“
The sweetness of dogs (fifteen)
What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go
and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,
I thinking how grateful I am for the moon’s
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
Perfect understanding between beings is no guarantor of happiness. To perfectly understand another's madness, for instance, is to be mad oneself. The veil that separates earthly beings is, at times, a tragic barrier, but it is also, at times, a great kindness.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)
”
”
Yevgeny Zamyatin (The Dragon: Fifteen Stories (English and Russian Edition))
“
Even Dazai had forgotten to breathe as he watched the storm that was Chuuya decimate the battlefield.
”
”
Kafka Asagiri (Bungo Stray Dogs, Vol. 7 (light novel): Dazai, Chuuya, Age Fifteen (Volume 7) (Bungo Stray Dogs (light novel), 7))
“
The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z'herbes, and raw oysters by the dozen, it means grillades for breakfast, a po' boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week--yet the alternative is a whole lot worse. If you don't eat day and night, if you don't constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.
”
”
Tom Robbins (Jitterbug Perfume)
“
Death was in every fibre of these creatures. It was hidden in their languages and at the root of their civilizations. You could hear it in the sounds they made and see it in the way they moved. It darkened their pleasures and lightened their despair.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Let's just say that if you were stealing TVs instead of thoughts, you would have been caught by a half-deaf, mostly blind, fifteen year old dog three robberies ago.
”
”
Elizabeth Chandler
“
...you can't know what a life has been until it is over.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Just listen to these people. You'd swear they understood each other though not one of them has any idea what their words actually mean to another.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The grass is wet on the hill. The sky has no end. For the dog who waits for his mistress, Madge, noon comes again.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Beyond the hills, a master is who knows our secret names. With bell and bones, he’ll call us home, winter, fall or spring.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
It's strange… I don't feel even the least bit cold… The world I thought was so cold… Paul… Did you feel…this warmth in the end…as well…?
”
”
Sango Harukawa (Bungo Stray Dogs, Vol. 7 (light novel): Dazai, Chuuya, Age Fifteen (Volume 7) (Bungo Stray Dogs (light novel), 7))
“
The light that moves is not the light. The light that stays is not the light. The true light rose countless sleeps ago. It rose, even in the mouth of birds.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Everyone in California is a Buddhist for fifteen minutes. Then they realize they’re not allowed to eat chili dogs and enlightenment starts sounding like a real drag.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
– And yet, said Atticus, I am sometimes afraid that I will not know the feeling again, that I will never again know what it is to be a dog among dogs. This thinking of yours, black dog, it is an endless, dead field. Since the change, I have been alone with thoughts I do not want.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
This new thinking leads away from the pack, but a dog is no dog if he does not belong.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
... she refused to allow anyone - even Miguel - to refer to Majnoun as 'her' dog.
- I'm as much his as he's mine, she'd insist.
Her friends - and her husband - thought this an annoying eccentricity. Majnoun knew what she meant - that she was not his master - and he was grateful. But in his heart he felt as if he did belong to her, in the sense that he was a part of Nira and she a part of him.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
On his first voyage, Columbus kidnapped some ten to twenty-five American Indians and took them back with him to Spain.55 Only seven or eight arrived alive, but along with the parrots, gold trinkets, and other exotica, they caused quite a stir in Seville. Ferdinand and Isabella provided Columbus with seventeen ships, twelve hundred to fifteen hundred men, cannons, crossbows, guns, cavalry, and attack dogs for a second voyage.
”
”
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
“
why is there day, why must night come … – Pablo Neruda, ‘Ode to a Dog
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
In the sunny world, with its small things moving too fast, I shy away from light and in the attic cuss the dark.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
For five of fifteen smells tested, humans actually outperformed dogs.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
Prince's words had not been meant as a warning. Rather, he had been playing. He had been pretending. He had been speaking for speaking's sake. Could there be a more despicable use for words?
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
What is the name of he who comes with eyes closed and fingers black, the one who draws the curtains back when dawn has come? ‘Agha Thanatos’ or just plain ‘Death’? When will I know which is right?
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
A cluster of houses lay about three miles down this joke of a road, and a hand-painted sign read: WELCOME TO SHIFTERTOWN! POPULATION: FIFTY-TWO SHIFTERS, TWENTY HORSES, FIVE DOGS, AND FIFTEEN CATS.
”
”
Jennifer Ashley (Pride Mates (Shifters Unbound, #1))
“
I was in bed at my beach house, but could not sleep because of some fried chicken in the icebox that I felt entitled to. I waited till my wife dropped off, and tiptoed into the kitchen. I remembered looking at the clock. It was precisely four-fifteen. I'm quite certain of this, because our kitchen clock has not worked in twenty-one years and is always at that time. I also noticed that our dog, Judas, was acting funny. He was sanding up on his hind legs and singing, 'I Enjoy Being a Girl.' Suddenly the room turned bright orange. At first, I thought my wife had caught me eating between meals and set fire to the house. Then I looked out the window, where to my amazement I saw a gigantic cigar-shaped aircraft hovering just over the treetops in the yard and emitting an orange glow. I stood transfixed for what must have been several hours, though our clock still read four-fifteen, so it was difficult to tell. Finally, a large, mechanical claw extended from the aircraft and snatched the two pieces of chicken from my hand and quickly retreated. When I reported the incident to the Air Force, they told me that what I had seen was a flock of birds. When I protested, Colonel Quincy Bascomb personally promised that the Air Force would return the two pieces of chicken. To this day, I have only received one piece.
”
”
Woody Allen (Side Effects)
“
Running away from home is not a good idea. Unless, of course, you happen to be forty years old, and then your parents will probably shout, "Hurrah!" and change the locks the minute you've stepped off the front stoop. But in the case of Gwendolyn and Homer, ages fifteen and twelve, setting off in the middle of the night would only bring their parents immense heartache and worry.
”
”
Suzanne Selfors (Smells Like Dog (Smells Like Dog, 1))
“
Tipsy, they tumbled early into bed - to get as much sleep as they could. So they would feel less hunger. The summer catch had been poor; there wasn't much food. They ate with care and looked sideways at the old: the old were gluttons, everybody knew it, and what was the good of feeding them? It wouldn't harm them to starve a little.
