“
She wears strength and darkness equally well,
The girl has always been half goddess, half hell
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
Ah yes, the most dangerous person at the party is always the girl sitting alone with a book.
”
”
Brigid Kemmerer (A Heart So Fierce and Broken (Cursebreakers, #2))
“
I wish I was home", She said miserably.
She tried so hard to be brave,
to be fierce as a wolverine and all,
but some times she felt she was a little girl after all.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
The problem with all these fiercely individualistic girls was that they were all exactly the same.
”
”
David Nicholls (One Day)
“
If there was a true moment that Tiger Lily fell so in love with Peter she could never turn back, it was that night, when he shivered and walked and told her he was warm, and told her he loved her so much. She was fierce, to be sure, but she had a girl's heart, after all. As she walked home that night, she was shaking from the largeness of it.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
... it's remembering what it's like to cut, and cut hard. The way you have to dig the glass in, deeply, right away, to break the skin and then drag, and drag fiercely, to make a river worth drowning in.
”
”
Kathleen Glasgow (Girl in Pieces)
“
His face contained for me all possibilities of fierceness and sweetness, pride and submissiveness, violence, self-containment. I never saw more in it than I had when I saw it first, because I saw everything then. The whole thing in him that I was going to love, and never catch or explain.
”
”
Alice Munro (Lives of Girls and Women)
“
And she was good to me: strong, fun, and fiercely loyal. And if I didn't have many other friends because of her-most girls were intimidated by her looks, or thought she was too pushy, or just flat-out feared for their boyfriends-it never bothered me. I never missed having a wide, thick circle of girlfriends: Rina was more than enough. We were comfortable with each other's flaws and weaknesses, so we stuck together and kept to ourselves.
”
”
Sarah Dessen (Dreamland)
“
Katie nosed at the carpet and then gave it a good chew. When it proved recalcitrant enough that she couldn't pull it up, she growled.
"Who's a fierce little girl?" I asked her. "Who's going to kick butt and take names and help her big sister get into all kinds of trouble someday?"
Devon snorted. "Sometimes, I think the term bad influence was invented specifically with you in mind.
”
”
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
“
She shook her head, though her shoulders trembled and her nails dug into her palms. “You are ridiculous, Khalid Ibn al-Rashid. I am just one girl. You are the Caliph of Khorasan, and you have a responsability to a kingdom.”
“If you are just one girl, I am just one boy.”
Shahrzad closed her eyes, unable to hold the fierce light in his gaze.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
Astrid was just as fierce a scholar as I was a swordsman. A girl who wielded books like blades.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
You are half fairytale, half girl.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
For the first time, he looked at her, and she wasn’t a stranger, she was Clary—his friend. His family. The girl he’d sworn always to protect. The girl he loved as fiercely as he loved himself.
”
”
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
“
These are girls made of dark lace and witchcraft and a little bit of vice.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
My father gave me a ruined boy to compensate for the fact that he does not love me.
The boy is fragile, broken—broke himself—broke everything.
I asked him why he did it. He said because the world was unlivable. He said it was unlovable, but I think he meant himself. I think he meant that loneliness is sometimes painful.
I curl against him, tuck my head beneath his chin and listen to his heart. It says stay and wait. It says regret. He knows what it is to want love, a love so fierce you grow roots. I hear his heart say please.
He went looking for angels and found me instead, girl of the sorrows, sad but not sorry. I waited for a sign, a star to fall. He reached for a knife and drew branches.
”
”
Brenna Yovanoff
“
No ale for the girl, Birgit," Aidan said to the woman. "Do we not have milk?"
Regin's face heated. And all the worse, because she would dearly love some milk.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Fierce was her needle, and she wore it like a sword.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
For though, as we have said, all children are heartless, this is not precisely true of teenagers. Teenage hearts are raw and new, fast and fierce, and they do not know their own strength. Neither do they know reason or restraint, and if you want to know the truth, a goodly number of grown-up hearts never learn it.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
I wanted to protect you, but I'm starting to think that the best thing you can do for people is teach them how to protect themselves. Every girl needs to be at least a little dangerous.
”
”
Kai Cheng Thom (Fierce Femmes and Notorious Liars)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
...she doesn't have to choose between being gentle or being fierce. Both exist in nature and both exist in her. That's ok. She'll know to nourish them both and when applicable, use each unapologetically.
”
”
Steve Maraboli
“
I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
”
”
Jacqueline Woodson (Brown Girl Dreaming)
“
She was a rule breaker, never settling her fierce spirit for things built of structure.
”
”
Nikki Rowe
“
Wallachia needs you, and you deserve Wallachia. Let your loyalty be only where your heart is. Everything else can fall by the road and be trodden underfoot as we pass to our home. My fierce little girl. You can do anything.
