Fiddle Quotes

It was a hurting tune, resigned, a cry of heartache for all in the world that fell apart. As ash rose black against the brilliant sky, Fire's fiddle cried out for the dead, and for the living who stay behind to say goodbye.

When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.

By late afternoon I lie with my head in Peeta’s lap making a crown of flowers while he fiddles with my hair claiming he is practicing knots. After awhile his hands go still. “What?” I ask. “I wish I could freeze this moment, right here, right now, and live in it forever,” he says. Usually this sort of comment, the kind that hints his undying love for me, makes me feel guilty and awful. But I’m so relaxed and beyond worrying about a future I’ll never have, I just let the word slip out. “Okay,” I say. I can hear the smile in his voice. “Then you’ll allow it?” “I’ll allow it.

He said, ‘The moment I began to love you was the moment when you saw your fiddle smashed on the ground, and you turned away from me and cried against your horse. Your sadness is one of the things that makes you beautiful to me. Don’t you see that? I understand it. It makes my own sadness less frightening.

Something inside me clicks. It's like I've spent my whole life fiddling with a complicated combination only to discover I was toying with the wrong lock.

I'll string a fiddle with your guts and make you play it while I dance.

Well fiddle dee dee!

There's an easy method for finding someone when you hear them scream. First get a clean sheet of paper and a sharp pencil. Then sketch out nine rows of fourteen squares each. Then throw the piece of paper away and find whoever is screaming so you can help them. It is no time to fiddle with paper.

Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.

I think many of the boundaries that convention has placed upon us are arbitrary, so we can fiddle with them if we fancy. Gravity's hard to dispute, and breathing, but a lot of things we instinctively obey are a lot of old tosh.

When the fiddle had stopped singing Laura called out softly, "What are days of auld lang syne, Pa?" "They are the days of a long time ago, Laura," Pa said. "Go to sleep, now." But Laura lay awake a little while, listening to Pa's fiddle softly playing and to the lonely sound of the wind in the Big Woods,… She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.

There are days when she mourns the prospect of another year, another decade, another century. There are nights when she cannot sleep, moments when she lies awake and dreams of dying. But then she wakes, and sees the pink and orange dawn against the clouds, or hears the lament of a lone fiddle, the music and the melody, and remembers there is such beauty in the world. And she does not want to miss it—any of it.

History does not record anywhere at any time a religion that has any rational basis. Religion is a crutch for people not strong enough to stand up to the unknown without help. But, like dandruff, most people do have a religion and spend time and money on it and seem to derive considerable pleasure from fiddling with it.

And elsewhere in the woods, there is another party, one taking place inside a hollow hill, full of night-blooming flowers. There, a pale boy plays a fiddle with newly mended fingers while his sister dances with his best friend. There, a monster whirls about, branches waving in time with the music, There, a prince of the Folk takes up the mantle of king, embracing a changeling like a bother, and, with a human boy at his side, names a girl his champion.

cos' your hands were exploring more than Dora. I wouldn't have minded but Dora had a map and a compass so she knows where she was going. You on the other hand were like a tourist in the center of London. Lost as a fucking fiddle. -Mia Hastings

Bet you can't even name one romantic movie you like," she teased. She felt smug when a few minutes went by and Oliver was still unable to name one romantic movie he could profess to enjoy. The Empire Strikes Back," Oliver finally declared, tapping his horn at a Prius that wandered over the line. The Empire Strikes Back? The Star Wars movie? That's not romantic!" Schuyler huffed, fiddling with the air conditioner controls. Au contraire, my dear, it's very romantic. The last scene, you know, when they're about to put Han in that freezing cryogenic chamber or whatever? Remember?" Schuyler mmm-hmmmed. And Leia leans over the ledge and says, 'I love you.'" That's cheesy, not romatic," Schuyler argued, although she did like that part. Let me explain. What's romantic is what Han says back. Remember what he says to her? After she says 'I love you'?" Schuyler grinned. Maybe Oliver had a point. "Han says, 'I know.'" Exactly," Oliver tapped the wheel. "He doesn't have to say anything so trite as 'I love you." Because that's already understood. And that's romantic.

She walked to the rear door and took out a bobby pin from her pocket. Hugo watched as she fiddled with the pin inside the lock until it clicked and the door opened. "How did you learn to do that?" asked Hugo. "Books," answered Isabelle.

Magnus Bane walked some distance into the Sanctuary, shaking his head as he studied the scene before him. “I want to know what you’re doing, but I must confess I’m afraid to find out,” he said. “A spot of demon-summoning, I gather?” “It’s a bit complicated,” said James. “Hello, Magnus. It’s good to see you.” “Last time I saw you, you were facedown in the Serpentine,” Magnus said cheerfully. “Now you’re fiddling with a Pyxis. I see you have decided to follow in the long Herondale tradition of poor decision-making.” “So have I!” said Lucie, determined not to be left out.

Sometimes, the Angel [of Music] leans over the cradle... and that is how there are little prodigies who play the fiddle at six better than men of fifty, which, you must admit is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And sometimes, he does not come at all, because the children have a wicked heart or a bad conscience.

