β
So, this is my life. And I want you to know that I am both happy and sad and I'm still trying to figure out how that could be.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Nobody ever figures out what life is all about, and it doesn't matter. Explore the world. Nearly everything is really interesting if you go into it deeply enough.
β
β
Richard P. Feynman
β
The very least you can do in your life is figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof.
β
β
Barbara Kingsolver (Animal Dreams)
β
Every man I meet wants to protect me. I can't figure out what from.
β
β
Mae West
β
I am both happy and sad at the same time, and I'm still trying to figure out how that could be.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
My life has a superb cast, but I cannot figure out the plot.
β
β
Ashleigh Brilliant
β
I figured something out. The future is unpredictable.
β
β
John Green (An Abundance of Katherines)
β
For attractive lips, speak words of kindness.
For lovely eyes, seek out the good in people.
For a slim figure, share your food with the hungry.
For beautiful hair, let a child run his fingers through it once a day.
For poise, walk with the knowledge youβll never walk alone.
...
We leave you a tradition with a future.
The tender loving care of human beings will never become obsolete.
People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed.
Never throw out anybody.
Remember, if you ever need a helping hand, youβll find one at the end of your arm.
As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others.
Your βgood old daysβ are still ahead of you, may you have many of them.
β
β
Sam Levenson (In One Era & Out the Other)
β
Be Brave and Take Risks: You need to have faith in yourself. Be brave and take risks. You don't have to have it all figured out to move forward.
β
β
Roy T. Bennett (The Light in the Heart)
β
I think it's good for a person to spend time alone. It gives them an opportunity to discover who they are and to figure out why they are always alone.
β
β
Amy Sedaris (I Like You: Hospitality Under the Influence)
β
Got that gun?β Peter says to Tobias. βNo,β says Tobias, βI figured I would shoot the bullets out of my nostrils, so I left it upstairs.
β
β
Veronica Roth (Insurgent (Divergent, #2))
β
I haven't the slightest idea how to change people, but still I keep a long list of prospective candidates just in case I should ever figure it out.
β
β
David Sedaris (Naked)
β
Ally." Peeta says the words slowly, tasting it. "Friend. Lover. Victor. Enemy. Fiancee. Target. Mutt. Neighbor. Hunter. Tribute. Ally. I'll add it to the list of words I use to try to figure you out. The problem is, I can't tell what's real anymore, and what's made up.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL
1. We are here to help you.
2. You will have time to get to your class before the bell rings.
3. The dress code will be enforced.
4. No smoking is allowed on school grounds.
5. Our football team will win the championship this year.
6. We expect more of you here.
7. Guidance counselors are always available to listen.
8. Your schedule was created with you in mind.
9. Your locker combination is private.
10. These will be the years you look back on fondly.
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL
1. You will use algebra in your adult lives.
2. Driving to school is a privilege that can be taken away.
3. Students must stay on campus during lunch.
4. The new text books will arrive any day now.
5. Colleges care more about you than your SAT scores.
6. We are enforcing the dress code.
7. We will figure out how to turn off the heat soon.
8. Our bus drivers are highly trained professionals.
9. There is nothing wrong with summer school.
10. We want to hear what you have to say.
β
β
Laurie Halse Anderson (Speak)
β
Every woman that finally figured out her worth, has picked up her suitcases of pride and boarded a flight to freedom, which landed in the valley of change.
β
β
Shannon L. Alder
β
Thank you," he finally said. He couldn't say he meant thanks for all of it: the keys, the trust, the honesty and the kisses. Hopefully Andrew would figure it out eventually. "You were amazing.
β
β
Nora Sakavic (The King's Men (All for the Game, #3))
β
What does that mean?" he demanded.
She smiled sadly. "You'll figure it out. And when you do..." She shook her head, knowing she shouldn't say it, but doing it anyway. "When you do, I want you to remember that it wouldn't have made any difference to me. It's never made any difference to me when it came to you. Iβd still pick you. Iβll always pick you.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
Before I could figure out how to apologize for being such an idiot, she tackled me with a hug, then pulled away just as quickly. "I'm glad you're not a guinea pig."
