Burnt Sugar Quotes

We've searched our database for all the quotes and captions related to Burnt Sugar. Here they are! All 68 of them:

What are you thinking?" he asks. I know Gage hates it when I cry - he is completely undone by the sight of tears - so I blink hard against the sting. "I'm thinking how thankful I am for everything," I say, "even the bad stuff. Every sleepless night, every second of being lonely, every time the car broke down, every wad of gum on my shoe, every late bill and losing lottery ticket and bruise and broken dish and piece of burnt toast." His voice is soft. "Why, darlin'?" "Because it all led me here to you.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Sham Harga had run a successful eatery for many years by always smiling, never extending credit, and realizing that most of his customers wanted meals properly balanced between the four food groups: sugar, starch, grease, and burnt crunchy bits.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
Gingerbread I knew I had to get out of there before the icing cracked and they discovered that I'm burnt around the edges, doughy in the center, that what they thought was sugar is salt. If I was a good girl, if I could satisfy their cravings, if every dream in my misshapen head didn't bite, I might have stayed at the table. Wouldn't you run, too, from such voracious love?
Christine Heppermann (Poisoned Apples: Poems for You, My Pretty)
Sometimes I cry when no one else is around – I am grieving, but it’s too early to burn the body.
Avni Doshi (Burnt Sugar)
Morning is the time for deep breaths, and discovering, ourselves anew in our bodies
Avni Doshi (Burnt Sugar)
And yet there is something oddly attractive about the crowded shop window with its piles of boxes and tins, and its Hallowe'en witches in darkest chocolate and colored straw, and plump marzipan pumpkins and maple-candy skulls just glimpsed beneath the half-closed shutter. There was a scent too- a smoky scent of apples and burnt sugar, vanilla and rum and cardamom and chocolate.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
When the moon was full, my mother would burn sandlewood incense throughout her flat with the windows closed. Kali Mata had told her to do this to vanquish evil spirits and mosquitoes. We stopped the practice for a year when the doctor said it was giving me asthma. Ma believes that was the year everything went wrong.
Avni Doshi (Burnt Sugar)
I suffered at her hands as a child, and any pain she subsequently endured appeared to me to be a kind of redemption - a rebalancing of the universe, where the rational order of cause and effect aligned. But now, I can't even the tally between us. The reason is simple - my mother is forgetting and there is nothing I can do about it. There is no way ti make her remember the things she has done in the past, no way to baste her in guilt.
Avni Doshi (Burnt Sugar)
The present is seen for what it is, a fleck always slipping through the sieve.
Avni Doshi (Burnt Sugar)
Succumbed together, Suppressed below the layers of skin & blood vessels turned black ‘tis a story of a heart burnt to rot!
Sijdah Hussain (Red Sugar, No More)
The mixture, Ahkong's creation, was sweet and tangy and savory- a comforting, full-bodied flavor like burnt sugar, or brown butter that contrasted sharply with the dancing bubbles on my tongue.
Kirstin Chen (Soy Sauce for Beginners)
She continues talking about how difficult things were. These tales have been passed down from mothers to daughters since women had mouths and stories could be told. They contain some moral message, some rites of passage. But they also transfer that feeling all mothers know before their time is done. Guilt.
Avni Doshi (Burnt Sugar)
A warm breeze scudded through the crowd, perfumed with celebration: burnt sugar, the sourness of beer, the warm, golden scent of hay. Here was life in all its sweetness, surprising her when she least expected it, twisting forethought into revelation, reminding her that plans sometimes proved unnecessary, that occasionally everything came together spontaneously, as though the universe were an ever-resolving pattern that wanted to please her in the end.
Meredith Duran (Written on Your Skin)
Reality is something that is co-authored,’ the woman says. ‘It makes sense that you would begin to find this disturbing. When someone says that something is not what you think of it as, it can cause slight tremors in the brain, variations in brain activity, and subconscious doubts begin to emerge. Why do you think people experience spiritual awakenings? It’s because the people around us are engaged. The frenzy is a charge that’s contagious.’ ‘Are you saying my mother is contagious?’ ‘No, I’m not. Though maybe I am, in a sense. We actively make memories, you know. And we make them together. We remake memories, too, in the image of what other people remember.’ ‘The doctor says my mother has become unreliable.’ ‘We are all unreliable. The past seems to have a vigour that the present does not.
