“
The sweetness of dogs (fifteen)
What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go
and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,
I thinking how grateful I am for the moon’s
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.
”
”
Mary Oliver (Swan: Poems and Prose Poems)
“
Perfect understanding between beings is no guarantor of happiness. To perfectly understand another's madness, for instance, is to be mad oneself. The veil that separates earthly beings is, at times, a tragic barrier, but it is also, at times, a great kindness.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)
”
”
Yevgeny Zamyatin (The Dragon: Fifteen Stories)
“
Even Dazai had forgotten to breathe as he watched the storm that was Chuuya decimate the battlefield.
”
”
Kafka Asagiri (Bungo Stray Dogs, Vol. 7 (light novel): Dazai, Chuuya, Age Fifteen (Volume 7) (Bungo Stray Dogs (light novel), 7))
“
Death was in every fibre of these creatures. It was hidden in their languages and at the root of their civilizations. You could hear it in the sounds they made and see it in the way they moved. It darkened their pleasures and lightened their despair.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The minute you land in New Orleans, something wet and dark leaps on you and starts humping you like a swamp dog in heat, and the only way to get that aspect of New Orleans off you is to eat it off. That means beignets and crayfish bisque and jambalaya, it means shrimp remoulade, pecan pie, and red beans with rice, it means elegant pompano au papillote, funky file z'herbes, and raw oysters by the dozen, it means grillades for breakfast, a po' boy with chowchow at bedtime, and tubs of gumbo in between. It is not unusual for a visitor to the city to gain fifteen pounds in a week--yet the alternative is a whole lot worse. If you don't eat day and night, if you don't constantly funnel the indigenous flavors into your bloodstream, then the mystery beast will go right on humping you, and you will feel its sordid presence rubbing against you long after you have left town. In fact, like any sex offender, it can leave permanent psychological scars.
”
”
Tom Robbins (Jitterbug Perfume)
“
Let's just say that if you were stealing TVs instead of thoughts, you would have been caught by a half-deaf, mostly blind, fifteen year old dog three robberies ago.
”
”
Elizabeth Chandler
“
Just listen to these people. You'd swear they understood each other though not one of them has any idea what their words actually mean to another.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
...you can't know what a life has been until it is over.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
It's strange… I don't feel even the least bit cold… The world I thought was so cold… Paul… Did you feel…this warmth in the end…as well…?
”
”
Sango Harukawa (Bungo Stray Dogs, Vol. 7 (light novel): Dazai, Chuuya, Age Fifteen (Volume 7) (Bungo Stray Dogs (light novel), 7))
“
Beyond the hills, a master is who knows our secret names. With bell and bones, he’ll call us home, winter, fall or spring.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The grass is wet on the hill. The sky has no end. For the dog who waits for his mistress, Madge, noon comes again.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The light that moves is not the light. The light that stays is not the light. The true light rose countless sleeps ago. It rose, even in the mouth of birds.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Everyone in California is a Buddhist for fifteen minutes. Then they realize they’re not allowed to eat chili dogs and enlightenment starts sounding like a real drag.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
– And yet, said Atticus, I am sometimes afraid that I will not know the feeling again, that I will never again know what it is to be a dog among dogs. This thinking of yours, black dog, it is an endless, dead field. Since the change, I have been alone with thoughts I do not want.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
On his first voyage, Columbus kidnapped some ten to twenty-five American Indians and took them back with him to Spain.55 Only seven or eight arrived alive, but along with the parrots, gold trinkets, and other exotica, they caused quite a stir in Seville. Ferdinand and Isabella provided Columbus with seventeen ships, twelve hundred to fifteen hundred men, cannons, crossbows, guns, cavalry, and attack dogs for a second voyage.
”
”
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
“
This new thinking leads away from the pack, but a dog is no dog if he does not belong.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
... she refused to allow anyone - even Miguel - to refer to Majnoun as 'her' dog.
- I'm as much his as he's mine, she'd insist.
Her friends - and her husband - thought this an annoying eccentricity. Majnoun knew what she meant - that she was not his master - and he was grateful. But in his heart he felt as if he did belong to her, in the sense that he was a part of Nira and she a part of him.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
why is there day, why must night come … – Pablo Neruda, ‘Ode to a Dog
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
In the sunny world, with its small things moving too fast, I shy away from light and in the attic cuss the dark.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
For five of fifteen smells tested, humans actually outperformed dogs.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
Prince's words had not been meant as a warning. Rather, he had been playing. He had been pretending. He had been speaking for speaking's sake. Could there be a more despicable use for words?
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
What is the name of he who comes with eyes closed and fingers black, the one who draws the curtains back when dawn has come? ‘Agha Thanatos’ or just plain ‘Death’? When will I know which is right?
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
A cluster of houses lay about three miles down this joke of a road, and a hand-painted sign read: WELCOME TO SHIFTERTOWN! POPULATION: FIFTY-TWO SHIFTERS, TWENTY HORSES, FIVE DOGS, AND FIFTEEN CATS.
”
”
Jennifer Ashley (Pride Mates (Shifters Unbound, #1))
“
I was in bed at my beach house, but could not sleep because of some fried chicken in the icebox that I felt entitled to. I waited till my wife dropped off, and tiptoed into the kitchen. I remembered looking at the clock. It was precisely four-fifteen. I'm quite certain of this, because our kitchen clock has not worked in twenty-one years and is always at that time. I also noticed that our dog, Judas, was acting funny. He was sanding up on his hind legs and singing, 'I Enjoy Being a Girl.' Suddenly the room turned bright orange. At first, I thought my wife had caught me eating between meals and set fire to the house. Then I looked out the window, where to my amazement I saw a gigantic cigar-shaped aircraft hovering just over the treetops in the yard and emitting an orange glow. I stood transfixed for what must have been several hours, though our clock still read four-fifteen, so it was difficult to tell. Finally, a large, mechanical claw extended from the aircraft and snatched the two pieces of chicken from my hand and quickly retreated. When I reported the incident to the Air Force, they told me that what I had seen was a flock of birds. When I protested, Colonel Quincy Bascomb personally promised that the Air Force would return the two pieces of chicken. To this day, I have only received one piece.
”
”
Woody Allen (Side Effects)
“
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
I WAS SITTING IN a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster. It was just after dark. A blustery March wind whipped the steam coming out of the manholes, and people hurried along the sidewalks with their collars turned up. I was stuck in traffic two blocks from the party where I was heading. Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet.
”
”
Jeannette Walls (The Glass Castle)
“
Running away from home is not a good idea. Unless, of course, you happen to be forty years old, and then your parents will probably shout, "Hurrah!" and change the locks the minute you've stepped off the front stoop. But in the case of Gwendolyn and Homer, ages fifteen and twelve, setting off in the middle of the night would only bring their parents immense heartache and worry.