"Me, too." I hoped my face wasn't as red as it felt.
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
My life has no purpose, no direction, no aim, no meaning, and yet I'm happy. I can't figure it out. What am I doing right?
β
β
Charles M. Schulz
β
Everything has been figured out, except how to live.
β
β
Jean-Paul Sartre
β
Survive first. Figure out crayon drawing of destiny later.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
you're the gallagher girl. figure it out."- zach
β
β
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
β
In a way, you are poetry material; You are full of cloudy subtleties I am willing to spend a lifetime figuring out. Words burst in your essence and you carry their dust in the pores of your ethereal individuality.
β
β
Franz Kafka (Letters to Milena)
β
The moment God is figured out with nice neat lines and definitions, we are no longer dealing with God.
β
β
Rob Bell (Velvet Elvis: Repainting the Christian Faith)
β
I still have a lot to figure out, but the one thing I know is, wherever you are, thatβs where I belong. Iβll never belong anywhere like I belong with you.
β
β
Emily Henry (People We Meet on Vacation)
β
The day I understood everything, was the day I stopped trying to figure everything out. The day I knew peace was the day I let everything go.
β
β
C. JoyBell C.
β
Life has three rules: Paradox, Humor, and Change.
- Paradox: Life is a mystery; don't waste your time trying to figure it out.
- Humor: Keep a sense of humor, especially about yourself. It is a strength beyond all measure
- Change: Know that nothing ever stays the same.
β
β
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
β
Sometimes you know in your heart you love someone, but you have to go away before your head can figure it out.
β
β
Sharon Creech (Walk Two Moons)
β
It's not hard to decide what you want your life to be about. What's hard, she said, is figuring out what you're willing to give up in order to do the things you really care about.
β
β
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
β
That's when you know for sure somebody loves you. They figure out what you need and they give it to you -- without you asking.
β
β
Adriana Trigiani (Very Valentine (Valentine, #1))
β
What is your name?" she murmured.
He cocked an eyebrow at her and then went back to staring at his brother. "I'm the evil one, in case you haven't figured it out."
"I wanted your name, not your calling."
"Being a bastard's more of a compulsion, really. And it's Zsadist. I am Zsadist.
β
β
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
β
He'd known, since the moment he figured out who she was, that while Celaena would always pick him, Aelin would not.
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
One of the best times for figuring out who you are & what you really want out of life? Right after a break-up.
β
β
Mandy Hale (The Single WomanβLife, Love, and a Dash of Sass: Embracing Singleness with Confidence)
β
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, itβs just not that good. Itβs trying to be good, it has potential, but itβs not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesnβt have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone Iβve ever met. Itβs gonna take awhile. Itβs normal to take awhile. Youβve just gotta fight your way through.
β
β
Ira Glass
β
Instead of the word 'love' there was an enormous heart, a symbol sometimes used by people who have trouble figuring out the difference between words and shapes.
β
β
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
β
But there are times in this harum-scarum world when figuring out the right thing to do is quite simple, but doing the right thing is simply impossible....
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
You know the greatest lesson of history? Itβs that history is whatever the victors say it is. Thatβs the lesson. Whoever wins, thatβs who decides the history. We act in our own self-interest. Of course we do. Name me a person or a nation who does not. The trick is figuring out where your interests are.
β
β
Anthony Doerr (All the Light We Cannot See)
β
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"
Patch: "Single her out. Talk to her."
Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"
Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especially me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Life is like arriving late for a movie, having to figure out what was going on without bothering everybody with a lot of questions, and then being unexpectedly called away before you find out how it ends.
β
β
Joseph Campbell (Creative Mythology (The Masks of God, #4))
β
maybe tonight you're scared of falling, and maybe there's somebody here or somewhere else you're thinking about, worrying over, fretting over, trying to figure out if you want to fall, or how and when you're gonna land, and i gotta tell you, friends, to stop thinking about the landing, because it's all about falling.
β
β
David Levithan (Will Grayson, Will Grayson)
β
And she finds it difficult to believeβthat a person would love her even when she isn't trying. Trying to figure out what other people need, trying to be worthy.
