Fighter Movie Quotes

It was a movie about American bombers in World War II and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers , and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans though and some of the bombers were in bad repair. Over France though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.

I feel like I'm stuck in a bad movie, with a little devil sitting on one shoulder and an angel on the other. But the goddamn devil is twice the size and my angel is a fucking mute. Great, I have a fucking mute angel.

In the Middle Ages, cathedrals and convents burned like tinder; imagining a medieval story without a fire is like imagining a World War II movie in the Pacific without a fighter plane shot down in flames.

Are you still as angry as you used to be?' Julia, the World War II resistance fighter, asked Lillian Hellman in the biographical [movie] Julia. "I like your anger…. Don't you let anyone talk you out of it.

Listen to positive music, watch positive videos or movies, hang out with positive, upbeat people. The last thing a blue mood need is more blues. Don’t be volunteer victim; be a fighter.

It did not last long. It is only in the movies that knife fighters stab and miss and slash and miss and tussle over several city blocks.

My dear countrymen, I hope that you will live to see the day when you learn to believe in other gods than a few movie whores and a couple of prize-fighters.

Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.

A lot of kids owned their own interplanetary vehicles. School parking lots all over Ludus were filled with UFOs, TIE fighters, old NASA space shuttles, Vipers from Battlestar Galactica, and other spacecraft designs lifted from every sci-fi movie and TV show you can think of.

I feel like I am stuck in a bad movie, with a little devil sitting on one shoulder and an angel on the other. But the goddamn devil is twice the size and my angel is a fucking mute. Great, I have a fucking mute angel.

I feel like I’m stuck in a bad movie, with a little devil sitting on one shoulder and an angel on the other.  But the goddamn devil is twice the size and my angel is a fucking mute.  Great, I have a fucking mute angel.

Dear . . . God,” she blurted as she recoiled. The hallway beyond was filled with the males of the house, the Brothers and other fighters and Manny sitting on the floor with their backs to the bare walls, their legs stretched out, propped up, crossed at the knees or crossed at the ankles. Apparently there had been quite a bit of drinking going on, empty bottles of vodka and whiskey littered around them, glasses in hands or on thighs. “This is not as pathetic as it looks,” her Butch pointed out. “Liar,” V muttered. “It so fucking is. I think I’m going to start knitting for reals.” As the females emerged with her, each one of them registered shock, disbelief, and then a wry amusement. “Is it me,” one of the males groused, “or did we just perform our own mass castration out here?” “I think that just about sums this shit up,” somebody agreed. “I’m wearing panties under my leathers from now on. Anyone joining me?” “Lassiter already does,” V said as he got to his feet and went to Jane. “Hey.” And then it was group-reunion time. While the other pairs found one another, Butch smiled as Marissa came over to him and put out her hand to help him off the floor. As they embraced, he kissed her on the side of the neck. “Are you out of love with me now?” he murmured. “’ Cuz I’m pussy-whipped?” She leaned back in his arms. “Why? Because you pined after me while I was watching a dirty movie with my girls that wasn’t all that dirty? I think it’s actually— and brace yourself— really pretty cute.” “I’m still all man.” As she rolled her body against him, she let out a mmmm as she felt his erection. “Yes, I can tell.

THE SOUNDTRACK OF WES AND LIZ Someone Like You | Van Morrison Paper Rings | Taylor Swift Lovers | Anna of the North ocean eyes | Billie Eilish Bad Liar | Selena Gomez Public Service Announcement (Interlude) | Jay-Z Up All Night | Mac Miller How Would You Feel (Paean) | Ed Sheeran Hello Operator | The White Stripes Paradise | Bazzi Sabotage | Beastie Boys Feelin’ Alright | Joe Cocker Someone Like You | Adele Monkey Wrench | Foo Fighters Bella Luna | Jason Mraz Forrest Gump | Frank Ocean Electric (feat. Khalid) | Alina Baraz Kiss | Tom Jones Enter Sandman | Metallica Death with Dignity | Sufjan Stevens We Are Young | fun. feat. Janelle Monáe New Year’s Day | Taylor Swift River | Joni Mitchell

There is a scene in one of the Rocky movies where after the match Apollo Creed and Rocky are waiting for the scoring of their brawl all beat up and battered, obviously both fighters gave all they had to win, and Apollo Creed says to Rocky - "Your not getting a rematch" and Rocky says "I don't want one". I love that scene. That's when you know that you left no doubt - that your opponent, win or lose, never wants to compete against you ever again. That's fighting.

