Aa Sayings And Quotes

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People say nothing is impossible, but I do nothing every day.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
When you wake up in the morning, Pooh," said Piglet at last, "what's the first thing you say to yourself?" "What's for breakfast?" said Pooh. "What do you say, Piglet?" "I say, I wonder what's going to happen exciting today?" said Piglet. Pooh nodded thoughtfully. "It's the same thing," he said.
A.A. Milne
no one ever says good-bye unless they want to see you again. aa
John Green (Turtles All the Way Down)
I'm going to wake Peeta," I say. "No, wait," says Finnick. "Let's do it together. Put our faces right in front of his." Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice. His eyelids flutter open and then he jumps like we've stabbed him. "Aa!" Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
What I say is that, if a man really likes potatoes, he must be a pretty decent sort of fellow.
A.A. Milne
How lucky am I to have something that makes saying goodbye so hard.
A.A. Milne (The Complete Tales of Winnie-the-Pooh)
What I like doing best is Nothing." "How do you do Nothing," asked Pooh after he had wondered for a long time. "Well, it's when people call out at you just as you're going off to do it, 'What are you going to do, Christopher Robin?' and you say, 'Oh, Nothing,' and then you go and do it. It means just going along, listening to all the things you can't hear, and not bothering." "Oh!" said Pooh.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
To her- Hand in hand we come Christopher Robin and I To lay this book in your lap. Say you're surprised? Say you like it? Say it's just what you wanted? Because it's yours- because we love you.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
If people ask me, I always tell them: "Quite well, thank you, I'm very glad to say." If people ask me, I always answer, "Quite well, thank you, how are you today?" I always answer, I always tell them, If they ask me Politely... BUT SOMETIMES I wish That they wouldn't
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
What do you say, Pooh?" Pooh opened his eyes with a jerk and said, "Extremely." "Extremely what?" asked Rabbit. "What you were saying," said Pooh. "Undoubtably.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
Later on, when they had all said “Good-bye” and “Thank-you” to Christopher Robin, Pooh and Piglet walked home thoughtfully together in the golden evening, and for a long time they were silent. “When you wake up in the morning, Pooh,” said Piglet at last, “what's the first thing you say to yourself?” “What's for breakfast?” said Pooh. “What do you say, Piglet?” “I say, I wonder what's going to happen exciting to-day?” said Piglet. Pooh nodded thoughtfully. “It's the same thing,” he said.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
Now then, Pooh," said Christopher Robin, "where's your boat?" "I ought to say," explained Pooh as they walked down to the shore of the island, "that it isn't just an ordinary sort of boat. Sometimes it's a Boat, and sometimes it's more of an Accident. It all depends." "Depends on what?" "On whether I'm on the top of it or underneath it.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
But [Pooh] couldn't sleep. The more he tried to sleep the more he couldn't. He tried counting Sheep, which is sometimes a good way of getting to sleep, and, as that was no good, he tried counting Heffalumps. And that was worse. Because every Heffalump that he counted was making straight for a pot of Pooh's honey, and eating it all. For some minutes he lay there miserably, but when the five hundred and eighty-seventh Heffalump was licking its jaws, and saying to itself, "Very good honey this, I don't know when I've tasted better," Pooh could bear it no longer.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
How lucky am I to have something that makes saying good-bye so hard,
A.A. Milne
FEAR stands for face everything and recover – Old AA saying
Stephen King (Doctor Sleep (The Shining, #2))
And I’d say to myself as I looked so lazily down at the sea: “There’s nobody else in the world, and the world was made for me.
A.A. Milne (The World of Winnie-the-Pooh (Winnie-the-Pooh, #1-2))
Wherever I am, there's always Pooh, There's always Pooh and Me. Whatever I do, he wants to do, "Where are you going today?" says Pooh: "Well, that's very odd 'cos I was too. Let's go together," says Pooh, says he. "Let's go together," says Pooh.
A.A. Milne (Now We Are Six (Winnie-the-Pooh, #4))
What do you like doing best in the world, Pooh?" "Well," said Pooh, "what I like best-" and then he had to stop and think. Because although Eating Honey was a very good thing to do, there was a moment just before you began to eat it which was better than when you were, but he didn't know what it was called. And then he thought that being with Christopher Robin was a very good thing to do, and having Piglet near was a very friendly thing to have; and so, when he had thought it all out, he said, "What I like best in the whole world is Me and Piglet going to see You, and You saying 'What about a little something?' and Me saying, 'Well, I shouldn't mind a little something, should you, Piglet,' and it being a hummy sort of day outside, and birds singing." "I like that too," said Christopher Robin, "but what I like doing best is Nothing.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
Piglet was so excited at the idea of being Useful that he forgot to be frightened any more, and when Rabbit went on to say that Kangas were only Fierce during the winter months, being at other times of an Affectionate Disposition, he could hardly sit still, he was so eager to begin being useful at once.
A.A. Milne (Winnie-the-Pooh (Winnie-the-Pooh, #1))
It was a drowsy summer afternoon, and the Forest was full of gentle sounds, which all seemed to be saying to Pooh, 'Don't listen to Rabbit, listen to me.' So he got in a comfortable position for not listening to Rabbit.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
Owl," said Rabbit shortly, "you and I have brains. The others have fluff. If there is any thinking to be done in this Forest--and when I say thinking I mean thinking--you and I must do it.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
So - here I am in the dark alone, There's nobody here to see; I think to myself, I play to myself, And nobody knows what I say to myself; Here I am in the dark alone, What is it going to be? I can think whatever I like to think, I can play whatever I like to play, I can laugh whatever I like to laugh, There's nobody here but me.
A.A. Milne (Now We Are Six (Winnie-the-Pooh, #4))
When you wake up in the morning, Pooh,” said Piglet at last, “what’s the first thing you say to yourself?” “What’s for breakfast,” said Pooh. “What do you say, Piglet?” “I say, I wonder what’s going to happen exciting today?” said Piglet. Pooh nodded thoughtfully. “It’s the same thing,” he said.
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh #1))
And now all the others are saying, "What about Us?" So perhaps the best thing to do is to stop writing Introductions and get on with the book.
A.A. Milne (The World of Winnie-the-Pooh (Winnie-the-Pooh, #1-2))
Without you, African mother, there would have been no us--African fathers, sons and daughters. Do we need to say any more African mothers, our own true goddesses! Let us praise you to the highest, telling the world about your righteousness. Let us tell the entire universe about your sacredness African woman.