”
”
Kiersten White (Now I Rise (And I Darken Series, #2))
“
When the sun shall be folded up; and when the stars shall fall; and when the mountains shall be made to pass away; and when the camels ten months gone with young shall be neglected; and when the seas shall boil; and when the souls shall be joined again to their bodies; and when the girl who hath been buried alive shall be asked for what crime she was put to death; and when the books shall be laid open; and when the heavens shall be removed; and when hell shall burn fiercely; and when paradise shall be brought near: every soul shall know what it hath wrought.
”
”
Anonymous (القرآن الكريم)
“
I want to do mysterious and improbable things alongside a fierce and beautiful girl who looks like a doll brought to life by a sorcerer.
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
You terrify me, Isabelle. I've never met a girl like you. You're a fighter, fierce as hell. You never quit. You don't know how. You don't need anyone. You certainly don't need me.
”
”
Jennifer Donnelly (Stepsister)
“
He would not let her go. Even though, staring into her open eyes in the swirling salt-filled water, with sun flashing though each wave, he thought he would like this moment to be forever: the dark-haired woman on shore calling for their safety, the girl who had once jumped rope like a queen, now holding him with a fierceness that matched the power of the ocean—oh, insane, ludicrous, unknowable world! Look how she wanted to live, look how she wanted to hold on.
”
”
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
“
Why don't you like girls?"
Nicky looked startled by the interruption, but he rallied quickly and made a face. "They're so soft."
Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women."
"What? Oh, no," Nicky hurried to say. "I mean literally soft. Too many curves, see? I feel like my hands would slide right off. It's totally not my thing. I like…" He drew a box with his fingers as he searched for words. "Erik. Erik's perfect. He's a total outdoors junkie, rock climbing and hiking and mountain biking, all that awful bug-infested fresh-air stuff. But oh my god, you should see what it does to his body. He's like this, all hard edges." He drew another box. "He's stronger than I am, and I like that. I feel like I could lean on him all day and he wouldn't break a sweat.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
The world is not allowed to make a meal of you, girl. It is there for your consuming.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
I'm wondering, if there was something you wanted, had wanted for some time, what would you do about it?"
"If I've wanted it, why don't I have it?"
"Because you haven't made any real effort to get it as yet."
"And why haven't I?" He arched his sandy brows. "Am I slow or just stupid?"
Brenna thought it over, decided he couldn't know he'd just insulted his first born. Then she nodded slowly. "Maybe a bit of both in this particular case."
Relieved to have the conversation turn to a safe area, he gave her a fierce grin. "Then I'd stop being slow and I'd stop being stupid and I'd take good aim at what I wanted and not dawdle about. Because when an O'Toole takes aim, by Jesus, he hits his mark.
That, she knew, was true enough. And was certainly expected. "But maybe you're a bit nervous and not quite sure of your skill in this area."
"Girl, if you don't go after what you want, you'll never have it. If you don't ask, the answer's always no. If you don't step forward, you're always in the same place.
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
His voice was soothing ans commanding all at once, like the crackle of flames devouring wood. Fierce and fatal, yet somehow steady and reassuring. The type of voice a girl could have been easily consumed by.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
Peter puts one arm around my waist, pulls me in, and, looking down at me, he says fiercely, "Neither of us wants to break up. So why should we? Because of some shit my mom said? Because your sister did it that way? You're not the same as your sister, Lra Jean. We're not the same as Margot and Sanderson or anybody else. We're you and me. And yeah, it's gonna be hard. But Lara Jean, I've never feel for another girl what I feel for you." He says it with all the certainty only a teenage boy can have, and I have never loved him more than at this very moment.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
What do I want to be now? Bold. Fierce. Honest. A fighter. A revolutionary. A bitch. Because the way the world treats teenage girls – as sluts, as objects, as bitches – is not okay. It’s the exact opposite of okay.
”
”
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
“
In addition to all the other kinds of magic there is Yes Magic and No Magic, and Mallow is wonderful fierce at No Magic. Sometimes that is the last magic you can hold on to, when all the rest has gone.
”
”
Catherynne M. Valente (The Girl Who Ruled Fairyland - For a Little While (Fairyland, #0.5))
“
God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says.
No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit.
I think you're right, Joe,' I say, but softly enough not to disturb his concentration.
”
”
W.P. Kinsella (Shoeless Joe)
“
Somehow as children he and Tiger Lily had been shuttled together - both misfits or, as I liked to think of them, strange exotic birds, one too fierce to be hemmed in as a girl, and the other too hesitant to be respected as a boy.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
Adults and pups alike, they surrounded her in the greeting ceremony, licking her face and wagging their tails. Brokefang let the girl hug him fiercely about the neck and nuzzled her in reply.
