Festive Feels Quotes

We've searched our database for all the quotes and captions related to Festive Feels. Here they are! All 100 of them:

I think of Sean folded low over the red stallion, riding bareback at the top of the cliffs. Of the easy way they had with each other when I met him to look at the uisce mare. I think, even, of the way Sean looked when he stood on the bloody festival rock and said his name, and then Corr's, like it was just one fact after the other. Of the way he said "the sky and the sand and the sea and Corr" to me. And I feel a bite of unfairness, because in everything but name, it seems to me that Sean Kendrick already owns Corr.
Maggie Stiefvater (The Scorpio Races)
This, after all, was the month in which families began tightening and closing and sealing; from Thanksgiving to the New Year, everybody's world contracted, day by day, into the microcosmic single festive household, each with its own rituals and obsessions, rules and dreams. You didn't feel you could call people. They didn't feel they could phone you. How does one cry for help from these seasonal prisons?
Zadie Smith (On Beauty)
Then I said, “Matt’s got a big mouth.” “They all got big mouths, girl, learn that quick. These boys talk more than a pack of women. I lost fifty bucks on you.” I was stunned speechless again, this time it didn’t last as long. “What?” “See, Lee nailed Indy the first night they were together. Not nailed her nailed her but she was in his bed. Eddie, with Jet, it took a few days. Hank and Roxie, like, a day. Vance, like three, but Jules was a virgin and he had to interrupt the festivities once to go out and shoot someone.” I was blinking rapidly and feeling kind of faint at the amount and sensitivity of information Shirleen was imparting, not to mention what it might mean to me. “So we had a pool. Everyone threw down money on when they thought Luke would nail you. Mace won five hundred dollars.” Ho-ly crap. “So,” she went on. “Did he nail you nail you or did you two just sleep?” For some reason, I answered her unbelievably nosy question. “We just slept.” “New pool!” she shouted.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
Don't breathe to survive; dance and feel alive.
Shah Asad Rizvi
We feel safe on familiar ground, the tried and tested, the accepted, the so-called ‘normal’, but life is meant to be experienced and explored, to be a journey of self-discovery and adventure.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
The law is that you must live in the house you have built. The law is absurd: it is written down nowhere. You are uncertain what crime is, though each life writhing to elude what it has made feels like punishment.
Frank Bidart (Watching the Spring Festival: Poems)
You go into marriage, you plow a road. You’re going to hit rough patches, and some may be rougher and last longer than others, but you’ve got choices to make. You work to smooth them out, you hold until they do, or they don’t. You stick with the road, or you get off. But you don’t do something to make it worse, don’t do something that maybe makes you feel better for the short term while it sucker punches the person you’re married to.
J.D. Robb (Festive in Death (In Death, #39))
You can say anything with a Post-It. I’m not entirely sure why that is. Maybe the friendliness of the squares makes it easier. A square is nicely compact and less intimidating than a full page. And they come in cheerful colors. Non-white paper is kind of inherently festive. Or maybe paper that sticks feels more important than paper that can blow away. (Though you can move them, if you need to put them somewhere else.) They might not be as lasting as words carved in stone, but Post-It thoughts will stay. For awhile, at least.
Erin Morgenstern
So, it was done, the break was made, in words at least: on July 2, 1776, in Philadelphia, the American colonies declared independence. If not all thirteen clocks had struck as one, twelve had, and with the other silent, the effect was the same. It was John Adams, more than anyone, who had made it happen. Further, he seems to have understood more clearly than any what a momentous day it was and in the privacy of two long letters to Abigail, he poured out his feelings as did no one else: The second day of July 1776 will be the most memorable epocha in the history of America. I am apt to believe that it will be celebrated by succeeding generations as the great anniversary festival. It ought to be commemorated as the Day of Deliverance by solemn acts of devotion to God Almighty. It ought to be solemnized with pomp and parade, with shows, games, sports, guns, bells, bonfires, and illuminations from one end of this continent to the other from this time forward forever more.
David McCullough (John Adams)
I would like to invite you to savour every moment of this experiential journey. Feel the energies of the earth, listen to them calling on the wind, whispering their secrets and beckoning you to explore their mysteries.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
I read this article about how what you wear under your clothes is all about what makes you feel empowered and in control. It’s the Under You.
J.D. Robb (Festive in Death (In Death, #39))
I know when a festival comes, I'm just searching for a beautiful birthday quote for her.
Balakoteswara Panchakshari
You want to know what I really learned? I learned that people don’t consider time alone as part of their life. Being alone is just a stretch of isolation they want to escape from. I saw a lot of wine-drinking, a lot of compulsive drug use, a lot of sleeping with the television on. It was less festive than I anticipated. My view had always been that I was my most alive when I was totally alone, because that was the only time I could live without fear of how my actions were being scrutinized and interpreted. What I came to realize is that people need their actions to be scrutinized and interpreted in order to feel like what they’re doing matters. Singular, solitary moments are like television pilots that never get aired. They don’t count. This, I think, explains the fundamental urge to get married and have kids[…]. We’re self-conditioned to require an audience, even if we’re not doing anything valuable or interesting. I’m sure this started in the 1970s. I know it did. I think Americans started raising offspring with this implicit notion that they had to tell their children, “You’re amazing, you can do anything you want, you’re a special person.” [...] But—when you really think about it—that emotional support only applies to the experience of living in public. We don’t have ways to quantify ideas like “amazing” or “successful” or “lovable” without the feedback of an audience. Nobody sits by himself in an empty room and thinks, “I’m amazing.” It’s impossible to imagine how that would work. But being “amazing” is supposed to be what life is about. As a result, the windows of time people spend by themselves become these meaningless experiences that don’t really count. It’s filler.
Chuck Klosterman (The Visible Man)
We have seen that a myth could never approached in a purely profane setting. It was only comprehensible in a liturgical context that set it apart from everyday life; it must be experienced as part of a process of personal transformation. None, of this surely applies to the novel, which can be read anywhere at all witout ritual trappings, and must, if it is any good, eschew the overtly didactic. Yet the experience of reading a novel has certain qualities that remind us of the mythology. It can be seen as a form of mediation. Readers have to live with a novel for days or even weeks. It prljects them into another worl, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel bcomes part of the backdrop of lives long after we have laid the book aside. It is an excercise of make-believe, that like yoga or a religious festival breaks down barriers of space and time and extends our sympathies to empathise with others lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology , an important novel is transformative. If we allow it do so, can change us forever.
Karen Armstrong (A Short History of Myth)
Tea was the order of the day, neat for the hardened drinker or containing a tot of whiskey for those who liked it watered down! Throughout the afternoon, the wonderful aroma of rosemary wafted throughout the cottage and I later discovered that Mrs Darley sprinkled the dried herb on her grill pan and, with the grill on a low heat, it scented the whole cottage, bringing a feeling of warmth and security to us all.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
Is there anything else you haven't told me?" My head spun. So much had happened and we still needed to stop a powerful magician. Death was a real possibility. I needed Valek to know how I felt. "I love you" Valek wrapped me in his arms. "My love has been yours since the fire festival. If those goons had killed you, I knew then that I would never be the same. I didn't want or expect this. But I couldn't resist you.
Maria V. Snyder
He coordinated his socks and underwear," she commented when Peabody came back in. "Colors and patterns. Who does that, and why?" "I read this article about how what you wear under your clothes is all about what makes you feel empowered and in control. It's the Under You." "If wearing matching boxers and socks make you feel empowered, you're a weenie.
J.D. Robb (Festive in Death (In Death, #39))
Volume II, Chapter 4 "How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.
Mary Wollstonecraft Shelley (The Last Man)
Have you ever been at a festival when you were sad or ill? Well, then you’ve felt how much your sadness was irritated and exasperated, as by an insult, by the joyful faces and the beauty of things. It’s an intolerable feeling. Think of what it must mean to a victim who is going to die under torture. Think how much the torture is multiplied in his flesh and his soul by all the splendour which surrounds him; and how much more atrocious is his agony, how much more hopelessly atrocious, darling!
Octave Mirbeau (The Torture Garden)
Jimi, a red scarf around his head and wearing a white fringed and beaded leather shirt, looked almost like a mystical holy man in meditation. His eyes closed, his head back, he'd merged with his music, his Strat--played upside down since he's a lefty--his magic wand. Though he was surrounded by his band, he projected the feeling he was all alone. ... Tom Law of the Hog Farm (on Jimi's rendition of the national anthem): I felt like he was the defining poet of the festival with that piece of music. It was like taking you right into the heart of the beast and nailing it.