I don't want to hurt anyone" Laszlo fiddled with a button on his tux jacket. "Can't we convince the CIA that some of us are peaceful?" "we'll have to try" Angus folded his arms across his broad chest. "And if they doona believe we're peaceful, then we'll have to kill the bastards." Roman frowned, somehow their Highlander logic escaped him.

I didn't know why this was happening. The cruel reality of anxiety is that you never quite do. At the moments it should logically strike, I am fit as a fiddle. On a lazy afternoon, I am seized by a cold dread.

Oh, I'm being eaten By a boa constrictor, A boa constrictor, A boa constrictor, I'm being eaten by a boa constrictor, And I don't like it--one bit. Well, what do you know? It's nibblin' my toe. Oh, gee, It's up to my knee. Oh my, It's up to my thigh. Oh, fiddle, It's up to my middle. Oh, heck, It's up to my neck. Oh, dread, It's upmmmmmmmmmmffffffffff . . .

Kat bought a New York Times but couldn’t figure out how to operate it, so now she’s fiddling with her phone.

You think I'm playing at some game? You think iron will keep you safe? Hear my words, manling. Do not mistake me for my mask. You see light dappling on the water and forget the deep, cold dark beneath. Listen. You cannot hurt me. You cannot run or hide. In this I will not be defied. I swear by all the salt in me: if you run counter to my desire, the remainder of your brief mortal span will be an orchestra of misery. I swear by stone and oak and elm: I'll make a game of you. I'll follow you unseen and smother any spark of joy you find. You'll never know a woman's touch, a breath of rest, a moment's peace of mind. And I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I'll string a fiddle with your guts and make you play it while I dance. You are an educated man. You know there are no such things as demons. There is only my kind. You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me. -Bast

Anyway, since when are you shy? Just talk to him already!' ' 'And say what? Nice fiddling, handsome man?' 'Absolutely.

And I know I’m about to play second fiddle to another woman, as I should. But my love for you will never change, Maxon.

I'm scared," Nico mumbled. He was fiddling with something—a little metal toy soldier of some kind. "Stop talking!" Dr. Thorn said. "Face me!

As one old gentleman put it, " Son, I don't care if you're stark nekkid and wear a bone in your nose. If you kin fiddle, you're all right with me. It's the music we make that counts.

This is like coming home, like coming home after years away among Trojans and Lestrygonians, like coming home to a place where everyone is like you, where people know, they just know—coming home as when everything falls into place and you suddenly realize that for seventeen years all you’d been doing was fiddling with the wrong combination.

So when you do get on, the first class people are already sitting there; they're all sprawled out on their big thrones. "Bring me the head of a pig! And a goblet of something cool and refreshing! Anyone have a fiddle? Amuse me.

But it was another girl, young and new to the city, fiddling with her keys.

I usually am right. It’s just good sense to go through life assuming that I am. It’s the law of averages. Better to assume I’m always right and occasionally be wrong than to fiddle about doubting myself all the time, saying to everyone, “Yes, but what do you think?

You fiddle lucker!' she cried.

Smartphones are tools which fools fiddle with when they are around people that they don’t have the courage, or, the intellect, to converse with.

I think the issue of female friendship really resonates well with women, ... So many women have a friend like Darcy or can relate to the feeling of being second-fiddle to a friend.

And I never started to plow in my life That some one did not stop in the road And take me away to a dance or picnic. I ended up with forty acres; I ended up with a broken fiddle— And a broken laugh, and a thousand memories, And not a single regret.

Now, this one might be a little stringy, but then again, it's fiddle player." That isn't fiddle player, it's piccolo player." How can you tell?" It's PIPING hot!" Then blow on it first!

2.5.03.02.005: Generally speaking, if you fiddle with something, it will break. Don't.

Well, I’ve been a musician my whole life. When I was two, I would sing the theme from Star Wars in my crib; my mom taped it for proof. Then, when I was five, I asked for a violin. No one knew why I would want one, but my wish was granted and I ended up a classically trained fiddler by age 12. The only problem with that was, when you’re a classical violinist, everybody expects you to be satisfied with playing Tchaikovsky for the rest of your life, and saying you want to play jazz, rock, write songs, sing your songs, hook up your fiddle to a guitar amp, sleep with your 4-track recorder, mess around with synths, dress like Tinkerbell in combat boots, AND play Tchaikovsky is equivalent to spitting on the Pope.

Riden is up in the rigging, fiddling with the sails. He’s barefoot, shirtless, and he’s gone a few days without shaving. Holy hell. I’m staring. I know it, but I can’t seem to stop. “I could get used to warm weather,” Niridia says from next to me. “Won’t exactly make everyone smell nice, but the view is vastly improved.” I should have a clever response, but all I can manage is “Aye.

The truth is that you are living in a system that is pouring acid on your attention every day, and then you are being told to blame yourself and to fiddle with your own habits while the world’s attention burns.