”
”
Tamora Pierce (Wolf-Speaker (Immortals, #2))
“
It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been.
The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it.
Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire.
Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie.
With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand.
They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Everyone has an angel, a guardian who watches over us. We can't know what form they'll take. One day old man, next day little girl. But don't let appearances fool you, they can be as fierce as any dragon. Yet they are not here to fight our battles, but to whisper from a hearth. Reminding that it's us... it's everyone of us who holds the power of the worlds we create.
”
”
Zack Snyder Sucker Punch (Sucker Punch: The Art of the Film)
“
You are immortal, and perhaps I seem small to you,” she said at last fiercely. “But my life is not your game.
”
”
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
“
Sasha looked at his sister. He had never thought of her as girlish, but the last trace of softness was gone. The quick brain, the strong limbs were there: fiercely, almost defiantly present, though concealed beneath her encumbering dress. She was more feminine than she had ever been, and less. Witch. The word drifted across his mind. We call such women so, because we have no other name.
”
”
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
“
But not you, O girl, nor yet his
mother,
stretched his eyebrows so fierce with
expectation.
Not for your mouth, you who hold him
now,
did his lips ripen into these fervent
contours.
Do you really think your quiet
footsteps
could have so convulsed him, you who
move like dawn wind?
True, you startled his heart; but older
terrors
rushed into him with that first jolt
to his emotions.
Call him . . . you'll never quite
retrieve him from those dark consorts.
Yes, he wants to, he escapes; relieved,
he makes a home
in your familiar heart, takes root
there and begins himself anew.
But did he ever begin himself?
”
”
Rainer Maria Rilke (Duino Elegies)
“
I am not the same kind of Mormon girl I was when I was seven, eight, or eighteen years old. I am not an orthodox Mormon woman like my mother. I am an unorthodox Mormon woman with a fierce and hungry faith.
”
”
Joanna Brooks (The Book of Mormon Girl: Stories from an American Faith)
“
But as they grew closer and closer, Sophie had opened Agatha's wings to a love so strong she thought it would last forever. It was she and Sophie against the world. But on that first day of school, watching Sophie with a prince, Agatha realized how blind she'd been. The bond between two girls, no matter how fierce or loyal, changed once a boy came between them.
”
”
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
“
Everyone has an angel. A guardian who watches over us. We can't know what form they'll take. One day, old man. Next Day, little girl. But don't let appearances fool you. They can be as fierce as any dragon. Yet they're not here to fight our battles. But to whisper from our heart, reminding that it's us. It's everyone of us who holds the power over the worlds we create.
”
”
Sweet Pea
“
I don't think you're small or insignificant," he said. His gaze softened, solemn rather than fierce. "I think you have so much power within you that it scares you, and that you make yourself small on purpose because you don't know what you'll become if a story than you ever stop.
”
”
Melissa Bashardoust (Girl, Serpent, Thorn)
“
I wear a lot of pink cos' seeing pink activates endorphins and energizes my creativity. It is a colour of femininity and fierceness
”
”
Janna Cachola
“
I'm the kind of girl you don't want to fuck with.
”
”
Riley Sager (Lock Every Door)
“
Ah, yes, the most dangerous person at the party is always the girl sitting alone with a book.
”
”
Brigid Kemmerer (A Heart So Fierce and Broken (Cursebreakers, #2))
“
fairy godmother says there is something almost unearthly about the friendship between two girls, isn’t there? all they ever want to do is protect, protect, protect. fiercely now. fiercely now. my advice for you: don’t take her for granted.
”
”
Amanda Lovelace (break your glass slippers (You Are Your Own Fairy Tale))
“
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?"
The word sprang from my lips without thought. "No!"
"Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?"
I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste."
I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public.
And I'd said it on live television.
I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely.
"Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?"
I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face.
He really wanted to know.
And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him.
A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life.
"Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject."
I saw Maxon swallow, and I lowered my eyes.
"America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell."
I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
doubt if he’d have made the grade for the rabbit pack, though. He wasn’t fierce enough; he was one of those bumbling, good humoured, rather incompetent dogs, good for a lonely man or girl to look after.
”
”
Nevil Shute (The Breaking Wave)
“
I’m a girl,” I said fiercely. “I’m a person.” “You’re both, and neither. You’re a story, but that doesn’t make you any less true.