Uwe Michael Lang (The Road to Woodstock)
He says nothing, vehemently. I falter away and we sit, mutually staring into the fouled water. ... With time to kill, I ponder dismally the possible derivation of the zombie myth from people like my boyfriend. I picture Ralph blackened, semi-fingered, with bright bone peeking through his flesh. The odd small worm clings, festively wiggling. In my image, Ralph's really upset about decaying, and I feel for him sorrowfully. I want to tell him I would still love him, if he were decomposed. Of course in practice there is no predicting what I'd feel, and besides which, it's a wild associative leap. I ponder dismally how I've alienated people, all my life, with my bizarre associative leaps.
Sandra Newman (The Only Good Thing Anyone Has Ever Done: A Novel)
I hardly ever went to the AA [alcoholics anonymous] meetings. I’ve just never felt comfortable in those places. It’s my worst zone. I’ll get up and sing my heart out in front of two hundred thousand people at a rock festival, but when I’ve got to talk about the way I feel to people I’ve never met before, I can’t do it. There’s nothing to hide behind.
Ozzy Osbourne (I Am Ozzy)
You make me feel like I’m having a myocardial infarction.” I laughed. “The feeling’s mutual. I think.
Keira Andrews (The Christmas Veto (Festive Fakes #3))
The name sounds wrong in her mouth and makes me feel off-kilter, the way I used to feel as a kid at the Strawberry Festival
Lauren Oliver (Requiem (Delirium, #3))
have cheated in the first place.” “Well, yeah, but—” “There’s no ‘but.’” Eve pulled open the car door, slid in. “You go into marriage, you plow a road. You’re going to hit rough patches, and some may be rougher and last longer than others, but you’ve got choices to make. You work to smooth them out, you hold until they do, or they don’t. You stick with the road, or you get off. But you don’t do something to make it worse, don’t do something that maybe makes you feel better for the short term while it sucker punches the person you’re married to.
J.D. Robb (Festive in Death (In Death, #39))
Since the festival had started, I had been taking note of a potential hostile that Amena had been associating with. Evidence was mounting up and my threat assessment was nearing critical. Things like: (1) he had informed her that his age was comparable to hers, which was just below the local standard for legal adult, but my physical scan and public record search indicated that he was approximately twelve Preservation standard calendar years older, (2) he never approached her when any family members or verified friends were with her, (3) he stared at her secondary sexual characteristics when her attention was elsewhere, (4) he encouraged her to take intoxicants that he wasn’t ingesting himself, (5) her parental and other related humans all assumed she was with her friends when she was seeing him and her friends all assumed she was with family and she hadn’t told either group about him, (6) I just had a bad feeling about the little shit.
Martha Wells (Network Effect (The Murderbot Diaries, #5))
Karelia is the best place to explore Finnish Orthodox customs. Onion-domed churches and traditional festivals give the place a different feel from the predominantly Lutheran rest of the country.
Lonely Planet Finland
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
Meg Cabot (All-American Girl (All-American Girl, #1))
bugs me are the trans troublemakers, you should have seen the stick I got when I announced my festival was for women-born-women as opposed to women-born-men, I was accused of being transphobic, which I’m not, I’m absolutely not, I have trans friends, but there is a difference, a man raised as a man might not feel like one but he’s been treated as one by the world, so how can he be exactly the same as us?
Bernardine Evaristo (Girl, Woman, Other)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
...the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book asie. It is an exercise of make-believe that, like yoga or a religious festival, breaks down barriers of space and time and extends our sympathies, so that we are able to empathise with others lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology, an important novel is transformative. If we allow it to do so, it can change us forever.
Karen Armstrong
A fanatical psychosis of contempt possessed us and we succumbed to it gladly. In it I recognized the real thing, my genuine feeling about these festivals by international troupes of castrated morons and rarified conformist cows.
Ludvík Vaculík (The axe)
My work as a Meridian Psychotherapist and Clinical Hypnotherapist has taught me that people often feel guilty about the way they feel or think and many do not realise that seasonal changes can have a profound effect on the psyche.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
When people are blocked creatively, they avoid fun. Why? Because fun leads straight to creativity. Fun leads to healthy anarchy, to festive rebellion, to sensing our own strength and power. Feeling our own power is often frightening.
Mark Bryan (Artists Way at Work: Riding the Dragon)
Thinking of those times as he passed the cemetery on his way to the evening’s festivities, Gabe recalled the day Matty’s body had been found and carried home. Gabe had been young then, only eight, a rambunctious resident of the Children’s House, happiest with solitary adventures and disinterested in schoolwork. But he had always admired Matty, who had tended and helped Seer with such devotion and undertaken village tasks with energy and good humor. It had been Matty who had taught Gabe to bait a hook and cast his line from the fishing rock, Matty who had shown him how to make a kite and catch the wind with it. The day of his death, Gabe had huddled, heartbroken, in the shadow of a thick stand of trees and watched as the villagers lined the path and bowed their heads in respect to watch the litter carrying the ravaged body move slowly through. Frightened by his own feelings, he had listened mutely to the wails of grief that permeated the community.
Lois Lowry (Son (The Giver, #4))
I'll fix things up with George soon as she gets here," Anthony mumbled. "You may depend upon it." "Oh,I know you will, but you'll have to hie yourself back to London to do so, since she ain't coming here. Didn't want to inflict her dour mood on the festivities, so decided it ould be best to absent herself." Anthony looked appalled now and complained, "You didn't say she was that mad." "Didn't I? Think you're wearing that black eye just because she's a mite annoyed?" "That will do," Jason said sternly. "This entire situation is intolerable.And frankly, I find it beyond amazing that you have both utterly lost your finesse in dealing ith women since you married." That,of course, hit quite below the belt where these two ex[rakes were concerned. "Ouch," James muttered, then in his own defense, "American women are an exception to any known rule, and bloody stubbron besides." "So are Scots,for that matter," Anthony added. "They just don't behave like normal Enlgishwomen,Jason,indeed they don't." "Regardless.You know my feelings on the entire family gathering here for Christmas.This is not the time for anyone in the family to be harboring any ill will of any sort.You both should have patched this up before the holidays began. See that you do so immediately, if you both have to return to London to do so." Having said his peace, Jason headed for the door to leave his brothers to mull over their conduct,or rather, misconduct, but added before he left, "You both look like bloody panda bears.D'you have any idea what kind of example that sets for the children?" "Panda bears indeed," Anthony snorted as soon as the door closed. James looked up to reply drolly, "Least the roof is still intact.
Johanna Lindsey (The Holiday Present)
-Well, that’s actually quite understandable, Deepak gently returned, -there are a lot of things people fear, yet really the only thing people have any reason to fear is uncertainty. Of course, the biggest uncertainty is what happens to us after this life, which is why we fear death so much. But even death is rather pointless to worry about, it will happen to each and every one of us, whether we care for it or not, all we can do is try to accept it as gracefully as possible. -This is why, living day to day, my greatest uncertainty hasn’t been about death, but whether you will love me by returning all of my affection. I can’t think of anything I would find more fearful or disturbing than if you were to refuse my feelings or worse if you were to fall in love with someone else before you had a chance to love me.
Andrew James Pritchard (Festival of Lights)
This was his cure for low spirits. When you pour your first cup of coffee of the day, if you’re feeling crummy, put a dab of ice cream into it. It’s festive. Then you gotta trudge off like everybody else, like I said, but you got the ice cream with you. Forget art. Put your trust in ice cream.
Charles Baxter (The Feast of Love (Vintage Contemporaries))
How dull! to hear the voice of those Whom Rank or Chance, whom Wealth or Power, Have made, though neither friends nor foes, Associates of the festive hour. Give me again a faithful few, In years and feelings still the same, And I will fly the midnight crew, Where boist'rous Joy is but a name.
