Fictional Crush Quotes

OMG YOU GUYS it has come to my attention that SOMEONE on the internet is saying that my fictional 19th century zombies are NOT SCIENTIFICALLY SOUND. Naturally, I am crushed. To think, IF ONLY I’d consulted with a zombologist or two before sitting down to write, I could’ve avoided ALL THIS EMBARRASSMENT.

Often, when we have a crush, when we lust for a person, we see only a small percentage of who they really are. The rest we make up for ourselves. Rather than listen, or learn, we smother them in who we imagine them to be, what we desire for ourselves, we create little fantasies of people and let them grow in our hearts. And this is where the relationship fails. In time, the fiction we scribble onto a person falls away, the lies we tell ourselves unravel and soon the person standing in front of you is almost unrecognisable, you are now complete strangers in your own love. And what a terrible shame it is. My advice: pay attention to the small details of people, you will learn that the universe is far more spectacular an author than we could ever hope to be.

Nerd Girl Problem # 235 That unexplainable crush you have on fictional characters.

What If I still want to go?" "Then you'll go," he said. "But I wanted you to know the danger." "There's always danger." His green eyes met mine. I was starting to see It, how It could happen-Caleb and me.

People can always say I don't look impressive enough, but they can't argue over how strong I am once I punch them in the face.

It is true we enjoy self-government, but we live in fear. We find ourselves in the paw of a lion. Convenience may induce him to crush us, and with a faint struggle, we may cease to be.

Curse us and crush us, my precious is lost!

Women will crush you, you know? I suppose everybody hurts everybody, but women always seem to get back up, you ever noticed that? Women are always still standing.

Her heart fluttered. It had only been a few hours, but it felt like a lifetime since she saw him last. She seriously felt addicted to that boy.

He was drowning in the Time, could feel it crushing him, like an ancient forest being crushed into oil.

Often, when we have a crush, when we lust for a person, we see only a small percentage of who they really are. The rest we make up for ourselves. Rather than listen, or learn, we smother them in who we imagine them to be, what we desire for ourselves, we create little fantasies of people and let them grow in our hearts. And this is where the relationship fails. In time, the fiction we scribble onto a person falls away, the lies we tell ourselves unravel and soon the person standing in front of you is almost unrecognizable, you are now complete strangers in your own love. And what a terrible shame it is. My advice: pay attention to the small details of people, you will learn that the universe is far more spectacular an author than we could ever hope to be.

To baby boomers wailing that the internet is turning innocent kids into vicious bullies - au contraire, we've been monsters all along.

I’m saying I love you, Cami. All of that was as real for me as it was for you. I’m asking if you’ll stick this out beside me. I’m willing to lose my badge and even be dishonorably discharged if that’s the case. I just don’t want to lose you.

I won’t forget it,” I said. “I hope you meet someone perfect one day.” “Ha…yeah, that’s just it. I think I already did.” As we opened our doors to step out, he touched my arm. “Just to be clear, if I, like, leaned over and whispered your name in your ear, still nothing?

I actually felt awed by the remote possibilities of the person you liked ever liking you back a corresponding amount.

There is a part of me that no one ever sees. I hide behind a mask of heavy make-up and ever-changing hair and clothing. I try to reinvent myself. It doesn’t work. There are times when I am bone-crushingly sad. I just want to curl into a ball and hide from the rest of the world. But, I plaster on a smile and play the game for my family and friends. They call me a free spirit. I wish I were free. I feel like I am imprisoned by my own mind.

It doesn't matter if it's the real world or fictional," I insisted. "Crushes are the best part of liking someone, and they are completely safe. You get all the benefits of fantasising about someone, but none of the he-loves-me-he-loves-me-not drama. It's all the good parts with none of the parts that make you lie awake at night all angsty.

Then, Leo will be my friend. He will like my mind. Our brains can kiss. Even if our bodies can’t. Even if he has a girlfriend. It is an intellectual crush. Our brains can have sex. Would I have sex with him? Yes. Brain sex!!!

If a boy can manage to have coffee with me during the apocalypse, I know he cares. There’s not a speck of doubt in my mind. He must care.

