocated me, nearly broke me. So you'll understand me, Feyre, when I say that I know what you feel, and I know what they tried to do to you, and that with enough courage, you can say to help with a reputation.' Her voice gentled, and the tension between them all faded with it. 'You do what you love, what you need.' Mor would not tell me what to wear or not wear. She would not allow me to step aside while she spoke for me. She would not... would not do any of the things that I had so willingly, desperately, allowed Ianthe to do I had never had a female friend before. Ianthe... she had not been one. Not in the way that mattered, I realised. And Nesta and Elain, in those few weeks I'd been at home before Amarantha, had started to fill that role, but... but looking at Mor, I couldn't explain it, couldn't understand it, but... I felt it. Like I could indeed go to dinner with her. Talk to her. Not that I had much of anything to offer her in return.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
But here’s the thing: Martin Luther King was not the “MLK” of his time, not the “MLK” of legend. Martin Luther King was public enemy number one. Seen as an even greater threat by our government, and a large portion of society, than Malcolm X was. Because what Martin Luther King Jr and Malcolm X fought for was the same: freedom from oppression. At times they used different words and different tactics, but it was their goal that was the threat. Their goal of freedom from racial oppression was and is a direct threat to the system of White Supremacy. And for all of Martin’s actions of peace and love, he was targeted with violence, harassed, arrested, blackmailed, followed by the FBI, and eventually murdered. For all of the pedestals MLK is now put on, far above the reach of ordinary black Americans, Martin was in his life viewed as the most dangerous man in America. Martin was the black man who asked for too much, too loudly. Martin was why white America couldn’t support equality. Because no matter what we ask for, if it threatens the system of White Supremacy, it will always be seen as too much. When we were slaves nursing their babies, we were not nice enough. When we were maids cleaning their homes we were not nice enough. When we were porters shining their shoes we were not nice enough. And when we danced and sang for their entertainment we were not nice enough. For hundreds of years we have been told that the path to freedom from racial oppression lies in our virtue, that our humanity must be earned. We simply don’t deserve equality yet. So when people say that they don’t like my tone, or when they say they can’t support the “militancy” of Black Lives Matter, or when they say that it would be easier if we just didn’t talk about race all the time—I ask one question: Do you believe in justice and equality? Because if you believe in justice and equality you believe in it all of the time, for all people. You believe in it for newborn babies, you believe in it for single mothers, you believe in it for kids in the street, you believe in justice and equality for people you like and people you don’t. You believe in it for people who don’t say please. And if there was anything I could say or do that would convince someone that I or people like me don’t deserve justice or equality, then they never believed in justice and equality in the first place. Yes, I am a Malcolm. And Martin, and Angela, Marcus, Rosa, Biko, Baldwin, Assata, Harriet, and Nina. I’m fighting for liberation. I’m filled with righteous anger and love. I’m shouting, as all before me have in their way. And I’m a human being who was born deserving justice and equality, and that is all you should need to know in order to stand by my side.
Ijeoma Oluo (So You Want to Talk About Race)
A year after the gold lamé shoe, the gift basket I received from Donald and Ivana hit the trifecta: it was an obvious regift, it was useless, and it demonstrated Ivana’s penchant for cellophane. After unwrapping it, I noticed, among the tin of gourmet sardines, the box of table water crackers, the jar of vermouth-packed olives, and a salami, a circular indentation in the tissue paper that filled the bottom of the basket where another jar had once been. My cousin David walked by and, pointing at the empty space, asked, “What was that?” “I have no idea. Something that goes with these, I guess,” I said, holding up the box of crackers. “Probably caviar,” he said, laughing. I shrugged, having no idea what caviar was. I grabbed the basket handle and walked toward the pile of presents I’d stacked next to the stairs. I passed Ivana and my grandmother on the way, lifted the basket, said, “Thanks, Ivana,” and put it on the floor. “Is that yours?” At first I thought she was talking about the gift basket, but she was referring to the copy of Omni magazine that was sitting on top of the stack of gifts I’d already opened. Omni, a magazine of science and science fiction that had launched in October of that year, was my new obsession. I had just picked up the December issue and brought it with me to the House in the hope that between shrimp cocktail and dinner I’d have a chance to finish reading it. “Oh, yeah.” “Bob, the publisher, is a friend of mine.” “No way! I love this magazine.” “I’ll introduce you. You’ll come into the city and meet him.” It wasn’t quite as seismic as being told I was going to meet Isaac Asimov, but it was pretty close. “Wow. Thanks.” I filled a plate and went upstairs to my dad’s room, where he’d been all day, too sick to join us. He was sitting up, listening to his portable radio. I handed the plate to him, but he put it on the small bedside table, not interested. I told him about Ivana’s generous offer. “Wait a second; who does she want to introduce you to?” I would never forget the name. I’d looked at the magazine’s masthead right after speaking to Ivana, and there he was: Bob Guccione, Publisher. “You’re going to meet the guy who publishes Penthouse?” Even at thirteen I knew what Penthouse was. There was no way we could be talking about the same person. Dad chuckled and said, “I don’t think that’s such a good idea.” And all of a sudden, neither did I.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
When Sarah prayed for people, she wrote their name down and what she asked God to give them.” He handed a journal to me, and I opened it to see the bubbles of her handwriting. Again and again, leafing through it, I saw my name. “Sarah prayed for you every day,” he said. “Every single day, she put your name down.” Even now, I burst into tears. I had grown up so lonely. Not always alone, but always lonely. And that whole time, Sarah had thought of me with love every day, possibly at the very moments when I felt the most lost. That realization—that I was never truly alone all that time—changed how I thought about heaven, it wasn’t some place in the sky. It was with Sarah, and Sarah was with me. What had seemed like blind faith when we lost Sarah, the naive thought that we were protected, was real. I was never alone, and everything was going to be okay. I stayed up late to read through the journals, seeing for myself how Sarah was always thinking of ways to help people and be of service. As I read, I began to feel an overwhelming sense of purpose, and I realized that I had inherited Sarah’s. I would keep her work alive through my life. Those are pretty big shoes to fill, I remember thinking. Just as quickly, I pushed away my fears: Well, they’re the only ones you’ve got.
Jessica Simpson (Open Book)
My name is Comet Caldwell,” I said, wincing slightly at the way my voice echoed around the room. “I’m seventeen and...this is my poem. “Before you Real life was a blurred Monet, Dripping Tuesday’s pale blue Into Wednesday’s dull gray; All color muted to a lesser hue. It was hot chocolate gone tepid, And a winter with no snow. Sea air somehow turned fetid, Favorite shoes you outgrow. Before you, Real life was without magic, No acts of heroism in sight. Just girl, not savior, not telepathic, No fight of dark against light. There were no wizards or warlocks, Angels and demons didn’t exist. Its only charm was in its boardwalks, Where sand and sea always kissed. Before you, I preferred the dreams I could buy; A plethora of worlds to explore. Lose myself in the beauty of a lie, Have friends who never keep score. Where there’s truth in true romance, And uncool shy girls become heroes. Where days are filled with thrilling happenstance, And people have answers nobody here does. Before you, I judged without truly knowing, Let people slip through my hands. Saw someone flashy and outgoing, And determined they’d never understand. You made me see everyone’s layers, All their secrets and fears. Proving we’re all merely players, Who smile through our tears. Before you, I believed real, true, glorious living Was in adventure, was in the extraordinary. But I’ve learned that time is not so forgiving, And the real beauty of life is in the fragile ordinary
Samantha Young (The Fragile Ordinary)