Fiddle Plant Quotes

Higgledy piggledy, my black hen, She lays eggs for gentlemen. Gentlemen come every day To count what my black hen doth lay. If perchance she lays too many, They fine my hen a pretty penny; If perchance she fails to lay, The gentlemen a bonus pay. Mumbledy pumbledy, my red cow, She’s cooperating now. At first she didn’t understand That milk production must be planned; She didn’t understand at first She either had to plan or burst, But now the government reports She’s giving pints instead of quarts. Fiddle de dee, my next-door neighbors, They are giggling at their labors. First they plant the tiny seed, Then they water, then they weed, Then they hoe and prune and lop, They they raise a record crop, Then they laugh their sides asunder, And plow the whole caboodle under. Abracadabra, thus we learn The more you create, the less you earn. The less you earn, the more you’re given, The less you lead, the more you’re driven, The more destroyed, the more they feed, The more you pay, the more they need, The more you earn, the less you keep, And now I lay me down to sleep. I pray the Lord my soul to take If the tax-collector hasn’t got it before I wake.

Genetic engineering is not really something new. Human beings have been fiddling with genes for as long as ten thousand years. That’s how long they have been growing plants and herding animals.

She chased the song like a hound fast upon a scent. She pursued it through a forest primeval: a dark land planted with musical staves and rests and grown thick with briars of annotation. On she went and on still until she caught sight of the song ahead of her, fleeting and sly. “I see it,” she said aloud, though she didn’t mean to.

The Dead Father was slaying, in a grove of music and musicians. First he slew a harpist and then a performer upon the serpent and also a banger upon the rattle and also a blower of the Persian trumpet and one upon the Indian trumpet and one upon the Hebrew trumpet and one upon the Roman trumpet and one upon the Chinese trumpet of copper-covered wood. Also a blower upon the marrow trumpet and one upon the slide trumpet and one who wearing upon his head the skin of a cat performed upon the menacing murmurous cornu and three blowers on the hunting horn and several blowers of the conch shell and a player of the double aulos and flautists of all descriptions and a Panpiper and a fagotto player and two virtuosos of the quail whistle and a zampogna player whose fingering of the chanters was sweet to the ear and by-the-bye and during the rest period he slew four buzzers and a shawmist and one blower upon the water jar and a clavicytheriumist who was before he slew her a woman, and a stroker of the theorbo and countless nervous-fingered drummers as well as an archlutist, and then whanging his sword this way and that the Dead Father slew a cittern plucker and five lyresmiters and various mandolinists, and slew too a violist and a player of the kit and a picker of the psaltery and a beater of the dulcimer and a hurdy-gurdier and a player of the spike fiddle and sundry kettledrummers and a triangulist and two-score finger cymbal clinkers and a xylophone artist and two gongers and a player of the small semantron who fell with his iron hammer still in his hand and a trictrac specialist and a marimbist and a maracist and a falcon drummer and a sheng blower and a sansa pusher and a manipulator of the gilded ball. The Dead Father resting with his two hands on the hilt of his sword, which was planted in the red and steaming earth. My anger, he said proudly. Then the Dead Father sheathing his sword pulled from his trousers his ancient prick and pissed upon the dead artists, severally and together, to the best of his ability-four minutes, or one pint. Impressive, said Julie, had they not been pure cardboard. My dear, said Thomas, you deal too harshly with him. I have the greatest possible respect for him and for what he represents, said Julie, let us proceed.

When I was younger, my mom loved to garden. But the flowers would never grow. She kept planting seeds even thought nothing would grow. She just kept trying.' 'I don't understand.' 'Because you can't.' 'What does this have to do with anything?' I don't fiddle with my fingers and there's no apology on the tip of my tongue when I say, 'I am my mother's son.

The photographer fiddled with his hot white lights. 'Show us how happy it makes you to write a poem.' I stared through the frieze of rubber-plant leaves in Jay Cee's window to the blue sky beyond. A few stagey puffs were traveling from right to left. I fixed my eyes on the largest cloud, as if, when it passed out of sight, I might have the good luck to pass with it.

