“
I believe in good and evil," said Jem. "And I believe the soul is eternal. But I don't believe in the fiery pit, the pitchforks, or endless torment. I do not believe you can threaten people into goodness."
Tessa looked at will. "What about you? What do you believe?
"Pulvis et umbra sumus," said Will, not looking at her as he spoke. "I believe we are dust and shadows. What else is there?
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Having a lover/friend who regards you as a living growing criatura, being, just as much as the tree from the ground, or a ficus in the house, or a rose garden out in the side yard... having a lover and friends who look at you as a true living breathing entity, one that is human but made of very fine and moist and magical things as well... a lover and friends who support the ciatura in you... these are the people you are looking for. They will be the friends of your soul for life. Mindful choosing of friends and lovers, not to mention teachers, is critical to remaining conscious, remaining intuitive, remaining in charge of the fiery light that sees and knows.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
I have but one passion: to enlighten those who have been kept in the dark, in the name of humanity which has suffered so much and is entitled to happiness. My fiery protest is simply the cry of my very soul.
”
”
Émile Zola (J'accuse!)
“
I believe in good and evil," said Jem. "And I believe the soul is eternal. But I don't believe in the fiery pit, the pitchforks, or endless torment. I do not believe you can threaten people into goodness.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
I hoped they saw right through my death mask to my sad and fiery soul, though I doubt they saw me at all.
”
”
Ottessa Moshfegh (Eileen)
“
It was wild. Abandoned. Rough. Wet. Intense. Fiery. Thorough. Exquisite. Heart-pounding. Blood-singing. Soul-rocking. Life-altering.
Luscious.
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
Our lovemaking was always risk and promise-for if he held my life in his hands when he lay with me, I held his soul, and knew it.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
I have loved in life and I have been loved.
I have drunk the bowl of poison from the hands of love as nectar,
and have been raised above life's joy and sorrow.
My heart, aflame in love, set afire every heart that came in touch with it.
My heart has been rent and joined again;
My heart has been broken and again made whole;
My heart has been wounded and healed again;
A thousand deaths my heart has died, and thanks be to love, it lives yet.
I went through hell and saw there love's raging fire,
and I entered heaven illumined with the light of love.
I wept in love and made all weep with me;
I mourned in love and pierced the hearts of men;
And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes.
The whole world sank in the flood caused by my one tear;
With my deep sigh the earth trembled, and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.
I bowed my head low in humility, and on my knees I begged of love,
"Disclose to me, I pray thee, O love, thy secret."
She took me gently by my arms and lifted me above the earth, and spoke softly in my ear,
"My dear one, thou thyself art love, art lover,
and thyself art the beloved whom thou hast adored.
”
”
Hazrat Inayat Khan (The Dance of the Soul: Gayan, Vadan, Nirtan (Sufi Sayings))
“
[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
”
”
Sarah Williams (Twilight Hours: A Legacy of Verse)
“
He can make the dry parched ground of my soul to become a pool and my thirsty barren heart as springs of water. Yes he can make this habitation of dragons this heart which is so full of abominable lusts and fiery temptations to be a place of bounty and fruitfulness unto Himself
”
”
John Owen (The Mortification of Sin (Puritan Paperbacks))
“
Whether it's simply some fierce animal joining of mates or a sublime merging of souls, she is mine, and I am hers.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Being a vampire is not a curse. It’s a disease,” Tessa filled in. “But they still can’t enter hallowed ground, then? Does that mean they’re damned?”
“That depends on what you believe,” said Jem. “And whether you believe in damnation at all.”
“But you hunt demons. You must believe in damnation!”
“I believe in good and evil,” said Jem. “And I believe the soul is eternal. I don’t believe in the fiery pit, the pitchforks, or the endless torment. I do not believe you can threaten people into goodness.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill.
She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I hear the question upon your lips: What is it to be a colour?
Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I’ve listened to souls whispering – like the susurrus of the wind – from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances.
I’m so fortunate to be red! I’m fiery. I’m strong. I know men take notice of me and that I cannot be resisted.
I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I’m not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I’m spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.
”
”
Orhan Pamuk (My Name Is Red)
“
Sonya often said she didn't believe in soul mates, but in that union, I believed there was something in my soul that spoke to Sydney's, that this connection between our bodies called to something greater than us, something preordained.
And when it was over, I was reluctant to let her go. I looked down at her face, with her flushed cheeks and damp strands of hair, and thought, Whether it's simply some fierce animal joining of mates or a sublime merging of souls, she is mine, and I am hers.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Illusions are to the soul what atmosphere is to the earth. Roll up that tender air and the plant dies, the colour fades. The earth we walk on is a parched cinder. It is marl we tread and fiery cobbles scorch our feet. By the truth we are undone. Life is a dream. ‘Tis waking that kills us.
”
”
Virginia Woolf (Orlando)
“
[He] understood the people in a new way...The people is not everyone who speaks our language, nor yet the elect marked by the fiery stamp of genius. Not by birth, not by the work of one's hands, not by the wings of education is one elected into the people.
But by one's inner self.
Everyone forges his inner self year after year.
One must try to temper, to cut, to polish one's soul so as to become a human being.
And thereby become a tiny particle of one's own people.
”
”
Aleksandr Solzhenitsyn (The First Circle)
“
Fear is a wet blanket that smothers the fiery passion God deposited in your heart when he formed you. Fear freezes us into inaction. Frozen ideas, frozen souls, frozen bodies can't move, can't dream, can't risk, can't love, and can't live. Fear chains us.
”
”
Stasi Eldredge (Becoming Myself: Embracing God's Dream of You)
“
Whether it’s simply some fierce animal
joining of mates or a sublime merging
of souls, she is mine, and I am hers.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Ysabeau wanted me to know she approved of you. Like the gold from which it is made, you are steadfast. You hide many secrets within you, just as the bands of the ring hide the poesies from view. But it is the stone that best captures who you are: bright on the surface, fiery within, and impossible to break.
”
”
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
“
In the land of Gods and Monsters
I was an Angel
Living in the garden of evil
Screwed up, scared, doing anything that I needed
Shining like a fiery beacon
You got that medicine I need
Fame, Liquor, Love give it to me slowly
Put your hands on my waist, do it softly
Me and God, we don't get along so now I sing
No one's gonna take my soul away
I'm living like Jim Morrison
Headed towards a fucked up holiday
Motel sprees sprees and I'm singing
'Fuck yeah give it to me this is heaven, what I truly
Want'
It's innocence lost
Innocence lost
In the land of Gods and Monsters
I was an Angel
Looking to get fucked hard
Like a groupie incognito posing as a real singer
Life imitates art
You got that medicine I need
Dope, shoot it up, straight to the heart please
I don't really wanna know what's good for me
God's dead, I said 'baby that's alright with me'
No one's gonna take my soul away
I'm living like Jim Morrison
Headed towards a fucked up holiday
Motel sprees sprees and I'm singing
'Fuck yeah give it to me this is heaven, what I truly
Want'
It's innocence lost
Innocence lost
When you talk it's like a movie and you're making me
Crazy -
Cause life imitates art
If I get a little prettier can I be your baby?
You tell me, "life isn't that hard"
No one's gonna take my soul away
I'm living like Jim Morrison
Headed towards a fucked up holiday
Motel sprees sprees and I'm singing
'Fuck yeah give it to me this is heaven, what I truly
Want'
It's innocence lost
Innocence lost
”
”
Lana Del Rey
“
She has a fiery soul that cannot be tamed.
She has free spirit that cannot be maimed.
She moves with the wind and flows with the river.
She howls at the moon and smiles at the sun.
Just when you think she is finished, she declares, “I’ve just begun.”
Like wild flowers, she grows where she decides to push through fallow ground.
Like wild fires, she spreads with speed that can’t be drowned.
She has mystery in her blood, magic in her touch and regardless of her frame
she can be too much-wild woman.
She is not predictable, controllable nor the people pleasing kind.
That’s why she is called wild woman and can never be defined.