Yosef A.A. Ben-Jochannan
So wherever I am, there's always Pooh, There's always Pooh and Me. "What would I do?" I said to Pooh, "If it wasn't for you," and Pooh said to me: "True, It isn't much fun for One, but Two Can stick together," says Pooh, says he. "That's how it is," says Pooh.
A.A. Milne (Now We Are Six (Winnie-the-Pooh, #4))
How lucky I am to have something that makes saying goodbye so hard.” ~ Alan Alexander Milne
A.A. Milne
That's right. You'll like Owl. He flew past a day or two ago and noticed me. He didn't actually say anything, mind you, but he knew it was me. Very friendly of him. Encouraging." Pooh and Piglet shuffled about a little and said, "Well, good-bye, Eeyore" as lingeringly as they could, but they had a long way to go, and wanted to be getting on. "Good-bye," said Eeyore. "Mind you don't get blown away, little Piglet. You'd be missed. People would say `Where's little Piglet been blown to?' -- really wanting to know. Well, good-bye. And thank you for happening to pass me.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
Page 142: "When a spouse says to the alcoholic, "you need to go to AA," that is obviously not true. The addict feels no need to do that at all, and isn't. But when she says, "I am moving out and will be open to getting back together when you are getting treatment for your addiction," then all of a sudden the addict feels "I need to get some help or I am going to lose my marriage." The need has been transferred. It is the same with any kind of problematic behavior of a person who is not taking feedback and ownership. The need and drive to do something about it must be transferred to that person, and that is done through having consequences that finally make him feel the pain instead of others. When he feels the pain, he will feel the need to change...A plan that has hope is one that limits your exposure to the foolish person's issues and forces him to feel the consequences of his performance so that he might have hope of waking up and changing.
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
Owl,' said Rabbit shortly, 'you and I have brains. The others have fluff. If there is easy thinking to be done in this Forest - and when I say thinking I mean thinking - you and I must do it.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
Infinite Jest not only says that being human is hard work; it makes us work hard. It not only suggests we put ourselves in service to something larger than ourselves; it is one of those larger somethings. That's its rhetorical genius, and is how Wallace gets his self-help “to fly at such a high altitude”: Like AA, it is theory and praxis in a single stroke. Or: It is what it says, which may be the purest form of art.
Garth Risk Hallberg
Where am I going? I don't quite know. Down to the stream where the king-cups grow- Up on a hill where the pine-trees blow- Anywhere, anywhere. I don't know. Where am I going? The clouds sail by, Little ones, baby ones, over the sky. Where am I going? The shadows pass, Little ones, baby ones, over the grass. If you were a cloud, and sailed up there, You'd sail on the water as blue as air. And you'd see me here in the fields and say: "Doesn't the sky look green today?" Where am I going? The high rooks call: "It's awful fun to be born at all. Where am I going? The ring-doves coo: "We do have beautiful things to do." If you were a bird, and lived on high, You'd lean on the wind when the wind came by, You'd say to the wind when it took you away: "That's where I wanted to go today!" Where am I going? I don't quite know. What does it matter where people go? Down to the wood where the blue-bells grow- Anywhere, anywhere. I don't know.
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
. . . what I like doing best is Nothing." "How do you do Nothing?" asked Pooh, after he had wondered for a long time. "Well, it's when people call out at you just as you're going off to do it, What are you going to do, Christopher Robin, and you say, Oh, nothing, and then you go and do it.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
If you were a bird, and lived on high, You'd lean on the wind when the wind came by, You'd say to the wind when it took you away: "That's where I wanted to go today!
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
..."But what I like doing best is Nothing." "How do you do Nothing?" asked Pooh, after he had wondered for a long time. "Well, it's when people call out at you just as you're going off to do it, What are you going to do Christopher Robin, and you say, Oh, nothing, and you go and do it." "Oh, I see," said Pooh. "This is a nothing sort of thing that we're doing right now." "Oh, I see," said Pooh again. "It means just going along, listening to all the things you can't hear and not bothering." "Oh!" said Pooh.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
What I say is that, if a fellow really likes potatoes, he must be a pretty decent sort of fellow.
A.A. Milne
People say nothing is impossible, but I do nothing everyday.
A.A. Milne
I suppose that by this time they had finished their dressing. Roger Scurvilegs tells us nothing on such important matters; no doubt from modesty. "Next morning they rose," he says, and disappoints us of a picture of Udo brushing his hair.
A.A. Milne (Once on a Time)
If you were a cloud, and sailed up there, You'd sail on the water as blue as air. And you'd see me here in the fields and say: "Doesn't the sky look green today?
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
Since I met you,' he said, 'I've had no eyes and no thought for any other girl. When I was away nothing mattered about my coming back but this. If there was one thing I was sure of, it wasn't what I'd been taught by anyone else to believe, not what I learned from other people was the truth, but the truth that I felt in myself- about you.' 'Don't say any more.' She had gone very white. But for once her frailness did not stop him. It had to come out now. 'It isn't very pretty to have been made a fool of by one's own feelings,' he said. 'To take childish promises and build a-a castle out of them. And yet- even now sometimes I can't believe that all the things we said to each other were so trivial or so immature. Are you sure you felt so little for me as you pretend?
Winston Graham (Ross Poldark (Poldark, #1))
In the language of the day it is customary to describe a certain sort of book as “escapist” literature. As I understand it, the adjective implies, a little condescendingly, that the life therein depicted cannot be identified with the real life which the critic knows so well in W.C.1: and may even have the disastrous effect on the reader of taking him happily for a few hours out of his own real life in N.W.8. Why this should be a matter for regret I do not know; nor why realism in a novel is so much admired when realism in a picture is condemned as mere photography; nor, I might add, why drink and fornication should seem to bring the realist closer to real life than, say, golf and gardening.
A.A. Milne
han dil udaas ha magar ab na teri koi aas ha zamana chora tujhay apna banaya tu ne hamein thukraya zamana apnaya ab jab zaroorat hay mujhay zamany ki tujhay b nahi koi zarorat ab laut any ki teri in adaaon ko jan gya mein yeh wohi adat purani c masoom dilon say khelna han yeh wohi kahani c rabba tu dikha dena issy bhala rasta kahin na le bethy baduwa kisi tootay dil say ye larki jan k jo bani anjani c.........xx
aar kay
For some time now Pooh had been saying “Yes” and “No” in turn, with his eyes shut, to all that Owl was saying, and having said, “Yes, yes,” last time, he said “No, not at all,” now, without really knowing what Owl was talking about.