Habits are powerful, but delicate. They can emerge outside our consciousness, or can be deliberately designed. They often occur without our permission, but can be reshaped by fiddling with their parts. They shape our lives far more than we realize—they are so strong, in fact, that they cause our brains to cling to them at the exclusion of all else, including common sense.

Look, are you just fiddling around with me or what?" "I just want you to feel you're doing well. I hate for people o die embarrassed.

For he would rather have, by his bedside, twenty books, bound in black or red, of Aristotle and his philosophy, than rich robes or costly fiddles or gay harps.

Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it." Showing her teeth, she began to roll up her sleeves. "What," Roarke asked from the doorway that connected their work areas, "is that?" "The former bane of my existence. The Antichrist of technology. Do we have a hammer?" Studying the pile on the floor, he walked in. "Several, I imagine, of various types." "I want all of them. Tiny little hammers, big, wallbangers, and everything in between." "Might one ask why?" "I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip." "Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?" "Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good." Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open. "Hey! Hey! What're you doing?" "I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired." When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it." "Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research." "No. Uh-uh. I have to bust it apart. What if it breeds?

Rome is burning, Jesus says. Drop your fiddle, change your life and come to Me. Let go of the good days that never were - a regimented church you never attended, traditional virtues you never practiced, legalistic obedience you never honored, and a sterile orthodoxy you never accepted. The old era is done. The decisive inbreak of God has happened.

Music is my mistress, and she plays second fiddle to no one.

I haven't known you for long, I don't even know what your favorite color is or your favorite song, but…I know every detail and curve of your face and the way your eyes sparkle when you smile. I know that you put your hands to your chest when you laugh and the adorable way you fiddle with your fingers when you're nervous. I think of you every minute of every day. I've realized I can't live my life without you in it. I want you. Only you.

Let’s see.’ She fiddles with her terminal and the room card reader. ‘You’re in 403 and 404. Have a nice day.' I hand Persephone the Forbidden Room card and keep Room Not Found for myself. She looks at me oddly.

We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him. Our landlady and the delicatessen man are our mourners, and we leave nothing behind us but a frock-coat and a fiddle, or an easel, or a typewriter, or whatever took we got our living by. All we have ever managed to do is to pay our rent, that exorbitant rent that one has to pay for a few square feet of space near the heart of things. We have no house, no place, no people of our own. We live in the streets, in the parks, in the theaters. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.

Why…” I trailed off again when he fiddled with something on his phone and soft music filled the air. “We never got to dance at the wedding,” he said simply. “You don’t like it when I dance,” I half-joked, trying to hide the emotion welling in my chest. What happened in the library during Nikolai’s reception would forever be etched in my mind. “I love it when you dance. But only with me.” He placed his free hand on the small of my back. “You don’t dance.” “Only with you.” The burn intensified. “Careful, Mr. Larsen, or I’ll think you actually like me.” His mouth curled into a grin. “Baby, we’re way beyond like.

I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I’ll string a fiddle with your guts and make you play it while I dance.” Bast leaned closer until their faces were mere inches apart, his eyes gone white as opal, white as a full-bellied moon. “You are an educated man. You know there are no such things as demons.” Bast smiled a terrible smile. “There is only my kind.” Bast leaned closer still, Chronicler smelled flowers on his breath. “You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me.

A faint light burned in the pit revealing a furry creature hunched over a stone slab, fiddling with something. At first Gregor raised a warning hand. He thought it was a rat. Then the creature lifted his head and Gregor recognized what was left of his dad.

A lot can happen in that time.And, seriously, if you have to give up a dream to be with a guy, maybe you've chosen the wrong guy." Chelsea's brow furrowed and she fiddled with her fingers. "And what if the time comes and the dream doesn't seem worhth it?" David's and Tamani's face seemed to float before Laurel's eyes, the Academy looming in the background.She shrugged and forced the images from her mind. "Then maybe it was the wrong dream.

I see the beauty of Mike's attempt to devise an ideal ethic and applaud his recognition that such must start by junking the present sexual code and starting fresh. Most philosophers haven't the courage for this; they swallow the basics of the present code--monogamy, family pattern, continence, body taboos, conventional restrictions on intercourse, and so forth--then fiddle with details...even such piffle as discussing whether the female breast is an obscene sight! (p.365)

The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn’t have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn’t seem to be really trying.

I’d heard fiddle music, but I’d never known it could stab you like a thorn and make you like the sting of it. I’d never heard none that made you want to laugh and cry at the same time. Or made you see the sun coming up out of a big pool of water, while the frogs hollered from the wild onions growing along the banks and the speckled bass popped their tails in the shoal water and the mockingbirds sat in the tops of the cedars and sang like they do at daybreak.

It was the heart of any scam or fiddle -- keep the punter uncertain, or, if he is certain, make him certain of the wrong thing.

The earth keeps some vibration going There in your heart, and that is you. And if the people find you can fiddle, why fiddle you must, for all your life.