”
”
Mishi McCoy
“
For if it is rash to walk into a lion’s den unarmed, rash to navigate the Atlantic in a rowing boat, rash to stand on one foot on top of St. Paul’s, it is still more rash to go home alone with a poet. A poet is Atlantic and lion in one. While one drowns us the other gnaws us. If we survive the teeth, we succumb to the waves. A man who can destroy illusions is both beast and flood. Illusions are to the soul what atmosphere is to the earth. Roll up that tender air and the plant dies, the colour fades. The earth we walk on is a parched cinder. It is marl we tread and fiery cobbles scorch our feet. By the truth we are undone. Life is a dream. ‘Tis waking that kills us. He who robs us of our dreams robs us of our life—(and so on for six pages if you will, but the style is tedious and may well be dropped).
”
”
Virginia Woolf (Orlando)
“
I look into Julie's face. Not just at it, but into it. Every pore, every freckle, every faint gossamer hair. And then the layers beneath them. The flesh and bones, the blood and brain, all the way down to the unknowable energy that swirls in her core, the life force, the soul, the fiery will that makes her more than meat, coursing through every cell and binding them together in millions to form her. Who is she, this girl? What is she? She is everything. Her body contains the history of life, remembered in chemicals. Her mind contains the history of the universe, remembered in pain, in joy and sadness, hate and hope and bad habits, every thought of God, past-present-future, remembered, felt, and hoped for all at once.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
She was so beautiful that it made my soul ache.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Together with his fiery soul, Julien possessed one of those stunning memories so often linked to stupidity.
”
”
Stendhal (The Red and the Black)
“
Whether it’s simply some fierce animal joining of mates or a sublime merging of souls, she is mine, and I am hers.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
A fiery spirit bursts from your soul.
”
”
A.D. Posey
“
My dearest, When two souls, who have sought each other for however long in the throng, have finally found each other… a union, fiery and pure as they themselves are… begins on earth and continues forever in heaven. This union is love, true love,… a religion, which deifies the loved one, whose life comes from devotion and passion, and for whom the greatest sacrifices are the sweetest delights.
”
”
John C. Kirkland (Love Letters of Great Men)
“
I loved her for her beautiful soul and desired her for her beautiful body.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
There is a frontier-line in human closeness
That love and passion cannot violate--
Though in silence mouth to mouth be soldered
And passionate devotion cleave the heart.
Here friendship, too, is powerless, and years
Of that sublime and fiery happiness
When the free soul has broken clear
From the slow languor of voluptuousness.
Those striving towards it are demented, and
If the line seem close enough to broach--
Stricken with sadness...Now you understand
Why my heart does not beat beneath your touch.
”
”
Anna Akhmatova
“
There occurred within a causal radius of Brandon Station one of those infinitesimal ripples in the creative silence of the First Cause. In the soul of the great blazing sun there were complicated superhuman vibrations [connected] ... with the feelings of a few intellectual sages who had enough imagination to recognise the conscious personality of this fiery orb as it flung far and wide its life-giving magnetic forces. Roaring, cresting, heaving, gathering, mounting, advancing, receding, the enormous fire-thoughts of this huge luminary surged relentlessly to and fro, evoking a turbulent aura of psychic activity.
”
”
John Cowper Powys (A Glastonbury Romance)
“
After Death nothing is, and nothing, death,
The utmost limit of a gasp of breath.
Let the ambitious zealot lay aside
His hopes of heaven, whose faith is but his pride;
Let slavish souls lay by their fear
Nor be concerned which way nor where
After this life they shall be hurled.
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroyed with things unborn are kept.
Devouring time swallows us whole.
Impartial death confounds body and soul.
For Hell and the foul fiend that rules
God's everlasting fiery jails
(Devised by rogues, dreaded by fools),
With his grim, grisly dog that keeps the door,
Are senseless stories, idle tales,
Dreams, whimseys, and no more.
”
”
John Wilmot
“
You can be a virgin in horror the same as in sex. How, when I left the Place Clichy, could I have imagined such horror? Who could have suspected, before getting really into the war, all the ingredients that go to make up the rotten, heroic, good-for-nothing soul of man? And there I was, caught up in a mass flight into collective murder, into the fiery furnace… Something had come up from the depths, and this is what happened.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Illusions are to the soul what atmosphere is to the earth. Roll up that tender air and the plant dies, the colour fades. The earth we walk on is a parched cinder. It is smarl we tread and fiery cobbles scorch our feet. By the truth we are undone. Life is a dream. 'Tis waking that kills us. He who robs us of our dreams robs us of our life...
”
”
Virginia Woolf
“
There are some souls, bright and precious, which, like gold and silver, may be subdued by the fiery trial, and yield to new moulds; but there are others, pure and solid as the diamond, which may be shivered to pieces, yet in every fragment retain their indelible characteristics.
”
”
Mary Wollstonecraft Shelley (Valperga)
“
I looked down at her face, with her flushed cheeks and damp strands of hair, and thought, Whether it's simply some fierce animal joining of mates or a sublime merging of souls, she is mine, and I am hers.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
O Lord, I have been talking to the people;
Thought's wheels have round me whirled a fiery zone
And the recoil of my word's airy ripple
My heart unheedful has puffed up and blown.
Therefore I cast myself before thee prone:
Lay cool hands on my burning brain and press
From my weak heart the swelling emptiness.
”
”
George MacDonald (The Diary of an Old Soul & the White Page Poems)
“
You need only one taste of madness, and the timeless journey can be spent in thoughts that follow behind like the fiery tail of a comet. And this glowing chaos, the soul will carry under the linings of its peace, to weave beautiful memories with.
”
”
Mona Soorma (You Make Me Spill My Ink)
“
With much interest I sat watching him. Savage though he was, and hideously marred about the face--at least to my taste--his countenance yet had something in it which was by no means disagreeable. You cannot hide the soul. Through all his unearthly tattooings, I thought I saw the traces of a simple honest heart; and in his large, deep eyes, fiery black and bold, there seemed tokens of a spirit that would dare a thousand devils. And besides all this, there was a certain lofty bearing about the Pagan, which even his uncouthness could not altogether maim. He looked like a man who had never cringed and never had had a creditor.
”
”
Herman Melville
“
Ugly and futile: lean neck and thick hair and a stain of ink, a snail’s bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother’s prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped.
”
”
James Joyce (Ulysses)
“
He looks at me again and the flames vanish and the knife is gone and his voice goes light and breezy and all coffee-shop conversational, as if he wasn't just one second ago impaling me with fiery eyes and discussing the dark fate of my best friend and the souls of all my classmates.
”
”
Michelle Knudsen (Evil Librarian)
“
One day, we wake up to the narcissist’s cunning masquerade. We watch their fake mask slip off their face. Everything becomes crystal clear. We see right through their phony disguise.
To anyone who’s dealt with the pain and torment of a narcissist, a silver lining is a sign of hope. Hope that someday you can break free from the abuse. Hope to rebuild a better life. Hope to find comfort and peace within. Hope to recover from your trauma. Hope to embrace a brighter future.
We can no longer unsee their hideous charade. We accept how lethal a malignant narcissist is. We actively set healthy boundaries. We walk away from hurtful relationships. Like the Phoenix, we rise above the fiery ashes. We stand up, dust ourselves off, and march forward.
”
”
Dana Arcuri (Soul Rescue: How to Break Free From Narcissistic Abuse & Heal Trauma)
“
And this is the result. Millions of small sins, billions of tiny evils--twisting, twining, groping, consuming...Till they become a great serpent...a blight on humanity...that rises from the collective unconscious towering over the world...Blocking out the light. It is so convenient to blame it all on some sneering, arrogant Satan--sitting on a fiery throne, plotting to corrupt our souls. But if there is a devil--he's just another projection of our own sins.
”
”
Jeff Lemire
“
When our natural inheritance has been dissipated, then the spirit too, as Heraclitus says, has descended from its fiery heights. But when spirit becomes heavy it turns to water, and with Luciferian presumption the intellect usurps the seat where once the spirit was enthroned. The spirit may legitimately claim the patria potestas over the soul; not so the earth-born intellect, which is man's sword or hammer, and not a creator of spiritual worlds, a father of the soul.
”
”
C.G. Jung (The Archetypes and the Collective Unconscious (Collected Works 9i))
“
What infinite heart's-ease
Must kings neglect, that private men enjoy!
And what have kings, that privates have not too,
Save ceremony, save general ceremony?
And what art thou, thou idle ceremony?