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh #1))
As one of my early A.A. sponsors used to say, I didn’t hang out with lower companions—I had become one.
Alcoholics Anonymous (Alcoholics Anonymous)
And it hits me, the reason for all the metaphors in recovery. Because the bald truth would be too terrifying. What she's saying is I may need an all-new career and all-new friends.
Augusten Burroughs (Dry)
They say getting sober in AA is simple, but not easy. Just like winning the lottery, I guess.
Dmitry Dyatlov
Sometimes he thought of a saying Nora had brought home from her AA meetings: the past is history, the future’s a mystery.
Stephen King (Elevation)
The subliminal mind has many dark, unhappy corners, after all. Imagine something loosening itself from one of those corners. Let's call it a---a germ. And let's say conditions prove right for that germ to develop---to grow, like a child in the womb. What would this little stranger grow into? A sort of shadow-self, perhaps: a Caliban, a Mr Hyde. A creature motivated by all the nasty impulses and hungers the conscious mind had hoped to keep hidden away: things like envy and malice and frustration...
Sarah Waters (The Little Stranger)
Piglet said that Tigger was very Bouncy, and that if they could think of a way of unbouncing him, it would be a Very Good Idea. "Just what I feel," said Rabbit. "What do you say, Pooh?" Pooh opened his eyes with a jerk and said, "Extremely." "Extremely what?" asked Rabbit. "What you were saying," said Pooh. "Undoubtably.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
A proper sense of proportion leaves no room for superstition. A man says, "I have never been in a shipwreck," and becoming nervous touches wood. Why is he nervous? He has this paragraph before his eyes: "Among the deceased was Mr. ——. By a remarkable coincidence this gentleman had been saying only a few days before that he had never been in a shipwreck. Little did he think that his next voyage would falsify his words so tragically." It occurs to him that he has read paragraphs like that again and again. Perhaps he has. Certainly he has never read a paragraph like this: "Among the deceased was Mr. ——. By a remarkable coincidence this gentleman had never made the remark that he had not yet been in a shipwreck." Yet that paragraph could have been written truthfully thousands of times.
A.A. Milne (Not That it Matters)
(She) says that she's finding it especially hard to take when these earnest ravaged folks at the lectern say they're `Here But For the Grace of God,' except that's not the strange thing she says, because when Gately nods hard and starts to interject about `It was the same for--' and wants to launch into a fairly standard Boston AA agnostic-soothing riff about the `God' in the slogan being just shorthand for a totally subjective and up-to-you `Higher Power' and AA being merely spiritual instead of dogmatically religious, a sort of benign anarchy of subjective spirit, Joelle cuts off his interjection and says that but that her trouble with it is that `But For the Grace of God' is a subjunctive, a counterfactual, she says, and can make sense only when introducing a conditional clause, like e.g. `But For the Grace of God I would have died on Molly Notkin's bathroom floor,' so that an indicative transposition like `I'm here But For the Grace of God' is, she says, literally senseless, and regardless of whether she hears it or not it's meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in.
David Foster Wallace (Infinite Jest)
All right,” said Susan. “I’m not stupid. You’re saying humans need…fantasies to make life bearable.” REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE. “Tooth fairies? Hogfathers? Little—” YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES. “So we can believe the big ones?” YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING. “They’re not the same at all!” YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME…SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED. “Yes, but people have got to believe that, or what’s the point—” MY POINT EXACTLY. She tried to assemble her thoughts. THERE IS A PLACE WHERE TWO GALAXIES HAVE BEEN COLLIDING FOR A MILLION YEARS, said Death, apropos of nothing. DON’T TRY TO TELL ME THAT’S RIGHT. “Yes, but people don’t think about that,” said Susan. “Somewhere there was a bed…” CORRECT. STARS EXPLODE, WORLDS COLLIDE, THERE’S HARDLY ANYWHERE IN THE UNIVERSE WHERE HUMANS CAN LIVE WITHOUT BEING FROZEN OR FRIED, AND YET YOU BELIEVE THAT A…A BED IS A NORMAL THING. IT IS THE MOST AMAZING TALENT. “Talent?” OH, YES. A VERY SPECIAL KIND OF STUPIDITY. YOU THINK THE WHOLE UNIVERSE IS INSIDE YOUR HEADS. “You make us sound mad,” said Susan. A nice warm bed… NO. YOU NEED TO BELIEVE IN THINGS THAT AREN’T TRUE. HOW ELSE CAN THEY BECOME? said Death
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
Peg came over with dinner tonight and told me about this dumb schmaltzy poem she heard someone read at an AA meeting.  It got me thinking.  It was about how while we are on earth, our limitations are such that we can only see the underside of the tapestry that God is weaving.  God sees the topside, the whole evolving portrait and its amazing beauty, and uses us as the pieces of thread to weave the picture.  We see the glorious colors and shadings, but we also see the knots and the threads hanging down, the think lumpy patches, the tangles.  But God and the people in heaven with him see how beautiful the portraits in the tapestry are.  The poem says in this flowery way that faith is about the willingness to be used by God wherever and however he most needs you, most needs the piece of thread that is your life.  You give him your life to put through his needle, to use as he sees fit.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
Every one says, "Run along, There's a little darling!" If I'm a little darling, why don't they run with me?
A.A. Milne (Now We Are Six (Winnie-the-Pooh, #4))
The inability to love ourselves has a negative impact on our ability to love others and receive love.
Sarah Khalil A.A. (Journal Of Life)
What Americans value and strive for is straight talking, plain saying. They don’t go in for ambiguity or dissembling, the etiquette of hidden meaning, the skill of the socially polite lie.
A.A. Gill (To America with Love)
Black-and-white thinking is the addict's mentality, which can be a bar to recovery when one is still active. But an addict who finds the willingness can then rely on the same trait to stay clean: "Just don't drink," they say in AA. How's that going to work for an addicted eater? Food addicts have to take the tiger out of the cage three times a day. I've read that some drinkers have tried "controlled drinking," and it hasn't been very successful. Eaters don't just have to try it; they must practice it to survive. Having a food plan is an attempt to address that, and having clear boundaries is a key to its working. But the comfort of all or nothing is just out of reach. ... I'm saying that food addicts, unlike alcoholics and may others, have both to try for perfection and to accept that perfection is unattainable, and that the only tool left is a wholesome discipline. The problem is, if we had any clue about wholesome discipline, we wouldn't be addicts.