Avni Doshi (Burnt Sugar)
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home. By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy. She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it. She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him. "Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth." She didn't wait for him to say anything, just turned around and walked back to her house. He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it. But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her. He ate another cookie before getting up to make himself dinner.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
Now we add the cinnamon," I said. "Sticks, not powder; broken in half. Three or four should do the trick-" The summery scent had turned autumnal; bonfires and Halloween. Cinnamon pancakes cooked outside. Mulled wine and burnt sugar.
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
This is what I'm going to remember on the day I die," he said. "Right before I close my eyes, I'm going to remember this, the way your hand feels, the heat of your leg against mine, the smell of the skin on the back of your neck, like burnt sugar.
Sarah Black (The General and the Elephant Clock of Al-Jazari)
This is a story of; light & dark – moon & stars – hurt & heart A human – A Woman – A bird A man – A key A friendship – A relationship – A sinking ship Anger – Hope – Grief – Dismay A cat – A plant – A knight – A dog stray love & hate A cage – A knife And endless preys Succumbed together, Suppressed below the layers Of skin & blood vessels turned black ‘t i s a story of a heart burnt to r o t !
Sijdah Hussain (Red Sugar, No More)
Looking across the square at the chocolaterie, its bright window, the boxes of pink and red and orange geraniums at the balconies and at either side of the door, I feel the insidious creeping of doubt in my mind, and my mouth fills at the memory of its perfume, like cream and marshmallow and burnt sugar and the heady mingling of cognac and fresh-ground cocoa beans. It is the scent of a woman's hair, just where the nape of joins the skull's tender hollow, the scent of ripe apricots in the sun, of warm brioche and cinnamon rolls, lemon tea and lily of the valley.
Joanne Harris (Chocolat (Chocolat, #1))
I told her that staying doesn’t have the appeal, the mystery, of escape. To stay is to be staid, to be resigned, to believe this is all there will ever be. Aren’t we creatures made for searching, investigation, dominion? Aren’t we built to believe there can always be something better?
Avni Doshi (Burnt Sugar)
Miscommunications emerge from mislaid certainty.
Avni Doshi (Burnt Sugar)
I had been taught for most of my life that the moment for living was yet to come, that the phase I was living in, a perpetual state of childhood, was a time for waiting.
Avni Doshi (Burnt Sugar)
I wonder, sometimes, at the pathways in his mind, at the way his thoughts move, so disciplined and linear. His world is contained, finite. He understands what I say literally - a word has a meaning and a meaning has a word. But I imagine other possibilities and see the heaviness of speech. If I draw a line from a point X to all its other connections, I find myself at the center of something I cannot plot my way out of, There is so much to misinterpret.
Avni Doshi (Burnt Sugar)
I had been taught for most of my life that the moment for living was yet to come, that the phase I was living in, a perpetual state of childhood, was a time for waiting. And so, I waited, impatiently, resentfully, longing for this period of incapacitation to pass.
Avni Doshi (Burnt Sugar)
I wonder how I will love Ma when she is at the end. How will I be able to look after her when the woman I know as my mother is no longer residing in her body? When she no longer has a complete consciousness of who she is and who I am, will it be possible for me to care for her the way I do now, or will I be negligent, the way we are with children who are not our own, or voiceless animals, or the mute, blind and deaf, believing we will get away with it, because decency is something we enact in public, with someone to witness and rate our actions, and if there is no fear of blame, what would the point of it be?
Avni Doshi (Burnt Sugar)
He says my mother and I have always shared some version of our objective reality. Without me, her ties to that may have loosened, sad, but true – yet on the other hand, as a caregiver, the distance might be good for me. It is difficult when everything starts to vanish. He says memory is a work in progress. It’s always being reconstructed.
Avni Doshi (Burnt Sugar)
From here she could taste the burning edges of his thoughts. He wasn’t just afraid of something—he was afraid of everything. He hated this house, and the memories in it. The memories themselves were knives, glinting in the light. They pricked her fingers, warning her away. Turn the gun around. Pull the trigger. There were demons in here; devils. Can’t you strike a deal with the devil if it means getting what you want? There was boyhood in here too, juvenile and furious and small. Once he had brought a dead sapling back to life, only to watch it wither away and die regardless. The taste of him on her tongue, real and imagined was burnt sugar, wild adoration, tender rage. Poor thing, poor desperate thing.