The hungry dogs howled. The women rinsed the children's bellies with hot water three times a day, so they wouldn't cry so much for food. The old starved silently. ("The North")
”
”
Yevgeny Zamyatin (The Dragon: Fifteen Stories (English and Russian Edition))
“
dishes piled in the sink, books littering the coffee table— are harder than others. Today, my head is packed with cockroaches, dizziness, and everywhere it hurts. Venom in the jaw, behind the eyes, between the blades. Still, the dog is snoring on my right, the cat, on my left. Outside, all those redbuds are just getting good. I tell a friend, The body is so body. And she nods. I used to like the darkest stories, the bleak snippets someone would toss out about just how bad it could get. My stepfather told me a story about when he lived on the streets as a kid, how hed, some nights, sleep under the grill at a fast food restaurant until both he and his buddy got fired. I used to like that story for some reason, something in me that believed in overcoming. But right now all I want is a story about human kindness, the way once, when I couldn’t stop crying because I was fifteen and heartbroken, he came in and made me eat a small pizza he’d cut up into tiny bites until the tears stopped. Maybe I was just hungry, I said. And he nodded, holding out the last piece.
”
”
Ada Limon (The Hurting Kind: Poems)
“
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
I WAS SITTING IN a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster. It was just after dark. A blustery March wind whipped the steam coming out of the manholes, and people hurried along the sidewalks with their collars turned up. I was stuck in traffic two blocks from the party where I was heading. Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet.
”
”
Jeannette Walls (The Glass Castle)
“
Johnny had killed four mountain-sheep and a caribou while we were gone, and not only had fed the dogs well, but from time to time had put aside choice portions expecting our return. But what was most grateful to us and most extraordinary in him, the boy had saved, untouched, the small ration of sugar and milk left for his consumption, knowing that ours was all destroyed; and we enjoyed coffee with these luxurious appurtenances as only they can who have been long deprived of them. There are not many boys of fifteen or sixteen of any race who would voluntarily have done the like.
”
”
Hudson Stuck (The Ascent of Denali (Mount McKinley) A Narrative of the First Complete Ascent of the Highest Peak in North America)
“
Nira was uncomfortable with power or even with the appearance of it. One day, she asked Majnoun if he would put her on a leash, their positions being reversed. He had answered ‘no,’ and this had made Nira feel even more uncomfortable. But Majnoun had, in fact, misunderstood her question. If she had said – Masters have agreed that their submissives must be bound to them with leashes and collars. If you were a master, would you keep me on a leash? Majnoun would, without hesitation, have answered ‘yes.’ If she had been his submissive, he would naturally have treated her according to the custom. Order in a pack is maintained through convention, and it made no sense, as far as Majnoun was concerned, to overturn conventions that worked. But he had understood her question on a more practical level. He had thought of how awkward it would be for him to hold a leash in his mouth while Nira walked about on her hands and knees. Understanding the question as he had, the only possible answer had been the ‘no’ he’d given.)
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
”
”
Ray Bradbury (Fahrenheit 451)
“
Chuuya… Can I…ask you…a favor? […] Live. There is no longer…any way of knowing…who you are or where you came from. But even if…you are but a pattern…etched on the surface of raw power…you are you. Nothing changes that…because all people, all humanity…their brains and flesh…are nothing more than patterns—beautiful patterns…upon the material world…
”
”
Kafka Asagiri (Bungo Stray Dogs, Vol. 7 (light novel): Dazai, Chuuya, Age Fifteen (Volume 7) (Bungo Stray Dogs (light novel), 7))
“
After all, everyone wanted warmth.
Especially a stray dog that had frozen in the bitter cold so many times that the mere sight of salted roads made him tremble in the anticipation of snow, of the coming of winter.
Taxian-jun looked imposing, but only he himself knew the truth.
That he was nothing but a laughable stray. A stray that had always been looking for a place that he could curl up at, a place to call 'home', but he spent fifteen years looking and he still couldn't find it.
And so, his love and hate become laughably simple -
If someone gave him a beating, he would hate that person.
If someone gave him a bowl of soup, he would love that person.
He was only so simple, after all.
”
”
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 2)
“
And because they had mass, they became simpler,” said Beatty. “Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books leveled down to a sort of paste pudding norm, do you follow me?” “I think so.” Beatty peered at the smoke pattern he had put out on the air. “Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume.
”
”
Ray Bradbury (Fahrenheit 451)
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Summer is full of smoke, and endless lawns. Quietly, whether across moss or on algae, knee over the railing of the little porch, fate comes.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
With one paw, trying the edges of the winter pond, finding its waters solid, he advances, nails sliding, still far from home.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Perfect understanding between beings is no guarantor of happiness. To perfectly understand another’s madness, for instance, is to be mad oneself.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
I only started finding him attractive fifteen minutes ago when I met his dog.
”
”
Erin Hahn (Never Saw You Coming)
“
felt bad but couldn’t help myself. It was Jasper, not just. It was all of it. Was this hell? To love like this, to grieve from fifteen feet, an uncrossable distance?
”
”
Peter Heller (The Dog Stars)
“
In the golden tent of early morning when the sky has turned its back when the sky has turned its back and isn’t listening when the scallops stand upright on their hinges …
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Take the issue of women being interrupted. An analysis of fifteen years of Supreme Court oral arguments found that ‘men interrupt more than women, and they particularly interrupt women more than they interrupt other men’.73 This goes for male lawyers (female lawyers weren’t found to interrupt at all) as well as judges, even though lawyers are meant to stop speaking when a justice starts speaking. And, as in the political sphere, the problem seems to have got worse as female representation on the bench has increased. An individualist solution might be to tell women to interrupt right back74 – perhaps working on their ‘polite interrupting’75 skills. But there’s a problem with this apparently gender-neutral approach, which is that it isn’t gender-neutral in effect: interrupting simply isn’t viewed the same way when women do it. In June 2017 US Senator Kamala Harris was asking an evasive Attorney General Jeff Sessions some tough questions. When he prevaricated once too often, she interrupted him and pressed him to answer. She was then in turn (on two separate occasions) interrupted and admonished by Senator John McCain for her questioning style.76 He did not do the same to her colleague Senator Rob Wyden, who subjected Sessions to similarly dogged questioning, and it was only Harris who was later dubbed ‘hysterical’.