”
”
Suzanne Selfors (Smells Like Dog (Smells Like Dog, 1))
“
dishes piled in the sink, books littering the coffee table— are harder than others. Today, my head is packed with cockroaches, dizziness, and everywhere it hurts. Venom in the jaw, behind the eyes, between the blades. Still, the dog is snoring on my right, the cat, on my left. Outside, all those redbuds are just getting good. I tell a friend, The body is so body. And she nods. I used to like the darkest stories, the bleak snippets someone would toss out about just how bad it could get. My stepfather told me a story about when he lived on the streets as a kid, how hed, some nights, sleep under the grill at a fast food restaurant until both he and his buddy got fired. I used to like that story for some reason, something in me that believed in overcoming. But right now all I want is a story about human kindness, the way once, when I couldn’t stop crying because I was fifteen and heartbroken, he came in and made me eat a small pizza he’d cut up into tiny bites until the tears stopped. Maybe I was just hungry, I said. And he nodded, holding out the last piece.
”
”
Ada Limon (The Hurting Kind: Poems)
“
After all, everyone wanted warmth.
Especially a stray dog that had frozen in the bitter cold so many times that the mere sight of salted roads made him tremble in the anticipation of snow, of the coming of winter.
Taxian-jun looked imposing, but only he himself knew the truth.
That he was nothing but a laughable stray. A stray that had always been looking for a place that he could curl up at, a place to call 'home', but he spent fifteen years looking and he still couldn't find it.
And so, his love and hate become laughably simple -
If someone gave him a beating, he would hate that person.
If someone gave him a bowl of soup, he would love that person.
He was only so simple, after all.
”
”
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 2)
“
Johnny had killed four mountain-sheep and a caribou while we were gone, and not only had fed the dogs well, but from time to time had put aside choice portions expecting our return. But what was most grateful to us and most extraordinary in him, the boy had saved, untouched, the small ration of sugar and milk left for his consumption, knowing that ours was all destroyed; and we enjoyed coffee with these luxurious appurtenances as only they can who have been long deprived of them. There are not many boys of fifteen or sixteen of any race who would voluntarily have done the like.
”
”
Hudson Stuck (The Ascent of Denali (Mount McKinley) A Narrative of the First Complete Ascent of the Highest Peak in North America)
“
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
”
”
Ray Bradbury (Fahrenheit 451)
“
Nira was uncomfortable with power or even with the appearance of it. One day, she asked Majnoun if he would put her on a leash, their positions being reversed. He had answered ‘no,’ and this had made Nira feel even more uncomfortable. But Majnoun had, in fact, misunderstood her question. If she had said – Masters have agreed that their submissives must be bound to them with leashes and collars. If you were a master, would you keep me on a leash? Majnoun would, without hesitation, have answered ‘yes.’ If she had been his submissive, he would naturally have treated her according to the custom. Order in a pack is maintained through convention, and it made no sense, as far as Majnoun was concerned, to overturn conventions that worked. But he had understood her question on a more practical level. He had thought of how awkward it would be for him to hold a leash in his mouth while Nira walked about on her hands and knees. Understanding the question as he had, the only possible answer had been the ‘no’ he’d given.)
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Tipsy, they tumbled early into bed - to get as much sleep as they could. So they would feel less hunger. The summer catch had been poor; there wasn't much food. They ate with care and looked sideways at the old: the old were gluttons, everybody knew it, and what was the good of feeding them? It wouldn't harm them to starve a little.
The hungry dogs howled. The women rinsed the children's bellies with hot water three times a day, so they wouldn't cry so much for food. The old starved silently. ("The North")
”
”
Yevgeny Zamyatin (The Dragon: Fifteen Stories)
“
Chuuya… Can I…ask you…a favor? […] Live. There is no longer…any way of knowing…who you are or where you came from. But even if…you are but a pattern…etched on the surface of raw power…you are you. Nothing changes that…because all people, all humanity…their brains and flesh…are nothing more than patterns—beautiful patterns…upon the material world…
”
”
Kafka Asagiri (Bungo Stray Dogs, Vol. 7 (light novel): Dazai, Chuuya, Age Fifteen (Volume 7) (Bungo Stray Dogs (light novel), 7))
“
And because they had mass, they became simpler,” said Beatty. “Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books leveled down to a sort of paste pudding norm, do you follow me?” “I think so.” Beatty peered at the smoke pattern he had put out on the air. “Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume.
”
”
Ray Bradbury (Fahrenheit 451)
“
I only started finding him attractive fifteen minutes ago when I met his dog.
”
”
Erin Hahn (Never Saw You Coming)
“
Perfect understanding between beings is no guarantor of happiness. To perfectly understand another’s madness, for instance, is to be mad oneself.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
With one paw, trying the edges of the winter pond, finding its waters solid, he advances, nails sliding, still far from home.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Summer is full of smoke, and endless lawns. Quietly, whether across moss or on algae, knee over the railing of the little porch, fate comes.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
In the golden tent of early morning when the sky has turned its back when the sky has turned its back and isn’t listening when the scallops stand upright on their hinges …
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
André Alexis (Fifteen Dogs (Quincunx, #2))
“
felt bad but couldn’t help myself. It was Jasper, not just. It was all of it. Was this hell? To love like this, to grieve from fifteen feet, an uncrossable distance?
”
”
Peter Heller (The Dog Stars)
“
Take the issue of women being interrupted. An analysis of fifteen years of Supreme Court oral arguments found that ‘men interrupt more than women, and they particularly interrupt women more than they interrupt other men’.73 This goes for male lawyers (female lawyers weren’t found to interrupt at all) as well as judges, even though lawyers are meant to stop speaking when a justice starts speaking. And, as in the political sphere, the problem seems to have got worse as female representation on the bench has increased. An individualist solution might be to tell women to interrupt right back74 – perhaps working on their ‘polite interrupting’75 skills. But there’s a problem with this apparently gender-neutral approach, which is that it isn’t gender-neutral in effect: interrupting simply isn’t viewed the same way when women do it. In June 2017 US Senator Kamala Harris was asking an evasive Attorney General Jeff Sessions some tough questions. When he prevaricated once too often, she interrupted him and pressed him to answer. She was then in turn (on two separate occasions) interrupted and admonished by Senator John McCain for her questioning style.76 He did not do the same to her colleague Senator Rob Wyden, who subjected Sessions to similarly dogged questioning, and it was only Harris who was later dubbed ‘hysterical’.