Lord Byron
And, then, sometime between December 26 and January 1, the festivity ends and I straggle back to my apartment feeling exhausted, broke, and somehow lonelier than before. This is when I start wondering if it might not be better for everyone if Christmas were an event staged every four years, like the Olympics. But
Jane Green (This Christmas)
EVERY WEDNESDAY, I teach an introductory fiction workshop at Harvard University, and on the first day of class I pass out a bullet-pointed list of things the students should try hard to avoid. Don’t start a story with an alarm clock going off. Don’t end a story with the whole shebang having been a suicide note. Don’t use flashy dialogue tags like intoned or queried or, God forbid, ejaculated. Twelve unbearably gifted students are sitting around the table, and they appreciate having such perimeters established. With each variable the list isolates, their imaginations soar higher. They smile and nod. The mood in the room is congenial, almost festive with learning. I feel like a very effective teacher; I can practically hear my course-evaluation scores hitting the roof. Then, when the students reach the last point on the list, the mood shifts. Some of them squint at the words as if their vision has gone blurry; others ask their neighbors for clarification. The neighbor will shake her head, looking pale and dejected, as if the last point confirms that she should have opted for that aseptic-surgery class where you operate on a fetal pig. The last point is: Don’t Write What You Know. The idea panics them for two reasons. First, like all writers, the students have been encouraged, explicitly or implicitly, for as long as they can remember, to write what they know, so the prospect of abandoning that approach now is disorienting. Second, they know an awful lot. In recent workshops, my students have included Iraq War veterans, professional athletes, a minister, a circus clown, a woman with a pet miniature elephant, and gobs of certified geniuses. They are endlessly interesting people, their lives brimming with uniquely compelling experiences, and too often they believe those experiences are what equip them to be writers. Encouraging them not to write what they know sounds as wrongheaded as a football coach telling a quarterback with a bazooka of a right arm to ride the bench. For them, the advice is confusing and heartbreaking, maybe even insulting. For me, it’s the difference between fiction that matters only to those who know the author and fiction that, well, matters.
Bret Anthony Johnston
Religion may not be something you approve of, and that's just fine. But agrarian religious culture is going to be powerful. If you think all religious people are the same, that religion is the cause of all problems and religious people are idiots, that's your privilege; but shut up about it. As we’re less and less able to control our future, more and more people going to praying in their foxholes, maybe even you. Get over it, and stop feeling superior. And if you reject religion and don't want to see it flourish but you aren't working to provide community support, food for the hungry, care for the sick and dying, festivals of celebration and release, and a way to think about why the world of so screwed up, then expect to spend a lot of time wondering why you aren't as successful as religious groups. Don't blame it on religion – blame it on the fact that you aren't very good a doing the things that religion does very well for many of us.
Sharon Astyk (A Nation of Farmers: Defeating the Food Crisis on American Soil)
The traditional Roman year was only 355 days long, and it had for centuries been the job of Roman priests to add in an extra month from time to time to keep the civic calendar in step with the natural seasons. For whatever reason – probably a combination of lack of expertise and lack of will – they had signally failed to get their calculations correct. The result was that the calendar year and the natural year were sometimes many weeks apart, with the Roman equivalent of harvest festivals falling when the crops were still growing and the climate in what was called April feeling more like February (which it was). The truth is that it is always dangerous in Republican history to assume that any given date is an accurate indication of the weather. Using Alexandrian know-how, Caesar corrected the error and, for the future, established a year with 365 days, with an extra day inserted at the end of February every four years. This was a far more significant outcome of his visit to Egypt than any dalliance with Cleopatra. Other
Mary Beard (SPQR: A History of Ancient Rome)
We get to the festival, and Bo's parents are two of only a handful of white people. And for once, it's not my turn to be uncomfortable. I'm with my people now. It's not that I want them to be uncomfortable. I'm just sick of being the one to shoulder the un-comfortability of every situation so other people can feel like everything is normal. This is my normal.
Sonora Reyes (The Lesbiana's Guide to Catholic School)
Color is like sex. It's mysterious. It's unknowable. It never looks the same twice. No two people see the same thing. No two people feel the same thing. I once went to china on a cruise ship. Eight hundred of us got off the ship wearing white, because it feels festive and shippy and says "I'm on a cruise." In China white is the color of mourning. We looked insane.
Stephen Drucker
The festival is over. We sit quietly sipping on memories of the day looking out past window boxes at revelers heading home. I turn and watch as hieroglyphics flow from your mouth. Ancient architectures are being released again from doorways opening up and down your spine. In this hour before sleep, we feel it. The fibers holding the world together are crackling again.
Frank LaRue Owen (The School of Soft Attention)
Prepare yourself for Eid Wear new clothes of kindness, and never wear off Scent yourself with the perfume of love, and spread it everywhere Keep the sweet on the tongue and distribute it by heart to everyone Open Your Arms wide, hug everyone tight, Ego, anger, superiority, free your soul with these all to friends, to relatives, to strangers, gift beautiful feelings to all
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth. Within these plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods, we return to reason and faith. There I feel that nothing can befall me in life,—no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. Standing on the bare ground,—my head bathed by the blithe air, and uplifted into infinite space,—all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. The
Ralph Waldo Emerson (Nature)
Albert Ken-rich Fisher’s 1900 “Summary of the Contents of 255 Stomachs of the Screech Owl” made me feel tired and sad, though also vaguely festive, owing to the author’s “Twelve Days of Christmas”–style presentation: “91 stomachs contained mice … 100 stomachs contained insects … 9 stomachs contained crawfish … 2 stomachs contained scorpions …” Droppings provided a kinder, less taxing alternative.
Mary Roach (Fuzz: When Nature Breaks the Law)
But I’ll never forget. On the day of the Festival of Pure Brightness, I take off all my bracelets. I remember the day when I finally knew a genuine thought and could follow where it went. That was the day I was a young girl with my face under a red marriage scarf. I promised not to forget myself. How nice it is to be that girl again, to take off my scarf, to see what is underneath and feel the lightness come back into my body!
Amy Tan (The Joy Luck Club)
The uncertainty, the enlargement of the feeling of being uncertain, as when, through a misunderstanding of possible dates, one does not know whether the guests are really coming to a party, that had been with him ever since he had dispatched Andrés with the report to Golz, had all dropped from him now. He was sure now that the festival would not be cancelled. It’s much better to be sure, he thought. It’s always much better to be sure.
Ernest Hemingway (For Whom the Bell Tolls)
do want to write a good story. But I no longer trust the judgements of my age. The critic now assesses the writer’s life as much as her work. The judges award prizes according to a checklist of criteria created by corporations and bureaucrats. And we writers and artists acquiesce, fearful of a word that might be misconstrued or an image that might cause offence. I read many of the books nominated for the globalised book prizes; so many of them priggish and scolding, or contrite and chastened. I feel the same way about those films feted at global festivals and award ceremonies. It’s not even that it is dead art: it’s worse, it’s safe art. Most of them don’t even have the dignity of real decay and desiccation: like the puritan elect, they want to take their piety into the next world. Their books and their films don’t even have the power to raise a good stench. The safe is always antiseptic.
Christos Tsiolkas (Seven and a Half)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
but those who dislike ritual in general—ritual in any and every department of life—may be asked most earnestly to reconsider the question. It is a pattern imposed on the mere flux of our feelings by reason and will, which renders pleasures less fugitive and griefs more endurable, which hands over to the power of wise custom the task (to which the individual and his moods are so inadequate) of being festive or sober, gay or reverent, when we choose to be, and not at the bidding of chance.
C.S. Lewis (A Preface to Paradise Lost)
Moreover that which is called, far too harshly in certain cases, the ingratitude of children, is not always a thing so deserving of reproach as it is supposed. It is the ingratitude of nature. Nature, as we have elsewhere said, “looks before her.” Nature divides living beings into those who are arriving and those who are departing. Those who are departing are turned towards the shadows, those who are arriving towards the light. Hence a gulf which is fatal on the part of the old, and involuntary on the part of the young. This breach, at first insensible, increases slowly, like all separations of branches. The boughs, without becoming detached from the trunk, grow away from it. It is no fault of theirs. Youth goes where there is joy, festivals, vivid lights, love. Old age goes towards the end. They do not lose sight of each other, but there is no longer a close connection. Young people feel the cooling off of life; old people, that of the tomb. Let us not blame these poor children.
Victor Hugo (Les Misérables)
Moreover that which is called, far too harshly in certain cases, the ingratitude of children, is not always a thing so deserving of reproach as it is supposed. It is the ingratitude Free eBooks at Planet eBook.com 2395 of nature. Nature, as we have elsewhere said, ‘looks before her.’ Nature divides living beings into those who are arriving and those who are departing. Those who are departing are turned towards the shadows, those who are arriving towards the light. Hence a gulf which is fatal on the part of the old, and involuntary on the part of the young. This breach, at first insensible, increases slowly, like all separations of branches. The boughs, without becoming detached from the trunk, grow away from it. It is no fault of theirs. Youth goes where there is joy, festivals, vivid lights, love. Old age goes towards the end. They do not lose sight of each other, but there is no longer a close connection. Young people feel the cooling off of life; old people, that of the tomb. Let us not blame these poor children.