”
”
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
“
In the end, it surprised Majnoun to discover that works of art...were not understandable in the way people were. These works were, it seemed, created to evade understanding while inviting it.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
One morning, they discovered that they’d dreamed of the same field, the same clouds, the same house in the distance – wooden with a red-brick chimney. They had dreamed of the same squirrels and rabbits. They had drunk from the same clear stream. There was only one difference: when Nira, in her dream, looked into the water, she saw Majnoun’s face reflected back at her, while Majnoun, in his, saw Nira’s face where his should have been. The fact of this shared dream was so moving to Nira that, ever after, she refused to allow anyone – even Miguel – to refer to Majnoun as ‘her’ dog.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
¿Estamos hablando de seres felices o de vidas felices? No, déjalo. En cualquier caso, acepto tus condiciones. La inteligencia humana no es un don, sino una calamidad que a veces resulta útil. ¿Qué animales eliges?
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
I assume I'll be the one he turns to in ten or fifteen years, whenever his body begins to break down. That seems the likely ending to this love story: me dropping everything and doing anything, devoted as a dog, as he takes and takes and takes.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
We bound into the prairie through ages of Winter grass, taking the path Ina took. Her name long gone, though her roads linger. The ground will not forget. or Longing to be sprayed (the green snake writhing in his master’s hand), back and forth into that stream – jump, rinse: coat slick with soap.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The lake comes to the fringe while lights go up around the bay. Somewhere near, cow flesh is singed. Smoke floats above the walkway. I’ve eaten green that comes up black, risen cold from torrid mud. I’ve licked my paws and tasted blood. What is this world of busy lies? Some urban genie feeding food to flies!
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
But how marvelous to get the order into the mails, how delicious and terrible to wait for the parcel from Seattle or Portland that might include with it the new gloves, new shoes for town, phonograph records, a musical instrument to charm away the loneliness of winter evenings when the winds howled like wolves down from the mountain peaks. Our very best guitar. Play Spanish-style music and chords. Wide ebony fingerboard, fine resonant fan-ribbed natural spruce top, rosewood sides and back, genuine horn bindings. This is a real Beauty. Waiting for their order to get to the post office fifteen miles down the road, they read again and again such descriptions, reliving the filling out of the order blank, honing their anticipation. Genuine horn bindings!
”
”
Thomas Savage (The Power of the Dog)
“
then there were those sessions that smelled of cow. During these, Randy would wear black leather (with parts of himself exposed) and plead while Clare struck him with a riding crop. Most remarkably, it was then she who would penetrate Randy. More: Randy’s pleadings were, in the bedroom, as pathetic as Clare’s sometimes were in the real world, yet both of them seemed to desire these moments during which Clare was fully and admirably dominant
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet. Mom’s gestures were all familiar - the way she tilted her head and thrust out her lower lip when studying items of potential value that she’d hoisted out of the Dumpster, the way her eyes widened with childish glee when she found something she liked. Her long hair was streaked with gray, tangled and matted, and her eyes had sunk deep into their sockets, but still she reminded me of the mom she’d been when I was a kid, swan-diving off cliffs and painting in the desert and reading Shakespeare aloud. Her cheekbones were still high and strong, but the skin was parched and ruddy from all those winters and summers exposed to the elements. To the people walking by, she probably looked like any of the thousands of homeless people in New York City
”
”
Jeannette Walls (The Glass Castle)
“
Can you drive it?"
"No. I can't drive a stick at all. It's why I took Andy's car and not one of yours."
"Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat.
Curious about that, she slid over to make room for the ancient.
Jess hesitated. "Do you know what you're doing?"
Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence."
Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors.
By all means, please take your time. Not like they were all about to die or anything...
She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt.
They even had opposable thumbs.
Whole different ball game.
Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain.
"You sure you odn't want me to try?" Jess offered.
Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again."
Abigail swallowed hard. "How long has it been?"
Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..."
They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills.
Silently, so did she.
The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus...
by tomorrow.
Or at the very least, the day after that.
"...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born."
The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified.
Oh my God, who put him behind the wheel?
Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?"
Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster."
Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Relationships are measured in dog years,” Boomer said. “Excuse me?” I asked. “It’s a theory I came up with,” he continued. “Just take how long you’ve been together and multiply it by seven, and that’s how old your relationship feels. The first year? You’re toddlers and then young kids, enjoying things and also slowly figuring them out. Then you get to where we are, around the second year? Adolescence, man. It’s awkward, there’s rebellion, and most of all you’re just trying to figure out the relationship’s identity, right? Then around years three and four you get your jobs, you start to really work it. Hit year seven, middle age kicks in. But if you keep going, get to year ten—you’ve made it to old age. Maturity. And the cool thing is, you don’t even die when you get to year fourteen or fifteen—no, when your relationship really works, it can live until you’re hundreds of years old. Couples who’ve been together fifty or sixty years? They’re Yoda, Dash. They’re totally Yoda.
”
”
Rachel Cohn (Mind the Gap, Dash & Lily (Dash & Lily, #3))
“
So while you may be reading this sitting comfortably in your semi-detached in Cricklewood, a hundred Universes over, Captain Lars Felder of the Hyperion Space Command is manoeuvring his Nimwad attack fighter into the final strike position for an attack on a Zykon Death Cruiser. And fifteen Universes over from that, Ug is still trying to figure out how to make that bright yellow stuff that hurts when you put your hand in it but makes you feel so warm and comfortable when you sit next to it on cold nights.
”
”
Tony Rattigan (Hair of the Dog)
“
Nothing in the world ever went right for fifteen-year-old Mina. She was always late for class, her homework usually looked as if it had spent the evening being a chew toy for a pit bull when she didn’t even own a dog, her long-time crush didn’t know she existed, and she frequently spilled chocolate milk on herself whenever she became nervous. Mina was certain it was because she was the magnet for all the bad, terrible, and so-so luck that existed in the world. So she kept a notebook hidden in her unorganized sock drawer to prove it.
”
”
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
“
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending... Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve- line dictionary resume...Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.’