What kind of god art thou, that suffer'st more
Of mortal griefs than do thy worshippers?
What are thy rents? what are thy comings in?
O ceremony, show me but thy worth!
What is thy soul of adoration?
Art thou aught else but place, degree and form,
Creating awe and fear in other men?
Wherein thou art less happy being fear'd
Than they in fearing.
What drink'st thou oft, instead of homage sweet,
But poison'd flattery? O, be sick, great greatness,
And bid thy ceremony give thee cure!
Think'st thou the fiery fever will go out
With titles blown from adulation?
Will it give place to flexure and low bending?
Canst thou, when thou command'st the beggar's knee,
Command the health of it? No, thou proud dream,
That play'st so subtly with a king's repose;
I am a king that find thee, and I know
'Tis not the balm, the sceptre and the ball,
The sword, the mace, the crown imperial,
The intertissued robe of gold and pearl,
The farced title running 'fore the king,
The throne he sits on, nor the tide of pomp
That beats upon the high shore of this world,
No, not all these, thrice-gorgeous ceremony,
Not all these, laid in bed majestical,
Can sleep so soundly as the wretched slave,
Who with a body fill'd and vacant mind
Gets him to rest, cramm'd with distressful bread;
Never sees horrid night, the child of hell,
But, like a lackey, from the rise to set
Sweats in the eye of Phoebus and all night
Sleeps in Elysium; next day after dawn,
Doth rise and help Hyperion to his horse,
And follows so the ever-running year,
With profitable labour, to his grave:
And, but for ceremony, such a wretch,
Winding up days with toil and nights with sleep,
Had the fore-hand and vantage of a king.
The slave, a member of the country's peace,
Enjoys it; but in gross brain little wots
What watch the king keeps to maintain the peace,
Whose hours the peasant best advantages.
”
”
William Shakespeare (Henry V)
“
Closer"
Stranded in this spooky town,
Stoplights are swaying and the phone lines are down
Floor is crackling cold,
She took my heart, I think she took my soul
With the moon I run,
Far from the carnage of the fiery sun
Driven by the strangle of vein
Showin' no mercy I do it again
Open up your eyes
You keep on crying, baby I'll bleed you dry
Skies are blinking at me
I see a storm bubbling up from the sea
And it's coming closer [2x]
You shimmy-shook my boat,
Leavin' me stranded all in love on my own
Do you think of me?
Where am I now, baby where do I sleep?
Feels so good but I'm old
2000 years of chasing takin' its toll
And it's coming closer [4x]
”
”
Kings of Leon
“
He loved the curves on her body, her soft skin and pouty lower lip, her deep soulful eyes. He adored her voice; sometimes sultry, sometimes fiery. Her laugh, her playfulness... he adored it all. But what really turned him on were the curves in her mind, the twists and turns, the fire, the brilliance - and her compassionate heart; the beat of it harmonizing so sweetly and perfectly with the beat of his. The whole package was beyond thrilling... yet her mind, her heart, those were the immortal aphrodisiacs.
”
”
Melody Lee (Moon Gypsy)
“
~A Rose~
In a rose can you see God's finger prints
of eternity
of creation
of design
of uniqueness
of passion
of pure love
of silent beauty
of gentle charm
of warmth
of sweet scent
of an array of color
In God's garden a rose grows
a dazzling love gift we share with God
heart to heart hand in hand
God The Master Gardener of our souls.
”
”
Charles W. Warner (The Heartbeat of God: The Fiery Flame of Love)
“
Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight,
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion--youth's first fiery glow, --
Are worth the hoarded proverbs of the sage:
Vex not soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!
”
”
Oscar Wilde (The Collected Poems of Oscar Wilde)
“
I imitated the blind man who entrusts himself to his guide, holding his hand firmly, not giving up obedience for a single moment, and this was my only safety in this fiery trial.
”
”
Maria Faustyna Kowalska (Diary: Divine Mercy in My Soul (Illustrated))
“
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Within the eye, mysteries of the soul burn deeply beneath the fiery chasms of love and patiently wait for an awakening ...
”
”
Virginia Alison
“
It was wild. Abandoned. Rough. Wet. Intense. Fiery. Thorough. Exquisite. Heart-pounding. Blood-singing. Soul-rocking. Life-altering. Luscious.
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
Be grateful if you look younger than your age
while also being wiser than many of your contemporaries.
It means the fire of your Old Soul is alive and well.
Embrace it.
Surround yourself with those who celebrate this fiery Light
shining bright out of your soul;
those who are summoned to fan your glimmering flames
and dance within them.
Embrace them.
”
”
Omar Cherif
“
He was savoring for the first time the ineffable subtleties of feminine refinement. Never had he encountered this grace of language, this quiet taste in dress, these relaxed, dove like postures. He marveled at the sublimity of her soul and at the lace on her petticoat. With her ever-changing moods, by turns brooding and gay, chattering and silent, fiery and casual, she aroused in him a thousand desires, awakening instincts or memories. She was the amoureuse of all the novels, the heroine of all the plays, the vague "she" of all the poetry books.
”
”
Gustave Flaubert (Madame Bovary)
“
Phaethon asked: “Do you think there is something wrong with the Sophotechs? We are Manorials, father! We let Rhadamanthus control our finances and property, umpire our disputes, teach our children, design our thoughtscapes, and even play matchmaker to find us wives and husbands!”
“Son, the Sophotechs may be sufficient to advise the Parliament on laws and rules. Laws are a matter of logic and common sense. Specially designed human-thinking versions, like Rhadamanthus, can tell us how to fulfill our desires and balance our account books. Those are questions of strategy, of efficient allocation of resources and time. But the Sophotechs, they cannot choose our desires for us. They cannot guide our culture, our values, our tastes. That is a question of the spirit.”
“Then what would you have us do? Would you change our laws?”
“Our mores, not our laws. There are many things which are repugnant, deadly to the spirit, and self-destructive, but which law should not forbid. Addiction, self-delusion, self-destruction, slander, perversion, love of ugliness. How can we discourage such things without the use of force? It was in response to this need that the College of Hortators evolved. Peacefully, by means of boycotts, public protests, denouncements, and shunnings, our society can maintain her sanity against the dangers to our spirit, to our humanity, to which such unboundried liberty, and such potent technology, exposes us.”
(...) But Phaethon certainly did not want to hear a lecture, not today. “Why are you telling me all this? What is the point?”
“Phaethon, I will let you pass through those doors, and, once through, you will have at your command all the powers and perquisites I myself possess. The point of my story is simple. The paradox of liberty of which you spoke before applies to our entire society. We cannot be free without being free to harm ourselves. Advances in technology can remove physical dangers from our lives, but, when they do, the spiritual dangers increase. By spiritual danger I mean a danger to your integrity, your decency, your sense of life. Against those dangers I warn you; you can be invulnerable, if you choose, because no spiritual danger can conquer you without your own consent. But, once they have your consent, those dangers are all-powerful, because no outside force can come to your aid. Spiritual dangers are always faced alone. It is for this reason that the Silver-Gray School was formed; it is for this reason that we practice the exercise of self-discipline. Once you pass those doors, my son, you will be one of us, and there will be nothing to restrain you from corruption and self-destruction except yourself.
“You have a bright and fiery soul, Phaethon, a power to do great things; but I fear you may one day unleash such a tempest of fire that you may consume yourself, and all the world around you.
”
”
John C. Wright (The Golden Age (Golden Age, #1))
“
For Arendt, Fanon's violence leads to the death of politics; for Sartre, it draws the fiery, first breath of human freedom. I propose a different reading. Fanonian violence, in my view, is part of a struggle for psycho-affective survival and a search for human agency in the midst of the agony of oppression. It does not offer a clear choice between life and death or slavery and freedom, because it confronts the colonial condition of life-in-death. Fanon's phenomenology of violence conceives of the colonized — body, soul, culture, community, history—in a process of "continued agony [rather] than a total disappearance.
”
”
Frantz Fanon (The Wretched of the Earth)
“
Petrified by his aspect, and still more shrinking from the fiery dart that he held, the men fell back in dismay, and Ahab again spoke:— "All your oaths to hunt the White Whale are as binding as mine; and heart, soul, and body, lungs and life, old Ahab is bound. And that ye may know to what tune this heart beats; look ye here; thus I blow out the last fear!" And with one blast of his breath he extinguished the flame.