Olivie Blake (The Atlas Six (The Atlas, #1))
Yesterday I just felt like eating my ass off so I did. I ate two Chef Boyardee pizzas, a Fifth Avenue candy bar, an entire package of fun size Snickers (that was fun!), several cherry sours (not the entire package, there are still a few left), an apple (apples don’t taste as good as they used to), several Slim Jims, a slice of burnt garlic toast, white cheddar popcorn and microwave popcorn. Today I will drink black coffee, eat a bowl of oatmeal (old school, boiled on the stove but no butter but lots of cinnamon and brown sugar) and dance to various YouTubes. I need to buy a pair of gloves, get my ass to the boxing gym and learn to love protein shakes. Also, I want to run a marathon. Then I want to get a backpack, stuff it with trail mix and the like and take to the road like the chick in that Wild book.
Misti Rainwater-Lites
Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
There are repercussions for living the life she’s chosen. I wonder if the loss is worth it, and if she believes it’s worth it. I wonder what she feels after I leave to go back to Dilip and she looks around her house. Maybe this isn’t her choice at all, but another path she has mapped over and over, one she cannot unlearn. I want to ask her if, in all the years she has run away, any part of her screams come after me? Does she want to be caught, brought back and convinced that she is important, that she is necessary?
Avni Doshi (Burnt Sugar)
Potatoes, too, are at their sweetest when first harvested—hence the indescribable pleasure of boiled new potatoes topped with butter. As potatoes sit in storage all year, though, their sugars convert to starches. Fry newly dug potatoes, full of sugar, and they’ll burn before they can cook through. Instead, when making potato chips or fries, use starchy, older potatoes and rinse them of excess starches after slicing until the water runs clear. Only then will your fried potatoes emerge from the hot oil of the fry pot crisp but not burnt.
Samin Nosrat (Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking)
I looked up to see the sun struggling behind a gray mass of snow clouds. I could relate. And then a beam of sunlight found a way through. A sign? Maybe. But what was this? I gasped. The bakery esters had refracted into visible bands of flavor. Red raspberry, orange, and the yellow of lemon and butter. Pistachio, lime, and mint green. The deepest indigo of a fresh blueberry The violet that blooms when crushed blackberries blend into buttercream. The Roy G. Biv that a baker loves. And then the darkness: chocolate, spice, coffee, and burnt-sugar caramel.
Judith M. Fertig (The Cake Therapist)
1 cup of ordinary white flour a pinch of salt 2 eggs 2½ cups of milk and water (1½ cups of milk and 1 cup of water mixed) 1 tablespoon of either vegetable oil or melted butter (You’ll also need some granulated sugar and a couple of lemons to put on the pancakes, along with other things like jams and possibly even maple syrup because you’re American.) Put the flour and salt in a mixing bowl. Crack the eggs in and whisk/fork the egg into the flour. Slowly add the milk/water mixture, stirring as you go, until there are no lumps and you have a liquid the consistency of a not-too-thick cream. Then put the mixture in the fridge overnight. Grease or butter or oil a nonstick frying pan. Heat it until it’s really hot (375 degrees according to one website, but basically, it has to be hot for the pancake to become a pancake. And these are crepes, French style, not thick American round pancakes). Stir the mixture you just took from the fridge thoroughly because the flour will all be at the bottom. Get an even consistency. Then ladle some mixture into the pan, thinly covering the bottom of the pan. When the underside of the pancake is golden, flip it (or, if you are brave, toss it). Cook another 30 seconds on the other side. For reasons I do not quite understand (although pan heat is probably the reason), the first one is always a bit disappointing. Often it’s a burnt, sludgy, weird thing, always, in my family, eaten by the cook (which was me). Just keep going, and the rest will be fine. Sprinkle sugar in the middle. And then squeeze some lemon juice on, preferably from a lemon. Then wrap it like a cigar and feed it to a child. (You can experiment with other things in the middle, like Nutella or jam or even maple syrup—but remember that these pancakes are not syrup-absorbent like American-style pancakes.) This is a very peculiar interview, Joe. Let me know how the pancakes come out.