Live your life. Don’t subscribe to other people’s ideals because this is what happens. One way or another, it will crush you.

she was lucky if he stood behind her. Not so lucky if he came to crush her. And a woman might only learn the truth of it—when he walked out of her life. Highlighted by 9 Kindle users

I detested that people who already had everything they could possibly want would step on others who had nothing. Would use them and crush them. I'd lived my life mainly in the streets and found out the hard way that people who could have helped just hurt us.

The great city seemed to weigh upon me, as though it were crushing me under its heap of brick and stone. Gray, drizzly skies, congested streets, the soot-belching boats and barges chugging up and down the Thames, the teeming mass of four millions hastening about the countless activities of daily life in a metropolis, things adventurous, meaningful, spiritual, quotidian, futile, criminal, meaningless and absurd. Amidst this seething stew of humanity, I painted.

My mom believed that you make your own luck. Over the stove she had hung these old, maroon painted letters that spell out, “MANIFEST.” The idea being if you thought and dreamed about the way you wanted your life to be -- if you just envisioned it long enough, it would come into being. But as hard as I had manifested Astrid Heyman with her hand in mine, her blue eyes gazing into mine, her lips whispering something wild and funny and outrageous in my ear, she had remained totally unaware of my existence. Truly, to even dream of dreaming about Astrid, for a guy like me, in my relatively low position on the social ladder of Cheyenne Mountain High, was idiotic. And with her a senior and me a junior? Forget it. Astrid was just lit up with beauty: shining blonde ringlets, June sky blue eyes, slightly furrowed brow, always biting back a smile, champion diver on the swim team. Olympic level. Hell, Astrid was Olympic level in every possible way.

Well, I like her. Who the fuck cares whether anyone else does, as long as they want to read about her?" "People also slow down to gawk at car wrecks, Charlie. Are you calling me a car wreck?" "I'm not talking about you at all," he says " I'm talking about Nadine Winters. My fictional crush." "Big fan of jet-black hair and Krav Maga, huh?" Charlie leans forward, face serious, voice low. "It's more about the blood dripping from her fangs.

The front edge of the shockwave impacts the earth and you’re both shoved to your backs against the crumbling asphalt of the parking lot, and then crushed into oblivion as the Earth, along with every celestial body of your solar system, is disintegrated into tiny shards and then sucked unceremoniously into the resulting black hole.

There was no gentle way around it - hearts would be broken, relationships would be crushed and I was the messenger.

His lips are soft and crushing at the same time. I’m not sure what to do—is there an algorithm for kissing?

I'm not intimidated by books. I would crush them in a fight.

I’m not talking about you at all,” he says. “I’m talking about Nadine Winters. My fictional crush.

You know what it's like when a cart overturns in the street? Everybody you meet has witnessed it. They saw a man's leg sliced clean off. They saw a woman gasp her last. They saw the goods looted, thieves stealing from the back-end while the carter was crushed at the front. They heard a man roar out his last confession, while another whispered his last will and testament. And if all the people who say they were there had really been there, then the dregs of London would have drained to the one spot, the gaols emptied of thieves, the beds empty of whores, and all the lawyers standing on the shoulders of the butchers to get a better look.

I write books with words. Numerous words. Words that stomp and stare and crush and collapse and boogie and bang and scream and laugh and manipulate. My books are a storehouse of words that form paragraphs that form chapters that form stories that form thoughts that live on long after you've read the last word.

Don't let the whys have it. Don't let them take advantage of you. They'll crush your heart and steal your peace and mess with your mind and wrap around you so tight you won't be able to breathe. Don't le the whys ruin your life, child. Every time they try to sneak up, push them aside and move forward.

Crushed sandstone sifted through Caleb’s fingers, insubstantial as dust. A breeze caught the debris mid-fall and spirited it away before it could join the ashes blanketing the ground. He stopped in the middle of what had once been a street, his arms pulled in at his sides, his fists balled in barely restrained fury.

At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.

1.)You furnish the pictures and I'll furnish the war." 2)We hold that no person or set of persons can properly establish a standard of expression for others." 3)Truth is not only stranger than fiction, it is more interesting." 4)You can crush a man with journalism. 5)"In suggesting gifts: Money is appropriate, and one size fits all.