”
”
Melissa Albert (The Hazel Wood (The Hazel Wood #1))
“
He held the apple box against his chest. And then he leaned over and set the box in the stream and steadied it with his hand. He said fiercely, "Go down an' tell 'em. Go down in the street an' rot an' tell 'em that way. That's the way you can talk. Don' even know if you was a boy or a girl. Ain't gonna find out. Go on down now, an' lay in the street. Maybe they'll know then.
”
”
John Steinbeck (The Grapes of Wrath)
“
fairy godmother says there is something almost unearthly about the friendship between two girls, isn’t there? all they ever want to do is protect, protect, protect. fiercely now. fiercely now. my advice for you: don’t take her for granted. ever.
”
”
Amanda Lovelace (break your glass slippers (You Are Your Own Fairy Tale))
“
The only thing keeping this scary world from getting in... is your ability to scare it right back! Be fierce, little girl, even if it is all just a mask.
”
”
Joëlle Jones (Catwoman (2018-) #7)
“
Ambrose's eyes shoot back to Charlotte and he nods. "She's changed, hasn't she? Charlotte, I mean."
"Um, besides growing her hair long she doesn't seem to have changed much to me," I say, trying not to smile. "Why?"
"It's just that she seems so... in charge. I mean, she's always had her act together, but ever since she's been back she's seemed more confident or something. And now that she's Vincent's second... I guess I've always thought of her as a little sister. You know, the huggable kind you want to take care of. But now that I see her working with him and taking control... I mean... the girl is fierce."
Ambrose's face shines with respect and a sort of curious awe, and I have to restrain myself from jumping up and cheering for the fact that it has finally happened. He has finally noticed what was right under his nose.
”
”
Amy Plum (If I Should Die (Revenants, #3))
“
I used to be all about the final girl standing on top of a pile of the dead at the end of the movie, her face dripping blood, her chest heaving, her eyes fierce. Now I’m all about holding the door of the slasher-proof shelter open, so everybody can duck in, ride this out.
”
”
Stephen Graham Jones (The Angel of Indian Lake (The Indian Lake Trilogy, #3))
“
One of the paradoxical and transformative aspects of implicit traumatic memory is that once it is accessed in a resourced way (through the felt sense), it, by its very nature, changes. Out of the shattered fragments of her deeply injured psyche, Jody discovered and nurtured a nascent, emergent self. From the ashes of the frantically activated, hypervigilant, frozen, traumatized girl of twenty-five years ago, Jody began to reorient to a new, less threatening world. Gradually she shaped into a more fluid, resilient, woman, coming to terms with the felt capacity to fiercely defend herself when necessary, and to surrender in quiet ecstasy.
”
”
Peter A. Levine
“
He moves me to madness. He's an indescribable poetic impression. He's Persian blood re-defined by Parisian culture, softened in the right places, yet, fierce where it counts. Dreamy. The kind of boy you can't get too close to, because you might get lost in his brown eyes and melancholy.
”
”
Michael Ben Zehabe (Persianality)
“
I was proud to be in America, not just because here I found my voice but because the country made me the woman I am today, a woman with a fierce voice, a woman without shame. I grew up hearing that I was stubborn, a troublemaker, hard headed, and not good enough. But I had been wise enough to look in the mirror. I liked what I was, and I said to myself, I am worthy, lovable, and good enough.
”
”
Soraya Mire (The Girl with Three Legs: A Memoir)
“
If I could have one friend,
just one in all the world,
I know that I would not seek out
a boy or pretty girl.
The friend I’d dare to choose
to stand by me each day
would be a dragon fierce enough
to scare the world away.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
When I was a little girl, I had a friend and sometimes I wondered if he was born on the day the Titanic sank.
”
”
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
“
The little girl’s sense of secrecy that developed at prepuberty only grows in importance. She closes herself up in fierce solitude: she refuses to reveal to those around her the hidden self that she considers to be her real self and that is in fact an imaginary character: she plays at being a dancer like Tolstoy’s Natasha, or a saint like Marie Leneru, or simply the singular wonder that is herself. There is still an enormous difference between this heroine and the objective face that her parents and friends recognise in her. She is also convinced that she is misunderstood: her relationship with herself becomes even more passionate: she becomes intoxicated with her isolation, feels different, superior, exceptional: she promises that the future will take revenge on the mediocrity of her present life. From this narrow and petty existence she escapes by dreams.
”
”
Simone de Beauvoir (The Second Sex)
“
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl.
How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness.
Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit?
So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter.
I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it.
I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
”
”
Amy Tan (The Joy Luck Club)
“
And I—the girl growing in their midst, being made in their image—I absorbed them as I would chloroform on a cloth laid against my face. It has taken me thirty years to understand how much of them I understood.