Neil Gaiman (The Ocean at the End of the Lane)
YOUR STOVE It may seem inconsequential to consider your stove as a contributor to your beer’s character, but it is. If you use an electric stove and your brewpot is in direct contact with the burner element, then you are scorching malt sugars onto the inside bottom of the pot. Have you noticed that your light ales and light lagers haven’t been as light as you anticipated? Perhaps some of your brews have a discernible burnt flavor. When the hot element of your electric stove (an electric immersion-type heater will also create the same effect) is in direct contact with your pot, it caramelizes sugars during the boil. Caramelizing takes place during any kind of boil, but is exaggerated by the high temperatures of red-hot electric stoves. There is an easy, simple and inexpensive solution. Buy a wire “trivet” and place it between the pot and the stove coil. You also can fashion a simple triangular trivet from a nonlacquered coat hanger. This will greatly reduce the caramelization of your boiling wort.
Charles Papazian (The Homebrewer's Companion)
For the second day running you have burnt my toast!” Let me explain this ludicrous remark. You were this particular prefect’s fag. That meant you were his servant, and one of your many duties was to make toast for him every day at teatime. For this, you used a long three-pronged toasting fork, and you stuck the bread on the end of it and held it up before an open fire, first one side, then the other. But the only fire where toasting was allowed was in the library, and as teatime approached, there were never less than a dozen wretched fags all jostling for position in front of the tiny grate. I was no good at this. I usually held it too close and the toast got burnt. But as we were never allowed to ask for a second slice and start again, the only thing to do was to scrape the burnt bits off with a knife. You seldom got away with this. The prefects were expert at detecting scraped toast. You would see your own tormentor sitting up there at the top table, picking up his toast, turning it over, examining it closely as though it were a small and very valuable painting. Then he would frown, and you knew you were for it. So now it was night-time and you were down in the changing room in your dressing gown and pajamas, and the one whose toast you had burnt was telling you about your crime. “I don’t like burnt toast.” “I held it too close. I’m sorry.” “Which do you want? Four with the dressing gown on, or three with it off.” “Four with it on,” I said. It was traditional to ask this question. The victim was always given a choice. But my own dressing gown was made of thick brown camel’s hair, and there was never any question in my mind that this was the better choice. To be beaten in pajamas only was a very painful experience, and your skin nearly always got broken. But my lovely dressing gown stopped that from happening. The prefect knew, of course, all about this, and therefore whenever you chose to take an extra stroke and kept the dressing gown on, he beat you with every ounce of his strength. Sometimes he would take a little run, three or four neat steps on his toes, to gain momentum and thrust, but either way, it was a savage business.
Roald Dahl (The Wonderful Story of Henry Sugar and Six More)
The traditional hospital practice of excluding parents ignored the importance of attachment relationships as regulators of the child’s emotions, behaviour and physiology. The child’s biological status would be vastly different under the circumstances of parental presence or absence. Her neurochemical output, the electrical activity in her brain’s emotional centres, her heart rate, blood pressure and the serum levels of the various hormones related to stress would all vary significantly. Life is possible only within certain well-defined limits, internal or external. We can no more survive, say, high sugar levels in our bloodstream than we can withstand high levels of radiation emanating from a nuclear explosion. The role of self-regulation, whether emotional or physical, may be likened to that of a thermostat ensuring that the temperature in a home remains constant despite the extremes of weather conditions outside. When the environment becomes too cold, the heating system is switched on. If the air becomes overheated, the air conditioner begins to work. In the animal kingdom, self-regulation is illustrated by the capacity of the warm-blooded creature to exist in a broad range of environments. It can survive more extreme variations of hot and cold without either chilling or overheating than can a coldblooded species. The latter is restricted to a much narrower range of habitats because it does not have the capacity to self-regulate the internal environment. Children and infant animals have virtually no capacity for biological self-regulation; their internal biological states—heart rates, hormone levels, nervous system activity — depend completely on their relationships with caregiving grown-ups. Emotions such as love, fear or anger serve the needs of protecting the self while maintaining essential relationships with parents and other caregivers. Psychological stress is whatever threatens the young creature’s