Victor Hugo
It began as a meal. And became a feast, a festival – they hardly know how. The high flames flare, the voices whirr, wild songs stir from glitter and glance, and at last from the ripened rhythms in the air: arises the dance. And it sweeps them all up. You feel the wavebeats pounding through the room, you touch somebody, breathe-in her perfume, you part from her and find her once again, and then, through all the light-filled melodies, dazzled, you sway upon the summer breeze which fills the dresses that warm women wear.
Rainer Maria Rilke (The Lay of the Love and Death of Cornet Christopher Rilke)
Look! when I am in a drawing room, a church, a station; on the terrasse of a cafe, at the theatre or wherever crowds pass or loiter, I enjoy considering faces from a strictly homicidal point of view. For you may see by the glance, by the back of the neck, the shape of the skull, the jaw bone and zygoma of the cheeks, or by some part of their persons that they bear the stigmata of that psychological calamity known as murder. It is scarcely an aberration of my mind, but I can go nowhere without seeing it flickering beneath eyelids, or without feeling its mysterious contact in the touch of every hand held out to me. Last Sunday I went to a town on the festival day of its patron saint. In the public square, which was decorated with foliage, floral arches, and poles draped with flags, was grouped every kind of amusement common to that sort of public celebration—And beneath the paternal eye of the authorities, a swarm of good people were enjoying themselves. The wooden horses, the roller-coaster and the swings drew a very meagre crowd. The organs wheezed their gayest tunes and most bewitching overtures in vain. Other pleasures absorbed this festive throng. Some shot with rifles, pistols, or the good old crossbow at targets painted like human faces; others hurled balls, knocking over marionettes ranged pathetically on wooden bars. Still others, mallet in hand, pounded upon a spring which animated a French sailor who patriotically transfixed with his bayonet a poor hova or a mocking Dahomean. Everywhere, under tents or in the little lighted booths, I saw counterfeits of death, parodies of massacre, portrayals of hecatombs. And how happy these good people were!
Octave Mirbeau (Le Jardin des supplices)
In the twenty-first century the techniques of the political technologists have become centralized and systematized, coordinated out of the office of the presidential administration, where Surkov would sit behind a desk on which were phones bearing the names of all the “independent” party leaders, calling and directing them at any moment, day or night. The brilliance of this new type of authoritarianism is that instead of simply oppressing opposition, as had been the case with twentieth-century strains, it climbs inside all ideologies and movements, exploiting and rendering them absurd. One moment Surkov would fund civic forums and human rights NGOs, the next he would quietly support nationalist movements that accuse the NGOs of being tools of the West. With a flourish he sponsored lavish arts festivals for the most provocative modern artists in Moscow, then supported Orthodox fundamentalists, dressed all in black and carrying crosses, who in turn attacked the modern art exhibitions. The Kremlin’s idea is to own all forms of political discourse, to not let any independent movements develop outside of its walls. Its Moscow can feel like an oligarchy in the morning and a democracy in the afternoon, a monarchy for dinner and a totalitarian state by bedtime.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.
Mary Wollstonecraft Shelley (The Last Man (Annotated))
end of the 1950s. The great story of post-war America revolves around the adjustment to this totally new way of living together. Within a period of less than ten years, the basic values of the dominant culture were turned on their head. Americans switched from a culture in which they had to deal with deprivation – with all the rigour and tenacity that required – to one in which the enjoyment of abundance, and the ever-increasing enjoyment of ever-greater abundance, was central. This quiet social revolution, this fundamental change of priorities, this evaporation of American values such as thrift, frugality and solidarity, made quite a few Americans feel insecure. They sensed that the festivities surrounding washing machines, pink
Geert Mak (In America: Travels with John Steinbeck)
Christmas,” said Robin, with a faint grin but without apology. “I was going to put it up yesterday, but after Leonora was charged I didn’t feel very festive. Anyway, I’ve got you an appointment to see her at six. You’ll need to take photo ID—” “Good work, thanks.” “—and I got you sandwiches and I thought you might like to see this,” she said. “Michael Fancourt’s given an interview about Quine.” She passed him a pack of cheese and pickle sandwiches and a copy of The Times, folded to the correct page. Strike lowered himself onto the farting leather sofa and ate while reading the article, which was adorned with a split photograph. On the left-hand side was a picture of Fancourt standing in front of an Elizabethan country house. Photographed from below, his head
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
Learn to win a lady's faith Nobly, as the thing is high; Bravely, as for life and death— With a loyal gravity. Lead her from the festive boards, Point her to the starry skies, Guard her, by your truthful words, Pure from courtship's flatteries.' MRS. BROWNING. “my own case it is no good luck, nor merit, nor talent,—but simply the habits of life which taught me to despise indulgences not thoroughly earned...” 'There's iron, they say, in all our blood, And a grain or two perhaps is good; But his, he makes me harshly feel, Has got a little too much of steel.' ANON. ‘I ask Thee for a thoughtful love, Through constant watching wise, To meet the glad with joyful smiles, And to wipe the weeping eyes; And a heart at leisure from itself To soothe and sympathise.' ANON.
Elizabeth Gaskell (North and South)
My children, it is not enough to love passionately; you must also love well. A passionate love is good doubtless, but a beautiful love is better. May you have as much strength as gentleness; may it lack nothing, not even forbearance, and let even a little compassion be mingled with it. You are young, fair and good; but you are human, and because of this capable of much suffering. If then something of compassion does not enter into the feelings you have one for the other, these feelings will not always befit all the circumstances of your life together; they will be like festive robes that will not shield you from wind and rain. We love truly only those we love even in their weakness and their poverty. To forbear, to forgive, to console, that alone is the science of love.
Anatole France (Bee: The Princess of the Dwarfs)
Of all the old festivals, however, that of Christmas awakens the strongest and most heartfelt associations. There is a tone of solemn and sacred feeling that blends with our conviviality, and lifts the spirit to a state of hallowed and elevated enjoyment. The services of the church about this season are extremely tender and inspiring. They dwell on the beautiful story of the origin of our faith, and the pastoral scenes that accompanied its announcement. They gradually increase in fervor and pathos during the season of Advent, until they break forth in full jubilee on the morning that brought peace and goodwill to men. I do not know a grander effect of music on the moral feelings than to hear the full choir and the pealing organ performing a Christmas anthem in a cathedral, and filling every part of the vast pile with triumphant harmony.
Washington Irving (Old Christmas: From the Sketch Book)
As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration: „My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left…. I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)
Erving Goffman (Stigma: Notes on the Management of Spoiled Identity)
Lalla Ruk Dearest dream, my soul's enchantment Lovely guest from heav'n above, Most benevolent attender To the earthly realm below, You gave me blissful satisfaction Momentary but complete: Bringing with you happy tidings - Like a herald from the skies. I dreamed dreams of life eternal In that Promised Land of peace; I dreamed dreams of fragrant regions, Of a tranquil, sweet Kashmir; I could witness celebrations, Festivals of roses vernal Honoring that lovely maiden From lands strange and far away. And, with glistening enchantment Like an angel from above, - This untainted, youthful vision Came before my dreaming eyes; Like a veil, a shining shroud Screened her lovely face from view, Tenderly she did incline Her shy gazes toward the earth. All her traits - her timid shyness Underneath her shining crown, Childlike her animation, And her face's noble beauty - Glowing with a depth of feeling, Sweet serenity and peace - All of these completely artless Indescribably sublime! As I watched, the apparition (Captivating me in passing) Never to return, flew by; I pursued - but it had gone! T'was a vision merely fleeting, Transient illumination Leaving nothing but a legend Of its passing through my life! T'is not ours to harbor Beauty's spirit - Ah, so pure! It comes nigh but for a moment From its heavenly abode; Like a dream, it slips away, Like an airy dream of morning: But in sacred reminiscence It is married with the heart! Only in the purest instants Of our life does it appear Bringing with it revelations Beneficial to our hearts; That our hearts may know of heaven In this earthly shadow realm, It allows us momentary Glimpses through the earthly veil. And through all that here is lovely, All that animates our lives, To our souls it speaks a language Reassuring and distinct; When it quits our earthly region It bestows a gift of love Glowing in our evening heaven: "Tis a farewell star for all to see.