Michael Prager (Fat Boy Thin Man)
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
David Foster Wallace (Infinite Jest)
The 2-Man seniorest males’ bedroom has a bunch of old AA bumper-stickers on it and a calligraphic poster saying EVERYTHING I’VE EVER LET GO OF HAS CLAW MARKS ON IT, and the answer to Gately’s knock is a moan,
David Foster Wallace (Infinite Jest)
For a long time they looked at the river beneath them, saying nothing, and the river said nothing too, for it felt very quiet and peaceful on this summer afternoon. "Tigger is all right really," said Piglet lazily. "Of course he is," said Christopher Robin. "Everybody is really," said Pooh. "That's what I think," said Pooh. "But I don't suppose I'm right," he said. "Of course you are," said Christopher Robin.
A.A. Milne
Close your eyes and see me, I say, tugging and shredding at your heart as I grin. I am the shadow over your shoulder. Look up. There I am. Do you feel yourself grow colder? Let the devil love you, the shadow projects delusions. Imagine what that sort of love is capable of. I’m the macabre. Master of illusions.
A.A. Dark (24690 (24690, #1))
Angel is responsible for all the AA prayers and mottoes. DON’T THINK AND DON’T DRINK. Angel put a cold wet one-sock on Tony’s head and knelt beside him. “Brother, believe me … I’ve been there … right down there in the gutter where you are. I know just how you feel.” Tony didn’t open his eyes. Anybody says he knows just how someone else feels is a fool.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
Do you know what A means, little Piglet?” “No, Eeyore, I don’t.” “It means Learning, it means Education, it means all the things that you and Pooh haven’t got. That’s what A means.” “Oh,” said Piglet again. “I mean, does it?” he explained quickly. “I’m telling you. People come and go in this Forest, and they say, ‘It’s only Eeyore, so it doesn’t count.’ They walk to and fro saying ‘Ha ha!’ But do they know anything about A? They don’t. It’s just three sticks to them. But to the Educated—mark this, little Piglet—to the Educated, not meaning Poohs and Piglets, it’s a great and glorious A. Not,” he added, “just something that anybody can come and breathe on.
A.A. Milne (The House at Pooh Corner)
But, Eeyore," said Pooh, "was it a Joke, or an Accident? I mean--" "I didn't stop to ask, Pooh. Even at the very bottom of the river I didn't stop to say to myself, '*Is* this a Hearty Joke, or is it the Merest Accident?' I just floated to the surface, and said to myself, 'It's wet.' If you know what I mean.
A.A. Milne (The World of Winnie-the-Pooh (Winnie-the-Pooh, #1-2))
When religion does not move people to the mystical or non-dual level of consciousness9 it is more a part of the problem than any solution whatsoever. It solidifies angers, creates enemies, and is almost always exclusionary of the most recent definition of “sinner.” At this level, it is largely incapable of its supreme task of healing, reconciling, forgiving, and peacemaking. When religion does not give people an inner life or a real prayer life, it is missing its primary vocation. Let me sum up, then, the foundational ways that I believe Jesus and the Twelve Steps of A.A. are saying the same thing but with different vocabulary:   We suffer to get well. We surrender to win. We die to live. We give it away to keep it.   This counterintuitive wisdom will forever be resisted as true, denied, and avoided, until it is forced upon us—by some reality over which we are powerless—and if we are honest, we are all powerless in the presence of full Reality.
Richard Rohr (Breathing Underwater)
If an inmate swears at a guard, fights, or hides contraband like cigarettes or candy [Sheriff Arpaio has banned coffee, cigarettes, hot lunches, girlie mags & TV], she's kicked out of the tents and sent to lockdown--a tiny cell 10x12 feet that houses 4 women, instead of the 2 it was built for. There's no tv, no phone, & no a/c. Even though most of these women have drug problems, programs like NA or AA are considered 'privileges' forbidden to those locked down. The only way to get out of lockdown is to volunteer for the chain gang--the first & only female chain gang in the United States (as of Aug 1997). Volunteers sign a paper that says they know & accept the conditions on the chain--cleaning Phoenix streets, painting the center strip of miles of highway, & burying AZ's indigent. The accusation of 'cruel & unusual punishment' is quashed by the argument that the chain gang is purely voluntary. After all, if you prefer, you can spend the whole year in lockdown.
Jane Evelyn Atwood (Too Much Time: Women in Prison)
There is a name for this sudden slap of art, this falling through the rabbit hole of civilisation. It’s Stendhal’s syndrome: being overcome by beauty. They say that the guards in the Uffizi are trained to deal with collapsing Americans who have lived lives of blameless comfort in Midwestern ugliness and can’t compute the full beam of a Bronzino.
A.A. Gill (Pour Me: A Life)
Why are you here, Wesley?” “I told you,” he said. “I got worried. You’ve been avoiding me for the past week at school, and when I called you today, you didn’t answer. I thought something might have happened with your dad. So I came to make sure you were okay.” I bit my lower lip, a wave of guilt washing over me. “That’s sweet,” I murmured. “But I’m fine. Dad apologized for the other night, and he’s going to AA meetings now, so…” “So you weren’t going to tell me?” “Why would I?” “Because I care!” Wesley yelled. His words crashed into me, stunning me for a second. “I’ve been worried about you since you left my house a week ago! You didn’t even say why you left, Bianca. What was I supposed to do? Just assume you would be all right?” “God,” I whispered. “I’m sorry. I didn’t-” “I’m worrying about you, and you’re fucking that pretentious little-!” “Hey!” I shouted. “Don’t bring Toby into this.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
A.A. Milne, the guy who wrote Winnie the Pooh, said this one. ‘How lucky I am to have something that makes saying good-bye so hard.
Susan Hawke (Making Rules (Davey's Rules #6))
FEAR stands for face everything and recover. —Old AA saying
Stephen King (Doctor Sleep (The Shining, #2))
I wanted to ask why you were lonely, but what would I say if you asked me the same question?
A.A. Patawaran (Manila Was A Long Time Ago - Official)
Vespers Little Boy kneels at the foot of the bed, Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. God bless Mummy. I know that's right. Wasn't it fun in the bath tonight? The cold's so cold, and the hot's so hot. Oh! God bless Daddy -- I quite forgot. If I open my fingers a little bit more, I can see Nanny's dressing-gown on the door. It's a beautiful blue, but it hasn't a hood. Oh! God bless Nanny and make her good. Mine has a hood, and I lie in bed, And pull the hood right over my head, And I shut my eyes, and I curl up small, And nobody knows that I'm there at all. Oh! Thank you, God, for a lovely day. And what was the other I had to say? I said "Bless Daddy," so what can it be? Oh! Now I remember. God bless Me. Little Boy kneels at the foot of the bed. Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers.