”
”
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
“
In the end, it surprised Majnoun to discover that works of art...were not understandable in the way people were. These works were, it seemed, created to evade understanding while inviting it.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
One morning, they discovered that they’d dreamed of the same field, the same clouds, the same house in the distance – wooden with a red-brick chimney. They had dreamed of the same squirrels and rabbits. They had drunk from the same clear stream. There was only one difference: when Nira, in her dream, looked into the water, she saw Majnoun’s face reflected back at her, while Majnoun, in his, saw Nira’s face where his should have been. The fact of this shared dream was so moving to Nira that, ever after, she refused to allow anyone – even Miguel – to refer to Majnoun as ‘her’ dog.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
¿Estamos hablando de seres felices o de vidas felices? No, déjalo. En cualquier caso, acepto tus condiciones. La inteligencia humana no es un don, sino una calamidad que a veces resulta útil. ¿Qué animales eliges?
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
I assume I'll be the one he turns to in ten or fifteen years, whenever his body begins to break down. That seems the likely ending to this love story: me dropping everything and doing anything, devoted as a dog, as he takes and takes and takes.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
We bound into the prairie through ages of Winter grass, taking the path Ina took. Her name long gone, though her roads linger. The ground will not forget. or Longing to be sprayed (the green snake writhing in his master’s hand), back and forth into that stream – jump, rinse: coat slick with soap.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The lake comes to the fringe while lights go up around the bay. Somewhere near, cow flesh is singed. Smoke floats above the walkway. I’ve eaten green that comes up black, risen cold from torrid mud. I’ve licked my paws and tasted blood. What is this world of busy lies? Some urban genie feeding food to flies!
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
”
”
James McBride (The Heaven & Earth Grocery Store)
“
But how marvelous to get the order into the mails, how delicious and terrible to wait for the parcel from Seattle or Portland that might include with it the new gloves, new shoes for town, phonograph records, a musical instrument to charm away the loneliness of winter evenings when the winds howled like wolves down from the mountain peaks. Our very best guitar. Play Spanish-style music and chords. Wide ebony fingerboard, fine resonant fan-ribbed natural spruce top, rosewood sides and back, genuine horn bindings. This is a real Beauty. Waiting for their order to get to the post office fifteen miles down the road, they read again and again such descriptions, reliving the filling out of the order blank, honing their anticipation. Genuine horn bindings!
”
”
Thomas Savage (The Power of the Dog)
“
then there were those sessions that smelled of cow. During these, Randy would wear black leather (with parts of himself exposed) and plead while Clare struck him with a riding crop. Most remarkably, it was then she who would penetrate Randy. More: Randy’s pleadings were, in the bedroom, as pathetic as Clare’s sometimes were in the real world, yet both of them seemed to desire these moments during which Clare was fully and admirably dominant
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet. Mom’s gestures were all familiar - the way she tilted her head and thrust out her lower lip when studying items of potential value that she’d hoisted out of the Dumpster, the way her eyes widened with childish glee when she found something she liked. Her long hair was streaked with gray, tangled and matted, and her eyes had sunk deep into their sockets, but still she reminded me of the mom she’d been when I was a kid, swan-diving off cliffs and painting in the desert and reading Shakespeare aloud. Her cheekbones were still high and strong, but the skin was parched and ruddy from all those winters and summers exposed to the elements. To the people walking by, she probably looked like any of the thousands of homeless people in New York City
”
”
Jeannette Walls (The Glass Castle)
“
Can you drive it?"
"No. I can't drive a stick at all. It's why I took Andy's car and not one of yours."
"Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat.
Curious about that, she slid over to make room for the ancient.
Jess hesitated. "Do you know what you're doing?"
Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence."
Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors.
By all means, please take your time. Not like they were all about to die or anything...
She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt.
They even had opposable thumbs.
Whole different ball game.
Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain.
"You sure you odn't want me to try?" Jess offered.
Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again."
Abigail swallowed hard. "How long has it been?"
Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..."
They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills.
Silently, so did she.
The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus...
by tomorrow.
Or at the very least, the day after that.
"...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born."
The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified.
Oh my God, who put him behind the wheel?
Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?"
Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster."
Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Relationships are measured in dog years,” Boomer said. “Excuse me?” I asked. “It’s a theory I came up with,” he continued. “Just take how long you’ve been together and multiply it by seven, and that’s how old your relationship feels. The first year? You’re toddlers and then young kids, enjoying things and also slowly figuring them out. Then you get to where we are, around the second year? Adolescence, man. It’s awkward, there’s rebellion, and most of all you’re just trying to figure out the relationship’s identity, right? Then around years three and four you get your jobs, you start to really work it. Hit year seven, middle age kicks in. But if you keep going, get to year ten—you’ve made it to old age. Maturity. And the cool thing is, you don’t even die when you get to year fourteen or fifteen—no, when your relationship really works, it can live until you’re hundreds of years old. Couples who’ve been together fifty or sixty years? They’re Yoda, Dash. They’re totally Yoda.
”
”
Rachel Cohn (Mind the Gap, Dash & Lily (Dash & Lily, #3))
“
So while you may be reading this sitting comfortably in your semi-detached in Cricklewood, a hundred Universes over, Captain Lars Felder of the Hyperion Space Command is manoeuvring his Nimwad attack fighter into the final strike position for an attack on a Zykon Death Cruiser. And fifteen Universes over from that, Ug is still trying to figure out how to make that bright yellow stuff that hurts when you put your hand in it but makes you feel so warm and comfortable when you sit next to it on cold nights.
”
”
Tony Rattigan (Hair of the Dog)
“
Nothing in the world ever went right for fifteen-year-old Mina. She was always late for class, her homework usually looked as if it had spent the evening being a chew toy for a pit bull when she didn’t even own a dog, her long-time crush didn’t know she existed, and she frequently spilled chocolate milk on herself whenever she became nervous. Mina was certain it was because she was the magnet for all the bad, terrible, and so-so luck that existed in the world. So she kept a notebook hidden in her unorganized sock drawer to prove it.
”
”
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
“
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending... Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve- line dictionary resume...Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.’
”
”
Ray Bradbury (Fahrenheit 451)
“
At the American cemetery in Henri-Chapelle, fifteen miles east of Liège, grave diggers with backhoes worked around the clock to bury as many as five hundred GIs a day. Each was interred in a hole five feet deep, two feet wide, and six and a half feet long, but only after their overshoes had been removed for reuse. One dog tag was placed in the dead man’s mouth, the other tacked to a cross or a Star of David atop the grave. Those whose tags had been lost first went to a morgue tent for photographs and dental charting. Fingertips were cleaned and injected with fluid to enhance prints, while technicians searched for laundry marks, tattoos, and other identifying clues, all to avoid conceding that here was yet another mother’s son known but to God.
”
”
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
“
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear.