Another time, I was at the bar getting a drink and this geezer is stood at the bar with a ciggie in his mouth, trying his best to look rock hard. He takes a drag and points his finger in my face and drawls, ‘Don't I know you?’ He was looking snake-eyed at me like a typical big screen gangster. I stood in front of him and drawled back, ‘I don’t know, but they call me Richy Horsley,’ and then bang, I batter him with a left hook that landed with a strange dull thud. Mr Movie Gangster was stood there leaning against the bar and staring out in to space, knocked out standing up.

on their target about now. Six on one, overwhelming force, or so they thought. Puller was a first-rate, superbly trained close-quarters fighter. But he was not Superman. This was not a movie where he could Matrix his way to victory. It would be fearful men fighting, making mistakes but certainly landing some blows. Puller tipped the scales at well over two hundred pounds. The men he would be facing tonight collectively weighed about a thousand pounds. They had twelve fists and a dozen legs to his two and two. Six against one, hand-to-hand, no matter how good you were or how inept the six were, would likely result in defeat. Puller could take out three or four rather quickly. But the remaining two or three men would probably get in a lucky shot and possibly knock him down. And then it would be over. Bats and bars would rain down on him and then a gunshot would end it all. If one had a choice—and sometimes one did—a truly superb close-quarters fighter only fought when the conditions favored him. He didn’t have much time, because they would quickly determine that he was not in the room. Then they would do one of two things: leave and come back, or set a trap and wait for him. And a trap would involve a perimeter. At least he was counting on that, because a perimeter meant that the six men would have

You’re back,” I said, refusing to embarrass myself further by getting angry. “I took Tag home. He had big plans to train for his next fight old school, like Rocky, but discovered that it’s a little more appealing in the movies. Plus, I don’t do a very good Apollo Creed.” “Tag’s a fighter?” “Yeah. Mixed martial arts stuff. He’s pretty good.” “Huh.” I didn’t know what else to say. I didn’t know anything about the sport. “Didn’t Apollo Creed die in one of the movies?” “Yeah. The black guy always dies at the hands of the white man.” I rolled my eyes, and he grinned, making me grin with him before I remembered that I was embarrassed and ticked off that he had kissed me and left town. It felt a little too much like the past. The grin slipped from my face and I turned away, busying myself shaking out the saddle blankets. “So why did you come back?” I kept my eyes averted. He was quiet for a minute, and I bit my lips so I wouldn’t start to babble into the awkward silence. “The house needs more work,” he replied at last. “And I’m thinking of changing my name.” My head shot up, and I met his smirk with confusion. “Huh?” “I heard there was this new law in Georgia. Nobody named Moses can even visit. So I’m thinking a name change is in order.” I just shook my head and laughed, both embarrassed and pleased at his underlying meaning. “Shut up, Apollo,” I said, and it was his turn to laugh.

American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation. The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new. •  •  • When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again. The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn’t in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.

As the reach of the 1619 Project grew, so did the backlash. A small group of historians publicly attempted to discredit the project by challenging its historical interpretations and pointing to what they said were historical errors. They did not agree with our framing, which treated slavery and anti-Blackness as foundational to America. They did not like our assertion that Black Americans have served as this nation’s most ardent freedom fighters and have waged their battles mostly alone, or the idea that so much of modern American life has been shaped not by the majestic ideals of our founding but by its grave hypocrisy. And they especially did not like a paragraph I wrote about the motivations of the colonists who declared independence from Britain. “Conveniently left out of our founding mythology,” that paragraph began, “is the fact that one of the primary reasons the colonists decided to declare their independence from Britain was because they wanted to protect the institution of slavery.” Later, in response to other scholars who believed we hadn’t been specific enough and to clarify that this sentence had never been meant to imply that every single colonist shared this motivation, we changed the sentence to read “some of the colonists.” But that mattered little to some of our critics. The linking of slavery and the American Revolution directly challenged the cornerstone of national identity embedded in our public history, the narratives taught to us in elementary schools, museums and memorials, Hollywood movies, and in many scholarly works as well.16 The assertions about the role slavery played in the American Revolution shocked many of our readers. But these assertions came directly from academic historians who had been making this argument for decades. Plainly, the historical ideas and arguments in the 1619 Project were not new.17 We based them on the wealth of scholarship that has redefined the field of American history since at least the 1960s, including Benjamin Quarles’s landmark book The Negro in the American Revolution, first published in 1961; Eric Foner’s Reconstruction: America’s Unfinished Revolution, 1863–1877; Annette Gordon-Reed’s The Hemingses of Monticello: An American Family; and Alan Taylor’s The Internal Enemy: Slavery and War in Virginia, 1772–1832. What seemed to provoke so much ire was that we had breached the wall between academic history and popular understanding, and we had done so in The New York Times, the paper of record, in a major multimedia project led by a Black