”
”
Herman Melville (Moby-Dick)
“
On the one side there were those who claimed that love, if it be allowed bat all, must be kept tame by marriage vows and family ties so that its fiery heat warms the hearth but does not burn down the house.
On the other there were those who believed that only passion freed the soul from its mud-hut, and that only by loosing the heart like a coursing hare and following it until sundown could a man or woman sleep quietly at night.
”
”
Jeanette Winterson (Sexing the Cherry)
“
And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it
would come - and come it did.
Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide.
The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught.
'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees.
And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust
and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts...
It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think...
The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast.
("The Wendigo")
”
”
Algernon Blackwood (Monster Mix)
“
Look around you. Your world-hosts are all in mutiny, in confusion, destitution; on the eve of fiery wreck and madness! They will not march farther for you, on the sixpence a day and supply-demand principle; they will not; nor ought they, nor can they. Ye shall reduce them to order, begin reducing them. to order, to just subordination; noble loyalty in return for noble guidance. Their souls are driven nigh mad; let yours be sane and ever saner.
”
”
Thomas Carlyle (Past and Present)
“
None of his books had prepared him for his new insight. “The People” did not mean all those who speak your language, nor yet the chosen few branded with the fiery mark of genius. Neither birth nor the labor of your hands nor the privileges of education admit you to membership of the People. Only your soul can do that. And each of us fashions his soul himself, year in and year out. You must strive to temper and to cut and polish your soul so as to become a human being. And hence a humble component of your people. A man with such a soul cannot as a rule expect to prosper, to go far in his career, to get rich. Which is why for the most part “the People” is not to be found at the higher levels of society.
”
”
Aleksandr Solzhenitsyn (In the First Circle)
“
And her heart sprang in Iseult, and she drew
With all her spirit and life the sunrise through
And through her lips the keen triumphant air
Sea-scented, sweeter than land-roses were,
And through her eyes the whole rejoicing east
Sun-satisfied, and all the heaven at feast
Spread for the morning; and the imperious mirth
Of wind and light that moved upon the earth,
Making the spring, and all the fruitful might
And strong regeneration of delight
That swells the seedling leaf and sapling man,
Since the first life in the first world began
To burn and burgeon through void limbs and veins,
And the first love with sharp sweet procreant pains
To pierce and bring forth roses; yea, she felt
Through her own soul the sovereign morning melt,
And all the sacred passion of the sun;
And as the young clouds flamed and were undone
About him coming, touched and burnt away
In rosy ruin and yellow spoil of day,
The sweet veil of her body and corporal sense
Felt the dawn also cleave it, and incense
With light from inward and with effluent heat
The kindling soul through fleshly hands and feet.
And as the august great blossom of the dawn
Burst, and the full sun scarce from sea withdrawn
Seemed on the fiery water a flower afloat,
So as a fire the mighty morning smote
Throughout her, and incensed with the influent hour
Her whole soul's one great mystical red flower
Burst, and the bud of her sweet spirit broke
Rose-fashion, and the strong spring at a stroke
Thrilled, and was cloven, and from the full sheath came
The whole rose of the woman red as flame:
And all her Mayday blood as from a swoon
Flushed, and May rose up in her and was June.
So for a space her hearth as heavenward burned:
Then with half summer in her eyes she turned,
And on her lips was April yet, and smiled,
As though the spirit and sense unreconciled
Shrank laughing back, and would not ere its hour
Let life put forth the irrevocable flower.
And the soft speech between them grew again
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
Love partakes of the soul, being of the same nature. Like the soul, it is the divine spark, incorruptible, indivisible, imperishable. It is the fiery particle that dwells in us, immortal and infinite, which nothing can confine and nothing extinguish.
”
”
Victor Hugo (Les Misérables)
“
There is no such thing as hell, of course, but if there was, then the sound track to the screaming, the pitchfork action and the infernal wailing of damned souls would be a looped medley of “show tunes” drawn from the annals of musical theater. The complete oeuvre of Lloyd Webber and Rice would be performed, without breaks, on a stage inside the fiery pit, and an audience of sinners would be forced to watch—and listen—for eternity. The very worst among them, the child molesters and the murderous dictators, would have to perform them.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Let, then, thy soul by faith be exercised with such thoughts and apprehensions as these: “I am a poor, weak creature; unstable as water, I cannot excel. This corruption is too hard for me, and is at the very door of ruining my soul; and what to do I know not. My soul is become as parched ground, and an habitation of dragons. I have made promises and broken them; vows and engagements have been as a thing of nought. Many persuasions have I had that I had got the victory and should be delivered, but I am deceived; so that I plainly see, that without some eminent succour and assistance, I am lost, and shall be prevailed on to an utter relinquishment of God. But yet, though this be my state and condition, let the hands that hang down be lifted up, and the feeble knees be strengthened. Behold, 32the Lord Christ, that hath all fulness of grace in his heart, all fulness of power in his hand, he is able to slay all these his enemies. There is sufficient provision in him for my relief and assistance. He can take my drooping, dying soul and make me more than a conqueror.33 ‘Why sayest thou, O my soul, My way is hid from the Lord, and my judgment is passed over from my God? Hast thou not known, hast thou not heard, that the everlasting God, the Lord, the Creator of the ends of the earth, fainteth not, neither is weary? there is no searching of his understanding. He giveth power to the faint; and to them that have no might he increaseth strength. Even the youths shall faint and be weary, and the young men shall utterly fall: but they that wait upon the Lord shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; they shall walk, and not faint,’ Isa. xl. 27–31. He can make the ‘dry, parched ground of my soul to become a pool, and my thirsty, barren heart as springs of water;’ yea, he can make this ‘habitation of dragons,’ this heart, so full of abominable lusts and fiery temptations, to be a place for ‘grass’ and fruit to himself,” Isa. xxxv. 7. So God staid Paul, under his temptation, with the consideration of the sufficiency of his grace: “My grace is sufficient for thee,” 2 Cor. xii. 9. Though he were not immediately so far made partaker of it as to be freed from his temptation, yet the sufficiency of it in God, for that end and purpose, was enough to stay his spirit. I say, then, by faith, be much in the consideration of that supply and the fulness of it that is in Jesus Christ, and how he can at any time give thee strength and deliverance. Now, if hereby thou dost not find success to a conquest, yet thou wilt be staid in the chariot, that thou shalt not fly out of the field until the battle be ended; thou wilt be kept from an utter despondency and a lying down under thy unbelief, or a turning aside to false means and remedies, that in the issue will not relieve thee. The efficacy of this consideration will be found only in the practice.
”
”
John Owen (Of the Mortification of Sin in Believers)
“
Love, that is first and last of all things made,
The light that has the living world for shade,
The spirit that for temporal veil has on
The souls of all men woven in unison,
One fiery raiment with all lives inwrought
And lights of sunny and starry deed and thought,
And alway through new act and passion new
Shines the divine same body and beauty through,
The body spiritual of fire and light
That is to worldly noon as noon to night;
Love, that is flesh upon the spirit of man
And spirit within the flesh whence breath began;
Love, that keeps all the choir of lives in chime;
Love, that is blood within the veins of time;
That wrought the whole world without stroke of hand,
Shaping the breadth of sea, the length of land,
And with the pulse and motion of his breath
Through the great heart of the earth strikes life and death,
The sweet twain chords that make the sweet tune live
Through day and night of things alternative,
Through silence and through sound of stress and strife,
And ebb and flow of dying death and life:
Love, that sounds loud or light in all men's ears,
Whence all men's eyes take fire from sparks of tears,
That binds on all men's feet or chains or wings;
Love that is root and fruit of terrene things;
Love, that the whole world's waters shall not drown,
The whole world's fiery forces not burn down;
Love, that what time his own hands guard his head
The whole world's wrath and strength shall not strike dead;
Love, that if once his own hands make his grave
The whole world's pity and sorrow shall not save;
Love, that for very life shall not be sold,
Nor bought nor bound with iron nor with gold;
So strong that heaven, could love bid heaven farewell,
Would turn to fruitless and unflowering hell;
So sweet that hell, to hell could love be given,
Would turn to splendid and sonorous heaven;
Love that is fire within thee and light above,
And lives by grace of nothing but of love;
Through many and lovely thoughts and much desire
Led these twain to the life of tears and fire;
Through many and lovely days and much delight
Led these twain to the lifeless life of night.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!”