He did not really mind that none of the delegates had spoken to him before leaving. But he was crushed by his failure to get them to recognize what he had long known: that without power, a people must use cunning and guile. Or were cunning and guile, based on superior understanding of a situation, themselves power? Certainly, most black people knew and used this art to survive in their everyday contacts with white people. It was only civil rights professionals who confused integrity with foolhardiness. “Faith

Girl was not to be pressured into a quick and easy answer. She took her work very seriously, and became one of the most adept Diviners in the cult by the young age of sixteen. She was quite crushed when the outsiders broke through the ancient gates of the world's Husmannsplasses and gleefully proclaimed her kind freed from a cult of fairy tales.

What Svetlana felt for Scott, she said, wasn't a crush, but love. "A crush is about build- ing up the self, and love is about giving from the self. For love, you have to have a self you're secure with, to give to the other person." I silently absorbed the implication that what I felt for Ivan was only a crush, because I didn't have a self I was secure with.

The final crushing failure. He has failed as a teacher, a writer, a husband and a father. He had even failed as a drunk.

It's impressive when you're such a mysterious fictional character that even avid enthusiasts are debating your existence within the mythos.

Half the chocolate bar was stuffed in my mouth when it dawned on me: I was totally going to break out from crushing that hard.

Some days I spent up to three hours in the arcade after school, dimly aware that we were the first people, ever, to be doing these things. We were feeling something they never had - a physical link into the world of the fictional - through the skeletal muscles of the arm to the joystick to the tiny person on the screen, a person in an imagined world. It was crude but real. We'd fashioned an outpost in the hostile, inaccessible world of the imagination, like dangling a bathysphere into the crushing dark of the deep ocean, a realm hitherto inaccessible to humankind. This is what games had become. Computers had their origin in military cryptography - in a sense, every computer game represents the commandeering of a military code-breaking apparatus for purposes of human expression. We'd done that, taken that idea and turned it into a thing its creators never imagined, our own incandescent mythology.

A valley full of genuine suffering, and of joys that often turn out to be false, and so incredibly tumultuous that it takes something God only knows how outrageous to cause a lasting stir. But here and there some immense heaping up of vices and virtues turns mere sorrow grand and solemn, and their very sight makes even selfishness and personal advantage stop and feel pity - though that notion of pity is much like some tasty fruit that gets gobbled right up. Civilization's high-riding chariot, like the believer-crushing car of the idol Juggernaut, barely slows down when it comes to a heart a bit harder to crack, and if such a heart gets in the way it's pretty quickly smashed, and on goes the glorious march.[...] After you've read all about Pere Goriot's miserable secrets, you'll have yourself a good dinner and blame your indifference on the author, scolding him for exaggeration, accusing him of having waxed poetic. Ah, but let me tell you: this drama is not fictional, it's not a novel. All is true - so true you'll be able to recognize everything that goes into it in your own life, perhaps even in your heart.

It was so easy to get excited about someone I didn’t know, so easy to play “crush” from afar, just like with a fictional character. As long as I never talked to Cute Boy, he was going to be perfect, a good reason to wake up tomorrow.

But those words liveoak, pine, the somehow onomatopoeic splendor [sic] of magnolia, still flower greenly in the mind before McCarthy crushes them, and that leaf, which if ash must weigh very little, still lies heavy against the father's hand.

The psychologist Jonathan Haidt says many people who don’t consciously believe in karma still believe deep down in some version of it, calling it whatever seems appropriate in their own culture. They see systems like welfare or affirmative action as disrupting the balance of the natural world. Slackers, they think, would get what they deserve if the government kept their noses out of it. Their bad karma would come around to crush them, but unnatural forces prevent it. Meanwhile, since these people play by the rules, pay taxes, and sacrifice hours of life for overtime pay, they assume it has to be for a reason. Their pursuit of the good life can’t be futile. The rich, they think, must deserve what they have. One day all the good karma they are generating will lift them even higher up in the social hierarchy to join the others who have what they deserve. The just-world fallacy tells them fairness is built into the system, and so they rage when the system artificially unbalances karmic justice.

From the dark forest that bordered the soft ploughed fields, came a low cry that did not belong to any animal. It was accompanied by the sound of branches bending and snapping, and the splintering of wood as trees were crushed or toppled onto their sides.