β
β
Margaret Atwood
β
The problem isn't finding out where you are gonna go-its figuring out what you are gonna do once you get there that is! (Jamie Sullivan)
β
β
Nicholas Sparks (A Walk to Remember)
β
Fall in love with some activity, and do it! Nobody ever figures out what life is all about, and it doesn't matter. Explore the world. Nearly everything is really interesting if you go into it deeply enough. Work as hard and as much as you want to on the things you like to do the best. Don't think about what you want to be, but what you want to do. Keep up some kind of a minimum with other things so that society doesn't stop you from doing anything at all.
β
β
Richard P. Feynman
β
I'm afraid if I listen to my heart once, I'll never figure out how to ignore it again.
β
β
Colleen Hoover (Confess)
β
The right thing isn't always real obvious. Sometimes the right thing for one person is the wrong thing for someone else. So...good luck figuring that out.
β
β
Stephenie Meyer (Twilight (The Twilight Saga, #1))
β
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
β
β
John Green (Paper Towns)
β
We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.
β
β
Yaa Gyasi (Homegoing)
β
I've spent most of my life and most of my friendships holding my breath and hoping that when people get close enough they won't leave, and fearing that it's a matter of time before they figure me out and go.
β
β
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
β
Just wait until he figures out I shut him out of his slut hut.
β
β
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
β
Maybe you had to leave in order to really miss a place; maybe you had to travel to figure out how beloved your starting point was.
β
β
Jodi Picoult (Handle with Care)
β
Getting what you want is just as difficult as not getting what you want. Because then you have to figure out what to do with it instead of figuring out what to do without it.
β
β
David Levithan (The Realm of Possibility)
β
Iβm lost. And itβs my own fault. Itβs about time I figured out that I canβt ask people to keep me found.
β
β
Anne Sexton
β
When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.
β
β
Chuck Palahniuk (Invisible Monsters)
β
Life is funny isnβt it? Just when you think youβve got it all figured out, just when you finally begin to plan something, get excited about something, and feel like you know what direction youβre heading in, the paths change, the signs change, the wind blows the other way, north is suddenly south, and east is west, and youβre lost. It is so easy to lose your way, to lose direction. And thatβs with following all the signposts
β
β
Cecelia Ahern (Love, Rosie)
β
I feel like any second you're going to figure out what a piece of shit I am and leave me.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
Everything changed the day she figured out there was exactly enough time for the important things in her life.
β
β
Brian Andreas
β
But I still couldn't figure out what it all meant. The more I found out, the less I understood.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Thanks to you, Gabs, we just figured out a half dozen ways not to rob the Henley.
β
β
Ally Carter (Heist Society (Heist Society, #1))
β
Unfortunately, some family members are so psychotic that no matter how hard you try to forge a healthy relationship, nothing will help. Now that you're an adult, take refuge in the fact that some things are beyond your control. You owe it to yourself to steer clear of people who are harmful to your health.
β
β
Andrea Lavinthal (Your So-Called Life: A Guide to Boys, Body Issues, and Other Big-Girl Drama You Thought You Would Have Figured Out by Now)
β
If the guy youβre dating doesnβt seem to be completely into you, or you feel the need to start βfiguring him out,β please consider the glorious thought that he might just not be that into you. And then free yourself to go find someone that is.
β
β
Greg Behrendt
β
Find someone who has a life that you want and figure out how they got it. Read books, pick your role models wisely. Find out what they did and do it.
β
β
Lana Del Rey
β
We are stardust brought to life, then empowered by the universe to figure itself outβand we have only just begun.
β
β
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
β
Jamie: You know what I figured out today?
Landon: What?
Jamie: Maybe God has a bigger plan for me than I had for myself. Like this journey never ends. Like you were sent to me because I'm sick. To help me through all this. You're my angel.
β
β
Nicholas Sparks (A Walk to Remember)
β
As for my brothers," Zeus said, "we are thankful"-he cleared his throat like the words were hard to get out-"erm, thankful for the aid of Hades."
The lord of the dead nodded. He had a smug look on his face, but I figure he'd earned the right. He patted his son Nico on the shoulders, and Nico looked happier than I'd ever seen him.