Vasily Zhukovsky
There was a loud din, a drunken gaiety. Young people, adults, children were dancing. But I could feel the reality behind the appearance of festivity. The distorted faces of the bride’s relatives signaled a quarrelsome discontent. Especially the women. They had spent their last cent for the gift, for what they were wearing, had gone into debt, and now they were treated like poor relations, with bad wine, intolerable delays in service? Why didn’t Lila intervene, why didn’t she protest to Stefano? I knew them. They would restrain their rage for love of Lila but at the end of the reception, when she went to change, when she came back, dressed in her beautiful traveling clothes, when she handed out the wedding favors, when she had left, with her husband, then a huge fight would erupt, and it would be the start of hatreds lasting months, years, and offenses and insults that would involve husbands, sons, all with an obligation to prove to mothers and sisters and grandmothers that they knew how to be men.
Elena Ferrante (My Brilliant Friend (L'amica geniale #1))
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
Laura Hillenbrand (Seabiscuit: An American Legend)
What do you remember most about what your pai put in his lamb chops?" "I think it was basically salt, pepper, and garlic." He squeezed his eyes shut and focused so hard that not dropping a kiss on his earnestly pursed mouth was the hardest thing. His eyes opened, bright with memory. "Of course. Mint." "That's perfect. Since we're only allowed only five tools, simple is good." "My mãe always made rice and potatoes with it. How about we make lamb chops and a biryani-style pilaf?" Ashna blinked. Since when was Rico such a foodie? He shrugged but his lips tugged to one side in his crooked smile. "What? I live in London. Of course Indian is my favorite cuisine." Tossing an onion at him, she asked him to start chopping, and put the rice to boil. Then she turned to the lamb chops. The automatic reflex to follow Baba's recipe to within an inch of its life rolled through her. But when she ignored it, the need to hyperventilate didn't follow. Next to her Rico was fully tuned in to her body language, dividing his focus between following the instructions she threw out and the job at hand. As he'd talked about his father's chops, she'd imagined exactly how she wanted them to taste. An overtone of garlic and lemon and an undertone of mint. The rice would be simple, in keeping with the Brazilian tradition, but she'd liven it up with fried onions, cashew nuts, whole black cardamom, cloves, bay leaves, and cinnamon stick. All she wanted was to create something that tasted like Rico's childhood, combined with their future together, and it felt like she was flying. Just like with her teas, she knew exactly what she wanted to taste and she knew exactly how to layer ingredients to coax out those flavors, those feelings. It was her and that alchemy and Rico's hands flying to follow instructions and help her make it happen. "There's another thing we have to make," she said. Rico raised a brow as he stirred rice into the spice-infused butter. "I want to make tea. A festive chai." He smiled at her, heat intensifying his eyes. Really? Talking about tea turned him on? Wasn't the universe just full of good news today.
Sonali Dev (Recipe for Persuasion (The Rajes, #2))
The tunnel of winter had settled over our lives, ushered in by that great official Hoodwink, the end of daylight saving time. Personally I would vote for one more hour of light on winter evenings instead of the sudden, extra-early blackout. Whose idea was it to jilt us this way, leaving us in cold November with our unsaved remnants of daylight petering out before the workday ends? In my childhood, as early as that, I remember observing the same despair every autumn: the feeling that sunshine, summertime, and probably life itself had passed me by before I'd even finished a halfway decent tree fort. But mine is not to question those who command the springing forward and the falling back. I only vow each winter to try harder to live like a potato, with its tacit understanding that time is time, no matter what any clock might say. I get through the hibernation months by hovering as close as possible to the woodstove without actual self-immolation, and catching up on my reading, cheered at regular intervals by the excess of holidays that collect in a festive logjam at the outflow end of our calendar.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
But sometimes, I have a great longing to hear something different from praise, for my soul sickens of too sweet a diet. It is then that Jesus gives me a nice little salad seasoned with vinegar and spice. The only thing missing is olive oil, and that makes it even tastier. The novices offer me this salad when I least expect it. God raises the veil which hides my imperfections from them, and my dear little sisters then see the reality and no longer find me quite to their liking. With a simplicity I find charming, they tell me what a trial I am to them and what they find unpleasant about me. They stand on no more ceremony than if they were discussing someone else, for they know that their freedom of speech delights me. It is actually more than delight. It is like a wonderful festival which overwhelms me with joy. If I had not experienced it, I could not believe that something so against one’s natural feelings could afford such happiness. Once when I was passionately longing to be humiliated, a young postulant did it so effectively that I remembered when Semei cursed David and I repeated to myself the words of the holy king: “Yea, it is the Lord who hath bidden him say all these things.
John Beevers (The Autobiography of Saint Therese: The Story of a Soul)
Ordinarily, when he thought back upon those days, let alone upon his student years and the Bamboo Grove, it had always been as if he were gazing from a cool, dull room out into broad, brightly sunlit landscapes, into the irrevocable past, the paradise of memory. Such recollections had always been, even when they were free of sadness, a vision of things remote and different, separated from the prosaic present by a mysterious festiveness. But now, on this bright and cheerful September afternoon, with the strong greens and browns all around him and the ethereal, gently misted tones of blues verging into violet in the distance, as he trudged along at an easy pace, with frequent pauses to look about him, that walking tour of so long ago did not seem a distant paradise cut off from a resigned present. rather his present journey was the same as that of the past, the present Joseph Knecht was close as a brother to the Knecht of those days. Everything was new again, mysterious, promising; all that had been could recur, and many new things as well. It was long, long since he had looked out upon the day and the world and seen them as so unburdened, so beautiful and innocent. The happiness of freedom, of commanding his own destiny, flooded through him like a strong drink. How long it was since he had last had this feeling, last entertained this lovely and rapturous illusion.
Hermann Hesse (The Glass Bead Game)
Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.
Pamela Lake (Quixotic Ambitions)
tuff. Almost all of us have it in abundance. What can we do with it? One of my favorite hideaways is an old faithful: the cardboard box. Cover it with festive Contact paper and stuff away. Or hang a shelf about a foot from the ceiling, and use it to store items you don't want sitting around. It's also great in a child's room for toys that aren't played with often. Get old school lockers or trunks, paint them, and use them for storage. Clutter around your house can cause clutter in your emotional and spiritual life too, so clean up and spend your best time enjoying life. re you reluctant to share your home with others? Maybe it's not your dream house or you don't have the money right now to decorate the way you'd like to. But you know what? It's not about having a perfect home. It's about your spirit of hospitality, your willingness to share your home and your life with others. Don't wait until everything is perfect because that will never happen. Focus on making your home cozy and comfortable. Your place will always be at its most beautiful when you use it to warm hearts. aking time for your husband doesn't have to be difficult or a hassle. With a little imagination and the desire to make him happy, you can make him feel loved. Are you thinking, Oh great, now Emilie 's telling me what I'm doing wrong with my husband. Not at all! I just want to give you a few ideas to help you let your
Emilie Barnes (365 Things Every Woman Should Know)
Everyone looks at us expectantly when we emerge from the downstairs, and I’m sure it’s just my imagination but I can’t help but feel that a suspicious hush has fallen over the room. I wave, like an idiot. “Hey. Sorry I fell asleep.” I point behind me, down the stairs. “After we were talking. And playing cards. You know.” Miles screws his face up. “Thanks for the update.” He tugs at the strap of a floral apron around his neck and picks up a can opener. Granted, it’s a sort of fancy version of a regular can opener, but my brother turns it around in his hands like it’s a complicated rocket engine part salvaged from NASA. Are we really entrusting this fetus with dinner preparation for thirteen people? Andrew starts to explain to him how to use it, but I stop him with a hand on his arm. “No. He will learn through the suffering.” I turn to give the same warning look to my mom, but she seems perfectly content at the kitchen table with a glass of wine in one hand and a paperback in the other. Miles looks like he would very much like to give me the finger, but then his expression clears and a smirk pulls at his mouth. “Dude.” He points upward. “You two are under the mistletoe.” In unison, Andrew and I turn our faces up to the doorway overhead. Miles is right. The festive sprig is now hanging from a red ribbon pinned into the doorway. “I didn’t know that was there,” I burst out defensively
Christina Lauren (In a Holidaze)
The Greeks, on the other hand, were passionately interested in logic and reason. Plato (ca. 428–ca. 348 BCE) was continually occupied with problems of epistemology and the nature of wisdom. Much of his early work was devoted to the defense of Socrates, who had forced men to clarify their ideas by his thought-provoking questions but had been sentenced to death in 399 on the charges of impiety and the corruption of youth. In a way that was not dissimilar to that of the people of India, he had become dissatisfied with the old festivals and myths of religion, which he found demeaning and inappropriate. Plato had also been influenced by the sixth-century philosopher Pythagoras, who may have been influenced by ideas from India, transmitted via Persia and Egypt. He had believed that the soul was a fallen, polluted deity incarcerated in the body as in a tomb and doomed to a perpetual cycle of rebirth. He had articulated the common human experience of feeling a stranger in a world that does not seem to be our true element. Pythagoras had taught that the soul could be liberated by means of ritual purifications, which would enable it to achieve harmony with the ordered universe. Plato also believed in the existence of a divine, unchanging reality beyond the world of the senses, that the soul was a fallen divinity, out of its element, imprisoned in the body but capable of regaining its divine status by the purification of the reasoning powers of the mind. In the famous myth of the cave, Plato described the darkness and obscurity of man’s life on earth: he perceives only shadows of the eternal realities flickering on the wall of the cave. But gradually he can be drawn out and achieve enlightenment and liberation by accustoming his mind to the divine light.