Most moral philosophers consciously or unconsciously assume the essential correctness of our cultural sexual code — family, monogamy, continence, the postulate of privacy, ... restriction of intercourse to the marriage bed, etcetera. Having stipulated our cultural code as a whole, they fiddle with details - even such piffle as solemnly discussing whether or not the female breast is an "obscene" sight! But mostly they debate how the human animal can be induced or forced to obey this code, blandly ignoring the high probability that the heartaches and tragedies they see all around them originate in the code itself rather than the failure to abide by the code.

He says softly, "I don't just want you in my dreams, baby. Been wanting you a long while." fiddle sticks I whisper, "Niki." He puts his lips close to mine and breathes deep, "You're all I think about." I feel the tingles start in my in my nose. A sure sign I'm going to bawl. "Stop." But he just keeps coming with the sweet, "I thought I needed a woman like you. Turns out I just needed you." My breath hitches. "Stop." What he says next melts my frozen heart. "You're it, Tina." I no longer have doubts My heart skips a beat and I whisper fiercely, "I want to kiss you. Real bad.

when the cities are gone and all the ruckus has died away. when sunflowers push up through the concrete and asphalt of the forgotten interstate freeways. when the Kremlin & the Pentagon are turned into nursing homes for generals, presidents, & other such shit heads. when the glass-aluminum sky scraper tombs of Phoenix, AZ barely show above the sand dunes. why then, by God, maybe free men & wild women on horses can roam the sagebrush canyonlands in freedom...and dance all night to the music of fiddles! banjos! steel guitars! by the light of a reborn moon!

You want to know what I remember," he said quietly, his fingers fiddling with his cuffs as he rolled the sleeves up to his elbow, his eyes locked on the view before them. She nodded. He shoved his hands into his pockets and dipped his head just slightly, glancing at the floor before lifting it and staring out at the night sky. "I remember everything.

If intelligence were a television set, it would be an early black-and-white model with poor reception, so that much of the picture was gray and the figures on the screen were snowy and indistinct. You could fiddle wiht the knobs all you wanted, but unless you were careful, what you would see often depended more on what you expacted or hoped to see than on what was really there.

When the fiddle had stopped singing Laura called out softly, “What are days of auld lang syne, Pa?” “They are the days of a long time ago, Laura,” Pa said. “Go to sleep, now.” But Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lonely sound of the wind in the Big Woods. She looked at Pa sitting on the bench by the hearth, the firelight gleaming on his brown hair and beard and glistening on the honey-brown fiddle. She looked at Ma, gently rocking and knitting. She thought to herself, “This is now.” She was glad that the cosy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.

Intellectual 'work' is misnamed; it is a pleasure, a dissipation, and is its own highest reward. The poorest paid architect, engineer, general, author, sculptor, painter, lecturer, advocate, legislator, actor, preacher, singer, is constructively in heaven when he is at work; and as for the magician with the fiddle-bow in his hand, who sits in the midst of a great orchestra with the ebbing and flowing tides of divine sound washing over him - why, certainly he is at work, if you wish to call it that, but lord, it's a sarcasm just the same. The law of work does seem utterly unfair - but there it is, and nothing can change it: the higher the pay in enjoyment the worker gets out of it, the higher shall be his pay in cash also.

Fiddling Tom stood up. He reached down his fiddle case and said solemnly: “There’s a time when a boy can lay his belly on the ground and feel the heartbeats of the earth coming up to him through the grass roots. That’s his time to prowl. That’s his time to smell the par-fume of the wild flowers, to hear the wind singing wild in his ears, to hurt with the want of knowing what’s on the yonder side of the next ridge. The Almighty, he never meant for a boy to miss them things when that time comes!

A book is never, ever finished. You simply get to a point where you and your editor are reasonably happy with how it is and you go with that. Left to our own devices, a writer would endlessly fiddle with a book, changing little thing after little thing.

How shall I hold my soul that it may not Be touching yours? How shall I lift it then Above you to where other things are waiting? Ah, gladly would I lodge it, all forgot, With some lost thing the dark is isolating On some remote and silent spot that, when Your depths vibrate, is not itself vibrating. You and me – all that lights upon us though, Brings us together like a fiddle bow Drawing one voice from two strings, it glides along. Across what instrument have we been spanned? And what violinist holds us in his hand? O sweetest song.

So what did Conroy say to you this arvo, after I left?' He said, Rachel Watts is hot stuff, and I'd like to ask her out. Got any tips?' 'Mycroft, don't be juvenile.' 'I am a juvenile.' 'Then don't be grotesque. Are you going to tell me or not?' Mycroft fiddles with the cigarette pack, loose in his long fingers. 'Nothing to tell,' he says. 'Conroy uses the same material in every speech. The we can't put up with this behaviour forever line, and the one more stunt like this line. I can't figure out why he keeps recycling.' 'Maybe he thinks constant repetition will make it sink in.' 'See, that's Einstein's definition of insanity right there - doing the same thing over and over again, and expecting a different result.

I sit up in bed and watch her fiddle about in the back of my wardrobe. I think she's got a plan. That's what's good about Zoey. She'd better hurry up though, because I'm starting to think of things like carrots. And air. And ducks. And pear trees. Velvet and silk. Lakes. I'm going to miss ice. And the sofa. And the lounge. And the way Cal loves magic tricks. And white things- milk, snow, swans.