Dreams deny her the freedom she truly seeks. Darkness consumes. Leg muscles burn. She runs away, even while lost in the paradise of sleep. Gravity is a crushing force bearing down on her chest, shattering wings and refusing her flight. A whisper in her mind. You don’t belong here.

What we mean to say, but what Ms Spider is not equipped to understand, is that Iago is gay in the way that all the best fictional murderers are gay. Norman Bates, Tom Ripely, The titular Third Man, and he was the original. Iago is gay like a black leather whip. Like Paris in the 1920s. Like calling non-food things “delicious.” Iago is gay like cold eyes and bony hips. Like a pearl-handled pistol tucked in one’s suit pocket. Like delicate fingers that could play a Chopin prelude or crush a throat with equal grace. Iago is gay in the way that we, the F&M unit, aspired to be gay. But it’s harder for girls.

And I think he actually believes the best way to do it is to gain a dictatorship over the Solar System. That ambition rules everything in his life. It has hardened him and strengthened him. He will crush ruthlessly, without a single qualm, anything that stands in his path. That’s why we’ll have a fight on our hands.

Dina, I’m bored,” Caldenia announced. Too bad. I guaranteed her safety, not entertainment. “What about your game?” Her Grace gave me a shrug. “I’ve beaten it five times on the Deity setting. I’ve reduced Paris to ashes because Napoleon annoyed me. I’ve eradicated Gandhi. I’ve crushed George Washington. Empress Wu had potential, so I eliminated her before we even cleared Bronze Age. The Egyptians are my pawns. I dominate the planet. Oddly, I find myself mildly fascinated by Genghis Khan. A shrewd and savage warrior, possessing a certain magnetism. I left him with a single city, and I periodically make ridiculous demands that I know he can’t meet so I can watch him squirm.

What Svetlana felt for Scott, she said, wasn't a crush, but love. "A crush is about building up the self, and love is about giving from the self. For love, you have to have a self you're secure with, to give to the other person." I silently absorbed the implication that what I felt for Ivan was only a crush, because I didn't have a self I was secure with.

He lost his appetite for reading. He was afraid of being overwhelmed again. In mystery novels people died like dolls being discarded; in science fiction enormities of space and time conspired to crush the humans ; and even in P.G. Wodehouse he felt a hollowness, a turning away from reality that was implicitly bitter, and became explicit in the comic figures of futile parsons.

The Caitlin books, which ran as a set of three trilogies (Loving, Promises, and Forever) published between 1985 and 1988, chart a decade or so in the life of the beautiful, terrible poor little rich girl as she repeatedly breaks up and makes up with her first love, Montana-based hunk Jed (Jed!), rides many horses, drives many luxury cars, is emotionally neglected by her family, accidentally lets an elementary schooler eat poison (it’s okay, he survives, everyone calm down!), gets trapped in a mine, reconnects with her long-lost father, goes to college, is forced against her will to become a successful model, gets trapped in a barn fire, is forced against her will to become the head of a successful mining company, and is the subject of numerous unsuccessful plots by evil men who wish to “ruin” her.

They’re all drylanders, they don’t understand how easy it is to go loose and fluid down here in the depths, how little rank and order seem to matter when you’re moving as a single beast with a dozen tails, two dozen arms, and trying all the while to keep yourself together, keep yourself unified, keep yourself whole. The chain of command dissolves under the pressure of the crushing deep, just as so many other things—both expected and unimagined—have already fallen away.

I was the boy who killed his first man at eleven. I was the teenager who crushed his cousin’s throat at seventeen. I was the man who bathed in his enemies’ blood without a flicker of remorse, who relished in their screams as if it was a fucking Mozart sonata. Monsters are created, not born. Bullshit. I was born a monster. Cruelty ran in my veins like poison. It ran in the veins of every Vitiello man, passed on from father to son, an endless spiral of monstrosity. I was a born monster shaped into an even worse monster by my father’s blade and fists and harsh words. I was raised to become Capo, to rule without mercy, to dish out brutality without a second thought. I was raised to break others. When Aria was given to me in marriage, everyone waited with baited breath to see how fast I’d break her like my father broke his women. How I’d crush her innocence and kindness with the force of my cruelty, with relentless brutality. Breaking her would have taken little effort. It came naturally to me. A man born a monster, raised to be a monster, bound to be a monster to become Capo. I was gladly the monster everyone feared. Until her. Until Aria. With her, I didn’t have to cover up my darkness. Her light shone brighter than my darkness ever could. With her, I didn’t want to be the monster. I wanted to shield her from that part of my nature. But I was born a monster. Raised to break others. Not breaking her would come with a price. A price a monster like myself shouldn’t risk paying.