There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
”
”
Claire North (The First Fifteen Lives of Harry August)
“
Lieberman began calculating temperatures, speed, and body weight. Soon, there it was before him: the solution to the Running Man mystery. To run an antelope to death, Lieberman determined, all you have to do is scare it into a gallop on a hot day. “If you keep just close enough for it to see you, it will keep sprinting away. After about ten or fifteen kilometers’ worth of running, it will go into hyperthermia and collapse.” Translation: if you can run six miles on a summer day then you, my friend, are a lethal weapon in the animal kingdom. We can dump heat on the run, but animals can’t pant while they gallop. “We can run in conditions that no other animal can run in,” Lieberman realized. “And it’s not even hard. If a middle-aged professor can outrun a dog on a hot day, imagine what a pack of motivated hunter-gatherers could do to an overheated antelope.” It
”
”
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
“
I am not going to let him win, Guillaume. Not this time. I could not keep him from making my mother pay the price for our failed rebellion. Fifteen years she has been his prisoner, fifteen years! And she is his prisoner, for all that she no longer wants for a queen’s comforts. I have had to submit to his demands and subject myself to his whims and endure the indignity of having him brandish the crown before me as he would tease a dog with a bone. But no more. I will not let him rob me of my birthright, and I will not let him keep me from honoring my vow to defend the Holy Land. I do think he is behind that very opportune rebellion in my duchy, and I would not put it past him to be conniving with the Count of Toulouse, either. And if by chance he did not, it is only because he did not think of it. No, a reckoning is long overdue, and we will have it at Bonsmoulins.
”
”
Sharon Kay Penman (Devil's Brood (Plantagenets #3; Henry II & Eleanor of Aquitaine, #3))
“
. Karl was born in Meridian, Mississippi, in 1947. His parents stayed married, as did the parents of his friends. His mother still lives in the house they moved to the year Karl turned one. He walked down the street to school. I was born in Los Angeles in 1963. By the time I started college I had moved fifteen times. We saw different movies, read different books. I never had a single date in high school, but when I went with Karl to his high school reunion women lined up all night to tell me how they had been in love with my husband. All I felt was the wondrous luck that he had found me. “Just think,” I say to Karl, “every night we come home to the same house and we sleep in the same bed with the same dog, and of all the houses and beds and dogs in the world we hit on this combination.” The fact that we came so close to missing out, missing out because of my own fear of failing, makes me think I avoided a mortal accident by the thickness of a coat of paint. We
”
”
Ann Patchett (This Is the Story of a Happy Marriage)
“
Death is an extension of everyday life. It's a part of life. And I tend to think that's more accurate. Death isn't the opposite of life but merely a function of it. We breathe, eat, fall in love, and die. And you can't get the full picture of living without observing death up close.
Chuuya quietly stared at Dazai's expression as if he were searching for something human deep inside of him. So your saying ... you want to live now?
I wouldn't go that far, Dazai replied with a resigned smile. Maybe I won't find anything, but I figure I'll give it a try. Once I successfully complete this mission, I'm going to join the Mafia. Gotta defeat him first, though. Besides...
Besides?
I got a new dog - you. And I still haven't given you any commands, Dazai said with a smirk. Chuuya snorted.
Yep, you're still a piece of shit. Your plan better not fail and get us both killed, or I'm gonna kill you, Dazai.
Dazai smiled back at him. I'm fine with that. Now, let's do this Chuuya.
”
”
Kafka Asagiri (Bungo Stray Dogs, Vol. 7 (light novel): Dazai, Chuuya, Age Fifteen (Volume 7) (Bungo Stray Dogs (light novel), 7))
“
With extraordinary bravery, civil rights leaders, activists, and progressive clergy launched boycotts, marches, and sit-ins protesting the Jim Crow system. They endured fire hoses, police dogs, bombings, and beatings by white mobs, as well as by the police. Once again, federal troops were sent to the South to provide protection for blacks attempting to exercise their civil rights, and the violent reaction of white racists was met with horror in the North. The dramatic high point of the Civil Rights Movement occurred in 1963. The Southern struggle had grown from a modest group of black students demonstrating peacefully at one lunch counter to the largest mass movement for racial reform and civil rights in the twentieth century. Between autumn 1961 and the spring of 1963, twenty thousand men, women, and children had been arrested. In 1963 alone, another fifteen thousand were imprisoned, and one thousand desegregation protests occurred across the region, in more than one hundred cities.32
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
At first piecemeal, then point-blank, he let his attention be drawn to a little scene that was being acted out sublimely, unhampered by writers and directors and producers, five stories below the window and across the street. A fair-sized maple tree stood in front of the girls' private school--one of four or five trees on that fortunate side of the street--and at the moment a child of seven or eight, female, was hiding behind it. She was wearing a navy-blue reefer and a tam that was very nearly the same shade of red as the blanket on the bed in van Gogh's room at Aries. Her tam did, in fact, from Zooey's vantage point, appear not unlike a dab of paint. Some fifteen feet away from the child, her dog--a young dachshund, wearing a green leather collar and leash--was sniffing to find her, scurrying in frantic circles, his leash dragging behind him. The anguish of separation was scarcely bearable for him, and when at last he picked up his mistress's scent, it wasn't a second too soon. The joy of reunion, for both, was immense. The dachshund gave a little yelp, then cringed forward, shimmying with ecstasy, till his mistress, shouting something at him, stepped hurriedly over the wire guard surrounding the tree and picked him up. She said a number of words of praise to him, in the private argot of the game, then put him down and picked up his leash, and the two walked gaily west, toward Fifth Avenue and the Park and out of Zooey's sight. Zooey reflexively put his hand on a cross-piece between panes of glass, as if he had a mind to raise the window and lean out of it to watch the two disappear. It was his cigar hand, however, and he hesitated a second too long. He dragged on his cigar. "God damn it," he said, "there are nice things in the world--and I mean nice things. We're all such morons to get so sidetracked. Always, always, always referring every goddam thing that happens right back to our lousy little egos." Behind him, just then, Franny blew her nose with guileless abandon; the report was considerably louder than might have been expected from so fine and delicate-appearing an organ. Zooey turned around to look at her, somewhat censoriously.
”
”
J.D. Salinger (Franny and Zooey)
“
. Karl was born in Meridian, Mississippi, in 1947. His parents stayed married, as did the parents of his friends. His mother still lives in the house they moved to the year Karl turned one. He walked down the street to school. I was born in Los Angeles in 1963. By the time I started college I had moved fifteen times. We saw different movies, read different books. I never had a single date in high school, but when I went with Karl to his high school reunion women lined up all night to tell me how they had been in love with my husband. All I felt was the wondrous luck that he had found me. “Just think,” I say to Karl, “every night we come home to the same house and we sleep in the same bed with the same dog, and of all the houses and beds and dogs in the world we hit on this combination.” The fact that we came so close to missing out, missing out because of my own fear of failing, makes me think I avoided a mortal accident by the thickness of a coat of paint. We are, on this earth, so incredibly small, in the history of time, in the crowd of the world, we are practically invisible, not even a dot, and yet we have each other to hold on to.
”
”
Ann Patchett (This Is the Story of a Happy Marriage)
“
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room.
Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him.
When their eyes met, she smiled a little. And then a lot.
His first impulse was to hide his own grin behind his Goose.
But then he stopped himself.
New world order. Come on, smile, motherfucker, he thought.
Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something.
“Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be.
He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her.
“Hi, V . . . How are—”
Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.”
And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . .
He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate.
But whatever.
This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer.
As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti.
“Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn.
Vishous cleared his throat. “I have an announcement to make.”
Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out.
Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.”
Dead. Quiet.
Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
was dog-tired when, a little before dawn, the boatswain sounded his pipe and the crew began to man the capstan-bars. I might have been twice as weary, yet I would not have left the deck, all was so new and interesting to me—the brief commands, the shrill note of the whistle, the men bustling to their places in the glimmer of the ship's lanterns. "Now, Barbecue, tip us a stave," cried one voice. "The old one," cried another. "Aye, aye, mates," said Long John, who was standing by, with his crutch under his arm, and at once broke out in the air and words I knew so well: "Fifteen men on the dead man's chest—" And then the whole crew bore chorus:— "Yo-ho-ho, and a bottle of rum!" And at the third "Ho!" drove the bars before them with a will. Even at that exciting moment it carried me back to the old Admiral Benbow in a second, and I seemed to hear the voice of the captain piping in the chorus. But soon the anchor was short up; soon it was hanging dripping at the bows; soon the sails began to draw, and the land and shipping to flit by on either side; and before I could lie down to snatch an hour of slumber the HISPANIOLA had begun her voyage to the Isle of Treasure. I am not going to relate that voyage in detail. It was fairly prosperous. The ship proved to be a good ship, the crew were capable seamen, and the captain thoroughly understood his business. But before we came the length of Treasure Island, two or three things had happened which require to be known. Mr. Arrow, first of all, turned out even worse than the captain had feared. He had no command among the men, and people did what they pleased with him. But that was by no means the worst of it, for after a day or two at sea he began to appear on deck with hazy eye, red cheeks, stuttering tongue, and other marks of drunkenness. Time after time he was ordered below in disgrace. Sometimes he fell and cut himself; sometimes he lay all day long in his little bunk at one side of the companion; sometimes for a day or two he would be almost sober and attend to his work at least passably. In the meantime, we could never make out where he got the drink. That was the ship's mystery. Watch him as we pleased, we could do nothing to solve it; and when we asked him to his face, he would only laugh if he were drunk, and if he were sober deny solemnly that he ever tasted anything but water. He was not only useless as an officer and a bad influence amongst the men, but it was plain that at this rate he must soon kill himself outright, so nobody was much surprised, nor very sorry, when one dark night, with a head sea, he disappeared entirely and was seen no more. "Overboard!" said the captain. "Well, gentlemen, that saves the trouble of putting him in irons." But there we were, without a mate; and it was necessary, of course, to advance one of the men. The boatswain, Job Anderson, was the likeliest man aboard, and though he kept his old title,
”
”
Robert Louis Stevenson (Treasure Island)
“
He would have known or found out that the sewer-pipe running out of Cellblock 5 was the last one in Shawshank not hooked into the new waste-treatment plant, and he would have known it was do it by mid-1975 or do it never, because in August they were going to switch us over to the new waste-treatment plant, too. Five hundred yards. The length of five football fields. Just shy of half a mile. He crawled that distance, maybe with one of those small Penlites in his hand, maybe with nothing but a couple of books of matches. He crawled through foulness that I either can’t imagine or don’t want to imagine. Maybe the rats scattered in front of him, or maybe they went for him the way such animals sometimes will when they’ve had a chance to grow bold in the dark. He must have had just enough clearance at the shoulders to keep moving, and he probably had to shove himself through the places where the lengths of pipe were joined. If it had been me, the claustrophobia would have driven me mad a dozen times over. But he did it. At the far end of the pipe they found a set of muddy footprints leading out of the sluggish, polluted creek the pipe fed into. Two miles from there a search party found his prison uniform—that was a day later. The story broke big in the papers, as you might guess, but no one within a fifteen-mile radius of the prison stepped forward to report a stolen car, stolen clothes, or a naked man in the moonlight. There was not so much as a barking dog in a farmyard. He came out of the sewer-pipe and he disappeared like smoke. But I am betting he disappeared in the direction of Buxton.
”
”
Stephen King (Different Seasons: Four Novellas)
“
BEST FRIENDS SHOULD BE TOGETHER
We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
”
”
Gabe Durham (Fun Camp)
“
Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books levelled down to a sort of paste pudding norm [...].
[...]
Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations, Digests. Tabloids. Everything boils down to the gag, the snap ending.
[...]
Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet [...] was a one-page digest in a book that claimed: "now at least you can read all the classics; keep up with your neighbors". Do you see? Out of the nursery into the college and back to the nursery; there's your intellectual pattern for the past five centuries or more.
[...]
Speed up the film, Montag, quick. Click? Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man's mind around about so fast under the pumping hands of publishers, exploiters, broadcasters, that the centrifuge flings off all unnecessary, time-wasting thought!
[...]
School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
[...]
The zipper displaces the button and a man lacks just that much time to think while dressing at dawn, a philosophical hour, and thus a melancholy hour.
[...]
Life becomes one big pratfall, Montag; everything bang, boff, and wow!
”
”
Ray Bradbury (Fahrenheit 451)
“
Four days a week, Miss Baez and her fifteen students meet at the school for lunch: potato salad, Kool-Aid, and hot dogs broiled on a portable barbecue. After lunch they do ballet exercises to Beatles records, and after that they sit around on the bare floor beneath a photomural of Cypress Point and discuss their reading: Gandhi on Nonviolence, Louis Fischer’s Life of Mahatma Gandhi, Jerome Frank’s Breaking the Thought Barrier, Thoreau’s On Civil Disobedience, Krishnamurti’s The First and Last Freedom and Think on These Things, C. Wright Mills’s The Power Elite, Huxley’s Ends and Means, and Marshall McLuhan’s Understanding Media.
”
”
Joan Didion (Slouching Towards Bethlehem: Essays)
“
When one lives in a state of constant vigilance, if something actually goes wrong: Forget about it. Full panic. Fifteen to a hundred in two seconds flat. Kids two minutes late? Everyone is dead. Sister doesn’t text me back within thirty seconds? Definitely dead. Dog coughs? Almost dead.