The clock in his car hadn't adjusted to daylight saving time yet and said it was four-fifteen when it was really five-fifteen. Peter probably didn't have time to fiddle with it, or it was tricky, as car clocks are. I didn't mind. You can't mind these things, you just can't, for to dislike what makes a person human is to dislike all humans, or at least other people who can't work clocks. You have to love the whole person, if you are truly in love. If you are going to take a lifelong journey with somebody, you can't mind if the other person believes they are leaving for that journey an hour earlier than you, as long as truly, in the real world, you are both leaving at exactly the same time.

He nodded to my fiddle case. "Why didn't you come play with me?" Immediately he rolled his eyes at himself. "That's not what I meant." I didn't point out that if he was constantly hearing double entendres in his own words, he had a dirtier mind than he wanted to let on. Sam having a dirty mind was okay with me. It was adorable, actually, as long as his mind was on me.

McIntyre hesitated, and for a moment the tall, gray-haired man looked almost boyish. "After all this time...don't you think you could call me William?" Amy and Dan exchanged glances. As fond as they were of him, they couldn't imagine calling their lawyer by his first name. He saw the hesitation on their faces. "Will?" Amy cleared her throat. Dan fiddled with the new GPS. "How about 'Mac'?" "Mac," Dan said, trying out the name. Mr. McIntyre looked wistful. "I always wanted to be a Mac.

If 'dead' matter has reared up this curious landscape of fiddling crickets, song sparrows, and wondering men, it must be plain even to the most devoted materialists that the matter of which he speaks contains amazing, if not dreadful, powers, and may not impossibly be, as Thomas Hardy has suggested, 'but one mask of many worn by the Great Face behind.

All day the storm lasted. The windows were white and the wind never stopped howling and screaming. It was pleasant in the warm house. Laura and Mary did their lessons, then Pa played the fiddle while Ma rocked and knitted, and bean soup simmered on the stove. All night the storm lasted, and all the next day. Fire-light danced out of the stove's draught, and Pa told stories and played the fiddle.

Fiddling with damp tarragon left me so intensely irritated that when I was done I had to stick the ramekin/mise en place bowls back in the fridge and go watch both the episode where Xander is possessed by a demon and the one where Giles regresses to his outrageously sexy teen self and has sex with Buffy’s mom, just to get over it.

You want our boy to grow up to be nothing but a no-account fiddle-footed rake, Aaron Kinney?” she said. “With never a thought in his head but to run wild in the woods with a passel of pesky hound-dogs?” “No, Cora,” Papa said. “But a coon hunt now and then ain’t going to ruin him. I was on a few myself and got over it.” “Yes, Mama pointed out, “but that was because I laid the law down about dogs. Hadn’t been for that, you’d still be fooling away your time in the woods, same as always. And we wouldn’t own a rag to cover our backs.

Then suddenly it was gray and windy and cold and rainy and then the sleet and snow came and even if you could find the sun it seemed to have lost its warmth. From time to time Marion fiddled with a sketch pad, but her hand seemed to be moving the pencil while the rest of her was completely detached from the action. Occasionally they would attempt to resurrect their enthusiasm for the coffee house, and their other plans, but for the, most part they spent their time shooting dope and watching television or listening to music occasionally.

The last time you came to see me there were anchors in your eyes, hardback books in your posture. You were the five star general of sureness, a crisp white tuxedo of a man. I was fiddling with my worn coat pockets, puffing false confidence ghosts in the cold January air. My hands were shitty champagne flutes brimming with cheap merlot. I couldn’t touch you without ruining you, so I didn’t touch you at all. It’s when you’re on the brink of something that you lose your balance. You told me that once. When I can’t bring myself to say what I need to, my heart plays Russian Roulette with my throat. I swear I fired that night, but, nothing. Someday, I’ll show you the bullet I had for you, after time has done the wash. I’ll take it out of the jar of missed opportunities. We’ll hold it up to the light. You’ll roll it around your mouth like a fallen tooth. You won’t forgive me exactly, but we’ll laugh about how small it is. We’ll wonder how such a little thing could ever have meant so much.

Sovegna vos. Here are the years that walk between, bearing Away the fiddles and the flutes, restoring One who moves in the time between sleep and waking, wearing White light folded, sheathed about her, folded. The new years walk, restoring Through a bright cloud of tears, the years, restoring With a new verse the ancient rhyme. Redeem The time. Redeem The unread vision in the higher dream While jewelled unicorns draw by the gilded hearse.

The lingering laughter fled from his eyes as he realized that he'd given himself away. "Where's Fiddle now?" "Safe and cared for. Safer than you'll be if you don't answer my questions." Ping. He managed not to laugh, but it looked like a hard fight. "Dung," Makenna muttered. the knight's expression changed to startled disapproval. A prig, as he? Maybe she could use that. "I said you should let me handle this," Cogswhallop told her. "I'd have meant it.