"And, of course," Zeus continued, though he looked like his pants were smoldering, "we must...um...thank Poseidon."
"I'm sorry, brother," Poseidon said. "What was that?"
"We must thank Poseidon," Zeus growled. "Without whom . . . it would've been difficult-"
"Difficult?" Poseidon asked innocently.
"Impossible," Zeus said. "Impossible to defeat Typhon.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
Things are so hard to figure out when you live from day to day in this feverish and silly world.
β
β
Jack Kerouac (On the Road: The Original Scroll)
β
That's the problem with life. You never get enough time to stare at your ceiling and try to figure out what's going on.
β
β
Leila Sales (This Song Will Save Your Life)
β
I was in my bed trying to figure out why sometimes you can wake up and go back to sleep and other times you can't
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.
β
β
Barbara Kingsolver
β
If you want to understand a society, take a good look at the drugs it uses. And what can this tell you about American culture? Well, look at the drugs we use. Except for pharmaceutical poison, there are essentially only two drugs that Western civilization tolerates: Caffeine from Monday to Friday to energize you enough to make you a productive member of society, and alcohol from Friday to Monday to keep you too stupid to figure out the prison that you are living in.
β
β
Bill Hicks
β
You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, little kids figuring out how to be alive, how to navigate a world that wasn't made for them by navigating a playground that was.
β
β
John Green (The Fault in Our Stars)
β
What were you dreaming about?"
"You." He twisted a lock of her hair around his finger. "I always dream about you."
"Oh, yeah? Because I thought you were having a nightmare."
He tipped his head back to look at her. "Sometimes I dream you're gone," he said. "I keep wondering when you'll figure out how much better you could do and leave me.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
Mary stared at the dreamlike happenings on the page. Human figures faced each other; the manβs head was a golden ball with rays reaching up to huge stars and out to the distant mountains; the womanβs silver head was sickle-shaped and surrounded by birds like eagles with white beaks. Some of the black letters glowed because they had tips like tiny flames.
β
β
Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
β
I am not a smart man, particularly, but one day, at long last, I stumbled from the dark woods of my own, and my family's, and my country's past, holding in my hands these truths: that love grows from the rich loam of forgiveness; that mongrels make good dogs; that the evidence of God exists in the roundness of things. This much, at least, I've figured out. I know this much is true.
β
β
Wally Lamb (I Know This Much Is True)
β
You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.
β
β
Anne Lamott (Bird by Bird)
β
He read a lot. He used a lot of big words. I think maybe part of what got him into trouble was that he did too much thinking. Sometimes he tried too hard to make sense of the world, to figure out why people were bad to each other so often. A couple of times I tried to tell him it was a mistake to get too deep into that kind of stuff, but Alex got stuck on things. He always had to know the absolute right answer before he could go on to the next thing.
β
β
Jon Krakauer (Into the Wild)
β
The nature of the labyrinth, I scribbled into my spiral notebook, and the way out of it. This teacher rocked. I hated discussion classes. I hated talking, and I hated listening to everyone else stumble on their words and try to phrase things in the vaguest possible way so they wouldn't sound dumb, and I hated how it was all just a game of trying to figure out what the teacher wanted to hear and then saying it. I'm in class, so teach me.
β
β
John Green (Looking for Alaska)
β
I wonder," she said. "Does this castle have a moat?"
A group of servants were busy emptying the privy buckets into the moat when they were startled by a sudden drawn-out cry. They looked up in time see a scarlet-and-gold clad figure sail out of a first-story window, turn over once and then land with an enormus splash in the dark, rancid waters. They shrugged and went back to work.
β
β
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
β
You donβt think heβs our man?β asked Adam. It occurred to him that Ramsbottom was not exactly forthcoming with information.
βI didnβt say that,β Ramsbottom said. βIn fact he is behaving very cautiously indeed, which makes me feel very suspicious.β
βHe has probably figured out that you are following him,β said Adam. βOne can hardly fail to notice you hanging around all the time.β
βThat may be so,β said Ramsbottom.