say   v. (says; past and past part.said) 1 [reporting verb] utter words so as to convey information, an opinion, a feeling or intention, or an instruction: [with direct speech] “Thank you,” he said | [with clause] he said the fund stood at $100,000 | [trans.] our parents wouldn't believe a word we said | [with infinitive] he said to come early.    (of a text or a symbolic representation) convey specified information or instructions: [with clause] the law says such behavior is an offense.  [trans.] enable a listener or reader to learn or understand something by conveying or revealing (information or ideas): I don't want to say too much | FIGURATIVEthe movie's title says it all.  [trans.] (of a clock or watch) indicate (a specified time): the clock says ten past two.  (be said) be asserted or reported (often used to avoid committing the speaker or writer to the truth of the assertion): [with infinitive] they were said to be training freedom fighters | [with clause] it is said that she lived to be over a hundred.  [trans.] (say something for) present a consideration in favor of or excusing (someone or something): all I can say for him is that he's

If the American culture of movies, shopping males, and soft drinks cannot inspire us, there are other Americas that can: Americas of renegades and prisoners, of dreamers and outsiders. Something can be salvaged from the twisted wreck of the “democratic sprit” celebrated by Walt Whitman, something subverted from the sense that each person has worth and dignity: a spirit that can be sustained on self-reliance and initiative. These Americas are America of the alienated and marginalized: indigenous warriors, the freedom fighters of civil rights, the miners’ rebelling in the Appalachian Mountains. America’s past is full of revolutionary hybrids; our lists could stretch infinitely onwards towards undiscovered past or future. The monolith of a rich and plump America must be destroyed to make room for many Americas. A folk anarchist culture rising in the periphery of America, and can grow in the fertile ground that lies beneath the concrete of the great American wasteland. Anyone struggling today – living the hard life and fighting the even harder fight – is a friend even if he or she can never share a single meal with us, or speak our language. The anarchists of America, with our influence as wide as our prairies and dreams that could light those prairies on fire, can make entire meals on discarded food, live in abandoned buildings, and travel on the secret paths of lost highways and railroads, we are immensely privileged.

There we met Distance, a hardened ANC fighter with the looks and physique of an adventure movie-star. It was a quiet day and one of us mentioned Abdul. Distance looked at us and then said: "I am not sorry your friend Abdul was killed. It is good that one of you dies. Nothing personal, but now you feel what is happening to us every day.

Maya’s point is that Hayley, Nicole, and Serena shared common characteristics, which probably means they’re the same type, and it has something to do with singing and swimming.” “And being pretty,” Hayley said. “That’s not a superpower,” Sam muttered. Hayley turned to her. “No? How many times have you gotten into movies for free because you’re a tough warrior chick?” “What about me?” Corey said. “What’s my superpower?” Silence fell. “Oh, come on. I’m good at a lot of stuff. Right?” More silence. “You’re cute,” Hayley said. “Well, cute enough.” “Fun to be around,” I offered. “So I’m…a clown?” “At least you’re a cute clown,” Hayley said. “Not a scary one.” “You’re a good fighter,” Daniel said. “And you’re a good drinker,” Hayley added. “You can hold your liquor better than anyone I know.” “Uh-huh,” Corey said. “So Maya will grow up to be an amazing healer who can change into a killer cat. Daniel and Sam will roam the country hunting criminals and demons. Hayley and Nicole will divide their time between recording platinum albums and winning gold medals in swimming. And me? I’ll be the cute, funny guy sitting at the bar, hoping for a good brawl to break out.” “In other words, exactly where you were already headed,” Hayley said. We all laughed at that, even Corey. We had to. For now, this was the best way to deal with it. Tease. Poke fun. As if we were comparing Halloween costumes. Look, I’m a superhero. Yeah? Well, so am I. “I’m sure you have powers,” I said. “You’re just a late bloomer.” “Thanks…I think.