She was convinced the country was about to succumb to revolutionary socialism. Her own circumstances encouraged this belief: just on the edge of the really rich country set, she shared their views and opinions but lacked the financial and architechtural insulation from real or imagined political troubles. She found crushed larger cans and cigarette packets in her front garden and interpreted these as menacing signals from the Perthshire proletariat. Every flicker and dim of electric light was a portent of class war.

With his story in one’s mind he can almost see his benignant countenance moving calmly among the haggard faces of Milan in the days when the plague swept the city, brave where all others were cowards, full of compassion where pity had been crushed out of all other breasts by the instinct of self-preservation gone mad with terror, cheering all, praying with all, helping all, with hand and brain and purse, at a time when parents forsook their children, the friend deserted the friend, and the brother turned away from the sister while her pleadings were still wailing in his ears.

Dreaming is impossible without myths. If we ll latch onto those of others -- even if don't have enough myths of our own, we'll latch onto those of others -- even if those myths make us believe terrible or false things about ourselves... Call it superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast or crushingly tight. Throughout my life as I've sought to become a published writer of speculative fiction, my strongest detractors and discouragers have been other African Americans... Having swallowed these ideas, people regurgitate them at me at nearly every turn. And for a time, I swallowed them, too... Myths tell us what those like us have done, can do, should do. Without myths to lead the way, we hesitate to leap forward. Listen to the wrong myths, and we might even go back a few steps... Because Star Trek takes place five hundred years from now, supposedly long after humanity has transcended racism, sexism, etc. But there's still only one black person on the crew, and she's the receptionist. This is disingenuous. I know now what I did not understand then: That most science fiction doesn't realistically depict the future; it reflects the present in which it is written. So for the 1960s, Uhura's presence was groundbreaking - and her marginalization was to be expected. But I wasn't watching the show in the 1960s. I was watching it in the 1980s... I was watching it as a tween/teen girl who'd grown up being told that she could do anything if she only put her mind to it, and I looked to science fiction to provide me with useful myths about my future: who I might become, what was possible, how far I and my descendants might go... In the future, as in the present, as in the past, black people will build many new worlds. This is true. I will make it so. And you will help me.

I’ve never liked urban myths. I’ve never liked pretending to believe in them; never understood why everyone else doesn’t see straight through them. Why is it they’ve always happened to a friend of a friend - someone you’ve never met? Why does everyone smile and nod and pull the right faces, when they must know they’re not true? Pointless. A waste of breath. So I sneered at the myths about Scaderstone Pit. It was just an old quarry – nothing more. I never believed in the rumours of discarded dynamite. It had decayed, they said. It exploded at the slightest touch, had even blown someone’s hand off. I shrugged off the talk of the toxic waste. It was dumped in the dead of night, they said. The canisters rusting away, leaking deadly poisons that could blind you, burn your lungs. I laughed at the ghost stories. You could hear the moans, they said, of quarrymen buried alive and never found. You could see their nightwalking souls, searching for their poor crushed bodies. I didn’t believe any of it – not one word. Now, after everything that’s happened, I wonder whether I should’ve listened to those stories. Maybe then, these things would’ve happened to someone else, and I could’ve smiled and said they were impossible. But this is not an urban myth. And it did not happen to someone else, but to me. I’ve set it down as best I can remember. Whether you believe it or not, is up to you.

What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily. “I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer. “I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience. The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush. “Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing. He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards. I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.