And then she caught the song. She fell upon it and music poured from the fiddle’s hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire. And though the spirited cry of the fiddle’s song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn’t understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn’t let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name—her true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she’d never heard it before and wouldn’t recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string.

What was it about white men that caused them to plant grass in places where grass couldn’t possibly grow without them fiddling with it all the time?

And what—you summoned the kristallos afterward to cover your tracks? Let it attack you in the alley to keep your triarii from suspecting you? Or just to give yourself a reason to monitor this case so closely without raising any eyebrows? And then you waited two fucking years?” He frowned. “I have spent these past two years looking for the Horn, calling kristallos demons to track it down for me, but I couldn’t find a trace of it. Until I realized I didn’t have to do the legwork. Because you, Bryce Quinlan, were the key to finding the Horn. I knew Danika had hidden it somewhere, and you, if I gave you a chance for vengeance, would lead me to it. All my power couldn’t find it, but you—you loved her. And the power of your love would bring the Horn to me. Would fuel your need for justice and lead you right to it.” He snorted. “But there was a chance you might not get that far—not alone. So I planted a seed in the mind of the Autumn King.” Everyone in the room looked to the stone-faced Fae male. Ruhn growled at his father, “He played you like a fucking fiddle.” The Autumn King’s amber eyes flashed with white-hot rage. But Micah went on before he could speak. “I knew a bit of taunting about the Fae’s waning power, about the loss of the Horn, would rankle his pride just enough for him to order his Starborn son to look for it.” Bryce let out a long breath. “So if I couldn’t find it, then Ruhn might.” Ruhn blinked. “I—every time I went to look for the Horn …” He paled. “I always had the urge to go to Bryce.

He arched a mocking eyebrow. “Do you plan to stay and watch me dress?” Her blush intensified as she stumbled off the bed. “You’re a devil.” She planted her feet on the floor and struggled to do up her dress. While she fiddled, he wrenched the shirt over his head. Hearing a frustrated hiss, he bit back a smile and the impulse to tell her she was adorable. He stepped up to her. “Let me help.” To his surprise, she presented her back and swept the curtain of hair aside to reveal the graceful line of nape and shoulders. For a forbidden moment, he didn’t move, but inhaled until her flowery scent flooded his senses. “What on earth are you doing?” she asked, turning her head to give him a glimpse of her profile. Her features weren’t delicate. There was too much character in her nose and defiance in her chin. But he dared anyone who saw her ever to forget her. “Considering artistic matters,” he said gently. He set to doing up her gown. Much against his deepest inclinations. Her lips tightened. “Oh?” “You know, I’d never cast you as Cinderella.” He fastened the top hook and lowered his hands to her slim hips. He tempted fate—and self-control—but he couldn’t resist stringing out the physical contact. “You’re more queen than ingénue.” “Well, you’re no Prince Charming.” She wriggled free and faced him. To his regret, her dress once more covered her to the collarbones. “Tch, tch, no need to take your bad temper out on me.” And received a killing glance for his trouble. “It’s a cursed ill wind that landed you on my doorstep,” she muttered, just loudly enough for him to hear. His lips twitched. She wasn’t much good at deception — an appealing quality in a wife. She kept forgetting that she was meant to be a humble housemaid. Humility, like deceit, wasn’t easy for this imperious creature. Any man who took her on would never have the docile wife touted as ideal. But then, Lyle had never settled for the general run of things. If he married Charlotte Warren—and every moment inclined him more toward the outlandish idea—there would be fireworks. Luckily he loved fireworks. “On

To Birch,” Hoover said and grimaced after the sip. “He knew the game, Duke. He wasn’t going to blow his cover, even to you. He was smart and the man could handle himself.” ​“The hole in his chest tells a different story. He never saw it coming. Rosch played him like a fiddle. She played us all,” Duke said as he took another swig. ​“He doesn’t have any family. The man was married to the job. We’ll make sure he gets the recognition he deserves and a plot in Arlington,” Hoover said.