βCanβt you get a disguise or something?β asked Adam. βSo he does not recognise you.
β
β
Max Nowaz (Get Rich or Get Lucky)
β
I write a lot of songs about love and I think thatβs because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.
β
β
Taylor Swift
β
I was thrown into a state of sheer, mindless panic. βItβs my mother!β I whispered fiercely,
as if Bones hadnβt figured that out. βHoly shit, you have to hide!β
I literally shoved him toward the bedroom, yelling, βIβIβll be right there, Iβm not
dressed!β
He went, but with none of my hysteria. βKitten, you still havenβt told her? Blimey, what
are you waiting for?β
The Second Coming of Christ!β I snapped. βAnd not a moment sooner! Here, in the
closet!
β
β
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
β
All teenagers knew this was true. The process of growing up was nothing more than figuring out what doors hadn't yet been slammed in your face. For years, parents tell you that you can be anything, have anything, do anything. That was why she'd been so eager to grow up-until she got to adolescence and hit a big fat wall ofreality. As it turned out, she couldn't have anything she wanted. You didn't get to be pretty or smart or popular just because you wanted it. You didn't control your own destiny, you were too busy trying to fit in.
β
β
Jodi Picoult (The Tenth Circle)
β
Just tell me, Percy, do you still have the birthday gift I gave you last summer?" I nodded and pulled out my camp necklace. It had a bead for every summer I'd been at Camp Half-Blood, but since last year I'd also kept a sand dollar on the cord. My father had given it to me for my fifteenth birthday. He'd told me I would know when to "spend it," but so far I hadn't figured out what he meant. All I knew that it didn't fit the vending machines in the school cafeteria.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
I really wondered why people were always doing what they didn't like doing. It seemed like life was a sort of narrowing tunnel. Right when you were born, the tunnel was huge. You could be anything. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size. You were a boy, and already it was certain you wouldn't be a mother and it was likely you wouldn't become a manicurist or a kindergarten teacher. Then you started to grow up and everything you did closed the tunnel in some more. You broke your arm climbing a tree and you ruled out being a baseball pitcher. You failed every math test you ever took and you canceled any hope of being a scientist. Like that. On and on through the years until you were stuck. You'd become a baker or a librarian or a bartender. Or an accountant. And there you were. I figured that on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.
β
β
Carol Rifka Brunt (Tell the Wolves I'm Home)
β
Go back to bed, America. Your government has figured out how it all transpired. Go back to bed, America. Your government is in control again. Here. Here's American Gladiators. Watch this, shut up. Go back to bed, America. Here is American Gladiators. Here is 56 channels of it! Watch these pituitary retards bang their fucking skulls together and congratulate you on living in the land of freedom. Here you go, America! You are free to do what we tell you! You are free to do what we tell you!
β
β
Bill Hicks
β
I look at her there in the shadows of the shut-down city, her hair falling onto her face, and I can see her trying to figure out if Iβve lost it. And I have to fight the urge to take her by the shoulders and slam her against a shuttered building until we feel the vibrations ringing through both of us. Because I suddenly want to hear her bones rattle. I want to feel the softness of her flesh give, to hear her gasp as my hip bone jams into her. I want to yank her head back until her neck is exposed. I want to rip my hands through her hair until her breath is labored. I want to make her cry and then lick up the tears. And then I want to take my mouth to hers, to devour her alive, to transmit all the things she canβt understand.
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Gayle Forman (Where She Went (If I Stay, #2))
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It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death.
"Cut," I hear Cressida say quietly.
"What's wrong with her?" Plutarch says under his breath.
"She's figured out how Snow's using Peeta," says Finnick.
There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken.
Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.
"I can't do this anymore," I say.
"I know," he says.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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Reluctantly, I pulled out my necklace and showed it to them.
Samuel frowned. The little figure was stylized; I suppose he couldn't tell what it was at first.
"A dog?" asked Zee, staring at my necklace.
"A lamb," I said defensively, tucking it safely back under my shirt. "Because one of Christ's names is 'The Lamb of God.'"
Samuel's shoulders shook slightly. "I can see it now, Mercy holding a roomful of vampire at bay with her glowing sheep."