perception of a safe relationship with the adults, because any disruption in the relationship will cause turbulence in the internal milieu. Emotional and social relationships remain important biological influences beyond childhood. “Independent self-regulation may not exist even in adulthood,” Dr. Myron Hofer, then of the Departments of Psychiatry and Neuroscience at Albert Einstein College of Medicine in New York, wrote in 1984. “Social interactions may continue to play an important role in the everyday regulation of internal biologic systems throughout life.” Our biological response to environmental challenge is profoundly influenced by the context and by the set of relationships that connect us with other human beings. As one prominent researcher has expressed it most aptly, “Adaptation does not occur wholly within the individual.” Human beings as a species did not evolve as solitary creatures but as social animals whose survival was contingent on powerful emotional connections with family and tribe. Social and emotional connections are an integral part of our neurological and chemical makeup. We all know this from the daily experience of dramatic physiological shifts in our bodies as we interact with others. “You’ve burnt the toast again,” evokes markedly different bodily responses from us, depending on whether it is shouted in anger or said with a smile. When one considers our evolutionary history and the scientific evidence at hand, it is absurd even to imagine that health and disease could ever be understood in isolation from our psychoemotional networks. “The basic premise is that, like other social animals, human physiologic homeostasis and ultimate health status are influenced not only by the physical environment but also by the social environment.” From such a biopsychosocial perspective, individual biology, psychological functioning and interpersonal and social relationships work together, each influencing the other.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
But Stanley persisted in the kitchen, performing the small yet demanding apprentice's tasks she set for him- removing the skin from piles of almonds, grating snowy hills of lemon zest, the nightly sweeping of the kitchen floor and sponging of metal shelves. He didn't seem to mind: every day after school, he'd lean over the counter, watching her experiment with combinations- shifting flavors like the beads in a kaleidoscope- burnt sugar, hibiscus, rum, espresso, pear: dessert as a metaphor for something unresolvable. It was nothing like the slapdashery of cooking. Baking, to Avis, was no less precise than chemistry: an exquisite transfiguration. Every night, she lingered in the kitchen, analyzing her work, jotting notes, describing the way ingredients nestled: a slim layer of black chocolate hidden at the bottom of a praline tart, the essence of lavender stirred into a bowl of preserved wild blueberries. Stanley listened to his mother think out loud: he asked her questions and made suggestions- like mounding lemon meringue between layers of crisp pecan wafers- such a success that her corporate customers ordered it for banquets and company retreats. On the day Avis is thinking of, she sat in the den where they watched TV, letting her hand swim over the silk of her daughter's hair, imagining a dessert pistou of blackberry, creme fraiche, and nutmeg, in which floated tiny vanilla croutons. Felice was her audience, Avis's picky eater- difficult to please. Her "favorites" changed capriciously and at times, it seemed, deliberately, so that after Avis set out what once had been, in Felice's words, "the best ever"- say, a miniature roulade Pavlova with billows of cream and fresh kumquat- Felice would announce that she was now "tired" of kumquats.
Diana Abu-Jaber (Birds of Paradise)
Ma naps on the sofa, and for a moment I can imagine what she’ll look like when she dies, when her face slackens and the air abandons her lungs. Around her are objects, papers, photo frames filled with faces she hasn’t seen in years. Among these things her body looks lifeless and alone, and I wonder if the pressure of an audience is what forces the blood to pump. It’s easy to unravel when no one is watching.
Avni Doshi (Burnt Sugar)
Gli intellettuali francesi storcevano il naso quando Bataille diceva che l'illuminazione poteva nascondersi nella merda, o Dio in una prostituta, ed è possibile che ora i neurologi preferiscano tenere in piedi lo schermo che separa il loro campo dal resto del corpo, la sacralità della barriera sangue-cervello, perché uno stronzo non può avere nulla a che fare coi misteri su cui indagano loro.
Avni Doshi (Burnt Sugar)
I told him that staying doesn't have the appeal, the mystery, of escape. To stay is to be staid, to be resigned, to believe this is all there will ever be. Aren't we creatures made for searching, investigation, dominion? Aren't we built to believe there can always be something better?
Avni Doshi (Burnt Sugar)
We dissolve with questions
Avni Doshi (Burnt Sugar)
At the end she will be a house I've moved out of, containing nothing that is familiar
Avni Doshi (Burnt Sugar)
you feel like a field of sugar canes after the harvest—burnt out, all cutting edges with no sweetness left inside.