Morpheus grunts, low in his chest. “I am not going to wait around and play second fiddle to Jebediah while your mortal side grows to understand and trust me.” “You’re not second best. You and I get to have forever. Forever . Jeb has one life. It’s only fair I spend it with him.” I dance around the truth, as close as I’m willing to get. “ Fair? All this time, he’s been with you during your waking hours. I’ve ever only had you in your dreams. I want you in reality. I’ve waited for what feels like a thousand years already. It is time for our forever to begin.”

I lack the disposition for realism. . . . as soon as I have managed to put together a suitable number of realistic people and placed them in reasonably realistic surroundings where they can live realistic lives, they start to fiddle about, they behave as if they had never before been in contact with real life, but had only lived in a fantasy world. They commit frightful crimes, they die and are resurrected, they ascend to heaven and allow themselves to be misled into all the foolishness the language happens to lead them to, till at last, with oaths and curses, they escape from the planned novel.

Leo looked like a Latino Santa’s elf, with curly black hair, pointy ears, a cheerful, babyish face, and a mischievous smile that told you right away this guy should not be trusted around matches or sharp objects. His long, nimble fingers wouldn’t stop moving—drumming on the seat, sweeping his hair behind his ears, fiddling with the buttons of his army fatigue jacket. Either the kid was naturally hyper or he was hopped up on enough sugar and caffeine to give a heart attack to a water buffalo.

And they are dancing, the board floor slamming under the jackboots and the fiddlers grinning hideously over their canted pieces. Towering over them all is the judge and he is naked dancing, his small feet lively and quick and now in doubletime and bowing to the ladies, huge and pale and hairless, like an enormous infant. He never sleeps, he says. He says he’ll never die. He bows to the fiddlers and sashays backwards and throws back his head and laughs deep in his throat and he is a great favorite, the judge. He wafts his hat and the lunar dome of his skull passes palely under the lamps and he swings about and takes possession of one of the fiddles and he pirouettes and makes a pass, two passes, dancing and fiddling at once. His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.

Higgledy piggledy, my black hen, She lays eggs for gentlemen. Gentlemen come every day To count what my black hen doth lay. If perchance she lays too many, They fine my hen a pretty penny; If perchance she fails to lay, The gentlemen a bonus pay. Mumbledy pumbledy, my red cow, She’s cooperating now. At first she didn’t understand That milk production must be planned; She didn’t understand at first She either had to plan or burst, But now the government reports She’s giving pints instead of quarts. Fiddle de dee, my next-door neighbors, They are giggling at their labors. First they plant the tiny seed, Then they water, then they weed, Then they hoe and prune and lop, They they raise a record crop, Then they laugh their sides asunder, And plow the whole caboodle under. Abracadabra, thus we learn The more you create, the less you earn. The less you earn, the more you’re given, The less you lead, the more you’re driven, The more destroyed, the more they feed, The more you pay, the more they need, The more you earn, the less you keep, And now I lay me down to sleep. I pray the Lord my soul to take If the tax-collector hasn’t got it before I wake.

We all know, of course, that we should never, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever, ever fiddle around in any way with electric devices. Never.

At this stage of the game, I don’t have the time for patience and tolerance. Ten years ago, even five years ago, I would have listened to people ask their questions, explained to them, mollified them. No more. That time is past. Now, as Norman Mailer said in Naked and the Dead, ‘I hate everything which is not in myself.’ If it doesn’t have a direct bearing on what I’m advocating, if it doesn’t augment or stimulate my life and thinking, I don’t want to hear it. It has to add something to my life. There’s no more time for explaining and being ecumenical anymore. No more time. That’s a characteristic I share with the new generation of Satanists, which might best be termed, and has labeled itself in many ways, an ‘Apocalypse culture.’ Not that they believe in the biblical Apocalypse—the ultimate war between good and evil. Quite the contrary. But that there is an urgency, a need to get on with things and stop wailing and if it ends tomorrow, at least we’ll know we’ve lived today. It’s a ‘fiddle while Rome burns’ philosophy. It’s the Satanic philosophy. If the generation born in the 50’s grew up in the shadow of The Bomb and had to assimilate the possibility of imminent self destruction of the entire planet at any time, those born in the 60’s have had to reconcile the inevitability of our own destruction, not through the bomb but through mindless, uncontrolled overpopulation. And somehow resolve in themselves, looking at what history has taught us, that no amount of yelling, protesting, placard waving, marching, wailing—or even more constructive avenues like running for government office or trying to write books to wake people up—is going to do a damn bit of good. The majority of humans have an inborn death wish—they want to destroy themselves and everything beautiful. To finally realize that we’re living in a world after the zenith of creativity, and that we can see so clearly the mechanics of our own destruction, is a terrible realization. Most people can’t face it. They’d rather retreat to the comfort of New Age mysticism. That’s all right. All we want, those few of us who have the strength to realize what’s going on, is the freedom to create and entertain and share with each other, to preserve and cherish what we can while we can, and to build our own little citadels away from the insensitivity of the rest of the world.