I gave his shoulder a hard push, aware of the heat climbing to my cheeks, but it didn't help. He sang in a soft taunting voice, "Mercy had a little lamb...
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Patricia Briggs (Moon Called (Mercy Thompson, #1))
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Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you'll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn't really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved.
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Charlie Kaufman (Synecdoche, New York: The Shooting Script)
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My point is that I am going to figure this out, like I always do. First, weβre going to find a way to get into Artemisia. Weβre going to find Cress and rescue Cinder and Wolf. Weβre going to overthrow Levana, and by the stars above, we are going to make Cinder a queen so she can pay us a lot of money from her royal coffers and we can all retire very rich and very alive, got it?"
Winter started to clap. "Brilliant speech. Such gumption and bravado."
"And yet strangely lacking in any sort of actual strategy," said Scarlet.
"Oh, good, I'm glad you noticed that too," said Iko. "I was worried my processor might be glitching.
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Marissa Meyer (Winter (The Lunar Chronicles, #4))
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The end of the world started when a pegasus landed on the hood of my car.
Up until then I was having a great afternoon.Technically I wasn't supposed to be driving because I wouldn't turn sixteen for another week, but my mom and my stepdad, Paul, took my friend Rachel and me to the private stretch of beach on the South Shore, and Paul let us borrow his Prius for a short spin.
Now, I know what your thinking, Wow, that was really irresponsible of him, blah, blah, blah, but Paul knows me pretty well. He's seen me slice up demons and leap out of exploding buildings, so he probably figured taking a car a few hundred yards wasn't exactly the most dangerous thing I'd ever done.
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Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
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That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since Iβd lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
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Kazuo Ishiguro (Never Let Me Go)
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I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
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Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
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So thatβs how we live our lives. No matter how deep and fatal the
loss, no matter how important the thing that's stolen from us - that's
snatched right out of our hands - even if we are left completely
changed, with only the outer layer of skin from before, we continue to
play out our lives this way, in silence. We draw ever nearer to the
end of our allotted span of time, bidding it farewell as it trails off
behind. Repeating, often adroitly, the endless deeds of the everyday.
Leaving behind a feeling of insurmountable emptiness...
Maybe, in some distant place, everything is already, quietly, lost.
Or at least there exists a silent place where everything can
disappear, melting together in a single, overlapping figure. And as
we live our lives we discover - drawing toward us the thin threads
attached to each - what has been lost. I closed my eyes and tried to
bring to mind as many beautiful lost things as I could. Drawing them
closer, holding on to them. Knowing all the while that their lives
are fleeting.
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Haruki Murakami (Sputnik Sweetheart)
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She sighed, annoyed at her restlessness. βSo,β she said, disrupting Wolf in another backward glance.
βWho would win in a fightβyou or a pack of wolves?β
He frowned at her, all seriousness. βDepends,β he said, slowly, like he was trying to figure out her motive for asking. βHow big is the pack?β
βI donβt know, whatβs normal? Six?β
βI could win against six,β he said. βAny more than that and it could be a close call.β
Scarlet smirked. βYouβre not in danger of low self-esteem, at least.β
βWhat do you mean?β
βNothing at all.β She kicked a stone from their path. βHow about you and β¦ a lion?β
βA cat? Donβt insult me.β
She laughed, the sound sharp and surprising. βHow about a bear?β
βWhy, do you see one out there?β
βNot yet, but I want to be prepared in case I have to rescue you.β
The smile sheβd been waiting for warmed his face, a glint of white teeth flashing. βIβm not sure. Iβve never had to fight a bear before.
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Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
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One must learn to love.β This is what happens to us in music: first one has to learn to hear a figure and melody at all, to detect and distinguish it, to isolate it and delimit it as a separate life; then it requires some exertion and good will to tolerate it in spite of its strangeness, to be patient with its appearance and expression, and kindhearted about its oddity:βfinally there comes a moment when we are used to it, when we wait for it, when we sense that we should miss it if it were missing: and now it continues to compel and enchant us relentlessly until we have become its humble and enraptured lovers who desire nothing better from the world than it and only it.β But that is what happens to us not only in music: that is how we have learned to love all things that we now love. In the end we are always rewarded for our good will, our patience, fairmindedness, and gentleness with what is strange; gradually, it sheds its veil and turns out to be a new and indescribable beauty:βthat is its thanks for our hospitality. Even those who love themselves will have learned it in this way: for there is no other way. Love, too, has to be learned.