”
”
Ray Bradbury (Fahrenheit 451)
“
At the American cemetery in Henri-Chapelle, fifteen miles east of Liège, grave diggers with backhoes worked around the clock to bury as many as five hundred GIs a day. Each was interred in a hole five feet deep, two feet wide, and six and a half feet long, but only after their overshoes had been removed for reuse. One dog tag was placed in the dead man’s mouth, the other tacked to a cross or a Star of David atop the grave. Those whose tags had been lost first went to a morgue tent for photographs and dental charting. Fingertips were cleaned and injected with fluid to enhance prints, while technicians searched for laundry marks, tattoos, and other identifying clues, all to avoid conceding that here was yet another mother’s son known but to God.
”
”
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
“
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear.
There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
”
”
Claire North (The First Fifteen Lives of Harry August)
“
Lieberman began calculating temperatures, speed, and body weight. Soon, there it was before him: the solution to the Running Man mystery. To run an antelope to death, Lieberman determined, all you have to do is scare it into a gallop on a hot day. “If you keep just close enough for it to see you, it will keep sprinting away. After about ten or fifteen kilometers’ worth of running, it will go into hyperthermia and collapse.” Translation: if you can run six miles on a summer day then you, my friend, are a lethal weapon in the animal kingdom. We can dump heat on the run, but animals can’t pant while they gallop. “We can run in conditions that no other animal can run in,” Lieberman realized. “And it’s not even hard. If a middle-aged professor can outrun a dog on a hot day, imagine what a pack of motivated hunter-gatherers could do to an overheated antelope.” It
”
”
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
“
I am not going to let him win, Guillaume. Not this time. I could not keep him from making my mother pay the price for our failed rebellion. Fifteen years she has been his prisoner, fifteen years! And she is his prisoner, for all that she no longer wants for a queen’s comforts. I have had to submit to his demands and subject myself to his whims and endure the indignity of having him brandish the crown before me as he would tease a dog with a bone. But no more. I will not let him rob me of my birthright, and I will not let him keep me from honoring my vow to defend the Holy Land. I do think he is behind that very opportune rebellion in my duchy, and I would not put it past him to be conniving with the Count of Toulouse, either. And if by chance he did not, it is only because he did not think of it. No, a reckoning is long overdue, and we will have it at Bonsmoulins.
”
”
Sharon Kay Penman (Devil's Brood (Plantagenets #3; Henry II & Eleanor of Aquitaine, #3))
“
. Karl was born in Meridian, Mississippi, in 1947. His parents stayed married, as did the parents of his friends. His mother still lives in the house they moved to the year Karl turned one. He walked down the street to school. I was born in Los Angeles in 1963. By the time I started college I had moved fifteen times. We saw different movies, read different books. I never had a single date in high school, but when I went with Karl to his high school reunion women lined up all night to tell me how they had been in love with my husband. All I felt was the wondrous luck that he had found me. “Just think,” I say to Karl, “every night we come home to the same house and we sleep in the same bed with the same dog, and of all the houses and beds and dogs in the world we hit on this combination.” The fact that we came so close to missing out, missing out because of my own fear of failing, makes me think I avoided a mortal accident by the thickness of a coat of paint. We
”
”
Ann Patchett (This Is the Story of a Happy Marriage)
“
With extraordinary bravery, civil rights leaders, activists, and progressive clergy launched boycotts, marches, and sit-ins protesting the Jim Crow system. They endured fire hoses, police dogs, bombings, and beatings by white mobs, as well as by the police. Once again, federal troops were sent to the South to provide protection for blacks attempting to exercise their civil rights, and the violent reaction of white racists was met with horror in the North. The dramatic high point of the Civil Rights Movement occurred in 1963. The Southern struggle had grown from a modest group of black students demonstrating peacefully at one lunch counter to the largest mass movement for racial reform and civil rights in the twentieth century. Between autumn 1961 and the spring of 1963, twenty thousand men, women, and children had been arrested. In 1963 alone, another fifteen thousand were imprisoned, and one thousand desegregation protests occurred across the region, in more than one hundred cities.32
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books levelled down to a sort of paste pudding norm [...].
[...]
Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations, Digests. Tabloids. Everything boils down to the gag, the snap ending.
[...]
Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet [...] was a one-page digest in a book that claimed: "now at least you can read all the classics; keep up with your neighbors". Do you see? Out of the nursery into the college and back to the nursery; there's your intellectual pattern for the past five centuries or more.
[...]
Speed up the film, Montag, quick. Click? Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man's mind around about so fast under the pumping hands of publishers, exploiters, broadcasters, that the centrifuge flings off all unnecessary, time-wasting thought!
[...]
School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
[...]
The zipper displaces the button and a man lacks just that much time to think while dressing at dawn, a philosophical hour, and thus a melancholy hour.
[...]
Life becomes one big pratfall, Montag; everything bang, boff, and wow!
”
”
Ray Bradbury (Fahrenheit 451)
“
At first piecemeal, then point-blank, he let his attention be drawn to a little scene that was being acted out sublimely, unhampered by writers and directors and producers, five stories below the window and across the street. A fair-sized maple tree stood in front of the girls' private school--one of four or five trees on that fortunate side of the street--and at the moment a child of seven or eight, female, was hiding behind it. She was wearing a navy-blue reefer and a tam that was very nearly the same shade of red as the blanket on the bed in van Gogh's room at Aries. Her tam did, in fact, from Zooey's vantage point, appear not unlike a dab of paint. Some fifteen feet away from the child, her dog--a young dachshund, wearing a green leather collar and leash--was sniffing to find her, scurrying in frantic circles, his leash dragging behind him. The anguish of separation was scarcely bearable for him, and when at last he picked up his mistress's scent, it wasn't a second too soon. The joy of reunion, for both, was immense. The dachshund gave a little yelp, then cringed forward, shimmying with ecstasy, till his mistress, shouting something at him, stepped hurriedly over the wire guard surrounding the tree and picked him up. She said a number of words of praise to him, in the private argot of the game, then put him down and picked up his leash, and the two walked gaily west, toward Fifth Avenue and the Park and out of Zooey's sight. Zooey reflexively put his hand on a cross-piece between panes of glass, as if he had a mind to raise the window and lean out of it to watch the two disappear. It was his cigar hand, however, and he hesitated a second too long. He dragged on his cigar. "God damn it," he said, "there are nice things in the world--and I mean nice things. We're all such morons to get so sidetracked. Always, always, always referring every goddam thing that happens right back to our lousy little egos." Behind him, just then, Franny blew her nose with guileless abandon; the report was considerably louder than might have been expected from so fine and delicate-appearing an organ. Zooey turned around to look at her, somewhat censoriously.