No heroine in Charlotte and Anne Bronte's fiction omits this duty, even in times of danger and perturbation of mind; but most of them also live through moments when the greatest mercy they can hope for is to be saved from utter despair. Jane Eyre in the coach on her flight from Thornfield, Caroline Helstone in the valley of the shadow, Lucy Snowe isolated with the 'cretin' in the Rue Fossette, Agnes Grey pining for Mr Weston, and Helen Huntingdon brutally ill-treated and humiliated - all of them turn to God for help in their efforts not to sink altogether under the burden of their distress. Not the least of the troubles is their awareness of the sinfulness of giving up hope. Authors of religious manuals repeatedly warned their readers not to 'yield for a moment to Satan's temptations to despair. If you do not strive, you know you must be lost.' No wonder human endeavours were felt to be unequal to the task of vanquishing the combination of acute suffering and the threat of spiritual ruin if one were to allow oneself to be crushed by it.

She had the startled eyes of a wild bird. This is the kind of sentence I go mad for. I would like to be able to write such sentences, without embarrassment. I would like to be able to read them without embarrassment. If I could only do these two simple things, I feel, I would be able to pass my allotted time on this earth like a pearl wrapped in velvet. She had the startled eyes of a wild bird. Ah, but which one? A screech owl, perhaps, or a cuckoo? It does make a difference. We do not need more literalists of the imagination. They cannot read a body like a gazelle’s without thinking of intestinal parasites, zoos and smells. She had a feral gaze like that of an untamed animal, I read. Reluctantly I put down the book, thumb still inserted at the exciting moment. He’s about to crush her in his arms, pressing his hot, devouring, hard, demanding mouth to hers as her breasts squish out the top of her dress, but I can’t concentrate. Metaphor leads me by the nose, into the maze, and suddenly all Eden lies before me. Porcupines, weasels, warthogs and skunks, their feral gazes malicious or bland or stolid or piggy and sly. Agony, to see the romantic frisson quivering just out of reach, a dark-winged butterfly stuck to an over-ripe peach, and not to be able to swallow, or wallow. Which one? I murmur to the unresponding air. Which one?

You need to take some acting classes to learn to hide your huge crush on my husband better

It had been a dream, and dreams lie. Dreams cannot be trusted. Dreams lure you in with promises of your heart's desire, of everything you hope for, of fantasy and fiction made flesh. And then as soon as you reach for paradise, they turn and crush you.

Dreaming is impossible without myths. If we ll latch onto those of others -- even if don't have enough myths of our own, we'll latch onto those of others -- even if those myths make us believe terrible or false things about ourselves... Call it superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast or crushingly tight. Throughout my life as I've sought to become a published writer of speculative fiction, my strongest detractors and discouragers have been other African Americans... Having swallowed these ideas, people regurgitate them at me at nearly every turn. And for a time, I swallowed them, too... Myths tell us what those like us have done, can do, should do. Without myths to lead the way, we hesitate to leap forward. Listen to the wrong myths, and we might even go back a few steps... Because Star Trek takes place five hundred years from now, supposedly long after humanity has transcended racism, sexism, etc. But there's still only one black person on the crew, and she's the receptionist. This is disingenuous. I know now what I did not understand then: That most science fiction doesn't realistically depict the future; it reflects the present in which it is written. So for the 1960s, Uhura's presence was groundbreaking - and her marginalization was to be expected. But I wasn't watching the show in the 1960s. I was watching it in the 1980s... I was watching it as a tween/teen girl who'd grown up being told that she could do anything if she only put her mind to it, and I looked to science fiction to provide me with useful myths about my future: who I might become, what was possible, how far I and my descendants might go... In the future, as in the present, as in the past, black people will build many new worlds. This is true. I will make it so. And you will help me. -- "Dreaming Awake" by N.K. Jemisin

I desperately wanted to say Please Don’t Waste Your Time on Me because I feared that I would somehow be the cause of his undoing if I allowed him to faun over me in the ways that his heart desired. He was, after all, Enlightened and I was a Caster. There was no possibility of his interest in me ever becoming anything more than a romantic fable...

How readily we crush our dreams, without even turning over the first stone, so willing to be the victims of circumstance! She felt utterly miserable on behalf of all the teenagers the world over and allowed herself a few minutes more self-pity for the life she’d wasted, and the ones so many more would throw away. Doing as you pleased at this age, without seeking the help and advice of those qualified to give it, equaled marching into a minefield.

Blinded by love for this man without reserve, she can hardly admit her shock and denial - to acknowledge he is having an amorous affair with another woman will crush her belief in their solid marriage.