Your dad was in a street gang?" My adopted dad was an accountant for a big Fortune 500 corporation. Him, me, and my adopted mom lived in the suburbs in an English Tudor house with a gigantic basement where he fiddled with model trains. The other dads were lawyers and research chemists, but they all ran model trains. Every weekend they could, they'd load into a family van and cruise into the city for research. Snapping pictures of gang members. Gang graffiti. Sex workers walking their tracks. Litter and pollution and homeless heroin addicts. All this, they'd study and bicker about, trying to outdo each other with the most realistic, the grittiest scenes of urban decay they could create in HO train scale in a subdivision basement

I even have a welcoming speech prepared for fear, which I deliver right before embarking upon any new project or big adventure. It goes something like this: “Dearest Fear: Creativity and I are about to go on a road trip together. I understand you’ll be joining us, because you always do. I acknowledge that you believe you have an important job to do in my life, and that you take your job seriously. Apparently your job is to induce complete panic whenever I’m about to do anything interesting—and, may I say, you are superb at your job. So by all means, keep doing your job, if you feel you must. But I will also be doing my job on this road trip, which is to work hard and stay focused. And Creativity will be doing its job, which is to remain stimulating and inspiring. There’s plenty of room in this vehicle for all of us, so make yourself at home, but understand this: Creativity and I are the only ones who will be making any decisions along the way. I recognize and respect that you are part of this family, and so I will never exclude you from our activities, but still—your suggestions will never be followed. You’re allowed to have a seat, and you’re allowed to have a voice, but you are not allowed to have a vote. You’re not allowed to touch the road maps; you’re not allowed to suggest detours; you’re not allowed to fiddle with the temperature. Dude, you’re not even allowed to touch the radio. But above all else, my dear old familiar friend, you are absolutely forbidden to drive.

I was fading helplessly away with open eyes, staring straight at the ceiling. Finally I stuck my forefinger in my mouth and took to sucking on it. Something began stirring in my brain, some thought in there scrabbling to get out, a stark-staring mad idea: What if I get a bite? And without a moment’s hesitation I squeezed my eyes shut and clenched my teeth together. I jumped up. I was finally awake. A little blood trickled from my finger, and I licked it off as it came. It didn’t hurt, the wound was nothing really, but I was at once brought back to my sense. I shook my head, went over to the window and found a rag for the wound. While I was fiddling with this, my eyes filled with water --- I wept softly to myself. The skinny lacerated finger looked so sad. God in heaven, to what extremity I had come!

Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years. Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away. Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate. 'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.

Between the onion and the parsley, therefore, I shall give the summation of my case for paying attention. Man's real work is to look at the things of the world and to love them for what they are. That is, after all, what God does, and man was not made in God's image for nothing. The fruits of his attention can be seen in all the arts, crafts, and sciences. It can cost him time and effort, but it pays handsomely. If an hour can be spent on one onion, think how much regarding it took on the part of that old Russian who looked at onions and church spires long enough to come up with St. Basil's Cathedral. Or how much curious and loving attention was expended by the first man who looked hard enough at the inside of trees, the entrails of cats, the hind ends of horses and the juice of pine trees to realize he could turn them all into the first fiddle. No doubt his wife urged him to get up and do something useful. I am sure that he was a stalwart enough lover of things to pay no attention at all to her nagging; but how wonderful it would have been if he had known what we know now about his dawdling. He could have silenced her with the greatest riposte of all time: Don't bother me; I am creating the possibility of the Bach unaccompanied sonatas. But if man's attention is repaid so handsomely, his inattention costs him dearly. Every time he diagrams something instead of looking at it, every time he regards not what a thing is but what it can be made to mean to him - every time he substitutes a conceit for a fact - he gets grease all over the kitchen of the world. Reality slips away from him; and he is left with nothing but the oldest monstrosity in the world: an idol. Things must be met for themselves. To take them only for their meaning is to convert them into gods - to make them too important, and therefore to make them unimportant altogether. Idolatry has two faults. It is not only a slur on the true God; it is also an insult to true things. They made a calf in Horeb; thus they turned their Glory into the similitude of a calf that eateth hay. Bad enough, you say. Ah, but it was worse than that. Whatever good may have resided in the Golden Calf - whatever loveliness of gold or beauty of line - went begging the minute the Israelites got the idea that it was their savior out of the bondage of Egypt. In making the statue a matter of the greatest point, they missed the point of its matter altogether.

They also keep a horned cow as proud as any queen; But music turns her head like ale, And makes her wave her tufted tail and dance upon the green. ... So the cat on his fiddle played hey-diddle-diddle, a jig that would wake the dead: He squeaked and sawed and quickened the tune, While the landlord shook the Man of the Moon: 'It's after three' he said. They rolled the Man slowly up the hill and bundled him into the Moon, While his horses galloped up in rear, And the cow came capering like a deer, and a dish ran up with the spoon. Now quicker the fiddle went deedle-dum-diddle; the dog began to roar, The cow and the horses stood on their heads; The guests all bounded from their beds and danced upon the floor. With a ping and a pong the fiddle-strings broke! the cow jumped over the Moon, And the little dog laughed to see such fun, And the Saturday dish went off at a run with the silver Sunday spoon. The round Moon rolled behind the hill, as the Sun raised up her head. She hardly believed her fiery eyes; For though it was day, to her surprise they all went back to bed!