Here was the problem with Jack Reacher: he was a bad guy who sometimes did good things. Given his itinerant lifestyle, Will thought of him as an American James Bond—not the Bond from the movies but the Bond from the books who was one level up from a street fighter. There was no M to temper his feralness. Reacher did not have a legal license to kill. Or maim. Or shoot people in their knees, which was a really mean thing to do, even to a stone-cold gangster.

Look. Is The Rock a perfect movie? No. But is it a perfect movie? Maybe! Just describing the plot of The Rock is a lush, lip-smacking thrill, like a piece of bacon that is all fatty rind, like a bowl of Lucky Charms that is all marshmallows—so many elements that could each, alone, be too much, here combined into one film that somehow works, one great, baroque cinnamon roll that is all the middle of the cinnamon roll, The Jetsons Meet the Flintstones, a duck-billed platypus, a place beyond decadence, foie gras on your burger, everything you want and nothing you don’t and then some more. Nicolas Cage, an unchained freak; Sean Connery, virtuosically hammy; Ed Harris, a haunted prince going down with his ship; antihero vs. antihero vs. antihero vs. the president; and gruesome chemical weapons and a heist and a mutiny and a double mutiny and family drama and Alcatraz and mine carts and fighter jets and flames and a rock, stalwart against the sea. All that, but with none of the septic irony, the relentless self-conscious hedging, that infects so much of our lives these days. The Rock does not take one single moment to look you in the eye and say, yes, we know this is a little silly, we are sorry, please know we are cool—there’s no need! The Rock believes in itself, it commits, it is happy to be fun. Coolness is a deadly neurotoxin. Inject The Rock into your heart.

I don’t think we’re as far apart as you say. I mean, when the shit comes down, we’ll both be on the same side of the barricades.’ ‘The shit is already down.’ ‘I mean when people are dying in the streets.’ ‘Kate, people are dying in the streets. It’s not the movies, where the world divides into freedom fighters and brownshirts. Here in New York City there are people who take action and people who do nothing. Doing nothing is a position. It means giving approval without having actively to say so.

My last chemo treatment was right around the corner. The enemy I'd pictured pulling a sneak attack on me was losing. My healthy-cell cancer fighter's were kicking in the swinging doors like an old Western movie and smoking those cancer cells one by one. They were doing the physical work; the least I could do was the mental olympics. The unexpected gift of mental fortitude feels like a secret in the breast cancer sisterhood community. Let’s vow to one another to accept positive energy only, including from our brains to ourselves.

Movie producers have a lot to answer for, again. Part of the prejudice lies in the way fighting is portrayed in movies. More often than not the star Martial Arts fighter is cast as an individual of some Asian descent, while the villain – a nefarious Englishman - sits in a mansion giving orders. I know several excellent English Martial Artists and not one of them wears a monocle or has attempted to take over the world. Yet.

The camaraderie of the trail was a constant. To Cisco, Pancho was “Chico,” and their allegiances were first and foremost to each other. Though Cisco would often scold his partner for stupidity, no other man was allowed to denigrate his friend. Cisco was a fighter, a formidable foe with fists or guns. The fights, especially in the Jack Mather syndications, were wildly verbal, with Cisco and Pancho jabbering away even in the thick of fisticuffs. And now, hombre, we shall see if you are as tough as your words! (Punch-punch-punch) Ah’ll kill you, Cisco! (Punch-pummel-pound) Oh, I think not! (Punch-punch-slug) Ceesco! Behind you! (Jab, dance, punch-punch) I see him, Pancho! And now it is time to show these hombres that the Cisco Kid means exactly what he says! A furious finish, with more chatter, punches, and broken chairs, and the final sound of a badman taking a fall. These fights today are hilarious, like a B-movie western in which the hero never loses his hat.

The world need more honest, authentic, rational, confident, well-rounded, balanced, humble, intelligent polite, kind people, people that do not play with others feelings and dreams. People that lift others up. Happy people full of patriotism, love and dreams. People able to see into others eyes, suffering, despair and do something about it. We need real people. CIA is not a game, an action movie, a thriller book, a video game. CIA is a place of people with integrity, fighters of freedom and peace. CIA should be a role model agency, stopping all this evil that we find around us. Stopping those making fun of others lives and dreams. A place where all the good things in the world converge. We have to do something to make all the social media more safe. We have to remove all the toxic and manipulators out there from here. I am waiting for your next post, I always find inspiration by reading you. I am so far from my dreams and so close to them at the same time. See you soon. Keep up the good work.