”
”
J.D. Salinger (Franny and Zooey)
“
. Karl was born in Meridian, Mississippi, in 1947. His parents stayed married, as did the parents of his friends. His mother still lives in the house they moved to the year Karl turned one. He walked down the street to school. I was born in Los Angeles in 1963. By the time I started college I had moved fifteen times. We saw different movies, read different books. I never had a single date in high school, but when I went with Karl to his high school reunion women lined up all night to tell me how they had been in love with my husband. All I felt was the wondrous luck that he had found me. “Just think,” I say to Karl, “every night we come home to the same house and we sleep in the same bed with the same dog, and of all the houses and beds and dogs in the world we hit on this combination.” The fact that we came so close to missing out, missing out because of my own fear of failing, makes me think I avoided a mortal accident by the thickness of a coat of paint. We are, on this earth, so incredibly small, in the history of time, in the crowd of the world, we are practically invisible, not even a dot, and yet we have each other to hold on to.
”
”
Ann Patchett (This Is the Story of a Happy Marriage)
“
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room.
Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him.
When their eyes met, she smiled a little. And then a lot.
His first impulse was to hide his own grin behind his Goose.
But then he stopped himself.
New world order. Come on, smile, motherfucker, he thought.
Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something.
“Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be.
He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her.
“Hi, V . . . How are—”
Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.”
And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . .
He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate.
But whatever.
This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer.
As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti.
“Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn.
Vishous cleared his throat. “I have an announcement to make.”
Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out.
Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.”
Dead. Quiet.
Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
was dog-tired when, a little before dawn, the boatswain sounded his pipe and the crew began to man the capstan-bars. I might have been twice as weary, yet I would not have left the deck, all was so new and interesting to me—the brief commands, the shrill note of the whistle, the men bustling to their places in the glimmer of the ship's lanterns. "Now, Barbecue, tip us a stave," cried one voice. "The old one," cried another. "Aye, aye, mates," said Long John, who was standing by, with his crutch under his arm, and at once broke out in the air and words I knew so well: "Fifteen men on the dead man's chest—" And then the whole crew bore chorus:— "Yo-ho-ho, and a bottle of rum!" And at the third "Ho!" drove the bars before them with a will. Even at that exciting moment it carried me back to the old Admiral Benbow in a second, and I seemed to hear the voice of the captain piping in the chorus. But soon the anchor was short up; soon it was hanging dripping at the bows; soon the sails began to draw, and the land and shipping to flit by on either side; and before I could lie down to snatch an hour of slumber the HISPANIOLA had begun her voyage to the Isle of Treasure. I am not going to relate that voyage in detail. It was fairly prosperous. The ship proved to be a good ship, the crew were capable seamen, and the captain thoroughly understood his business. But before we came the length of Treasure Island, two or three things had happened which require to be known. Mr. Arrow, first of all, turned out even worse than the captain had feared. He had no command among the men, and people did what they pleased with him. But that was by no means the worst of it, for after a day or two at sea he began to appear on deck with hazy eye, red cheeks, stuttering tongue, and other marks of drunkenness. Time after time he was ordered below in disgrace. Sometimes he fell and cut himself; sometimes he lay all day long in his little bunk at one side of the companion; sometimes for a day or two he would be almost sober and attend to his work at least passably. In the meantime, we could never make out where he got the drink. That was the ship's mystery. Watch him as we pleased, we could do nothing to solve it; and when we asked him to his face, he would only laugh if he were drunk, and if he were sober deny solemnly that he ever tasted anything but water. He was not only useless as an officer and a bad influence amongst the men, but it was plain that at this rate he must soon kill himself outright, so nobody was much surprised, nor very sorry, when one dark night, with a head sea, he disappeared entirely and was seen no more. "Overboard!" said the captain. "Well, gentlemen, that saves the trouble of putting him in irons." But there we were, without a mate; and it was necessary, of course, to advance one of the men. The boatswain, Job Anderson, was the likeliest man aboard, and though he kept his old title,
”
”
Robert Louis Stevenson (Treasure Island)
“
He would have known or found out that the sewer-pipe running out of Cellblock 5 was the last one in Shawshank not hooked into the new waste-treatment plant, and he would have known it was do it by mid-1975 or do it never, because in August they were going to switch us over to the new waste-treatment plant, too. Five hundred yards. The length of five football fields. Just shy of half a mile. He crawled that distance, maybe with one of those small Penlites in his hand, maybe with nothing but a couple of books of matches. He crawled through foulness that I either can’t imagine or don’t want to imagine. Maybe the rats scattered in front of him, or maybe they went for him the way such animals sometimes will when they’ve had a chance to grow bold in the dark. He must have had just enough clearance at the shoulders to keep moving, and he probably had to shove himself through the places where the lengths of pipe were joined. If it had been me, the claustrophobia would have driven me mad a dozen times over. But he did it. At the far end of the pipe they found a set of muddy footprints leading out of the sluggish, polluted creek the pipe fed into. Two miles from there a search party found his prison uniform—that was a day later. The story broke big in the papers, as you might guess, but no one within a fifteen-mile radius of the prison stepped forward to report a stolen car, stolen clothes, or a naked man in the moonlight. There was not so much as a barking dog in a farmyard. He came out of the sewer-pipe and he disappeared like smoke. But I am betting he disappeared in the direction of Buxton.