Elle aurait aimé avoir une baguette magique et se la fracasser contre le crâne pour tout effacer. Mais non, Harry Potter était bel et bien une fiction et la magie n’existait qu’à Poudlard.

he contrasts two pivotal works of dystopian fiction: George Orwell’s 1984 and Aldous Huxley’s Brave New World. In Orwell’s vision, he notes, we are crushed by a merciless oppression imposed by others, whereas in Huxley’s vision, we are seduced, sedated, and satiated. We enslave ourselves. “What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much information that we would be reduced to passivity and egoism. “Orwell feared that the truth would be concealed from us. Huxley feared that the truth would be drowned in a sea of irrelevance. Orwell feared that we would become a captive culture. Huxley feared that we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy and the centrifugal bumblepuppy. “In 1984, Orwell added, people are controlled by inflicting pain. “In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us. . . .” Orwell,

I was one to fall for strangers, to live in fiction more than reality. I had created a perfect romantic and mysterious character for me to pine over, when my very real boyfriend had proven human instead.

The week wasn’t even over and on top of Sam and Emma getting dumped slash divorced, Zoey remembered Ben the janitor freshly divorcing his spouse and Christopher Grave breaking it off for the billionth time with none other than Anthony Bush, her first adult crush. Those two were probably going to go on and off like the Grand Slam anyway. The world was soon coming to a broken-hearted zombie apocalypse with the not-so-better halves roaming the Earth in search of the one meant to put an end to the misery, sales of self-help books going high, therapists’ agendas fully booked, and chick flicks gone out of the shelves of video rental stores—if there were any left post Netflix.

Moving faster would either break our ships or crush those of us inside with g-forces." "Ah yes. Human squishiness quotient. Is that why you're so mad at that space junk? Jealousy is not pretty, Spensa." "Weren't you going to do something useful?

I’ve sworn off guys. If I need romance, that’s what Netflix is for.” I’ll believe it when I see it, I thought with a smirk.

I find it an interesting concept, that of The House. I dreaded it terribly for years but my own shoulders have long been crushed under it. Yet, still I rose and fear it no more. The House is not just our ancestral home of Somerset Hall. That may be its physical aspect, but the concept spans so much wider than the estate itself. The House is a whole dynamic yet, timeless concept, that passes from generation to generation, probably until the end of the World. And even so, I am not so certain about that.

From the moment any of us utter our first goo-goo's and ga-ga's, we are as good as gone. At that precise instant, any possibility that It will ever arise in us is irrevocably crushed. If any proof is needed, consider how immune to strong emotion our society has grown. At your next visit to the local funeral parlor, glance at the mourners, who can more properly be defined as spectators. Notice how they smell, how well-dressed and dignified they are. This is because viewing the dead has become overwhelmingly acceptable as a social function. Yes, even the corpse is part of the festivities, lying there as the guest of honor, laid out in his best clothes, pumped full of chemicals and smeared with make-up as the patrons file by and nurse their long buried consciences with silk handkerchiefs.

Stanley forced a smile to his lips at the memory of the onesided romance; it was silly, after all, a stupid childhood crush. Who’d fall in love with a fictional character? That was the kind of thing you laughed about as an adult. Or at least Harriet had thought so. He couldn’t quite do it, though. Couldn’t quite see it as a joke. It had felt too real, too raw and wild and fierce, for him to dismiss it even now. It was love, of a sort, stunted and unformed as it was. For a time, it had kept him sane.

Crushes don't just develop over time,they are built over the foundation of basic trust.

Those who try to crush the dreams of others are the ones who never had the courage to pursue their own.

hand. I was charged with organizing the messages: descriptions of the creatures, descriptions of their space vessels, descriptions of their conveyances, of their weapons, of their movements. Positions of our soldiers, of our allies’ soldiers. Troop movements. New arrivals of space vessels. Reports of casualties. Dear God, the casualties. And their descriptions. Charred piles of ash; bloodless carcases; crumpled, broken bodies; crushed jelly; roasted, dead meat. All…in these hands.

To those who always fantasize about love and think the magic you read is all fictional. your real, soul-crushing, world-spinning, heart-exploding love is coming. And thank you to romance books for being mine.

To those who always fantasize about love and think the magic you read is all fictional. Your real, soul-crushing, world-spinning, heart-exploding love is coming. And thank you to romance books for being mine.