“You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!”
Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned.
Cecily wasn’t backing down an inch. Neither was Tate. He’d gone from lazy affection and indulgent amusement to bristling antagonism in the space of weeks. Lately he flew into a rage if Cecily’s name was mentioned, but Colby hadn’t told her that.
“You have no right to make that kind of insinuation about me,” she said through her teeth. “I don’t get jobs lying on my back, and you know it!”
Tate’s black eyes narrowed. He looked formidable, but Cecily wasn’t intimidated by him. She never had been. He glanced at her hands, which were clenched on her cup, and then back to her rigid features. It had infuriated him to be the object of televised ridicule at the political dinner, and Audrey’s comments had only made things worse. He was carrying a grudge. But as he looked at Cecily, he felt an emptiness in his very soul. This woman had been a thorn in his side for years, ever since an impulsive act of compassion had made her his responsibility. In those days, she’d been demure and sweet and dependent on him, and her shy hero worship had been vaguely flattering. Now, she was a fiery, independent woman who didn’t give a damn about his disapproval or, apparently, his company, and she had done everything expect leave town to keep out of his way.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
One of the distinctions that religious scholars make about various religions is the monotheistic and polytheistic world views. It seems to me that if one were to describe to a Hindu the myriad of divine beings in Christianity (and by relationship Judaism and Islam), such as angels, archangels, cherubim, seraphim, putti, Satan and his crew, Mother Mary, Jesus the son of God – who threw out demons; not to mention the saints and martyrs, who can be contacted and prayed to as divine guides, etc., I dare say this Hindu would consider the Christians polytheistic like himself. If we then include holy relics, the cunning snake and the talking fiery bush, then we are moving towards animism. Monotheism in this light is actually referring to One ruling (and jealous) god over many lesser “gods,” deities, angels and souls, which is describing a polytheistic hierarchy and not monotheism.
My conclusion: there is no monotheism.
It may be heretical to say, but perhaps the Western religions have more in common with Hinduism and with the Roman or Scandinavian pantheons than they care to admit.
”
”
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook (VOLUME1))
“
The Eurasianist cosmos is the generalizing territory of the place-development of the spirit. It is the spiritual order that penetrates all levels of reality, both subtle and coarse, soulful and corporeal, social and natural. The Eurasianist cosmos is permeated with subtle trajectories traversed by fiery, eternal ideas and winged meanings. Reading these trajectories, revealing them out of concealment, and extracting complex meanings out of the corporeal plasma of disparate facts and phenomena is the task of humanity.
For the Eurasianists, the cosmos is an inner notion. It is revealed not through expansion, but rather, or on the contrary, through immersion deep within it, through concentration on the hidden aspects of the reality given here and now.
”
”
Alexander Dugin
“
Ah! but even then, even now, had it been — not Raphael, perhaps, who was one of the Shaksperian men, without passion, who do the work of gods as if they were the humanest, commonest of labourers — but such a fiery soul as that of Michelangelo whom this woman had mated! But it was not so. She could have understood the imperfection which is full of genius; what she was slow to understand was the perfection in which no genius was. But she was calmed and changed by all she had gone through, and had learned how dearly such excellence may be bought, and that life is too feeble to bear so vast a strain. Accordingly, fortified and consoled by the one gleam of glory which had crowned his brows, Helen smiled upon her painter, and took pleasure in his work, even when it ceased to be glorious. That
”
”
Mrs. Oliphant (The Works of Margaret Oliphant)
“
But vengeance? Never! And yet we crave it. Industrialists, princes, senators: die! Power, justice, history: kneel! We’re due. We want blood. Blood, and golden flames. My soul wants war; vengeance; terror! To war! We writhe in its Bite: Enough republics! We’ve had enough: of emperors, Regiments, colonists, peoples—enough! Who will stir the fiery whirlwinds’ fury If not ourselves and those we call our brothers?
”
”
Arthur Rimbaud (Rimbaud Complete (Modern Library Classics))
“
She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
You can be a virgin in horror the same as in sex. How, when I left the Place Clichy, could I have imagined such horror? Who could have suspected, before getting really into the war, all the ingredients that go to make up the rotten, heroic, good-for-nothing soul of man? And there I was, caught up in a mass flight into collective murder, into the fiery furnace … Something had come up from the depths, and this is what happened.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Totally grasped by the divine eros, Teilhard vowed to steep himself in the sea of matter, to bathe in its fiery water, to plunge into Earth where it is deepest and most violent, to struggle in its currents, and to drink of its waters (HM, 72). Filled with impassioned love for Sophia, he dedicated himself body and soul to the ongoing work needed to transform the cosmos to a new level of consciousness and to transformative love
”
”
Ilia Delio (From Teilhard to Omega: Co-creating an Unfinished Universe)
“
Married love is fiery, passionate, and intense. It is not constant; it flares up and cools down again. That’s what makes it unique and what creates the attraction. The strength of this kind of love lies in the fact that it is not constant and consistent. Were the relationship of husband and wife to become steady and unchanging like that of a brother and sister, the relationship would become stagnant, and that would be unhealthy.
”
”
Manis Friedman (The Joy of Intimacy: A Soulful Guide to Love, Sexuality, and Marriage)
“
Tough times are kept for the most angelic souls
Pushed to their greatness by a universe
That loves them with a fiery rush of love
Through the essence of God in showers of the divine
Something that can never be extinguished
Broken or untied
Star-lit souls with tenacious hearts
The ones that blossom while healing their scars
Tough times there are
But fade they will
And you will go on
To rise more wonderfully than ever before
”
”
Christine Evangelou (The Touch of 10,000 Words: Musings and Poetry: Love, Life, Inner Magic and the Pursuit of Dreams)
“
Now, I appeal to the consciences of those that persecute, torment, destroy, and kill other men upon pretence of religion, whether they do it out of friendship and kindness towards them or no? And I shall then indeed, and not until then, believe they do so, when I shall see those fiery zealots correcting, in the same manner, their friends and familiar acquaintance for the manifest sins they commit against the precepts of the Gospel; when I shall see them persecute with fire and sword the members of their own communion that are tainted with enormous vices and without amendment are in danger of eternal perdition; and when I shall see them thus express their love and desire of the salvation of their souls by the infliction of torments and exercise of all manner of cruelties. For if it be out of a principle of charity, as they pretend, and love to men's souls that they deprive them of their estates, maim them with corporal punishments, starve and torment them in noisome prisons, and in the end even take away their lives — I say, if all this be done merely to make men Christians and procure their salvation, why then do they suffer whoredom, fraud, malice, and such-like enormities, which… manifestly relish of heathenish corruption, to predominate so much and abound amongst their flocks and people?
”
”
John Locke (A Letter Concerning Toleration)
“
The most persistent admirer of the king was Fata Nocha from the House of Forest Springs. Her black hair shone in the sun, her eyebrows were perfectly arched, and her gaze would pin your soul to your heels. Truly, Gino’s daughter was a fiery fairy and impressively creative too! Every morning she laid out a heart of scarlet rose petals in front of the palace entrance or raised a flock of butterflies to the window of His Majesty's bedroom and arranged them into the name “Arancio.” Who wouldn’t like to see his name first thing in the morning!
”
”
Kristina Kamaeva (The Orange Curse)
“
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean
back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit.
The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54
He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word
should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light.
The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
”
”
C.G. Jung
“
Now listen, Reason, says Love, to understand better what you are asking about. A man who is on fire feels no cold, a man who is drowning knows no thirst. Now this Soul, says Love, is so burned in Love’s fiery furnace that she has become very fire, so that she feels no fire, for in herself she is fire, through the power of Love which has changed her into the fire of Love. This fire burns of and through itself, everywhere, incessantly, without consuming any matter or being able to wish to consume it, except only from itself; for whoever feels some perception of God through matter which he sees or hears outside himself, or through some labor which he there performs of himself is not all fire; rather, there is some matter, together, with the fire. For men’s labors, and their wanting matter outside themselves to make God’s love grow in them, is only a blinding of the knowledge of God’s goodness. But he who burns with this fire without seeking such matter, without having it or wanting to have it, sees all things so clearly that he values them as they must be valued. For such a Soul has no matter in her which prevents her from seeing clearly, so that she is alone in it through the power of true humility; and she is common to all through the generosity of perfect charity, and alone in God, since Perfect Love has taken possession1 of her.