”
”
Stephen King (Different Seasons: Four Novellas)
“
BEST FRIENDS SHOULD BE TOGETHER
We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
”
”
Gabe Durham (Fun Camp)
“
Hope was tri-coloured with softly pricked ears and a medium coat, and he came from a strong working line. He lived to be fifteen years old and as a youngster was a very strong-willed dog with a dominant nature. He worked sheep and lived in the house and, as he grew older, he found his way into the bedroom and on to the bed. Training Hope as a puppy and as a young dog was challenging as he was both wilful and stubborn, but as he matured he became one of the most gentle and loyal companions anyone could wish for. With a lovely mature dog it’s easy to forget the amount of time and patience given to creating the relationship that made that dog so special.
”
”
Barbara Sykes (Barbara Sykes' Training Border Collies)
“
If it is possible to grow feral through an excess of civilization, then Benjy grew feral
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
says that fifteen percent of dogs can sense seizures
”
”
W. Bruce Cameron (A Dog's Way Home)
“
Una manada necesitaba unidad, y la unidad exigía que todos entendiesen el mundo del mismo modo o, si no el mundo, al menos sus reglas. Majnoun era de los que aceptaban la nueva manera de pensar y la nueva lengua. Aquel perro no pertenecía a la manada.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Él, Benjy, era a su manera tan necesario como el líder, pues para que hubiera alguien arriba tenía que haber alguien abajo. Entonces, ¿por qué tenían que montarlo sólo a él? ¿Acaso no era razonable pensar que, de vez en cuando, el líder debía dejarse montar por el perro de menor estatus, es decir, por Benjy? Sin profundidades no hay alturas.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
My Daddy and My Car
By Marilyn Akers, Georgia Grits
At fifteen, I came home from school one afternoon to find a faded red car with a white hardtop and a damaged front fender parked in the driveway. Since my daddy often worked on cars, both for himself and others, I noticed it only in passing. That is until my daddy explained that it was a 1971 Mercury Comet…and it was mine!
Trouble was, it had a blown engine, and it was my job to overhaul it. So after school and on weekends I washed car parts, rode to the junk yard for replacement parts (and foot-long hot dogs from the Dairy Queen), handed my dad all sorts of tools, fixed coffee with cream and sugar, and occasionally got to do a “real” job under the hood. I remember being so excited when he asked me to get on the creeper and roll under the car (the children were never allowed under the car!) to tighten a fender bolt.
Another day, I helped him connect the spark-plug wires to the distributor cap. I asked him why this particular job was so important for him to show me. He replied, “So if you’re ever out with a boy and the car breaks down, you’ll know what to look for.” He meant intentional removal of the wires, and it didn’t occur to me until many years later to ask if that advice was from personal experience!
When the engine work was done, we took it to Earl Scheib for one of his infamous $99 paint jobs. I was so proud of that car and the work done side by side with my dad. We sold it less than a year later, after I stuck my foot through a rusted hole in the floorboard.
I lost my dad in 2001 following a sixteen-year battle with Alzheimer’s Disease. But the bond formed between a teenage daughter and her father, and the lessons I learned from him, will be with me for a lifetime.
”
”
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
“
He was a committed leader, capable of - or prone to - instinctive decisions. More: he could put aside thought in the service of forceful action. But in quiet moments his sensitivity sometimes led him to reconsider his own behaviour. In other words, Atticus had a conscience, and it was this that led him to what some would call faith.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The white dogs with black spots were the worst. It wasn't so much their aggression; other dogs were sometimes even more aggressive. It was that they were - without question - the stupidest creatures on earth, and that was even if one included cats. It was useless to try reasoning with them, whatever language one chose. Worse, you could never tell when one of them would come at you. It was not in his nature to hate other dogs, but Benjy disliked Dalmatians the way some humans dislike men named Steve or Biff.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Also intriguing was all the bowing. The association of height and status did not, of course, faze him. If anything, it made the Japanese seem noble. But where were the ones who made themselves big? That was the question. With so many people bowing down, it seemed to Majnoun like a competition amongst the low to see who could be lowest. In which case, discretion was strength, a paradox that Majnoun found almost as compelling as the film's relative absence of dogs.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
This earth carries aboard it many ordinary passengers; and it carries, also, a few very important ones. It is hard to know which people are, or were, or will be which. Great men may come to the door in carpet-slippers, their faces like those of kindly or fretful old dogs, and not even know that they are better than you; a friend meets you after fifteen years and the Nobel Prize, and he is sadder and fatter and all the flesh in his face has slumped an inch nearer the grave, but otherwise he is as of old. They are not very important people.
On the other hand, the president of your bank, the Vice-Chancellor of the—no, not of the Reich, but of the School of Agriculture of the University of Wyoming: these, and many Princes and Powers and Dominions, are very important people; the quality of their voices has changed, and they speak more distinctly from the mounds upon which they stand, making sure that their voices come down to you.
The very important are different from us. Yes, they have more everything. They are spirits whom that medium, the world, has summoned up just as she has the rest of us, but there is in them more soul-stuff, more ego—the spirit of Gog or Magog has been summoned. There is too much ectoplasm: it covers the table, moves on toward the laps of the rest of us, already here, sitting around the table on straight chairs, holding one another's hands in uneasy trust. We push back our chairs, our kinship breaks up like a dream: it is as if there were no longer Mankind, but only men.
”
”
Randall Jarrell (Pictures from an Institution)
“
exercise daily with joy and excitement. I enjoy my food and choose foods that make me feel alive and vibrant. I listen to my body and trust its guidance. I speak kindly to myself. I have daily cuddle sessions with my dog, Tucker. I go outside and play with the world. I remove food guilt and cherish my food fully. I add more adventure into my life with travel and exploration. I am location independent; I can work and play from anywhere in the world. I am compassionate and kind to others and myself.