I would not hurt you, little man,' he said. 'I think that I got the disorder in Mullingar,' I explained. I knew that I had gained his confidence and that the danger of violence was now passed. He then did something which took me by surprise. He pulled up his own ragged trouser and showed me his own left leg. It was smooth, shapely and fairly fat but it was made of wood also. 'That is a funny coincidence,' I said. I now perceived the reason for his sudden change of attitude. 'You are a sweet man,' he responded, 'and I would not lay a finger on your personality. I am the captain of all the one-legged men in the country. I knew them all up to now except one—your own self—and that one is now also my friend into the same bargain. If any man looks at you sideways, I will rip his belly.' 'That is very friendly talk,' I said. 'Wide open,' he said, making a wide movement with his hands. 'If you are ever troubled, send for me and I will save you from the woman.' 'Women I have no interest in at all,' I said smiling. 'A fiddle is a better thing for diversion.' 'It does not matter. If your perplexity is an army or a dog, I will come with all the one-leggèd men and rip the bellies. My real name is Martin Finnucane.' 'It is a reasonable name,' I assented. 'Martin Finnucane,' he repeated, listening to his own voice as if he were listening to the sweetest music in the world.

What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.

But Amarantha rolled her eyes and slouched in her throne. “Shatter him, Rhysand.” She flicked a hand at the High Lord of the Summer Court. “You may do what you want with the body afterward.” The High Lord of the Summer Court bowed—as if he’d been given a gift—and looked to his subject, who had gone still and calm on the floor, hugging his knees. The male faerie was ready—relieved. Rhys slipped a hand out of his pocket, and it dangled at his side. I could have sworn phantom talons flickered there as his fingers curled slightly. “I’m growing bored, Rhysand,” Amarantha said with a sigh, again fiddling with that bone. She hadn’t looked at me once, too focused on her current prey. Rhysand’s fingers curled into a fist. The faerie male’s eyes went wide—then glazed as he slumped to the side in the puddle of his own waste. Blood leaked from his nose, from his ears, pooling on the floor. That fast—that easily, that irrevocably … he was dead. “I said shatter his mind, not his brain,” Amarantha snapped. The crowd murmured around me, stirring. I wanted nothing more than to fade back into it—to crawl back into my cell and burn this from my mind. Tamlin hadn’t flinched—not a muscle. What horrors had he witnessed in his long life if this hadn’t broken that distant expression, that control? Rhysand shrugged, his hand sliding back into his pocket. “Apologies, my queen.” He turned away without being dismissed, and didn’t look at me as he strode for the back of the throne room. I fell into step beside him, reining in my trembling, trying not to think about the body sprawled behind us, or about Clare—still nailed to the wall. The crowd stayed far, far back as we walked through it. “Whore,” some of them softly hissed at him, out of her earshot; “Amarantha’s whore.” But many offered tentative, appreciative smiles and words—“Good that you killed him; good that you killed the traitor.

The Dead Father was slaying, in a grove of music and musicians. First he slew a harpist and then a performer upon the serpent and also a banger upon the rattle and also a blower of the Persian trumpet and one upon the Indian trumpet and one upon the Hebrew trumpet and one upon the Roman trumpet and one upon the Chinese trumpet of copper-covered wood. Also a blower upon the marrow trumpet and one upon the slide trumpet and one who wearing upon his head the skin of a cat performed upon the menacing murmurous cornu and three blowers on the hunting horn and several blowers of the conch shell and a player of the double aulos and flautists of all descriptions and a Panpiper and a fagotto player and two virtuosos of the quail whistle and a zampogna player whose fingering of the chanters was sweet to the ear and by-the-bye and during the rest period he slew four buzzers and a shawmist and one blower upon the water jar and a clavicytheriumist who was before he slew her a woman, and a stroker of the theorbo and countless nervous-fingered drummers as well as an archlutist, and then whanging his sword this way and that the Dead Father slew a cittern plucker and five lyresmiters and various mandolinists, and slew too a violist and a player of the kit and a picker of the psaltery and a beater of the dulcimer and a hurdy-gurdier and a player of the spike fiddle and sundry kettledrummers and a triangulist and two-score finger cymbal clinkers and a xylophone artist and two gongers and a player of the small semantron who fell with his iron hammer still in his hand and a trictrac specialist and a marimbist and a maracist and a falcon drummer and a sheng blower and a sansa pusher and a manipulator of the gilded ball. The Dead Father resting with his two hands on the hilt of his sword, which was planted in the red and steaming earth. My anger, he said proudly. Then the Dead Father sheathing his sword pulled from his trousers his ancient prick and pissed upon the dead artists, severally and together, to the best of his ability-four minutes, or one pint. Impressive, said Julie, had they not been pure cardboard. My dear, said Thomas, you deal too harshly with him. I have the greatest possible respect for him and for what he represents, said Julie, let us proceed.

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!