Aliette de Bodard (Clarkesworld Magazine, Issue 69, June 2012)
She gave a sudden, luminous grin. 'Typical chrysalis,' she said. 'Pretty as peaches. Thick as mince.' Then she turned and made for the door, looking almost insubstantial in the shadows. Tom watched as she vanished down the steps. And looking down on to the street, he saw her hesitate, and then, finding the street deserted, spread out the skirts of the garment that he'd assumed was a long brown coat... Except that it wasn't a coat. It was wings-- wings the color of cobweb, and dappled sunlight on water, and rain... I've seen this before, said a voice in his mind. It came with a fleeting memory-- a voice in the moonlight, the touch of a hand, a scent of smoke and roses. I've seen this before, thought Tom once again, as Charissa flew into the night. His hand crept into his pocket, where something-- a dead leaf? No, a flower-- seemed to be caught in the lining. With the thought came a memory: of a moon like a Christmas bauble; a kiss as light as a moth's wing; a long-necked guitar that fell from a bridge into the moonlit water. I must have dreamed that, Tom thought, and yet it didn't feel like a dream. And it came with the sound of voices of vendors selling flowers and fruit, and the scent of marchpane and gingerbread, burnt sugar, and smoke, and spices. The Market!
Joanne Harris (The Moonlight Market)
I kind of associate people with flavors. My grandpa? He's an acquired taste, but the closest I can get is crème brûlée. A caramelized shell on the outside. Burnt, bitter notes. But crack the surface, and you find nothing but sweet custard. And Granny? She's a lemon meringue pie. A classic. Pillowy, silken-sweet egg whites, tamed with a hint of sour lemon and a snap of rich, buttery crust." Squinting at him, she stopped rambling, feeling naked under his smoldering gray gaze. She lifted her heavy twists off the spot between her shoulder blades and fanned her neck. "Told you it was weird." "It's not. It's beautiful." He looked down at the water, then met her eyes. "Do you have one for me?" "I didn't. Before. I tried to figure you out, but nothing ever fit. I think maybe because my doubts got in the way. But now...?" "Now?" She traced her finger along the veins in his arms, watched his breath catch. "A ginger cookie. Not a gingersnap. Those are brittle and grate against your teeth. You're a chewy molasses cookie, the kind that gives when you bite into it, with exciting zings of crystallized ginger and pops of raw sugar." She dipped her chin, leaning on the railing again. He moved behind her and slipped his arms around her waist, melting her to the core. He placed his mouth right by her ear, his breath tickling her neck. "What I'm hearing is, you like things a little spicy." Laughing, she craned her neck around to catch the gleam in his eyes. "That's what you got out of that?" "I heard what I heard.
Chandra Blumberg (Digging Up Love (Taste of Love, #1))
We are all unreliable. The past seems to have a vigour that the present does not.
Avni Doshi (Burnt Sugar)
The world exists only as far as you can see
Avni Doshi (Burnt Sugar)
Sham Harga had run a successful eatery for many years by always smiling, never extending credit, and realizing that most of his customers wanted meals properly balanced between the four food groups: sugar, starch, grease and burnt crunchy bits.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch #2))
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approach him in his home. By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy. She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it. She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him. "Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth." She didn't wait for him to say anything, just turned around and walked back to her house. He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it. But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what he could do for her. He ate another cookie before getting up to make himself dinner.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
While Hugh glad-hands with his constituents, I continue strolling around the fair, on a quest for clotted cream fudge. I find some at a small stand next to the Ferris wheel, and, with what little cash I have left, I buy three flavors: traditional, peanut butter, and chocolate. The traditional, I discover, is not traditional American fudge, which would be milk chocolate, perhaps studded with with toasted walnuts. Instead, this version is blond in color, with a milky, burnt-sugar flavor, like a square of caramel, only less sticky and with a soft, velvety texture.