Karen Armstrong (A History of God: The 4,000-Year Quest of Judaism, Christianity and Islam)
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
Meanwhile, Matthew took the empty place beside Daisy’s. “Miss Bowman,” he said softly. Daisy couldn’t manage a word. Her gaze lifted to his smiling eyes, and it seemed that emotions sprang from her in a fountain of warmth. She had to look away from him before she did something foolish. But she remained intensely aware of his body next to hers. Westcliff and Matthew entertained the group with an account of how their carriage had gotten stuck in mire. Luckily they had been helped by a passing farmer with an ox-drawn wagon, but in the process of freeing the vehicle, all participants had been covered with mud from head to toe. And apparently the episode had left the ox in quite an objectionable temper. By the time the story was finished, everyone at the table was chuckling. The conversation turned to the subject of the Shakespeare festival, and Thomas Bowman launched into an account of the visit to Stratford-on-Avon. Matthew asked a question or two, seeming fully engaged in the conversation. Suddenly Daisy was startled to feel his hand slide into her lap beneath the table. His fingers closed over hers in a gentle clasp. And all the while he took part in the conversation, talking and smiling easily. Daisy reached for her wine with her free hand and brought it to her lips. She took one sip, and then another, and nearly choked as Matthew played lightly with her fingers beneath the table. Sensations that had lain quiescent for a week kindled into vibrant life. Still not looking at her, Matthew gently slid something over her ring finger, past the knuckle, until it fit neatly at the base. Her hand was returned to her lap as a footman came to replenish the wine in their glasses. Daisy looked down at her hand, blinking at the sight of the glittering yellow sapphire surrounded by small round diamonds. It looked like a white-petaled flower. Her fingers closed tightly, and she averted her face to hide a betraying flush of pleasure. “Does it please you?” Matthew whispered. “Oh, yes.” That was the extent of their communication at dinner. It was just as well. There was too much to be said, all of it highly private. Daisy steeled herself for the usual long rituals of port and tea after dinner, but she was gratified when it seemed that everyone, even her father, was inclined to retire early. As it appeared the elderly vicar and his wife were ready to return home, the group dispersed without much fanfare. Walking with Daisy from the dining hall, Matthew murmured, “Will I have to scale the outside wall tonight, or are you going to leave your door unlocked?” “The door,” Daisy replied succinctly. “Thank God.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market place, and cried incessantly: "I seek God! I seek God!" --As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lost his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated?--Thus they yelled and laughed. The madman jumped into their minds and pierced them with his eyes. "Whither is God?" he cried; "I will tell you. We have killed him--you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions. Is there still any up or down? Are we not straying as though an infinite nothing? Do we not feel the breath of empty space? Had it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him. "How shall we comfort ourselves. the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under out knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us--for the sake of this deed he will belong to a higher history than all history hitherto." Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground and it broke into pieces and went out. "I have come too early," he said then; "my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightening and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars--and yet they have done it themselves" It has been related further that on the same day the madman forced his way into several churches and there struck up his requiem aeternam deo. Led out and called to account, he is said to always have replied nothing but: "What after all are these churches now if they are not tombs and sepulchers of God?
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
In Andhra, farmers fear Naidu’s land pool will sink their fortunes Prasad Nichenametla,Hindustan Times | 480 words The state festival tag added colour to Sankranti in Andhra Pradesh this time. But the hue of happiness was missing in 29 villages along river Krishna in Guntur district. The villagers knew it was their last Sankranti, a harvest festival celebrated to seek agricultural prosperity. For in two months, more than 30,000 acres of fertile farmland would be acquired for a brand new capital planned in collaboration with Singapore. The Nara Chandrababu Naidu government went about the capital project by setting aside the Centre’s land acquisition act and drawing up a compensation package for land-owning and tenant farmers and labourers. Many are opposed to it, and are not keen on snapping their centuries-old bond with their land and livelihood. In Penumaka village, Nageshwara Rao, 50, fears the future as he does not possess a tenancy certificate that could have brought some relief under the compensation package. “The entire village is against land-pooling but we hear the government is adamant,” Rao says, referring to municipal minister P Narayana’s alleged assertion that land would be taken with or without the farmers’ consent. Narayana is supervising the land-pooling process. “Naidu says he would give us Rs 50,000 per year in lieu of annual crops. We earn that much in a month here,” villager Meka Koti Reddy says. To drive home the point, locals in Undavalli village nearby have put up a board asking officials to keep off their lands that produce three crops a year. Unlike other parts of Andhra Pradesh, the water-rich land here is highly productive yielding 200 varieties of crops. Some farmers are also suspicious about the compensation because Naidu is yet to deliver on the loan-waiver promise. They are now weighing legal options besides seeking Prime Minister Narendra Modi’s intervention to retain their land. While the villagers opposing land-pooling are allegedly being backed by Jaganmohan Reddy’s YSR Congress Party, those belonging to the Kamma community — the support base for Naidu’s Telugu Desam Party — are said to be cooperative.  It is also believed that Naidu chose this location over others suggested by experts to primarily benefit the Kamma industrialists who own large swathes of land in Krishna and Guntur districts. But even the pro-project villagers cannot help feel insecure. “We are clueless about where our developed area would be. What if the project is not executed within Naidu’s tenure? Is there a legal recourse?” Idupulapati Rambabu of Mandadam says. This is despite Naidu’s assurance on January 1 at nearby Thulluru, where he launched the land-pooling process, asking farmers to give land without any apprehension. He said the deal in its present form would make them richer than him in a decade. “We are not building a mere city but a hub of economic activity loaded with superior infrastructure that is aimed at generating wealth. This would be a win-win situation for all,” Naidu tells HT. As of now, villages like Nelapadu struggling with low soil fertility seem to be winning from the package.
Anonymous
This is the mighty and branching tree called mythology which ramifies round the whole world whose remote branches under separate skies bear like colored birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forest and buried amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths and he who has no sympathy with myths has no sympathy with men. But he who has most Sympathy with myths will most fully realize that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say 'I believe in Jupiter and Juno and Neptune,' etc., as he stands up and says 'I believe in God the Father Almighty' and the rest of the Apostles' Creed.... Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name, or some noble memory in moments that are themselves noble and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice....A child pretending there is a goblin in a hollow tree will do a crude and material thing like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history did come when St. Paul declared to them whom they had worshipped. The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all..... There is nothing in Paganism whereby one may check his own exaggerations.... The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull’s blood, as did Julian the Apostate.
G.K. Chesterton (The Everlasting Man)
Tis the season for holiday parties and who better than Camille Styles to offer some smart ideas for keeping it festive.  Styles has a very popular lifestyle blog and the author of a new book, Camille Styles Entertaining: Inspired Gatherings and Effortless Style (one of our Best of 2014 in Crafts, Home & Design ).    The book has party ideas for every season so we asked her to share one for the holidays.  As it happens, she wrote about hosting a Holiday Cookie Swap Party just as we finished 12 days of cookie recipes . Cookies and cocktails--I'm so there. This cookie swap party is one of my favorite gatherings in my new book,Camille Styles Entertaining: Inspired Gatherings and Effortless Style . The book features fresh, inspirational party ideas for every season. Brimming with creative hors d'oeuvres and cocktail recipes, floral design tips, and inspiring table designs—it’s a guide to the simple details and creative shortcuts that make everyday moments feel special.