”
”
Vivian Gornick (Fierce Attachments: A Memoir (FSG Classics))
“
I am,” I said slowly, “a girl with music in her soul. I am a sister, a daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am … me.
”
”
S. Jae-Jones (Wintersong (Wintersong #1))
“
His sister. His de'lai. A girl he'd never met until a few months ago, and yet had somehow always known. Brave in a way he'd never been. Dark and bloodstained and scarred to the bone. She had every reason in the world to be nothing but rage and hatred and misery. But he knew, as much as she tried to hide it, she hadn't let life turn her cold. She loved with a heart as fierce as lions. Gave in a way that left her bleeding, but never broken. Because even with all she'd lost, all she'd sacrificed, all the hurt heaped upon her shoulders, she'd still come back.
She still came back for me.
He could feel it, burning out in that storm of rage and shadows. The love she felt for him. Too bright to smother, even beneath the power of a god.
”
”
Jay Kristoff (Darkdawn (The Nevernight Chronicle, #3))
“
I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work. Southern
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I tried to give her my best “I Am A Demon Princess” look, which was quite the challenge, seeing as how my hair was hanging in my face and my nose was running. “What’s your name?” I asked.
The girl kept her eyes on me, but her hands were moving restlessly over the ground around her, no doubt searching for the knife. “Izzy,” she said.
I raised both my eyebrows. Not exactly a name to strike fear into the heart.
Izzy must’ve read that in my expression, because she frowned. “I’m Isolde Brannick, daughter of Aislinn, daughter of Fiona, daughter of-“
“Right, right, daughter of a bunch of fierce ladies, got it.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I was so much more powerful than anyone knew. I was an animal learning to fight back, instinctively, fiercely. I was a brave girl. I was a fit fox.
I realized that the most empowering important thing was actually simply taking care of myself.
”
”
Aspen Matis (Girl in the Woods: A Memoir)
“
How could I explain that it was not all playacting? That I felt more of the male spirit within me than the female - a fierceness that whittled me down to a sharpened spear of ambition. And as a boy, I was applauded, not punished, for such raw energy. It was not beaten out of me for my own good, or worn away by women's chores.
”
”
Alison Goodman (Eon: Dragoneye Reborn (Eon, #1))
“
Adelaide—the girl who felt everything—had to remind herself that it was, in fact, okay to feel. That it was okay to fill her lungs with air, her tank with fuel, her brain with the chemicals it needed. It was okay to go to hell and back, to carry every ounce of light and darkness inside of her. It was okay to love herself fiercely, a little selfishly, and with intention. It was all okay.
”
”
Genevieve Wheeler (Adelaide)
“
Are you afraid of the tigers? Do you hear them padding all round you on their fierce fine velvet feet? The speed of growth of tigers in the nightland is a thing which ought to be investigated some time by the competent authority. You start off with one, about the size of a mouse, and before you know where you are he’s twice the size of the Sumatra tiger which defeats all comers in that hemisphere. And then, before you can say Knife (not a very tactful thing to say in the circumstances anyhow), all his boy and girl friends are gathered round, your respectable quiet decorous docile night turns itself into a regular tiger-garden.
”
”
Anna Kavan (Sleep Has His House)
“
But how can she change a person like that? said Victoria.
She just can. I'd never have thought before, ever, that I could hate music and want to leave it behind, but now--
Lawrence Prewitt, said Victoria. Her voice was shaking, but she stood up and put on such a fierce dazzle that even Donovan seemed to wake up. Don't you dare ever start talking like that again, or when I get out of here, I'll leave you behind with the gofers. Lawrence smiled. I've missed your threats, Vicky.
”
”
Claire Legrand (The Cavendish Home for Boys and Girls)
“
If there was a true moment that Tiger Lily fell so in love with Peter she could never turn back, it was that night, when he shivered and walked and told her he was warm, and told her he loved her so much. She was fierce, to be sure, but she had a girl’s heart, after all. As she walked home that night, she was shaking from the largeness of it. I didn’t know why she seems so sad and happy at the same time. To love someone was not what she had expected. It was like falling from somewhere high up and breaking in half, and only one person having the secret to the puzzle of putting her back together.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
I am..."
Who was I? Daughter, sister, wife, queen, composer,; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes.
"I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
”
”
S. Jae-Jones (Wintersong (Wintersong, #1))
“
If there was a true moment that Tiger Lily fell so in love with Peter she could never turn back, it was that night, when he shivered and walked and told her he was warm, and told her he loved her so much. She was fierce, to be sure, but she had a girl's heart, after all. As she walked home that night, she was shaking from the largeness of it. I didn't know why she seemed so sad and happy and the same time. To love someone was not what she had expected. It was like falling from somewhere up and breaking in half, and only one person having the secret to the puzzle of putting her back together.