”
”
Shannon Kaiser (The Self-Love Experiment: Fifteen Principles for Becoming More Kind, Compassionate, and Accepting of Yourself)
“
For the first time in his life, it occurred to Benjy that being mounted was a humiliation. He understood why others did it and he would certainly have mounted any other dog weaker than himself, but this new feeling of shame, changed him. He began to think about it. For instance, it occurred to him on day while Frick was atop him that if the point were to demonstrate that one had the power to mount another, the point did not need to be made over and over. The point being made once or twice, it became obvious or redundant, a mere reflex to which smaller dogs like himself were forced to submit. He submitted without resistance, accepting his place in the echelon. After all, he believed with all his soul that the social order was the most important thing. And yet…
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
She didn't eat meat and hadn't for some time. Rescuing, mending and befriending a wee bird with a broken wing had made it impossible for her to eat the meat of flying creatures, and helping Edmund, the stable master at MacFarlane, mend a bull with a broken leg and then having it follow her everywhere like a dog had added beef to the list of things she wouldn't eat either. By the time Claray was fifteen years old, there wasn't any meat she could bring herself to consume. She'd explained this quietly to Conall and, much to her relief, while he'd looked surprised, he hadn't raised a fuss, and she'd then gone into the woods to find wild berries, mushrooms, wood sorrel and elderflower to munch on to ease her hunger.
”
”
Lynsay Sands (Highland Wolf (Highland Brides, #10))
“
Narcissus Garden was an environmental piece consisting of fifteen hundred plastic mirror balls covering a section of green lawn. The chairman himself had helped me install the reflective spheres, so it was hardly a ‘guerrilla’ operation. I stood among the mirror balls in a formal gold kimono with silver obi and handed out copies of the statement Sir Herbert Read had provided for my exhibition two years earlier. As a comment on commercialism in the art world, I was selling the mirror balls for 1,200 lira (about $2) each, an audience-participation performance that shocked the authorities. They made me stop, telling me it was inappropriate to sell my artworks as if they were ‘hot dogs or ice cream cones’. But the installation remained.
”
”
Yayoi Kusama (Infinity Net: The Autobiography of Yayoi Kusama)
“
You should be able to be yourself and keep it real at work, no matter what you’re feeling. Once when I worked at a little bodega by the train stop when I was fifteen, I felt my body telling me to eat a lot of the store’s hot dogs. So I did. Which doesn’t seem that strange except that I was always working a five a.m. shift before school. I was truly ill equipped for that job because even though I was supposed to ring up hot dogs, coffee, snacks, and newspapers, I had no clue how to make change. The coffee would cost $1.85 and they would hand me a five-dollar bill. I’d respond by just staring at the bill, hoping that through black magic the right amount of change would just float out of my hand and into theirs. I’m a great salesman, but numbers hold me back. I consoled myself by eating a lot more hot dogs. They were so good there. My paycheck was a lot lower than I wanted it to be because they were charging me for my enormous hot dog intake. My
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
You guys want anything in particular?”
“Hot dogs and nachos.”
“Jessie Ryan,” Conor leans down and kisses her forehead. “You have the culinary tastes of a fifteen-year-old boy.”
“But we’re on vacation.
”
”
Sadie Kincaid (Ryan Renewed (New York Ruthless, #5))
“
Oh pshaw, Freddy,” said the cow, “you know perfectly well that you can’t shadow anybody unless you hide from them, and an animal as big as I am can’t hide behind one or two little spears of grass the way a cat or a dog can. And besides, you said yourself that an animal couldn’t be a good defective without a lot of practice. What else could I do?” “Why, you’ll just have to give up being a detective, that’s all,” replied the pig. “At least that kind of detective. Because there’s lots to detective work besides shadowing. You have to hunt for clues, too, and then think about them until you can figure out what they mean.” Mrs. Wiggins sighed heavily. “Oh dear!” she said. “You know thinking isn’t my strong point, Freddy. I mean, I’ve got good brains, but they aren’t the kind that think easily. They’re the kind of brains that if you let ’em go their own way, they are as good as anybody’s, but if you try to make them do anything, like a puzzle, they just won’t work at all.” “Well,” said Freddy, “detective work is a good deal like a puzzle. But I do think you ought not to try to do this shadowing. Mr. Bean certainly won’t like having the corn spoiled this way, and he’s been pretty touchy lately anyway. Not that I blame him, now that all the animals have started to play detective all over the farm. I heard him tell Mrs. Bean that he was getting sick and tired of having about fifteen animals sneaking along behind him every time he leaves the house. And whenever he looks up from his work, he says, no matter where he is, there are eyes peering at him—dozens and dozens of eyes watching him from hiding-places.
”
”
Walter Rollin Brooks (Freddy the Detective (Freddy the Pig))
“
This is what happens when you age, Vera-Lee, and it just makes more of you to love,” said Jethro. “You ain’t a fifteen-year-old wife now, you’re nineteen and a bit past your prime, but that don’t matter—” “Dr.
”
”
Jonathan Maas (The Dog That Laid Eggs)
“
One morning the Pomo lookouts saw a long boat coming up the lake with: ... [a] pole on the bow with [a] red cloth. And several of them came. Every one of the boats had ten to fifteen men ... The next morning the white warriors went across in their long dugouts. The Indians said they would meet them in peace. So when the whites landed, the Indians went to welcome them but the white man was determined to kill them ... One old lady, a Indian told about what she saw while hiding under a bank in under a cover of hanging tuleys [bulrushes]. She said she saw two white men coming with their guns up in the air and on their guns hung a little girl. They brought it to the creek and threw it in the water. And a little later two more men came in the same manner. This time they had a little boy on the end of their guns and also threw it in the water. A little ways from her she said lay a woman shot through the shoulder. She held her little baby in her arms. Two white men came running torge [toward] the woman and baby. They stabbed the woman and the baby and threw both of them over the bank in to the water. She said she heard the woman say, ‘O my baby;’ she said when they gathered the dead, they found all the little ones were killed by being stabbed, and many of the women were also killed [by] stabbing. She said it took them four or five days to gather up the dead: And the dead were all burnt on the east side of the creek... The next morning the soldiers started for Mendocino County ... The Indians wanted to surrender. But the soldiers did not give them time. The soldiers went in the camp and shot them down as if they were dogs. Some of them escaped by going down a little creek leading to the river. And some of them hid in the brush. And those who hid in the brush most of them were killed ... They killed mostly women and children ...