”
”
Glennon Doyle (Untamed: Stop Pleasing, Start Living)
“
Violence has reasons, that reason itself cannot know
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The movies were just kind of figuring out how to use computers in 2003, and nobody was just kind of figuring out how to use computers harder than Michael Bay. It’s tempting to say that every frame of Bad Boys II looks like a TV commercial, but truly every frame looks like a print advertisement, like those Candies ads where Jenny McCarthy’s taking a shit, shallow and glossy and tinged acid green. There are four car chases, one of which is at least fifteen minutes long. Even the most passing transitions are giddily tasteless: the camera EXPLODES out of the speedboat’s tailpipe and ZOOMS across Biscayne Bay and WHAMS down the ventilation shaft in the backward sunglasses factory and SHOOMPS into the buttcrack of a raver’s low-rise jeans and SPROINGS across her transverse colon and SQUEAKS through her appendix and AIRHORNS out her belly button and PLOPS into the Cuban drug lord’s mojito as he shoots his favorite nephew in the head while saying, “Adios, kemosabe,” or something fucking cool like that.
When faced with a choice, Bay picks “all of the above” every time. He’s like a dog in one of those obedience trials who’s like, “Obedience? I don’t know her,” and just goes buck wild on the sausages. Except instead of “obedience” it’s “having a coherent plot that holds the audience’s attention” and instead of “sausages” it’s “explosions, Ferrari chases, and how many different cool kinds of box could a gun come in.
”
”
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
“
If you have a dog who—at least some amount of the time—has to walk on the field leash, you should absolutely make sure that he is fitted with a harness. In general, using a harness instead of a collar is preferable, but if your dog is on a long leash, it is vital. The danger of injury that a dog is exposed to is extremely high when he reaches the end of a leash with fifteen, thirty, or more feet. The entire pressure of the jerk he receives when he hits the end of the line is distributed across the cervical spine, larynx, thyroid, and trachea. You can compare this to the impact of crashing into another car at about 35 mph. Remember: we humans put the seat belt across our chests and don’t wrap it around our necks—and for a good reason. In my opinion, wearing a harness is always more sensible than wearing a collar—in field leash training it is indispensable!
”
”
Clarissa Von Reinhardt (Chase!: Managing Your Dog's Predatory Instincts (Dogwise Training Manual))
“
In his final moment on earth, Prince loved and knew that he was loved in return.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
If she knew I went out again,' he said, 'I could get youth custody.'
'If she shopped you, you mean?'
He nodded. 'But... sod it... to cut a foot off a horse...' Perhaps the better nature was somewhere there after all. Stealing cars was OK, maiming racehorses wasn't. He wouldn't have blinded those ponies: he wasn't that sort of lout. 'If I fix it with your aunt, will you tell me?' I asked. 'Make her promise not to tell Archie. He's worse.'
'Er,' I said, 'who is Archie?'
'My uncle. Aunt Betty's brother. He's Establishment, man. He's the flogging classes.'
I made no promises. I said, 'Just spill the beans.'
'In three weeks I'll be sixteen.' He looked at me intently for reaction, but all he'd caused in me was puzzlement. I thought the cut-off age for crime to be considered 'juvenile' was two years older. He wouldn't be sent to an adult jail.
Jonathan saw my lack of understanding. He said impatiently, 'You can't be underage for sex if you're a man, only if you're a girl.'
'Are you sure?'
'She says so.'
'Your Aunt Betty?' I felt lost.
'No, stupid. The woman in the village.'
'Oh... ah.'
'Her old man's a long-distance truck driver. He's away for nights on end. He'd kill me. Youth custody would be apple pie,'
'Difficult,' I said.
'She wants it, see? I'd never done it before. I bought her a gin in the pub.' Which, at fifteen, was definitely illegal to start with.
'So... um...,' I said, 'last night you were coming back from the village... When, exactly?'
'It was dark. Just before dawn. There had been more moon light earlier, but I'd left it late. I was running. She-Aunt Betty-she wakes with the cocks. She lets the dogs out before six.'
His agitation, I thought, was producing what sounded like truth. I thought, and asked, 'Did you see any ramblers?'
'No. It was earlier than them.'
I held my breath. I had to ask the next question, and dreaded the answer.
”
”
Dick Francis (Come to Grief (Sid Halley, #3))
“
Mr. Bojangles"
I knew a man Bojangles and he'd dance for you
In worn out shoes
Silver hair and ragged shirt and baggy pants
He did the old soft shoe
He jumped so high
He jumped so high
Then he'd lightly touch down
I met him in a cell in New Orleans
I was down and out
He looked to me to be the eyes of age
As he spoke right out
He talked of life
He talked of life
He laughed slapped his leg a step
He said the name Bojangles and he danced
A lick across the cell
He grabbed his pants a better stance
Then he jumped so high
He clicked his heels
He let go a laugh oh he let go a laugh
Shook back his clothes all around
Mister Bojangles
Mister Bojangles
Mister Bojangles
Dance
He danced for those at minstrel shows and county fairs
Throughout the South
He spoke with tears of fifteen years how his dog
And him traveled about
His dog up and died
He up and died
After twenty years he still grieves
He said I dance now at every chance in honky-tonks
For drinks and tips
But most o' the time I spend behind these county bars
Hell I drinks a bit
He shook his head and as he shook his head
I heard someone ask him please
Mister Bojangles
Mister Bojangles
Mister Bojangles
Dance
Jerry Jeff Walker, Mr. Bojangles (1968)
”
”
Jerry Jeff Walker (Mr. Bojangles Sheet Music)
“
And remember this, Frank: whenever you get to the trial of a case, never try to arouse one single emotion in the minds of a jury and bear down steadily on that emotion. “Pick some dominant emotion if you want, but touch on it only for a few moments. Then swing your argument to something else. Then come back to it. The human mind is like a pendulum: you can start it swinging a little at a time and gradually come back with added force, until finally you can close in a burst of dramatic oratory, with the jury inflamed to white rage against the other side. But if you try to talk to a jury for as much as fifteen minutes, and harp continually upon one line, you will find that the jurors have quit listening to you before you finish.
”
”
Erle Stanley Gardner (The Case of the Howling Dog (Perry Mason #4))
“
TAKEAWAYS FOR TEACHING YOUR DOG Provide a long pause. When you see your dog noticing your modeling or noticing the buttons, turn your routine interactions into language-facilitating opportunities. The greatest cue we can provide is a long, silent pause to give the AAC user a chance to process what is happening and try exploring her words. When you see your dog communicate through a gesture or vocalization, stay quiet for at least ten to fifteen seconds. At the end of fifteen seconds, if your dog looks like she might be walking toward her buttons or is looking at them, continue staying quiet. If you have not seen an indication that she might try saying a word, add a naturalistic cue. Your dog may need cues for a little while before using words independently. Keep providing a long pause, pointing at the button, asking a general question such as “What do you want?” or standing near the button to support your dog’s emerging vocabulary. Even after you’ve heard your dog’s first words, your dog will likely need support before using words independently and regularly. Model words in different contexts to support generalization. Your dog will learn to use words in different ways if she sees and hears you using words in multiple ways. Remember that your dog is intrinsically motivated to communicate. Resist the desire to offer a treat for saying a word (unless the word is treat). This will keep your dog from learning the actual meaning of the word. Stick to providing the appropriate response to your dog’s word. Think about other communication functions besides requesting. Your dog might be trying to label an object or activity in her environment or talk about what is happening.