Dana Bate (Too Many Cooks)
He subscribed to the medieval policy of polypharmacy – chucking in sometimes dozens of ingredients on the principle that some of them were bound to do you good, ignoring the possibility that some of them might be toxic. As well as ‘fistfuls’ and ‘half-handfuls’ of miscellaneous greenery, ivory shavings cropped up quite often, sometimes having been burned first. The genitals of a cockerel might come in useful, if you could find them. Breast milk should be drunk ‘from the breast by sucking, and if this be loathsome to the patient [regardless of the feelings of the donor] let him take it as hot as possible’. Cat lovers would be horrified by Gaddesden’s recommendation of an ‘astringent bath: take young cats, cut their entrails out, and put their extremities [paws and tail?] with [various herbs], boil in water and bathe the sick man in it’. Another feline recipe: put ‘the lard’ of a black cat, and of a dog, into the belly of a previously eviscerated and flayed black cat, and roast it; collect the ‘juice’ and rub it on the sick limb. ‘The comfort derived therefrom is marvellous.’ A specific for nervous disease is the brain of a hare. If the hunting party kills a fox instead, they could boil it up and use the resulting broth for a massage. Treatment for a paralysed tongue sounds more cheerful: rub it with what the translator called ‘usquebaugh’, i.e. whisky; ‘it restores the speech, as has been proved on many people’. Animal and avian droppings found many uses, such as peacocks’ droppings for a boil. A cowpat made a good poultice, with added herbs. For those who could afford them, gold and silver and pearls, both bored and unbored, were bound to increase the efficacy of the medicine. Gaddesden recommended his own electuary, using eighteen ingredients including burnt ivory and unbored pearls, with a pound of (very expensive) sugar; ‘I have often proved its goodness myself.’ In a final flourish, he suggests putting the heart of a robin redbreast round the neck of a ‘lethargic’ patient, to keep him awake, or hanging the same heart, with an owl’s heart, above an amnesiac patient; it will ‘give [his memory] back to him’. Even better, the heart of a swallow cooked in honey ‘compels him who eats it to tell all things that happened’ in the past, and to predict the future.
Liza Picard (Chaucer's People: Everyday Lives in Medieval England)
I look inside. There is a large roll, a miniature pie about four inches across with a golden crust that is sprinkled with large crystals of sugar, a stack of cookies, a square of what looks like bread pudding, and a small tub. "Okay, what am I looking at?" I say. "This is the rustic roll I was telling you about last week, the one based on the classic Poilâne bread." My favorite bread of all time, with its dark, almost burnt chewy crust and the tangy, fermented chestnut-colored crumb. "Yum, very excited about that." "Us too. I think we've finally nailed it. This is what we are thinking for pie service, all individual whole pies instead of slices. This one is classic apple." "Because you still can't stand it when the servers don't get the pie slices out of the pan perfectly." "True. The cookies are cornflake snickerdoodle, Black Forest, and ginger lemon cream." "Cornflake snickerdoodle?" "Sophie's thing. She wanted a cookie that tasted like the top of a good noodle kugel." "She's fucking brilliant, that woman." "I know, right? This is a piece of the palmier bread pudding, and that is the vanilla semolina pudding.
Stacey Ballis (How to Change a Life)
Next, we moved to dessert with a bite of berry torte, passed out in shallow bowls meant for sauce. "There are over fifteen individually prepared components in this," Matthew started. "And you must know them all!" Jake added. Matthew cleared his throat. "The important ones are: berry cake, chia seed brittle, mint-honey glaze, preserved orange peel, burnt sugar whipped cream, almond tuiles, almond-Riesling gelato, and rose meringues. Then everything is set ablaze with bay leaf-infused brandy.
Jessica Tom (Food Whore)
He says his sister is beautiful when she is decidedly not. He calls a lot of people nice who don’t deserve
Avni Doshi (Burnt Sugar)
I slowly purged any remnant of their existence:
Avni Doshi (Burnt Sugar)
Sister Maria Theresa bent her head to look at the picture and, without warning, stabbed the pencil into the back of my palm.
Avni Doshi (Burnt Sugar)
A year ago, at the Club, she fingered me in a bathroom stall while our husbands ordered drinks at the bar. We’ve never spoken of it.
Avni Doshi (Burnt Sugar)
Ma had not made any plans before leaving the ashram.
Avni Doshi (Burnt Sugar)
This is usual and always accompanies reproach for him - he divests himself pf responsibility or choice in all past, current or future situations at the beginning of any conversations we have. He means to head off any blame I might be ready with. He doesn't know I always empty my pockets of that stuff before I pass the threshold of his house, that even once I am inside, I know a different kind of door remains closed in front of me.
