Falcon Crest Quotes

We've searched our database for all the quotes and captions related to Falcon Crest. Here they are! All 5 of them:

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Everyone knows that the Internet is changing our lives, mostly because someone in the media has uttered that exact phrase every single day since 1993. However, it certainly appears that the main thing the Internet has accomplished is the normalization of amateur pornography. There is no justification for the amount of naked people on the World Wide Web, many of whom are clearly (clearly!) doing so for non-monetary reasons. Where were these people fifteen years ago? Were there really millions of women in 1986 turning to their husbands and saying, 'You know, I would love to have total strangers masturbate to images of me deep-throating a titanium dildo, but there's simply no medium for that kind of entertainment. I guess we'll just have to sit here and watch Falcon Crest again.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
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Natalie DĂ­az
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But there is also what people think you are and how the world bends itself around it. You turn your head and people follow your gaze. Who is she looking at? Why is she looking at them? And if you explain it, they will tear the words apart looking for a hidden meaning, and if you don’t, they will dig into the silence for something that may not be there.” “It’s silly.” “I didn’t say it wasn’t. But that is the tune the whole world dances to. Some are born with the power to turn the tide even before they realize what they are doing. Others…aren’t. Some of us have to fight to make a difference from the moment we are born. We try to crest along calm waters because we are helpless against the tide, and even then, a single wave might be enough to sweep us away.
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K.S. Villoso (The Ikessar Falcon (Chronicles of the Bitch Queen, #2))
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Some are born with the power to turn the tide even before they realize what they are doing. Others...aren't. Some of us have to fight to make a difference from the moment we are born. We try to crest along calm waters because we are helpless against the tide, and even then, a single wave might be enough to sweep us away.
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K.S. Villoso (The Ikessar Falcon (Chronicles of the Bitch Queen, #2))
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But there is also what people think you are and how the world bends itself around it. You turn your head and people follow your gaze. Who is she looking at? Why is she looking at them? And if you explain it, they will tear the words apart looking for a hidden meaning, and if you don’t, they will dig into the silence for something that may not be there.” “It’s silly.” “I didn’t say it wasn’t. But that is the tune the whole world dances to. Some are born with the power to turn the tide even before they realize what they are doing. Others…aren’t. Some of us have to fight to make a difference from the moment we are born. We try to crest along calm waters because we are helpless against the tide, and even then, a single wave might be enough to sweep us away.
”
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K.S. Villoso (The Ikessar Falcon (Chronicles of the Bitch Queen, #2))