Anonymous
Ignore her. She’ll leave eventually. I want inside of you,” he murmurs, his erection probing between my thighs. Her knocking persists as he braces himself above me and then plunges his cock inside. “Jesus,” I quietly cry out. “Eve, are you awake?” Margaret calls. Phoenix chuckles low and throaty and thrusts his hips, causing me to grasp at the sheets. “Oh, she’s awake alright,” he whispers with a smile. “Aren’t you, darling?” “You’re too cruel,” I moan. “She’s going to end up hearing us.” “I don’t care,” he answers, his mouth a hair’s breadth away from my earlobe. “In fact, I hope she does. It will teach her not to call to people’s houses at such ungodly hours in the future.” He pulls out fully before shoving back in deep. Air leaves my mouth in a loud exhale. “I told her I’d help at the Easter festival. I have to go down.” His grin is devious. “Not until I feel your tight little cunt squeeze my cock as you come.
Raine Anthony (Phoenix)
Life, ongoing life, is really what death rituals are about. Mourners who are fortunate enough to be enveloped in familiar traditions by family and caring friends can become revitalized and newly sustained by the process. Mourning traditions revive and animate memories and feelings. They satisfy a human need of validation and inclusiveness; that is, we need to feel that we are an acceptable part of a larger whole. We bid farewell to those who have gone to another dimension, and by sharing memories of the deceased, people reinforce feelings and even beliefs about the deceased after the veil of death is drawn closed.
Jacqueline S. Thursby (Funeral Festivals in America: Rituals for the Living)
Her maternal feelings were unlikely to be assuaged by hearing that the marriage had been performed in the middle of the night on a West Indian beach by a disgraced—if not actually defrocked—priest, witnessed by twenty-five seamen, ten French horses, a small flock of sheep—all gaily beribboned in honor of the occasion—and a King Charles spaniel, who added to the generally festive feeling by attempting to copulate with Murphy’s wooden leg at every opportunity. The only thing that could make things worse, in Laoghaire’s view, would be to hear that I had participated in the ceremony.
Diana Gabaldon (Voyager (Outlander, #3))
ave you noticed the focus these days is back on the simple things of life? What's the first thing you do when you pick a rose? You smell the fragrance. Maybe it brings back a memory of the time you picked flowers for your mom. Perhaps it's time to recapture some of that girlhood simplicity. A lavender sachet in your drawer can be an unexpected and simple pleasure. Spray a little cologne on your notepaper or even on the bathroom throw rug. Or better yet, boil a little pot of cinnamon and enjoy the aroma. Put on lively music while you do your housework. Light candles for a quiet yet festive atmosphere. When we find satisfaction in the little things in life, we are happier and more willing to look for the positive in bigger things. olor in your home can make a world of difference. It can help you redefine spaces. If an area is too large, add a throw rug in a complementary color and create a "get together" spot. Add some soft colored curtains for a change of seasons. The idea is to create intimacy, a place that's inviting on a chilly evening or a warm spring afternoon. The richer the colors, the more welcoming the space. Red is great for warmth. Go for it! And shades of cranberry and plum work well. Experiment and step out of your comfort zone. Your home can be a place that gives you a feeling of quiet for thinking about what really counts in life and also be a festive atmosphere for celebrating. on't put all your emotional eggs in one basket. Our work consumes much of our time, and that's natural. And for some of you, that's 95 percent of your awake hours. Is it time to change your focus-to make life a little easier and less stressful for
Emilie Barnes (365 Things Every Woman Should Know)
When the first day of the festival had concluded, I retired early, my feet aching and my body exhausted. Narian had left us after our tour of the grounds, and I had not seen him since, although I hoped he would come to me now. He did, but even as he dropped through my window, he seemed distracted, far away inside his own head. I tried to engage him in conversation, but found it to be mostly one-sided, for I could not hold his interest. Though there was no smooth way to launch into the necessary topic, I did so anyway, doubtful that he was even listening. “Are you upset that your family was with us today?” I asked. “You invited them?” Judging by the tone of his voice, I had landed upon the correct issue. “Yes. It made sense to do so.” “I suppose,” he replied, but I knew the answer did not reflect his actual thoughts. “They’re old friends of my family, Narian. And I thought perhaps you would…enjoy seeing them again.” “Alera, they don’t want my company.” “Your mother does.” His eyes at last met mine. “I spoke to her about you. She would give up her husband to regain her son.” “I doubt that’s true,” he said with a short laugh. “It is,” I insisted, reaching out to run a hand through his hair. I might have changed her words a little, but I understood her intent. “She told me so herself. Believe it.” Narian stared at me, a flicker of hope on his face that quickly faded into his stoic façade. “Even if what you say is true,” he said at last, “in order to have a relationship with her, with my siblings, I need to have one with Koranis.” “You’re right,” I admitted, for my dinner at the Baron’s home had proven that to be the case. He sat on the bed beside me and drew one knee close to his chest. “Koranis doesn’t want to be anywhere near me, and to be honest, I have no interest in a relationship with him. I have no respect for him.” Narian read the sympathy in my eyes. “It’s all right, Alera. I don’t need a family.” “Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.” I thought for a moment I had hit a nerve, but instead he made a joke out of it. “Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.” I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was.
Cayla Kluver (Sacrifice (Legacy, #3))
While you were gone, I began planning for the return of our Harvest Festival. Rava doesn’t want the event held. She told me to call it off.” “I know,” he wryly acknowledged. “She made me aware of your activities and her decision when I arrived.” “And?” “She won’t yield. She’s already sent word to the High Priestess.” I nodded, then asked, my voice barely audible, “And what do you say?” “I say…” He reached for my hands, determination building in his intense blue eyes. “I say we proceed with the festival until and unless the High Priestess comes here herself and brings it to a halt. Political fires aren’t interesting without kindling.” I smiled, and he took me into his arms, lightly kissing me. “At least we don’t have anything to worry about tonight,” I murmured as we lay down next to each other. “I always worry.” “Really? I wouldn’t have thought of you as the worrying kind.” “I worry when I cannot act,” he mused, drawing me close, and I felt life and strength flowing into me, warming me from head to toe. “I can handle heaven and hell, but not limbo.” “I thought you had no religion in Cokyri. How do you know about heaven and hell?” “We don’t practice religion, but we have education. I probably know more about your faith than you do.” I placed a hand on his chest and pushed myself up to look at him in mock umbrage. “Then tell me how our wedding will proceed.” “That I don’t know,” he said with a grin. “I suspect Hytanica’s marital traditions and rites would fill a volume more than double the rest of our history texts put together.” “You’re ridiculous!” I lightly smothered him with a pillow, then nestled upon his chest, content and ready for sleep. At some point in the night, I woke and looked over to see Narian staring at the ceiling. “What are you doing?” I asked, stifling a yawn. “Thinking.” “Do you want to tell me what you’re thinking about?” “Candidates for my new second-in-command. I have a feeling your Harvest Festival is going to bring matters to the breaking point between us and Rava. If things go our way and the High Priestess removes her, I intend to be the one to name her replacement.” “And this cannot wait until morning?” I asked, even though I knew how he would respond. “I believe in being prepared.” I nodded and closed my eyes. Anticipating, planning, developing strategies and counter strategies, was another ingrained aspect of Narian’s nature. As I drifted back to sleep, I wondered for how many contingencies he was prepared that I knew nothing about.
Cayla Kluver (Sacrifice (Legacy, #3))
Die Hard is basically a Shakespearean comedy. I never said “Shakespearean comedy” because that would have scared the fucking pants off of studio guys, but that was what I had in mind. A Midsummer’s Night Dream literally is a festival night when some weird thing happens and all the princes become asses and all the asses become princes. In the morning, the true lovers are united, and everybody returns to their regular lives and feels better for having this event where the world got turned upside down. I wanted to use that as the guiding tone. BEAU
Brian Abrams (Die Hard: An Oral History (Kindle Single))
Ah, so do you believe Lucetta has accustomed herself to the idea of marrying me?” Tilda arched a brow. “Not at all. I believe your mother and grandmother are refusing to face the truth—that truth being that Miss Plum never agreed to marry you. And after she got over the shock of being found in the storage room with you, she began to feel very put out indeed that anyone would assume, and I think you may be included with that whole anyone business, that she’d”—Tilda tapped a finger against her chin—“‘blithely sit back and allow everyone else to plan out my life when I’m fully capable, as well as willing, to plan out that life on my own.’” Bram winced. “Am I to assume those were her exact words?” “Or close enough,” Tilda said. “I’m afraid you’ve really made a muddle of this, Mr. Haverstein, and I’m also afraid that you won’t be marrying Miss Plum anytime soon, if ever.” She leaned closer to him. “She talks quite often to herself when she’s alone. Because of that, I’ve been privy to some interesting conversations, all of which center around the idea she’s not a woman who wants to lose her independent identity through marriage.” As an afterthought, Tilda added, “And . . . she’s come to the firm belief that you’re demented.” “What?” Tilda shrugged. “Can you blame her? You proclaim the two of you are going to get married—without asking her if that’s what she’d like, mind you—while allowing your mother and grandmother to believe they should start planning the wedding festivities. That, Mr. Haverstein, is not how it’s done. The bride gets a say in this day and age, and then, add in that pesky business of you disappearing and it’s little wonder Miss Plum is questioning your sanity.” “Why
Jen Turano (Playing the Part (A Class of Their Own, #3))
Despite the risk, I don’t think it would be wise to cancel the festival,” he said, and would have left it at that had I not pursued a justification. “The Hytanicans are on edge, but there are still several days until the event. Word of the compensation we provided will spread, tempers will cool and excitement over the festival will set in. If we shut down the celebration, the people will feel twice wronged, and I’ll again be the most hated individual in the province. I’m the one they will blame.” Narian was accustomed--as accustomed as one could be--to being disliked, but he didn’t want to lose the small bit of progress we had made toward redeeming his character. I wondered if this was in part because our marriage hung in the balance.