”
”
Christina Hunger (How Stella Learned to Talk: The Groundbreaking Story of the World's First Talking Dog)
“
When your dog is becoming more aware of your modeling, create communication opportunities within your routines When you see your dog noticing your modeling or noticing the buttons, turn your routine interactions into language-facilitating opportunities. The greatest cue we can provide is a long, silent pause to give the AAC user a chance to process what is happening and try exploring her words. When you see your dog communicate through a gesture or vocalization, stay quiet for at least ten to fifteen seconds. At the end of fifteen seconds, if your dog looks like she might be walking toward her buttons or is looking at them, continue staying quiet. If you have not seen an indication that she might try saying a word, add the next level of naturalistic cueing. Add naturalistic cues if necessary After you have already tried staying silent, you can try standing next to your dog’s buttons or pointing at them. Dogs respond to human gestural social cues as early as six weeks old! If pointing or standing near the buttons does not work, you can try tapping it with your finger or foot, not pushing it to activate it. You can also try adding an open-ended verbal prompt such as, “What do you want?” Avoid telling your dog exactly what to say or forcing your dog to push a button with their paw. This can cause prompt dependency and keep your dog from learning how to use words independently. If none of these prompts encourage your dog to try saying a word, simply model it again verbally and with the button, and carry on with the appropriate action.
”
”
Christina Hunger (How Stella Learned to Talk: The Groundbreaking Story of the World's First Talking Dog)
“
Your dog only says words on your command, not spontaneously Stop using the verbal prompts you are giving immediately. Your dog has learned the pattern of waiting for you to give a cue, then saying a word rather than using the buttons on her own. Instead of asking “Do you want to go outside?” or saying, “Tell me outside,” simply say “outside” verbally and with the button before taking your dog out. When you notice your dog gesturing or vocalizing to go outside, provide subtle, naturalistic cues. Start with silently standing near the button or looking at it. Increase to pointing at it or tapping it if necessary. Remember to wait at least ten to fifteen seconds before adding a cue. Sometimes a long pause is all that is needed.
”
”
Christina Hunger (How Stella Learned to Talk: The Groundbreaking Story of the World's First Talking Dog)
“
You should be able to be yourself and keep it real at work, no matter what you’re feeling. Once when I worked at a little bodega by the train stop when I was fifteen, I felt my body telling me to eat a lot of the store’s hot dogs. So I did. Which doesn’t seem that strange except that I was always working a five a.m. shift before school. I was truly ill equipped for that job because even though I was supposed to ring up hot dogs, coffee, snacks, and newspapers, I had no clue how to make change. The coffee would cost $1.85 and they would hand me a five-dollar bill. I’d respond by just staring at the bill, hoping that through black magic the right amount of change would just float out of my hand and into theirs. I’m a great salesman, but numbers hold me back. I consoled myself by eating a lot more hot dogs. They were so good there. My paycheck was a lot lower than I wanted it to be because they were charging me for my enormous hot dog intake. My
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
Human intelligence is not a gift. It’s an occasionally useful plague.
”
”
André Alexis, Fifteen Dogs
“
Order in a pack is maintained through convention
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
What was interesting to him was how much humans relied on their imaginations. Not just for amusement but for fundamental things as well. He preferred to allow his body to think for him.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
In recent years, if a film didn’t shine in the first fifteen minutes, we knew from bitter experience that it would be a rusted tangle of junk to the end,
”
”
Dean Koontz (A Big Little Life: A Memoir of a Joyful Dog)
“
You guys want anything in particular?”
“Hot dogs and nachos.”
“Jessie Ryan,” Conor leans down and kisses her forehead. “You have the culinary tastes of a fifteen-year-old boy.”
“But we’re on vacation.
”
”
Sadie Kincaid (Ryan Renewed (New York Ruthless, #5))
“
You know, I’ve been hanging around your place, riding with you, throwing the stick for your dogs, and I never asked you about the husbands. Like, how many? And why you think it didn’t work out?” “What makes you think I feel like telling you?” she asked. “Aw, you’ll tell me,” he said. “You’re just that kinda gal. And I told you about my wife.” “Okay,” she said, still slapping sandwiches together. “The synopsis. The first one was fifteen years older than me, my agent. He’s still my agent—he married the talent, not the person I was. He was very ambitious for me, for us both. He still thinks I divorced him because of his age, but I divorced him because all he cared about was my career. I don’t think he could tell you my favorite color…” “Yellow,” Walt said. Her head snapped around and she stared at him. “Yellow,” she said. “That was easy,” he said. “It’s all around and you wear it a lot. Red’s important, too.” “Right,” she said, shocked. She shook herself. “Okay, number two hit, number three cheated, number four had a child he failed to mention, number five—” “All right, wait,” Walt said. “Is this going to go on for a real long time?” She grinned at him. “Didn’t you look it up on the Internet?” “I did not,” he said, almost insulted. “We’re stopping at five. He had a substance-abuse problem. I didn’t know about it beforehand, obviously. I tried to help, but I was in the way—he needed to be on his own. That’s when I decided that, really, I should quit doing that. Marrying. But please understand, it’s not all my fault—Hollywood doesn’t exactly have a reputation for long, sturdy relationships. I did the best I could.” “I have no doubt,” he said. “Do you say that because you have no doubt? Or are you being a sarcastic ass to a poor woman who had to go through five miserable husbands?” He chuckled. Then he slipped an arm around her waist and kissed her cheek.
”
”
Robyn Carr (Second Chance Pass)
“
Ah, listen, I was just getting her up. You mind?”
Wrath dragged a hand through his hair. “No, no, yeah, it’s cool.”
“You want me to come to your office afterward?”
He wondered what the room looked like, and painted the space according to what his Beth had said was in it. Cluttered, he thought. Homey. Cheerful. Pink. Nothing that Z would have been caught dead in before he’d met Bella.
“Wrath? What’s going on here?”
“You mind if I come in?”
“Ah . . . sure. Yeah, I mean, Bella’s working out so we’ve got some privacy. But you’re going to want to—”
Chhheeeeeeeeeeeeeeeeeeep!
“—watch where you step.”
Wrath lifted up his shitkicker and whatever toy he’d crushed reinflated with a wheeze. “Fuck, did I break it?”
“I think it’s a dog toy, actually. Yeah, I’m pretty sure she picked it up from George downstairs. You want it back?”
“He’s got plenty. She can have it.”
As he shut the door, he was painfully aware that they were each talking about their young—only Wrath’s had four paws and a tail.
Least he didn’t have to worry about George succeeding him or being blind.
Z’s voice came from deeper in the room. “You can sit on the foot of the bed if you go fifteen feet straight ahead of you.”