Avni Doshi (Burnt Sugar)
Maybe this is the point of a pregnancy, of motherhood itself. A child to undo the woman who bears it, to pull her safely apart.
Burnt Sugar By Avni Doshi
He can never leave me once I have his child.
Avni Doshi (Burnt Sugar)
She says she never thought my work required much imagination, that it was copying an image over and over again.
Avni Doshi (Burnt Sugar)
Soufflé! Omelets with burnt sugar, like we used to get at Aux Trois Faisons, with our initials burned into the crust. The Tuileries! the wind biting at our coats. We walk and walk and walk (so as to wear out Mrs. Parrish so that when they did return, she was exhausted. She begged off dinner. She began to lose weight, they all did, even though they ate the lunches of duck, creamed Brussels sprouts with lardons, terrine, confit, fromage blanc, steak tartare with shimmering soft-set eggs, brioche).
Ashley Warlick (The Arrangement)
I wonder at the terror physicists must have felt when the laws of Newton failed under a microscope. They poked a little too far. Many of them must have wished they could un-see what they had witnessed and go back to a simpler time.
Avni Doshi (Burnt Sugar)
I tell her I am not sure what to do, that maybe I’ve lost my imagination. She says she never thought my work required much imagination, that it was copying an image over and over again. I explain that I mean another kind of imagination, the kind that invents a world where my work matters. But the days seem endless and bright, so time doesn't seem to move.
Avni Doshi (Burnt Sugar)
The goal of flavor creation is to reach the seven-year-old inside the forty-seven-year-old," Brian explains of their instant connection with customers. While other ice cream start-ups in the city- and there have been plenty launches since Ample Hills, including Oddfellows (2013), Morgenstern's (2014), and Ice & Vice (2015), to name a few- have found their success in offbeat flavors like avocado, extra virgin olive oil, red bean, and chorizo caramel, they aren't made in the same spirit of evoking the fun and play of childhood that Brian finds essential. It's a different brand of creativity. Even though it inevitably meant waiting in a long line, I loved being the one to go to Ample Hills to pick up a pint because it also meant sampling the flavors. Each one is sweet and creamy, über-rich, and totally original. They're loaded with so many ingredients you never tire of taste testing them. There's Ooey Gooey Butter Cake, a full-flavor vanilla that's studded with chunks of rich, dense Saint Louis-style cake; The Munchies, a salty-sweet pretzel-infused ice cream chock-full of Ritz crackers, potato chips, M&M's, and more pretzels; Nonna D's Oatmeal Lace is brown-sugar-and-cinnamon ice cream chunked with homemade oatmeal cookies; and their signature flavor, Salted Crack Caramel, which involves caramelizing large amounts of sugar on the stove top until it's nearly burnt, giving it a bitterness that distinguishes their version from all the other salted caramels out there.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
This is usual and always accompanies reproach for him - he divests himself of responsibility or choice in all past, current or future situations at the beginning of any conversations we have. He means to head off any blame I might be ready with. He doesn't know I always empty my pockets of that stuff before I pass the threshold of his house, that even once I am inside, I know a different kind of door remains closed in front of me.
Avni Doshi (Burnt Sugar)
separate small bowl, mix together the sour cream and a ½ cup of burnt sugar syrup. You will have extra syrup. Save it—it’s delicious in coffee! Add ⅓ of the flour mixture to the butter, sugar, and eggs, mixing just until the flour is incorporated, then add ⅓ of the sour cream/burnt sugar syrup mixture. Repeat until you have a uniform cake batter, taking care not to overmix. Scoop the batter into a well-greased 10–12 cup Bundt pan. Bake at 350°F until the top springs back when you press it and a cake tester comes out clean, about 1 hour. Let cool completely before unmolding and icing. TO MAKE THE ICING In the bowl of a stand mixer, beat together the butter, salt, and confectioners sugar. Add the vanilla extract and maple syrup. Add the heavy cream one tablespoon at a time, until the icing is a nice, spreadable consistency. Place the cake on a platter. Using an offset spatula, spread the icing over the top of the cake.
Louise Miller (The Late Bloomers' Club)