”
”
Marguerite Porete (The Mirror of Simple Souls (Notre Dame Texts in Medieval Culture Book 6))
“
Ah! Gentle, gracious Dove,
And art thou grieved in me,
That sinners should restrain thy love,
And say, “It is not free:
It is not free for all:
The most, thou passest by,
And mockest with a fruitless call
Whom thou hast doomed to die.”
They think thee not sincere
In giving each his day,
“ Thou only draw’st the sinner near
To cast him quite away,
To aggravate his sin,
His sure damnation seal:
Thou show’st him heaven, and say’st, go in
And thrusts him into hell.”
O HORRIBLE DECREE
Worthy of whence it came!
Forgive their hellish blasphemy
Who charge it on the Lamb:
Whose pity him inclined
To leave his throne above,
The friend, and Saviour of mankind,
The God of grace, and love.
O gracious, loving Lord,
I feel thy bowels yearn;
For those who slight the gospel word
I share in thy concern:
How art thou grieved to be
By ransomed worms withstood!
How dost thou bleed afresh to see
Them trample on thy blood!
To limit thee they dare,
Blaspheme thee to thy face,
Deny their fellow-worms a share
In thy redeeming grace:
All for their own they take,
Thy righteousness engross,
Of none effect to most they make
The merits of thy cross.
Sinners, abhor the fiend:
His other gospel hear—
“The God of truth did not intend
The thing his words declare,
He offers grace to all,
Which most cannot embrace,
Mocked with an ineffectual call
And insufficient grace.
“The righteous God consigned
Them over to their doom,
And sent the Saviour of mankind
To damn them from the womb;
To damn for falling short,
“Of what they could not do,
For not believing the report
Of that which was not true.
“The God of love passed by
The most of those that fell,
Ordained poor reprobates to die,
And forced them into hell.”
“He did not do the deed”
(Some have more mildly raved)
“He did not damn them—but decreed
They never should be saved.
“He did not them bereave
Of life, or stop their breath,
His grace he only would not give,
And starved their souls to death.”
Satanic sophistry!
But still, all-gracious God,
They charge the sinner’s death on thee,
Who bought’st him with thy blood.
They think with shrieks and cries
To please the Lord of hosts,
And offer thee, in sacrifice
Millions of slaughtered ghosts:
With newborn babes they fill
The dire infernal shade,
“For such,” they say, “was thy great will,
Before the world was made.”
How long, O God, how long
Shall Satan’s rage proceed!
Wilt thou not soon avenge the wrong,
And crush the serpent’s head?
Surely thou shalt at last
Bruise him beneath our feet:
The devil and his doctrine cast
Into the burning pit.
Arise, O God, arise,
Thy glorious truth maintain,
Hold forth the bloody sacrifice,
For every sinner slain!
Defend thy mercy’s cause,
Thy grace divinely free,
Lift up the standard of thy cross,
Draw all men unto thee.
O vindicate thy grace,
Which every soul may prove,
Us in thy arms of love embrace,
Of everlasting love.
Give the pure gospel word,
Thy preachers multiply,
Let all confess their common Lord,
And dare for him to die.
My life I here present,
My heart’s last drop of blood,
O let it all be freely spent
In proof that thou art good,
Art good to all that breathe,
Who all may pardon have:
Thou willest not the sinner’s death,
But all the world wouldst save.
O take me at my word,
But arm me with thy power,
Then call me forth to suffer, Lord,
To meet the fiery hour:
In death will I proclaim
That all may hear thy call,
And clap my hands amidst the flame,
And shout,—HE DIED FOR ALL
”
”
Charles Wesley
“
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile.
As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes.
His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen.
His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place.
Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things.
'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
This confirms what we have said about rta as the source of libido where the god dwells and whence he is brought forth in the sacred ceremonies. Agni is the positive manifestation of the latent libido; he is accomplisher or fulfiller of rta, its “charioteer”; he harnesses the two long-maned red mares of rta.100 He even holds rta like a horse, by the bridle.101 He brings the gods to mankind, their power and blessing; they represent definite psychological states in which the vital feelings and energies flow with greater freedom and joy. Nietzsche has captured this state in his verses: You with your fiery lances Shatter the ice-bound soul of me, Till with high hope it advances Rushing and roaring into the sea.102
”
”
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
“
A flamenco dancer, lurking under a shadow, prepares of the terror of her dance. Somebody has wounded her with words, alluding to the fact that she has no fire, or ‘duende’. She knows she has to dance her way past her limitations, and that this may destroy her forever. She has to fail, or she has to die. I want to dwell for a little while on this dancer because, though a very secular example, she speaks very well for the power of human transcendence. I want you to imagine this frail woman. I want you to see her in deep shadow, and fear. When the music starts, she begins to dance, with ritual slowness. Then she stamps out the dampness from her soul. Then she stamps fire into her loins. She takes on a strange enchanted glow. With a dark tragic rage, shouting, she hurls her hungers, her doubts, her terrors, and her secular prayer for more light into the spaces around her. All fire and fate, she spins her enigma around us, and pulls into the awesome risk of her dance.
She is taking herself apart before our sceptical gaze.
She is disintegrating, shouting and stamping and dissolving the boundaries of her body. Soon, she becomes a wild unknown force, glowing in her death, dancing from her wound, dying in her dance.
And when she stops – strangely gigantic in her new fiery stature – she is like one who has survived the most dangerous journey of all. I can see her now as she stands shining in celebration of her own death. In the silence that follows, no one moves. The fact is that she has destroyed us all.
Why do I dwell on this dancer? I dwell on her because she represents for me the courage to go beyond ourselves. While she danced she became the dream of the freest and most creative people we had always wanted to be, in whatever it is we do. She was the sea we never ran away to, the spirit of wordless self-overcoming we never quite embrace. She destroyed us because we knew in our hearts that rarely do we rise to the higher challenges in our lives, or our work, or our humanity. She destroyed us because rarely do we love our tasks and our lives enough to die and thus be reborn into the divine gift of our hidden genius. We seldom try for that beautiful greatness brooding in the mystery of our blood.
You can say in her own way, and in that moment, that she too was a dancer to God.
That spirit of the leap into the unknown, that joyful giving of the self’s powers, that wisdom of going beyond in order to arrive here – that too is beyond words.
All art is a prayer for spiritual strength. If we could be pure dancers in spirit, we would never be afraid to love, and we would love with strength and wisdom. We would not be afraid of speech, and we would be serene with silence. We would learn to live beyond words, among the highest things. We wouldn't need words. Our smile, our silences would be sufficient. Our creations and the beauty of our functions would be enough. Our giving would be our perpetual gift.
”
”
Ben Okri (Birds of Heaven)
“
And is it to such insignificance, such pettiness, such vileness that a man could sink? Could a man change to such an extent? And does all this have any verisimilitude? All this has verisimilitude, all this can befall a man. The fiery youth of the present would recoil in horror were you to show him a portrait of himself in his old age. Take along with you, then, on setting out upon your way, as you emerge from the gentle years of youth into stern, coarsening manhood, take along with you all the humane impulses, abandon them not on the road; you will never retrieve them after! Sinister, fearsome is the old age that will come upon you farther along the way, and it never releases aught nor ever aught returns! The grave is more merciful than it; upon the grave will be inscribed: Here Lies a Man, but naught will you read upon the frigid, insensate features of inhuman old age.
”
”
Nikolai Gogol (Dead Souls)
“
BEAUTY
I was charged with finding Beauty.
The order whispered as I slept.
A voice said it was my duty.
Then quietly it wept.
Filled with purpose, I set out.
I was honored with my quest.
In my mind there was no doubt
I was up to this great test.
In my garden I stopped first.
My roses were in bloom.
Their bright red glory burst
With others mixed on Nature’s loom.
Then a lady drew my gaze.
She was gliding o’er the grass.
Her features would gods amaze.