“Thanks.”
He didn’t particularly want to park it, but if he stayed standing, he was going to want to pace and it wouldn’t be long before he tripped over something that wasn’t a toy.
Over in the corner, Z spoke softly to his daughter, the words rolling into some kind of rhythm like he was talking through a song.
In reply, there were all kinds of cooing.
And then came something that sounded terrifyingly clear: “Dada.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
Why won’t you marry me?” “Gracious, you are persistent.” She patted the bun he’d so expertly fashioned. “Has it occurred to you if I marry you all my wealth and independence would be forfeit?” “If you don’t trust me to leave your fortune in peace, transfer your wealth to your brother’s name. He’ll steward it as you direct.” Gayle would be more conscientious with her money than she was, which was saying something. “And what of my freedom, my independence?” How such a big man could move so quickly was beyond her. One moment Maggie was looking around for her boots and stockings, the next she was flat on her back with fifteen stone of determined earl poised above her. “You call it independence, but you never so much as go for a drive in the park, Maggie Windham. You do not make social calls except on your family members, you do not entertain, and you do not permit yourself even a dog for companionship. As my countess, you’ll have the run of the society functions, your invitations will be accepted by all and sundry, and you will have my charming and devoted company at your beck and call, even and especially in your confinements. Plural, God willing. Marry me.” Devoted
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
Why Wolf Became Dog I know how wolf became dog, why is the critical question. So awful an offering, some forerunning, I would say, today, fifteen thousand years from whence she wandered along tundra’s expanse, wolf heard a cry, a mourning song, a terrible, swelling sehnsucht from beneath a new mindfulness dwelling upright in the world. Being was being observed by its own, and there was shame in it, it seems. Wolf, from ridgeline, raised her ears at village clamor, desperate chanting, her empathy stalked shadows dancing as vapors of yearning rose into empty nights where all mythologies are spawned. Wolf lowered her head and approached the conscious savage estranged from its origins. She did what had to be done. Wolf, from primal domain, a higher terrain emptied herself, taking on mortal burdens morphed for more than survival’s sake, and nuzzled into homes, hearths, hearts living and dying in service to the great turning. Dog leading the lost, in her unequalled ways, to the new earth.
”
”
James Scott Smith (Water, Rocks and Trees)
“
My Daddy and My Car
By Marilyn Akers, Georgia Grits
At fifteen, I came home from school one afternoon to find a faded red car with a white hardtop and a damaged front fender parked in the driveway. Since my daddy often worked on cars, both for himself and others, I noticed it only in passing. That is until my daddy explained that it was a 1971 Mercury Comet…and it was mine!
Trouble was, it had a blown engine, and it was my job to overhaul it. So after school and on weekends I washed car parts, rode to the junk yard for replacement parts (and foot-long hot dogs from the Dairy Queen), handed my dad all sorts of tools, fixed coffee with cream and sugar, and occasionally got to do a “real” job under the hood. I remember being so excited when he asked me to get on the creeper and roll under the car (the children were never allowed under the car!) to tighten a fender bolt.
Another day, I helped him connect the spark-plug wires to the distributor cap. I asked him why this particular job was so important for him to show me. He replied, “So if you’re ever out with a boy and the car breaks down, you’ll know what to look for.” He meant intentional removal of the wires, and it didn’t occur to me until many years later to ask if that advice was from personal experience!
When the engine work was done, we took it to Earl Scheib for one of his infamous $99 paint jobs. I was so proud of that car and the work done side by side with my dad. We sold it less than a year later, after I stuck my foot through a rusted hole in the floorboard.
I lost my dad in 2001 following a sixteen-year battle with Alzheimer’s Disease. But the bond formed between a teenage daughter and her father, and the lessons I learned from him, will be with me for a lifetime.
”
”
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
“
He was a committed leader, capable of - or prone to - instinctive decisions. More: he could put aside thought in the service of forceful action. But in quiet moments his sensitivity sometimes led him to reconsider his own behaviour. In other words, Atticus had a conscience, and it was this that led him to what some would call faith.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
The white dogs with black spots were the worst. It wasn't so much their aggression; other dogs were sometimes even more aggressive. It was that they were - without question - the stupidest creatures on earth, and that was even if one included cats. It was useless to try reasoning with them, whatever language one chose. Worse, you could never tell when one of them would come at you. It was not in his nature to hate other dogs, but Benjy disliked Dalmatians the way some humans dislike men named Steve or Biff.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Also intriguing was all the bowing. The association of height and status did not, of course, faze him. If anything, it made the Japanese seem noble. But where were the ones who made themselves big? That was the question. With so many people bowing down, it seemed to Majnoun like a competition amongst the low to see who could be lowest. In which case, discretion was strength, a paradox that Majnoun found almost as compelling as the film's relative absence of dogs.
”
”
André Alexis (Fifteen Dogs (Quincunx, #2))
“
Her heart nearly stopped when a hand slid over her mouth and another disarmed her. “I’m Commander Rodgers from the USS Washington, and you’re coming with me now,” an American growled in her ear. From the girth pressing against her back, he was solid—but Olivia could take him.
Grinding her teeth, she threw an elbow to his sternum. He blocked—so like a hotshot. Few people were fast enough to react to one of her strikes. But she’d nail him with her second try. Whipping around, she aimed a kick at his groin, but he blocked that, too. At least six-two and faster than an asp, Rodgers stopped her next kick by catching her ankle and giving it a twist—a warning.
“Enough. Come.” Jesus Christ, his eyes were the color of a teal lagoon and they drilled into her like daggers.
She shook her head. God, she wasn’t about to go anywhere with dagger-eyes. Not without a fight.
Suited up in scuba gear, his facemask cocked atop his head, the man had to be daft. “What the fuck, Aquaman?” she whisper-shouted. “If anyone sees you, we’ll both be shot before the first question’s asked.”
His eyebrows slanted downward over those damned eyes. “Yeah?” he whisper-shouted back. “Everyone on this boat will be dead in fifteen. If you want to live, you’ll do as I say.”
Olivia’s mouth went dry. She blinked, shaking her head. He had to be mistaken. One more day and al-Umari’s ass would be hers. “Are you off your trolley? I’ve put too much into this project to have it blown to smithereens. Call off your dogs before you cock-up the entire op. Now.”
“No can do,” he said like her hard-earned cover wasn’t about to become the greatest wipeout in MI6 history. “Sorry to ruin your party, but there’s a bomb attached to the hull. Can’t be killed, can’t be dislodged, and if you stand here arguing with me for one more second, you’ll explode into so many pieces, you won’t make a meal for a goddamned minnow.”
Those are my choices?
“Christ!” She jammed her finger under his nose. “When this is over, your ass is mine.
”
”
Amy Jarecki (Hunt for Evil (ICE #1))