But overall, first love tends to yield ten dramatic personal ultimatums delivered in a Wendy’s parking lot for every one unforgettable evening spent looking at the stars. It’s a bad deal.

Two hundred years ago, Mother Nature snapped. She hit the world with a plague that ate greed. The 1% was her appetizer. Then another 60% of the population, 'til the whole world stood still. The chaos killed millions and crushed capitalism (that system that let people worship money more than earth, FYI. I know, so gross, right?). The weather she sent was so wild, it changed the face of the planet forever. Everyone was left scrambling to survive.

He held his hand out. “Let me have your smartphone.” I snort-laughed. “Sure. As in, I don’t think so.” “Relax. All I want to do is put my number in there.” I grabbed the phone from my camo purse and handed it to him. “I’m watching you.” “Watch all you want.” He glanced at me with a wry smile. “A camo purse? I’m in love.” He bobbed his head. My face burned in a furious blush. Despite the very small crush I seemed to be developing, I watched his every move. Never trust a cop.

Somehow, through the chaos and confusion, I have to find my love for music again. The raw, bone-crushing need to create no matter who hears the songs or buys the albums.

But May-belle was not normal. She had the observational skills of one forced to sit on the sidelines of life, the crushing sensitivity that goes with some kinds of introversion, and the depleted self-confidence of one constantly reminded that their differences were not something to be celebrated.

You bring happiness to one and all around you. All you have to do is rummage within yourself and let my Roohi step out in the open again. Let her out, do not chain her inside to fester, along with your pain. Once you see yourself beaming like you once did, you will not feel so crushed. Just work on smiling straight from the heart. Everything else will fall in place.

Varian walked into the room, his face expressionless. He was wearing his hat with the blue feather, and a long crushed velvet coat, of deepest blue, which was covered in intricate embroidery. His hands were heavy with enormous jewelled rings. Affluence seemed to roll off him in waves. He inspected Finnigin for a few long moments.

The lantern held aloft; brief flashes of our surroundings were all we were privy to. The masses of bones were brown now, jaws collapsed mid-scream and crammed into boxes three at a time. Wooden coffins crumbled effortlessly to time, exposing ancient, dusty remains, some crushed by metal plate armour. They nested bugs and creatures that need never know the light of day, that probed in the darkest reaches of the world, far away from human sights and sensibilities. The loose stone floor was looser than ever, the path narrower, threatening to roll ankles and cast curious wanderers into a pit of forgotten despair. Everything felt tighter around me as if the walls of skulls were closing in, but also supernaturally colder. ~ Chief Inspector Frederick Abberline, The Ripper Lives, Into the Black (4/10)

Your creativity only stops when you decide. Don’t stop exploring.

Your words listen, so don’t throw them under the bus they have the power to move if only you believe.

Now eyes on the puck. When you see it, you should think of that thing, whatever it is that's fucking up your life. Just see it. Feel it. Breathe it in. All that anger, the injustice, all of it. And when you're ready, you bring that stick back for a swing and you hit that thing with every ounce of strength and rage that you possess. You fucking crush it and anyone that stands in your way.

In 1816 Thomas Jefferson said, “I hope we shall crush in its birth the aristocracy of our monied corporations which dare already to challenge our government to a trial of strength, and bid defiance to the laws of our country.” Our courts, led by the Supreme Court, allow for criminally unbalanced concepts, like the equal standing of corporations as humans in the eyes of the law. This is an absurdity of senselessness, where profit subverts reason. It is unfair because the rule makers in corporations can hide when those rules cause death or damage; they are not criminally accountable, due to the “corporation” being the only one punishable, and only by monetary fines. Make that offer to murderers or child molesters, why don’t we? Legal historians have pointed out that the Supreme Court decision from the 1880s that declared corporations to have the same legal status as human persons is built on a fiction. A fake.

The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.

And let it here be noted that men are either to be kindly treated, or utterly crushed, since they can revenge lighter injuries, but not graver. Wherefore the injury we do to a man should be of a sort to leave no fear of reprisals.

Life was cruel. It pitted the weak against the strong and never even blinked when the weak were crushed.

I never thought I would make it to the age milestone of 50 but I crushed it! Now here I am, 51, and killing it!