Cayla Kluver (Sacrifice (Legacy, #3))
I don’t know what transgression Rava committed which, in your eyes, makes her deserving of punishment, but this is not how she should be treated during her time of grief.” “Then you had best remove her to Cokyri. I won’t release her here.” The High Priestess was not amused by Narian’s response, and she approached him, her lips compressed into a thin line. Laying a hand against the side of his head, she grasped a handful of his hair. “That is for me to decide,” she said, her voice dangerously soft. Narian pushed her hand away, and she raised a displeased eyebrow. Feeling like an intruder, I racked my brain for a way to leave, for the sake of my own comfort. “Your party was intercepted?” I asked, reminding Nantilam of my presence. “Then you were traveling here for some other reason?” “Yes,” she said, shifting her focus to me, her tone rounding into the rich, controlled cadence of a ruler. “Rava sent word to me about the festival you are hosting.” Now I wished I had not spoken. I looked to Narian for help, but he offered none, perhaps could offer none. Still, the issue needed to be addressed at some point, and she didn’t sound angry. “Yes, I am reinstating, on a smaller scale, Hytanica’s annual Harvest Festival.” “Rava wished me to put a stop to it, but I see no need to do so. I believe, along with you, that it will lift the people’s spirits. But I share Rava’s concerns about rebellion, and have come so that my presence may discourage such foolishness.” “Your presence is most welcome,” I said, relieved that she did not intend to interfere with my plans. “I’m glad you thought to come.” “Thank you, Alera,” she said, bestowing a slight smile on me as though making a point to Narian about his rudeness. She turned on her heel to go, picking up her gloves as she did so. Just before she stepped into the Hearing Hall, she spoke once more to her commander. “Narian, you will release Rava at once and escort her to my rooms.” “I won’t,” he said, a simple, firm refusal. A simple, firm refusal that merited a significant reaction. The High Priestess closed the door again and stood facing it for a long moment, then she turned toward us, her quiet anger heating the room. “You will, Narian.” “You haven’t even asked after Rava’s crimes. I will not release her, and if I see her free within the Bastion, I will personally return her to the dungeon.” “Tell me, then, what she’s done. Justify your defiance if you can.” I foresaw this battle between them growing lengthy, for neither of them was disposed on principle to give ground.
Cayla Kluver (Sacrifice (Legacy, #3))
¡Zape! (Shoo!) Go away, go away, espíritu maligno (bad spirit)!” they sang. “Go back to where you came from!” The festive musical celebration combined the prayers and songs with expressive dancing to the rhythm of percussion and string instruments, which accompanied the child’s ascent into heaven, where she would become an angel. Women, men and children ate, drank, prayed, sang and danced. They also played games like la gallina ciega (the blind chicken) where children tried to escape the touch of a blindfolded child who would walk around trying to feel for them. Whoever she touched was disqualified from the game. The baquiné lasted throughout the night. In a time when so many children perished to disease, this was a way for the child’s loved ones to say good-bye and endure the painful loss. But when all were gone, the crude reality set in. Manuel will never forget the image of those poor parents, devastated, sitting alone right next to the altar where their child lay dead, weeping desperately at her loss. He prayed for Ana’s soul. He prayed for those parents. And he prayed that he would never have to suffer the agony of losing a child.
Yasmin Tirado-Chiodini (Antonio's Will)
We can be intentional in our decisions about vacations and leisure time. Before we make our decisions, we can explore questions like, How far from home will we travel? Shall we go by bike, car, train, or airplane? Do we have closer alternatives nearby? What kind of tourism and recreation do we want to support with our choices? Travel has always been a big source of pleasure for Jim and me and we have struggled to find the right balance between saving and savoring. Some of our happiest times have been traveling to festivals and parks. We still travel but we are experimenting with the staycation. One day a month, we go off the grid. We wake up and make one decision at a time about what we feel like doing. We don’t take phone calls or look at our computers. We don’t pay bills or do housework. We just enjoy whatever we feel like doing in our area.
Mary Pipher (The Green Boat: Reviving Ourselves in Our Capsized Culture)
Money can’t buy you happiness but it sure can buy the Hammer truly wireless earbuds, and we are certain the feeling is pretty much the same! With festival season being round the corner and no good ideas on what to gift your loved ones whatsoever, Hammer presents to you its wide range of athleisure products ranging from the truly wireless earbuds, wireless earphones, Hammer bash headphones, fitness bands going all the way to its smart watch and so much more! It’s time to finally go all out and ditch those old school gifting trends with something different than the age-old gifts like clothes and sweets for your friends and family! At Hammer, we understand festivals are full of bliss and joy, and we are all about spreading the joy with our luxurious products in a budget that ensures that you and your loved ones get the best quality and comfort all in one single product. All Hammer products are equipped with the latest Bluetooth V5.0 technology, sweatproof or waterproof, and pairing, along with long hours of battery support. All Hammer products will not only make this special day full of traditions but also a day to appreciate one another and send out gifts as a small token of appreciation for all the special ones in our life. In addition to this the entire range of these Hammer products also make perfect corporate gifts to employee or business clients and partners that will be appropriate for those work calls or that zoom meeting, all while giving you just the right opportunity to make those professional bond all the stronger and for rewarding those hardworking employees together with the most valuable clients of your business this festive season. So now put a stop to your gift hunting all while collecting those precious Hammer devices that will incontestably make for the best festival present this season while you still have time! Hammer best selling products in India for the festive season 1. Hammer KO Sports True Wireless Earbuds with Touch Controls. 2. Hammer Pulse Smart Watch for Body Temperature Measurement 3. Hammer Bash over the Ear Bluetooth Wireless Bluetooth Headphones with HD Mic. 4. Hammer Airflow True Wireless Earbuds with Bluetooth v5.0 (Black, White, Blue Color). 5. Hammer Grip Sports Wireless Bluetooth Earphones.
Hammer
Seeing lights and merriment without snow and without sub-zero temperatures just doesn’t feel as festive.
M.E. Carter (Kissmas Eve)
But then, right as we are walking out of the hospital doors, a woman stops us. Hey! she says, pointing a finger at Mama’s face. Hey! she repeats, the word like a stone thrown, You don’t have to wear that anymore. The cold air from outside hisses in through the half-opened door, and it no longer feels festive. Her finger moves from Mama’s face to point to her head, to her hijab. You’re in America now. You’re free.
Jasmine Warga (Other Words for Home)
Mehak, I know of a place where the king is great and in his reign the peasant is happy, the treasury full, the army satisfied and the poor content. There is such peace and plenty in that place, when you visit the people in their homes, the decorated doorways arch around you like a beautiful embrace. There are no doors at the entrances of the homes of these welcoming people, Mehak, my dearest! Every day there feels like a day of festival. And, day or night, wayfarers clink their gold playfully in their hands as they walk, be it over the plains or through woods. We can rule that kingdom, if you come with me. The only thing that is different there is the currency of the land. It is not gold. It is flowers.
Mukta Singh-Zocchi (The Thugs & a Courtesan)
The crowds aren’t coming to Sweetgreen stores and the festival simply for great salads or cool music acts. They’re coming because they buy into what Sweetgreen stands for, and because, on a deeper level, they feel a reflection of themselves in Sweet- green’s purpose—which is itself an honest manifestation of what the people behind the business believe and what they stand for.
Alan Philips (The Age of Ideas: Unlock Your Creative Potential)