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
I told them this was their language, this English, this most marvellous and expressive cloak of meaning and imagination. This great, exclamatory, illuminating song, it belonged to anyone who found it in their mouths. There was no wrong way to say it, or write it, the language couldn’t be compelled or herded, it couldn’t be tonsured or pruned, pollarded or plaited, it was as hard as oaths and as subtle as rhyme. It couldn’t be forced or bullied or policed by academics; it wasn’t owned by those with flat accents; nobody had the right to tell them how to use it or what to say. There are no rules and nobody speaks incorrectly, because there is no correctly: no high court of syntax. And while everyone can speak with the language, nobody speaks for the language. Not grammars, not dictionaries. They just run along behind, picking up discarded usages. This English doesn’t belong to examiners or teachers. All of you already own the greatest gift, the highest degree this country can bestow. It’s on the tip of your tongue.
A.A. Gill (A.A. Gill is Further Away: Helping with Enquiries)
On days she is half-lucid, Rob finds Manika a bore, too self-absorbed and a little shallow, removed from reality, a spoiled kid from Manila, where she is heiress to billions—or stolen billions, as his father would say.
A.A. Patawaran (Manila Was A Long Time Ago - Official)
The institution of monarchy developed during the Middle Ages against the backdrop of the previously endemic struggles between feudal power agencies. The monarchy presented itself as a referee, aa power capable of putting an end to war, violence, and pillage and saying no to these struggles and private feuds. It made itself acceptable by allocating itself a juridical and negative function, albeit one whose limits it naturally began at once to overstep.
Michel Foucault
At the very least, we should know they’re coming, I can’t guarantee it will keep out Vol--” “Don’t say the name!” Ron cut across her, his voice harsh. Harry and Hermione looked at each other. “I’m sorry,” Ron said, moaning a little as he raised himself to look at them, “but it feels like a--a jinx or something. Can’t we call him You-Know-Who--please?” “Dumbledore said fear of a name--” began Harry. “In case you hadn’t noticed, mate, calling You-Know-Who by his name didn’t do Dumbledore much good in the end,” Ron snapped back. “Just--just show You-Know-Who some respect, will you?” “Respect?” Harry repeated, but Hermione shot him a warning look; apparently he was not to argue with Ron while the latter was in such a weakened condition.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Lines and Squares Whenever I walk in a London street, I'm ever so careful to watch my feet; And I keep in the squares, And the masses of bears, Who wait at the corners all ready to eat The sillies who tread on the lines of the street, Go back to their lairs, And I say to them, "Bears, Just look how I'm walking in all of the squares!" And the little bears growl to each other, "He's mine, As soon as he's silly and steps on a line." And some of the bigger bears try to pretend That they came round the corner to look for a friend; And they try to pretend that nobody cares Whether you walk on the lines or squares. But only the sillies believe their talk; It's ever so portant how you walk. And it's ever so jolly to call out, "Bears, Just watch me walking in all the squares!
A.A. Milne
The word "lesson" came back to Pooh as one he had heard before somewhere. "There's a thing called Twy-stymes," he said. "Christopher Robin tried to teach it to me once, but it didn't." "What didn't?" said Rabbit. "Didn't what?" said Piglet. Pooh shook his head. "I don't know," he said. "It just didn't. What are we talking about?" "Pooh," said Piglet reproachfully, "haven't you been listening to what Rabbit was saying?" "I listened, but I had a small piece of fluff in my ear. Could you say it again, please, Rabbit?
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
He hadn’t taken drugs for many years, and had also given up drinking. According to Tony Visconti, he and David went to AA: “David found it very useful. We talk about being each other’s support system. If two people from the program sit together, that’s technically an AA meeting. Every two or three days we talk about it, although we don’t start and end with a prayer. I’ll say, ‘I’m coming up to my twelfth birthday,’ and he says, ‘Well it’s been my twenty-third.’ I ask, ‘Do you miss it?’ and he says, ‘I don’t miss it at all.
Wendy Leigh (Bowie: The Biography)
You tell me. Is contentment death? Does one need to want in order to live? Can one aspire to that which is not material?” “It would seem wise to aspire to objects more real and less fleeting than a feeling state which you can’t bank on,” Tuttle says. “You may feel good now, but say something happens and you don’t feel so good later. In your model there’s no backup: you can’t say, ‘Well, I feel like crap but at least I have a really nice car and a big television set.’” “Why not say, I may feel bad now but I felt good before and chances are I’ll feel good again?
A.A. Holmes
—so much more opportunity now." Her voice trails off. "Hurrah for women's lib, eh?" "The lib?" Impatiently she leans forward and tugs the serape straight. "Oh, that's doomed." The apocalyptic word jars my attention. "What do you mean, doomed?" She glances at me as if I weren't hanging straight either and says vaguely, "Oh …" "Come on, why doomed? Didn't they get that equal rights bill?" Long hesitation. When she speaks again her voice is different. "Women have no rights, Don, except what men allow us. Men are more aggressive and powerful, and they run the world. When the next real crisis upsets them, our so-called rights will vanish like—like that smoke. We'll be back where we always were: property. And whatever has gone wrong will be blamed on our freedom, like the fall of Rome was. You'll see." Now all this is delivered in a gray tone of total conviction. The last time I heard that tone, the speaker was explaining why he had to keep his file drawers full of dead pigeons. "Oh, come on. You and your friends are the backbone of the system; if you quit, the country would come to a screeching halt before lunch." No answering smile. "That's fantasy." Her voice is still quiet. "Women don't work that way. We're a—a toothless world." She looks around as if she wanted to stop talking. "What women do is survive. We live by ones and twos in the chinks of your world-machine." "Sounds like a guerrilla operation." I'm not really joking, here in the 'gator den. In fact, I'm wondering if I spent too much thought on mahogany logs. "Guerrillas have something to hope for." Suddenly she switches on a jolly smile. "Think of us as opossums, Don. Did you know there are opossums living all over? Even in New York City." I smile back with my neck prickling. I thought I was the paranoid one. "Men and women aren't different species, Ruth. Women do everything men do." "Do they?" Our eyes meet, but she seems to be seeing ghosts between us in the rain. She mutters something that could be "My Lai" and looks away. "All the endless wars …" Her voice is a whisper. "All the huge authoritarian organizations for doing unreal things. Men live to struggle against each other; we're just part of the battlefield. It'll never change unless you change the whole world. I dream sometimes of—of going away—" She checks and abruptly changes voice. "Forgive me, Don, it's so stupid saying all this." "Men hate wars too, Ruth," I say as gently as I can. "I know." She shrugs and climbs to her feet. "But that's your problem, isn't it?" End of communication. Mrs. Ruth Parsons isn't even living in the same world with me.