I sighed deep and let her pass.
A cathedral’s spire reached to the sky,
Man-made wonder to behold.
No sight more pleasing to the eye
Than such a work both grand and bold.
I came upon a mighty mountain,
Snowcap glistening against blue sky.
My eyes were drinking from beauty’s fountain.
Yet I knew I could do better with another try.
My journey lengthened.
I crossed the earth.
My will strengthened.
To place beauty’s birth.
Witness I was to the wonders
Of beauty’s many layers.
Fiery sunsets, tropic thunders,
Children at their prayers.
But each time I thought me near
To beauty’s absolute,
Something better would appear
Even closer to the root.
I wandered thus for many years.
Despaired to ever reach my goal.
I often found myself in tears.
I had searched from pole to pole.
Until one day on a dusty street
In a poor part of the world,
I found a woman begging at my feet,
Her fingers gnarled and curled.
I fished my pocket for a coin,
Thinking good luck could be bought.
Her eyes raised up to my eyes join.
And I saw the woman owned what I sought.
She let me pass into her soul.
Into the garden there.
Never in my life whole
Had I conceived a sight so fair.
I saw the Holy Face of God,
From whose smile all beauty is born.
All the steps that I had trod
Were redeemed on that sweet morn
”
”
Carl Johnson
“
There is no such thing as hell, of course, but if there was, then the sound track to the screaming, the pitchfork action and the infernal wailing of damned souls would be a looped medley of “show tunes” drawn from the annals of musical theater. The complete oeuvre of Lloyd Webber and Rice would be performed, without breaks, on a stage inside the fiery pit, and an audience of sinners would be forced to watch—and listen—for eternity. The very worst among them, the child molesters and the murderous dictators, would have to perform them. Save for the exquisite oeuvre of a certain Mr. Lomond, I have yet to find a genre of music I enjoy; it’s basically audible physics, waves and energized particles, and, like most sane people, I have no interest in physics. It therefore struck me as bizarre that I was humming a tune from Oliver! I mentally added the exclamation mark, which, for the first time ever, was appropriate. Who will buy this wonderful evening? Who indeed?
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Although I have afflicted you, . . . I will afflict you no more. (Nahum 1:12) There is a limit to our affliction. God sends it and then removes it. Do you complain, saying, “When will this end?” May we quietly wait and patiently endure the will of the Lord till He comes. Our Father takes away the rod when His purpose in using it is fully accomplished. If the affliction is sent to test us so that our words would glorify God, it will only end once He has caused us to testify to His praise and honor. In fact, we would not want the difficulty to depart until God has removed from us all the honor we can yield to Him. Today things may become “completely calm” (Matt. 8:26). Who knows how soon these raging waves will give way to a sea of glass with seagulls sitting on the gentle swells? After a long ordeal, the threshing tool is on its hook, and the wheat has been gathered into the barn. Before much time has passed, we may be just as happy as we are sorrowful now. It is not difficult for the Lord to turn night into day. He who sends the clouds can just as easily clear the skies. Let us be encouraged—things are better down the road. Let us sing God’s praises in anticipation of things to come. Charles H. Spurgeon “The Lord of the harvest” (Luke 10:2) is not always threshing us. His trials are only for a season, and the showers soon pass. “Weeping may remain for a night, but rejoicing comes in the morning” (Ps. 30:5). “Our light and momentary troubles are achieving for us an eternal glory that far outweighs them all” (2 Cor. 4:17). Trials do serve their purpose. Even the fact that we face a trial proves there is something very precious to our Lord in us, or else He would not spend so much time and energy on us. Christ would not test us if He did not see the precious metal of faith mingled with the rocky core of our nature, and it is to refine us into purity and beauty that He forces us through the fiery ordeal. Be patient, O sufferer! The result of the Refiner’s fire will more than compensate for our trials, once we see the “eternal glory that far outweighs them all.” Just to hear His commendation, “Well done” (Matt. 25:21); to be honored before the holy angels; to be glorified in Christ, so that I may reflect His glory back to Him—ah! that will be more than enough reward for all my trials. from Tried by Fire Just as the weights of a grandfather clock, or the stabilizers in a ship, are necessary for them to work properly, so are troubles to the soul. The sweetest perfumes are obtained only through tremendous pressure, the fairest flowers grow on the most isolated and snowy peaks, the most beautiful gems are those that have suffered the longest at the jeweler’s wheel, and the most magnificent statues have endured the most blows from the chisel. All of these, however, are subject to God’s law. Nothing happens that has not been appointed with consummate care and foresight. from Daily Devotional Commentary
”
”
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)
“
Upon the King! Let us our lives, our souls,
Our debts, our careful wives,
Our children, and our sins, lay on the King!
We must bear all. O hard condition,
Twin-born with greatness, subject to the breath
Of every fool, whose sense no more can feel
But his own wringing! What infinite heart's ease
Must kings neglect that private men enjoy!
And what have kings that privates have not too,
Save ceremony- save general ceremony?
And what art thou, thou idol Ceremony?
What kind of god art thou, that suffer'st more
Of mortal griefs than do thy worshippers?
What are thy rents? What are thy comings-in?
O Ceremony, show me but thy worth!
What is thy soul of adoration?
Art thou aught else but place, degree, and form,
Creating awe and fear in other men?
Wherein thou art less happy being fear'd
Than they in fearing.
What drink'st thou oft, instead of homage sweet,
But poison'd flattery? O, be sick, great greatness,
And bid thy ceremony give thee cure!
Thinks thou the fiery fever will go out
With titles blown from adulation?
Will it give place to flexure and low bending?
Canst thou, when thou command'st the beggar's knee,
Command the health of it? No, thou proud dream,
That play'st so subtly with a king's repose.
I am a king that find thee; and I know
'Tis not the balm, the sceptre, and the ball,
The sword, the mace, the crown imperial,
The intertissued robe of gold and pearl,
The farced tide running fore the king,
The throne he sits on, nor the tide of pomp
That beats upon the high shore of this world-
No, not all these, thrice gorgeous ceremony,
Not all these, laid in bed majestical,
Can sleep so soundly as the wretched slave
Who, with a body fill'd and vacant mind,
Gets him to rest, cramm'd with distressful bread;
Never sees horrid night, the child of hell;
But, like a lackey, from the rise to set
Sweats in the eye of Pheebus, and all night
Sleeps in Elysium; next day, after dawn,
Doth rise and help Hyperion to his horse;
And follows so the ever-running year
With profitable labour, to his grave.
And but for ceremony, such a wretch,
Winding up days with toil and nights with sleep,
Had the fore-hand and vantage of a king.
The slave, a member of the country's peace,
Enjoys it; but in gross brain little wots
What watch the king keeps to maintain the peace
Whose hours the peasant best advantages.
”
”
William Shakespeare (Henry V)
“
Close to forty thousand Germans gathered in front of Berlin’s opera house on May 10, 1933, as a parade of swastika-wearing students and beer-hall thugs carrying torches tossed books into a huge bonfire. Ordinary citizens poured forth carrying volumes looted from libraries and private homes. “Jewish intellectualism is dead,” propaganda minister Joseph Goebbels, his face fiery, yelled from the podium. “The German soul can again express itself.” What happened in Germany in 1933 was not just a brutality perpetrated by thuggish leaders and abetted by ignorant mobs. It was also, as Einstein described, “the utter failure of the so-called intellectual aristocracy.” Einstein and other Jews were ousted from what had been among the world’s greatest citadels of open-minded inquiry, and those who remained did little to resist. It represented the triumph of the ilk of Philipp Lenard, Einstein’s longtime anti-Semitic baiter, who was named by Hitler to be the new chief of Aryan science. “We must recognize that it is unworthy of a German to be the intellectual follower of a Jew,” Lenard exulted that May. “Heil Hitler!” It would be a dozen years before Allied troops would fight their way in and oust him from that role.41 Le
”
”
Walter Isaacson (Einstein: His Life and Universe)
“
There comes a terrible moment to many souls when the great movements of the world, the larger destinies of mankind, which have lain aloof in newspapers and other neglected reading, enter like an earthquake into their own lives—where the slow urgency of growing generations turns into the tread of an invading army or the dire clash of civil war, and gray fathers know nothing to seek for but the corpses of their blooming sons, and girls forgot all vanity to make lint and bandages which may serve for the shattered limbs of their betrothed husbands. Then it is as if the Invisible Power that had been the object of lip-worship and lip-resignation became visible, according to the imagery of the Hebrew poet, making the flames his chariot, and riding on the wings of the wind, till the mountains smoke and the plains shudder under the rolling fiery visitations. Often the good cause seems to lie prostrate under the thunder of relenting force, the martyrs live reviled, they die, and no angel is seen holding forth the crown and the palm branch. Then it is that the submission of the soul to the Highest is tested, and even in the eyes of frivolity life looks out from the scene of human struggle with the awful face of duty, and a religion shows itself which is something else than a private consolation.