”
”
Jodi Lynn Anderson
“
Cinder hurried to join her, eager to see what the boys had done. But when she stepped into the sitting room, it was not the decorations that caught her attention first, but Wolf, standing in front of the fireplace altar in his formal black-and-red tuxedo. Thought it had been made especially for him, the jacket still stretched across his broad chest and shoulders, and the red bow tie was almost humorous against his fierce features and lupine bone structure.
Almost.
Despite everything Levana had tried to do to him, Cinder had to admit that he was still handsome, with his olive skin and vivid green eyes and unkempt hair. Most of all, though, it was the look he was giving Scarlet, which would have taken away the breath of any girl.
Kai and Thorne were there, too, each of them standing with their hands in their pockets, rocking back on their heels with supremely smug looks on their faces, like they were daring anyone to suggest it wasn't the most beautiful impromptu wedding ever created.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
Take more selfies. Not because you need validation or likes or comments. but because you are here on this earth. Alive and holy and true. And yes, your beauty deserves to be seen and known, most especially by you. You are worthy of being the subject of your own art. It is okay to capture the process of your own becoming. To be your own kind and gentle and fierce witness. To learn the truth of your eyes and your skin and your bones. To choose to show what wants to be shown, to name what wishes to be named, to claim ownership of the story that is told about you by being the one to tell it.
Dear girl. YOU are the greatest art you will ever create. The masterpiece. The magnum opus. You’re it. However you want to be.
Look at yourself now, miracle that you are, look at yourself and soak in the wonder, until you no longer want to look away.
”
”
Jeanette LeBlanc
“
You own your body. You own your body. You own your body. Your center and your edges are yours and yours alone. In this world – this world of rape culture of ingrained misogyny and violence done against girls and women – you will encounter and absorb messages your entire life that place you on trial for the crime of existing as female in this world. That will question your right to wear or speak or move through the world in the way that you do. That will seek to harm you in ways large and small. As a woman, you will hold stories that sometimes feel too painful to hold. As your mother, that brings me to my knees. I grant you the strength to know that this too, you will survive. I promise you I will protect you with every ounce of life in my body. And where I cannot protect you from this world, I will love you inside of it – fierce and holy and precious beyond all knowing.
”
”
Jeanette LeBlanc
“
You’re with a girl. She’s brown-haired and side-swept. I imagine that she’s the kind of girl who can easily shop for jean shorts, and speaks kindly more often than not. She seems like the kind of girl who hates New York City because it wreaks havoc on her shoes (really she just thinks it’s a big and scary place), but once had the time of her life in Spain on a backpacking trip when she was 23. Her gaze is focused on the embracing couple as near strangers capable of judgement. She stands bolted next to you like you’re her anchor in the social storm.
You two seem finely matched… but what do I know? (Nothing at all.)
I accidentally saw a picture of you and it reminded me that I was dating a man rightfully shaking his fist at God, while trying to hold my hand with the other. I was reminded of how fiercely we tried to hold our relationship together, and how devastated and relieved we were in its destruction. There’s water under that bridge.
I accidentally saw a picture of you. No big deal. I wrote about it.
”
”
Joy Wilson
“
Dead Butterfly
By Ellen Bass
For months my daughter carried
a dead monarch in a quart mason jar.
To and from school in her backpack,
to her only friend’s house. At the dinner table
it sat like a guest alongside the pot roast.
She took it to bed, propped by her pillow.
Was it the year her brother was born?
Was this her own too-fragile baby
that had lived—so briefly—in its glassed world?
Or the year she refused to go to her father’s house?
Was this the holding-her-breath girl she became there?
This plump child in her rolled-down socks
I sometimes wanted to haul back inside me
and carry safe again. What was her fierce
commitment? I never understood.
We just lived with the dead winged thing
as part of her, as part of us,
weightless in its heavy jar.
”
”
Ellen Bass
“
My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
”
”
Jacqueline Woodson (Brown Girl Dreaming)
“
My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself.
Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.
”
”
Roxane Gay
“
One day, I wish to find a man like in my
books. He has to be just like in one of my books.
And he has to love me, love me more than anything
in the world. Most important of all, he has
to think I’m beautiful.”
“Lily, I need to tell you something.” Fazire
was going to tell her about Becky’s wish and his
mistake and let her look forward to something, let
her look forward to the incomparable beauty she
was going to be.
Most of all, he had to stop her wish now. He
didn’t want her wasting it on some fool idea. He
wanted it to be special, perfect, to make her world
better like she had made Becky and Will’s and,
indeed, his.