James Tiptree Jr.
The Ninth Amendment, which is not often mentioned, was perfectly foresighted. It says the numeration of the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people. So no future law could be made that would deny or trespass on rights already given to Americans.
A.A. Gill (To America with Love)
Each person in the group said something except for me. My silence became noticed. About halfway through the meeting I started to think, I've got to talk. Today, I've got to talk. Fear racked me so bad that sweat ran down my sides. I thought, After the curly-haired woman stops talking I'll raise my hand. A man with a cocky smile told the curly woman that her story was nothing compared to his, he'd been passed out cold from heroin and God knows what, and I wanted to tell him to quit glorifying hinself. I was just about to say the words, a few faces turned toward me as if they could sense my imminent speech, when a man across the circle interrupted. The opportunity passed; what I wanted to say wouldn't fit now. I tilted on the back two legs of the chair and waited for my desire to speak and be noticed and be part of the group to travel back through my nervous system. Up the synapses condemnation rushed: Why couldn't I spit something out like a normal person?
Daphne Scholinski (The Last Time I Wore a Dress)
In after-years he liked to think that he had been in Very Great Danger during the Terrible Flood, but the only danger he had really been in was in the last half-hour of his imprisonment, when Owl, who had just flown up, sat on a branch of his tree to comfort him, and told him a very long story about an aunt who had once laid a seagull’s egg by mistake, and the story went on and on, rather like this sentence, until Piglet who was listening out of his window without much hope, went to sleep quietly and naturally, slipping slowly out of the window towards the water until he was only hanging on by his toes, at which moment luckily, a sudden loud squawk from Owl, which was really part of the story, being what his aunt said, woke the Piglet up and just gave him time to jerk himself back into safety and say, “How interesting, and did she?” when—well, you can imagine his joy when at last he saw the good ship, The Brain of Pooh (Captain, C. Robin; 1st Mate, P. Bear) coming over the sea to rescue him.
A.A. Milne (Winnie the Pooh (Winnie-the-Pooh #1))
The surgeon tells me that you're a sorcerer," Pym said. "Is that so?" Jaki looked to the captain with the glare of the masts in his eyes. "Yes." Pym weighed this disclosure. "You speak with the dead?" "Yes." The captain's eyes screwed up intently. "What do they say to you?" "They don't talk back." Pym and Mister Blackheart laughed in unison...The captain said, "Mister Blackheart wants to know what kind of sorcerer you are." Jaki pondered a response and finally said, "I was learning to catch souls before my teacher was killed." "Souls, eh? And what do you do with them after you catch them?" "I put them back in their bodies." "Ah, then you're telling us you're a surgeon.
A.A. Attanasio (Wyvern)
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.” She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?” “All of it. I can’t have those things with you. You know what I am.” “Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.” “But the other part—” “What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips. “A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.” She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?” He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.” The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.” “Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
Shelby Reed (The Fifth Favor)
The monstrous versions of himself and Hermione were gone: There was only Ron, standing there with the sword held slackly in his hand, looking down at the shattered remains of the locket on the flat rock. Slowly, Harry walked back to him, hardly knowing what to say or do. Ron was breathing heavily: His eyes were no longer red at all, but their normal blue; they were also wet. Harry stooped, pretending he had not seen, and picked up the broken Horcrux. Ron had pierced the glass in both windows: Riddle’s eyes were gone, and the stained silk lining of the locket was smoking slightly. The thing that had lived in the Horcrux had vanished; torturing Ron had been its final act. The sword clanged as Ron dropped it. He had sunk to his knees, his head in his arms. He was shaking, but not, Harry realized, from cold. Harry crammed the broken locket into his pocket, knelt down beside Ron, and placed a hand cautiously on his shoulder. He took it as a good sign that Ron did not throw it off. “After you left,” he said in a low voice, grateful for the fact that Ron’s face was hidden, “she cried for a week. Probably longer, only she didn’t want me to see. There were loads of nights when we never even spoke to each other. With you gone…” He could not finish; it was only now that Ron was here again that Harry fully realized how much his absence had cost them. “She’s like my sister,” he went on. “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew.” Ron did not respond, but turned his face away from Harry and wiped his nose noisily on his sleeve. Harry got to his feet again and walked to where Ron’s enormous rucksack lay yards away, discarded as Ron had run toward the pool to save Harry from drowning. He hoisted it onto his own back and walked back to Ron, who clambered to his feet as Harry approached, eyes bloodshot but otherwise composed. “I’m sorry,” he said in a thick voice. “I’m sorry I left. I know I was a--a--” He looked around at the darkness, as if hoping a bad enough word would swoop down upon him and claim him. “You’ve sort of made up for it tonight,” said Harry. “Getting the sword. Finishing off the Horcrux. Saving my life.” “That makes me sound a lot cooler than I was,” Ron mumbled. “Stuff like that always sounds cooler than it really was,” said Harry. “I’ve been trying to tell you that for years.” Simultaneously they walked forward and hugged, Harry gripping the still-sopping back of Ron’s jacket. “And now,” said Harry as they broke apart, “all we’ve got to do is find the tent again.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Dan Lynch was chuckling, his hand around his small glass. 'I remember Billy saying that AA was a Protestant thing when you came right down to it. Started by a bunch of Protestants. He said he didn't like the chummy way some of them were always calling Our Lord by his first name. I drove him to the first meeting and waited to take him home, 'cause Maeve didn't want him driving, and when he came out he said you could tell who the Catholics were because they'd all been bowing their heads every ten seconds while the Protestants bantered on about Jesus, Jesus Jesus.' (And sure enough, up and down our stretch of table, heads bobbed at the name.)
Alice McDermott (Charming Billy)
My first feeling at the end of AA is utterly amazing. Complete strangers getting together in rooms at all hours and saying things that are so personal, so incredibly intimate. This is the kind of stuff that happens in a relationship after a few months. But people here open up right away, with everyone. It's like some sort of love affair, stripped of the courtship phase. I feel bathed in safety. I feel like I have this secret place I can go and say anything in the world, about anything I feel, and it's okay. And this makes me feel grateful to be an alcoholic. And this is a very odd feeling. This is like what my friend, Suzanne, says about childbirth—that it husks the soul.