”
”
George Eliot (Daniel Deronda)
“
Ah, New England. An amalgam of picket fences and crumbling bricks; Ivy League schools and dropped Rs; social tolerance and the Salem witch trials, Henry David Thoreau and Stephen King, P-town rainbows and mill-town rust; Norman Rockwell and Aerosmith; lobster and Moxie; plus the simmering aromas of a million melting pot cuisines originally brought here by immigrants from everywhere else searching for new ways to live.
It’s a place where rapidly-growing progressive cities full of the ‘wicked smaaht’ coexist alongside blight-inflicted Industrial Revolution landscapes full of the ‘wicked poor’. A place of forested mountains, roaring rivers, crystalline lakes, urban sprawl, and a trillion dollar stores. A place of seasonal tourism beach towns where the wild, rank scent of squishy seaweed casts its cryptic spell along the vast and spindrift-misted seacoast, while the polished yachts of the elite glisten like rare jewels on the horizon, just out of reach.
Where there are fiery autumn hues and leaves that need raking. Powder snow ski slopes and icy windshields that need scraping. Crisp daffodil mornings and mud season. Beach cottage bliss and endless miles of soul-sucking summer traffic .
Perceived together, the dissonant nuances of New England stir the imagination in compelling and chromatic whorls.
”
”
Eric J. Taubert
“
Amazing Grace” Amazing grace, how sweet the sound, That saved a wretch like me! I once was lost, but now am found; Was blind, but now I see. ’Twas grace that taught my heart to fear, And grace my fears relieved; How precious did that grace appear, The hour I first believed. Through many dangers, toils and snares, I have already come; ’Tis grace hath brought me safe thus far, And grace will lead me home. The Lord has promised good to me, His Word my hope secures; He will my Shield and Portion be, As long as life endures. Yea, when this flesh and heart shall fail, And mortal life shall cease, I shall possess, within the veil, A life of joy and peace. The earth shall soon dissolve like snow, The sun forbear to shine; But God, who called me here below, Will be forever mine. When we’ve been there ten thousand years, Bright shining as the sun, We’ve no less days to sing God’s praise, Than when we’d first begun. Lyrics by John Newton, 1779 “Swing Low, Sweet Chariot” (Chorus) Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, and what did I see? (Coming for to carry me home) A band of angels coming after me. (Coming for to carry me home) (Chorus) If you get there before I do, (Coming for to carry me home) Tell all of my friends, that I'm coming there too. (Coming for to carry me home) (Chorus) Traditional lyrics Wallis Willis, circa 1865 “Battle Hymn of the Republic” Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword: His truth is marching on. (Chorus) Glory, Glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! His truth is marching on. I have seen Him in the watch-fires of a hundred circling camps, They have builded Him an altar in the evening dews and damps; I can read His righteous sentence in the dim and flaring lamps: His day is marching on. (Chorus) I have read a fiery gospel writ in burnished rows of steel: "As ye deal with my contemners, so with you my grace shall deal"; Let the Hero, born of woman, crush the serpent with his heel, Since God is marching on. (Chorus) He has sounded forth the trumpet that shall never call retreat; He is sifting out the hearts of men before His judgment-seat; Oh, be swift, my soul, to answer Him! Be jubilant, my feet! Our God is marching on. (Chorus) In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, While God is marching on. Lyrics by Julia Ward Howe, 1861
”
”
Dyrk Ashton (Wrath of Gods (The Paternus Trilogy, #2))
“
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back.
As if he sensed Bram’s predicament, Colin started to laugh.
“What’s so amusing?”
“Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.”
“You keep saying that like I should know the name. I don’t.”
“You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.”
“And so…?”
“And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.”
“There have to be men. There’s no such thing as a village with no men.”
“Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.”
Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler.
And then, only then, did he turn to his yammering cousin. “What were you saying?”
“We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.”
Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?”
“These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.”
“Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.”
“You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.”
“These women aren’t my concern.”
Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
In the outer layers of young stars life nearly always appears not only in the normal manner but also in the form of parasites, minute independent organisms of fire, often no bigger than a cloud in the terrestrial air, but sometimes as large as the Earth itself. These "salamanders" either feed upon the welling energies of the star in the same manner as the star's own organic tissues feed, or simply prey upon those tissues themselves. Here as elsewhere the laws of biological evolution come into force, and in time there may appear races of intelligent flame-like beings. Even when the salamandrian life does not reach this level, its effect on the star's tissues may become evident to the star as a disease of its skin and sense organs, or even of its deeper tissues. It then experiences emotions not wholly unlike human fright and shame, and anxiously and most humanly guards its secret from the telepathic reach of its fellows.
The salamandrian races have never been able to gain mastery over their fiery worlds. Many of them succumb, soon or late, either to some natural disaster or to internecine strife or to the self-cleansing activities of their mighty host. Many others survive, but in a relatively harmless state, troubling their stars only with a mild irritation, and a faint shade of insincerity in all their dealings with one another. In the public culture of the stars the salamandrian pest was completely ignored. Each star believed itself to be the only sufferer and the only sinner in the galaxy. One indirect effect the pest did have on stellar thought. It introduced the idea of purity. Each star prized the perfection of the stellar community all the more by reason of its own secret experience of impurity.
”
”
Olaf Stapledon (Star Maker)
“
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
”
”
Laird Barron (The Beautiful Thing That Awaits Us All)
“
I had been telling him how the devil was God’s enemy in the hearts of men, and used all his malice and skill to defeat the good designs of Providence, and to ruin the kingdom of Christ in the world, and the like. “Well,” says Friday, “but you say God is so strong, so great; is He not much strong, much might as the devil?” “Yes, yes,” says I, “Friday; God is stronger than the devil—God is above the devil, and therefore we pray to God to tread him down under our feet, and enable us to resist his temptations and quench his fiery darts.” “But,” says he again, “if God much stronger, much might as the wicked devil, why God no kill the devil, so make him no more do wicked?” I was strangely surprised at this question; and, after all, though I was now an old man, yet I was but a young doctor, and ill qualified for a casuist or a solver of difficulties; and at first I could not tell what to say; so I pretended not to hear him, and asked him what he said; but he was too earnest for an answer to forget his question, so that he repeated it in the very same broken words as above. By this time I had recovered myself a little, and I said, “God will at last punish him severely; he is reserved for the judgment, and is to be cast into the bottomless pit, to dwell with everlasting fire.” This did not satisfy Friday; but he returns upon me, repeating my words, “‘Reserve at last!’ me no understand—but why not kill the devil now; not kill great ago?” “You may as well ask me,” said I, “why God does not kill you or me, when we do wicked things here that offend Him—we are preserved to repent and be pardoned.” He mused some time on this. “Well, well,” says he, mighty affectionately, “that well—so you, I, devil, all wicked, all preserve, repent, God pardon all.” Here I was run down again by him to the last degree; and it was a testimony to me, how the mere notions of nature, though they will guide reasonable creatures to the knowledge of a God, and of a worship or homage due to the supreme being of God, as the consequence of our nature, yet nothing but divine revelation can form the knowledge of Jesus Christ, and of redemption purchased for us; of a Mediator of the new covenant, and of an Intercessor at the footstool of God’s throne; I say, nothing but a revelation from Heaven can form these in the soul; and that, therefore, the gospel of our Lord and Saviour Jesus Christ, I mean the Word of God, and the Spirit of God, promised for the guide and sanctifier of His people, are the absolutely necessary instructors of the souls of men in the saving knowledge of God and the means of salvation.
”
”
Daniel Defoe (Robinson Crusoe)