But again she didn’t hear him. Her eyes were
bright and they were steady on his.
“He has to be tall, very tall and dark and
broad-shouldered and narrow-hipped.”
Fazire stared. He didn’t even know what
“narrow-hipped” meant.
“And he has to be handsome, unbelievably
handsome, impossibly handsome with a strong,
square jaw and powerful cheekbones and tanned
skin and beautiful eyes with lush, thick lashes.
He has to be clever and very wealthy but hardworking.
He has to be virile, fierce, ruthless and
rugged.”
Now she was getting over his head. He didn’t
think there was such a thing as impossibly handsome.
How cheekbones could be powerful,
Fazire didn’t know. He was even thinking he
might have to look up “virile” in the dictionary
Sarah had given him.
“And he has to be hard and cold and maybe a
little bit forbidding, a little bit bad with a broken
heart I have to mend or one encased in ice I have
to melt or better yet… both!”
Fazire thought this was getting a bit ridiculous.
It was the most complicated wish he’d ever
heard.
But she wasn’t yet finished.
“We have to go through some trials and tribulations.
Something to test our love, make it strong
and worthy. And… and… he has to be daring and
very masculine. Powerful. People must respect
him, maybe even fear him. Graceful too and lithe,
like a… like a cat! Or a lion. Or something like
that.”
She was losing steam and Fazire had to admit
he was grateful for it.
“And he has to be a good lover.” Lily shocked
Fazire by saying. “The best, so good, he could almost
make love to me just by using his eyes.”
Fazire felt himself blush. Perhaps he should
have a look at these books she was reading and
show them to Becky. Lily was a very sharp girl,
sharp as a tack (another one of Sarah’s sayings,
although Fazire couldn’t imagine a tack ever being
as clever as Lily) but she was too young to
be reading about any man making love to her
with his eyes. Fazire had never made love, never
would, genies just didn’t. But he was pretty certain
fourteen year old girls shouldn’t be thinking
about it.
Though, he was wrong about that, or at least
Becky would tell him that later.
Then Fazire realised she’d stopped talking.
“Is that it?” he asked.
She thought for a bit, clearly not wanting to
leave anything out.
Then she nodded.
”
”
Kristen Ashley (Three Wishes)
“
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.”
“Good.”
“Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.”
He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?”
“It’s not so bad.”
“Wow. You are a terrible liar.”
He frowned fiercely at her.
“You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages.
“I’m fine.”
“Are you sure?”
With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes.
“I’m sure.”
He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out.
“But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.”
“I can take care of myself, Sonny Flannery,” she bristled, halfheartedly.
“Please?” He turned up the wattage on his smile.
“I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.”
“That’s my girl.”
Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
”
”
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
“
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
”
”
Susan Dennard (Truthwitch (The Witchlands, #1))
“
It’s kind of romantic with unrequited love. A big, strong, sexy hero. A fight to the death.” She sighed wistfully. Slowly and thoughtfully, she traced his strong jaw with her fingertip. “You’d make a good Orion,” she murmured absentmindedly.
Ronin raised an eyebrow, and, realizing that she’d said that out loud, she buried her face in his shoulder.
“Umm… shit…” she whispered. “It’s getting pretty late and I have to work tomorrow. I should probably, um… yeah.”
Neither of them spoke after that, both lost in their own thoughts. Devin contemplated the need to work on her verbal filter, rather mortified by her offhanded Orion comment. But, honestly, Ronin was exactly how she pictured Orion when she was a little girl. Big and stoic, muscular with a strong jaw, a fierce build. A mighty Greek hero.
”
”
Sibylla Matilde (Little Conversations (Conversations, #1))
“
Half of my heart says it would be so simple to share what we've got here with the Charynites in the valley. But the other half of me says I don't want to share it with the enemy, and then I have to work out who the enemy is. I mean, look at what we have," he said, pointing outside at the lushness of their mountain, even in the winter haze. "And look how little they have down there. And why don't I care?"
Yata laughed. "Well, from where I'm sitting, it looks as if you do care, Lucian," she said. "Too much in one place, not enough in another, and wouldn't it be simpler if we all shared? Yes, it would be so simple to share. But there's no place for being simple when blood has been shed and the people we love have been torn from us. But forgiveness has to start somewhere. It started with Phaedra. The Monts learned not to hate all Charynites because of her. I learned. Because you may not have seen it, my darling boy, but I hated with a fierceness I can't describe. And do you want to hear something that was breaking my heart, day after day? I forgot the faces of my granddaughters in all that hatred. Hatred smothers all beauty. Beloved Isaboe has little resemblance to her older sisters, but your Phaedra - she made me remember those precious, precious girls, and I wasn't angry anymore. I just missed them, and it's the beauty in here," she said, pointing to her chest, "that made me remember them. Her beauty.