Augusten Burroughs (Dry)
Tradition Three “The only requirement for A.A. membership is a desire to stop drinking.” THIS Tradition is packed with meaning. For A.A. is really saying to every serious drinker, “You are an A.A. member if you say so. You can declare yourself in; nobody can keep you out. No matter who you are, no matter how low you’ve gone, no matter how grave your emotional complications—even your crimes—we still can’t deny you A.A. We don’t want to keep you out. We aren’t a bit afraid you’ll harm us, never mind how twisted or violent you may be. We just want to be sure that you get the same great chance for sobriety that we’ve had. So you’re an A.A. member the minute you declare yourself.
Alcoholics Anonymous (Twelve Steps and Twelve Traditions)
THESSALONIANS 5 Now concerning  w the times and the seasons, brothers, [1]  x you have no need to have anything written to you. 2For you yourselves are fully aware that  y the day of the Lord will come like a thief in the night. 3While people are saying, “There is peace and security,” then  z sudden destruction will come upon them  a as labor pains come upon a pregnant woman, and they will not escape. 4But you  b are not in darkness, brothers, for that day to surprise you like a thief. 5For you are all  c children [2] of light, children of the day. We are not of the night or of the darkness. 6So then  d let us not sleep, as others do, but let us  e keep awake and  f be sober.
Anonymous (The Holy Bible: English Standard Version)
Jordan B. Peterson says self-esteem doesn’t exist… and that SE training mostly results in narcissism. Jack Canfield says he wrote his first book about it. And guess what? They’ve BOTH been to Harvard! What are we to do in this confusing world? I started going to AA meetings and people there tell you to find a loving God… and then to get a job at the Kroger… Something’s wrong with this picture. If self-esteem exists, and I pray to God that it does, I cannot possibly find a job that will pay me enough money without undermining the dignity of my work, after all this Spirituality, and Sobriety, and Self Esteem & Therapy I've accumulated.... don't make me laugh. And I’m a bright guy, too. Officially.
Dmitry Dyatlov
Something they seem to omit to mention in Boston AA when you're new and out of your skull with desperation and ready to eliminate your map and they tell you how it'll all get better and better as you abstain and recover: they somehow omit to mention that the way it gets better and you get better is through pain. Not around pain, or in spite of it. They leave this out, talking instead about Gratitude and Release from Compulsion. There's serious pain in being sober, though, you find out, after time. Then now that you're clean and don't even much want Substances and feeling like you want to both cry and stomp somebody into goo with pain, these Boston AAs start in on telling you you're right where you're supposed to be and telling you to remember the pointless pain of active addiction and telling you that at least this sober pain now has a purpose. At least this pain means you're going somewhere, they say, instead of the repetitive gerbil-wheel of addictive pain. They neglect to tell you that after the urge to get high magically vanishes and you've been Substanceless for maybe six or eight months, you'll begin to start to 'Get In Touch' with why it was that you used Substances in the first place. You'll start to feel why it was you got dependent on what was, when you get right down to it, an anesthetic. 'Getting In Touch With Your Feelings' is another quilted-sampler-type cliche that ends up masking something ghastly deep and real, it turns out. [178: A more abstract but truer epigram that White Flaggers with a lot of sober time sometimes change this to goes something like: 'Don't worry about getting in touch with your feelings, they'll get in touch with you.’] It starts to turn out that the vapider the AA cliche, the sharper the canines of the real truth it covers.
David Foster Wallace (Infinite Jest)
I must say, you aren’t being very mature or very consistent!” His dark brows snapped together as their truce began to disintegrate. “What the hell is that supposed to mean?” Elizabeth bridled, looking at him like the haughty, disdainful young aristocrat she was born to be. “It means,” she informed him, making a monumental effort to speak clearly and coolly, “that you have no right to act as if I did something evil, when in truth you yourself regarded it as nothing but a-a meaningless dalliance. You said as much, so there’s no point in denying it!” He finished loading the gun before he spoke. In contrast to his grim expression, his voice was perfectly bland. “My memory apparently isn’t as good as yours. To whom did I say that?” “My brother, for one,” she said, impatient with his pretense. “Ah, yes, the honorable Robert,” he replied, putting sarcastic emphasis on the word “honorable.” He turned to the target and fired, but the shot was wide of the mark. “You didn’t even hit the right tree,” Elizabeth said in surprise. “I thought you said you were going to clean the guns,” she added when he began methodically sliding them into leather cases, his expression preoccupied. He looked up at her, but she had the feeling he’d almost forgotten she was there. “I’ve decided to do it tomorrow instead.” Ian went into the house, automatically putting the guns back on the mantel; then he wandered over to the table, frowning thoughtfully as he reached for the bottle of Madeira and poured some into his glass. He told himself it made no difference how she might have felt when her brother told her that falsehood. For one thing, she was already engaged at the time, and, by her own admission, she’d regarded their relationship as a flirtation. Her pride might have suffered a richly deserved blow, but nothing worse than that.
Judith McNaught (Almost Heaven (Sequels, #3))
— and then you’re in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it’s the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it’s you, the Substance has devoured or replaced and become you, and the puke-, drool-and Substance-crusted T-shirt you’ve both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest’s center and center-less eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you’ve been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It’s your enemy and your worst personal nightmare and the trouble It’s gotten you into is undeniable and you still can’t stop. Doing the Substance now is like attending Black Mass but you still can’t stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around. You are at a fork in the road that Boston AA calls your Bottom, though the term is misleading, because everybody here agrees it’s more like someplace very high and unsupported: you’re on the edge of something tall and leaning way out forward….