”
”
James Wilson (The Earth Shall Weep: A History of Native America)
“
The leaves, they run like mice, while birds peck at the ground. The wood has rotted in its bin. The grim axe has come round
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
If rackabones eat up the sky, if words spring out of rock, my soul will wind down and life run out the clock.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Running through the grey-eyed dawn with last night’s trash in mind, the brown dog scuttles through fluted gates while birds sing on above the world about a bit of fallen cheese, the shish kebob he ate and all the vagaries of plates
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
AGATHA, an old Labradoodle ATHENA, a brown teacup Poodle ATTICUS, an imposing Neapolitan Mastiff, with cascading jowls BELLA, a Great Dane, Athena’s closest pack mate BENJY, a resourceful and conniving Beagle BOBBIE, an unfortunate Duck Toller DOUGIE, a Schnauzer, friend to Benjy FRICK, a Labrador Retriever FRACK, a Labrador Retriever, Frick’s litter mate LYDIA, a Whippet and Weimaraner cross, tormented and nervous MAJNOUN, a black Poodle, briefly referred to as ‘Lord Jim’ or simply ‘Jim’ MAX, a mutt who detests poetry PRINCE, a mutt who composes poetry, also called Russell or Elvis RONALDINHO, a mutt who deplores the condescension of humans ROSIE,
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
I am dismayed to be in season. I curse men who think of me as food and dream of rickshaws, and lacquered wood.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Why Wolf Became Dog I know how wolf became dog, why is the critical question. So awful an offering, some forerunning, I would say, today, fifteen thousand years from whence she wandered along tundra’s expanse, wolf heard a cry, a mourning song, a terrible, swelling sehnsucht from beneath a new mindfulness dwelling upright in the world. Being was being observed by its own, and there was shame in it, it seems. Wolf, from ridgeline, raised her ears at village clamor, desperate chanting, her empathy stalked shadows dancing as vapors of yearning rose into empty nights where all mythologies are spawned. Wolf lowered her head and approached the conscious savage estranged from its origins. She did what had to be done. Wolf, from primal domain, a higher terrain emptied herself, taking on mortal burdens morphed for more than survival’s sake, and nuzzled into homes, hearths, hearts living and dying in service to the great turning. Dog leading the lost, in her unequalled ways, to the new earth.
”
”
James Scott Smith (Water, Rocks and Trees)
“
Why won’t you marry me?” “Gracious, you are persistent.” She patted the bun he’d so expertly fashioned. “Has it occurred to you if I marry you all my wealth and independence would be forfeit?” “If you don’t trust me to leave your fortune in peace, transfer your wealth to your brother’s name. He’ll steward it as you direct.” Gayle would be more conscientious with her money than she was, which was saying something. “And what of my freedom, my independence?” How such a big man could move so quickly was beyond her. One moment Maggie was looking around for her boots and stockings, the next she was flat on her back with fifteen stone of determined earl poised above her. “You call it independence, but you never so much as go for a drive in the park, Maggie Windham. You do not make social calls except on your family members, you do not entertain, and you do not permit yourself even a dog for companionship. As my countess, you’ll have the run of the society functions, your invitations will be accepted by all and sundry, and you will have my charming and devoted company at your beck and call, even and especially in your confinements. Plural, God willing. Marry me.” Devoted
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
Ah, listen, I was just getting her up. You mind?”
Wrath dragged a hand through his hair. “No, no, yeah, it’s cool.”
“You want me to come to your office afterward?”
He wondered what the room looked like, and painted the space according to what his Beth had said was in it. Cluttered, he thought. Homey. Cheerful. Pink. Nothing that Z would have been caught dead in before he’d met Bella.
“Wrath? What’s going on here?”
“You mind if I come in?”
“Ah . . . sure. Yeah, I mean, Bella’s working out so we’ve got some privacy. But you’re going to want to—”
Chhheeeeeeeeeeeeeeeeeeep!
“—watch where you step.”
Wrath lifted up his shitkicker and whatever toy he’d crushed reinflated with a wheeze. “Fuck, did I break it?”
“I think it’s a dog toy, actually. Yeah, I’m pretty sure she picked it up from George downstairs. You want it back?”
“He’s got plenty. She can have it.”
As he shut the door, he was painfully aware that they were each talking about their young—only Wrath’s had four paws and a tail.
Least he didn’t have to worry about George succeeding him or being blind.
Z’s voice came from deeper in the room. “You can sit on the foot of the bed if you go fifteen feet straight ahead of you.”
“Thanks.”
He didn’t particularly want to park it, but if he stayed standing, he was going to want to pace and it wouldn’t be long before he tripped over something that wasn’t a toy.
Over in the corner, Z spoke softly to his daughter, the words rolling into some kind of rhythm like he was talking through a song.
In reply, there were all kinds of cooing.
And then came something that sounded terrifyingly clear: “Dada.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
You know, I’ve been hanging around your place, riding with you, throwing the stick for your dogs, and I never asked you about the husbands. Like, how many? And why you think it didn’t work out?” “What makes you think I feel like telling you?” she asked. “Aw, you’ll tell me,” he said. “You’re just that kinda gal. And I told you about my wife.” “Okay,” she said, still slapping sandwiches together. “The synopsis. The first one was fifteen years older than me, my agent. He’s still my agent—he married the talent, not the person I was. He was very ambitious for me, for us both. He still thinks I divorced him because of his age, but I divorced him because all he cared about was my career. I don’t think he could tell you my favorite color…” “Yellow,” Walt said. Her head snapped around and she stared at him. “Yellow,” she said. “That was easy,” he said. “It’s all around and you wear it a lot. Red’s important, too.” “Right,” she said, shocked. She shook herself. “Okay, number two hit, number three cheated, number four had a child he failed to mention, number five—” “All right, wait,” Walt said. “Is this going to go on for a real long time?” She grinned at him. “Didn’t you look it up on the Internet?” “I did not,” he said, almost insulted. “We’re stopping at five. He had a substance-abuse problem. I didn’t know about it beforehand, obviously. I tried to help, but I was in the way—he needed to be on his own. That’s when I decided that, really, I should quit doing that. Marrying. But please understand, it’s not all my fault—Hollywood doesn’t exactly have a reputation for long, sturdy relationships. I did the best I could.” “I have no doubt,” he said. “Do you say that because you have no doubt? Or are you being a sarcastic ass to a poor woman who had to go through five miserable husbands?” He chuckled. Then he slipped an arm around her waist and kissed her cheek.
”
”
Robyn Carr (Second Chance Pass)