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Friedrich Nietzsche
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Once upon a time, there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work.
One day, as he was walking along the shore, he looked down the beach and saw a human figure moving like a dancer. He smiled to himself at the thought of someone who would dance to the day, and so, he walked faster to catch up.
As he got closer, he noticed that the figure was that of a young man, and that what he was doing was not dancing at all. The young man was reaching down to the shore, picking up small objects, and throwing them into the ocean.
He came closer still and called out "Good morning! May I ask what it is that you are doing?"
The young man paused, looked up, and replied "Throwing starfish into the ocean."
"I must ask, then, why are you throwing starfish into the ocean?" asked the somewhat startled wise man.
To this, the young man replied, "The sun is up and the tide is going out. If I don't throw them in, they'll die."
Upon hearing this, the wise man commented, "But, young man, do you not realize that there are miles and miles of beach and there are starfish all along every mile? You can't possibly make a difference!"
At this, the young man bent down, picked up yet another starfish, and threw it into the ocean. As it met the water, he said,
"It made a difference for that one.
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Loren Eiseley
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I hope you feel better about yourself. I hope you feel alive. I hope that good things happen to you, and I hope that when the inevitable bad things happen you can handle them and learn a lesson and move on. I hope you know you're not alone and I hope you spend plenty of time with your family and/or friends and I hope you write more and get a seven-figure book deal. I hope next year no more celebrities die and I hope you get an iPhone if you want one. Or maybe a pony. I hope someone writes a song for you on Valentines Day that's a bit like Hey There Delilah, and I hope they have a good singing voice, or at least one better than mine. I hope that you accept yourself the way you are, and figure out that losing 20 pounds isn't going to magically make you love yourself. I hope you read a lot. I hope you don't have to almost die to figure out how valuable life is. I hope you find the perfect nail polish/digital camera/home/life partner. I hope you stop being jealous of others. I hope you feel good, about yourself and the people around you and the world. I hope you eat heaps of salt and vinegar chips because they're the best kind. I hope you accomplish all your hopes & dreams & aspirations and are blissfully happy & get married to Edward Cullen/George Clooney/Megan Fox/Angelina Jolie (delete whichever are inappropriate) & ride a pretty white horse into the sunset & I hope it's all sweet and wonderful because you deserve it because you did well this year in the face of sparkly vampires/great evil/low self-esteem.
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Steph Bowe
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When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash.
And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder.
When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes.
When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby."
And yet, for someone who's apparently done this already, I still haven't figured anything out yet.
My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth.
But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible.
And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth.
When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all.
So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in.
This isn't my first time here. This isn't my last time here. These aren't the last words I'll share.
But just in case, I'm trying my hardest to get it right this time around.
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Sarah Kay
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Oh. My. God. You're Rose Hathaway aren't you?"
"Yeah." I said with surprise. "Do you know me?"
"Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath.
"Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch.
Her pale green eyesβif possibleβgrew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her.
"What's your name?" I asked.
"JillianβJill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me."
"Right." I said, hiding a smile. "I figured it out."
"I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape.
"I don't know." I said. "You should talk to Christian Ozera."
She gaped. "Would he talk to me?"
"If you bring up fighting the establishment, yeah he'll talk to you."
"Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly.
"Yeah."
I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?"
"Yeah." I wondered where he was. Talking to Jill was exhausting.
"Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?"
"Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties.
"I knew it! I can't even imagine thatβI'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'"
I laughed in spite of myself. "I think you're giving me more credit than I deserve."
"No way. And I don't believe any of those stories, you know."
"Um, stories?"
"Yeah about you beating up Christian Ozera."
"Thanks." I said.
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Richelle Mead (Shadow Kiss (Vampire Academy, #3))