David Foster Wallace
There was a scuffling and a great thump: Someone else had clambered out of the tunnel, overbalanced slightly, and fallen. He pulled himself up on the nearest chair, looked around through lopsided horn-rimmed glasses, and said, “Am I too late? Has it started? I only just found out, so I--I--” Percy spluttered into silence. Evidently he had not expected to run into most of his family. There was a long moment of astonishment, broken by Fleur turning to Lupin and saying, in a wildly transparent attempt to break the tension, “So--’ow eez leetle Teddy?” Lupin blinked at her, startled. The silence between the Weasleys seemed to be solidifying, like ice. “I--oh yes--he’s fine!” Lupin said loudly. “Yes, Tonks is with him--at her mother’s--” Percy and the other Weasleys were still staring at one another, frozen. “Here, I’ve got a picture!” Lupin shouted, pulling a photograph from inside his jacket and showing it to Fleur and Harry, who saw a tiny baby with a tuft of bright turquoise hair, waving fat fists at the camera. “I was a fool!” Percy roared, so loudly that Lupin nearly dropped his photograph. “I was an idiot, I was a pompous prat, I was a--a--” “Ministry-loving, family-disowning, power-hungry moron,” said Fred. Percy swallowed. “Yes, I was!” “Well, you can’t say fairer than that,” said Fred, holding out his hand to Percy. Mrs. Weasley burst into tears. She ran forward, pushed Fred aside, and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father. “I’m sorry, Dad,” Percy said. Mr. Weasley blinked rather rapidly, then he too hurried to hug his son. “What made you see sense, Perce?” inquired George. “It’s been coming on for a while,” said Percy, mopping his eyes under his glasses with a corner of his traveling cloak. “But I had to find a way out and it’s not so easy at the Ministry, they’re imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am.” “Well, we do look to our prefects to take a lead at times such as these,” said George in a good imitation of Percy’s most pompous manner. “Now let’s get upstairs and fight, or all the good Death Eaters’ll be taken.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
THESSALONIANS 5 Now concerning  wthe times and the seasons, brothers, [1]  xyou have no need to have anything written to you. 2For you yourselves are fully aware that  ythe day of the Lord will come like a thief in the night. 3While people are saying, “There is peace and security,” then  zsudden destruction will come upon them  aas labor pains come upon a pregnant woman, and they will not escape. 4But you  bare not in darkness, brothers, for that day to surprise you like a thief. 5For you are all  cchildren [2] of light, children of the day. We are not of the night or of the darkness. 6So then  dlet us not sleep, as others do, but let us  ekeep awake and  fbe sober. 7For those who sleep, sleep at night, and those who get drunk,  gare drunk at night. 8But since we belong to the day, let us be sober,  hhaving put on the breastplate of  ifaith and love, and for a helmet the hope of salvation. 9For God has not destined us for  jwrath, but  kto obtain salvation through our Lord Jesus Christ, 10 lwho died for us so that whether we are awake or asleep we might live with him. 11Therefore encourage one another and build one another up, just as you are doing.
Anonymous (The Holy Bible: English Standard Version)
I had a lot of resentment against my brothers for what they did to me. I carried this anger around with me, and it was actually making me sick. There is a saying in AA that if you have resentments it keeps you away from the joy of sobriety, and this was true. I was carrying a load on my shoulders. One day we talked about the abuse in counselling, and my counsellor asked me if it was happening today. I said, “No.” She suggested living for today and leaving yesterday in the past. I did not know what she meant until I got thinking about it. If I dwelled on the past it would rob me of today. That made a lot of sense. I was stuck in the past. To get past it, I had to accept that yes I was a victim of sexual abuse and yes, I was a victim of residential school, but that was in the past. This is very hard to do because the result of these events changed my views on everything I do today. I have to learn how to keep myself in the present, instead of the past. It is a continuous battle within me. It is like I have dual personalities, and one wants to overtake the other. One still wants to be Karen the victim, who wants the attention and pity. The other, Karen the Survivor, wants to be independent and strong and wants to help others.
Karen Chaboyer (They Called Me 33: Reclaiming Ingo-Waabigwan)
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation. “Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part. The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?” “Do you want to make it into one?” Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.” “Why not?” “You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.” “They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.” His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape. “How do you remember it?” he teased as his lips came closer. “Show me.
Judith McNaught (Almost Heaven (Sequels, #3))
For the next twenty minutes Elizabeth asked for concessions, Ian conceded, Duncan wrote, and the dowager duchess and Lucinda listened with ill-concealed glee.. In the entire time Ian made but one stipulation, and only after he was finally driven to it out of sheer perversity over the way everyone was enjoying his discomfort: He stipulated that none of Elizabeth’s freedoms could give rise to any gossip that she was cuckolding him. The duchess and Miss Throckmorton-Jones scowled at such a word being mentioned in front of them, but Elizabeth acquiesced with a regal nod of her golden head and politely said to Duncan, “I agree. You may write that down.” Ian grinned at her, and Elizabeth shyly returned his smile. Cuckolding, to the best of Elizabeth’s knowledge, was some sort of disgraceful conduct that required a lady to be discovered in the bedroom with a man who was not her husband. She had obtained that incomplete piece of information from Lucinda Throckmorton-Jones, who, unfortunately, actually believed it. “Is there anything more?” Duncan finally asked, and when Elizabeth shook her head, the dowager spoke up. “Indeed, though you may not need to write it down.” Turning to Ian, she said severely, “If you’ve any thought of announcing this betrothal tomorrow, you may put it out of your head.” Ian was tempted to invite her to get out, in a slightly less wrathful tone than that in which he’d ordered Julius from the house, but he realized that what she was saying was lamentably true. “Last night you went to a deal of trouble to make it seem there had been little but flirtation between the two of you two years ago. Unless you go through the appropriate courtship rituals, which Elizabeth has every right to expect, no one will ever believe it.” “What do you have in mind?” Ian demanded shortly. “One month,” she said without hesitation. “One month of calling on her properly, escorting her to the normal functions, and so on.” “Two weeks,” he countered with strained patience. “Very well,” she conceded, giving Ian the irritating certainty that two weeks was all she’d hoped for anyway. “Then you may announce your betrothal and be wed in-two months!” “Two weeks,” Ian said implacably, reaching for the drink the butler had just put in front of him. “As you wish,” said the dowager. Then two things happened simultaneously: Lucinda Throckmorton-Jones let out a snort that Ian realized was a laugh, and Elizabeth swept Ian’s drink from beneath his fingertips. “There’s-a speck of lint in it,” she explained nervously, handing the drink to Bentner with a severe shake of her head. Ian reached for the sandwich on his plate. Elizabeth watched the satisfied look on Bentner’s face and snatched that away, too. “A-a small insect seems to have gotten on it,” she explained to Ian. “I don’t see anything,” Ian remarked, his puzzled glance on his betrothed. Having been deprived of tea and sustenance, he reached for the glass of wine the butler had set before him, then realized how much stress Elizabeth had been under and offered it to her instead. “Thank you,” she said with a sigh, looking a little harassed. Bentner’s arm swopped down, scooping the wineglass out of her hand. “Another insect,” he said. “Bentner!” Elizabeth cried in exasperation, but her voice was drowned out by a peal of laughter from Alexandra Townsende, who slumped down on the settee, her shoulders shaking with unexplainable mirth. Ian drew the only possible conclusion: They were all suffering from the strain of too much stress.
Judith McNaught (Almost Heaven (Sequels, #3))