”
”
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
What were you so scared about?” I whisper.
His hands tighten into fists at his sides. When he finally speaks, his voice comes out raw, like he hasn’t used it in a while. “I was scared that you were going to go to UNC and you were gonna figure out I wasn’t worth it, and you were going to leave.”
I take a step closer to him. I put my hand on his arm; he doesn’t pull away from me. “Besides my family, you’re the most special person to me in the world. And I meant some of those things I said the other night, but not the part when I said I only wanted to lose my virginity to you to close a chapter on us. I wanted it to be you because I love you.”
Peter puts one arm around my waist, pulls me in, and, looking down at me, he says fiercely, “Neither of us wants to break up. So why should we? Because of some shit my mom said? Because your sister did it that way? You’re not the same as your sister, Lara Jean. We’re not the same as Margot and Sanderson or anybody else. We’re you and me. And yeah, it’s gonna be hard. But Lara Jean, I’ll never feel for another girl what I feel for you.” He says it with all the certainty only a teenage boy can have, and I have never loved him more than at this very moment.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
All conversation had stopped. Following the guests’ collective gazes, Cam saw something—a lizard?—wriggling and slithering its way past sauceboats and salt cellars. Without hesitation he reached out and captured the small creature, cupping it in closed hands. The lizard squirmed furiously in the space between his closed palms.
“I’ve got it,” he said mildly.
The vicar’s wife half fainted, slumping back in her chair with a low moan.
“Don’t hurt him!” Beatrix Hathaway called out anxiously. “He’s a family pet!”
The assembled guests glanced from Cam’s closed hands to the Hathaway girl’s apologetic face.
“A pet?… What a relief,” Lady Westcliff said calmly, staring down the length of the table at her husband’s blank countenance. “I thought it was some new English delicacy we were serving.”
A swift wash of color darkened Westcliff’s face, and he looked away from her with fierce concentration. To anyone who knew him well, it was obvious he was struggling not to laugh.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
The imaginable had always been problematic. When I was a child the feel of things went into me: deep, narrow, intense. The grittiness of the street, the chalk-white air of the drugstore, the grain of the wooden floor in the storefront library, the blocks of cheese in the grocery-store refrigerator. I took it all so seriously, so literally. I was without imagination. I paid a kind of idiot attention to the look and feel of things, leveling an intent inner stare at the prototypic face of the world. These streets were all streets, these buildings all buildings, these women and men all women and men. I could imagine no other than that which stood before me. That child’s literalness of the emotions continued to exert influence, as though a shock had been administered to the nervous system and the flow of imagination had stopped. I could feel strongly, but I could not imagine. The granite gray of the street, the American-cheese yellow of the grocery store, the melancholy brownish tint of the buildings were all still in place, only now it was the woman on the couch, the girl hanging out the window, the confinement that sealed us off, on which I looked with that same inner intentness that had always crowded out possibility as well as uncertainty. It would be years before I learned that extraordinary focus, that excluding insistence, is also called depression.
”
”
Vivian Gornick (Fierce Attachments)
“
Some poor creatures have been so brutalized by the lash that they will sneak out of the way to give their masters free access to their wives and daughters. Do you think this proves the black man to belong to an inferior order of beings? What would you be, if you had been born and brought up a slave, with generations of slaves for ancestors? I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work.
Southern gentlemen indulge in the most contemptuous expressions about the Yankees, while they, on their part, consent to do the vilest work for them, such as the ferocious bloodhounds and the despised negro-hunters are employed to do at home. When southerners go to the north, they are proud to do them honor; but the northern man is not welcome south of Mason Dixon's line, unless he suppresses every thought and feeling at variance with their "peculiar institution." Nor is it enough to be silent. The masters are not pleased, unless they obtain a greater degree of subservience than that; and they are generally accommodated. Do they respect the northerner for this? I trow not. Even the slaves despise "a northern man with southern principles;" and that is the class they generally see. When northerners go to the south to reside, they prove very apt scholars. They soon imbibe the sentiments and disposition of their neighbors, and generally go beyond their teachers. Of the two, they are proverbially the hardest masters.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
”
”
Louisa May Alcott (Little Women)
“
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut.
There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness.
The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine.
On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy.
Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.
The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
”
”
Charlotte Brontë (Shirley)
“
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality.
Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better.
Adina is a strange child; she is fanciful without being capricious.
She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round.
She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless.
Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop.
Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall.
I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied."
"That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense...
.So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!"
Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."...
Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
”
”
Henry James (Adina)
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)